TALES FROM THE HINDU DRAMATISTS - Awaken Video
TALES FROM THE HINDU DRAMATISTS - Awaken Video
TALES FROM THE HINDU DRAMATISTS - Awaken Video
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DHANANJAYA VIJAYA.<br />
It is the composition of Kanchana Acharya, the son of Narayana, a<br />
celebrated teacher of the _yoga_, of the race of Kapi Muni.<br />
MRIGANKALEKHA.<br />
The drama was composed by Viswanath, the son of Trimala Deva, originally<br />
from the banks of the Godaveri, but residing at Benares, where it was<br />
represented at the _yatra_, or festival, of Visweswara, the form under<br />
which Siva is particularly worshipped in that city.<br />
KAUTUKA SERVASWA.<br />
This is a Prahasana or Farce, and is especially a satire upon princes<br />
who addict themselves to idleness and sensuality, and fail to patronize<br />
the Brahmans.<br />
It was composed by a Pandit named Gopinath for representation at the<br />
autumnal festival of the _Durga Puja_.<br />
CHITRA YAJNA.<br />
This heterogeneous composition is the work of a Pandit of Nadiya,<br />
Vaidyanath Vachespati Bhattacharya, and was composed for the festival of<br />
Govinda, by desire of Iswar Chandra, the Raja of Nadiya.<br />
HASYARNAVA.<br />
This comic play is a severe but grossly indelicate satire upon the<br />
profligacy of Brahmans assuming the character of religious mendicants.<br />
It satirizes also the encouragement given to vice by princes, the<br />
inefficacy of ministers, and the ignorance of physicians and<br />
astrologers.<br />
It is the work of a Pandit named Jagaddisa, and was represented at the<br />
vernal festival; but where, or when, it is not known.<br />
RATNAVALI.<br />
Although the personages are derived from Hindu history, they are wholly<br />
of mortal mould, and unconnected with any mystical or mythological<br />
legend; and the incidents are not only the pure inventions of the<br />
dramatist, but they are of an entirely domestic nature.<br />
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