Metropolitan Lines Issue 2 - Brunel University
Metropolitan Lines Issue 2 - Brunel University
Metropolitan Lines Issue 2 - Brunel University
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<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />
1
Summer 2008<br />
FICTION<br />
POSTGRADUATES<br />
Ben Hart 3 World Gone Wrong<br />
Carolyn Skelton 8 Parting Gift<br />
Jo Hurst 10 Hodge<br />
Johanna Yacoub 12 Magilligan<br />
Kate Simants 21 Canal<br />
Perry Bhandal 24 Chicken Jack<br />
Ali Sheikholeslami 35 Paradise, Etc.<br />
FACULTY<br />
William Leahy 38 Emotional Spaceman<br />
John West 42 December 1945...<br />
UNDERGRADUATES<br />
Laura Brown 43 A Lesson Learned<br />
Maria Papacosta 53 Piano<br />
POETRY<br />
UNDERGRADUATES<br />
Marc Spencer 11 Pantoum - The Prophet<br />
Kerry Williams 13 Decadence in the Bathroom<br />
13 Been There, Done That<br />
Emanuele Libertini 8 Pure Research<br />
Mark Woollard 27 The Snail<br />
Jean-David Beyers 29 Thirteen Ways of Looking<br />
at Scissors<br />
32 Filth<br />
Maria Ridley 39 Weeping Woman<br />
45 CC’s<br />
Kerry Williams 48 Paranoia<br />
Shane Jinadu 15 Scarf Me Up<br />
15 Johnny<br />
Marc Spencer 11 Haiku<br />
Visit us on-line:<br />
<strong>Metropolitan</strong> <strong>Lines</strong><br />
http://arts.brunel.ac.uk/gate/ml/index<br />
<strong>Brunel</strong> <strong>University</strong><br />
http://www.brunel.ac.uk/<br />
The Department of English at <strong>Brunel</strong> <strong>University</strong>, School of Arts<br />
http://www.brunel.ac.uk/about/acad/sa/artsub/english<br />
2<br />
postgraduate fiction<br />
<strong>Metropolitan</strong> <strong>Lines</strong><br />
Summer 2008<br />
Editors:<br />
David Fulton<br />
Robert Stamper<br />
Subediting, Layout and Formatting:<br />
Samuel Taradash<br />
<strong>Metropolitan</strong> <strong>Lines</strong> is the literary<br />
magazine of <strong>Brunel</strong> <strong>University</strong>’s School<br />
of Arts. It exists to showcase the<br />
creative writing, prose and poetry of<br />
students, faculty and staff connected to<br />
the School of Arts at <strong>Brunel</strong> <strong>University</strong>.<br />
Questions, comments or submissions<br />
are welcome, and should be sent to<br />
david.fulton@brunel.ac.uk<br />
Any submissions should be sent as<br />
attachments to e-mail in the form of<br />
.doc or rtf files. Please, check your<br />
spelling and grammar before sending.<br />
The copyrights of all works within are held by their<br />
respective authors. All photographs by Samuel<br />
Taradash, except for page 42, which was was<br />
first published anonymously in the Soviet Journal<br />
Ogonyok, and is currently in the public domain.<br />
<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />
Contents<br />
Editorial Staff
World Gone Wrong<br />
Ben Hart<br />
1. Trying to get to Heaven<br />
The rain slid cautiously down<br />
the angel’s faces, dripping off<br />
their noses and falling to the floor.<br />
Below them a lone hobo sought<br />
shelter within the church that they<br />
guarded, his knocking echoing out<br />
dully through the empty building.<br />
Bemoaning the lack of response<br />
from within the church, the hobo<br />
brushed his soaking hair away from<br />
his face and staggered out into the<br />
churchyard. Pulling his battered<br />
coat around himself as tightly as it<br />
would go, he lay down on a sodden<br />
bench and did his best to sleep.<br />
The night was a bitter one and<br />
sleep did not come easily to the<br />
hobo, but he was exhausted from<br />
the hardships of the day and<br />
eventually it took him, wrenching<br />
him away from the world and into a<br />
wholly better one of his own<br />
devising. For the next three hours<br />
he drifted in and out of<br />
consciousness, hearing the tongues<br />
of angels and men singing in unison<br />
to a tune that his mind couldn’t<br />
place.<br />
Gradually the music began to tail<br />
off. Then it stopped altogether. The<br />
hobo’s eyes snapped open and he<br />
saw the face of a policeman peering<br />
down into his own.<br />
‘Come on you, on your bike!’<br />
The hobo rolled off the bench<br />
and rubbed his bleary eyes.<br />
‘I need to speak with the<br />
Reverend,’ he said. ‘Then I’ll be on<br />
my way’.<br />
‘I’m sure the Reverend has better<br />
things to do than tend to the likes of<br />
you!’ boomed the policeman. He<br />
grabbed the hobo roughly by the<br />
shoulder and shoved him in the<br />
direction of the church gates.<br />
‘I have as much right to be here<br />
as anyone!’ protested the hobo,<br />
gazing up pleadingly at the concrete<br />
angels that towered above him.<br />
‘Sleeping rough on church<br />
property is against the law. I’m<br />
obliged to move you on.’<br />
‘Was Jesus himself not an<br />
outlaw?’<br />
***<br />
2. My Name Is Nobody<br />
My mind’s a mess. Congested.<br />
Like a town centre in<br />
desperate need of a bypass. I stare<br />
out the window, notepad in hand,<br />
and chew at the skin around my<br />
well-bitten nails. It’s a fine old day<br />
outside: sunshine mingling sociably<br />
with a sweeping wind and deft<br />
flakes of snow. It’s the kind of<br />
weather that would usually sound<br />
poetic however you described it, but<br />
today my brain just isn’t up to the<br />
challenge. It blanks me, cutting my<br />
prose off before I’ve even written<br />
anything. Sighing, I clamber up<br />
from my seat and make coffee –<br />
black, no sugar. The caffeine does<br />
its best to stimulate but my body’s<br />
having none of it. I drain my cup<br />
and return to the window, its<br />
grubby pane now flecked with<br />
snow.<br />
I’m starting to think that the<br />
world’s turned its back on me. The<br />
girl I picked up last night left before<br />
it was light and didn’t leave a<br />
number. Nobody else is answering<br />
my calls. No one’s calling either. I lie<br />
on my bed, put a CD on and spend<br />
the next six minutes listening to<br />
3<br />
postgraduate fiction<br />
Bob Dylan attempting to cure<br />
America’s ills by calling forth the<br />
spirit of a long-dead blues singer.<br />
That fails to inspire me much either,<br />
so I turn off the player and lie in<br />
silence, counting down the seconds<br />
until I have to rouse myself and head<br />
off to work.<br />
I’m the assistant manager of a<br />
video shop. Correction: a back-alley<br />
video shop. Our closed sign’s<br />
scrawled on a piece of Weetabix box<br />
and our selection’s limited. Often I<br />
try to broaden our customers’<br />
horizons, suggesting they try<br />
something a little artier than the<br />
norm, but rarely are they having any<br />
of it. Tonight it’s particularly quiet.<br />
There’s a new multi-national store<br />
due to open up the road in a couple<br />
of weeks and I reckon most of our<br />
clientele are saving themselves for<br />
that. It’s a sobering thought. I really<br />
don’t see how we can stay in<br />
business after it hits.<br />
I decide to amuse myself by<br />
staring at the wall and asking<br />
rhetorical questions. Who am I?<br />
What am I doing here? Basic<br />
existential stuff. A couple of girls<br />
come in while I’m doing this and<br />
leave hurriedly, giggling. It doesn’t<br />
really bother me. I get paid the same<br />
whether they rent anything out or<br />
not. Later, about ten, just as I’m<br />
preparing to head home, the shop<br />
fills up and I find myself bombarded<br />
with videos from all angles. A Hugh<br />
Grant flick here, a Halle Berry<br />
there. One kid, obviously underage,<br />
tries to get out a Van Damme – one<br />
of his later straight-to-video jobbies.<br />
I ID him and he presents me with a<br />
laminated piece of cardboard that<br />
he’s obviously scanned off his<br />
computer ten minutes beforehand.<br />
<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008
When questioned about its legitimacy he just shrugs<br />
and asks what harm it can do.<br />
Before cashing up I check the inbox on my phone. It<br />
makes unpleasant reading: no new messages. I turn off<br />
the main lights and complete my chores by the flickering<br />
of the popcorn machine and the second-hand rays of the<br />
streetlights outside. 2ps, 5ps, 10ps, 20ps…I arrange<br />
them all in order, in rows, just how the boss likes them.<br />
The door flies open and a man comes barging in,<br />
collar pulled up high, his head masked by a balaclava. I<br />
draw his attention to the closed sign on the door but he<br />
doesn’t want to listen. He wants the money in the till,<br />
the money I’ve just spent the last<br />
twenty minutes arranging, the<br />
money that was providing me<br />
with an excuse not to head home.<br />
We struggle and the money goes<br />
flying everywhere. This angers<br />
me. I hate to see my handiwork<br />
undone, and I go for him, biting<br />
and scratching, trying to wrench<br />
the wool from his face. He’s far<br />
too strong for me though, and I<br />
find myself flung against the wall,<br />
a knife pressed up close to my<br />
throat.<br />
‘Make another sound,’ he hisses, ‘make another<br />
sound and I promise that I’ll fucking kill you!’<br />
‘Kill me?’ I chuckle. ‘I’m already dead.’<br />
3. The Silver-Tongued Devil<br />
***<br />
The beer I had for breakfast wasn’t bad, so I had<br />
another for desert. Pellets of rain clattered into the<br />
windows, launched from the swirling wisps of cloud<br />
that circled above. The clock hit eleven with a<br />
begrudging ‘thunk.’ I gathered up my overcoat, slung it<br />
on and headed for the door.<br />
Outside a kid swore at a can that he was kicking; the<br />
tires of a U-Haul truck squealed; a man with a badge<br />
skipped on by; the smell of frying chicken aroused my<br />
nostrils. I passed it all by and blundered into the nearest<br />
bar, rubbing my malnourished eyes as the artificial<br />
lights hit them.<br />
She was stuck in a world<br />
where she didn’t belong; if<br />
she left him then she left<br />
everything. Gutsy little thing<br />
went ahead and did it.<br />
Credit to her.<br />
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postgraduate fiction<br />
The barman nodded and handed me a beer. I<br />
thanked him and surveyed my surroundings, mapping<br />
out the day. Drank my beer down and gazed out the<br />
window. Traffic flashed past, a girl in an orange dress.<br />
The bar was filling up now; people were on their lunch,<br />
eating, drinking. Smoke hung low in the air and I had to<br />
rest my chin on the bar to escape it. Time passed and I<br />
went with it: some kids being refused admission, the<br />
whirring of a fruit machine, the monotony of the<br />
barman’s chatter. Life became a haze, a smoke-filled<br />
oblivion. My eyes strained against it, working harder<br />
than anticipated. There was a girl alone at a table –<br />
brunette, nice smile.<br />
I introduced myself. Talk<br />
flowed freely. I lied about my day;<br />
she did likewise. There was a<br />
copy of the local rag on the table<br />
and we skimmed through it.<br />
Seems there’s a killer on the loose.<br />
The press have dubbed him ‘The<br />
Silver-Tongued Devil’. He<br />
charms his way into people’s<br />
houses, wins their trust and then<br />
slays them. Uses whatever’s at<br />
hand. Sometime last month he<br />
caved an old lady’s skull in with a brick. It made one hell<br />
of a mess on the carpet. I pointed this out to the girl and<br />
warned her against being out late at night; she did<br />
likewise. We laughed, inhaled smoke, watched it follow<br />
its tail, round and round. She was alone for the night,<br />
had walked out on her bloke. The barman came over<br />
and brushed aside the glasses, winking at me. We<br />
continued talking, had lots in common. Poor little thing<br />
had got involved with the wrong guy and hadn’t realised<br />
until it was too late. It was a nasty situation: she was<br />
stuck in a world where she didn’t belong; if she left him<br />
then she left everything. Gutsy little thing went ahead<br />
and did it. Credit to her.<br />
The drinks kept flowing and our jaws kept jacking,<br />
hours melting into hours as we exchanged stories about<br />
a world gone wrong. Then the bell rung, last orders<br />
were called and we were out in the street, arm in arm,<br />
heading for her place. The rain still came but it was<br />
almost apologetic now, its rage quelled. We bantered<br />
on the doorstep, standing in defiance of the cold. The<br />
door was opened and we staggered inside. Laughter,<br />
jostling, the smell of wet denim.<br />
<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />
World Gone Wrong<br />
Ben Hart
Glasses were cleaned, filled and<br />
clinked. Lips touched lips. We<br />
joked about the Silver-Tongued<br />
Devil, wondering what he’d do if he<br />
caught us now. She wanted to fuck<br />
him and fuck the world. Lips again,<br />
chapped, balmed. Then the carpet,<br />
the burning, the pleasure, the<br />
screaming. I left her there, smiling,<br />
as happy and beautiful as anything<br />
I’d ever known. She was rigid,<br />
sleepy. I headed for home.<br />
The night was souring. Water<br />
sloshed around my ankles, seeping<br />
into my socks. A crack of a twig, the<br />
dirty stench of dying. The Silver-<br />
Tongued Devil was there, walking<br />
behind me. I fell, hands clammy, my<br />
throat choked with dust. Footsteps<br />
moving away, slowly, then quicker.<br />
I lay there, watching the rain flow<br />
into the gutter, wondering why he<br />
did what he did. Then the answer<br />
dawned: immortality. The death of<br />
the weak made him a God. You, me,<br />
them, she – we only live until we die.<br />
He will live forever. And to be<br />
remembered…is that not all any of<br />
us can ask for?<br />
The next morning I gargled, spat<br />
and headed down to the bar to face<br />
the day. The barman handed me a<br />
beer, told me the police had been in<br />
earlier, asking about the girl. I<br />
picked up the rag and browsed. He<br />
was in it again, that Silver-Tongued<br />
Devil. The opening of a new coffee<br />
shop had consigned him to page<br />
two. It was a paid advertisement.<br />
Pathetic. Absolutely pathetic.<br />
I tried to reason, to understand. I<br />
knew why but not how. Couldn’t<br />
comprehend how anyone could do<br />
what he did, without remorse.<br />
Except he did feel remorse, didn’t<br />
he? The days after the nights before<br />
the nights were spent in bars,<br />
slumping into depression, trying to<br />
find a reason not to go home.<br />
Eventually he’d probably find so<br />
many that he wouldn’t go back at all.<br />
He’d just sit there, always, searching<br />
for the adulation of the press.<br />
The smoke was hanging around<br />
again. My eyes saw page two. Page<br />
two. He killed and only made page<br />
two. Sad, like a child deprived of a<br />
bike, like a mother seeing her boy off<br />
to war, like a man who can’t see the<br />
road for tears in his eyes. Smoke.<br />
Everywhere. Take it back, passive,<br />
causes cancer, fuck it, we all die<br />
anyway. He’ll see to that. Nothing<br />
annoys the Silver-Tongued Devil<br />
more than being deprived of his<br />
rightful place on the front page by<br />
the opening of a new coffee shop. I<br />
was there when it happened and I<br />
doubt I will ever forget his rage:<br />
tables were overturned; cups and<br />
curses flew in unison.<br />
Pantoum – The Prophet<br />
The End Is Nigh!<br />
The Prophet yells,<br />
Words echoed in the sky.<br />
You have been told,<br />
The Prophet yells,<br />
The blasphemy of it all,<br />
You have been told,<br />
Heed Gods call!<br />
The blasphemy of it all,<br />
Reaching to the air.<br />
Heed Gods call!<br />
He yells a dare.<br />
Reaching to the air,<br />
His arms wave aimlessly.<br />
He yells a dare<br />
To those that can see.<br />
5<br />
postgraduate fiction<br />
The smoke was a shield, it broke.<br />
His anger continued unabated<br />
throughout the night. He swore<br />
he’d kill again. I felt him slip from<br />
the shadows, the smoke coming<br />
down like a curtain across the latest<br />
act. The girl was gone; the police<br />
were coming; it was time for him to<br />
leave.<br />
Rubbing my eyes, blinking,<br />
disbelieving, I watched as The<br />
Silver-Tongued Devil ran. I went<br />
with him, alongside him, keeping<br />
pace. Our eyes locked, trust was<br />
established. The clouds soared, the<br />
rain danced, the sun was tentative,<br />
the horizon near.<br />
Ever since that day we’ve been<br />
brothers, the Silver-Tongued Devil<br />
and I, though some say we’re one<br />
and the same.<br />
***<br />
undergraduate poetry<br />
His arms wave aimlessly,<br />
Grasping the ideas.<br />
To those that can see<br />
They spark many fears.<br />
Grasping the ideas<br />
He thrusts them below.<br />
They spark many fears<br />
An unholy blow.<br />
He thrusts them below,<br />
Words echoed in the sky,<br />
An unholy blow.<br />
The End Is nigh!<br />
Marc Spencer<br />
<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />
World Gone Wrong<br />
Ben Hart
4. Hard Times<br />
Ihad spent many lonely, restless nights dreaming of<br />
how I was going to greet my family when I was<br />
released from prison. On the day, I settled for a<br />
rudimentary hug from my mother and sister, and a slap<br />
on the back from my old man. They hurried me out of<br />
the prison gates and bundled me into the car. My mum<br />
muttered something about a party and how the guests<br />
would already be arriving. I smiled, seconds and even<br />
minutes flashing past as a blur. My sister hugged me<br />
again and told me how much she’d missed me. I forced<br />
another smile. As we drew ever nearer to home the<br />
conversation became stilted: I had little to tell them and<br />
they had told me all in their letters. Slumping back in<br />
my seat, I stared out the window and watched the birds<br />
soar out majestically above the<br />
hills, searching for food, secure in<br />
their purpose.<br />
We pulled onto our driveway<br />
some thirty seconds later. The car<br />
door was flung open and I was<br />
coated in relatives. Some regulars,<br />
others long lost. They grabbed<br />
and prodded me, commented on<br />
my weight loss, my muscle gain, my aged features. It<br />
was as though I, their former golden boy, was a rough<br />
diamond they were determined to polish up until I<br />
regained my former glory. Tea was served soon after,<br />
brought out promptly on the hour. As the wine flowed<br />
more freely so did the chatter. I dipped in and out of the<br />
conversation, riding it like a wave, jumping off<br />
whenever things got too much for me.<br />
At around ten-thirty my mother decided I must be<br />
tired and ushered me up to bed. It had been made up<br />
specially – duvets and pillows both uniform blue.<br />
Thanking her, I cast aside my clothes and flopped down<br />
on the bed, shuffling uncomfortably as the mattress<br />
sunk down and threatened to engulf me. My mother<br />
collected up my clothes and placed them in the washing<br />
basket.<br />
‘Breakfast will be at seven,’ she whispered, bending<br />
down to kiss me on the forehead.<br />
I murmured my acknowledgement and did my best<br />
to sleep.<br />
It was a rough night. Free from the catcalls of my<br />
fellow cons and my cellmate’s snoring, I was left at the<br />
I spent the rest of the day<br />
being paraded around like a<br />
trophy. By the end I had just<br />
about perfected a false grin.<br />
6<br />
postgraduate fiction<br />
mercy of my own dreams. Time and time again they<br />
came and, try as I might, I was powerless to stop them.<br />
Snippets of conversations, half-formed figures,<br />
encounters long since forgotten. I saw my life before I<br />
was sent down, I saw prison, and I saw my future. None<br />
of it seemed all that different to me.<br />
The next morning I slouched downstairs dead on<br />
seven and was greeted by the glorious smell of wellgrilled<br />
bacon. After bidding good-morning to all, I<br />
pulled up a chair and sat down alongside my sister. She<br />
smiled sweetly and offered to do something about my<br />
hair. The bacon was placed in the centre of the table and<br />
we all made a grab for it, laying slices out on slabs of<br />
thickly buttered bread. The taste was unparalleled but<br />
caused me to feel oddly nauseous. My stomach<br />
churning, I left the table and<br />
charged upstairs to the bathroom<br />
to be sick.<br />
I spent the rest of the day being<br />
paraded around like a trophy. By<br />
the end of it I had just about<br />
perfected a false grin. After being<br />
marched around the shops and<br />
kitted out in the threads my<br />
mother and sister agreed that I ought to be wearing,<br />
and enduring a dinner of lamb and sweet potatoes, I<br />
finally managed to slip away. Breathing deeply and<br />
savouring every breath, I reached the edge of the street<br />
and surveyed my surroundings, marvelling at how little<br />
had changed in the three years I had been away. The<br />
same people still scuttled around in the same houses,<br />
doing the same things. I paused to admire the stars that<br />
winked out in the night sky, stately yet ominous, the real<br />
masters of the universe.<br />
I pushed open the door to the ‘Jolly Bargeman’ and<br />
stepped inside. The musty air hit me and I longed to<br />
wipe it from my face. Over in the far corner sat my old<br />
crew, drinking, smoking, playing cards, pretending not<br />
to gamble. They hollered me a greeting and I raised my<br />
hand in acknowledgement. The barman had already<br />
poured me a pint when I got there. Someone must have<br />
briefed him about my arrival. I paid for the drink,<br />
fumbling my coins slightly, and took a seat alongside my<br />
friends.<br />
‘Great to have you back!’ One of them yelled<br />
‘We’re up for a biggun tonight!’ yelled another.<br />
‘Pub crawl next week? It’s Johnny’s birthday!’<br />
<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />
World Gone Wrong<br />
Ben Hart
‘Gotta be done!’<br />
‘Got to!’<br />
‘Got to!’<br />
‘Got to!’<br />
I wanted to stand up and scream,<br />
tell them to shut up, to shove their<br />
stupid ideas and mind their own<br />
fucking business. Their voices were<br />
relentless, piercing, incessant. I<br />
leaned back in my seat and closed<br />
my eyes, dreaming that I was far<br />
away, in another land, another time.<br />
‘So,’ someone asked. ‘How does<br />
it feel to be free?’<br />
I opened my eyes and stared<br />
across the table, looking them all in<br />
the eyes individually. Finally I<br />
spoke.<br />
‘Go find me a man who knows.’<br />
***<br />
5. Good as I’ve Been to You<br />
Old Dougie was a local treasure.<br />
He spent his days returning<br />
stray shopping trolleys to their<br />
rightful owners. To him they were<br />
lost sheep that were pining for their<br />
flock. He received no monetary<br />
reward for his actions, or thanks,<br />
but it gave him a purpose, a reason<br />
to exist, something to occupy his<br />
time with as he approached his<br />
eightieth year on the planet.<br />
At night he’d huddle on a park<br />
bench, sleeping bolt upright, knees<br />
pulled up close under his chin, his<br />
face crouched down below a flatcap.<br />
If the weather was bitter then<br />
he’d pull up the collar of his grubby<br />
mac to muffle its advances. The<br />
bench he most often frequented was<br />
situated near the town’s Catholic<br />
Church, directly adjacent to its<br />
huge iron gates that rose up high<br />
into the sky. Above these gates,<br />
mounted on a concrete plinth, were<br />
three concrete angels playing<br />
trumpets.<br />
One night, as he was admiring<br />
the angel’s architecture, a downand-out<br />
took a seat alongside him<br />
and began to swig noisily from a<br />
bottle of cheap cider.<br />
‘Lo,’ said Dougie, regarding the<br />
man with interest.<br />
The man grunted nasally and<br />
held out the cider. ‘Want some?’<br />
Dougie shook his head. ‘Don’t<br />
touch the stuff.’<br />
The two men stared up at the<br />
angels, their ragged features bathed<br />
in ethereal streaks of moonlight.<br />
7<br />
postgraduate fiction<br />
‘How long you been out here<br />
for?’ asked the man.<br />
‘About two years. My son was<br />
manoeuvring to put me into a home.<br />
I ran.’<br />
The man turned towards<br />
Dougie, his mouth quivering and<br />
threatening to gape out from behind<br />
his greying beard.<br />
‘You’re out here on your own<br />
will?’<br />
Dougie nodded.<br />
There was a service in the<br />
church, always was on Thursday<br />
nights. As the clock struck eight,<br />
ringing out mightily through the<br />
caustic night air, people started to<br />
file out of the building: kids,<br />
parents, grandparents. They were<br />
laughing, joking, singing snatches<br />
of hymns. They passed Dougie and<br />
the old man by, barely affording<br />
them a glance.<br />
‘Do you think anyone hears the<br />
music that they play?’ asked Dougie,<br />
suddenly, gazing up at the angels<br />
that stood high above him with<br />
their trumpets clasped tight.<br />
‘Do you reckon anyone even<br />
tries?’<br />
<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />
World Gone Wrong<br />
Ben Hart
Parting Gift<br />
by Carolyn Skelton<br />
He opened the door to her, not<br />
even bothering to hide his<br />
irritation. Hadn’t he told her only<br />
last month that it was all over? All<br />
over before it had really started,<br />
she’d said, ripping her paper<br />
handkerchief into shreds. For days<br />
after he’d found tiny bits of mangled<br />
tissue paper behind the furniture in<br />
the living room. Like a paper trail<br />
from the heart which led nowhere.<br />
‘Ray! How’s things?’ she asked, a<br />
smile stretched taut across her face.<br />
She hitched her tote bag higher up<br />
on her shoulder. It was then he<br />
noticed the leather gloves. They<br />
looked incongruous with her light<br />
sweater and jeans. He ignored the<br />
thought that she might be covering<br />
up some sort of self-mutilation. In<br />
any case, it would be more like her<br />
to flaunt the results of a half-baked<br />
suicide attempt, knowing it would<br />
press all his guilt buttons.<br />
‘Hey, Carrie.’<br />
‘I was just passing and . . .’ she<br />
continued.<br />
‘I’m packing.’<br />
‘For Pakistan?’<br />
‘Uh-huh. I’ve loads to do. The<br />
flight leaves tonight.’<br />
‘I’m not stopping. Just wanted to<br />
give you this.’ She bent her head<br />
over her bag, auburn curls flashing<br />
in the sunlight. He remembered the<br />
softness of her hair as it brushed<br />
against his thighs, and shook his<br />
head to dislodge the memory. It<br />
wouldn’t do to get too sentimental.<br />
Not now.<br />
She pulled out a small gold box<br />
and handed it to him. ‘Don’t open it<br />
yet. Keep it for the twentieth.’<br />
‘I’m not sure . . .’<br />
‘See it as a parting gift. A way of<br />
saying “thanks”.’<br />
‘For what?’<br />
‘Helping me to realise that you<br />
and I would never have made it.’<br />
‘Oh.’ He felt deflated now. ‘Do<br />
you want to come in or something?’<br />
‘Another time maybe.’<br />
Pure Research<br />
8<br />
postgraduate fiction<br />
‘Perhaps. I’ll be away for a month<br />
at least.’<br />
‘Just promise me you’ll keep it for<br />
the twentieth. You might need it out<br />
there in all that heat.’<br />
Outside, ominous cobwebs of tree, branches waving at the window pane,<br />
A sea of freeze-dried paralyzed limbs inside.<br />
I hear words like dripping blood and a thunder in my right ear:<br />
Warm, delicate, sinewy, scaly, oozing with the viscosity of mud,<br />
Murderous, fleeting, shady.<br />
Here talks a scientist in the bud, blossoms of grey crystalline cells,<br />
Alongside chrysanthemum and blue bells.<br />
This Bourne building is a prison for my carcass, bound in flowers,<br />
a garrison for plaster and tape people, the waste bubbling up,<br />
when Enrique, with great haste, belches words<br />
about dominant negative mutants.<br />
Unfortunate, to be all crammed in this office, like ants:<br />
Robert is indifferent, honest;<br />
Claudia, with laser beams and paper moons, idly staring at the ceiling;<br />
Christine reaches with intensity, dedication, reaches for science’s secret;<br />
Prajwal perches on the sofa, stifling a yawn;<br />
Enrique, flamboyant and patronizing, throws jargon at people;<br />
And all the while I smile arrogantly at the trees outside.<br />
Paul, diligent, calm,<br />
argues his point with care,<br />
while Wang, vampire-like,<br />
stands in awe of his master.<br />
Virginia sits<br />
in front of them,<br />
indulgent<br />
and benign,<br />
betraying a sense of superiority.<br />
undergraduate poetry<br />
Michael, being English,<br />
fumbles with<br />
hands and floppy hair,<br />
while Laci,<br />
smiling like a Japanese fox,<br />
curls in his seat,<br />
ready to fire yet another question.<br />
Emanuele Libertini<br />
<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008
He looked down at the box in his hands as if he’d<br />
only just noticed it. ‘Sure. I’ll send you a postcard.’<br />
‘Great.’ She bent forward as if to give him a kiss and<br />
he instinctively moved his head away. Her lips landed<br />
on his ear and he pulled back. She turned away quickly<br />
and headed up the path, only pausing at the gate to take<br />
off her gloves and stuff them into her bag. He watched<br />
her go and felt nothing but relief.<br />
Several times that afternoon he was tempted to open<br />
the box. His thirty-eighth meant nothing to him:<br />
birthdays never had been celebrated much in his family.<br />
But he remembered that look on her face when he’d<br />
dodged her kiss. It had reminded him of his mother’s<br />
that time he’d told her he wanted to live with his father.<br />
All hurt and defiance. An expression designed to make<br />
you feel bad.<br />
In the end he just threw her present into the suitcase.<br />
He was running late as usual and he’d planned to do<br />
some duty free shopping before his flight. Of course the<br />
ubiquitous malt was out, but the research team always<br />
appreciated a tin of shortbread or a mouse mat of the<br />
Cuillins. Something they couldn’t get in Karachi.<br />
The airport was crowded with families. He’d<br />
forgotten it was spring half term. That was the thing<br />
about not having children: you had no idea of the school<br />
calendar and were always surprised when they suddenly<br />
appeared everywhere. The queues for Malaga and<br />
Tenerife snaked out across the concourse. He dodged<br />
the track-suited families with their bulging bags, smug<br />
in the knowledge that he was travelling light. His small<br />
suitcase on wheels jerked and whined behind him like a<br />
recalcitrant dog as he headed over to the Pakistani Air<br />
desk.<br />
‘Window or aisle?’ asked the check-in clerk, giving<br />
him one of her professional smiles.<br />
9<br />
postgraduate fiction<br />
‘Window.’ He wouldn’t see anything at night, but he<br />
hated being disturbed when others wanted to get out<br />
of their seats. He hoped the flight would be smooth –<br />
not like the last time when they’d run into turbulence<br />
somewhere over the Middle East.<br />
A couple of security guards, machine guns strapped<br />
to their chests, glanced at him. Travelling nowadays<br />
was like being in a war zone. Particularly when flying to<br />
what were now casually referred to as ‘volatile regions.’<br />
He picked up his passport and boarding card and<br />
headed towards departures. No doubt there would be<br />
the usual nonsense of queuing for ages only to<br />
eventually be manhandled by some bored guy with an<br />
electronic baton. Thank God he only made the trip once<br />
a year. He pitied those exhausted looking executives<br />
who seem to spend their lives shuttling from one time<br />
zone to another, permanently bloated from airline food<br />
and cheap whisky.<br />
‘Dr Noble?’<br />
He turned to see one of the security guards at his<br />
elbow.<br />
‘Yes?’<br />
‘Would you come this way, please.’<br />
‘Of course.’ Stay calm. Stay calm and polite. ‘Is there<br />
anything wrong?’<br />
‘Please just follow me.’<br />
He allowed himself to be steered into a small<br />
windowless room. A bench ran along one wall. In the<br />
middle was a table where his suitcase lay gaping open<br />
like a wound, its disembowelled contents spilling out.<br />
His breathing came faster. Something wasn’t quite<br />
right with this scenario. He was Raymond Noble PhD,<br />
heading off to work on the diseased phytoplankton in<br />
the Bay of Karachi. He was the Pakistani research<br />
station’s great white hope, bringing new observation<br />
techniques to the underfunded fisheries lab.<br />
‘What’s going on here? What are you doing<br />
with my case?’<br />
A pair of handcuffs slid around his wrists.<br />
The cold metal made him wince. His bowels<br />
slackened.<br />
It was then he saw it. The little gold box,<br />
slashed and broken. The red silk cravat<br />
poking out of the tissue paper like a malicious<br />
tongue. But beside that something far worse.<br />
The false bottom smashed and ripped to<br />
reveal a dark, oblong object wrapped in<br />
cellophane. Something which looked like an<br />
overlarge laboratory faecal specimen.<br />
Carrie’s parting gift.<br />
<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />
Parting Gift<br />
Carolyn Skelton
Hodge<br />
by Jo Hurst<br />
During the daylight hours I am<br />
a respectful returner. I don’t<br />
rampage as the menagerie up at<br />
Newstead Abbey do. I am quiet and<br />
creep around the rooms that I once<br />
had full run of.<br />
That we only appear at night is<br />
untrue. That we choose to appear<br />
more frequently after darkness,<br />
when we are alone, when our home<br />
returns to us, is more the truth;<br />
though coming back often fills me<br />
with melancholy.<br />
It saddens me to think that our<br />
house has become an institution.<br />
It used to live and breathe with<br />
us, around us, through us. Now it<br />
is a just a space, orchestrated to<br />
offer visitors authenticity of times<br />
passed.<br />
To this end, the interloping<br />
custodians have employed a cat;<br />
to maximise the potency of the<br />
recreation. To recreate me, no less.<br />
To meander and muse her way<br />
around the parlour furniture, while<br />
strangers exhume memories of and<br />
pontificate on, my Master and His<br />
world. My Master and His Work.<br />
That they have chosen a feminine<br />
feline confuses; though I feel it is<br />
because they believe everything they<br />
hear or read on us. Therefore let me<br />
put straight, any distortions<br />
immediately. When the Master,<br />
while I entwined myself around his<br />
leg, said to his very excellent friend,<br />
Boswell, those many years ago now,<br />
‘I have had better cats,’ you believed<br />
that he loved me less? That I wasn’t<br />
the favourite? That those who<br />
graced his presence be they male or<br />
female, before or after me were held<br />
in higher esteem?<br />
To those who say such things,<br />
utter such mutterings, I say this.<br />
Whose bronze statue adorns the<br />
entrance here? Who was there<br />
when the real writing was done?<br />
When history was made. Whose<br />
name do they remember now?<br />
Together, my Master and I made<br />
something out of not much indeed<br />
and there wasn’t a multitude of us<br />
like there was in France. There was<br />
just the Master and His quill, and I.<br />
Hearsay can become heresy if<br />
attention is not paid. So take heed.<br />
Take all that you hear or read with a<br />
pinch of salt and a dollop of vinegar,<br />
the way I used to take my fish down<br />
at the Wharf. Pay attention to the<br />
unreliability of scribes historical and<br />
‘He is a very fine cat,’ my<br />
Master said.<br />
And He was a very sensible<br />
Man.<br />
certain memorists with perforated<br />
remembrances.<br />
And as you weren’t there I shall<br />
repeat the actual words spoken of<br />
me.<br />
‘He is a very fine cat,’ my Master<br />
said.<br />
And He was a very sensible<br />
Man.<br />
As was Poet Stockdale who<br />
wrote on me in his Elegy on the<br />
Death of Dr Johnson’s Favourite<br />
Cat. So what further proof do you<br />
need of my beloved status?<br />
Of course two such intelligences<br />
living under the same thatch can<br />
often bait each other’s<br />
imperturbability. And that my<br />
Master some time later broke a little<br />
piece of my small beating leonine<br />
heart when I uncovered my entry in<br />
the Dictionary, I have put behind<br />
me. And I lay it bare, the exact<br />
words here for all to see, to show my<br />
10<br />
postgraduate fiction<br />
spirit has left all base worldly upsets<br />
in the physical sphere.<br />
‘A domestick animal that catches<br />
mice, commonly reckoned by<br />
naturalists the lowest order of the<br />
leonine species.’<br />
For I can assure you I was my<br />
Master’s cat and I did much more<br />
than catch mice.<br />
For our achievements were<br />
mountainous; that the strangers<br />
whom I see here and chose to like<br />
not, have made mere curiosities of<br />
us, goads me. They do disservice<br />
our memories. Though I am not<br />
allowed to voice my disapproval. I<br />
am reminded that my memory is<br />
short and in the days before we’d<br />
gone to the Gods, we welcomed<br />
waifs and strays, strangers all.<br />
And this is true enough.<br />
‘Hodge,’ He says, to remind,<br />
‘We kept our door ajar so that they<br />
could share tea and brandy with<br />
me and milk and oysters with you.<br />
So that they could find welcome at<br />
whatever hour.’<br />
I hadn’t forgotten. I am my<br />
Master’s cat. But a stranger once<br />
talked to is a stranger no more.<br />
What do I have in common with<br />
these people who haunt our home<br />
now? They are not the loose<br />
moggies and prostitutes, the<br />
vagabonds and wayward tabbies<br />
and ally cat beggars that frequented<br />
our home in those days, who were<br />
all welcome. Not just welcomed,<br />
needed. We did indeed keep our<br />
door ajar for the misfortunates,<br />
because we ourselves were<br />
misfortunates. They kept us sane<br />
and although we enjoyed the<br />
company of respected human and<br />
feline folk, the melancholia we<br />
shared, my Master and I, sat well<br />
with them.<br />
These unfortunates suffered too<br />
our illnesses, tics and complaints<br />
<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008
that visited upon us. For they like us<br />
were afflicted. We, like them, from<br />
base beginnings. And being from<br />
such base beginnings we were<br />
forever humbled, and knew what it<br />
was like to forgo experience and<br />
knowledge. To forgo such natural<br />
entitlements because we did not<br />
have the money to pay for such<br />
things. That my Master devoured<br />
books, borrowed before he could<br />
buy, was the measure of the Man’s<br />
Majesty. Myself, the same. I too was<br />
known for my intelligence and could<br />
discourse on topics of the day at my<br />
Club as my Master did at His;<br />
when the melancholia left us alone.<br />
Oh, history teacher, my history teacher<br />
His shirt, trousers and socks were beige,<br />
But he was not.<br />
He was a history teacher.<br />
A damn fine history teacher.<br />
The King of all Kings of historical matter.<br />
What he didn’t know about the Tolpuddle Martyrs or<br />
the French Revolution<br />
Could be written on the back<br />
Of his unstarched, dirty shirt collar<br />
Coloured walnut brown,<br />
The same as his squashy shoes and buckled belt.<br />
He arrived for class as unmade<br />
As the bed he’d got out of,<br />
His hair worn long and thin<br />
Greased stagnant as he breezed in.<br />
He had what all great teachers should have: Presence.<br />
And this Presence was Flagrant. Felt. Electric.<br />
So electric that if your elbow happened to overhang<br />
the aisle<br />
He bestrode like a colossus,<br />
You’d feel the wrath of his nylon trousers<br />
And be zapped into participation<br />
By the static he’d built up in them<br />
Through his continual pacing.<br />
He talked non-stop with nasal-voiced authority<br />
Constantly swirling round to engage everyone.<br />
His bodily fluids set free.<br />
Spittle cascading out of his mouth<br />
Like the spray off a water-logged dog drying off.<br />
But accompanying the spittle and the sweat<br />
For at times it did blanket and<br />
overwhelm us.<br />
The year the Master’s beloved<br />
died, lost to age and unclean living,<br />
in particular left us heavy of heart<br />
and alone to witness the unveil of<br />
His life’s work. At times the<br />
despondency was like a fog, so thick<br />
that one had to step on to the streets<br />
for air and vision; to seek life. I<br />
forever marvelled at what I saw.<br />
Though I had seen it a thousand<br />
times, I never grew tired of it. For to<br />
grow tired of London is to grow<br />
tired of life. And it kept us both from<br />
succumbing for eternity to our<br />
depressions.<br />
11<br />
postgraduate fiction<br />
My Master would go and see his<br />
eminent friends for solace and I<br />
would go to the Wharf and watch<br />
the nature unfold. Freed from the<br />
confines of a house dominated by<br />
sickness; we could contemplate,<br />
ruminate, think on the reception my<br />
Master was receiving and the praise<br />
I had heaped on me for my dutiful<br />
companionship. And when we<br />
returned from the streets and to the<br />
Square, the melancholia lifted, we<br />
would thank the good Lord that we<br />
had found contentment and<br />
consolation. My sensible Master<br />
and His Favourite and Fine Cat,<br />
Hodge.<br />
History poured out of his apertures.<br />
History, and nothing but.<br />
For those forty-five minutes, you were with him.<br />
Bearing banner on the battlefield at Hastings<br />
Holed up in the Tower,<br />
Exchanging notes through nooks.<br />
By his side with bayonet pointing east at Flanders.<br />
Marching on Washington,<br />
Arms and thoughts linked with belief<br />
In what should be.<br />
So what that he looked liked a bonfire Guy Fawkes<br />
And smelt like a spare room between guests?<br />
So what he bypassed the shower?<br />
He was a busy, learned man<br />
With things to teach and students to be taught.<br />
Washing was a luxury for other people.<br />
And thankful we were for this diligence.<br />
Thankful for those 45 minutes<br />
When we were made to feel like he felt about history.<br />
When we became a Roman centurion<br />
A scared stiff Tommy<br />
A White Russian for a day.<br />
Looking back, I wager there’s not one person<br />
From that classroom,<br />
Having lived half a life by now,<br />
Who wouldn’t give up their loofah and soap<br />
To feel that passionately about something.<br />
Not one.<br />
Jo Hurst<br />
<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />
Hodge<br />
Jo Hurst
Magilligan<br />
by Johanna Yacoub<br />
Employment<br />
Henri Magilligan, a short<br />
stocky man, seemed to stand<br />
at a lop-sided angle to his<br />
surroundings. One shoulder sat<br />
lower than the other. One leg was<br />
shorter than the other. His left arm<br />
hung farther down his body than his<br />
right arm. This right arm, visibly<br />
smaller, tucked itself into the<br />
waistband of voluminous but<br />
threadbare jodhpurs bunched up by<br />
frayed baling twine slotted through<br />
their waistband. He counteracted<br />
the discrepancy in his legs by<br />
keeping the longer of the two limbs<br />
slightly bent and positioned a foot’s<br />
length to the front. His head,<br />
topped by a burning bush of ginger<br />
hair, was graced with an off-centre<br />
crescent smile which wrapped itself<br />
around his face. He appeared to<br />
have all his teeth.<br />
It was six thirty in the morning.<br />
The grate had been cleaned and the<br />
fire made up, but not yet relit. The<br />
room was cold. A gunmetal sky<br />
threw its dark cloak over the<br />
chateau and the gusting wind<br />
clattered the shutters against the<br />
wall on either side of the long<br />
windows. Jeanne had lit the oil<br />
lamps. Generator fuel was in short<br />
supply and electricity was only<br />
switched on for visitors.<br />
André twisted an old regimental<br />
scarf into a makeshift turban to<br />
protect his sensitive skin from the<br />
ferocious draught howling along<br />
the corridor. He’d wound his body<br />
in a Berber camel hair burnoose, a<br />
souvenir of colonial life. Examining<br />
himself in the mirror, he recollected<br />
the day he’d met Alexia, the spirited<br />
cavalry charge and the mock<br />
capture of Abdel Kadir. ‘Poor Abdel<br />
Kadir,’ he thought. ‘Even you<br />
looked better than I do now. Who’d<br />
have thought I’d end up like the<br />
monster in Frankenstein.’ Then he<br />
wheeled himself unaided from the<br />
bedroom, allowing Alexia to return<br />
to her room and change. As she<br />
scuttled past Henri, she paused,<br />
gawped, looked with incredulity at<br />
Jeanne and fled.<br />
They’d had a difficult night.<br />
André had grown accustomed to<br />
the hospital beds and found the soft<br />
mattress unsettling. His wounds<br />
were tender and every accidental<br />
movement in the bed painful. He’d<br />
woken frequently, each time<br />
disturbing Alexia. The enormity of<br />
their problem had sunk into her<br />
head. She was ready to grab any<br />
straw within reach with both hands.<br />
‘The name Magilligan,’ began<br />
André in his quiet voice, ‘it’s not<br />
exactly French....? Are you...were<br />
you a member of the armed forces?’<br />
Henri wrinkled his face in<br />
concentration, glanced briefly at<br />
Jeanne, then replied,<br />
‘Do I look like a soldier? I’ve<br />
great skill with horses and I did<br />
offer myself but neither your lot nor<br />
my lot were interested. They’ve<br />
already got enough horse copers<br />
and no-one detected the fighting<br />
potential in me. So, the answer is<br />
no, I was not in the armed forces.’<br />
André hesitated, as if<br />
reconsidering his tactics. He started<br />
again.<br />
‘I’m trying to find out if you’re a<br />
deserter.’<br />
‘I was never in the army to run<br />
away, Sir.’<br />
‘Magilligan, if that is your name?’<br />
André, confused, stopped. He<br />
wasn’t sure what he was trying to<br />
ask this odd-looking little man. ‘It’s<br />
not a French name yet you speak<br />
12<br />
postgraduate fiction<br />
French like a Frenchman. What if<br />
you’re a spy?’<br />
He regretted the question as<br />
soon as he’d asked it. ‘He’ll think I’m<br />
paranoid,’ muttered André to<br />
himself, but Magilligan seemed<br />
unperturbed by the insinuation.<br />
‘My grandfather was the<br />
Magilligan. Irish, but I never knew<br />
him. Drank himself to death before<br />
I was born.’<br />
Magilligan looked at André and<br />
raised his bushy eyebrows as if to<br />
deny any involvement in the<br />
inebriated downfall of his forefather,<br />
then let them subside to their<br />
natural resting place above his vivid<br />
blue eyes. André threw a fleeting<br />
look of bewilderment at Jeanne,<br />
whose face remained expressionless.<br />
‘My grandfather and father<br />
worked with the racehorses at<br />
Chantilly. I can ride as well as<br />
anyone but the gaffers wouldn’t let<br />
me race, so I stayed a stable lad.<br />
Chantilly’s closed now, as you<br />
know. My mother, God rest her<br />
soul, had relatives near Chalons. I<br />
found farm work, Sir.’<br />
Remembering the main thrust of<br />
André’s investigation, he added as<br />
reassurance,<br />
‘Nobody would take me into the<br />
espionage. I stick too much to<br />
peoples’ memories.’<br />
‘Do you know this man well,<br />
Jeanne?’<br />
André manoeuvred the chair to<br />
face her. She nodded and was about<br />
to speak when André swung round<br />
again to Henri.<br />
‘I’m looking for a valet; a very<br />
personal valet. I need a man to help<br />
me with the basic functions of<br />
living.’<br />
André removed his hands from<br />
under the blanket and held them<br />
forward, as if for inspection. The<br />
fingers on his left hand were fused<br />
<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008
together though his thumb was free. He turned his gaze<br />
to Henri and asked,<br />
‘What in your previous experience qualifies you for<br />
this work?’<br />
André’s tone was sceptical. Jeanne closed her eyes in<br />
resignation. The net would have to be cast wider.<br />
Henri, however, replied with pride in his voice.<br />
‘I’ve soothed nervous foals and mares. I’ve gentled<br />
yearling colts to the bridle, without being bitten. You<br />
need a soft touch for that, and the ability to predict their<br />
next move. I’ve kept their rugs clean and saddles<br />
polished to perfection. What’s the difference between a<br />
harness and a pair of shoes?’<br />
André nodded and was about to answer, but Henri<br />
hadn’t finished his self-justification.<br />
‘I’ve laundered silks for Rothschild’s jockeys and<br />
ironed shirts for the trainers. The shaving might take a<br />
bit of practice but I’ve a steady hand and to be truthful,<br />
Sir, I don’t see much to shave.’<br />
Remnants of André’s beard straggled in isolated<br />
tufts around the areas of less burned skin. A few strokes<br />
of the razor would take it off in the blink of an eye. To<br />
overcome that uncomfortable truth, André focused his<br />
eyes on Henri’s right hand. It left the waistband in a<br />
flash, described a couple of circles in the air, waggled<br />
its fingers, then returned to its resting place once it had<br />
demonstrated its viability. No-one spoke.<br />
‘You see,’ said Henri interrupting the silence, ‘It’s<br />
much shorter than the other and<br />
bothers folk to look at it but I<br />
promise, it works as well as its<br />
partner. I’ve learned to drive a car,<br />
even had lessons in its machinery<br />
and I’m a good shot. I can reload a<br />
gun blindfolded. You want me to<br />
show you?<br />
‘Not at this precise moment,<br />
thank you.’<br />
André was at a loss. Henri was<br />
not what he’d had in mind for a<br />
manservant. He adopted a different<br />
approach.<br />
‘May I ask a personal question?’<br />
‘By all means, Sir. Ask whatever<br />
you want,’ replied Henri with an<br />
unconcerned shrug.<br />
‘Your, er, disability?’ André did<br />
not wish to be impolite or indelicate.<br />
‘Was it as a result of a riding<br />
accident?’<br />
Decadence in the Bathroom<br />
Porcelain-white tiles shine with gold,<br />
Soft candle flames bounce about the<br />
room,<br />
Unworldly.<br />
The drip-drop of water hits the floor,<br />
Bath overwhelmed, candles, dancing<br />
flames sent overboard,<br />
Waxy scent of vanilla is overcome by<br />
the stink of burning.<br />
And it started with such a tiny light,<br />
Dancing in the water,<br />
Playing with its reflection –<br />
A metamorphosis.<br />
Burning, out of control.<br />
13<br />
postgraduate fiction<br />
‘No, Sir. God sent me like this into the world. He<br />
wanted to keep me safe from harm.’<br />
‘I don’t quite follow?’<br />
Henri’s logic escaped André. Jeanne, who’d known<br />
Henri’s maternal family since childhood, wondered<br />
what was coming. She couldn’t follow his logic either.<br />
‘Well, Sir,’ Henri adjusted his stance as his shorter<br />
leg was getting tired. ‘I’ve prepared horses for the<br />
military. All the officers to begin with are like you used<br />
to be, and often end up like you are now; that’s if they’re<br />
there at all. My bodily misfortune has kept me out of the<br />
fighting. At the end of it I’ll be what I was at the<br />
beginning, not better, that’s for sure, but no worse.’<br />
André closed his eyes. It was too early in the morning<br />
for this. He needed breakfast to unravel Magilligan’s<br />
clarification of God’s benevolence. Turning to Jeanne,<br />
he asked,<br />
‘Are you sure this man is up to the job? He looks as<br />
if he slept in the stables last night.’<br />
Before Jeanne had a chance to answer, Henri butted<br />
in.<br />
‘Indeed I did, Sir. I wanted to be here nice and early<br />
after Jeanne sent word you’d need a groom.’<br />
‘I don’t need a groom,’ countered André in<br />
exasperation. ‘I need a gentleman’s servant.’<br />
‘That’s what I meant, Sir. Instead of brushing down<br />
the horses, I’ll be doing you. There’s no difference. I’ll<br />
be just as careful with you as I was with them.’<br />
undergraduate poetry<br />
The taste of blood is rich and metallic<br />
in the mouth,<br />
Delicious if cut with tequila and lime,<br />
The rouge invisible on ruby red lips.<br />
Now it rages all around,<br />
The golden porcelain charred.<br />
The heat burns,<br />
Those tiny candles<br />
Consumed -<br />
All to nothing.<br />
Now in the mirror the flame sees<br />
what it’s become,<br />
The mirror glows in recognition:<br />
A monster.<br />
Kerry Williams<br />
<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />
Magilligan<br />
Johanna Yacoub
André looked down at his hands,<br />
then at Jeanne and finally at Henri.<br />
‘I’ll give you a week’s trial. Jeanne,<br />
can you find him something more<br />
suitable to wear? Make him take a<br />
bath. Find somewhere for him to<br />
sleep and bring my breakfast. I’m<br />
starving. In fact, send Denise<br />
through right away with a pot of<br />
fresh strong coffee. I’ve had nothing<br />
but lukewarm dishwater for the last<br />
four months.’<br />
He wheeled the chair towards<br />
his room, then stopped and turned<br />
back,<br />
‘And for God’s sake, light the<br />
bloody fires. I’m freezing.’<br />
Jeanne tugged Henri’s sleeve and<br />
led him from the room. As<br />
Magilligan left, André noticed he<br />
was slightly hunched and the line of<br />
his spine skewed to one side. At that<br />
moment, Alexia entered. Henri<br />
stepped back politely to allow her to<br />
pass.<br />
‘Morning, Ma’am,’<br />
He greeted her cheerfully with<br />
his off-balance smile and a slight<br />
nod of his head.<br />
‘I’ll be back to bathe the master in<br />
a moment. He’ll be spanking clean<br />
by the time I’ve finished.’<br />
‘Come on Henri,’ muttered<br />
Jeanne. ‘I’ve got to make you<br />
presentable and set out a few rules<br />
of the house.’<br />
‘You do that, Miss Jeanne. I<br />
won’t mind a bit and if I get it<br />
wrong you can wallop me with that<br />
big stick you hide in the pantry.’<br />
Jeanne pursed her lips and<br />
propelled Henri down the corridor.<br />
Despite his misgivings, André<br />
began to laugh. Alexia looked at<br />
him, her eyes wide with<br />
astonishment and dismay.<br />
‘You haven’t taken him on, have<br />
you? You must be out of your mind.’<br />
‘It’s the gas, Alexia... just keep<br />
telling yourself... your husband was<br />
gassed.’<br />
‘May God help us,’ she moaned<br />
as she collapsed onto the sofa.<br />
‘Well,’ said André, ‘God’s<br />
certainly with Magilligan, so maybe<br />
he’ll adopt us too.’<br />
♣<br />
That other small room behind<br />
the library had become a<br />
building site. Old tarpaulins were<br />
spread over the floor to protect the<br />
parquet and a construction of<br />
planks on trestles provided a raised<br />
walkway round the walls, giving<br />
access to the higher reaches and<br />
ceiling. A wooden ladder leant<br />
against the doorframe, and an old<br />
tea chest with a chipped wood block<br />
over it doubled as a worktable.<br />
Spare brushes bristled from a jar of<br />
turpentine and smaller paint pots<br />
nestled against a large bucket of<br />
white emulsion. Magilligan stirred<br />
this with a broken broomstick,<br />
before pouring the paint into the<br />
smaller pots. They were easier to<br />
manage and, if he did drop a pot, it<br />
wasn’t a disaster. He used his longer<br />
left arm for the painting, although<br />
he was by nature right handed.<br />
Balancing on the trestles, he<br />
dipped the broad brush into the<br />
paint and began covering the walls<br />
of the small bedroom with smooth<br />
strokes of colour. He worked<br />
methodically, tipping into the<br />
cornice below the ceiling then<br />
sweeping down to the skirting<br />
board, which he’d completed the<br />
day before. Hopping on and off the<br />
trestles was tiring, but he was<br />
determined to do a neat job. At the<br />
end of each panel of paint, he<br />
feathered out the edges and<br />
scooped up any drips with the dry<br />
14<br />
postgraduate fiction<br />
brush he kept in his overall pocket<br />
for that sole purpose. Then he<br />
wiped over the gloss finish of the<br />
wood, cleaning off stray spatters as<br />
he progressed round the room.<br />
He’d get this second coat on in a<br />
couple of hours, but would leave it<br />
to dry overnight. Many decorators<br />
thought fingertip dry was sufficient<br />
and added the next layer as soon as<br />
possible but he, Magilligan, knew<br />
better. That kind of short cut<br />
produced a patchy result as the real<br />
density of cover only showed when<br />
it had “gone off”, as his father used<br />
to say. It could look perfect at first,<br />
but the flaws soon appeared once<br />
the thorough drying process was<br />
finished.<br />
By the next day, after he’d<br />
touched up those patches where the<br />
under-colour was “grinning”<br />
through, another of his father’s<br />
expressions, it would be ready for<br />
the final application. He’d need to<br />
gloss over the skirting boards once<br />
more, but then he’d be into the first<br />
proper bedroom he’d ever had in his<br />
twenty-eight years. It had a<br />
washbasin with a mirror over it, and<br />
a bathroom further down the hall<br />
was for his sole use.<br />
March wasn’t the best month for<br />
decorating as the cold damp<br />
weather made it hard to leave<br />
windows open, but he needed to<br />
sleep within earshot of André. The<br />
sooner he finished, the quicker he’d<br />
be able to do that. An alternative<br />
had been a bed in André’s room, a<br />
proposal which had not appealed to<br />
anyone, least of all Alexia. She knew<br />
her husband needed quiet privacy<br />
until he was well enough to return<br />
to a more normal life. Alexia liked to<br />
sit with André in the cosy library<br />
and then in his room until as late as<br />
possible before retiring to her own<br />
bedroom on the first floor. The<br />
<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />
Magilligan<br />
Johanna Yacoub
presence of an extra person would have made that<br />
awkward.<br />
She’d also listened carefully to the advice of André’s<br />
doctors. They were united in the opinion that he’d<br />
recover more quickly in a peaceful and familiar<br />
environment. For four years, he’d led an<br />
institutionalised existence. Solitude was the first real<br />
casualty of war and the hospital, Spartan in its facilities,<br />
thrust the distress of devastating wounds into his face<br />
everyday. After his injury, a high level of medication had<br />
been inescapable. Painkillers remained a necessity, but<br />
opiate sedatives had been reduced. These powerful<br />
drugs had eased his initial physical agony and pacified<br />
the beasts dancing in his mind. Now those<br />
psychological horrors, exacerbated by morphine’s<br />
withdrawal symptoms, slipped off their chemical<br />
shackles and began to torment him with renewed<br />
ferocity.<br />
Memories of the battlefield traumatised every<br />
unguarded moment. The screams of wounded and<br />
dying soldiers echoed in André’s head. Foul imaginary<br />
smells plagued his senses, rising even from the food<br />
placed before him, and his hands trembled in the<br />
remembered cacophony of shellfire. Phantasmagoria<br />
filled his room with ghostly faces. Spectres waved from<br />
dark corners and leapt screeching from the folds of<br />
curtains. Spurts of flame from the fire in the grate<br />
became flashes of hallucinatory shell burst, pressing him<br />
into his pillows in terror. His ears filled with the crump<br />
of artillery as wind blustered through the gables of the<br />
old house. Shutters rattled like machine-gun fire and the<br />
cry of an owl howled with the horrific agony of a<br />
dismembered man.<br />
André frequently woke drenched in perspiration, the<br />
nausea rising in his throat as he clutched his burnt face<br />
and groaned with the excruciating pain pulsing through<br />
his absent leg. Magilligan, who was sleeping in the<br />
corridor on a folding camp bed he’d found in the attic,<br />
calmed André as none other could. Squatting on a low<br />
stool by the bed, Magilligan talked to him of races and<br />
horses, of stallions and bloodlines, all spiced with<br />
anecdotes of owners and trainers. He talked and talked<br />
until the phantoms were vanquished by André’s sleep<br />
of utter exhaustion. ‘Even hellhounds get tired,’ said<br />
Magilligan to himself as he slipped noiselessly from the<br />
room until the next sortie of the banshees of battle.<br />
The attic was a wonderland to Magilligan. Three<br />
hundred years of one family’s discarded debris lay<br />
strewn under the beams of the great house. Despatched<br />
up there by Jeanne in his quest for furniture, he’d<br />
15<br />
postgraduate fiction<br />
unearthed a cornucopia of rubbish. Impervious to the<br />
startled scuttle of mice, or the rustle of nesting birds in<br />
the eaves, he’d patiently plodded through the spiders’<br />
webs and mounds of dusty droppings to disinter an old<br />
armchair whose stuffing bulged ominously through its<br />
faded upholstery. Later, he’d chanced upon a<br />
serviceable chest of drawers with no apparent trace of<br />
worm, a bed and a wardrobe. He’d had doubts about<br />
the wardrobe, having nothing to hang in it but,<br />
reckoning his fortunes were on an upward trajectory,<br />
decided notwithstanding to bring it down in<br />
anticipation of his future prosperity.<br />
Magilligan, of whom life had expected nothing, was<br />
determined to demonstrate his unacknowledged<br />
qualities. He’d already rigged up a makeshift bell system<br />
from his bedroom to André’s room. Cords, plaited out<br />
of farmyard hemp, were looped along the corridor<br />
through a series of old curtain rings he’d found in a<br />
dilapidated trunk. As he’d touched the silk velvet they’d<br />
once supported, it disintegrated in brittle shreds<br />
between his fingers but the rings were sound, if a trifle<br />
rusty. The bell, decorated with smiling cows’ faces<br />
painted on the white outer enamel and bordered by pink<br />
and lavender pansies, was a souvenir André’s father had<br />
brought back from Switzerland. After enthusiastic<br />
admiration, it had been swiftly banished to attic<br />
purgatory from whence it now re-emerged, resonant<br />
with newfound purpose. The arrangement was rough<br />
and ready, but in these hard times it was the best he’d<br />
been able to do. Above all, it was fit for the task.<br />
He laughed to himself as he slapped on the paint.<br />
‘Me, a gentleman’s gentleman; who’d have ever<br />
thought it?’ he repeated, pinching himself in his pride<br />
and good luck. Sad his parents hadn’t lived to see the<br />
day, he thought, and resolved never to permit their<br />
demons to flow down his throat.<br />
‘Not that I don’t mind a little tipple every now and<br />
then,’ he said, ‘but there’s a time and a place for<br />
everything.’<br />
He dabbed at a corner of the wall to ensure enough<br />
colour was forced into the crease and continued his<br />
monologue, ‘and the whisky bottle has no place on the<br />
breakfast table.’<br />
Another expedition to the attic had produced a pair<br />
of cotton curtains overlooked by the legions of moths<br />
who’d feasted royally on nearly every other fabric they<br />
could sink their insect teeth into. By chance, he fell<br />
upon a couple of threadbare rugs. Clouds of dust<br />
billowed out of them as he’d staggered sneezing into the<br />
<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />
Magilligan<br />
Johanna Yacoub
kitchen, his trophies held high above his head. Jeanne<br />
had screamed,<br />
‘Get those filthy things out of here... out.. out out,’<br />
and shooing him with the broom, had steered him into<br />
the laundry, where they were first bundled with enough<br />
naphthalene to eradicate the moth population of<br />
Champagne. The curtains had washed up quite nicely,<br />
he thought, and could be hung once the paint was dry.<br />
He’d had a problem with the rugs. Rolled up for years,<br />
they were cracked and encrusted with dirt. Magilligan<br />
rigged up a line between two crossbeams in the stables<br />
and, slinging the rugs over it, had gone daily to shake<br />
and beat the grime out of them.<br />
‘It’s not the dust and mildew,’ he’d complained to<br />
Jeanne, ‘They’ve been self-composting for years. There’s<br />
enough muck here to start a flower garden.’<br />
‘What are you going to do about the tears and holes,’<br />
she’d asked.<br />
‘Don’t worry.’ Magilligan wasn’t concerned about the<br />
occasional hole. ‘Isn’t there a saddler in Chalons? He’ll<br />
have strong thread and those big needles with eyes like<br />
snaffle rings. I’ve mended harness, so I can mend a rug.<br />
It won’t look great, but it’ll cover the floor. That’s all I<br />
need.’<br />
Magilligan was excited by the notion of his own<br />
room. He’d always shared with his brothers or with<br />
other lads. On his uncle’s farm in Chalons, a boarded-off<br />
corner of the barn above the horses had been considered<br />
more than adequate for him, although the family lived in<br />
comfort in a large house with spare rooms. Washing<br />
had been at the pump by the kitchen door and his few<br />
possessions were kept rolled in a canvas cloth.<br />
‘No, Magilligan,’ he said. ‘This is not a step<br />
backwards. Finally you’re on your way.’<br />
♣<br />
Charles saw the doors to his kitchen refuge close in<br />
his face. His father’s return to Chateau de<br />
Belsanges opened the house to a stream of visitors for<br />
the first time since the beginning of the war. A<br />
disorientated toddler clinging to Jeanne’s skirts was a<br />
distraction. Too busy to devote time to him as before,<br />
Jeanne now chased him back to his sisters, where he<br />
was equally unwelcome. Violette and Inez resented his<br />
intrusion into their private world of dolls, or jigsaw<br />
puzzles and skipping competitions. A governess taught<br />
them at home and the local priest supplemented<br />
Mademoiselle’s basics with extra mathematics and a<br />
smattering of Latin. There was even talk of sending<br />
16<br />
postgraduate fiction<br />
them to the village school once the war ended. They’d<br />
grown out of Charles. He was no longer the baby<br />
brother they wheeled around the garden in his pram, or<br />
dressed up in their clothes for fun, but an annoying little<br />
boy who broke their playthings and interrupted their<br />
secret games.<br />
His familiar world was crumbling before his puzzled<br />
eyes. Everyday he grew sulkier and more disconsolate.<br />
His tantrums increased in frequency and ferocity and,<br />
to the horror of his mother, he was once again wetting<br />
the bed. Since that first dreadful encounter with his<br />
father, he hadn’t dared approach him. Alexia had tried<br />
to overcome his aversion but her encouragement was<br />
insufficient to quell his irrational fear whenever he saw<br />
the wheelchair. A reassuring grip on his hand and<br />
coaxing words, or promises of special treats, met with<br />
the same spectacular failure as threats and the<br />
occasional sharp slap. He’d come close enough to see<br />
André’s face, then wrench away his hand and run to the<br />
safety of the nursery. Once inside and with the door<br />
banged shut behind him, he’d kick his sisters’ toys<br />
around in a rage he couldn’t explain whenever Jeanne<br />
asked gently why he was so upset.<br />
To his deepening distress, Charles saw the girls<br />
conquer their initial reserve and re-establish their loving<br />
relationship with their father, a relationship he’d never<br />
known. His singular position as the only male in the<br />
household had been usurped by this man who now<br />
occupied centre-stage in everyone’s attention. The<br />
arrival of a strange russet-haired person, who seemed to<br />
be everywhere at once, also relegated him to a lower<br />
position in the domestic hierarchy. Wherever he turned,<br />
he was excluded.<br />
Charles crept along the corridor behind the library.<br />
His father was resting after lunch and Alexia had left for<br />
an afternoon of local social calls. Although<br />
apprehensive, his curiosity egged him on and, lured by<br />
the smell of fresh paint, he tiptoed to Magilligan’s room.<br />
The door was open. Charles hesitated on the threshold<br />
and leaned forward to peek inside. He was afraid to go<br />
in. The room was empty. There was no sound of<br />
footsteps pacing up and down, or a body shifting in a<br />
chair, or snoring from the bed. He took a tentative step<br />
forward, flattening himself against the side of the door<br />
to be less visible. At the edge of the door, he stopped<br />
and quickly looked behind to see if anyone was hiding<br />
there. Charles often hid behind the door then jumped<br />
out with a loud ‘boo’ to frighten Violette or Inez. There<br />
was no one. In the silence of the corridor, an irresistible<br />
<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />
Magilligan<br />
Johanna Yacoub
force gathered behind him to propel his small form<br />
through the doorway and into the deserted room.<br />
A narrow table stood by the bed. Straining on<br />
tiptoes, he stared up at the wood-framed photograph of<br />
a man and woman surrounded by children. Rosary<br />
beads lay to the side of the photograph. A pair of round<br />
glasses in fine wire frames and a pencil sat neatly aligned<br />
by a small book. Charles wasn’t tall enough to climb up<br />
onto the high bedstead without a struggle. Clutching<br />
at the counterpane and the brass corner rail, he<br />
managed to drag himself up. His short legs thrashed<br />
the air until he was perched on the quilted counterpane.<br />
He scrutinized the room with the intense concentration<br />
of a child. Apart from the battered chair and the<br />
wardrobe, its furnishing was meagre and bore no<br />
resemblance to the family bedrooms on the first floor.<br />
‘Well, little man. What are you doing in here?’<br />
Charles had been so engrossed in his inspection, he<br />
hadn’t heard Magilligan’s uneven footsteps on the<br />
limestone flags of the hall. He recoiled in shock, leaped<br />
to the other side of the bed and tried to jump down.<br />
Instead, he caught his foot in the bedcover and crashed<br />
headlong to the floor with a thump. Abandoning his<br />
earlier attempt to escape, Charles sat on the carpet and<br />
screamed. He wasn’t hurt, only startled, but over the<br />
years he’d discovered the best way out of a difficult<br />
situation was to start crying. Everyone would fuss over<br />
him, try to silence him and his original misdemeanour<br />
would be quickly forgotten.<br />
Magilligan limped round to Charles and said, ‘Now,<br />
why don’t you get up from there? The floor’s cold.<br />
There’s nothing wrong with you. Come on up!’<br />
This was not the reaction Charles expected. Why<br />
didn’t Jeanne come rushing in to pacify him? Where was<br />
Denise, pleading for calm with soothing words? He<br />
clambered to his feet and stared at Magilligan, who<br />
stared back. Charles expected more consolation than<br />
this man was offering. He began to roar with<br />
frustration, his mouth open so wide, Magilligan could<br />
see his tonsils. Charles felt two hands around his waist<br />
as he was lifted back onto the bed and plonked down<br />
with his legs dangling over the side. The hands<br />
continued down his torso, felt his arms, prodded his<br />
legs, checked that all limbs moved in the normal way<br />
and then chucked him under the chin.<br />
‘There’s nothing broken, so there’s no need for this<br />
terrible din. You’ll waken the dead with it. Think of the<br />
17<br />
postgraduate fiction<br />
bodies climbing out of their graves and chasing you<br />
going whoooo...’<br />
Magilligan waved his arms around his head like a<br />
ghost. Charles swallowed, sucked up a monumental<br />
inhalation of air and gathered every muscle in his body<br />
to expel another explosion of sound. Magilligan burst<br />
out laughing and clapped his hands together to<br />
emphasise how funny he found Charles’s behaviour.<br />
The shriek died in the back of the boy’s throat with a<br />
huge hiccup.<br />
‘That’s better,’ said Magilligan. ‘Your father’s asleep.<br />
We don’t want to wake him do we?’<br />
Charles didn’t know whether he wanted to wake his<br />
father or not. He stared at Magilligan and sniffed<br />
loudly. Magilligan produced a handkerchief, pressed it<br />
to Charles’s nose and ordered, ‘Blow!’ Charles blew,<br />
sniffed again and wriggled on the bed. Confused, he<br />
stuck his thumb in his mouth and wondered what to do.<br />
‘Why don’t we take a little walk?’ asked Magilligan.<br />
‘It’s a fine day, too nice to be cooped up indoors. What<br />
do you think?’<br />
He stretched out his hand to the boy. Charles eyed it<br />
suspiciously.<br />
‘Come on,’ he continued. ‘Let’s get you down from<br />
there, into a warm coat and out. A big boy like you<br />
needs to be running about. Let’s be having you.’<br />
Before Charles could start another bout of crying, he<br />
felt himself being lifted from the bed, set down on the<br />
floor and his hand gripped firmly. Henri marched him<br />
back along the corridor, across the ground floor of the<br />
house to the garden door near the kitchen where his<br />
spare coat always hung. He lifted it from the hook and<br />
taking Charles’s arm, pushed it into the sleeve, pulled<br />
on the other sleeve and buttoned up the coat.<br />
‘Now, we’re protected against the elements,’ stated<br />
Magilligan, as he opened the door. ‘Out we go, into the<br />
world. We’ll have an adventure.’<br />
Jeanne, who’d heard the commotion, but had chosen<br />
not to intervene, sneaked a quick look from behind the<br />
kitchen door and watched man and boy tramp across<br />
the deserted wintry garden to the woods behind the<br />
chateau.<br />
‘Both of them lost children,’ she thought. ‘They<br />
might do each other good, and if not, they’ll serve each<br />
other right.’<br />
♣<br />
<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />
Magilligan<br />
Johanna Yacoub
Magilligan’s Gift<br />
At the time, I didn’t appreciate<br />
what Henri did for me. I’d<br />
never been into the woods, alone or<br />
otherwise. It was forbidden. Woods<br />
teemed with savage animals; lions,<br />
tigers, wolves, even bears, all of<br />
which ate little boys, or so I was<br />
told. The truth was less exciting.<br />
Little boys explore forests with<br />
their older brothers or with children<br />
from their neighbourhood. I didn’t<br />
have an older brother and the<br />
reserve my mother upheld towards<br />
local families reduced our everyday<br />
social life considerably. She couldn’t<br />
slip into those easy-going<br />
friendships young mothers take as a<br />
matter of course. Visits to other<br />
families with children of my age<br />
were by written invitation and<br />
involved my being dressed in my<br />
best clothes and warned to behave.<br />
The reciprocal invitations were even<br />
worse and inevitably ended with me<br />
and at least one other child in tears,<br />
my sisters furious, and my being<br />
banished to the nursery in disgrace.<br />
To be fair to Maman, a war of<br />
attrition was in its death throes a<br />
mere fifty miles from the gates. Halfcrazed<br />
deserters from both the<br />
French and the German armies<br />
were living rough in the dense<br />
forests of the Champagne, surviving<br />
by poaching, theft and scavenging.<br />
The greatest danger however, apart<br />
from wild boar which rarely<br />
attacked or the occasional rutting<br />
stag, was that Champagne is a<br />
region grounded on chalk. This soil<br />
composition imparts its unique<br />
“terroir” and produces the wines for<br />
which we are famous. It also creates<br />
a network of cool, natural caves in<br />
which our glorious nectar is<br />
matured. The drawback of this<br />
geological phenomenon is that, at<br />
certain places, the upper chalk<br />
strata, thin as a girl’s skin, is held<br />
together by the root systems of<br />
trees, the grace of God and not<br />
much else. Without warning, the<br />
land can collapse into vast sink holes<br />
or vanish down the secret tunnels<br />
carved out by subterranean<br />
watercourses. Disappearances were<br />
not unknown and on one occasion,<br />
after heavy rains, an abyss appeared<br />
in a local farmer’s yard, swallowing a<br />
plough and the unfortunate old<br />
horse hitched to it. I believe they<br />
recovered the plough but the horse<br />
was past redemption. Jeanne,<br />
nervous of the woods to begin with,<br />
was afraid to explore with me in<br />
case we stumbled into one of the<br />
smaller chasms, so my early days<br />
were restricted to the garden.<br />
As the trees grew in whispering<br />
immensity before my eyes, I began<br />
to lag back, sensing I was stepping<br />
into an unknown world.<br />
Magilligan’s hand held me tight and<br />
I’d no option but to accompany him,<br />
though he wasn’t dragging me. I<br />
could have started another tantrum,<br />
but by then I’d grasped he was<br />
immune to those, so it wasn’t worth<br />
the effort. And, deep inside my three<br />
and three-quarter-year-old heart, I<br />
wanted to explore with the<br />
desperation of the born adventurer.<br />
A high stone wall protected the<br />
garden, and separated it from the<br />
estate land. There was a gate, but<br />
Magilligan steered me towards a<br />
four-step stile built at the point<br />
where the forest straggled down in<br />
closest proximity to the boundary.<br />
When we reached it, he swung me<br />
into his arms and, despite his<br />
disability, trotted up the steps with<br />
the agility of a mountain goat. Then<br />
he rolled himself and me over the<br />
top and down the other side. My<br />
safe familiar world now lay behind<br />
those grey stones, and the man I’d<br />
spent the last two months avoiding<br />
18<br />
postgraduate fiction<br />
had hoisted me out of it like a sack<br />
of pilfered potatoes.<br />
I’m sure my father must have<br />
lifted me into his arms as a baby but<br />
I’ve lost any memory of it. Jeanne<br />
had long ago stopped doing so. I’d<br />
grown too heavy. Despite the<br />
strangeness of the experience, I<br />
wasn’t anxious. On the contrary, I<br />
felt comforted and secure, even<br />
when he set me back down on my<br />
own two feet. From my low vantage<br />
point, the turrets of the chateau<br />
were just visible above the wall but I<br />
didn’t succumb to a momentary<br />
urge to run home. I could already<br />
smell the musty, rotting odour of<br />
ancient forest freshened by the<br />
bright green aroma of sprouting<br />
grass in the surrounding fields. My<br />
nostrils twitched like a hamster’s as<br />
the herbal fragrance of ferns rose<br />
from the mulchy soil to beckon me<br />
into this woodland paradise. A<br />
wave of elation swept over me and,<br />
tearing my hand loose from<br />
Magilligan’s clasp, I dashed<br />
headlong up a moss-springy path<br />
into the shadowy dapple of the<br />
trees.<br />
‘Oy, you little ratbag... where do<br />
you think you’re going?’<br />
The voice followed me up the<br />
path but freedom was so<br />
exhilarating I didn’t want to stop. I<br />
felt one hand on my shoulder to<br />
slow me down as the other hand<br />
restrained me.<br />
‘Not so fast. I don’t want to lose<br />
you in the woods and we’ve all<br />
afternoon. Now let’s just go a bit<br />
slower.’<br />
I remember I turned and asked<br />
what I should call him.<br />
‘Henri,’ he said, as he took my<br />
hand and led me deeper into the<br />
coolness of the woods. Pigeons<br />
gurgled on hidden branches and the<br />
wind through the treetops rustled<br />
like taffeta dresses at a ball. A<br />
<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />
Magilligan<br />
Johanna Yacoub
clattering whirr of wings startled me and I grabbed<br />
Henri’s trouser leg in alarm. He laughed and, putting<br />
his hand to his lips in a shushing sign, pointed out the<br />
white scut of a deer as it leapt silently over tangled<br />
undergrowth at the side of the path.<br />
‘Henri,’ I asked. ‘Can we catch something?’<br />
‘I don’t think so,’ he laughed, ‘but we can fill our<br />
pockets with cones and acorns for the fire. And maybe<br />
we’ll find some pretty pebbles in the stream.’<br />
I’ve no idea how far we walked. It seemed miles, but<br />
I was young and this was my first expedition to the<br />
outside world. We followed the path and crossed the<br />
stream on the stepping stones. I was too scared to jump,<br />
so Henri piggy-backed me over, then found some stones<br />
with beautiful striations. I use them as paper-weights to<br />
this day. My pockets were full to bursting. I was<br />
staggering like an overloaded pack donkey in an oriental<br />
bazaar.<br />
‘I think you’ve about had it,’<br />
said Henri as he crouched down<br />
in front of me. Without hesitation,<br />
I climbed on his bent back,<br />
hugged my arms round his throat<br />
and let him carry me home.<br />
Whether it was exhaustion or his<br />
strange side-to-side roll, I fell<br />
asleep and didn’t wake until we<br />
were crunching up the gravel of<br />
the main drive to the chateau.<br />
There was a welcome party, or<br />
rather, an unwelcoming party, as<br />
my over-protective mother,<br />
Jeanne, Denise and other members of the house-staff<br />
were pacing the cobblestones of the courtyard. They<br />
were all frantic with worry.<br />
‘Where have you been?’ shouted Jeanne as Henri set<br />
me down.<br />
Before he could answer, I rushed to my mother to<br />
show her my stones and exclaimed, ‘Look what I’ve got.’<br />
In my hurry to extract the treasures from my pocket, I<br />
dropped one of the stones into a puddle. The water<br />
splashed against my mother’s leg, but in my eagerness,<br />
I didn’t notice.<br />
‘And I found pine cones and saw a deer.’<br />
I stopped babbling and looked at Maman’s face, as<br />
she wiped the splashes from her stockings. I shrank<br />
back, biting my lip. She was angry. Foraging in the<br />
forests with the likes of Henri was not her idea of<br />
suitable amusement for her only son. Her face became<br />
He laughed and, putting his<br />
hand to his lips in a<br />
shushing sign, pointed out<br />
the white scut of a deer as<br />
it leapt silently over tangled<br />
undergrowth at the side of<br />
the path.<br />
19<br />
postgraduate fiction<br />
cold as the stones I was offering her. She turned to<br />
Jeanne and said,<br />
‘Take the boy in. I wish to speak to Magilligan.’<br />
As Jeanne moved towards me, I shrank back to<br />
Henri, my spurned stones clutched to my chest as tears<br />
pricked the back of my eyes. It had been the most<br />
wonderful afternoon of my life. In my distress, I didn’t<br />
hear the squeak of wheels as the chair approached.<br />
‘Let me see them,’ said the voice. ‘Are they like the<br />
stones in my study? I found mine in the same stream.’<br />
Without thinking, I went to the chair and laid them<br />
in my father’s lap. His scarred hands picked them up<br />
and held them high against the light. Their metallic<br />
layers glistened like jewels in the late afternoon sun.<br />
‘They’re lovely,’ he said.<br />
I was still too shy to look him in the face but my<br />
horror of the wheelchair had been conquered. I was<br />
touching it.<br />
‘Jeanne,’ he asked, ‘didn’t you<br />
make an apple tart this afternoon?<br />
I think we’ll have some. Charles<br />
would love that, wouldn’t you?<br />
And I can show him my stones.’<br />
I looked at him and nodded.<br />
Close to, he wasn’t frightening,<br />
despite the patch over his lost left<br />
eye. The other eye, as blue as<br />
mine, regarded me with kindness.<br />
Magilligan grasped the<br />
wheelchair and propelled my<br />
father back into the house. I<br />
followed. My mother and the<br />
other women were left standing on the cobbles, and not<br />
quite sure what to do. Papa turned his head and yelled<br />
at my mother,<br />
‘Come on, Alexia... don’t you want cake? And bring<br />
the girls down. We’ll all have it together.’<br />
My mother jumped as if an electric current had been<br />
passed through her and hurried after us into the house.<br />
Henri positioned Papa in front of the fire in the library<br />
and tactfully withdrew, leaving us together. A rattle of<br />
footsteps and the chatter of high, girlish voices<br />
announced the arrival of my sisters.<br />
‘André,’ my mother began, ‘don’t you think it’s better<br />
for the children to take their cake in the nursery? They’ll<br />
only make a mess here and I don’t want them to get used<br />
to coming into these rooms. I’ll call Jeanne and...’<br />
‘No you won’t,’ interrupted my father. ‘This is their<br />
house until they grow up and marry someone who has<br />
a house for them to go to. One day it will all come to<br />
<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />
Magilligan<br />
Johanna Yacoub
Charles so the sooner my children<br />
get used to the rooms the better.<br />
Anyway, I want to show them my<br />
stones.’<br />
Maman became silent. Papa<br />
wheeled himself to his bureau, a<br />
great, roll-topped oak monstrosity<br />
with glass fronted bookshelves<br />
towering above it, and pulled open a<br />
drawer. I couldn’t contain my<br />
curiosity and followed him, all fear<br />
or revulsion I’d once felt for his<br />
disfigurement now forgotten in the<br />
joy of discovery. It was full of stones;<br />
geodes, fossils, rocks and splinters<br />
of quartz which flashed diamondbright<br />
in the flicker of the oil lamp. I<br />
gazed at this magic trove of geology<br />
and began to take them out one by<br />
one, passing them to my sisters once<br />
I’d pored over their every detail. I<br />
was too young to know what a fossil<br />
was. I hadn’t even started school,<br />
but their colours and textures<br />
fascinated me from the first time I<br />
saw them.<br />
There was a soft tap at the door.<br />
Magilligan entered with my father’s<br />
reading glasses and, before leaving,<br />
turned to my mother.<br />
‘Madame la Marquise,’ he began<br />
nervously. ‘If I had the boy out too<br />
long, I apologise. I won’t do it<br />
again.’<br />
Before my mother had a chance<br />
to respond, my father cut in with,<br />
‘Rubbish, Henri. You’ve nothing<br />
to apologise about. It’s what the boy<br />
needs, so you will do it again and<br />
20<br />
postgraduate fiction<br />
when I’m well enough, I’ll do it with<br />
you.’<br />
Magilligan was surprised and<br />
looked at my mother, who looked at<br />
the floor.<br />
‘Very well, Sir. Will that be all for<br />
the moment?’<br />
‘I’ll ring when I need you.’<br />
As he left, I observed my<br />
mother’s tense face and made a<br />
child’s vow always to look after<br />
Henri Magilligan. He had broken<br />
down the barrier between my father<br />
and myself. Papa was right on<br />
another issue. I’d spent too much<br />
time with women who spoiled and<br />
cosseted me. It was time to be a boy.<br />
Otherwise, I’d never be a man.<br />
<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />
Magilligan<br />
Johanna Yacoub
Canal<br />
by Kate Simants<br />
He wasn’t a stranger, of course.<br />
She’d seen him many times<br />
before, along that algae-lined<br />
stretch of the Great Western Canal,<br />
Tuesday afternoons and Thursday<br />
evenings, canoeing with the<br />
children. She looked forward to it,<br />
watching from her kitchen table,<br />
through the smudged windows,<br />
down to where they passed the end<br />
of her garden as it collapsed slowly,<br />
year by year, into the water.<br />
Pauly kept her glasses near her<br />
on the canoeing days. Often, the<br />
little plastic flotilla would appear<br />
and shoot off westwards before she<br />
had a chance to search through the<br />
faces in the dripping melee, and she<br />
would slowly shuffle down towards<br />
the canal, waiting for their return<br />
leg. With a wheelbarrow and a sheet<br />
of old fibreboard leaned up against<br />
it, the apple tree she had claimed<br />
from a dead neighbour’s garden<br />
twenty years ago was enough to<br />
hide behind. When she saw the<br />
ripples on the water get jumpier, she<br />
would peer around and check the<br />
familiar faces of the children. Then<br />
she would watch him. His muscular<br />
neck, his bright teeth. The children<br />
obeying, earnest and regimental, the<br />
shouted instructions that she could<br />
not hear.<br />
It had been years since Pauly had<br />
bothered with a hearing aid. As far<br />
back as her sixties she’d found the<br />
effort of straining was rarely<br />
worthwhile. It was easier, more<br />
dignified to stop trying, she found.<br />
So she receded into a quiet world<br />
where her other senses<br />
compensated, doing what they<br />
could to hear for her. With good<br />
eyesight and the use of her hands, it<br />
wasn’t necessary to be told that<br />
something was too hot to eat. If<br />
something was on fire, she would<br />
smell burning, or perish: the<br />
batteries for the alarm had long<br />
since been removed. If the doorbell<br />
rang, the dog would jump around.<br />
But visitors were rare – the closest<br />
neighbour was the Post Office on<br />
the edge of the village.<br />
Without her hearing she could<br />
read the general emotions of her<br />
grandchildren when they smashed<br />
into and around her home. What<br />
was detail? A sisterly feud, a ruined<br />
ice-cream, a scraped elbow – the<br />
tears would be the same, the<br />
comfort easy enough to dole out,<br />
and the drama resolved in roughly<br />
the same time. People weren’t so<br />
complicated as they imagined.<br />
Words were of little importance.<br />
Since sealing herself off aurally<br />
from the world, Pauly had learned<br />
to compartmentalise. An open beak<br />
signified a song, but probably one<br />
she had heard before. A relative<br />
with a hand on a hip, a sincere<br />
expression – these meant Pauly had<br />
done something wrong, something<br />
that concerned them, something<br />
dangerous. They’d want her to start<br />
or stop doing something, eat more,<br />
work less, stop smoking, move<br />
somewhere less isolated, ask for<br />
help with things. But why worry<br />
which? She too old to start<br />
appeasing them now.<br />
She had all she needed.<br />
Everything important was silent.<br />
Her books. The daffodils. The<br />
passing canoeists.<br />
One Thursday, Pauly missed the<br />
group’s westward journey. She<br />
waited behind the apple tree,<br />
cramped but concealed, hoping to<br />
catch them returning.<br />
The ripples came later than<br />
usual. She edged out, peering<br />
between branches. The teacher’s<br />
bow came into view first, paring<br />
21<br />
postgraduate fiction<br />
through the bubbly scum. But the<br />
peak of the slow, chunky boat was<br />
slightly raised, as if cantilevered<br />
above the water by a weight at the<br />
aft end. Maybe he was reclining; she<br />
had seen him do it, effortless,<br />
confident. Pauly held her breath.<br />
He slid past the branches and<br />
into her view. His black hair was<br />
slicked, clumps of it stuck to his<br />
face. His pale skin, even from yards<br />
away, appeared blotchy and<br />
translucent, its smooth surface<br />
puckered by a frown. He held the<br />
dripping oar across his legs with<br />
one hand, as if using it to balance.<br />
He held his other arm out behind<br />
him.<br />
He wouldn’t have seen Pauly if<br />
she hadn’t cried out.<br />
On the back of the craft, held in<br />
place at the feet by a rope, was a<br />
child. The pink t-shirt and shorts<br />
damply clinging to the limp body<br />
indicated to Pauly that the drowned<br />
infant was a girl. She was positioned<br />
face down, the teacher’s hand<br />
holding the little head against the<br />
fibreglass. Her fingers dragged in<br />
the canal, the water bunching in<br />
front of them, then splitting into a<br />
triangular wake behind. Pauly<br />
recognised a cheap, treasured<br />
charm bracelet on the girl’s left<br />
wrist.<br />
She covered her mouth, but the<br />
sound escaped. The teacher<br />
jumped, expertly dug the oar into<br />
the water, coming to an immediate<br />
halt. Pauly flattened herself against<br />
the tree, her aging hands pressed<br />
against her open jaw. She clenched<br />
her eyelids shut.<br />
She waited.<br />
*<br />
After their third cup of tea, the<br />
police left her in peace. It was<br />
<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008
touching of them to have brought along the interpreter<br />
– a Special Constable, no less – who, though not deaf,<br />
knew British Sign Language. The two detectives<br />
looked pleased with themselves for this show of<br />
consideration. But as the young woman flapped and<br />
gestured her way through the interview, her wide<br />
cheeks and chubby forearms reddening with exertion<br />
and embarrassment, it became obvious that it was<br />
useless. Pauly understood not a word.<br />
The younger of the detectives began to write<br />
questions out instead, in big half-witted capitals on<br />
Pauly’s best writing paper. She waved the sheets away<br />
and pointed sadly to her eyes, and<br />
shifted in her seat to cover the<br />
glasses-case with her hip, praying<br />
they wouldn’t notice.<br />
She could lip-read a little, but<br />
she already knew the purpose of<br />
their visit. She had seen the<br />
newspaper, even seen the police<br />
boat going up and down a few<br />
days after Emmy had drowned.<br />
Been drowned.<br />
She had nothing to tell them.<br />
She didn’t take their pen, she kept<br />
silent, shaking her head and<br />
shrugging in apology. Her blueish<br />
fingers touching her ears, her<br />
eyelids.<br />
- No.<br />
- Can’t hear a thing.<br />
- I’m blind, too.<br />
- I can’t read your questions.<br />
- I didn’t see anything.<br />
- I’m sorry.<br />
*<br />
Past the blackcurrants, where the lip of two-by-four<br />
marked the end of the lawn and the start of the<br />
water, Pauly untied her shoelaces. Squinting briefly<br />
about her, she lifted the hem of her polyester dress and<br />
drew her tights down, slowly, to halfway down her<br />
thighs. She crouched and rocked carefully backwards,<br />
and wriggled free, shedding them like snakeskin.<br />
Edging forward, she rested her feet on the water, barely<br />
touching, watching the meniscus lift around her tender,<br />
hardened soles.<br />
Opening her eyes, her irises still readjusting, she saw<br />
him on the south side of the water. He was motionless<br />
He paddled towards her,<br />
diagonally across the water,<br />
not taking his eyes from her<br />
face.<br />
With each plunge of the<br />
oar, another detail pulled<br />
into focus: the hair peeking<br />
over his t-shirt at his throat.<br />
The wedding band, lit by<br />
the low sun when he raised<br />
his right arm. The serene<br />
smile, pulled slightly to the<br />
left, the lips closed<br />
22<br />
postgraduate fiction<br />
in his canoe. Arms crossed. A perfect silhouette against<br />
the late autumn sunset.<br />
Pauly rose to her feet, disguising the struggle as best<br />
she could. She saw him raise his oar, and took a step<br />
back. She felt in her pocket for her secateurs.<br />
He paddled towards her, diagonally across the<br />
water, not taking his eyes from her face. She gripped the<br />
grass with her toes, and didn’t move. With each plunge<br />
of the oar, another detail pulled into focus: the hair<br />
peeking over his t-shirt at his throat. The wedding<br />
band, lit by the low sun when he raised his right arm.<br />
The serene smile, pulled slightly to the left, the lips<br />
closed.<br />
The coil of rope, stuck with<br />
thick black tape to the upper<br />
surface of the back of the scuffed<br />
vessel.<br />
He lay the oar across the boat,<br />
the fulcrum on his lap, and dipped<br />
the ends briefly port, then briefly<br />
starboard, until he came to a stop.<br />
He maybe ten feet from the<br />
battered planks that held Pauly’s<br />
garden in. Taking hold of the sides<br />
of the cavity he pushed himself up,<br />
shifted backwards, slipped into the<br />
water, and disappeared.<br />
Pauly gasped. She leaned<br />
forward, scanning the surface of<br />
the water for him, but could see<br />
nothing past the ellipses of orange<br />
light, reflected from the sky and<br />
fractured over hundreds of little<br />
swells in the surface of the water.<br />
He emerged, his chest and<br />
abdomen springing up from the<br />
riverbed, shooting upwards. He<br />
shook his hair. Lifting a palm, he<br />
gestured to her to join him.<br />
Pauly glanced at the empty canoe. It rocked<br />
rhythmically, the rope slipping slightly from side to side.<br />
The teacher waved his arms above his head for her<br />
attention, and made a beseeching face. He beckoned<br />
again. Pauly approached the water.<br />
Her knees cracked as she lowered herself into a<br />
crouch, then crack again as she stretched her bare legs<br />
in front of her. She was cold, but her skin felt loose on<br />
her bones. Her blood thudded in her temples.<br />
<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />
Canal<br />
Kate Simants
The teacher wrapped his fingers<br />
around her ankle. He pointed to his<br />
mouth, and spoke, mouthing the<br />
words carefully.<br />
- You know<br />
Pauly fixed his eyes with hers,<br />
seeing his lips at the periphery of her<br />
vision.<br />
- I do<br />
He began to pull. She kicked at<br />
his shoulder. He took her free foot,<br />
and with a firm tug brought her<br />
down, into the canal.<br />
The water parted and closed<br />
over Pauly’s head. His fingers<br />
pushed down on her crown, holding<br />
her hair. She felt something – a foot?<br />
a knee? press into the small of her<br />
back, and pin her against the side of<br />
the canal. Her white hair floated<br />
darkly around her. Her mouth,<br />
opening to scream, filled with<br />
water, tasting metallic, leafy. She<br />
felt the canal moving violently<br />
around her.<br />
She didn’t hesitate. Her fingers<br />
locked around the secateurs, she<br />
pushed the safety lock open with her<br />
thumb. The heavy blades sprang<br />
open. She thrust them upwards and<br />
outwards, her weak arms aided by<br />
weightlessness, until they met their<br />
target. The hand in her hair<br />
convulsed, released, then pounded<br />
at the side of her head. She<br />
squeezed the steel handles together<br />
into his ribs. It wasn’t easy, like<br />
cutting through a chicken’s wing: it<br />
took all of her strength to close the<br />
sharp edges together. The hard<br />
outer exterior of the bones<br />
splintered and crushed against the<br />
softer core. She felt a last crunch at<br />
the final effort. She withdrew, and<br />
thrust again, snipped, thrust,<br />
snipped. She opened her mouth<br />
again on reflex, her lungs frantic for<br />
air. She tasted blood as the water<br />
flooded in.<br />
He clutched her shoulder,<br />
forcing his weight down on her.<br />
They were both fully submerged,<br />
and twisting around to face him she<br />
saw his eyes open wide. She forced<br />
the thinner top blade into his left<br />
cheek and then upwards, the eye<br />
offering little resistance as the steel<br />
dug in. She tried to force the blades<br />
shut but the upper orbit was too<br />
thick to split. She twisted the<br />
secateurs in the hole. The hand on<br />
her shoulder slackened. She kicked<br />
to the surface, and filled the vacuum<br />
in her chest with air.<br />
*<br />
Turning the corner into the culde-sac,<br />
a shapeless, boredlooking<br />
woman of twenty struggles<br />
to disengage her seatbelt from the<br />
socket. She curses as a corner of her<br />
white tunic tears in the mechanism.<br />
Next to her is a man, the driver. The<br />
minibus is half-full of elderly women<br />
on their trip into town. The girl<br />
speaks in a broad West Country<br />
accent.<br />
‘Awful, ‘bout Pauline. Saw her at<br />
the funeral. Her littlest grandkid,<br />
that one was.’<br />
‘Ar,’ says the driver, nodding.<br />
‘Nothing to be done now<br />
though.’<br />
‘Nar.’<br />
The minibus pulls up outside<br />
Pauly’s bungalow. In her buttondown<br />
mackintosh and waterproof<br />
rain-hood, she waits calmly on her<br />
step, peering out into the drizzle.<br />
The girl gets out, opens an umbrella<br />
and hurries towards her. She shields<br />
Pauly from the rain, walks her back<br />
to the bus.<br />
‘Just going to the cemetery today,<br />
Pauline,’ the girl says, loudly.<br />
Pauly watches her own feet slap<br />
soundless against the glossy black<br />
23<br />
postgraduate fiction<br />
tarmac. The girl slides the side door<br />
of the van open.<br />
‘Only time to tend the roses. In<br />
and out. Alright?’<br />
Pauly doesn’t answer. Without<br />
acknowledging the others, she<br />
settles into her seat, facing forward.<br />
She rests her gardening bag on her<br />
lap, and folds her hands over it.<br />
Through the rough Hessian she<br />
feels the little plastic bottle of<br />
insecticide, the Brasso for the<br />
plaque, and the heavy, solid handles<br />
of the secateurs.<br />
<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />
Canal<br />
Kate Simants
Chicken Jack<br />
by Perry Bhandal<br />
Chicken Jack eased his<br />
Mercedes into the slow<br />
moving traffic, keeping an eye on<br />
the family estate in the rear view<br />
mirror that slipped in a couple of<br />
cars behind. He’d spotted the car<br />
even before the sergeant had<br />
mentioned it. Fuck did he think he<br />
was pointing out the obvious. Shit!<br />
The day he needed a fat fuck like<br />
that to point out when he was being<br />
watched, he may as well turn hisself<br />
over to the cops. Chicken Jack<br />
smiled at the thought of the number<br />
of people that would suddenly<br />
become very uncomfortable if he<br />
ever found religion and started<br />
walking the path of repentance and<br />
confession, and along with all the<br />
associated statement-making and<br />
paperwork that entailed. He<br />
imagined the great cloud of flatus<br />
that would accompany the<br />
collective bowel bowel-emptying<br />
across the country and up and down<br />
Europe. There was just one reason<br />
why the Chickster remained at the<br />
top of his game when many around<br />
him had fallen and been buried by<br />
the wayside, stripped away like the<br />
layers of a meteorite in perpetual<br />
fiery freefall, abraded away by<br />
laziness, stupidity and good oldfashioned<br />
greed.<br />
That reason was Insurance.<br />
Chicken Jack’s fondness for<br />
insurance was so great that had the<br />
brokers at Lloyds of London known<br />
of it, their trading floor would be<br />
awash with semen.<br />
It was a shame that it wasn’t that<br />
kind of insurance. He kind of would<br />
have liked to have seen that.<br />
The revelation had come to him<br />
when he was bent over, face down<br />
in a pillow and feeling his nine year<br />
old sphincter being stretched to<br />
tearing point by his sixteen stone<br />
social worker.<br />
Life up until that point had been<br />
fairly shitty to old Chicken<br />
Jack, then known as Pierre<br />
Lumbord. He’d grown up in the<br />
parts of Paris that most tourists<br />
didn’t see, t. Those that did<br />
normally didn’t come back to Paris,<br />
or France for that matter.<br />
Every city had a shitty part, just<br />
like every body had an asshole.<br />
Chicken loved making comparisons<br />
to the human body, especially cities.<br />
There was the face, good-looking,<br />
that everyone saw when they were<br />
being encouraged to come to their<br />
city and spend their cash. There was<br />
the pussy, the places you could go to<br />
get laid, there was the brain,<br />
government and business, there<br />
were the roads and railways, arteries<br />
and nerves, and there was the<br />
asshole. Sometimes there were was<br />
more than a single asshole, but<br />
Chicken’s metaphors didn’t stretch<br />
to explaining rare congenital<br />
disorders.<br />
Pierre Lumbord had been born<br />
and brought up in the north of<br />
Paris, right bang smack in the<br />
middle of the asshole. His mother<br />
Janine was young when she had him<br />
and was already an addict, pimped<br />
out by the local hoodlum, Franco<br />
who had shot his father dead as he<br />
handed over the contents of the<br />
grocery store’s till, simply because<br />
he didn’t like his face. Janine lived<br />
with a couple of the hoodlums’ other<br />
girls in a two bedroom apartment,<br />
sleeping in one bedroom and<br />
turning tricks for 50 euros a shot in<br />
the other. Pierre grew used to the<br />
rhythmic pumping in the room next<br />
door, comforted by it as luckier<br />
babies were by the rhythmic rocking<br />
of the their cots.<br />
24<br />
postgraduate fiction<br />
Even the occasional scream<br />
failed to disturb the toddler as he<br />
slept in his filthy cot. Sweaty and<br />
sticky fingers eased Pierre from his<br />
cot as each of the three took in turns<br />
to feed the little boy his badly mixed<br />
little bottle of milk formula, cooing<br />
to him as he gulped at the grimy<br />
rubber teat. Miraculously, Pierre<br />
Lumbord never became ill, was<br />
never sick, no matter how badly<br />
mixed his powdered milk was or<br />
infrequently he was fed. He never<br />
had any jabs or any checkups.<br />
He sometimes went days<br />
without being washed, yet no sore<br />
developed. He never cried and<br />
when he was picked up he would<br />
give a great toothless smile. Had<br />
Pierre become sick even once, he<br />
would have died; that much would<br />
have been obvious to any of the<br />
three women had anything been<br />
able to penetrate the drug and<br />
alcohol-induced fog that they<br />
roamed in. But he didn’t and his life<br />
went on; life as decay, a slow<br />
ruinous onslaught by ambient<br />
bacteria that was eating away at the<br />
flesh within those soiled walls, held<br />
at bay by briefly glimpsed moments<br />
of joy, a tinkle of laughter, a kiss, a<br />
hug, a giggle, each emanating from<br />
the tiny form of Pierre. Like a tiny<br />
wriggling maggot, little Pierre<br />
nibbled away at the sickness and<br />
decay that surrounded him, keeping<br />
the infected alive.<br />
Pierre took his first steps alone<br />
and tottered across sticky bedroom<br />
carpet and stood at the door of to<br />
watch the two shapes writhe and<br />
contort on the bed. When his<br />
mother finally saw him, her face wet<br />
with sweat and saliva, and her<br />
mouth open as wide it could go so<br />
as to accommodate the large pink<br />
prick, he smiled his toothless smile<br />
and held out his arms to her.<br />
<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008
Pierre giggled as his mother’s eyes widened in shock<br />
and she snatched her cupped hand away from the man’s<br />
balls and pushed with the other, his prick jumping free<br />
of her mouth and hanging heavily in mid air, a corpulent<br />
turgid horizontal exclamation, slick with her spit.<br />
He laughed and tried to run away from his mother’s<br />
outstretched arms as she lunged to pick him up. Now<br />
that he was on two legs, instead of four, he put the extra<br />
speed he had at his disposal to good use and tottered<br />
round the door frame as his mother sprawled at the<br />
empty space where he stood a moment ago. Pierre<br />
staggered along the hall towards the stairs, behind him<br />
he could hear a deep shouting. Pierre liked the sound<br />
of the words in the air and tried them out. ‘Fukin bich,<br />
fukin bich, fukin<br />
bich’, he repeated in<br />
his imp-like voice as<br />
he wobbled along<br />
the landing.<br />
Behind him he<br />
heard his mother<br />
scream his name.<br />
He doubled his<br />
efforts, swinging<br />
his arms. Whatever<br />
it was, he liked this<br />
game; he hoped<br />
there would be<br />
more now that he<br />
was on two legs.<br />
The deep words<br />
in the air changed.<br />
Pierre liked the<br />
sound of these too.<br />
The top step loomed and little Pierre chortling, ‘Blak<br />
Bich, Blak Bich’, stepped off the end and fell.<br />
Something clamped onto his ankle and he fell heavily<br />
against the wooden steps. For the first time in a long<br />
time Pierre started crying. His mother pulled him to her<br />
and held him, cooing and rocking, rubbing his side<br />
where he fell against the stairs.<br />
Slowly his crying subsided and all that was left was<br />
the occasional ‘Blak bich, blak bich’ as he fell asleep in<br />
her arms.<br />
What it was that had penetrated Janine’s stupor that<br />
afternoon she did not know. She did not have the<br />
mental tools with which to analyse and dissect the<br />
reasons why one minute she was so and the next minute<br />
she was different. She had no idea what it was that<br />
changed inside her and how it had been triggered, but<br />
25<br />
postgraduate fiction<br />
something that had been screaming silently inside her<br />
had suddenly found a voice, like a shipwrecked sailor<br />
marooned on a desert island, screaming at ships on the<br />
horizon, and suddenly being heard.<br />
Janine didn’t even notice the man leave, didn’t care<br />
that he had not paid. She picked herself up and<br />
collected the few possessions she had from her room.<br />
Keeping Pierre with her she went into the filthy toilet<br />
and lifted the lid of the cistern. She pulled at the thin<br />
string that was tied to the float and drew out a small<br />
black plastic bag. Pulling aside the waterproof zipper<br />
she checked the money was still there. She knew by<br />
taking it that she was signing her own death warrant.<br />
This was Franco’s stash, one of many, that he kept<br />
dotted around<br />
town. She only<br />
knew about this<br />
one, drawn to it<br />
after hearing<br />
unusual clinking<br />
and scrapings that<br />
were very unlike his<br />
normal noisy<br />
exertions whenever<br />
he availed himself<br />
of their bathroom.<br />
One thing about<br />
Franco, you always<br />
knew when he was<br />
taking a dump.<br />
When she was<br />
sure he had gone<br />
she had searched<br />
the toilet top to<br />
bottom, gagging at the thick stench in the air that<br />
filmed her nose and mouth and threatened to bring up<br />
her meagre breakfast. Swallowing down the thick<br />
phlegm that had built up in her throat, she finally found<br />
the waterproof bag stuffed full of euros. She replaced it<br />
as she found it. At that point she was had been too<br />
scared of what Franco would do to her to consider<br />
taking it. But not now.<br />
Janine left with Pierre, flagged a taxi to the train<br />
station. She picked a station at random, not daring to<br />
return to her hometown, as that would be the first place<br />
Franco would look for her.<br />
Franco returned later that afternoon. He found the<br />
open cistern and the missing money bag. Janine wished<br />
she could have warned the other two girls that had<br />
shared the flat with her, but she could not have risked it.<br />
<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />
Chicken Jack<br />
Perry Bhandal
She hoped that they would be<br />
spared the inevitable spasm of<br />
violence that would spout forth<br />
from Franco like the gushing of a<br />
freshly severed artery.<br />
For the next few years, life<br />
changed for Pierre Lumbord<br />
and his mother Janine. His name<br />
was Pierre Laforge and his mother<br />
was Jeanette Laforge. The town of<br />
Toulouse was large enough for two<br />
new arrivals to join it anonymously,<br />
but was still small enough to have<br />
the communities that made the<br />
difference between a building and a<br />
home. Keen to conserve as much of<br />
the money as possible but, equally<br />
careful to avoid the worst parts of<br />
town, Jeanette settled on a small<br />
community mostly populated with<br />
first generation Indians and<br />
Pakistanis. She liked the smells<br />
from the shops and the friendly<br />
people who greeted her in broken<br />
and funny accented French. That<br />
she was different from them was no<br />
problem. She was black, however<br />
her skin was light; unlike Pierre who<br />
had taken after his father, a deep<br />
dark brown. Jeanette settled in a<br />
small block of apartments, the<br />
tenants were all poor but proud and<br />
the place was scrupulously clean.<br />
Many of the tenants had small<br />
children too and soon Jeanette was<br />
able to go out to work, happy to<br />
leave her little Pierre with Manjit,<br />
her kindly next door neighbour.<br />
Pierre was a quiet withdrawn<br />
boy. Too quiet. Jeanette worried<br />
about him a lot. She had put him in<br />
a local nursery, however, after a few<br />
days it became clear that he wasn’t<br />
settling in and getting on with the<br />
other children. Then there was the<br />
incident with the two boys and a<br />
girl. Jeanette still refused to believe<br />
what he had supposedly done.<br />
Anyway she had had to take him out<br />
of the nursery and now Manjit<br />
looked after him during the day.<br />
School was a year off so she didn’t<br />
have to worry about it yet, but all the<br />
same it was going to be difficult to<br />
get him a place anywhere that was<br />
local. The fact that the little girl had<br />
still not returned to classes was still<br />
fresh in everybody’s mind and would<br />
continue to be until she was allowed<br />
to return. Jeanette had seen the<br />
child and had always thought her to<br />
be overly sensitive and there were a<br />
lot of people that saw it the same as<br />
her. She shuddered involuntarily<br />
and pushed the thoughts from her<br />
mind. She shouldn’t dwell on the<br />
negative; after all she had so much<br />
to be thankful for.<br />
Jeanette worked at a local<br />
Pakistani Cafe as a washer-upper in<br />
the kitchen, then as a waitress and<br />
as the years wore on and she became<br />
a trusted member of the family, the<br />
manageress.<br />
For a time life was good. It was<br />
hard work, but it was honest work,<br />
and she was amongst people that<br />
she cared about and that cared for<br />
her and her son.<br />
The Pakistani and Indian<br />
community thrived along with the<br />
Italians and native French, and<br />
much was made of the success of<br />
this town in France which, against<br />
the odds and Jean Marie Le Pen’s<br />
National Party’s exhortations, had<br />
‘integrated’. To the extent that the<br />
Prime Minister himself visited, to<br />
congratulate the town and their<br />
folk. Much was at stake in this<br />
community, for there were many<br />
detractors that sought to overthrow<br />
the convivial relations that they had<br />
enjoyed for many years. The<br />
incessant nibbling at the edges of<br />
their community by the Nationalists<br />
had threatened to overturn all their<br />
hard work. Ceaseless vigilance had<br />
26<br />
postgraduate fiction<br />
prevailed. The elder representatives<br />
of each community remained in<br />
continual dialogue. Their doors<br />
remained open to each other,<br />
regardless of the reckless and fickle<br />
deeds of the youngest amongst<br />
them. That way many an incident<br />
that could have been fanned quickly<br />
out of control by the racists<br />
withered and died, starved of the<br />
oxygen of hatred, as the community<br />
closed its ranks.<br />
The informal structure that had<br />
been employed to such success here<br />
had been written about much<br />
within the newspapers and been the<br />
subject of scholarly works also. The<br />
French government wanted to use<br />
it those for places where the melting<br />
pot had boiled over.<br />
In a country where the<br />
nationalistic opposition ran out of<br />
fingers when counting out<br />
illustrative examples of the great<br />
integration experiment gone wrong,<br />
this was the one the government<br />
needed to combat the growing<br />
feeling of resentment within their<br />
borders. Perhaps they would even<br />
be given an opportunity to look<br />
down on their brothers across the<br />
Channel, instead of wringing their<br />
hands and looking at their collective<br />
feet.<br />
The choice of the face of this<br />
community was so important that<br />
the Prime Minister’s aides were<br />
dispatched to find their poster boys<br />
and girls. Their search ended when<br />
they walked into the Pakistani<br />
restaurant and saw the light skinned<br />
negro manageress discussing the<br />
layout for a wedding party with the<br />
Pakistani owner, and the white<br />
head waiter. The little black boy<br />
playing with the small light-skinned<br />
Pakistani girl was enough to make<br />
the slim, conservatively-dressed civil<br />
servant shudder in anticipation.<br />
<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />
Chicken Jack<br />
Perry Bhandal
This was as close to an orgasm as she would get for a<br />
few years yet.<br />
The negotiations were short, the promise of the<br />
Premier’s visit and national television coverage for his<br />
restaurant more than made up for the inconvenience of<br />
having secret service men closing it down for the week<br />
prior to his arrival.<br />
On the big day everything went without a hitch.<br />
Jeanette was introduced to the dashing Prime Minister<br />
and his beautiful wife. Jeanette had expected her to be<br />
a stuck-up snob, especially if what she had seen of her<br />
on TV as anything to go by, but she was charming and<br />
certainly seemed to be taken by her little Pierre. Jeanette<br />
smiled at the woman, liking her despite herself and<br />
wondering what she would have made of her had she<br />
seen her son with his hands outstretched to her as she<br />
sucked off a fat man for 50 euros. Mentally she shook<br />
the image away. Damn, why was it that her mind<br />
insisted on reminding her of her past, and always with<br />
an image the depravity of which was directly<br />
proportional to the joy she felt at that point? ‘To keep<br />
you grounded, my dear, to ensure you appreciate what<br />
you have got’, the good fairy whispered in her ear,<br />
drowning out the voice of the bad one on the other,<br />
‘...because you’re a dirty whore...’<br />
They all sat at a large table filled with food as the<br />
newsmen and reporters quizzed the Premier and his<br />
guests. Once the newsmen had gone, Jeanette & Pierre<br />
Laforge had lunch with the Prime Minister of France.<br />
Across the country, a flickering TV faithfully<br />
reproduced the live images from the cameras in the<br />
restaurant on the retina of the man sitting at the bar.<br />
His eyes widened as he took in the coffee-coloured<br />
woman that stood next to the Prime Minister. Then he<br />
smiled, showing small yellow nicotine-stained teeth that<br />
looked like little daggers.<br />
Jeanette pulled the blanket over the sleeping form of<br />
her son. Both were exhausted after this very special day.<br />
Jeanette flopped into the armchair and closed her eyes.<br />
She looked back on the day’s events and couldn’t quite<br />
believe it. She opened her eyes and looked around the<br />
small threadbare apartment which she had shared with<br />
her son for the last three years: the dark green two seater<br />
sofa that she and Pierre and her enjoyed cuddling up on<br />
during the cold dark winter evenings to watch the small<br />
black and white television that had a remarkably clear<br />
picture; the little dining table set against the window<br />
that they sat at for meals and homework that looked out<br />
27<br />
over the communal courtyard that they sat at for meals<br />
and homework. She remembered the tutting, turbaned,<br />
bespectacled form of Khansa, Manjit’s husband, as he<br />
went about the apartment at Manjit’s insistence. He<br />
tapped and pulled, inspected and noted in his little blue<br />
notebook, as he stroked the triangular orange beard<br />
that give him a piratical appearance, albeit a very cuddly<br />
and kind one. For the next three weekends he left his<br />
turban at home, preferring instead a handkerchief over<br />
his topknot, as he went through the apartment fixing<br />
and mending. When she had tried to pay him he had<br />
raised his hands up in horror and refused any money.<br />
Jeanette told Ali, her Pakistani boss, and he smiled<br />
knowingly and provided her with the means of thanking<br />
them for their kindness.<br />
Jeanette threw a dinner party for Manjit Khansa and<br />
their children. It was a wonderful night filled with<br />
laughter. The children all decided they wanted to stay at<br />
Jeanette’s but there was no room, they all pointed to the<br />
bare floor but Jeanette would not have it, it was too<br />
hard. It was then that Khansa brought in the red,<br />
intricately flowered rug and lay it in the middle of the<br />
room. It had come all the way from India. She<br />
remembered the smell of it first as alien as the odours<br />
that had met her when she first arrived in this block.<br />
Alien no more, for these were the smells of home.<br />
Jeanette looked up at the clock that sat on top of the<br />
television. It was late and the restaurant would re-open<br />
tomorrow and she needed to be there early.<br />
With a deep sigh and to the sound of creaking joints<br />
she pushed herself off the armchair and went into the<br />
bathroom to wash her face and brush her teeth. She<br />
undergraduate poetry<br />
The Snail (after Matisse)<br />
postgraduate fiction<br />
Orange the frame,<br />
Sunset path glistening to the sea,<br />
Blue the sky the sun thrives on.<br />
Green the grass where the snail sits,<br />
Yellow the slimy trail.<br />
Pink the candyfloss beach<br />
With a rich blue sea and green seaweed.<br />
Black, when colour is seen no more<br />
And light has gone.<br />
Mark Woollard<br />
<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />
Chicken Jack<br />
Perry Bhandal
ditched her clothes in the laundry<br />
basket, wrapped the white<br />
towelling gown around her, tied the<br />
belt at the front and walked back<br />
into the living room, her nose<br />
wrinkling at the faint smell of<br />
something rotten.<br />
A hand clasped itself over her<br />
mouth, killing her scream.<br />
In the middle of the room, both<br />
hands held behind his back and<br />
with a big smile on his face stood<br />
Franco.<br />
‘Hello, Janine.’<br />
The scream died in her throat,<br />
the chemical-soaked rag clamped<br />
across absorbed it along with her<br />
consciousness.<br />
Janine came round with a jerk, her<br />
head snapping back involuntarily<br />
trying to put as much distance as<br />
possible from the unbearable<br />
ammonium smelling salts under her<br />
nose. That was all she was able to<br />
move though, the rest of her was<br />
bound to her armchair. She sucked<br />
in air through her nose, her mouth<br />
unavailable as she was gagged.<br />
Through blurry eyes she saw<br />
Franco put the smelling salts back<br />
in his pocket and settle back on the<br />
sofa opposite her. Beside him her<br />
little Pierre, also bound and gagged.<br />
Her heart twisted in her chest and<br />
for a moment she felt as if she was<br />
going to throw up. She fought the<br />
nausea down with the unbearable<br />
sadness that cracked her heart; she<br />
had failed him, her little baby. She<br />
looked into his little eyes, wide, like<br />
a rabbit’s, full of fear. A stream of<br />
tears fell from her face and even the<br />
gag was not enough to stifle a<br />
wretched moan of despair.<br />
A slight movement caught her<br />
eye and she saw that there was<br />
someone else in the room. Her eyes<br />
widened as she took him in.<br />
He was all wrong, he had all the<br />
things that made a man in the right<br />
places, but he looked wrong all the<br />
same, like a man with too many<br />
joints.<br />
The cut of his tailored black suit<br />
was expensive, his shoes were brand<br />
new and spit-polished shiny, his<br />
crisp white shirt, although buttoned<br />
up to the neck, still left enough of a<br />
gap for Janine’s hand, he was so<br />
skinny. He looked like a dead man<br />
dressed up for a wake, the pallor of<br />
his skin, the bloodless lips, the<br />
wasted frame. Only this one was<br />
walking, a walking cadaver. His<br />
receding hair was slicked back and<br />
she could make out pitted and<br />
scarred skin visible between the<br />
greasy strands. But it was his eyes<br />
that would have made her scream<br />
out loud had she not been gagged.<br />
The pupils were impossibly small,<br />
almost black dots against the<br />
bloodshot eyeball.<br />
Other objects resolved<br />
themselves around the room, a<br />
camera on a tripod and a large white<br />
light on a stand, like those found in<br />
television studios.<br />
On her dining table, the table<br />
that she shared with her little boy<br />
was an open case; there were things<br />
in the case, they were all shiny and<br />
sharp. Janine jerked her gaze at<br />
Franco and mumbled urgently<br />
behind her gag.<br />
Franco looked over to the other<br />
man. He considered for a moment<br />
and then nodded his head slightly as<br />
if giving permission.<br />
Franco got up and walked over<br />
to her. He bent down and<br />
whispered in her ear.<br />
‘You make a sound and that little<br />
nigger is dead, you unnerstan’ me?’<br />
Janine nodded quickly.<br />
Franco removed the gag. Behind<br />
him the man folded his stick-like<br />
arms and perched himself on the<br />
28<br />
postgraduate fiction<br />
edge of the table. His glittering eyes<br />
seemed to suck the light from the<br />
room.<br />
Janine coughed clearing her<br />
throat. When she spoke it was with<br />
a trembling high pitched voice.<br />
‘Franco, please don’t do this...’<br />
she pleaded. ‘Look, I’ll come back,<br />
I’ll start working again, make all the<br />
money back that I took from you.<br />
Please don’t hurt him...’. The words<br />
tumbled desperately from her<br />
mouth, dashing meaninglessly over<br />
Franco’s ears. Even as she spoke<br />
them, she knew it was of no use, but<br />
she continued nonetheless, hoping<br />
that perhaps that he heard<br />
something, that something would<br />
pierce, resonate, ring, and open a<br />
path in his mind, a future possibility<br />
that appealed to him and would<br />
make him see that there was a value<br />
to her life, something that he could<br />
exploit, make money with, that she<br />
had a future value greater than what<br />
he had in his pocket now, a simple<br />
financial comparison appealing to<br />
his greed that for her and her son<br />
meant the difference between life<br />
and death.<br />
‘I...I... still have most of the<br />
money left, it’s in the toilet behind<br />
the cistern, I used the same hiding<br />
place as you did, baby. Go-on, look,<br />
it’s there.’<br />
Franco just stood and looked at<br />
her, an almost pitiful look on his face<br />
and she begged.<br />
‘Please, baby, I’ll work hard,<br />
makes lots of money. I’ve kept in<br />
shape, I look good, please, if you<br />
hurt me, then you’ll make no money<br />
right, no-one wants damaged<br />
goods, right?’<br />
Franco smiled faintly at this.<br />
‘That’s what you’d think...,’he<br />
said more to himself than her.<br />
‘What, what...what are you<br />
talking about...?’ She entreated, her<br />
<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />
Chicken Jack<br />
Perry Bhandal
eyes flicking between the camera and the man sat on the<br />
edge of the table.<br />
‘I’m sorry, Janine, I’m just not on that whoring<br />
business anymore...I found something that pays a whole<br />
lot more.’<br />
Franco picked up the gag again and something in<br />
Janine realised she was going to die. All she could do<br />
now was to save her son.<br />
‘He’s yours, Franco’<br />
‘I know that,’ he replied as he moved to push it into<br />
her mouth<br />
‘No, no, I mean he’s yours.’<br />
Franco stopped, the gag held in mid air, his mouth<br />
slightly open. Then he smiled at her.<br />
‘You’re good, I’ll give you that, but then again you<br />
always were.’<br />
‘Look in his eyes and you’ll know, pl-,’ and he stuffed<br />
the gag back in.<br />
Franco turned to look behind at<br />
the man and then back to Janine.<br />
‘This is, Mr Rollins, you belong<br />
to him now....’<br />
Franco sat back on the sofa as Mr<br />
Rollins skipped lightly away from<br />
the edge of the table.<br />
Franco watched the man as he<br />
prepared to go about his work.<br />
There was once a part of him that<br />
would have just wanted to walk out<br />
of here, a part of him that jarred<br />
against what he was about to see,<br />
something deep within him that<br />
refused to be ignored. There was<br />
something very wrong with the man<br />
that bent and checked Janine’s pulse,<br />
opened her gown and checked her<br />
heartbeat. When he had entered into<br />
Franco’s life, perpetual night had<br />
entered with him.<br />
Rollins had wanted disposable<br />
people. He paid extremely well and<br />
Franco had been more than happy<br />
to oblige. He had known his own<br />
regulars to go too far on occasion<br />
and Franco had learnt what needed<br />
to be done to clear up after their<br />
excesses. Now, this man only<br />
wanted expendable, so it was just a<br />
case of making it the norm as<br />
Thirteen Ways of looking at Scissors:<br />
I'll run;<br />
I'll run all day if I want to.<br />
Are any of us truly harmless?<br />
You could put out someone's eyes<br />
with that.<br />
At the start of this lesson<br />
there were thirteen pairs;<br />
Now there are nine.<br />
No one goes home<br />
until they are all found.<br />
Small, they are a tool.<br />
Medium, they are ceremonial.<br />
Gigantic, they are a nightmare.<br />
The Scissors of Repetition<br />
wish the Frying Pan of Doom<br />
a good day.<br />
Standard utensil for emo kids;<br />
a spreading method of expression,<br />
or self-control.<br />
All that crisp, clean white paper<br />
makes them as hungry as you.<br />
29<br />
postgraduate fiction<br />
opposed to the exception. Franco knew many<br />
expendable people that no one would miss.<br />
However, this man’s appetite, and the appetites of<br />
the people he served, seemed without end, and the<br />
number and frequency of his requests increased to a<br />
point where even Franco was now hard pushed to<br />
satisfy.<br />
Franco was a bad man, he always had been. He had<br />
left the corpses of men in his wake as he steered a course<br />
towards the riches and power that all men of his kind<br />
sought. He had killed, methodically and with purpose<br />
as part of his business dealings, arbitrarily and<br />
whimsically when he just didn’t like the look of<br />
someone.<br />
But this man was different from any he had met. Not<br />
many men scared Franco, but this man did. His<br />
instincts had told him to keep his distance from this<br />
strange creature. Why, then, he asked himself, had he<br />
We have come<br />
to cut your Hammers<br />
and tear down<br />
your Wall.<br />
Yin and yang<br />
joined by a single bolt.<br />
Though they are twinned,<br />
they think they are one.<br />
Plant overnight.<br />
In the morning,<br />
harvest the cars.<br />
I used to like my fingers,<br />
but I need them no more.<br />
Destroyers of words.<br />
Printed words, beware.<br />
Use and discard.<br />
Not worth<br />
another thought.<br />
undergraduate poetry<br />
Jean-David Beyers<br />
<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />
Chicken Jack<br />
Perry Bhandal
asked him what he did with all the<br />
men, women, boys, girls and babies<br />
that he provided him with? He did<br />
not know. That part buried deep<br />
within him still regretted it. He had<br />
expected to be told to mind his own<br />
business, but instead he was handed<br />
a video tape. That night, so long<br />
ago now, he had sat in his living<br />
room and entered a world that he<br />
had only thought might exist, a<br />
world beyond his, beyond the<br />
handshakes, suitcases of money, and<br />
vans full of people driving off into<br />
the distance. Until now he had been<br />
separated from this world, cut off<br />
from it, earthbound, unwilling to<br />
step into the vessels that took the<br />
expendable across the blackness to<br />
their far-off destinations. By<br />
pressing ‘play’ on his video recorder,<br />
he had done just that, he had made<br />
the journey alongside them to their<br />
final destination.<br />
Shadows scurried here and there<br />
around him as he sat unable to tear<br />
his eyes away from the television as<br />
the images and colours changed,<br />
slowly the blacks and browns gave<br />
way to red and the screams gave<br />
way to small, wet, sodden sounds.<br />
Through cold, involuntary tears,<br />
and against a background of white<br />
noise and static that signaled the<br />
end of the tape, he entered a world<br />
which he would rather not have. In<br />
the carved up faces of the young and<br />
innocent Franco saw his own<br />
reflected; what he had initially<br />
reviled, he grew to like. Since then<br />
he had seen many first-hand, and a<br />
few times had even taken part. Over<br />
time he could no longer hear the<br />
small voice of protest.<br />
Franco looked down at the little<br />
boy sitting next to him. His face<br />
stained with tears, his terrified eyes<br />
locked on his mother’s, not knowing<br />
was happening to him, pulling<br />
helplessly against his bonds, not<br />
understanding the world that he<br />
was being introduced to. The little<br />
boy looked up at Franco, tears<br />
dripping freely from the corners of<br />
both eyes. Brown eyes. Beautiful<br />
eyes. His eyes.<br />
From far, far away, Franco<br />
thought he could hear a voice.<br />
A little voice.<br />
A protesting voice.<br />
Mr Rollins switched on the<br />
light, bathing Janine in harsh<br />
brightness, and then the video<br />
camera.<br />
Janine’s eyes tracked him as he<br />
put on a plastic tunic like the<br />
surgeons wore in hospital. Taking a<br />
syringe from the case, he<br />
approached Janine and injected her<br />
with a clear liquid in the arm. Janine<br />
felt the tension drain from her and<br />
her head loll forward as all her<br />
muscular control faded. The man<br />
took a roll of tape and secured her<br />
lolling head back against the sofa<br />
30<br />
postgraduate fiction<br />
headrest. Then ungagged her.<br />
Janine could not move a muscle but<br />
she could feel every touch.<br />
Franco marvelled at this the<br />
drug, Ketamine, that could do this.<br />
Rollins stood back and fished out an<br />
antique watch from his waistcoat<br />
pocket. It glinted in the harsh light<br />
as he stood there unblinking,<br />
counting seconds: tick, tock, tick,<br />
tock.<br />
Streets away, an old man tugged<br />
at his dog’s leash, pulling him away<br />
from the small dried turd that he<br />
was sniffing at. ‘C'mon, Pepe,<br />
c'mon.’ A flash caught his eye and he<br />
turned to look at a bright square of<br />
light in the middle of the apartment<br />
block in the distance. The old man<br />
lingered, wondering why on earth<br />
someone would want such a bright<br />
light. Then it flickered as if someone<br />
had passed in front of it and then<br />
was bright again. The old man<br />
shivered, despite the warmth, and<br />
hurried home, away from that light.<br />
Pierre watched the scary man<br />
pick a shiny thing from his case and<br />
walk to stand beside his mummy.<br />
He stooped slightly and brought<br />
the silver thing close to his mummy’s<br />
face. He could see the end was really<br />
sharp, he could see it was a knife.<br />
Mummy had told him not to play<br />
with knives because they were<br />
dangerous and he could cut himself<br />
with them and hurt himself.<br />
Pierre’s and Janine’s eyes locked<br />
for a moment and in them he saw<br />
the look of love, helpless,<br />
unconditional love, for the last time<br />
in his life.<br />
The man placed the edge of the<br />
knife against his mummy’s ear with<br />
the tenderness of a lover’s caress. He<br />
paused a moment, closing his eyes,<br />
<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />
Chicken Jack<br />
Perry Bhandal
and sighed as if in prayer, then he opened them and<br />
pushed and everything became red.<br />
Franco looked at the small child and the eyes that<br />
looked so familiar. The man in the gown had done his<br />
work, it was amazing how much blood the human body<br />
held, much of it had soaked into the armchair that the<br />
ruined body of Janine sat in, the rest had pooled on the<br />
floor and spread, like wings of blood.<br />
The air was thick with the smell of iron. Rollins<br />
looked to Franco and gestured to the little boy sitting<br />
beside him as if to say he was ready for his next subject.<br />
Franco looked from the man to Pierre and back to<br />
the man. The eyes in this little boy were identical to his<br />
own.<br />
Franco shook his head and got up.<br />
‘Finish up. We’re done here’<br />
‘The agreement was for two. A woman and child.’<br />
Mr Rollins said in a strained whisperous voice, as if the<br />
words struggled to make it past his throat.<br />
Franco turned to face him. He gave him his ‘don’t<br />
fuck with me stare’. Mr Rollins did not seem to notice.<br />
‘Promises have been made. People are expecting<br />
two,’ he continued.<br />
‘I’ll find another kid for you, not this one.’<br />
Rollins looked like he was going to argue for a<br />
moment, then the blank look returned.<br />
‘It took you long enough to find these. You perhaps<br />
no longer have access to the supply that I need’, he<br />
replied<br />
He stripped off the gown and the surgical gloves<br />
placed them in a small plastic bag.<br />
‘The way you’ve been going through them is that any<br />
fucking surprise?’ argued Franco<br />
Rollins toggled a switch on the video recorder and<br />
watched the screen for a few moments, nodding with<br />
satisfaction.<br />
‘Maybe it is time to move on.’<br />
Franco ignored him and turned to the little Pierre<br />
who still sat looking at the wrecked form of his mother.<br />
He turned his face to look at him and removed the gag.<br />
‘You’re mine now’ he said as he undid the bindings<br />
on his feet and arms. Behind Franco, Rollins<br />
approached silently and draped something thin and<br />
shiny over his head and then pulled. Pierre watched as<br />
the garrote slid into Francos’ throat with a gasp. Franco<br />
pushed back and they fell hard onto the floor, his weight<br />
winding Rollins. As they struggled amidst sounds of<br />
choking and spurts of Franco’s arterial blood, little<br />
Pierre reached up and opened the front door. He<br />
31<br />
postgraduate fiction<br />
turned to take one last look at his mother and then<br />
stepped into the hallway and closed the door behind<br />
him. Pierre looked across the hall to the door of the flat<br />
belonging to their neighbours Manjit and Khansa. His<br />
mother had always told him he should go to them if he<br />
ever go in trouble or needed help.<br />
Pierre waddled down the stairs, taking them one at<br />
a time. When he got to the bottom he heard a sound<br />
and looked up. At the top was Rollins leaning over and<br />
looking at him.<br />
Pierre ran as fast as his little legs would carry him,<br />
out of the block entrance around the corner and<br />
into the alleyway. He found a dark corner and sat down,<br />
pulling rubbish over him and making himself as small<br />
as possible. He waited.<br />
Pierre tried to calm his breathing. If he was quiet and<br />
did not move the scary man may not find him. He did<br />
not want the man to do to him what he did to his<br />
mother. He tried to remember his mother’s face, he<br />
could not. All he could see now was a red thing.<br />
The light from the streetlamps penetrated only a few<br />
feet before surrendering to the shadows. Into that,<br />
stepped Mr Rollins.<br />
He moved silently, scanning this way and that,<br />
looking for a him.<br />
‘Come out, Pierre,’ he whispered ‘Your mother is<br />
calling for you, boy.’<br />
Pierre sat still in the dark, his little breaths silent. He<br />
knew his mother was dead.<br />
Pierre could see the scary man now, he stood in the<br />
middle of the alleyway straight across from him, looking<br />
from one side to the other, slowly, over and over. At one<br />
point he stopped, looking directly at Pierre, his eyes<br />
glittering like a cat’s. Then he turned and walked away.<br />
Pierre did not want to move, he was too scared.<br />
Slowly his eyes began to droop and close. In his dreams<br />
ran from red things, red things with open arms that<br />
wanted to catch him.<br />
A little boy fell asleep.<br />
When the refuse collectors found him in the<br />
morning, it was not a little boy that awoke but a soul<br />
beyond repair. Pierre had been lost to the abyss. What<br />
remained was something else.<br />
The newspapers reported a brief story, of a woman<br />
attacked and killed in her home, survived by a child. The<br />
child was placed into the care of the state. The killer or<br />
killers remained at large.<br />
<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />
Chicken Jack<br />
Perry Bhandal
Pierre’s abuse began during his<br />
first week in the children’s<br />
home: sodomised, beaten, made to<br />
indulge in all manner of sex acts<br />
with men and other children. After a<br />
time it became a way of life.<br />
It was whilst being pounded<br />
from behind by his sixteen -stone<br />
carer that the revelation came to<br />
him. For four years he had endured<br />
the worst kind of abuse that could<br />
be imagined. He was alive because<br />
he did not complain. Others had<br />
and they had disappeared, never to<br />
be heard from again. He had<br />
become a vessel into which was<br />
dumped the sexual gratification of<br />
others. The ones that liked him<br />
called him Chicken Jack, a<br />
nickname acquired from a certain<br />
technique in which he had become<br />
proficient. He had been fucked<br />
every which way but loose. But he<br />
had not surrendered, he had<br />
watched and he had learnt, learnt<br />
how to avoid the beatings, how to<br />
please his masters, how to hide his<br />
true feelings and how to lie expertly.<br />
In that dark place he came to know<br />
the nature of men, their desires,<br />
their capacities, their weaknesses.<br />
The headmaster looked up as the<br />
fifteen-year-old boy placed the<br />
stills of the headmaster himself and<br />
the two boys he was sodomising on<br />
his desk. The boy pressed a button<br />
on a tape recorder and the wood<br />
panelled and richly furnished office<br />
filled with the sound of him<br />
grunting with out gravelly<br />
exclamations of love. A soundtrack<br />
to the images he held in his hands,<br />
occasionally punctuated by winces<br />
of pain from two children who<br />
otherwise remained silent<br />
throughout his exertions.<br />
His florid features looked like<br />
they were going to melt, the colour<br />
rose so quickly in them. The tips of<br />
his forefingers and thumbs were<br />
white with pressure as he held the<br />
photographs. The tape finished and<br />
the boy pressed the stop button<br />
with a click.<br />
Slowly the colour returned to his<br />
fingers as if draining from his face.<br />
He listened to the boy as he talked,<br />
as the boy told him what would be<br />
set in motion if anything happened<br />
to him. That unless he made a<br />
phone call to a very special number<br />
every day these pictures, the tape,<br />
and everything else would be<br />
Filth<br />
32<br />
postgraduate fiction<br />
released to the media and the police<br />
at the same time.<br />
The police did not worry the<br />
Headmaster, the media did.<br />
‘What do you want?’ he asked<br />
finally, when the boy had stopped<br />
talking.<br />
He expected a series of<br />
ultimatums centred around the<br />
halting of all abuse. He couldn’t<br />
have been more wrong. The boy<br />
wanted money. The abuse was not<br />
only to continue, but increase as<br />
Oh, ok. So that's how it works.<br />
I had no idea the world was this simple to figure out.<br />
I was overthinking things all along.<br />
I always thought the world was such a big, scary place to live in,<br />
with no place to hide.<br />
But no, once you figure it out, it's all so easy.”<br />
“See, I told you it would be.”<br />
From the front garden of my second home,<br />
I could see a spindly old woman stalking<br />
Down the road.<br />
She had her arms raised up above her head,<br />
And her fingers were hooked like claws.<br />
As she was passing,<br />
She suddenly turned towards me,<br />
Letting out a guttural noise.<br />
Her face was unclear,<br />
But despite that,<br />
The resulting wave of fear was like<br />
The closing of an iron maiden,<br />
Slamming into me<br />
And piercing my body bone-deep.<br />
And for a long time,<br />
I was unaware<br />
That none of it<br />
Had actually happened.<br />
undergraduate poetry<br />
Jean-David Beyers<br />
<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />
Chicken Jack<br />
Perry Bhandal
paying patrons were sought and<br />
acquired.<br />
For the next few years the abuse<br />
continued and expanded. The<br />
headmaster became rich, as did the<br />
boy now known as Chicken Jack.<br />
Chicken Jack grew to be ruthless<br />
and vicious in his dealings and<br />
his reputation for being the man<br />
that could get you anything became<br />
quickly established in the<br />
underworld. He moved to Eastern<br />
Europe, gravitating to the edges of<br />
the war in the Balkans where life<br />
was cheap. His black skin made him<br />
stand out, but his money made him<br />
invisible once more. He spread his<br />
net wide, tendrils that flickered and<br />
hovered around places where all<br />
that remained were war-torn<br />
buildings and abandoned children.<br />
These children, starved and<br />
forgotten, many mentally ill, were<br />
cared for, fattened and then shipped<br />
all over the world to satisfy the<br />
cravings of the insatiable.<br />
The demand for leftovers<br />
seemed to grow all the time<br />
and even Chicken Jack was finding<br />
it hard to fulfill it. More and more he<br />
was been forced to recategorise<br />
perfectly good chicken as leftovers.<br />
He was taking too many risks, but<br />
the money was too good to turn<br />
down.<br />
Anyway Chicken had his<br />
insurance. There were far too many<br />
people with a vested interest in<br />
keeping him free and in business. It<br />
would have been easy to get<br />
complacent but Chicken had seen<br />
too many men brought down by<br />
their own sense of invulnerability<br />
Chicken wasn’t going to repeat<br />
their mistakes. He was clever. He<br />
kept his material in both hard and<br />
electronic form. The hard was in a<br />
Swiss vault with explicit<br />
instructions for its distribution if he<br />
did not call in once a week. The<br />
electronic was encrypted and spread<br />
across various servers, each with a<br />
countdown that only he could reset<br />
weekly and, which if he missed,<br />
would automatically fire off packets<br />
to competing global news<br />
organizations and the world’s mafia,<br />
guaranteeing a rain of fire on all his<br />
associates, whether complicit in his<br />
demise or not.<br />
With the end of the Balkan War<br />
and his network firmly established,<br />
Chicken chose to base himself in a<br />
place where he could disappear<br />
amongst those that were similarly<br />
coloured. In Brixton, England.<br />
He continued to travel<br />
frequently. He liked to move<br />
around, to witness his operations<br />
working firsthand and look into the<br />
faces of those that maintained them<br />
for him. He had an eye for duplicity,<br />
he could smell it and doing the<br />
rounds kept any young Turks in<br />
check, making sure they got no<br />
ideas of their own. Every so often he<br />
would have to make an example of<br />
an upstart. Then, bathed in blood<br />
and gore, he would lavish riches<br />
upon others that remained loyal -<br />
the extremes of carrot and stick.<br />
Time moved on and Chicken’s<br />
riches grew. He began to feel an<br />
equilibrium, one occasionally<br />
punctuated by spasms of vicious<br />
violence, but an equilibrium<br />
nonetheless. He even considered<br />
the pursuit of more legitimate<br />
business ventures. But equilibrium<br />
rarely lasted for men like Chicken<br />
Jack.<br />
The beginning of the end, when<br />
it came, was ushered by the sound<br />
of knuckles tapping softly on glass.<br />
He was in his Mercedes one<br />
bright afternoon in a car park at<br />
33<br />
postgraduate fiction<br />
Heathrow Terminal 5. He’d just<br />
returned from Brazil: an anarchic<br />
country that would prove a major<br />
addition to his supply chain. He<br />
jumped at the tap on his driver’s side<br />
window. He could see a slight<br />
figure standing next to his car<br />
through the heavily tinted windows.<br />
Chicken checked the gun he kept in<br />
his lap between his legs and pressed<br />
the switch to lower the window.<br />
The figure bent down and Chicken<br />
found himself looking at the face of<br />
a man he thought had been lost to<br />
the past: Mr Rollins.<br />
Rollins joined Chicken in his car.<br />
He introduced himself and without<br />
ceremony proceeded to outline<br />
Chicken’s business activities over<br />
the last five years in worrying detail.<br />
He gave no indication that he<br />
recognized him.<br />
Rollins paused to let his words<br />
sink in and then went on to outline<br />
his requirements. Chicken’s mouth<br />
became drier and drier as the<br />
syrupy, hypnotic voice washed over<br />
him.<br />
‘Can you help us?’<br />
Rollins turned to look at<br />
Chicken: the same hair, the same<br />
eyes, everything the same. He tried<br />
to respond, but his words died in his<br />
throat. Instead he nodded like a<br />
school child.<br />
Rollins smiled, revealing small,<br />
uneven teeth.<br />
‘Good. We will be in touch.’ And<br />
with that he left. Chicken watched<br />
him walk across the car park and<br />
disappear. Only then did he notice<br />
the overpowering stench of rotting<br />
meat that filled his car. Chicken<br />
scrabbled frantically at the door<br />
release and fell vomiting on the<br />
tarmac.<br />
With the arrival of Rollins<br />
everything changed. His appetite<br />
was insatiable and he had seemingly<br />
<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />
Chicken Jack<br />
Perry Bhandal
limitless funds to finance them.<br />
Chicken had never been one to tie<br />
himself to one particular customer,<br />
but Rollins paid twice the market<br />
price for chicken. Problem was it all<br />
had to be leftovers.<br />
Chicken’s operations expanded<br />
quickly with Rollins’ arrival. He<br />
began to take greater risks. Time<br />
from grooming to delivery became<br />
shorter and shorter. Mistakes were<br />
made. Some of those picked up<br />
were not as expendable as first<br />
thought. Paying off the cops and the<br />
occasional politician had been part<br />
of the deal from the outset and they<br />
had come cheap, but they were<br />
taking more heat and buying them<br />
off was becoming more and more<br />
expensive. One sergeant in<br />
particular was beginning to turn<br />
down more and more requests.<br />
There was a momentum building<br />
here. Chicken could see that at<br />
some point in the future it would<br />
come apart. Shit, they couldn’t even<br />
keep him out of the courts. He had<br />
greased so many palms he shouldn’t<br />
even have come close to this. But he<br />
couldn’t stop. The thought of saying<br />
‘no’ to Rollins never entered his<br />
mind.<br />
A few months after their first<br />
meeting, Chicken had asked him<br />
what he did with the children and<br />
the young men and women that he<br />
sent him. He had expected to be<br />
told to mind his own fucking<br />
business, but Rollins merely smiled<br />
and offered to show him. That night<br />
he took him to an old warehouse<br />
and Chicken watched as Rollins<br />
methodically dismembered a young<br />
woman to the occasional sound of<br />
mewling and the faint whirring of a<br />
video recorder.<br />
When he finally stopped, he had<br />
turned to Chicken and asked him if<br />
he would be interested in seeing his<br />
video collection.<br />
34<br />
postgraduate fiction<br />
Chicken checked the rear view<br />
mirror. The station wagon was<br />
still there. The money sat in the<br />
boot of his car. The final batch of<br />
human cargo was due in the<br />
afternoon. One last deal and he was<br />
gone forever. It had been a hard<br />
choice for Chicken but he couldn’t<br />
bury the memories that had been<br />
jarred loose by that night in the<br />
warehouse. It wasn’t repentance or<br />
any such shit like that. It was<br />
survival instinct, pure and simple.<br />
Chicken felt himself being<br />
consumed, inside and out,<br />
dissolving as if soaked in a foul toxic<br />
brine, the diluted essence of Rollins<br />
slowly eating him away.<br />
His planning had been<br />
meticulous and quiet. He was sure<br />
Rollins suspected nothing. He had<br />
only one more stop; everything had<br />
been going like clockwork. Until<br />
this idiot started tailing him...<br />
<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />
Chicken Jack<br />
Perry Bhandal
Paradise, etc.<br />
by Ali Sheikholeslami<br />
‘…a nation of warriors and fanatics,<br />
marching forward in perfect unity, all<br />
thinking the same thoughts and shouting<br />
the same slogans, perpetually working,<br />
fighting, triumphing, persecuting - three<br />
hundred million people all with the same<br />
face.’<br />
1984 – George Orwell<br />
Summer 1984<br />
Volunteer Training Camp – Southwest Iran<br />
The khaki uniforms were not the coolest outfits for<br />
weather over 45 degrees in the Ahvaz region. The<br />
heated introductory talk had made the men sweat even<br />
more under the razor-sharp sunbeams. Their first day<br />
of training was taken up in getting acquainted with a<br />
new set of rough clothes and heavy equipment, learning<br />
what was where in the camp, listening to the PR clergy,<br />
and having two long meals. The second day was<br />
dedicated to basic military skills, marching, a shooting<br />
lesson with AK-47, and another talk expounding the<br />
advantages of martyrdom over dying in bed. The third<br />
day, on the other hand, was programmed for learning<br />
techniques in defusing land mines, including jumping<br />
on them in case of extreme emergency, when an<br />
offensive was on its way and there was no time to waste,<br />
which was normally the case.<br />
Morteza lived in the barracks for almost the whole<br />
of the war. He was one of the rare few who had<br />
survived the Khorramshahr siege, as he belonged to the<br />
same province and his local knowledge saved him. He<br />
then returned to the harbour city when it was freed<br />
several months later. He participated in most of the<br />
major assaults and always carried his RPG-7, a light<br />
missile-launcher that had earned him the reputation of<br />
a tank-hunter.<br />
Morteza got married a few years before the war<br />
alarms were first heard. His daughter was<br />
growing her first teeth when he was arrested as a<br />
revolutionary by the Shah’s secret police. They confined<br />
him to solitary for quite a while in Tehran’s special<br />
prison, caressed his bare body, including his bare balls,<br />
35<br />
postgraduate fiction<br />
with bare metal. After the Ayatollah’s victory in ‘79, he<br />
was freed and went back to Soosangerd, his home town<br />
by the Iraqi border.<br />
The family business had deteriorated as a result of<br />
the upheavals. His aluminium framing trade that was<br />
being managed by his younger brother didn’t even pay<br />
the monthly mortgage. People were too poor to build,<br />
and therefore had no need of new windows or doors.<br />
The real catastrophe came in the first month of the<br />
war. Morteza was trying to figure out what he could or<br />
should do with his workshop when he heard deafening<br />
explosions and roaring war planes nearby. A few<br />
minutes later, in utter amazement, he was taken to his<br />
one-time home, which now didn’t look like anything but<br />
rubble. The search led to nothing, except the finding of<br />
his wife’s corpse and his daughter’s scattered limbs.<br />
When the new forces arrived at the base, Morteza<br />
was waiting impatiently for the next attack. He<br />
didn’t want to accept his results during the last one: only<br />
4 tanks, not even close to his normal standards. He<br />
longed to make up for it. If he could destroy 10 this time,<br />
he’d feel relieved. But the trouble was it was an Iranian<br />
offensive and it all depended on the Iraqi intelligence.<br />
If they knew about it, they’d be prepared, with tanks in<br />
place, all ready for Morteza to shoot. If not, it’d be<br />
another disappointment for him.<br />
‘Oh, no! I don’t believe my half-blind eyes. Is that you,<br />
Morteza?’<br />
‘Habeeb!’ Morteza hugged the man in his forties,<br />
with a grey beard and hair, and astonishingly thick<br />
glasses.<br />
‘You still alive, brother? I can’t believe you’ve survived<br />
it all.’<br />
‘I did, with God’s help. They didn’t, though.’<br />
Morteza pointed to his nuts laughingly.<br />
‘Oh, brother. We all left something there. None came<br />
back whole. They made me quite good-looking,<br />
though. Look at my classy glasses.’ Habeeb made an<br />
actor’s gesture cheerfully. ‘Thank God you have your<br />
little princess; otherwise you’d have to live all your life<br />
with no children. They are truly the fruits of life, aren’t<br />
they? God bless your daughter.’<br />
Morteza took a lungful of air; exhaled, looked up to<br />
the sprinkled clouds on an azure background, rubbed<br />
his hands together forcefully and shook his head, ‘Not<br />
anymore. No princess; not even a queen.’<br />
<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008
The newcomers formed six<br />
groups of seventy-two. The<br />
plan was for them to attend the<br />
largest-scale offensive of the year on<br />
the southern front. The schedule<br />
was to start a few days after their<br />
arrival; they’d never announce when<br />
exactly till a short time before the<br />
actual operation. There was a fear<br />
there’d be a rat that the Iraqis could<br />
smell.<br />
Even the nights didn’t cool off<br />
much. You had to own a chafieh, a<br />
one by one metre checked cotton<br />
fabric, loose and ugly, but extremely<br />
useful to wipe off the sweat and<br />
send you to sleep. After the curfew,<br />
the guys normally kept on<br />
chattering, either at the foot of the<br />
man-made hills or inside the<br />
shelters. The flies and mosquitoes<br />
never lost their loyalty to the<br />
conversations. Although the juniors<br />
had their designated holes to live in,<br />
Morteza arranged accommodation<br />
for Habeeb in his own shelter.<br />
Habeeb was a box filled with stories<br />
of his eventful life, whose details<br />
were as hazy as his vision. When he<br />
talked about the prison days, he had<br />
a surreal calm, as if he was only<br />
talking about the daily chores of a<br />
happy housewife. He neither<br />
glorified the revolution, nor played<br />
it down. For him, the necessity of<br />
what had happened was a given, a<br />
simple matter of what was supposed<br />
to occur.<br />
Have you been in contact with<br />
any of the cell-mates?’<br />
Morteza asked.<br />
‘I must admit, I still see<br />
Ebraheem and spend quite some<br />
time with him. I can’t deny that he is<br />
my brother.’ Habeeb was in one of<br />
his funny moods. ‘But, apart from<br />
him, I’ve only seen Majeed twice,<br />
and still keep getting letters from<br />
Alvand.’<br />
‘Do you remember Hameed?’<br />
‘The football-fanatic?’ Habeeb<br />
asked, getting obviously interested.<br />
‘We lost him in Hoveyzeh,<br />
during a siege.’<br />
‘Good for him. I’m sure he’s set<br />
up his own football team with other<br />
martyrs.’ Habeeb nodded.<br />
‘Yeah.’<br />
Morteza was busy lovemaking<br />
the whole morning. He gave<br />
it a nice massage inside out; used<br />
the best lubricant he could find in<br />
his oil box, rubbed it all over, tried<br />
every angle. People, watching him<br />
so passionately cuddling his RPG,<br />
got a sense that the time was short.<br />
In the evening, the meal was quite<br />
substantial. A prolonged prayer<br />
session and then a cleric in uniform<br />
and turban declared the intentions<br />
of God for making nations fight<br />
wars because he loved to see how<br />
his believers were ready to sacrifice,<br />
to forget about themselves, to leave<br />
their dirty, earthly lives and turn to<br />
martyrs. Many were weeping,<br />
envying the fortunate ones that<br />
already inhabited the closeness-of-<br />
God.<br />
‘…Islam is in danger, more than<br />
ever before. Since the bloodthirsty<br />
vulture started his attack on our<br />
homeland; since the infidel started<br />
bombarding Islamic Iran four years<br />
ago, we’ve had a moral duty, a<br />
national and Islamic duty to defend<br />
our land and our religion, our<br />
dignity. Saddam is the Hitler of our<br />
times; he’s done things more horrific<br />
than America did in Vietnam. We’ve<br />
given blood for our Islamic<br />
revolution; we’ve been tortured by<br />
the Shah and his agents of horror.<br />
We are prepared to sacrifice again,<br />
to sacrifice ourselves, our families,<br />
and our blood. This is only a small<br />
token of what we can give for our<br />
36<br />
postgraduate fiction<br />
Islam and our Iran. Martyrdom<br />
runs in our veins...’<br />
The priest also gave a heartrending<br />
presentation of how being<br />
martyred on a mine would mean a<br />
shortcut to heaven. He described<br />
the naked angels that would come<br />
to the gates of paradise, exclusively<br />
to welcome the lads and change<br />
them out of their torn garments. He<br />
grinned while predicting the<br />
consecutive events and the different<br />
nature of the heavenly joys: that you<br />
can eat a fruit that tastes of every<br />
fruit all at once; that you can have a<br />
rock-hard erection for as long as you<br />
wish; that there are springs of milk,<br />
wine, honey, and a lot more. The<br />
volunteers were mobilised in the<br />
front, with hungry dicks and raging<br />
desires.<br />
The shameless rain didn’t really<br />
decrease the heat, but instead<br />
turned the thirsty soil to gluey mud.<br />
It couldn’t possibly stop those<br />
giving the commands; several<br />
regiments from different front bases<br />
had already kicked off. The artillery<br />
had been fed with ammunition<br />
during the past weeks and the air<br />
raids were perfectly planned. The<br />
minesweepers worked hard for<br />
nearly two weeks, clearing pathways<br />
through vast minefields for the<br />
troops to cross. The men were<br />
struggling, especially the ones who<br />
had suffered enormous physical<br />
pain in the prisons of the Shah, or<br />
the ones in higher age groups or of<br />
lower athletic prowess. Habeeb had<br />
it all double: both problems as well<br />
as higher spirits; he was limping<br />
with lumps of sludge stuck to his<br />
boots, nearly unable to see anything<br />
in that pitch dark; but, worst of all,<br />
he had to keep silent.<br />
‘God! Please invite me to your<br />
side. Please let me come to you.<br />
Please give me the opportunity to<br />
present my body, my soul, and my<br />
<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />
Paradise, etc.<br />
Ali Sheikholeslami
lood in your way. Let me not rot in this filthy world.’<br />
The guy, who had just finished his studies in Quantum<br />
Physics, kept repeating these lines in his head. He knew<br />
one way of convincing God was to stick to what you<br />
wanted him to give you, ask, and ask, and ask, and he’d<br />
answer. That was the promise, that if you took a single<br />
step along his path, he’d take ten towards you.<br />
Morteza remembered his childhood. When he was<br />
born, borders didn’t mean set in stone rules that couldn’t<br />
be changed. The people on both sides spoke to each<br />
other comfortably in Farsi and Arabic; they shared a<br />
similar way of life. The children of the villages had<br />
friends on the other side; there were lots of games to get<br />
involved in. The adults went on a pilgrimage to Karbala<br />
and Najaf whenever they wished; it was easier than<br />
travelling to Tehran to go to a good doctor. But now<br />
he had no vision but busting Iraqi tanks. Everything<br />
had changed since the first border disputes; the line<br />
between the two countries had changed status, its<br />
existence had become an inevitability.<br />
Get down, get down, everybody get down, now!’<br />
One of the four professional soldiers was running<br />
around, nearly shouting, trying to make the raw<br />
volunteers understand the gravity of the situation.<br />
The sky was illuminated. The troops were showered<br />
with bullets. The bright lines of red and yellow, like<br />
gold powder, were waving all over the place. Men were<br />
down; some already encircled by the naked angels, some<br />
still struggling with panic attacks. The invaluable 3-day<br />
training acted like a stimulus: a mix of rapid heartbeat,<br />
raised blood pressure and a bizarre feeling of having a<br />
baby kicking from inside. Half the people were crawling<br />
ahead, while the others decided to remain where they<br />
had fallen. They didn’t have any other choice; they were<br />
too wounded, or too dead to move.<br />
Why not?’<br />
‘Because we’ve already lost half of our boys. Because<br />
the next unit will be here in two hours. Because we’ve<br />
miscalculated the minefields in this region; there really<br />
isn’t a route. If we don’t retreat soon, there’ll be a<br />
massacre. Every other unit that arrives will be<br />
slaughtered in no time.’<br />
‘Just carry on.’<br />
The radio transmission from the operation<br />
headquarters demanded the advance continued. The<br />
field lieutenant was in charge of injecting more<br />
37<br />
postgraduate fiction<br />
adrenaline into the heads of the remaining volunteers:<br />
they needed the way; Islam was in danger of extinction.<br />
Adull sun was rising over the playground. Dried gut<br />
and prostate, odorous body contents, useless limbs<br />
and organs and metal rubbish lay silently entwined in<br />
the growing heat. A baby jackal was licking the blood<br />
off a shining RPG.<br />
<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />
Paradise, etc.<br />
Ali Sheikholeslami
Emotional Spaceman<br />
by William Leahy<br />
Iwas six when it happened. We<br />
were eating our Sunday meal in<br />
the living room when I noticed<br />
Jenny frothing at the beak. As I<br />
watched her she seemed to topple<br />
from her perch and land gently in<br />
the sand and droppings that<br />
covered the bottom of her cage. I<br />
stared at the vacated perch for a<br />
number of seconds, hoping that our<br />
budgie would suddenly flutter<br />
upwards and come to rest upon it<br />
once more, healthy and cracking her<br />
seed. She did not reappear however,<br />
and the noise she made as she struck<br />
the bottom of the cage had<br />
prompted my brother to look up<br />
also, and he squinted at the empty<br />
silent space. He stood up and<br />
walked over to the corner of the<br />
room where the cage hung on a<br />
large, red, metal stand, next to tall<br />
yellow pampas grass that shot from<br />
a massive chocolate brown vase. On<br />
his way, he passed a dark blue and<br />
tangerine lamp which stood on a<br />
teak-effect sideboard, and a tartan<br />
table which held a wooden bowl of<br />
plastic fruit and a miniature clay<br />
donkey that contained a cigarette<br />
lighter in its saddlebags. Reaching<br />
the cage, my brother peeked over its<br />
frosted glass side panels and<br />
stopped chewing.<br />
Dad, dad, he said quickly, his<br />
mouth half-full, there’s something<br />
coming out of Jenny’s beak. It’s all<br />
bubbly.<br />
Come and eat your dinner and<br />
leave the budgie alone, my mother<br />
said, swallowing some meatloaf. My<br />
father continued eating, chewing his<br />
food slowly.<br />
But Mum, there is. And she’s<br />
lying on the bottom of the cage and<br />
looks all funny. He was almost<br />
hopping with anxiety, and stood<br />
half-turned between cage and table.<br />
Colin! Come and eat your<br />
dinner. Right now! my mother<br />
demanded.<br />
But he’s right! I chipped in,<br />
pointing at the cage with my knife, I<br />
saw her drop off her perch. My<br />
mother was about to reply when my<br />
father stood up quickly, pushing his<br />
chair back over the carpet. He set<br />
down his knife and fork on the<br />
tablecloth, and I saw gravy and<br />
carrot mark its purple-flower<br />
pattern. My mother’s eyes followed<br />
his as he rose, looking worried. He<br />
did not look at her but moved<br />
around the table towards Colin,<br />
squeezing past my chair as he did<br />
so. My mother turned to follow him,<br />
and gave me an unhappy look as her<br />
eyes momentarily met mine.<br />
Just what we need on a Sunday<br />
afternoon, Freddy, she said,<br />
somewhat mysteriously.<br />
My mother and father had earlier<br />
carried the kitchen table into the<br />
living room as they did every<br />
Sunday afternoon, for us to have a<br />
posh-lunch. It was the only day of<br />
the week that we all squashed into<br />
the room in order to eat, and the<br />
only day also on which both the<br />
tablecloth and the gravy boat<br />
appeared. We would, no doubt,<br />
have used the good crockery and<br />
cutlery had we possessed any, but<br />
we made do with the everyday.<br />
Mother’s special Sunday trifle was<br />
intended to make up for that.<br />
Having the table in the middle of<br />
the room presented difficulties in<br />
terms of space, difficulties my father<br />
now encountered as he pushed past<br />
my mother’s chair. Lifting it slightly,<br />
he eased his way through and<br />
reached the corner where the<br />
birdcage hung. He shoved Colin<br />
away, towards the window. Colin<br />
38<br />
faculty fiction<br />
looked over to me suddenly, his eyes<br />
widening in his nervousness. I<br />
looked back at him and, without<br />
wanting to, giggled. As Dad looked<br />
into the cage, my mother absently<br />
lifted a piece of boiled potato<br />
toward her mouth, and a spot of<br />
gravy dripped unnoticed onto her<br />
turquoise trouser-suit.<br />
What is it, Frank? she said, the<br />
potato slipping between her teeth<br />
and into the pocket of her cheek.<br />
What is it? My brother and I both<br />
looked up at my father and then at<br />
my mother. Her empty hand shot<br />
up to her necklace, with which she<br />
began to fiddle. Frank, what is it?<br />
My father said nothing, but turned<br />
and moved back to the table with a<br />
look of determination.<br />
Dad, dad, my brother halfshouted,<br />
hopping with anxiety. My<br />
father reached over and grabbed the<br />
fork from beside his plate, and I<br />
could see his knuckles turn white as<br />
he gripped it tightly. He squeezed<br />
his way back again towards the<br />
cage. My mother stopped fiddling<br />
with her necklace and my brother<br />
stopped fidgeting. I swallowed a<br />
piece of carrot. A stream of sunlight<br />
was coming into the room and<br />
thousands of particles of dust were<br />
caught by the light. Outside there<br />
was silence, or so it seemed; no cars<br />
driving past, no dogs barking, no<br />
children shouting. My father<br />
opened the spring-door of the cage<br />
with his left hand, and raised the<br />
fork in his right. In a fifteen-second<br />
burst of energy, he finished Jenny<br />
off. He repeatedly skewered her<br />
through the throat and then, using<br />
the wooden perch as a lever, rubbed<br />
her off the fork when she became<br />
stuck. Finally, breathing heavily, he<br />
watched for any movement on the<br />
bottom of the cage. With his face<br />
returning to its normal shade of<br />
smoker’s yellow, he extracted the<br />
<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008
hand in which he held the fork, let the spring-door snap<br />
shut, turned and walked into the kitchen. Our three<br />
pairs of eyes remained on the swinging cage as we heard<br />
his footsteps on the kitchen floor and then the sound of<br />
running water. The tap was turned off and he returned<br />
to the living room. He sat down heavily and, after<br />
shaking excess water from his fork, picked up his knife<br />
and forced it through a lump of meatloaf. He pierced<br />
the severed piece with the fork, dipped it into the gravy<br />
that flooded his plate, and popped it into his mouth.<br />
Outside, a car drove by noisily, a dog barked and some<br />
children shouted. In the corner of the room Jenny’s cage<br />
continued to swing gently back and forth.<br />
Jenny’s death had been so sordid that her burial had<br />
to be grand. Colin and I demanded an appropriate<br />
ceremony, one that acknowledged the centrality of the<br />
budgie in our family life.<br />
We should bury her next to Granny, my brother<br />
suggested, and say some prayers. Colin and I were<br />
sitting on the roof of the communal garages, around the<br />
corner from our terraced maisonette, looking across a<br />
field that belonged to Farmer Dobbs. The field was<br />
part of a suburban farm and was used as a shortcut to<br />
the Dipton estate. The grass was high, and the path<br />
trodden by people walking between our estate and<br />
Dipton traversed the field from corner to corner.<br />
Maybe we should, what’s it called, er, create her,<br />
y’know, set her on fire. I said this with a blade of grass<br />
dangling from my mouth, swinging my feet over the<br />
garage rooftop. It was barely an hour since Jenny had<br />
met her end and we had been sent out to play by my<br />
mother so that she could wash the dishes in peace. After<br />
our pudding she had shooed us out while my father<br />
retired to the toilet.<br />
No, we don’t want to burn<br />
her, do we? That’s horrible. Colin<br />
looked across the field, the long<br />
grass swaying in a gentle summer<br />
breeze. And it would be all<br />
smelly.<br />
Anyway, I said, I suppose she<br />
wouldn’t catch fire. You can’t set<br />
fire to a bird, can you?<br />
I know, Fred, my brother said,<br />
we should give her to next door’s<br />
cat.<br />
You’re joking, I replied,<br />
turning and snatching the blade<br />
Weeping Woman (after Picasso)<br />
Eyes wide, white.<br />
Ready to rush.<br />
Green, not with envy,<br />
Yellow, not with light,<br />
But sorrow, fright,<br />
So sinister and sharp.<br />
39<br />
of grass from my mouth. Aren’t you? My brother<br />
considered. I noticed the soft, blond hairs on his thighs<br />
being blown by the breeze.<br />
No, Fred, really. It’s natural, isn’t it? You know, like<br />
birds eat worms, and cats eat birds, and dogs eat cats<br />
and so on.<br />
Dogs don’t eat cats, I said, replacing the blade of<br />
grass in my mouth. Do they?<br />
Well, they would if they could catch them, my<br />
brother said, raising his eyebrows. Colin was two years<br />
older than me, and I had to bow to his superior<br />
knowledge, his age guaranteeing his authority in all<br />
things. At school I often watched him with his<br />
classmates in the playground and wished that I could<br />
participate in their mature games. It was, I knew,<br />
forbidden territory, however. In the distance, coming<br />
from the Dipton estate, a figure climbed through the<br />
barbed-wire fence that enclosed the field, and began to<br />
walk in our direction. This figure kept to the path of<br />
trodden grass.<br />
I don’t want to give her to next door’s cat, I said<br />
sullenly. I can’t stand that bleeding thing, anyway. With<br />
this we were silent for a while, both of us chewing on<br />
grass-sap, the sun warm on my bare legs. My eyes were<br />
fixed on the young man crossing the field, and high<br />
behind him I saw an aeroplane crawling through the<br />
pale-blue sky. My brother and I continued to swing our<br />
legs over the rooftop edge, kicking the wall with the<br />
heels of our shoes. The figure grew larger as it<br />
approached.<br />
We could bury her at sea, I suppose, my brother said,<br />
like they do with pirates and sailors. As I turned to look<br />
at him his expression suggested the impossibility of this.<br />
If dad would drive us to the seaside, that is. We both<br />
knew that our father would not contemplate such a<br />
journey for our budgie, and the thought melted away as<br />
soon as it was spoken.<br />
undergraduate poetry<br />
faculty fiction<br />
What about Marley Wood? I<br />
wondered aloud. Dad might<br />
drive us there, because it isn’t that<br />
far. Colin lay down as I<br />
continued, flat on his back, his<br />
legs hanging over the garage<br />
edge. We could take her there<br />
and bury her. We could take her<br />
right into the wood and dig a<br />
hole and put her in and make a<br />
little cross with her name on it<br />
and stick it in the ground. Like a<br />
real grave. As I spoke I became<br />
Maria Ridley<br />
<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />
Emotional Spaceman<br />
William Leahy
excited at this realistic possibility.<br />
My brother gave me no response,<br />
but I could see that he was taken<br />
with the idea.<br />
And we can say a few prayers, I<br />
said, trailing off, looking at the<br />
swaying grass. The young man had<br />
almost reached our side of the field<br />
by now, and as I watched him he<br />
passed underneath us. He gave me<br />
the briefest of glances as he walked<br />
past, puffing on a cigarette and<br />
stumbling slightly. His shoulderlength<br />
hair was greasy and his face<br />
a deep red. He bent and climbed<br />
through the barbed-wire fence,<br />
almost falling as he did so. He<br />
disappeared around the side of the<br />
garage block. I looked back out<br />
across the field, still swinging my<br />
feet and searched for the aeroplane<br />
on the horizon. It too had<br />
disappeared. My brother levered<br />
himself up, took the blade of grass<br />
from his mouth and tossed it into<br />
the field. He stood up.<br />
Come on Freddy, he said as he<br />
rose, let’s go and ask mum. Let’s see<br />
if she’ll ask dad to drive us. I tossed<br />
my blade of grass down and stood.<br />
Yeah, alright, I said, come on<br />
then. We turned and climbed down<br />
from the garage roof, hanging with<br />
our arms stretched and our backs to<br />
the field and then letting ourselves<br />
drop. After landing we wiped our<br />
hands on our shorts and headed for<br />
the barbed-wire fence.<br />
I wonder if Jenny’s still in the<br />
cage? Colin asked. Or if dad’s taken<br />
her out yet? We reached the fence<br />
and Colin began to climb through. I<br />
made a gap for him by holding one<br />
strip of wire in my right hand and<br />
pressing down on the lower strip<br />
with my foot. When he was<br />
halfway, bent almost double, he<br />
stopped and spoke to the ground;<br />
I hope he hasn’t chucked her in<br />
the bin, he said. I hope he hasn’t. He<br />
passed through the strips of wire<br />
and then held them for me in a<br />
similar fashion. I passed through<br />
without difficulty despite catching a<br />
thread on my t-shirt. I stood up and<br />
walked alongside my brother,<br />
returning home, silently planning<br />
Jenny’s grand send-off. Kicking a<br />
stone a thought suddenly struck me:<br />
Colin, I asked, what do worms<br />
eat?<br />
He thought for a moment and,<br />
without missing a step replied, Oh,<br />
you know. Dead budgies and stuff.<br />
The drive to Marley Wood was<br />
almost completely silent. Colin<br />
and I sat in the back seat of the car<br />
looking out of the side-windows.<br />
My mother made the occasional<br />
comment, usually relating to the<br />
weather or to the large number of<br />
cars on the road. My father drove<br />
without uttering a word.<br />
What a lovely afternoon, my<br />
mother said to the windscreen, so<br />
warm and sunny. Jimmy and I did<br />
not respond. So warm and sunny,<br />
she repeated. Jenny was inside a<br />
small, brown paper bag that lay next<br />
to the handbrake of the car,<br />
between the two front seats. My<br />
father had wrapped her up inside<br />
the bag, and then placed her in the<br />
car as we were all climbing in.<br />
There are so many cars out<br />
today, said my mother, where can<br />
they all be going? She fiddled with<br />
her necklace as she spoke, staring<br />
out of the windscreen in front of her.<br />
I hope they’re not all heading for<br />
Marley Wood. As she said this an<br />
insect smashed into the windscreen.<br />
I glanced down at the small brown<br />
parcel on the floor between my<br />
parents and wondered if Jenny were<br />
really dead. Perhaps she was still<br />
alive, still breathing. I watched<br />
closely for a while to see if there was<br />
movement, but could not detect<br />
40<br />
faculty fiction<br />
any. I looked across at my brother<br />
who was stretching slightly to look<br />
out of the window. He was<br />
watching the white lines on the road<br />
as we sped past them, his eyes<br />
flicking back and forth. We had told<br />
our mother of our burial plans for<br />
our budgie, and she had promised<br />
to speak to dad. She had said that<br />
he was very tired, but that he might<br />
be persuaded. The fact that we were<br />
heading for Marley Wood seemed<br />
to suggest that she had convinced<br />
him to carry out our plan. As we<br />
approached the wood I felt sweat<br />
running down the backs of my legs<br />
caused by the plastic covering on<br />
the seat. I wiped one leg with the<br />
back of my hand and raised it to my<br />
mouth. The taste of salt was intense<br />
and stung my lips slightly. My<br />
brother noticed me doing this and<br />
did the same. He looked across at<br />
me with a bitter expression that<br />
became a smile. The car entered an<br />
area of shade as we drove into the<br />
wood. Trees bordered each side of<br />
the road, and sunlight occasionally<br />
flickered through their gently<br />
swaying leaves. We slowed slightly<br />
as we continued, the road<br />
narrowing as we drove deeper into<br />
the wood. I tried to see if I could<br />
find an ideal spot to bury Jenny as<br />
we passed, a clearing in amongst the<br />
trees. Colin seemed to be doing the<br />
same. My father slowed the car even<br />
more and, lifting his right-hand<br />
from the steering wheel, wound<br />
down his side-window. A warm<br />
wind rushed in and I felt the sweat<br />
on my legs immediately cool. Dad<br />
returned his right-hand to the<br />
steering wheel and, letting-go with<br />
his left, reached down and picked<br />
up the brown paper bag containing<br />
Jenny. From the corner of my eye I<br />
saw my mother’s head turn toward<br />
him. In one movement, he gripped<br />
the paper bag and tossed it out of<br />
<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />
Emotional Spaceman<br />
William Leahy
his open window. I stretched to<br />
watch it land in the undergrowth on<br />
the other side of the road and then<br />
disappear. Colin hadn’t noticed<br />
until he saw the bag land and,<br />
disbelievingly, glanced back in<br />
search of it. He could see nothing.<br />
We had already begun to gain speed<br />
as my father pressed down on the<br />
accelerator. Colin sat down again<br />
and I saw water spring to his eyes.<br />
My sight blurred as water came into<br />
mine. Dad wound up his window as<br />
the car continued to accelerate.<br />
Mum looked to the front, fiddling<br />
with her necklace once more. Colin<br />
and I sat staring at the backs of the<br />
heads before us, trying to hold back<br />
tears. Colin succeeded, but a tear<br />
rolled from each of my eyes, one<br />
after the other. They crawled to my<br />
chin and I wiped them with the<br />
back of my hand. I raised my hand<br />
to my mouth and tasted the salty<br />
moisture. It was intense and stung<br />
my top lip slightly.<br />
School tomorrow, boys, my<br />
mother said. Bath time, tonight. As<br />
she spoke another insect hit the<br />
windscreen and splattered like a<br />
raindrop. My father had both hands<br />
on the steering-wheel again as we<br />
reached a steady speed. We<br />
emerged from the shade and Marley<br />
Wood slowly disappeared behind<br />
us.<br />
41<br />
faculty fiction<br />
<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />
Emotional Spaceman<br />
William Leahy
December 1945...<br />
by John West<br />
Arsenal 3 (Rooke, Mortenson 2),<br />
Dynamo Moscow 4 (Bobrov, other scorers unknown)<br />
You draw deeply from your Victory, feel the smoke<br />
expand your lungs as it goes about its lethal but<br />
invigorating work. Now you rub your mittened hands<br />
against the wintry chill, exhale and watch your breathe<br />
dissolve into the general fug, see it thicken and expand<br />
to fill the ground. You're here, at the Lane, to write<br />
about the Dynamo and the Arsenal for the Tribune. Or,<br />
at least, that was the idea. You were going to write<br />
about the game, but instead you're stood here shivering<br />
and sniffling and staring at low cloud. You take another<br />
puff of Victory. It draws a rattle from you as stirring as<br />
that of any whirled above their head by a young<br />
enthusiast. You peer out and vaguely sense there's still<br />
a pitch behind the secretive curtain of fog. You're here,<br />
at the Lane, to watch the Arsenal play at home and<br />
somewhere a clock must be striking thirteen.<br />
You're here to watch the Dynamo play the Arsenal at<br />
the Lane, but this isn't really the Arsenal. How could a<br />
team containing Matthews, Mortenson and Rooke be<br />
called an Arsenal team? That is what the Soviets will<br />
claim. And you know, if no one else does, that this is not<br />
a Dynamo team but a Soviet team. You don't want to<br />
admit it, don't want to be their stooge or help do<br />
Pravda's work for them, but deep down you<br />
acknowledge that the men from Moscow are correct.<br />
How could it be otherwise? This is Dzerzhinsky's team.<br />
So this will not be Dynamo v. Arsenal. This is England<br />
v The USSR. This is not football, this is propaganda;<br />
this will not be sport, it will be war minus the shooting.<br />
And you are here, at the Lane, recording the<br />
particulars, tugging on a Victory smoke and grimacing<br />
a little with every waft of the whiff of the flat-capped<br />
42<br />
faculty fiction<br />
crowd around you. They are mainly here to see these<br />
sporting heroes from the realm of Uncle Joe. Uncle Joe.<br />
There's nothing avuncular about the reign of the Soviet<br />
Tsar. You've tried to tell them, but they will not listen.<br />
But you'll keep going, trying to find the words to nail<br />
this slippery, wriggling and inconvenient truth to the<br />
cathedral door. After the match you'll peel away from<br />
the dispersing crowd, head back to Canonbury Square<br />
and tap away at those sturdy iron keys, alone once more<br />
with that interrogating consciousness; the last man in<br />
Europe.<br />
You peer through the fog at where the teams should<br />
be. You can see the ghostly frames of the two Soviet<br />
linesmen, their boots hugging the chalk of the same<br />
right-hand touchline in a Soviet perversion of the norm.<br />
The game kicks off and straight away the Russians<br />
score. "Bobrov", suggests a flat-capped cockney in the<br />
crowd. Then Rooke scores; then another two for<br />
Mortenson before the Russians pull one back and score<br />
again. There's a scuffle between the players, a white<br />
shirt arm strikes out through fug. Half time arrives, a<br />
break in the hostilities; this war without the weapons<br />
pauses for a brief cup of tea.<br />
The fog grows ever thicker; the restart is delayed.<br />
Low heavy cloud obscures the machinations in the<br />
tunnel. A rumour starts to work its way around the<br />
ground; the Soviet officials will call off the game if their<br />
team has not drawn level before the end. Finally, into<br />
the murky gloom the 22 emerge. Red and white shirts<br />
flash out of the fog like plane tails plunging through low<br />
cloud. The Russians score. They score again. The final<br />
whistle blows; the air is foul.<br />
You'll trudge back down the Seven Sisters, past<br />
beastly charred facades. Ill and filled with ill-will, you'll<br />
shuffle up the stairs. Another whooping, rattling cough<br />
as you unwind your tight pulled, 'tache tickling scarf.<br />
You'll roll and shift and clunk and jab until gradually the<br />
black words seep and thaw the sheet of snow before<br />
you. Your spirit slowly warms. Another Victory. You let<br />
it dangle, downward pointing,<br />
held steady by a tight-lipped<br />
smile. Tap tap tap. Clunk. Tap<br />
tap tap tap tap tap as you type<br />
your weekly Tribune piece: As I<br />
Please, by George Orwell; "The<br />
Sporting Spirit"...<br />
<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008
A lesson learned<br />
By Laura Brown<br />
One: A Date with Disaster<br />
So far this month I have been on<br />
three very unsuccessful dates.<br />
Tim the trainspotter was the first.<br />
He awaited my arrival outside the<br />
Italian restaurant with his jotter pad<br />
open and his pen poised. Perhaps he<br />
likened me to a long awaited engine<br />
pulling into the station. As I<br />
approached and introduced myself<br />
he began to write something. It got<br />
me thinking that possibly he wasn’t<br />
a trainspotter at all, but something<br />
far more sinister, some sort of<br />
woman-spotter. For all I knew this<br />
could be a hip new sport. Under the<br />
guise of the trusty anorak, men<br />
could lurk about in groups noting<br />
down women’s vital statistics in<br />
their fusty little pads. Then on a<br />
Sunday afternoon in a country pub<br />
they could all sip from one orange<br />
juice and reminisce about the time<br />
they saw the 36-24-36. I couldn’t get<br />
this thought out of my head as he<br />
reached for my hand with his own<br />
grubby mitt that had just been<br />
wiped down the leg of his trousers.<br />
What the hell was he wiping off? I<br />
took it begrudgingly and tried not<br />
to think of the possible bacterial<br />
infections he could be giving me.<br />
As the food arrived I prayed he<br />
would remove the stripy scarf he<br />
had tightly wrapped around his<br />
neck, or at least take off the bobble<br />
hat. My prayers were answered and<br />
he slowly unwound the scarf and<br />
placed the hat next to his plate.<br />
God, I wish he hadn’t. With the hat<br />
came a snowfall of dandruff that<br />
sprinkled over his pasta like<br />
Parmesan cheese that hadn’t been<br />
grated finely enough. The scarf hid<br />
its own array of sins. Once removed<br />
spots, shaving scabs and what even<br />
looked like a love bite were all on<br />
display. I couldn’t bear to look at<br />
him and my stomach turned as I<br />
tried to tuck into my own spaghetti<br />
bolognese. It is safe to say that I<br />
won’t be seeing him again.<br />
A week later, outside the same<br />
restaurant, it was my turn to wait for<br />
a date’s arrival. And wait I did, for<br />
an hour and a half. As I was just<br />
about to throw in the towel, I spied<br />
what seemed to be an attractive<br />
man strolling slowly towards me. As<br />
he got nearer my heart rate<br />
quickened. He was a fine example<br />
of a man. A white t-shirt was<br />
stretched tight across his broad<br />
chest. His arms were muscular and<br />
almost as big around as my thigh. I<br />
resisted the urge to squeeze them as<br />
he introduced himself simply as<br />
‘Ollie’. I was a little disappointed<br />
that he chose not to apologise for<br />
being late, but what the hell! A girl<br />
can’t have it all. Once inside the<br />
candle-lit restaurant, he pulled out<br />
my chair and began to ask me all the<br />
right questions that are part and<br />
parcel of a first date. It was going<br />
well and as I answered I couldn’t<br />
help but look into his giraffe-lashed<br />
blue eyes. As he quickly broke into<br />
conversation about himself I<br />
noticed that his hair was completely<br />
faultless; like Barbie’s boyfriend<br />
Ken, it looked plastic and sprayed<br />
into place. His tan was also a<br />
worrying shade of burnt umber. In<br />
the dim light he could well have<br />
been Man Friday’s long-lost<br />
brother. I looked to his wrists for<br />
the signs of fake tanning and was<br />
not shocked to see white hands with<br />
orange palms. It is amazing what<br />
lengths people go to in the effort to<br />
look good and impress. At this<br />
point I realised that for the past ten<br />
minutes I hadn’t actually listened to<br />
a single word the man had said. I<br />
nodded heartily to whatever it was<br />
43<br />
undergraduate fiction<br />
he was talking about and began to<br />
pay attention. For two hours I<br />
learned the perils of not wearing<br />
sweat absorbent trainers on a hot<br />
day, the best gym equipment to use<br />
to work on my legs, bum and tum<br />
and, most importantly, what colour<br />
t-shirt shows off finely-toned abs.<br />
Surprisingly, I have actually put this<br />
man on my ‘possible second date’<br />
list. However, as yet I haven’t called<br />
him.<br />
The last date so far this month<br />
was with a gentleman named Tony.<br />
I had very high hopes for this date<br />
as he’d phoned in advance and<br />
asked what food I liked and where I<br />
would like to eat. I suggested my<br />
local Harvester as the salad bar is<br />
free and there is an endless supply of<br />
white rolls. He was a little taken<br />
aback that I picked such an ordinary<br />
restaurant, but seemed happy with<br />
the choice. On the night of the date<br />
I made a special effort to look nice, I<br />
applied a face pack, shaved my legs<br />
and sprayed myself with my most<br />
expensive fragrance. Waiting for<br />
him to arrive I felt confident that the<br />
evening was going to be a success<br />
or, if not a success, I would certainly<br />
be able to fill my plate with plenty of<br />
food.<br />
I looked around the quiet<br />
restaurant hoping to spot my date;<br />
I couldn’t see anyone that I thought<br />
could be him. There was a fat man<br />
in the corner already tucking into a<br />
plate of ribs, a young schoolboy<br />
trying to get served an alcoholic<br />
drink and a small man sitting in the<br />
corner who looked like Barry<br />
Manilow. I hoped that none of them<br />
were my man. Barry in the corner<br />
was getting up and looking in my<br />
direction. I’m not religious but I<br />
began to cross my chest and pray for<br />
divine intervention. He swaggered<br />
towards me like a 50s film star and<br />
<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008
kissed my hand. Barry was Tony<br />
and my skin was already crawling.<br />
The food was good, really good.<br />
The salad was crunchy and the<br />
bread rolls were fresh. I ordered half<br />
a chicken and ate it all. My date was<br />
a funny little man. Part of me<br />
wanted him to whip out a small<br />
Casio keyboard and serenade me<br />
with a medley of classic Barry hits.<br />
Unfortunately nothing so exciting<br />
happened. Instead, I ate while he<br />
talked about accounting and told<br />
me his clients’ life stories. As we<br />
parted company he declared that I<br />
was wonderful. I doubted his<br />
sincerity, but agreed that I had also<br />
had an enjoyable evening. At this<br />
point he tried to kiss me; luckily my<br />
expensive perfume caught the back<br />
of his throat and sent him into a<br />
coughing fit as I bade him<br />
goodnight and ran into the<br />
darkness.<br />
Tonight I am preparing for my<br />
fourth and last date of the month.<br />
After the previous three fine<br />
specimens I don’t hold out much<br />
hope of a romantic liaison. I have<br />
gone against my own better<br />
judgement and let my mother<br />
organise another encounter of the<br />
male variety. I could kill my brother<br />
for buying her a laptop and showing<br />
her how to use the internet. Lately<br />
she has been coming out with some<br />
rather strange things, and I fear that<br />
she is perusing web pages that are<br />
highly unsuitable for a woman of her<br />
growing years. Talk of bondage,<br />
whips and crotchless knickers is not<br />
what you want to hear from your<br />
mother’s lips, even if it is just to ask<br />
why people enjoy such things.<br />
Internet dating is the latest fad to<br />
take her fancy, and so far I have<br />
fulfilled her wishes by going on<br />
three quite frankly rubbish dates.<br />
Tim, Ollie and Tony were hardly<br />
the best possible candidates for<br />
dinner dates. I wonder where she<br />
found them, if she was using a<br />
website called www.weirdmen.com<br />
or something. Tonight she has<br />
assured me that I will ‘hit it off’ with<br />
her latest offering. All I know is that<br />
he is young, called Gary and that he<br />
works in a school. My friend Emma<br />
has decided that after the last three<br />
catastrophes she is coming with me<br />
as she fears for my safety and sanity.<br />
I am thankful for the offer, as my<br />
mother has refused to disclose the<br />
date venue. It’s troubling how<br />
excited she is getting about this date<br />
and the secrecy surrounding it.<br />
In the mirror my face looks puffy<br />
and tired, the thick cream I am<br />
rubbing into my skin is described as<br />
having ‘anti-aging oxidants’ and<br />
‘amino acids’. Perhaps I am allergic<br />
to them or my skin is just beyond<br />
repair. I have been using this gunk<br />
for two months and to me nothing<br />
has changed. I try to get a closer<br />
look at the open pores, which are<br />
like gaping cavities on my nose, and<br />
manage to head butt the mirror.<br />
Now I have a large red bump to<br />
contend with.<br />
“What’s going on in there? Are<br />
you doing yourself an injury again?”<br />
Emma is laughing as she asks me<br />
the question through the closed<br />
door, “What are you wearing? What<br />
shall I wear? Where are we going<br />
again?”<br />
I open the door and answer her<br />
string of questions. On her advice I<br />
decide to ring my mum and find out<br />
exactly what is going on. I pick up<br />
the receiver of our battered old<br />
phone and begin to dial the number.<br />
As usual there is no response.<br />
“She isn’t answering. Just wear<br />
anything. You know it’s going to be<br />
rubbish anyway.”<br />
I laugh as I say the last part and<br />
enter my room to begin the arduous<br />
task of getting ready. It is hard to<br />
44<br />
undergraduate fiction<br />
know what to wear when you are<br />
meeting a stranger, don’t know<br />
where you are going, and would<br />
rather be staying at home watching<br />
TV. I drag out a red dress from my<br />
crammed wardrobe and root<br />
around on the floor trying to find the<br />
matching killer red stilettos. I try on<br />
the whole outfit and surprisingly it<br />
looks quite sexy. The dress hugs my<br />
size 12 curves in the right places and<br />
the high heels make my short legs<br />
seem longer. A slick of red lipstick<br />
and a shot of hairspray on my new,<br />
short, dark bob and I’m done. I<br />
emerge from my room to find<br />
Emma in the lounge chatting to my<br />
mother.<br />
My mother offers, “Going for the<br />
lady-in-red look?” and begins to hum<br />
the classic De Berg tune.<br />
“Thanks for that, I thought I<br />
looked quite good, actually.<br />
Anyway, what are you doing here,<br />
all dressed up like a dog’s dinner?”<br />
I stand with hand on hip, waiting<br />
impatiently for her reply.<br />
“You look lovely, dear, like a<br />
plump tomato. I thought I would<br />
come along and see what it is you’re<br />
doing to scare all these dates away.”<br />
I want to tell her that all the men<br />
she has so far picked have been<br />
oddballs and that I didn’t scare<br />
them away: I simply didn’t like<br />
them. I refrain from retorting as I<br />
catch a glimpse of her bare leg and<br />
the stark realisation of what she is<br />
wearing hits me. She has been<br />
rooting through my old wardrobe<br />
again, and managed to put together<br />
an outfit that I probably once wore<br />
when I was 15. A short, frayed<br />
denim mini-skirt with a black and<br />
white, frilly, polka-dot shirt, open to<br />
reveal a cleavage that I didn’t know<br />
she had. To top off the hideous 80s<br />
look she somehow managed to find<br />
some white plastic boots.<br />
<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />
A Lesson Learned<br />
Laura Brown
I could see Emma eyeing her<br />
suspiciously, finally complimenting<br />
her and asking, “You’re very dressed<br />
up tonight, Maggie, where are we<br />
going?”<br />
Emma tried not to laugh when<br />
my mother chirped happily, “I’ve<br />
booked a cab to take us to this really<br />
happening club in town called<br />
Loose.” I had to correct her before<br />
she embarrassed herself further.<br />
“Mother, the club is called ‘Juice’<br />
and it’s full of young people. I don’t<br />
think you’ll like it.”<br />
CC’s<br />
“Why not? I thought it would be<br />
nice to spend an evening together.<br />
Anyway, I’m not that old.”<br />
Luckily I don’t have a chance to<br />
reply as the doorbell rings and we<br />
huddle out to the waiting cab. It<br />
feels strange going out clubbing<br />
with my mother. Somehow the<br />
roles have been reversed and I am<br />
now the mature responsible adult<br />
looking after the clueless child. I<br />
want to make sure that nothing<br />
happens to her, yet I somehow want<br />
her to look after me. I see the bright<br />
Slumped on sofas, we watch the bustling room in terror,<br />
Keeping forced mouths upturned. Coming here was an error:<br />
Pissed-up preppy girls on the arms of leering ‘flash your cash’ men.<br />
Think its time to go to the bar and get another drink – or ten.<br />
We manoeuvre through crowds of clicking heels, flicking hair,<br />
Take our position at the bar, packed in tight, but no one’s aware.<br />
Glasses ring, pushed together as the punters are told.<br />
An extortionate price tag: the vodka should be laced with gold.<br />
Makeup- and hair-filled restroom,<br />
Choking on a dense mist of perfume,<br />
I stumble, anxious to get out.<br />
Could leave already, without a pout.<br />
Pulled to dance with chants of ‘under my umbrella’.<br />
Would rather sit in my local with a pint of Stella,<br />
Listening to the drunks slurring their words,<br />
Telling me how they used to get all the ‘birds’.<br />
Smiles still standing as I observe your jaded stance,<br />
Whispers in my ear while there’s still a chance.<br />
It’s either get to the bar or get out the door,<br />
Quick, before friends catch us leaving the floor.<br />
undergraduate poetry<br />
No one surrounding us seems to notice.<br />
Lack of lustre within, something ceases to exist.<br />
It’s only you, looking at me who seems to understand,<br />
As we escape the mass, fingers lightly touching my hand.<br />
Maria Ridley<br />
45<br />
undergraduate fiction<br />
orange florescent sign like a beacon<br />
over the dirty doorway. Emma is<br />
jumping up and down on the seat<br />
like a child and my mother can’t help<br />
shouting, “There it is, there it is,” like<br />
she had never seen a doorway and a<br />
sign before. As we get out of the car<br />
I find it hard to resist the urge to<br />
pull my mother’s skirt down.<br />
Luckily it is early and there isn’t a<br />
queue of people to watch Emma<br />
and I usher my mutton-like mother<br />
into the club. The club is old and<br />
dirty and the décor isn’t up to much.<br />
It is 6 years since I last came here<br />
and celebrated my 21st birthday and<br />
I never thought I would return<br />
sober and with my mother.<br />
Emma breaks my contemplation<br />
as she begins to question my mum<br />
about my impending date, “So,<br />
Maggie, what is this guy like? Is he<br />
fit? What does he do?”<br />
“He’s young, very good looking,<br />
works in a school…” She trails off,<br />
almost in a dream-like state; her<br />
enthusiasm over the words ‘good<br />
looking’ is a little exaggerated for my<br />
liking. The drinks begin to flow and<br />
the club starts to fill up with<br />
underage drinkers. Over the hustle<br />
and bustle and drunken shouting I<br />
can barely hear a word of what<br />
anyone is saying. My mother has<br />
nearly fallen off her stool twice and<br />
Emma is telling a story, which I<br />
haven’t caught much of, with so<br />
much enthusiasm she is spilling half<br />
her drink on the already sodden,<br />
ash-covered carpet.<br />
“Where is he?” My mother shouts<br />
at me in a disappointed tone. I am<br />
about to answer when I notice she<br />
is staring at something in the<br />
distance.<br />
“What are you staring at?”<br />
“It’s him, it’s him….”<br />
She trails off and jumps down<br />
from her stool. Emma and I both<br />
look in the direction she is walking.<br />
<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />
A Lesson Learned<br />
Laura Brown
My god, the man walking through<br />
the door is gorgeous. Dark haired<br />
and rugged, he reminds me of a<br />
young Mr Rochester, though better<br />
looking and less weathered. Quite<br />
frankly I wouldn’t care if he had two<br />
mad women caged in his attic. If<br />
this is my date, my mother has<br />
surpassed herself.<br />
“He is good looking!” Emma<br />
offers these words and straightens<br />
her skirt. I can tell I have<br />
competition.<br />
I look expectantly in my mother’s<br />
direction to see whether she is<br />
leading this hunk towards me. My<br />
dream man has walked straight past<br />
her and she is talking to someone<br />
else. Even through the smog of<br />
cigarette smoke I know he is young,<br />
very young. My mother is tottering<br />
towards a table and he is kissing her<br />
on the cheek, his arm is draped<br />
about her shoulder and she is<br />
staring up at him, he is looking<br />
down on her with a loving gaze.<br />
“Do we know him?”<br />
Emma looks puzzled. I think for<br />
a minute, and realise that I do. He<br />
went to my school; he is the much<br />
younger brother of one of our<br />
friends.<br />
“It’s Gary Granger…”<br />
Emma looks shocked<br />
“It can’t be, he’s only 17.”<br />
I look for my mother and she is<br />
still under the spell of the toy boy.<br />
So much for ‘working in a school’.<br />
He is still at school! I feel the urge<br />
to drag my Mrs Robinson of a<br />
mother away from her latest beau.<br />
Yet, I also want to wait and see<br />
what happens. After all, he was<br />
supposed to be my date for the<br />
evening, not hers. What is she<br />
playing at?<br />
“They are getting very cosy over<br />
there, don’t they make a lovely<br />
couple?”<br />
Emma is laughing and looking<br />
over at them. I can’t stand it any<br />
longer. I decide that enough is<br />
enough.<br />
“She is old enough to be your<br />
mother!”<br />
I stare at him, waiting for an<br />
answer.<br />
“So... is she old enough to be<br />
your mother too?”<br />
His response is feeble and<br />
patronising and reinforces my hate<br />
for the youth of today.<br />
“She is my mother, and if you<br />
don’t hop it, I’m going to tell your<br />
brother that you have been out<br />
underage drinking.”<br />
After the last comment I realise<br />
that I am too much of a teacher for<br />
my own good. He is looking up at<br />
me with a defiant gaze in his eye.<br />
“You do that.”<br />
As the schoolboy and I eyeball<br />
each other, my mother is slinking<br />
lower and lower in her seat. Gary<br />
isn’t giving an inch and my mother’s<br />
bowed head proves that perhaps I<br />
should just leave them to it.<br />
“Fine,” I murmur defiantly, shrug<br />
my shoulders and head back to find<br />
Emma. She isn’t where I left her. In<br />
fact she isn’t anywhere to be seen. I<br />
scan the seating area, the dance<br />
floor and finally the bar. Out of the<br />
corner of my eye I see her, taking a<br />
drink from Mr Rochester. The<br />
Judas, she knew I liked him. Not<br />
just any drink, it looks like a bloody<br />
expensive cocktail to boot. He is<br />
either trying to impress, or wanting<br />
to see her knickers. What do I do<br />
now? Go and join my mother and<br />
the infant or stand by Emma and<br />
watch my ideal man throw his best<br />
moves her way. I decide that neither<br />
option is a good one, and go to buy<br />
myself a large drink.<br />
The bar is relatively quiet; only a<br />
few pervy old men with last night’s<br />
gravy on their polo shirted beer<br />
46<br />
undergraduate fiction<br />
bellies are leeching by the bar. I feel<br />
a little disappointed that not one of<br />
them sees fit to buy me a drink. I<br />
give the fat bald headed one the eye;<br />
he looks in the opposite direction.<br />
What the hell is wrong with me?<br />
I take my double vodka from the<br />
spotty barman and down it in one.<br />
“Fancy another?”<br />
I look in the path of the voice.<br />
This must be a joke. I’m desperate<br />
but not that desperate. The man<br />
could easily be Borat’s face- and<br />
body double.<br />
“No, I’m alright. Thanks<br />
anyway,” I offer him as kindly as I<br />
can.<br />
“Guess where I’m from then?”<br />
The guy is leaning eagerly<br />
towards me.<br />
“I don’t know, Kazakhstan?”<br />
He looks perplexed and replies,”<br />
No, Cornwall.”<br />
I nod and smile and back away<br />
from this very strange man. I don’t<br />
even look for my mother or Emma<br />
as I hail a cab and leave.<br />
The flat is cold and empty as I<br />
return miserable and deflated. I sit<br />
in the dim light and try and eat the<br />
greasy chicken kebab I have just<br />
brought from the grotty eatery on<br />
the corner of my road. Bits of lettuce<br />
and blobs of mayonnaise are falling<br />
on my dress. I wish I had the selfcontrol<br />
not to buy rubbish food after<br />
a dreadful night, but I don’t.<br />
Two: Room to Move<br />
My mother is still dating the toy<br />
boy. I have been counting; it<br />
has been precisely 3 months and 5<br />
days. I pray to God that it is merely<br />
a platonic relationship. My brother<br />
finds the whole scenario strangely<br />
amusing and has even joked that we<br />
start calling him ‘dad’. This is not<br />
funny and won’t be happening.<br />
Emma has just broken up with Mr<br />
<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />
A Lesson Learned<br />
Laura Brown
Rochester. It seems he does have a<br />
wife. Not caged in the attic as first<br />
suspected but living in a house with<br />
his two children in St Albans. She is<br />
rightly devastated and has declared<br />
herself to be a ‘plain Jane’, which I<br />
found slightly ironic. I have given up<br />
on men entirely. I am not about to<br />
become the image of Mrs<br />
Havisham and mope about my flat<br />
in a grubby wedding dress, pining<br />
for a lost love. No, I have just<br />
decided that the single life isn’t all<br />
that bad.<br />
“Should I call him?”<br />
Emma stares up at me with tears<br />
in her eyes and chocolate ice cream<br />
round her mouth.<br />
“No, I don’t really think that is<br />
the best idea….”<br />
I trail off because I see her<br />
reaching for her mobile phone and I<br />
know that nothing I can say will<br />
stop her. By late afternoon Mr<br />
Rochester is on my doorstep with a<br />
green canvas bag, begging me to let<br />
him move into our flat. I am a weakwilled<br />
pushover. He has only been<br />
moved in for twenty minutes and<br />
has already got Emma making him<br />
tea and unpacking his clothes,<br />
refolding his shirts so they don’t<br />
crease. His bag seems to be<br />
bottomless; in the style of Mary<br />
Poppins, more and more things<br />
keep flying out all over the front<br />
room. I have learnt that he is an<br />
experienced yoga teacher or, as he<br />
calls himself, a ‘master yogi’. The<br />
mat, resistance tubing and large<br />
blow-up exercise ball, which he is<br />
currently pumping up with a<br />
ridiculously small bike pump, all<br />
indicate that at least this much<br />
about him is true. The man is a<br />
terrible flirt; he has already declared<br />
that he can contort himself into all<br />
sorts of ‘positions’ and that his<br />
favourite of all is the ‘downward<br />
dog’. He gave Emma a flirty smile<br />
when he said it, which sent her into<br />
a tizzy, and then winked in my<br />
direction. My door will be firmly<br />
bolted tonight.<br />
“What’s for dinner, ladies?”<br />
He asks chucking himself onto<br />
the sofa with his muddy shoes still<br />
on. Emma runs to the kitchen to<br />
search through our half empty<br />
fridge,<br />
“Chicken curry?”<br />
He pulls a face, “What else have<br />
you got?”<br />
Getting up he leisurely strolls to<br />
the fridge and starts rummaging<br />
through like a cave man. Eventually<br />
he decides what he wants and leaves<br />
Emma in the kitchen to cook it.<br />
Walking back to the lounge he<br />
grabs the TV remote, chucks<br />
himself on the sofa and starts<br />
flicking through the channels. I<br />
actually hate him. I can’t stand being<br />
in the same room as the bendable<br />
adulterer and decide that the<br />
possible chance of poisoning him is<br />
too good to miss.<br />
“What are you cooking? Want a<br />
hand?” I ask, hoping to merely talk<br />
and not help.<br />
“He wants chicken pieces,<br />
marinated in paprika, with egg fried<br />
noodles and a tossed salad.”<br />
She repeats the food order with<br />
an air of sarcasm that proves that it<br />
is not just me that is irritated by his<br />
presence.<br />
“It’s nice to see women working<br />
in their rightful place,” he laughs at<br />
his own joke grabbing the last cold<br />
can of diet coke from the fridge<br />
before wandering out of view.<br />
Emma stares at me with a look of<br />
horror in her eyes. “Lindsay, what<br />
have I done?”<br />
I laugh and rub her shoulder.<br />
“There must be something good<br />
about him.”<br />
She thinks long and hard and<br />
finally comes up with “sex.”<br />
47<br />
undergraduate fiction<br />
Personally, I don’t think being good<br />
at sex is a valid reason for moving a<br />
married man into our tiny flat.<br />
Although, I might be tempted if one<br />
threw himself at me.<br />
“We’ll think of something.” I offer<br />
these words with absolutely no<br />
thoughts on how to get rid of the<br />
chauvinistic imbecile.<br />
I felt like an outsider in my own<br />
home as the evening progressed.<br />
After devouring dinner, they<br />
decided to devour each other. Lying<br />
together on the sofa, shrouded in<br />
my expensive cashmere throw I<br />
could distinctly see a bit of fumbling<br />
going on. I was forced to sit on the<br />
floor as there is only one sofa in the<br />
lounge and the ‘happy couple’ were<br />
lolling all over it. My bum was<br />
numb and my neck sore as I had<br />
nothing to rest my back against. I<br />
would have gone to my room, but<br />
there was a film on that I wanted to<br />
watch. Just as it was about to start,<br />
the kissing commenced. Slurping<br />
and sucking, gulping and gurgling,<br />
at one point even a low moan. The<br />
TV remote was wedged between<br />
them. I needed to retrieve it before<br />
the humping started. I tried to<br />
grope and grab it. I pulled<br />
something else that was long and<br />
hard, but unfortunately not the<br />
remote. Eventually I managed to<br />
find it and increased the volume.<br />
The kissing stopped abruptly and<br />
he demanded, “Do you have to have<br />
it that loud? I’ve got a bit of a<br />
headache.”<br />
How dare he question what I do<br />
in my own home? What I really<br />
wanted to say was, ‘You didn’t have<br />
a headache when you were sucking<br />
my friend’s tongue like a demented<br />
Hoover.’<br />
Instead I opted for “Yes, I do.”<br />
Silence fell in the room and the<br />
atmosphere was tense. Finally he<br />
muttered seductively to Emma,<br />
<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />
A Lesson Learned<br />
Laura Brown
“Shall we retire to the bedroom?”<br />
She nodded dutifully and followed<br />
him. Before exiting the room she<br />
turned and mouthed ‘sorry’.<br />
I feel alone, miserable and sad.<br />
Now, in bed, I can’t sleep. Partly<br />
because I feel sorry for myself and<br />
am worried about my first day back<br />
at school tomorrow, but mainly<br />
because I can hear them shagging.<br />
I have never liked the first day of a<br />
new school year and the thought of<br />
a brand new class is always<br />
daunting.<br />
Three: Class Rules<br />
The school gate has received a<br />
fresh lick of blue paint during<br />
the 6 weeks I have been away and<br />
the wisteria over the entrance is<br />
slowly shedding its spongy summer<br />
leaves. The staff room is humming<br />
with talk of expensive holidays, new<br />
cars, and new homes. I have<br />
nothing to say; over the summer<br />
break I have done zilch but put on<br />
10 pounds and watch TV. I scurry<br />
to the corner of the room and sit<br />
with my tea and biscuits avoiding<br />
the gaze of everyone.<br />
“ Good morning, Lindsey, have<br />
a nice break?”<br />
I know the voice before I see the<br />
face.<br />
“ Lovely, yourself?” I ask, not<br />
really wanting to hear the answer.<br />
“Wonderful, wonderful. David<br />
proposed in Dubai and the sale<br />
went through on the 4-bed in<br />
Chalfont. So not a lot really.” She<br />
trails off to a titter. I look up at the<br />
fresh blonde highlights of the<br />
bobbing head above me and realise<br />
that I haven’t answered.<br />
“That’s great for you, how<br />
fantastic”. I try to say the words<br />
without sarcasm.<br />
“I know, it’s a dream come true.”<br />
She walks off in the direction of<br />
another sucker willing to hear her<br />
‘wonderful’ news. I remember the<br />
days in college when I helped her<br />
pass her exams. Now, she has been<br />
promoted over me, is marrying a<br />
music industry mogul, and has a<br />
lovely house in the suburbs. Not<br />
that I’m envious. I, on the other<br />
hand, haven’t had a proper<br />
boyfriend in three years, live in a<br />
rented flat, and am professionally<br />
overlooked. I have a feeling the day<br />
is set to get worse.<br />
My new classroom is bigger than<br />
my last one, and is flooded with<br />
light from a large window that<br />
overlooks the school playing field.<br />
As yet the walls are white and<br />
empty, awaiting decoration. I barely<br />
have a minute of contemplation<br />
before the room is heaving with<br />
boisterous 8 year olds. I enjoy the<br />
happy hubbub. On first impression<br />
they don’t seem like a bad bunch.<br />
The girls are chatting in intimate<br />
groups and the boys are playfully<br />
kicking one another. But one boy in<br />
particular is standing completely<br />
alone. Sam has a reputation<br />
throughout the<br />
school as being<br />
disruptive in<br />
lessons and<br />
anti-social<br />
towards other<br />
pupils. Even<br />
though I can’t<br />
see his face, I<br />
know it’s him. I<br />
call his name<br />
and he turns<br />
round and<br />
stares at me<br />
dolefully from a<br />
lowered head.<br />
He has the<br />
features of a<br />
cherub; golden<br />
blonde curly<br />
locks frame his<br />
plump face and<br />
48<br />
Paranoia<br />
undergraduate fiction<br />
large sad blue eyes that he stares at<br />
me with. Everyone is seated apart<br />
from him.<br />
“Can you sit down please, Sam?”<br />
I instruct him firmly.<br />
He takes no notice and continues<br />
to stare out of the window.<br />
“Something worth looking at<br />
outside?” I ask, walking closer to<br />
him.<br />
Still he gives no answer.<br />
Running out of the classroom, he<br />
slams the door. Maria, my<br />
classroom assistant, goes after him.<br />
Within minutes he is back, sitting at<br />
his desk, refusing to work. Playing<br />
with the lid of his pen, he is already<br />
wearing my patience.<br />
At lunchtime I purposely sit with<br />
Mr Trent, a small German man<br />
with black hair styled in a slick side<br />
parting. Rude and unwelcoming, he<br />
has few friends among the staff. As<br />
he stares down my top, I ask him<br />
questions about Sam’s behaviour<br />
last year. In between taking large<br />
bites of a greasy sausage sandwich,<br />
the only explanation he can offer for<br />
Paranoia is whispers on the back of hands,<br />
Paranoia is clutching a plane seat before it lands.<br />
Paranoia is feeling watched as you walk upstairs,<br />
Paranoia is finding three grey hairs,<br />
Paranoia is checking your teeth when someone stares.<br />
Paranoia is walking home late at night,<br />
Paranoia is flight over fight.<br />
Paranoia is smoking spliffs on your own,<br />
Paranoia is acid changing music’s tone,<br />
Paranoia is God talking on the phone.<br />
Paranoia is a knife shining bright,<br />
Paranoia is when your throat gets tight.<br />
undergraduate poetry<br />
Kerry Williams<br />
<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />
A Lesson Learned<br />
Laura Brown
the way the boy behaves is to call<br />
him a “little fucker.”<br />
After asking several members of<br />
staff about Sam, I have uncovered<br />
nothing, apart from the fact that his<br />
parents have never attended a<br />
parents’ evening to discuss their son.<br />
I am giving him a week to improve<br />
his behaviour and this year his<br />
parents will be attending the open<br />
evening.<br />
Four: Spiders Legs<br />
It has been 5 weeks since the<br />
bendable adulterer moved in.<br />
Unfortunately, he and Emma are<br />
still dating. Emma has asked him<br />
numerous times to find his own<br />
place to live with no success. We are<br />
currently plotting his demise, but<br />
seeing as his wife has found a new<br />
man and dumped all of his clothes<br />
in a black sack on our doorstep, it is<br />
becoming increasingly hard, as he<br />
now has nowhere else to go. As<br />
much as I loathe him, I would hate<br />
to reduce him to the depths of<br />
homelessness, forcing him to buy a<br />
three-legged dog and charity shop<br />
blanket to beg for pennies.<br />
Sam’s behaviour has worsened.<br />
Last week he threw a rubber at my<br />
head, poked a girl in the ear with a<br />
pencil and shoved the corner of a<br />
hard back book up the classroom<br />
assistant’s nose. I am at my wit’s<br />
end; thankfully, parents’ evening is<br />
tonight, so at least I will be able to<br />
discuss his many problems. Adding<br />
further anguish to my troubles is my<br />
mother’s engagement to the<br />
schoolboy.<br />
I look terrible. The suit Emma<br />
has leant me is a size too small, so<br />
sweat patches have formed under<br />
my arms and are visibly seeping<br />
through the fabric. The skirt is so<br />
tight, it is stretched over my bum<br />
like the skin of a drum. And to top it<br />
off I have lost a button on my shirt,<br />
and my boobs are hanging out like<br />
a centrefold. In my haste this<br />
morning I forgot to pick up my<br />
make-up bag. With no powder or<br />
lipstick, my face looks oily and<br />
drained. I just saw the parents of the<br />
class clown and am about to talk to<br />
the guardians of the class swot. His<br />
father looks like an Oxford reject,<br />
complete with leather patched<br />
elbows and tweed trousers. His<br />
mother is, as expected, shy and<br />
mousy. I talk mainly to the father.<br />
Expressing his wishes for his son to<br />
go to Cambridge <strong>University</strong>, he<br />
informs me he has already made the<br />
eight-year-old study the prospectus<br />
and pick a subject; I try not to laugh.<br />
I am glad when they eventually leave<br />
and I can have a few moments<br />
respite before the next gaggle of<br />
pushy parents ambush me.<br />
“Miss McKay…” The voice has a<br />
charming Devonshire twang and<br />
the face is ruggedly handsome. His<br />
skin is weather-worn and covered<br />
with a light sprinkle of dark stubble<br />
that matches his mop of dark curly<br />
hair. I have seen his eyes before;<br />
large and blue, they look sadly into<br />
my dark brown ones as if almost<br />
searching for something.<br />
“Please take a seat.” I shake his<br />
hand with my own clammy one and<br />
look down my list to see which child<br />
this adult belongs too.<br />
Before I can find the name he<br />
offers his own, “I’m James Pearce,<br />
Sam’s dad. Sam thinks a lot of you.<br />
Talks about you all the time.” His<br />
father is staring at me now<br />
expecting me to say something in<br />
return. There are so many things I<br />
want to say about Sam, things I fear<br />
his father won’t like. As much as I<br />
want to, I can’t lie about his son.<br />
“Sam is a very disruptive<br />
influence in my class.” I offer gently.<br />
“Perhaps there is something going<br />
on at home that is affecting his<br />
49<br />
undergraduate fiction<br />
behaviour?” I am greeted with the<br />
same silence that I have come to<br />
expect of Sam.<br />
“I haven’t been at home much<br />
lately, his Nan has been taking care<br />
of him. You know how it is: when<br />
work comes up I have to take it.”<br />
He lowers his head, and rests it in<br />
his hands. He seems to be truly torn<br />
by the need to work and the welfare<br />
of his son. I wonder for a second<br />
what work it is he does that takes<br />
him away from his family and why<br />
Sam’s mum can’t take care of him.<br />
“He has always been a difficult<br />
child. We have had some really<br />
tough times. Lately his behaviour at<br />
home has been improving.<br />
Hopefully, he will be able to transfer<br />
it to the classroom.” He smiles<br />
broadly at me with a hopeful raise of<br />
one eyebrow. I want to believe him<br />
I really do. As he gets up and walks<br />
away, I watch him and hope his son<br />
doesn’t improve completely.<br />
Otherwise there will be no reason<br />
for me to see him again.<br />
The rest of the parents’ evening<br />
goes without a hitch and as I arrive<br />
home, my thoughts return to Sam’s<br />
dad, his lilting accent, cheeky grin<br />
and sad eyes. There was something<br />
he wasn’t telling me: he knows<br />
exactly why Sam is misbehaving.<br />
Why did he put his head in his<br />
hands and almost pull his hair out<br />
with despair? And why couldn’t his<br />
mother be bothered to come?<br />
“Alright, gorgeous,” the<br />
irremovable houseguest is<br />
wandering from the bedroom<br />
wrapped only in a towel.<br />
“Still here then?” Is all I can offer<br />
as he gets so close that beads of<br />
water plop from his still wet body<br />
onto my arm.<br />
“Afraid so,” he answers huskily<br />
and looks me up and down. The<br />
man loves himself so much that I<br />
wouldn’t be surprised if he kisses a<br />
<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />
A Lesson Learned<br />
Laura Brown
gilt-framed picture of his own slimy<br />
visage before he falls asleep. He sits<br />
on the edge of the sofa a little too<br />
close, with his legs wide open. The<br />
towel between his manhood and my<br />
gaze is thin and I’m starting to feel a<br />
tad uncomfortable. “Are you tickling<br />
my foot, honey?” he asks with an<br />
expectant raise of eyebrow.<br />
“No, you wish,” I simply answer.<br />
He looks to his foot; jumps up<br />
immediately and begins shouting<br />
hysterically, “Get it off me. Get it off<br />
me. Please do something!<br />
Anything!”<br />
His towel drops to the floor and<br />
he is left stark naked, gripping his<br />
manhood, shaking like a scared little<br />
child.<br />
I jump up too and begin to<br />
bellow, “What’s wrong? What do<br />
you want me to do?”<br />
“Didn’t you see it? The spider? It<br />
was huge! It ran over my foot. Can<br />
Scarf Me Up<br />
Scarf around my neck,<br />
And the old lady in mustard leggings,<br />
Flagging<br />
Tesco bags,<br />
Gently flanks me,<br />
Serpentining through hoodies,<br />
With the goodies in her denim trolley.<br />
A rising grey,<br />
She gazes up at me -<br />
hair in disarray -<br />
Eyes,<br />
Blasphemous black.<br />
Beautiful.<br />
She smiles,<br />
‘Make sure you stay warm, dear.’<br />
A scarf over the mouth,<br />
Things are different.<br />
People edge away,<br />
Even someone’s carrier bag skirts round me,<br />
‘Guttering, choking, drowning’<br />
Under our windless bus shelter.<br />
you look for it?”<br />
Hopping from one foot to<br />
another, I can’t help but laugh at<br />
him.<br />
“A spider?” I almost mock.<br />
“Arachnophobia is a valid fear,<br />
you know. Not something to<br />
ridicule. It affects millions of<br />
people.” He preaches the last bit as<br />
he runs to the bedroom to, I hope,<br />
put some clothes on. I look for the<br />
feared animal, expecting to find a<br />
hairy fiend. Instead I discover a<br />
medium-sized house spider,<br />
cowering in the corner. I pick it up<br />
and set it free. Perhaps getting rid of<br />
him will be easer than first expected.<br />
Five: Teacher’s Pet<br />
It is nearly the end of term. It has<br />
been 6 weeks since parents’<br />
evening, and Sam has become my<br />
new best friend. Giving him jobs to<br />
undergraduate poetry<br />
50<br />
undergraduate fiction<br />
do within the classroom has<br />
boosted his morale and at the<br />
moment his disruptive behaviour is<br />
gradually improving. Currently, he<br />
is my book monitor. I have become<br />
very attached to seeing his cherubic<br />
features in the morning, so much so<br />
that I feel a pang of disappointment<br />
when he is late or absent. However,<br />
there is still a tiny part of me that<br />
wishes his behaviour would slip ever<br />
so slightly. Then I would have a<br />
perfectly valid excuse to see his<br />
handsome father again. Somehow,<br />
unfortunately, I think Sam has<br />
learnt his lesson. My plan for<br />
removing the unwelcome<br />
houseguest is coming together<br />
nicely. I just hope and pray it works.<br />
The classroom is empty, apart<br />
from Sam. I can see him placing<br />
textbooks on the appropriate tables<br />
through the rectangle of glass in the<br />
door.<br />
“Morning, Sam,” I offer<br />
cheerfully as I plonk my heavy pile of<br />
marking on my cluttered desk,<br />
making pencils fly off in every<br />
direction. As I turn round he is<br />
opposite me, rocking from side to<br />
side, gripping something nervously<br />
with two hands behind his back.<br />
“Can I ask you something, Miss<br />
McKay?” His voice is trembling<br />
slightly and his cheeks have turned<br />
hot pink.<br />
“You know you can, Sam.” I offer<br />
softly and perch on the edge of my<br />
desk, so I’m not towering over him.<br />
“Well, it’s just, if you want to. I<br />
mean you don’t have to or anything.<br />
Only if you want to…” he trails off.<br />
“If I want to what?” I ask<br />
expectantly. He is really rocking<br />
now and his head is lowered, I<br />
think, with embarrassment.<br />
“Come and watch me play<br />
football on Saturday?” He asks the<br />
question as a mutter and looks up<br />
eagerly with his huge, watery blue<br />
Shane Jinadu<br />
<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />
A Lesson Learned<br />
Laura Brown
eyes wide open. I don’t know what to say. I would like<br />
to see him play football, but I’m sure the school wouldn’t<br />
be too happy with teachers spending personal time with<br />
individual students.<br />
“I’d like that, very much.” I answer and take the ticket<br />
from his hand. I feel strangely emotional that he has<br />
chosen to invite me to something that clearly means so<br />
much to him. The contented smile that works its way<br />
almost over his whole face convinces me that I have<br />
made the right decision.<br />
“What shall I wear?” I shout to Emma, hoping she<br />
will hurry from the front room and assist me with my<br />
wardrobe dilemma.<br />
“Anything. It’s a children’s charity football match, not<br />
Ladies Day at Ascot.” She looks at the red feather and<br />
crystal-encrusted hat I am holding and shakes her head.<br />
Now she is rummaging through my wardrobe, pulling<br />
out jeans and a sweatshirt.<br />
“No short skirt, no high heels and lose some of the<br />
makeup.” Her instructions are firm and direct and<br />
although I hate to admit it, I know that she is right.<br />
I leave the flat with my hair tied back in a scruffy<br />
ponytail, wearing tight jeans, low heels and a fitted,<br />
black, casual jacket. The walk to the park is a long one,<br />
and because I’m running late, very brisk. The boys are<br />
huddled in a group around a muscular man that I<br />
assume is their coach. Stretching and running on the<br />
spot, they all look nervous. I stand at the back behind a<br />
group of proud mothers, who are shouting heartily at<br />
their respective sons to ‘bend down low into the stretch’,<br />
‘take the orange segment’ and surprisingly, from one<br />
rather loud mother, ‘kick their arses.’ I feel out of place<br />
and don’t quite know if I have picked the right place to<br />
stand.<br />
“I’m glad you could make it.” I instantly recognise the<br />
Devonshire accent. Turning round, I almost bump<br />
straight into him. Conscious of my colouring cheeks, I<br />
don’t look him in the eye as I take his outstretched hand.<br />
The hand squeezing mine rather affectionately is rough<br />
and warm. Now looking up at him, I notice his cheeks<br />
are also reddening.<br />
“It’s going to be a good match, Sam is a great player.<br />
He has really come out of himself over the last few<br />
weeks.” James is smiling in the direction of his son and<br />
Sam is giving a tiny wave in our direction, big enough<br />
for us to see, yet small enough for his team mates not to<br />
mock. The roped spectator area is beginning to fill up<br />
with aggressive parents, all vying for the best view. I<br />
can’t see a thing. James is somehow managing to push<br />
his way to the front at the same time as grabbing my<br />
51<br />
undergraduate fiction<br />
hand and pulling me forward. Standing in front of him<br />
with his hands on my shoulders, I can’t concentrate on<br />
the match. All I can think about is how much I like the<br />
feel of his warm chest against my back. His hearty<br />
encouragement of his son endears me to him further and<br />
when Sam comes and hugs me at the end of the match,<br />
I feel strangely part of their family. James breaks my<br />
contemplation and asks if I would like to join them for<br />
some lunch. I find it hard to say no and after a bit of<br />
persuasion in the form of sulking Sam, I eventually<br />
agree.<br />
The café James chooses has a large slide and<br />
numerous swings and seesaws, and after we have eaten,<br />
we venture out to watch Sam play. Sitting on a damp<br />
wooden bench, I long to ask about the whereabouts of<br />
his mother and why his behaviour has so drastically<br />
improved.<br />
“Does Sam see much of his mum?” I blurt out the<br />
question before I have the chance to think of a better<br />
one.<br />
“No, he doesn’t see his mum at all.” James’s voice is<br />
melancholy and staring in the direction of his playing<br />
son I wish I could take back the question.<br />
“Oh, right,” I answer, not really knowing what to say<br />
next.<br />
“Me and Sam have had a really hard time without<br />
her.” He pauses just as he is about to go on.<br />
“Where did she go?” I eventually venture, trying to be<br />
sensitive to his situation.<br />
“She didn’t go anywhere. She died.” He doesn’t look<br />
up from the spot he is staring at on the ground. “She<br />
died, giving birth to Sam.” Now he glances up in the<br />
direction of his son and smiles. “For a long time I<br />
resented him, blamed him for her death. I wanted my<br />
wife back, not a tiny baby I had no idea how to care for.”<br />
He runs his hand through his dark curly hair and looks<br />
at me, his features full of remorse.<br />
“It is my fault Sam behaved so badly. I didn’t care for<br />
him the way I should. I have realised now that I was<br />
wrong, and what happened to her wasn’t his fault.” He<br />
wipes away a tear, and speaks as if contemplating his<br />
own feelings for the very first time. “She would have<br />
wanted me to love him, and I do. I just went about<br />
showing it in the wrong way. At the open evening, you<br />
made me realise that Sam’s bad behaviour was because<br />
of my absence. You helped me understand that I needed<br />
to be there for him.” He takes my hand cautiously, and<br />
gently continues, “He likes you very much, but it was my<br />
idea to invite you today. I want to thank you.”<br />
<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />
A Lesson Learned<br />
Laura Brown
“That’s alright. Sam is a very<br />
special little boy to me.” I shrug and<br />
try not to become tearful. Since my<br />
own father’s death when I was only<br />
ten, I know too well the difficulty of<br />
growing up with one parent, and<br />
hearing James’s story makes me<br />
realise how hard it must have been<br />
for my own mother, and how much<br />
I love her. We watch Sam play until<br />
the winter air makes our hands cold<br />
and our noses red.<br />
Six: Good Riddance<br />
It has been 3 weeks since the<br />
charity football match, and James<br />
and I have hardly spent an evening<br />
apart. I have given my blessing to<br />
my mother’s forthcoming nuptials<br />
and foolishly agreed to be a<br />
bridesmaid. So far, I have<br />
successfully warned her against<br />
wearing a white wedding dress with<br />
a thigh high split, and am currently<br />
trying to convince her that ‘Dancing<br />
Queen’ is not a suitable song to walk<br />
down the aisle to. Emma has<br />
secretly been on several dates with a<br />
Johnny<br />
undergraduate poetry<br />
He thinks he’s a rebel,<br />
Johnny boy.<br />
Watch on his right wrist<br />
Burberry cologne on his crotch,<br />
Dancing, and biting his lower lip<br />
With scally scorn.<br />
The orange ladies love him -<br />
He’s all smiles<br />
And beers in the air,<br />
When they’re about.<br />
Don’t worry, son,<br />
He tells himself,<br />
You’re a rebel<br />
And they,<br />
They can’t fight their feelings<br />
forever.<br />
Shane Jinadu<br />
new man, even though her old one<br />
is still living in our flat, eating our<br />
food and making our bathroom<br />
dirty. Sam is still by far my favourite<br />
pupil.<br />
“It’s horrible, I don’t like it.”<br />
Emma can barely look at it as we<br />
both pace round the table deciding<br />
the best possible place to put it for<br />
maximum impact. “I don’t have to<br />
touch it, do I?”<br />
I assure her that she won’t have<br />
to. We decide that the mantelpiece<br />
in the front room will be the<br />
optimum place. I am positive that<br />
lifting the heavy tank singlehandedly<br />
is causing strenuous<br />
damage to my lower back.<br />
“Perfect,” I muster as I let out a<br />
sigh of relief and step back to<br />
admire our expert positioning.<br />
“How did you manage to get<br />
one?” Emma questions me, her<br />
mouth still agog in adoration of my<br />
brilliance.<br />
“My brother knows people,” I<br />
shrug.<br />
“Do we have to keep it?” Emma<br />
asks, slowly exaggerating the ‘it’. I<br />
would love to say yes, just to see her<br />
face, but I don’t have the heart.<br />
“No. We have it on loan until<br />
8pm tonight, so if this doesn’t work<br />
I think we might be stuck with him.”<br />
The large pink-footed tarantula<br />
is eyeing us suspiciously out of its<br />
four pairs of eyes and leisurely<br />
touching the side of the tank with<br />
one front leg. It is definitely larger<br />
than my hand, although I’m not<br />
going to get it out and check. Now<br />
all we have to do is wait.<br />
“Honeys, I’m home,” he shouts<br />
loudly as he slams the front door<br />
and makes his way into the lounge<br />
where we are both sitting. Emma<br />
can hardly keep a straight face. At<br />
first he doesn’t notice it, strolling to<br />
the kitchen, we both stay put. The<br />
tank looks empty as the tarantula<br />
52<br />
undergraduate fiction<br />
crawls beneath a large piece of bark<br />
and curls up. “What’s in the tank?”<br />
he asks, walking eagerly up to it and<br />
tapping loudly on the side of the<br />
glass with his middle finger. We<br />
both stay silent and move to the<br />
edge of our seats. He taps again. I<br />
see it gradually move, unfolding one<br />
leg at a time from its tiny ball. We<br />
edge forward again. He lets out a<br />
high pitched shriek and backs<br />
towards the door. Emma begins to<br />
laugh. I keep a straight face and<br />
declare, “Say hello to your new<br />
house guest!”<br />
By the time the tarantula’s owner<br />
comes to pick her up, he is gone.<br />
The only things we have left to<br />
remember him by are an empty<br />
fridge and a dirty bath. I give Emma<br />
a scornful look, as her new man gets<br />
a little too comfy on the sofa. She<br />
knows what I mean and we both<br />
laugh when she asks him “Are you<br />
afraid of spiders?”<br />
<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />
A Lesson Learned<br />
Laura Brown
Piano<br />
Maria Papacosta<br />
Lily<br />
When I get up in the mornings,<br />
I’m usually a very cheerful<br />
person. But today I woke up and<br />
the first thing I wanted to do was<br />
shout at the cars to stop driving by<br />
my window so loudly. I miss<br />
Freddy. His house is about fifteen<br />
minutes away by train. I can visit it<br />
whenever I want, but he isn’t there<br />
any more. The house belongs to me,<br />
but it will never be my house; I don’t<br />
feel I have the right to change it.<br />
Tomorrow I am going to my<br />
Music Appreciation Society. There<br />
are nine of us that go every week and<br />
we usually manage to get on with<br />
each other. We meet in a little scout<br />
hut not much bigger than a bird<br />
box. It’s quite a secluded place,<br />
really. I don’t like the fact you have<br />
to walk through about a hundred<br />
metres of woodland to get to it, but<br />
it’s worth it once you get there.<br />
Apart from me and my friend Suzie,<br />
there’s a married couple in their<br />
thirties, a man called Tony who<br />
looks like an ageing rock star;<br />
Elvira, who’s succumbed to the<br />
surgeon’s knife, whose real age must<br />
be near sixty, a boy and girl who<br />
look so young it’s a wonder they<br />
were allowed out on their own, and<br />
Ryan, the leader of the pack who is<br />
unreasonably knowledgeable at the<br />
tender age of twenty-four. He’s a<br />
music graduate who likes folk,<br />
classical and contemporary music,<br />
as well as everything in between. He<br />
tries his best to get his members<br />
interested in music they think they<br />
won’t enjoy.<br />
Every week we hold a discussion<br />
about a certain field or genre of<br />
music. This is chosen at random by<br />
Ryan who often finds himself in the<br />
position of fighting the right to talk<br />
about things like Hip-Hop and<br />
Dance music that, I have to say, my<br />
interest strays from. It’s a fairly<br />
democratic system though because<br />
Ryan always welcomes suggestions<br />
from others.<br />
“I want you all to feel part of<br />
these discussions. Please tell me if<br />
you have any ideas about other<br />
topics you would like to talk about<br />
and I’ll note them down for next<br />
time.”<br />
Ryan’s a nice boy, I like his style<br />
of running things; he isn’t too<br />
confrontational and respects what<br />
we all have to say, even if someone<br />
thinks he’s wrong. I keep telling him<br />
he should become a teacher. I never<br />
have a problem with someone so<br />
young advising me on musical<br />
topics, but others seem to display<br />
their trouble with him. I’m looking<br />
forward to tomorrow’s meeting<br />
because we’re going to be talking<br />
about Jazz. I think Ryan thought<br />
it’d be a nice thing to do after I told<br />
him my cousin the jazz pianist had<br />
died.<br />
1925<br />
Rosetta Chambers was hanging<br />
out her washing in the usual<br />
fashion, when Robert came out of<br />
the James’ club. She had noticed<br />
him on numerous occasions but<br />
didn’t know him by name. She had<br />
spoken to Mr Frost only once, when<br />
he was moving into the building.<br />
“Hope you ain’t gonna be<br />
creating too much of a racket in<br />
here, because my family and me live<br />
upstairs,” she had said, jokingly but<br />
with serious intent.<br />
“Don’t worry ma’am, so does<br />
mine,” he added.<br />
Since that day, Rosetta<br />
Chambers had seen all the changes<br />
made in the jazz club, but she still<br />
didn’t think it would be successful.<br />
53<br />
undergraduate fiction<br />
She heard from Harry, who had an<br />
unbelievable weakness for telling<br />
strangers his family’s private<br />
business, that James was having<br />
trouble finding a decent performer.<br />
Rosetta lived with her husband<br />
Anthony on the apartment<br />
building’s 5th floor. They had been<br />
there since they married. They were<br />
young when they moved in and<br />
weren’t fussy about it being small or<br />
having holes in the floorboards that<br />
could catch your feet and make you<br />
stumble.<br />
Now in her fifties, she<br />
remembers her childhood as though<br />
it was a dream. She married<br />
Anthony because she was pregnant<br />
with his child. They told everyone<br />
they were in love, even though they<br />
probably didn’t know what it meant<br />
back then. Over the years they had<br />
grown to love each other and now<br />
they were closer than they ever<br />
thought they could be.<br />
They had lived in the apartment<br />
for almost thirty years and in all that<br />
time they hadn’t dared redecorate<br />
for fear the walls would fall down<br />
around them. Hank, who was their<br />
only child, lived with them<br />
throughout this time. He was a<br />
twenty-seven year old with no real<br />
aims in life. This put a strain on his<br />
parents. Rosetta wanted him to be<br />
a minister and work in a local<br />
church where he would gain the<br />
respect of the whole community.<br />
His father wanted him to carry on<br />
the family trade. He was a butcher<br />
who had worked every day of his life<br />
and still didn’t see the light of<br />
retirement at the end of the tunnel.<br />
Hank didn’t care to get a job. His<br />
parents were too soft on him, so he<br />
decided to take advantage of this for<br />
as long as possible. They felt guilty<br />
that they had brought him into the<br />
<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008
world while they were still children themselves.<br />
Anthony tried to talk to him about it.<br />
“I think you ought to start making your own life, son.<br />
Don’t you wanna have your own home with your own<br />
family and some kids too?”<br />
“Dad, I’m too young for all that business. I still need<br />
to find myself first.”<br />
“Well, you ain’t gonna find yourself anything if you sit<br />
here all day doing nothing.”<br />
“I go to church on Sundays, don’t I? And I offer to<br />
play the organ too.” Hank was good at playing the<br />
accompaniment for the hymns they sang. While he was<br />
playing, he could forget about everything else in his life<br />
and concentrate on that. No other thought entered his<br />
head as he worked his fingers across the keys. He<br />
received lots of compliments at the end of the service. It<br />
was mainly from old women who said they had a nice<br />
granddaughter to introduce him to, but it was always<br />
someone he thought too unattractive, too short, too<br />
talkative or sometimes it was someone he couldn’t find<br />
anything wrong with and this bothered him even more.<br />
“But that ain’t enough. What about working for me<br />
at the butcher’s?”<br />
“Dad, what makes you think a career in cutting up<br />
dead animals is appealing?” Hank looked precisely like<br />
his father from certain angles. He had a prominent<br />
brow that rested neatly above his thickly lashed eyes.<br />
Anthony had the same brow line but had started to lose<br />
his hair.<br />
“Oh yeah, I forgot, it’s much more fun for you to get<br />
drunk listening to Fats Waller records, just so you<br />
forget what a miserable life you lead. You know what?<br />
You remind me of a hobo. You’re probably the only<br />
hobo I know that has a permanent residence.”<br />
Anthony didn’t like arguing with his son but it was<br />
the only way he could get his point across. He wanted<br />
his son to tell him he knew what he wanted out of life<br />
and find something he was passionate about.<br />
Rosetta, on the other hand, knew a job that her son<br />
would love. She didn’t want to mention it though. It<br />
would lead him off the moral path she had planned out<br />
for him. Just because she conceived him before she was<br />
married didn’t mean she was going to let him be<br />
damned for life. Rosetta preferred to send her son out to<br />
do odd jobs for neighbours and friends. At least this<br />
kept him occupied. In the afternoons she would send<br />
him to her cousin Maurice to help him with various<br />
repairs around his house. She knew he would soon find<br />
out about the jazz club’s lack of performers but she<br />
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undergraduate fiction<br />
didn’t think she would ever witness it from her<br />
apartment window.<br />
Hank was on his way to church to practice hymns on<br />
the organ since he had no real way of rehearsing at<br />
home. There was nothing else he would get up early for<br />
but music was so important to him and he enjoyed it so<br />
much that even having a lie in wasn’t as appealing as<br />
playing out few chords.<br />
Rosetta was proud of the fact that he wanted to do<br />
something at the church.<br />
“And if you see Reverend Joseph, please say hello<br />
from me and tell him I’ll be seeing him at the coffee<br />
morning on Sunday,” Rosetta said as her son walked<br />
out.<br />
“Okay, mom, he might not be there because he gave<br />
me the keys to let myself in.”<br />
Hank was a little on the chubby side, thanks to his<br />
mother’s amazing cooking, but he was nevertheless a<br />
handsome young man. His face held within it a beauty<br />
that was young and alluring. He checked his reflection<br />
in the mirror and started walking down the stairs of the<br />
apartment block.<br />
At the same time, on the ground floor, Robert was<br />
saying goodbye to Harry and Sandra and putting his<br />
hat on before opening the door to leave the club. He<br />
noticed the next-door open but he didn’t have time to<br />
stop. Hank hadn’t expected a man to be standing in the<br />
vicinity of his doorway so he briskly walked into Robert.<br />
Neither of them could stop fast enough and as Robert’s<br />
hip hit against Hank’s chest, it made his satchel fall to<br />
the ground and pages of sheet music spill out like liquid.<br />
“Watch where you’re stepping!” Hank said angrily.<br />
“I’m terribly sorry, I didn’t expect anyone to come out<br />
of there.”<br />
Robert stood frozen for a moment as though any<br />
other movement he made would create another mishap.<br />
He hadn’t counted on the wind picking up.<br />
“Oh man, you’ve made me drop all my stuff and now<br />
the wind is carrying it away.”<br />
Hank opened his arms out and tried to run after<br />
the straying sheets. Robert knelt down on the ground<br />
and started picking up as much as he could and putting<br />
it back into the brown leather satchel. Realising what<br />
they were, he looked up at Hank.<br />
“You sing hymns?”<br />
“No I play them, the congregation sings.”<br />
“On the piano?”<br />
“It really ain’t none of your business but it’s on the<br />
church organ,” Hank said getting ready to leave.<br />
<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />
Piano<br />
Maria Papacosta
“I'm sorry, I know it’s none of my<br />
business but I’m just trying to find<br />
someone to play jazz here at the club<br />
on opening.”<br />
“Jazz? Like Fats Waller?”<br />
Robert realised Hank was<br />
interested. He handed him a few<br />
more sheets of music that had<br />
blown a few feet away into<br />
the road.<br />
“Sort of like Fats Waller,<br />
yeah. Can you play any of his<br />
songs?”<br />
“I only play hymns. I’ve<br />
never tried to play anything<br />
else because I don’t own an<br />
organ of my own,” Hank<br />
said, looking up to his living<br />
room window. His mother<br />
was cooking his favourite<br />
dish of chilli-fried chicken<br />
and chitterlings. He hoped<br />
she hadn’t seen him talking<br />
to Robert because when he<br />
went back home later there<br />
would be a lot of questions<br />
like ‘Who was that man?<br />
What did he want? Why<br />
were you talking to him for<br />
so long?’<br />
Of course Rosetta had<br />
seen them talking and she<br />
knew exactly what they were<br />
talking about. James had<br />
already told her they were<br />
desperate for performers, yet<br />
she neglected to mention her<br />
son could play. She looked<br />
out the window again and<br />
saw Robert ushering him<br />
into jazz club. ‘Why should<br />
my son play the devil’s<br />
music? If his father knew he<br />
wasn’t going to church, he<br />
Haiku<br />
would go and smack some sense<br />
into him,’ she thought.<br />
Hank entered the dark room<br />
without question, figuring that<br />
whatever was behind that door<br />
would be much more exciting than<br />
rehearsing at the church.<br />
“I brought this piano over from<br />
England and we still haven’t found<br />
anyone good enough to play. You<br />
can practice your hymns on it. It’s<br />
the least I can do after I knocked all<br />
your manuscripts to the floor.”<br />
A tarmac tapeworm<br />
Lives through the blackened built heart<br />
Of the city’s form.<br />
Cars flashing red blood<br />
Along the dark blackened roads,<br />
Shining wet in rain.<br />
Headlights of white blood,<br />
Staving off the night's darkness,<br />
Lighting up the vein<br />
Orange streetlights shine,<br />
Illuminating the path<br />
Of staring cat's eyes,<br />
Lining the way back<br />
To the giant concrete heart,<br />
Beating to the flow.<br />
Burning neon signs,<br />
Cannon-sounding club music,<br />
A flickering strobe.<br />
By road flows the blood<br />
Keeping the concrete alive<br />
Feeding the city<br />
undergraduate poetry<br />
Robert suddenly remembered<br />
that Harry and Sandra were still<br />
downstairs and that he’d have to<br />
introduce them to this new person.<br />
55<br />
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Marc Spencer<br />
“That’s Sandra, she’ll be playing<br />
trombone, and Harry, he just…er…”<br />
Robert struggled to introduce him.<br />
“I supervise what goes on here<br />
during the day,” Harry said, with<br />
slight seriousness.<br />
“Hi, nice to meet you both. I<br />
didn’t realise I’d have an audience.<br />
Maybe I can come back, if<br />
you’ll let me practice on<br />
another day,” Hank said,<br />
hoping that Reverend<br />
Joseph wasn’t waiting for<br />
him.<br />
Harry gazed with<br />
suspicious eyes at Robert.<br />
“Hey Rob, can I speak to<br />
you for a moment out here,”<br />
He said, pointing towards<br />
the alcove where the<br />
stairway began. Robert<br />
walked over to him leaving<br />
Hank standing by the piano.<br />
He admired the glow that<br />
radiated from the natural<br />
wood and the glossy varnish.<br />
It reminded him of a shiny<br />
apple. The restoration work<br />
Robert had been doing on it<br />
was hardly noticeable. To<br />
Hank, this was a new piano.<br />
“Is everything okay?”<br />
Robert whispered<br />
“What are you trying to<br />
pull? You told him he could<br />
practice just so you could<br />
listen to him play.”<br />
“What’s the problem?”<br />
“The problem is that he<br />
doesn’t know he’s having an<br />
audition.”<br />
“So?”<br />
“I’m trying to say that<br />
you’re gonna end up<br />
exploiting him.”<br />
Before Robert could reply, Hank<br />
started playing one of the hymns he<br />
was going to practice at the church.<br />
***<br />
<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />
Piano<br />
Maria Papacosta
Play me anytime<br />
Oh my gosh I think he’s got it.<br />
Put the paycheck straight in his pocket.<br />
He can play me<br />
Anytime he likes.<br />
Wow yeah.<br />
Some people play with apprehension.<br />
He knows which buttons cause me tension.<br />
He can play me<br />
Anytime he likes.<br />
Where’d you find such a specimen of musical grace?<br />
Did you know he was this good?<br />
Or did you think he couldn’t even play double bass?<br />
Oh my gosh he knows how to play it:<br />
Any song, just as long as you say it.<br />
He can play me<br />
Anytime he likes.<br />
Wow yeah.<br />
***<br />
Lily<br />
Iwent back to Freddy’s place earlier today and found<br />
something that I’d never thought I’d find. As I was<br />
sitting by the piano, I opened the keyboard lid and the<br />
knock of the wood against wood made a piece of paper<br />
fall out of the bottom of the piano. I picked up the<br />
yellowing sheet. I could see the ink of the writing<br />
through the back and it looked like the veins of a<br />
creature. It was a letter:<br />
My Dear Elizabeth,<br />
I am sorry. I didn’t want to do this but I couldn’t go on<br />
any more living a lie. I had to battle every day living in this<br />
weird mixed up world but perhaps it is best if the world<br />
goes on without me. Lily, my darling, I love you so much<br />
and I’m sorry to leave you. It is hard to write this because<br />
you have been a good cousin and friend to me and I feel as<br />
though I have disappointed you. I have not been as truthful<br />
with you as I should have been. Lily, this is what you<br />
deserve, the truth.<br />
You were always happy in your quaint little house. I<br />
loved visiting you there every now and then and you would<br />
always ask me why I would seldom invite you back to mine.<br />
The truth is, I wasn’t living alone. For the last eight years, I<br />
56<br />
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have had someone living with me. I couldn’t bring myself to<br />
introduce you to him because I knew you would want to<br />
know so many things, I thought it was easier for me not to<br />
explain anything. He was my partner, my lover. I am sorry<br />
I couldn’t tell you. It was a huge secret to keep from you and<br />
I don’t want you to think I was deliberately hiding it from<br />
you. I didn’t want you to stop talking to me just because of<br />
my different lifestyle, just the way Hilary did all those years<br />
ago when I tried to confide in her. She said ma and pa<br />
deserved a better son than me and it really hurt me, more<br />
than she could know. Now you can see why I had to laugh<br />
off all your comments of me getting married and having<br />
children. The reason I’ve decided to end it all is because my<br />
partner left me. He said he didn’t want to be with me any<br />
more so I felt I had no-one left that could possibly<br />
understand me for who I was.<br />
Lily, it wasn’t just you that I was hiding this big secret<br />
from; it was the rest of the world too. I want you to<br />
remember me the way I used to be: a big smile on my face,<br />
playing my piano and jumping up and down trying to make<br />
people laugh. I can’t be that person anymore. My partner<br />
kept telling me I’d changed. The problem is, I’d gone too<br />
far in one direction to change back. I am sorry, Lily, I’m so<br />
sorry.<br />
Love you always,<br />
Frederick Chambers<br />
I didn’t understand what I was reading. The letter<br />
wasn’t dated but it looked old. I didn’t think he wrote it<br />
recently before his death. But I didn’t understand<br />
because it hinted at his death. It must’ve been some kind<br />
of suicide note. Was this a joke? I never in my life<br />
thought Freddy was gay. Why didn’t he tell me? I was<br />
upset that he didn’t confide in me. Did he really think I<br />
was going to turn my back on him like Hilary? I wasn’t<br />
just upset, I was angry.<br />
***<br />
1925<br />
Where we going tonight then, Louisa?” Irene<br />
asked.<br />
“There’s this new place just opening tonight. I hear<br />
they’re gonna be playing some hot jazz.”<br />
“That’s what they say about every club in this town,”<br />
Irene said.<br />
“Yeah but we might as well check it out. It’s nice to<br />
go somewhere different on your birthday, isn’t it?”<br />
Louisa said to Bertie while adjusting her outfit.<br />
Bertie was celebrating her 18th birthday. They heard<br />
about the jazz club through some young people at<br />
church. Their mother spoke on a regular basis with<br />
Petunia Frost, who explained her husband was opening<br />
<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />
Piano<br />
Maria Papacosta
a new place. All three girls had<br />
matching outfits on. Each girl had a<br />
floaty knee-length dress with a lace<br />
trim around the neckline and hem.<br />
Bertie’s was powder blue whilst<br />
Louisa had the red version and<br />
Irene the white. All three had a long<br />
string of pearls and an ostrich<br />
feather in their hair that matched<br />
their dresses.<br />
“I hope we aren’t going to stay<br />
out too late. We don’t want mom to<br />
be worried about us,” said Bertie,<br />
who at eighteen still hadn’t found<br />
the urge to rebel from her parent’s<br />
rules like her two sisters did.<br />
“Don’t worry about that. She<br />
won’t know what time we’ll be back<br />
anyway,” said Louisa.<br />
Bertie always worried. She’d<br />
never been on a night out before.<br />
“I’m just saying, we don’t wanna<br />
worry her, so we’ll just tell her we’re<br />
going to Rosie’s café,” Louisa said as<br />
she powdered her nose.<br />
“Don’t worry, girls, we’ll see how<br />
it goes,” said Irene reassuringly.<br />
“Hey, maybe they’ll let us sing if we<br />
ask them nicely.”<br />
“I doubt that very much. It’s a<br />
professional club ain’t it?<br />
Sometimes, Irene, you come up<br />
with the strangest suggestions,” said<br />
Louisa.<br />
The girls enjoyed singing. They<br />
often got together and practiced<br />
harmonising with each other on<br />
hymns and popular songs they<br />
heard on the wireless. They liked<br />
singing in the church choir but<br />
didn’t enjoy it as much as singing<br />
together as a trio.<br />
When each of them had finished<br />
preening their way to perfection,<br />
they came out their front door, with<br />
their heels clomping against the<br />
sidewalk and their laughter rising<br />
up through the dark street.<br />
The jazz club was pulling in a<br />
decent sized crowd. James Frost<br />
was too nervous to hold a<br />
conversation with anyone. He kept<br />
rubbing the knuckles of each hand<br />
together to hide the fact they were<br />
shaking. But somewhere in his<br />
nervous rattle, he was happy to see<br />
the club looking so full. He had to<br />
bring down extra chairs from his<br />
apartment because of the amount of<br />
people. James was glad that he<br />
advertised in the local paper as well<br />
as telling everyone he came across.<br />
“Who says word of mouth<br />
doesn’t work?” he asked Harry, who<br />
was perched on a bar stool next to<br />
him.<br />
“Well it’s just lucky we know so<br />
many people, ain’t it?”<br />
“Is Hank ready?” James asked<br />
nervously. Hank was due to start<br />
playing in less than ten minutes.<br />
“He’s round the back in the<br />
storeroom, probably sucking on<br />
some kinda alcohol.”<br />
“He’d better not be! And I told<br />
you, don’t call it a ‘storeroom’<br />
anymore, it’s a dressing room.”<br />
“Yeah, whatever, he’s in there<br />
with a girl that he stole off me.”<br />
“Oh really?” James said and<br />
started walking towards the<br />
dressing room to see if he could get<br />
Hank to make an appearance.<br />
Ever since he’d been practicing<br />
his music at the club, Hank had<br />
developed a thirst for fame. It was<br />
now beginning to surface as a<br />
problem because as his talent grew,<br />
so did his ego. Apart from his<br />
appearance, he was unrecognisable<br />
as the shy young man who walked<br />
into Robert that windy day. Robert,<br />
who was currently talking to<br />
Sandra, knew that he and James<br />
had created a sexual monster. His<br />
appetite for beautiful young ladies<br />
was never satisfied. Once he realised<br />
he could impress them with his<br />
musical talent, he would try his luck<br />
with everyone.<br />
57<br />
undergraduate fiction<br />
Tonight, on opening night,<br />
Sandra was going to be playing<br />
trombone. She was excited but<br />
nervous. Not so much for herself<br />
but for Harry. She wondered<br />
whether he would keep up his piano<br />
playing with so many other<br />
potential distractions for him.<br />
Robert wished Sandra good luck<br />
but she had a feeling there was<br />
something else on his mind that he<br />
wanted to say to her.<br />
“So you’re ready to go on then,<br />
Sandra?” Robert asked her, looking<br />
at the buttons on her blouse and<br />
wondering whether she had<br />
intentionally left one of them<br />
undone. He liked Sandra a lot but<br />
was too much of a coward to admit<br />
his feelings because he dreaded to<br />
think what her family would do to<br />
him if he told her how he felt.<br />
Besides, he had a good idea that she<br />
didn’t like him at all so his<br />
declaration would be wasted.<br />
“I’m ready, I just hope Hank is.<br />
We’d better get started soon ’cause<br />
this crowd is getting restless,” she<br />
replied.<br />
“Oh, they’re just excited,” Robert,<br />
said reassuringly. “I wonder what<br />
my grandfather would say if he<br />
could see his old piano being used<br />
in a jazz club.”<br />
Sandra smiled at him.<br />
The club looked so different now<br />
it was full of people. He thought<br />
back to the first day and how he<br />
walked into the empty room and<br />
never thought it would look<br />
anything like it did now. Even over<br />
all that crowd noise, he could hear<br />
the muffled voices of Hank arguing<br />
with James.<br />
“Okay man, just a second, I’ll be<br />
out soon, besides, people love to<br />
wait for talent,” Hank wailed.<br />
“It’s your first night. You ain’t no<br />
star yet, so don’t push your luck.”<br />
<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />
Piano<br />
Maria Papacosta
The dressing room looked a state. Hank’s clothes<br />
were draped over lamps and chairs and there where<br />
various pairs of shoes, men’s and women’s, strewn<br />
across the floor.<br />
On the other side of the club, three young ladies<br />
entered the front door and made their way towards the<br />
tables. Realising there was no spaces to sit; they stood<br />
in a line by the bar. Louisa lit a cigarette and put it right<br />
on the edge of her lips, it was a wonder it didn’t fall out.<br />
“You smoke?” Bertie said with shock as she looked<br />
at her sister.<br />
“Yeah, of course, it’s good for the nerves, you know.”<br />
“And what have you got to be nervous about?”<br />
“Okay, you got me, I do it ’cause I enjoy it.”<br />
“Welcome, welcome everybody to what can only be<br />
described as a musical extravaganza for your ears,”<br />
James addressed the crowd. He noticed the bright faces<br />
of people, eager to hear some good quality jazz.<br />
“I’d just like to say 'welcome to Jimmy’s Jazz Joint’. I<br />
want you to feel at home, so make yourselves<br />
comfortable. Now, I will bring on our first act of the<br />
evening: a talented young pianist who goes by the name<br />
of Hank.”<br />
“Honky-Tonk Hank” a voice said from behind the<br />
stage.<br />
“Yeah, okay. Please give a cheer for Honky-Tonk<br />
Hank.”<br />
The audience applauded as a seemingly tipsy man<br />
came to the stage. He bowed, thanked the crowd and<br />
sat down on the piano stool and began to play Laugh<br />
with me, not at me, one of his own compositions. The<br />
crowd got into it very easily, but they weren’t all looking<br />
at Hank.<br />
“Have you noticed that people are staring at us, I<br />
wish we’d found seats,” Bertie whispered to her sisters.<br />
“That’s because we all look so swell, honey!” Louisa<br />
said, smiling at Bertie.<br />
“Well you girls had better get used to people looking,<br />
‘cause we’re gonna be on that stage later,” Irene said.<br />
“What are you talking about? We ain’t performing<br />
here, mom would kill us,” Bertie said.<br />
“What mom doesn’t know, won’t kill her,” Louisa<br />
said.<br />
The crowd clapped and cheered at the end of Hank’s<br />
performance. Hank bowed slightly more graciously<br />
than he had at the beginning.<br />
“Thank you, thank you all. What did y'all think of<br />
that?”<br />
The crowd carried on clapping.<br />
58<br />
undergraduate fiction<br />
“It was passable,” Irene said, her voice so<br />
unintentionally loud so that Hank and the rest of the<br />
club heard. Hank stared at her and the whole room<br />
became silent.<br />
“Passable?” Hank asked. “I’ve been practicing piano<br />
for ten hours a day, I’ve made my fingers so sore I<br />
couldn’t even hold a glass and now someone is fresh<br />
enough to say my performance was ‘passable’?”<br />
Before Hank had a chance to get angry, Robert<br />
jumped onto the stage and tried to calm him down. He<br />
whispered something in his ear but it didn’t seem to<br />
help matters. Hank tried to punch Robert in the jaw<br />
but he missed and stumbled onto the piano stool. Harry<br />
appeared out of nowhere to introduce the next act. The<br />
crowd was also getting rowdy and was clapping at<br />
Hank’s spectacular finale.<br />
“Okay folks, we’ve got a bright young performer for<br />
you now. She is my niece Sandra and...” Harry stopped<br />
as Hank fell from the piano stool to the floor.<br />
“…Boy oh boy can she blow that trombone,” he said<br />
nervously and started the applause to get her on stage.<br />
Sandra shook her head. She didn’t feel like performing<br />
now but got up on stage anyway and started playing her<br />
favourite swing medley.<br />
Everything was a mess. As Sandra was playing, she<br />
looked around at what people were doing: drinking,<br />
smoking and laughing with a hysterical glint in their<br />
eyes. She wanted it to be more civilised. She heard the<br />
smash of glass as it hit the floor. She turned around to<br />
see Robert sitting on the piano stool, slumped against<br />
the instrument. His eyes looked exhausted. It was hot<br />
and people took their layers of clothing off, throwing<br />
them to the floor with spontaneity before getting up to<br />
dance. It wasn’t the perfect set-up, Sandra thought, but<br />
they all seemed to be enjoying it.<br />
Robert attempted to accompany Sandra on the<br />
piano. He decided to stick to the simplest of chords but<br />
Sandra was flying off on her improvisation and he<br />
couldn’t play fast enough to keep up. The crowd<br />
laughed at him thinking he was purely there for comedy<br />
purposes. Sandra looked out at the smoke cloud that<br />
hung above the bobbing heads. In the distance, by the<br />
bar, she could see Hank talking to the woman that had<br />
offended him earlier. He had turned into such a sly dog<br />
and she didn’t like him one bit. Did everyone always<br />
have to change for the worst when they got into this<br />
business? She thought. The only person that had<br />
changed for the better was Robert. He wasn’t shy and<br />
awkward anymore. He was a more confident version of<br />
the man that had walked into the jazz club just over a<br />
<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />
Piano<br />
Maria Papacosta
month ago. Sandra looked at him<br />
again as he sat there. They held a<br />
gaze for a few seconds. She felt<br />
something strange inside her but<br />
she didn’t know if it was attraction<br />
or just that she felt sorry for him. Of<br />
course she would never tell him how<br />
she felt, there were so many<br />
differences between them it was<br />
unthinkable.<br />
People cheered as Sandra<br />
finished her performance. She<br />
stepped down from the stage to<br />
make way for Hank once more. He<br />
didn’t look as unruly as he did before<br />
and she hoped his performance<br />
would reflect this.<br />
“How's about we bring some<br />
girls on who think they can sing<br />
against my ‘passable’ piano playing?”<br />
Hank said, curling his lips into a<br />
smile as though it had all been an<br />
act.<br />
“What is that fool doing now?”<br />
James asked. “He's ruining the<br />
order of things.” He fumbled with<br />
his pocket watch before putting it<br />
back in his jacket.<br />
Louisa, Bertie and Irene joined<br />
Hank on the stage.<br />
“I can’t believe we’re doing this.<br />
Have you seen the crazy bunch of<br />
people that are watching?” Bertie<br />
said.<br />
Stella, the woman who<br />
auditioned to James in that strange<br />
manner, was jumping up and down<br />
and fanning herself with her<br />
jewelled hat.<br />
“Lets get goin’,” Hank shouted<br />
and pounced into the first few bars<br />
of the song that just so happened to<br />
be one the girls were practicing a<br />
few hours earlier.<br />
***<br />
Leaving when I’ve got the chance<br />
IRENE: Baby you left me.<br />
BERTIE: Left me, I was all alone.<br />
IRENE: I said, baby you left me.<br />
LOUISA: Left me out in the cold.<br />
BERTIE: You didn’t mean to.<br />
IRENE: That’s what you told me.<br />
LOUISA: But that excuse is<br />
getting old.<br />
IRENE: They said they saw you in<br />
the back of a jazz club,<br />
BERTIE: getting friendly with<br />
some dame.<br />
IRENE: They said they saw you in<br />
the back of a jazz club.<br />
LOUISA: I doubt you even knew<br />
her name.<br />
BERTIE: You didn’t mean to.<br />
IRENE: That’s what you told me.<br />
LOUISA: So now go hang your<br />
head in shame.<br />
IRENE: Woo…<br />
HANK’S SOLO<br />
IRENE: Baby it's over.<br />
BERTIE: Ain’t nothing left for you<br />
to say.<br />
IRENE: I said, baby it's over.<br />
LOUISA: If not tomorrow then<br />
today.<br />
BERTIE: You see I’m leaving,<br />
IRENE: Because you’re two-faced.<br />
LOUISA: So don’t be trying to<br />
make me stay.<br />
BERTIE: Oh boy, I’m leaving.<br />
IRENE: (spoken) I should’ve done<br />
so long ago but I never had the guts<br />
to go through with it so…<br />
LOUISA: Don’t be trying to make<br />
me stay.<br />
Lily<br />
***<br />
59<br />
undergraduate fiction<br />
So what did we all think of that<br />
guys?” Ryan asked as he lifted<br />
the needle off the record. The<br />
gramophone he brought in<br />
reminded me of the one my mother<br />
owned. In fact, she told me that she<br />
named me Lily after the lily-like<br />
shape of the gramophone’s speaker.<br />
“I couldn’t hear it very well. It<br />
was too grainy,” moaned Aneeka,<br />
the youngest of the group. “Why<br />
didn’t they make a better<br />
recording?”<br />
“The music was alright, quite<br />
bluesy. The voices of the singers<br />
were strong but the lyrics were a bit<br />
basic,” said Tony. “No offence Lily.<br />
I mean, they probably thought it<br />
was good turn of phrase or<br />
something but to be honest, the<br />
vocabulary isn’t that great. It could<br />
be more lyrically inventive if you ask<br />
me.”<br />
I thought the group would enjoy<br />
the Hartman sisters' record. Why<br />
would they give me so many<br />
negative comments? These songs<br />
brought me a personal happiness<br />
that I won’t let anyone destroy…just<br />
because they think ‘the lyrics were a<br />
bit basic’. They probably didn’t<br />
understand them. This was my only<br />
copy of the Hartman sisters record.<br />
Of course, they recorded it a few<br />
weeks after that first performance<br />
on opening night but together with<br />
the story she used to tell me, it was a<br />
complete memory. It’s a story she<br />
told me many times. She had it all<br />
planned out and spoke to Hank at<br />
church about whether they could<br />
sing with him on opening night. He<br />
agreed but said he didn’t have time<br />
to convince James or Robert to give<br />
the girls an audition. So they made<br />
up this idea of the girls being<br />
hecklers to Hank’s mock<br />
drunkenness. She always said that it<br />
was the funniest thing she ever did<br />
because it was so convincing. She<br />
<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />
Piano<br />
Maria Papacosta
managed to keep it a secret from her sisters too. After<br />
the performance, James had dollar signs in his eyes and<br />
asked them to be part of the house band along with<br />
Sandra.<br />
“I think the lyrics were supposed to be basic. Isn’t<br />
that right Lily?”<br />
“Actually I don’t think my mum and her sisters really<br />
cared for lyrical quality. They were more concerned<br />
with feelings and I think they did a good job of it. After<br />
all, isn’t that what blues is about?” I said hoping that<br />
someone would agree with me but everyone remained<br />
silent.<br />
“That’s a good point Lily. Blues is about emotions<br />
above everything else.”<br />
“Did a lot of people buy the record?” Simi asked.<br />
“My mother and aunts made a few copies to sell at<br />
the bar but people at the time preferred to come into the<br />
club to see them for real.”<br />
“You’ve brought along another record for us to listen<br />
to, haven’t you Lily? It’s by your cousin Fred who, sadly,<br />
passed away quite recently?”<br />
“Freddy, yes. He was an extraordinary pianist who<br />
surpassed everything his father taught him. I have a few<br />
of his records because he did a lot of stuff throughout<br />
his life.” I said and gave him the record, which still had<br />
a shine to it, being at least thirty years newer than my<br />
mother's, which now had a matte finish. He placed it<br />
on the turntable and placed the needle gently down.<br />
How soothing it was to hear Freddy’s opening to<br />
‘Riviera.’ I closed my eyes and imagined I was sitting by<br />
his piano as he played.<br />
“I couldn’t keep up with that one,” said Aneeka. “It<br />
was too fast at some points.”<br />
“Well it was supposed to be varied. Freddy told me<br />
that he wrote this piece as a story and as he played it, he<br />
would tell himself the story so that he could remember<br />
which section came next.”<br />
“That sounds a bit pointless to me, why not write<br />
each bit down?” said Tony, who liked to argue about<br />
everything so I saw it coming.<br />
“The point is so that he didn’t have to write it down,<br />
he created a narrative to remember.”<br />
“Isn’t that a waste? All the audience would<br />
experience is the piece he is playing. I'm sure they would<br />
love to experience the story too,” said Ryan, who was<br />
starting to question my explanations.<br />
“But surely the audience does get to experience a<br />
story, because the musical structure of the piece mirrors<br />
the structure of a story,” said Dennis Ray, who up until<br />
that point hadn’t spoken.<br />
60<br />
“I’m not convinced. If you didn’t mention anything<br />
Lily, I think we would’ve been none the wiser,” said<br />
Elvira, who arched her eyebrow and turned her mouth<br />
up at me. “Just like if a story was inspired by a song, we<br />
wouldn’t necessarily know unless the author told us.”<br />
“But it’s all about emotion again, you would notice it<br />
in the structure.” I said.<br />
“He is a good pianist though,” said Simi.<br />
“Well, you’ll be interested to know that it was his<br />
father playing piano on my mum’s record, and it’s the<br />
same piano.”<br />
There was a chorus of “oh, okay” from all the<br />
members. I don’t think they were that interested.<br />
“You know, for a music appreciation society, you<br />
lot aren’t very appreciative!” I said, realising I was<br />
getting angry.<br />
I think I knew who would appreciate such a legacy<br />
that my family was leaving behind. I decided then to<br />
donate the piano to the Jazz Institute, where people<br />
could admire its beauty and wonder about the stories<br />
behind it. I think Freddy would’ve liked that a lot. I<br />
wanted to go home at that point and start planning the<br />
piano’s final journey. I sat back and tried to forget where<br />
I was by listening to the gramophone in my head that<br />
was playing Little Lily’s Swing.<br />
In Retrospect<br />
undergraduate fiction<br />
***<br />
If I could cry real salty tears,<br />
My varnish would dissolve,<br />
But I’ve been silent for forty years<br />
So what would that resolve?<br />
No warmth of human hand has played,<br />
My strong and sturdy keys.<br />
My crevices are filled with dust,<br />
Seems more like centuries.<br />
And what will happen to me now?<br />
Perhaps my time has come.<br />
To be cut into firewood,<br />
But will my soul live on?<br />
Please play on me one last song,<br />
A hopeful melody,<br />
So music can awake once more<br />
My tuneful memory.<br />
<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />
Piano<br />
Maria Papacosta
61<br />
postgraduates<br />
<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008
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