Metropolitan Lines Issue 2 - Brunel University
Metropolitan Lines Issue 2 - Brunel University
Metropolitan Lines Issue 2 - Brunel University
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Pierre’s abuse began during his<br />
first week in the children’s<br />
home: sodomised, beaten, made to<br />
indulge in all manner of sex acts<br />
with men and other children. After a<br />
time it became a way of life.<br />
It was whilst being pounded<br />
from behind by his sixteen -stone<br />
carer that the revelation came to<br />
him. For four years he had endured<br />
the worst kind of abuse that could<br />
be imagined. He was alive because<br />
he did not complain. Others had<br />
and they had disappeared, never to<br />
be heard from again. He had<br />
become a vessel into which was<br />
dumped the sexual gratification of<br />
others. The ones that liked him<br />
called him Chicken Jack, a<br />
nickname acquired from a certain<br />
technique in which he had become<br />
proficient. He had been fucked<br />
every which way but loose. But he<br />
had not surrendered, he had<br />
watched and he had learnt, learnt<br />
how to avoid the beatings, how to<br />
please his masters, how to hide his<br />
true feelings and how to lie expertly.<br />
In that dark place he came to know<br />
the nature of men, their desires,<br />
their capacities, their weaknesses.<br />
The headmaster looked up as the<br />
fifteen-year-old boy placed the<br />
stills of the headmaster himself and<br />
the two boys he was sodomising on<br />
his desk. The boy pressed a button<br />
on a tape recorder and the wood<br />
panelled and richly furnished office<br />
filled with the sound of him<br />
grunting with out gravelly<br />
exclamations of love. A soundtrack<br />
to the images he held in his hands,<br />
occasionally punctuated by winces<br />
of pain from two children who<br />
otherwise remained silent<br />
throughout his exertions.<br />
His florid features looked like<br />
they were going to melt, the colour<br />
rose so quickly in them. The tips of<br />
his forefingers and thumbs were<br />
white with pressure as he held the<br />
photographs. The tape finished and<br />
the boy pressed the stop button<br />
with a click.<br />
Slowly the colour returned to his<br />
fingers as if draining from his face.<br />
He listened to the boy as he talked,<br />
as the boy told him what would be<br />
set in motion if anything happened<br />
to him. That unless he made a<br />
phone call to a very special number<br />
every day these pictures, the tape,<br />
and everything else would be<br />
Filth<br />
32<br />
postgraduate fiction<br />
released to the media and the police<br />
at the same time.<br />
The police did not worry the<br />
Headmaster, the media did.<br />
‘What do you want?’ he asked<br />
finally, when the boy had stopped<br />
talking.<br />
He expected a series of<br />
ultimatums centred around the<br />
halting of all abuse. He couldn’t<br />
have been more wrong. The boy<br />
wanted money. The abuse was not<br />
only to continue, but increase as<br />
Oh, ok. So that's how it works.<br />
I had no idea the world was this simple to figure out.<br />
I was overthinking things all along.<br />
I always thought the world was such a big, scary place to live in,<br />
with no place to hide.<br />
But no, once you figure it out, it's all so easy.”<br />
“See, I told you it would be.”<br />
From the front garden of my second home,<br />
I could see a spindly old woman stalking<br />
Down the road.<br />
She had her arms raised up above her head,<br />
And her fingers were hooked like claws.<br />
As she was passing,<br />
She suddenly turned towards me,<br />
Letting out a guttural noise.<br />
Her face was unclear,<br />
But despite that,<br />
The resulting wave of fear was like<br />
The closing of an iron maiden,<br />
Slamming into me<br />
And piercing my body bone-deep.<br />
And for a long time,<br />
I was unaware<br />
That none of it<br />
Had actually happened.<br />
undergraduate poetry<br />
Jean-David Beyers<br />
<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />
Chicken Jack<br />
Perry Bhandal