21.03.2013 Views

Metropolitan Lines Issue 2 - Brunel University

Metropolitan Lines Issue 2 - Brunel University

Metropolitan Lines Issue 2 - Brunel University

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />

1


Summer 2008<br />

FICTION<br />

POSTGRADUATES<br />

Ben Hart 3 World Gone Wrong<br />

Carolyn Skelton 8 Parting Gift<br />

Jo Hurst 10 Hodge<br />

Johanna Yacoub 12 Magilligan<br />

Kate Simants 21 Canal<br />

Perry Bhandal 24 Chicken Jack<br />

Ali Sheikholeslami 35 Paradise, Etc.<br />

FACULTY<br />

William Leahy 38 Emotional Spaceman<br />

John West 42 December 1945...<br />

UNDERGRADUATES<br />

Laura Brown 43 A Lesson Learned<br />

Maria Papacosta 53 Piano<br />

POETRY<br />

UNDERGRADUATES<br />

Marc Spencer 11 Pantoum - The Prophet<br />

Kerry Williams 13 Decadence in the Bathroom<br />

13 Been There, Done That<br />

Emanuele Libertini 8 Pure Research<br />

Mark Woollard 27 The Snail<br />

Jean-David Beyers 29 Thirteen Ways of Looking<br />

at Scissors<br />

32 Filth<br />

Maria Ridley 39 Weeping Woman<br />

45 CC’s<br />

Kerry Williams 48 Paranoia<br />

Shane Jinadu 15 Scarf Me Up<br />

15 Johnny<br />

Marc Spencer 11 Haiku<br />

Visit us on-line:<br />

<strong>Metropolitan</strong> <strong>Lines</strong><br />

http://arts.brunel.ac.uk/gate/ml/index<br />

<strong>Brunel</strong> <strong>University</strong><br />

http://www.brunel.ac.uk/<br />

The Department of English at <strong>Brunel</strong> <strong>University</strong>, School of Arts<br />

http://www.brunel.ac.uk/about/acad/sa/artsub/english<br />

2<br />

postgraduate fiction<br />

<strong>Metropolitan</strong> <strong>Lines</strong><br />

Summer 2008<br />

Editors:<br />

David Fulton<br />

Robert Stamper<br />

Subediting, Layout and Formatting:<br />

Samuel Taradash<br />

<strong>Metropolitan</strong> <strong>Lines</strong> is the literary<br />

magazine of <strong>Brunel</strong> <strong>University</strong>’s School<br />

of Arts. It exists to showcase the<br />

creative writing, prose and poetry of<br />

students, faculty and staff connected to<br />

the School of Arts at <strong>Brunel</strong> <strong>University</strong>.<br />

Questions, comments or submissions<br />

are welcome, and should be sent to<br />

david.fulton@brunel.ac.uk<br />

Any submissions should be sent as<br />

attachments to e-mail in the form of<br />

.doc or rtf files. Please, check your<br />

spelling and grammar before sending.<br />

The copyrights of all works within are held by their<br />

respective authors. All photographs by Samuel<br />

Taradash, except for page 42, which was was<br />

first published anonymously in the Soviet Journal<br />

Ogonyok, and is currently in the public domain.<br />

<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />

Contents<br />

Editorial Staff


World Gone Wrong<br />

Ben Hart<br />

1. Trying to get to Heaven<br />

The rain slid cautiously down<br />

the angel’s faces, dripping off<br />

their noses and falling to the floor.<br />

Below them a lone hobo sought<br />

shelter within the church that they<br />

guarded, his knocking echoing out<br />

dully through the empty building.<br />

Bemoaning the lack of response<br />

from within the church, the hobo<br />

brushed his soaking hair away from<br />

his face and staggered out into the<br />

churchyard. Pulling his battered<br />

coat around himself as tightly as it<br />

would go, he lay down on a sodden<br />

bench and did his best to sleep.<br />

The night was a bitter one and<br />

sleep did not come easily to the<br />

hobo, but he was exhausted from<br />

the hardships of the day and<br />

eventually it took him, wrenching<br />

him away from the world and into a<br />

wholly better one of his own<br />

devising. For the next three hours<br />

he drifted in and out of<br />

consciousness, hearing the tongues<br />

of angels and men singing in unison<br />

to a tune that his mind couldn’t<br />

place.<br />

Gradually the music began to tail<br />

off. Then it stopped altogether. The<br />

hobo’s eyes snapped open and he<br />

saw the face of a policeman peering<br />

down into his own.<br />

‘Come on you, on your bike!’<br />

The hobo rolled off the bench<br />

and rubbed his bleary eyes.<br />

‘I need to speak with the<br />

Reverend,’ he said. ‘Then I’ll be on<br />

my way’.<br />

‘I’m sure the Reverend has better<br />

things to do than tend to the likes of<br />

you!’ boomed the policeman. He<br />

grabbed the hobo roughly by the<br />

shoulder and shoved him in the<br />

direction of the church gates.<br />

‘I have as much right to be here<br />

as anyone!’ protested the hobo,<br />

gazing up pleadingly at the concrete<br />

angels that towered above him.<br />

‘Sleeping rough on church<br />

property is against the law. I’m<br />

obliged to move you on.’<br />

‘Was Jesus himself not an<br />

outlaw?’<br />

***<br />

2. My Name Is Nobody<br />

My mind’s a mess. Congested.<br />

Like a town centre in<br />

desperate need of a bypass. I stare<br />

out the window, notepad in hand,<br />

and chew at the skin around my<br />

well-bitten nails. It’s a fine old day<br />

outside: sunshine mingling sociably<br />

with a sweeping wind and deft<br />

flakes of snow. It’s the kind of<br />

weather that would usually sound<br />

poetic however you described it, but<br />

today my brain just isn’t up to the<br />

challenge. It blanks me, cutting my<br />

prose off before I’ve even written<br />

anything. Sighing, I clamber up<br />

from my seat and make coffee –<br />

black, no sugar. The caffeine does<br />

its best to stimulate but my body’s<br />

having none of it. I drain my cup<br />

and return to the window, its<br />

grubby pane now flecked with<br />

snow.<br />

I’m starting to think that the<br />

world’s turned its back on me. The<br />

girl I picked up last night left before<br />

it was light and didn’t leave a<br />

number. Nobody else is answering<br />

my calls. No one’s calling either. I lie<br />

on my bed, put a CD on and spend<br />

the next six minutes listening to<br />

3<br />

postgraduate fiction<br />

Bob Dylan attempting to cure<br />

America’s ills by calling forth the<br />

spirit of a long-dead blues singer.<br />

That fails to inspire me much either,<br />

so I turn off the player and lie in<br />

silence, counting down the seconds<br />

until I have to rouse myself and head<br />

off to work.<br />

I’m the assistant manager of a<br />

video shop. Correction: a back-alley<br />

video shop. Our closed sign’s<br />

scrawled on a piece of Weetabix box<br />

and our selection’s limited. Often I<br />

try to broaden our customers’<br />

horizons, suggesting they try<br />

something a little artier than the<br />

norm, but rarely are they having any<br />

of it. Tonight it’s particularly quiet.<br />

There’s a new multi-national store<br />

due to open up the road in a couple<br />

of weeks and I reckon most of our<br />

clientele are saving themselves for<br />

that. It’s a sobering thought. I really<br />

don’t see how we can stay in<br />

business after it hits.<br />

I decide to amuse myself by<br />

staring at the wall and asking<br />

rhetorical questions. Who am I?<br />

What am I doing here? Basic<br />

existential stuff. A couple of girls<br />

come in while I’m doing this and<br />

leave hurriedly, giggling. It doesn’t<br />

really bother me. I get paid the same<br />

whether they rent anything out or<br />

not. Later, about ten, just as I’m<br />

preparing to head home, the shop<br />

fills up and I find myself bombarded<br />

with videos from all angles. A Hugh<br />

Grant flick here, a Halle Berry<br />

there. One kid, obviously underage,<br />

tries to get out a Van Damme – one<br />

of his later straight-to-video jobbies.<br />

I ID him and he presents me with a<br />

laminated piece of cardboard that<br />

he’s obviously scanned off his<br />

computer ten minutes beforehand.<br />

<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008


When questioned about its legitimacy he just shrugs<br />

and asks what harm it can do.<br />

Before cashing up I check the inbox on my phone. It<br />

makes unpleasant reading: no new messages. I turn off<br />

the main lights and complete my chores by the flickering<br />

of the popcorn machine and the second-hand rays of the<br />

streetlights outside. 2ps, 5ps, 10ps, 20ps…I arrange<br />

them all in order, in rows, just how the boss likes them.<br />

The door flies open and a man comes barging in,<br />

collar pulled up high, his head masked by a balaclava. I<br />

draw his attention to the closed sign on the door but he<br />

doesn’t want to listen. He wants the money in the till,<br />

the money I’ve just spent the last<br />

twenty minutes arranging, the<br />

money that was providing me<br />

with an excuse not to head home.<br />

We struggle and the money goes<br />

flying everywhere. This angers<br />

me. I hate to see my handiwork<br />

undone, and I go for him, biting<br />

and scratching, trying to wrench<br />

the wool from his face. He’s far<br />

too strong for me though, and I<br />

find myself flung against the wall,<br />

a knife pressed up close to my<br />

throat.<br />

‘Make another sound,’ he hisses, ‘make another<br />

sound and I promise that I’ll fucking kill you!’<br />

‘Kill me?’ I chuckle. ‘I’m already dead.’<br />

3. The Silver-Tongued Devil<br />

***<br />

The beer I had for breakfast wasn’t bad, so I had<br />

another for desert. Pellets of rain clattered into the<br />

windows, launched from the swirling wisps of cloud<br />

that circled above. The clock hit eleven with a<br />

begrudging ‘thunk.’ I gathered up my overcoat, slung it<br />

on and headed for the door.<br />

Outside a kid swore at a can that he was kicking; the<br />

tires of a U-Haul truck squealed; a man with a badge<br />

skipped on by; the smell of frying chicken aroused my<br />

nostrils. I passed it all by and blundered into the nearest<br />

bar, rubbing my malnourished eyes as the artificial<br />

lights hit them.<br />

She was stuck in a world<br />

where she didn’t belong; if<br />

she left him then she left<br />

everything. Gutsy little thing<br />

went ahead and did it.<br />

Credit to her.<br />

4<br />

postgraduate fiction<br />

The barman nodded and handed me a beer. I<br />

thanked him and surveyed my surroundings, mapping<br />

out the day. Drank my beer down and gazed out the<br />

window. Traffic flashed past, a girl in an orange dress.<br />

The bar was filling up now; people were on their lunch,<br />

eating, drinking. Smoke hung low in the air and I had to<br />

rest my chin on the bar to escape it. Time passed and I<br />

went with it: some kids being refused admission, the<br />

whirring of a fruit machine, the monotony of the<br />

barman’s chatter. Life became a haze, a smoke-filled<br />

oblivion. My eyes strained against it, working harder<br />

than anticipated. There was a girl alone at a table –<br />

brunette, nice smile.<br />

I introduced myself. Talk<br />

flowed freely. I lied about my day;<br />

she did likewise. There was a<br />

copy of the local rag on the table<br />

and we skimmed through it.<br />

Seems there’s a killer on the loose.<br />

The press have dubbed him ‘The<br />

Silver-Tongued Devil’. He<br />

charms his way into people’s<br />

houses, wins their trust and then<br />

slays them. Uses whatever’s at<br />

hand. Sometime last month he<br />

caved an old lady’s skull in with a brick. It made one hell<br />

of a mess on the carpet. I pointed this out to the girl and<br />

warned her against being out late at night; she did<br />

likewise. We laughed, inhaled smoke, watched it follow<br />

its tail, round and round. She was alone for the night,<br />

had walked out on her bloke. The barman came over<br />

and brushed aside the glasses, winking at me. We<br />

continued talking, had lots in common. Poor little thing<br />

had got involved with the wrong guy and hadn’t realised<br />

until it was too late. It was a nasty situation: she was<br />

stuck in a world where she didn’t belong; if she left him<br />

then she left everything. Gutsy little thing went ahead<br />

and did it. Credit to her.<br />

The drinks kept flowing and our jaws kept jacking,<br />

hours melting into hours as we exchanged stories about<br />

a world gone wrong. Then the bell rung, last orders<br />

were called and we were out in the street, arm in arm,<br />

heading for her place. The rain still came but it was<br />

almost apologetic now, its rage quelled. We bantered<br />

on the doorstep, standing in defiance of the cold. The<br />

door was opened and we staggered inside. Laughter,<br />

jostling, the smell of wet denim.<br />

<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />

World Gone Wrong<br />

Ben Hart


Glasses were cleaned, filled and<br />

clinked. Lips touched lips. We<br />

joked about the Silver-Tongued<br />

Devil, wondering what he’d do if he<br />

caught us now. She wanted to fuck<br />

him and fuck the world. Lips again,<br />

chapped, balmed. Then the carpet,<br />

the burning, the pleasure, the<br />

screaming. I left her there, smiling,<br />

as happy and beautiful as anything<br />

I’d ever known. She was rigid,<br />

sleepy. I headed for home.<br />

The night was souring. Water<br />

sloshed around my ankles, seeping<br />

into my socks. A crack of a twig, the<br />

dirty stench of dying. The Silver-<br />

Tongued Devil was there, walking<br />

behind me. I fell, hands clammy, my<br />

throat choked with dust. Footsteps<br />

moving away, slowly, then quicker.<br />

I lay there, watching the rain flow<br />

into the gutter, wondering why he<br />

did what he did. Then the answer<br />

dawned: immortality. The death of<br />

the weak made him a God. You, me,<br />

them, she – we only live until we die.<br />

He will live forever. And to be<br />

remembered…is that not all any of<br />

us can ask for?<br />

The next morning I gargled, spat<br />

and headed down to the bar to face<br />

the day. The barman handed me a<br />

beer, told me the police had been in<br />

earlier, asking about the girl. I<br />

picked up the rag and browsed. He<br />

was in it again, that Silver-Tongued<br />

Devil. The opening of a new coffee<br />

shop had consigned him to page<br />

two. It was a paid advertisement.<br />

Pathetic. Absolutely pathetic.<br />

I tried to reason, to understand. I<br />

knew why but not how. Couldn’t<br />

comprehend how anyone could do<br />

what he did, without remorse.<br />

Except he did feel remorse, didn’t<br />

he? The days after the nights before<br />

the nights were spent in bars,<br />

slumping into depression, trying to<br />

find a reason not to go home.<br />

Eventually he’d probably find so<br />

many that he wouldn’t go back at all.<br />

He’d just sit there, always, searching<br />

for the adulation of the press.<br />

The smoke was hanging around<br />

again. My eyes saw page two. Page<br />

two. He killed and only made page<br />

two. Sad, like a child deprived of a<br />

bike, like a mother seeing her boy off<br />

to war, like a man who can’t see the<br />

road for tears in his eyes. Smoke.<br />

Everywhere. Take it back, passive,<br />

causes cancer, fuck it, we all die<br />

anyway. He’ll see to that. Nothing<br />

annoys the Silver-Tongued Devil<br />

more than being deprived of his<br />

rightful place on the front page by<br />

the opening of a new coffee shop. I<br />

was there when it happened and I<br />

doubt I will ever forget his rage:<br />

tables were overturned; cups and<br />

curses flew in unison.<br />

Pantoum – The Prophet<br />

The End Is Nigh!<br />

The Prophet yells,<br />

Words echoed in the sky.<br />

You have been told,<br />

The Prophet yells,<br />

The blasphemy of it all,<br />

You have been told,<br />

Heed Gods call!<br />

The blasphemy of it all,<br />

Reaching to the air.<br />

Heed Gods call!<br />

He yells a dare.<br />

Reaching to the air,<br />

His arms wave aimlessly.<br />

He yells a dare<br />

To those that can see.<br />

5<br />

postgraduate fiction<br />

The smoke was a shield, it broke.<br />

His anger continued unabated<br />

throughout the night. He swore<br />

he’d kill again. I felt him slip from<br />

the shadows, the smoke coming<br />

down like a curtain across the latest<br />

act. The girl was gone; the police<br />

were coming; it was time for him to<br />

leave.<br />

Rubbing my eyes, blinking,<br />

disbelieving, I watched as The<br />

Silver-Tongued Devil ran. I went<br />

with him, alongside him, keeping<br />

pace. Our eyes locked, trust was<br />

established. The clouds soared, the<br />

rain danced, the sun was tentative,<br />

the horizon near.<br />

Ever since that day we’ve been<br />

brothers, the Silver-Tongued Devil<br />

and I, though some say we’re one<br />

and the same.<br />

***<br />

undergraduate poetry<br />

His arms wave aimlessly,<br />

Grasping the ideas.<br />

To those that can see<br />

They spark many fears.<br />

Grasping the ideas<br />

He thrusts them below.<br />

They spark many fears<br />

An unholy blow.<br />

He thrusts them below,<br />

Words echoed in the sky,<br />

An unholy blow.<br />

The End Is nigh!<br />

Marc Spencer<br />

<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />

World Gone Wrong<br />

Ben Hart


4. Hard Times<br />

Ihad spent many lonely, restless nights dreaming of<br />

how I was going to greet my family when I was<br />

released from prison. On the day, I settled for a<br />

rudimentary hug from my mother and sister, and a slap<br />

on the back from my old man. They hurried me out of<br />

the prison gates and bundled me into the car. My mum<br />

muttered something about a party and how the guests<br />

would already be arriving. I smiled, seconds and even<br />

minutes flashing past as a blur. My sister hugged me<br />

again and told me how much she’d missed me. I forced<br />

another smile. As we drew ever nearer to home the<br />

conversation became stilted: I had little to tell them and<br />

they had told me all in their letters. Slumping back in<br />

my seat, I stared out the window and watched the birds<br />

soar out majestically above the<br />

hills, searching for food, secure in<br />

their purpose.<br />

We pulled onto our driveway<br />

some thirty seconds later. The car<br />

door was flung open and I was<br />

coated in relatives. Some regulars,<br />

others long lost. They grabbed<br />

and prodded me, commented on<br />

my weight loss, my muscle gain, my aged features. It<br />

was as though I, their former golden boy, was a rough<br />

diamond they were determined to polish up until I<br />

regained my former glory. Tea was served soon after,<br />

brought out promptly on the hour. As the wine flowed<br />

more freely so did the chatter. I dipped in and out of the<br />

conversation, riding it like a wave, jumping off<br />

whenever things got too much for me.<br />

At around ten-thirty my mother decided I must be<br />

tired and ushered me up to bed. It had been made up<br />

specially – duvets and pillows both uniform blue.<br />

Thanking her, I cast aside my clothes and flopped down<br />

on the bed, shuffling uncomfortably as the mattress<br />

sunk down and threatened to engulf me. My mother<br />

collected up my clothes and placed them in the washing<br />

basket.<br />

‘Breakfast will be at seven,’ she whispered, bending<br />

down to kiss me on the forehead.<br />

I murmured my acknowledgement and did my best<br />

to sleep.<br />

It was a rough night. Free from the catcalls of my<br />

fellow cons and my cellmate’s snoring, I was left at the<br />

I spent the rest of the day<br />

being paraded around like a<br />

trophy. By the end I had just<br />

about perfected a false grin.<br />

6<br />

postgraduate fiction<br />

mercy of my own dreams. Time and time again they<br />

came and, try as I might, I was powerless to stop them.<br />

Snippets of conversations, half-formed figures,<br />

encounters long since forgotten. I saw my life before I<br />

was sent down, I saw prison, and I saw my future. None<br />

of it seemed all that different to me.<br />

The next morning I slouched downstairs dead on<br />

seven and was greeted by the glorious smell of wellgrilled<br />

bacon. After bidding good-morning to all, I<br />

pulled up a chair and sat down alongside my sister. She<br />

smiled sweetly and offered to do something about my<br />

hair. The bacon was placed in the centre of the table and<br />

we all made a grab for it, laying slices out on slabs of<br />

thickly buttered bread. The taste was unparalleled but<br />

caused me to feel oddly nauseous. My stomach<br />

churning, I left the table and<br />

charged upstairs to the bathroom<br />

to be sick.<br />

I spent the rest of the day being<br />

paraded around like a trophy. By<br />

the end of it I had just about<br />

perfected a false grin. After being<br />

marched around the shops and<br />

kitted out in the threads my<br />

mother and sister agreed that I ought to be wearing,<br />

and enduring a dinner of lamb and sweet potatoes, I<br />

finally managed to slip away. Breathing deeply and<br />

savouring every breath, I reached the edge of the street<br />

and surveyed my surroundings, marvelling at how little<br />

had changed in the three years I had been away. The<br />

same people still scuttled around in the same houses,<br />

doing the same things. I paused to admire the stars that<br />

winked out in the night sky, stately yet ominous, the real<br />

masters of the universe.<br />

I pushed open the door to the ‘Jolly Bargeman’ and<br />

stepped inside. The musty air hit me and I longed to<br />

wipe it from my face. Over in the far corner sat my old<br />

crew, drinking, smoking, playing cards, pretending not<br />

to gamble. They hollered me a greeting and I raised my<br />

hand in acknowledgement. The barman had already<br />

poured me a pint when I got there. Someone must have<br />

briefed him about my arrival. I paid for the drink,<br />

fumbling my coins slightly, and took a seat alongside my<br />

friends.<br />

‘Great to have you back!’ One of them yelled<br />

‘We’re up for a biggun tonight!’ yelled another.<br />

‘Pub crawl next week? It’s Johnny’s birthday!’<br />

<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />

World Gone Wrong<br />

Ben Hart


‘Gotta be done!’<br />

‘Got to!’<br />

‘Got to!’<br />

‘Got to!’<br />

I wanted to stand up and scream,<br />

tell them to shut up, to shove their<br />

stupid ideas and mind their own<br />

fucking business. Their voices were<br />

relentless, piercing, incessant. I<br />

leaned back in my seat and closed<br />

my eyes, dreaming that I was far<br />

away, in another land, another time.<br />

‘So,’ someone asked. ‘How does<br />

it feel to be free?’<br />

I opened my eyes and stared<br />

across the table, looking them all in<br />

the eyes individually. Finally I<br />

spoke.<br />

‘Go find me a man who knows.’<br />

***<br />

5. Good as I’ve Been to You<br />

Old Dougie was a local treasure.<br />

He spent his days returning<br />

stray shopping trolleys to their<br />

rightful owners. To him they were<br />

lost sheep that were pining for their<br />

flock. He received no monetary<br />

reward for his actions, or thanks,<br />

but it gave him a purpose, a reason<br />

to exist, something to occupy his<br />

time with as he approached his<br />

eightieth year on the planet.<br />

At night he’d huddle on a park<br />

bench, sleeping bolt upright, knees<br />

pulled up close under his chin, his<br />

face crouched down below a flatcap.<br />

If the weather was bitter then<br />

he’d pull up the collar of his grubby<br />

mac to muffle its advances. The<br />

bench he most often frequented was<br />

situated near the town’s Catholic<br />

Church, directly adjacent to its<br />

huge iron gates that rose up high<br />

into the sky. Above these gates,<br />

mounted on a concrete plinth, were<br />

three concrete angels playing<br />

trumpets.<br />

One night, as he was admiring<br />

the angel’s architecture, a downand-out<br />

took a seat alongside him<br />

and began to swig noisily from a<br />

bottle of cheap cider.<br />

‘Lo,’ said Dougie, regarding the<br />

man with interest.<br />

The man grunted nasally and<br />

held out the cider. ‘Want some?’<br />

Dougie shook his head. ‘Don’t<br />

touch the stuff.’<br />

The two men stared up at the<br />

angels, their ragged features bathed<br />

in ethereal streaks of moonlight.<br />

7<br />

postgraduate fiction<br />

‘How long you been out here<br />

for?’ asked the man.<br />

‘About two years. My son was<br />

manoeuvring to put me into a home.<br />

I ran.’<br />

The man turned towards<br />

Dougie, his mouth quivering and<br />

threatening to gape out from behind<br />

his greying beard.<br />

‘You’re out here on your own<br />

will?’<br />

Dougie nodded.<br />

There was a service in the<br />

church, always was on Thursday<br />

nights. As the clock struck eight,<br />

ringing out mightily through the<br />

caustic night air, people started to<br />

file out of the building: kids,<br />

parents, grandparents. They were<br />

laughing, joking, singing snatches<br />

of hymns. They passed Dougie and<br />

the old man by, barely affording<br />

them a glance.<br />

‘Do you think anyone hears the<br />

music that they play?’ asked Dougie,<br />

suddenly, gazing up at the angels<br />

that stood high above him with<br />

their trumpets clasped tight.<br />

‘Do you reckon anyone even<br />

tries?’<br />

<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />

World Gone Wrong<br />

Ben Hart


Parting Gift<br />

by Carolyn Skelton<br />

He opened the door to her, not<br />

even bothering to hide his<br />

irritation. Hadn’t he told her only<br />

last month that it was all over? All<br />

over before it had really started,<br />

she’d said, ripping her paper<br />

handkerchief into shreds. For days<br />

after he’d found tiny bits of mangled<br />

tissue paper behind the furniture in<br />

the living room. Like a paper trail<br />

from the heart which led nowhere.<br />

‘Ray! How’s things?’ she asked, a<br />

smile stretched taut across her face.<br />

She hitched her tote bag higher up<br />

on her shoulder. It was then he<br />

noticed the leather gloves. They<br />

looked incongruous with her light<br />

sweater and jeans. He ignored the<br />

thought that she might be covering<br />

up some sort of self-mutilation. In<br />

any case, it would be more like her<br />

to flaunt the results of a half-baked<br />

suicide attempt, knowing it would<br />

press all his guilt buttons.<br />

‘Hey, Carrie.’<br />

‘I was just passing and . . .’ she<br />

continued.<br />

‘I’m packing.’<br />

‘For Pakistan?’<br />

‘Uh-huh. I’ve loads to do. The<br />

flight leaves tonight.’<br />

‘I’m not stopping. Just wanted to<br />

give you this.’ She bent her head<br />

over her bag, auburn curls flashing<br />

in the sunlight. He remembered the<br />

softness of her hair as it brushed<br />

against his thighs, and shook his<br />

head to dislodge the memory. It<br />

wouldn’t do to get too sentimental.<br />

Not now.<br />

She pulled out a small gold box<br />

and handed it to him. ‘Don’t open it<br />

yet. Keep it for the twentieth.’<br />

‘I’m not sure . . .’<br />

‘See it as a parting gift. A way of<br />

saying “thanks”.’<br />

‘For what?’<br />

‘Helping me to realise that you<br />

and I would never have made it.’<br />

‘Oh.’ He felt deflated now. ‘Do<br />

you want to come in or something?’<br />

‘Another time maybe.’<br />

Pure Research<br />

8<br />

postgraduate fiction<br />

‘Perhaps. I’ll be away for a month<br />

at least.’<br />

‘Just promise me you’ll keep it for<br />

the twentieth. You might need it out<br />

there in all that heat.’<br />

Outside, ominous cobwebs of tree, branches waving at the window pane,<br />

A sea of freeze-dried paralyzed limbs inside.<br />

I hear words like dripping blood and a thunder in my right ear:<br />

Warm, delicate, sinewy, scaly, oozing with the viscosity of mud,<br />

Murderous, fleeting, shady.<br />

Here talks a scientist in the bud, blossoms of grey crystalline cells,<br />

Alongside chrysanthemum and blue bells.<br />

This Bourne building is a prison for my carcass, bound in flowers,<br />

a garrison for plaster and tape people, the waste bubbling up,<br />

when Enrique, with great haste, belches words<br />

about dominant negative mutants.<br />

Unfortunate, to be all crammed in this office, like ants:<br />

Robert is indifferent, honest;<br />

Claudia, with laser beams and paper moons, idly staring at the ceiling;<br />

Christine reaches with intensity, dedication, reaches for science’s secret;<br />

Prajwal perches on the sofa, stifling a yawn;<br />

Enrique, flamboyant and patronizing, throws jargon at people;<br />

And all the while I smile arrogantly at the trees outside.<br />

Paul, diligent, calm,<br />

argues his point with care,<br />

while Wang, vampire-like,<br />

stands in awe of his master.<br />

Virginia sits<br />

in front of them,<br />

indulgent<br />

and benign,<br />

betraying a sense of superiority.<br />

undergraduate poetry<br />

Michael, being English,<br />

fumbles with<br />

hands and floppy hair,<br />

while Laci,<br />

smiling like a Japanese fox,<br />

curls in his seat,<br />

ready to fire yet another question.<br />

Emanuele Libertini<br />

<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008


He looked down at the box in his hands as if he’d<br />

only just noticed it. ‘Sure. I’ll send you a postcard.’<br />

‘Great.’ She bent forward as if to give him a kiss and<br />

he instinctively moved his head away. Her lips landed<br />

on his ear and he pulled back. She turned away quickly<br />

and headed up the path, only pausing at the gate to take<br />

off her gloves and stuff them into her bag. He watched<br />

her go and felt nothing but relief.<br />

Several times that afternoon he was tempted to open<br />

the box. His thirty-eighth meant nothing to him:<br />

birthdays never had been celebrated much in his family.<br />

But he remembered that look on her face when he’d<br />

dodged her kiss. It had reminded him of his mother’s<br />

that time he’d told her he wanted to live with his father.<br />

All hurt and defiance. An expression designed to make<br />

you feel bad.<br />

In the end he just threw her present into the suitcase.<br />

He was running late as usual and he’d planned to do<br />

some duty free shopping before his flight. Of course the<br />

ubiquitous malt was out, but the research team always<br />

appreciated a tin of shortbread or a mouse mat of the<br />

Cuillins. Something they couldn’t get in Karachi.<br />

The airport was crowded with families. He’d<br />

forgotten it was spring half term. That was the thing<br />

about not having children: you had no idea of the school<br />

calendar and were always surprised when they suddenly<br />

appeared everywhere. The queues for Malaga and<br />

Tenerife snaked out across the concourse. He dodged<br />

the track-suited families with their bulging bags, smug<br />

in the knowledge that he was travelling light. His small<br />

suitcase on wheels jerked and whined behind him like a<br />

recalcitrant dog as he headed over to the Pakistani Air<br />

desk.<br />

‘Window or aisle?’ asked the check-in clerk, giving<br />

him one of her professional smiles.<br />

9<br />

postgraduate fiction<br />

‘Window.’ He wouldn’t see anything at night, but he<br />

hated being disturbed when others wanted to get out<br />

of their seats. He hoped the flight would be smooth –<br />

not like the last time when they’d run into turbulence<br />

somewhere over the Middle East.<br />

A couple of security guards, machine guns strapped<br />

to their chests, glanced at him. Travelling nowadays<br />

was like being in a war zone. Particularly when flying to<br />

what were now casually referred to as ‘volatile regions.’<br />

He picked up his passport and boarding card and<br />

headed towards departures. No doubt there would be<br />

the usual nonsense of queuing for ages only to<br />

eventually be manhandled by some bored guy with an<br />

electronic baton. Thank God he only made the trip once<br />

a year. He pitied those exhausted looking executives<br />

who seem to spend their lives shuttling from one time<br />

zone to another, permanently bloated from airline food<br />

and cheap whisky.<br />

‘Dr Noble?’<br />

He turned to see one of the security guards at his<br />

elbow.<br />

‘Yes?’<br />

‘Would you come this way, please.’<br />

‘Of course.’ Stay calm. Stay calm and polite. ‘Is there<br />

anything wrong?’<br />

‘Please just follow me.’<br />

He allowed himself to be steered into a small<br />

windowless room. A bench ran along one wall. In the<br />

middle was a table where his suitcase lay gaping open<br />

like a wound, its disembowelled contents spilling out.<br />

His breathing came faster. Something wasn’t quite<br />

right with this scenario. He was Raymond Noble PhD,<br />

heading off to work on the diseased phytoplankton in<br />

the Bay of Karachi. He was the Pakistani research<br />

station’s great white hope, bringing new observation<br />

techniques to the underfunded fisheries lab.<br />

‘What’s going on here? What are you doing<br />

with my case?’<br />

A pair of handcuffs slid around his wrists.<br />

The cold metal made him wince. His bowels<br />

slackened.<br />

It was then he saw it. The little gold box,<br />

slashed and broken. The red silk cravat<br />

poking out of the tissue paper like a malicious<br />

tongue. But beside that something far worse.<br />

The false bottom smashed and ripped to<br />

reveal a dark, oblong object wrapped in<br />

cellophane. Something which looked like an<br />

overlarge laboratory faecal specimen.<br />

Carrie’s parting gift.<br />

<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />

Parting Gift<br />

Carolyn Skelton


Hodge<br />

by Jo Hurst<br />

During the daylight hours I am<br />

a respectful returner. I don’t<br />

rampage as the menagerie up at<br />

Newstead Abbey do. I am quiet and<br />

creep around the rooms that I once<br />

had full run of.<br />

That we only appear at night is<br />

untrue. That we choose to appear<br />

more frequently after darkness,<br />

when we are alone, when our home<br />

returns to us, is more the truth;<br />

though coming back often fills me<br />

with melancholy.<br />

It saddens me to think that our<br />

house has become an institution.<br />

It used to live and breathe with<br />

us, around us, through us. Now it<br />

is a just a space, orchestrated to<br />

offer visitors authenticity of times<br />

passed.<br />

To this end, the interloping<br />

custodians have employed a cat;<br />

to maximise the potency of the<br />

recreation. To recreate me, no less.<br />

To meander and muse her way<br />

around the parlour furniture, while<br />

strangers exhume memories of and<br />

pontificate on, my Master and His<br />

world. My Master and His Work.<br />

That they have chosen a feminine<br />

feline confuses; though I feel it is<br />

because they believe everything they<br />

hear or read on us. Therefore let me<br />

put straight, any distortions<br />

immediately. When the Master,<br />

while I entwined myself around his<br />

leg, said to his very excellent friend,<br />

Boswell, those many years ago now,<br />

‘I have had better cats,’ you believed<br />

that he loved me less? That I wasn’t<br />

the favourite? That those who<br />

graced his presence be they male or<br />

female, before or after me were held<br />

in higher esteem?<br />

To those who say such things,<br />

utter such mutterings, I say this.<br />

Whose bronze statue adorns the<br />

entrance here? Who was there<br />

when the real writing was done?<br />

When history was made. Whose<br />

name do they remember now?<br />

Together, my Master and I made<br />

something out of not much indeed<br />

and there wasn’t a multitude of us<br />

like there was in France. There was<br />

just the Master and His quill, and I.<br />

Hearsay can become heresy if<br />

attention is not paid. So take heed.<br />

Take all that you hear or read with a<br />

pinch of salt and a dollop of vinegar,<br />

the way I used to take my fish down<br />

at the Wharf. Pay attention to the<br />

unreliability of scribes historical and<br />

‘He is a very fine cat,’ my<br />

Master said.<br />

And He was a very sensible<br />

Man.<br />

certain memorists with perforated<br />

remembrances.<br />

And as you weren’t there I shall<br />

repeat the actual words spoken of<br />

me.<br />

‘He is a very fine cat,’ my Master<br />

said.<br />

And He was a very sensible<br />

Man.<br />

As was Poet Stockdale who<br />

wrote on me in his Elegy on the<br />

Death of Dr Johnson’s Favourite<br />

Cat. So what further proof do you<br />

need of my beloved status?<br />

Of course two such intelligences<br />

living under the same thatch can<br />

often bait each other’s<br />

imperturbability. And that my<br />

Master some time later broke a little<br />

piece of my small beating leonine<br />

heart when I uncovered my entry in<br />

the Dictionary, I have put behind<br />

me. And I lay it bare, the exact<br />

words here for all to see, to show my<br />

10<br />

postgraduate fiction<br />

spirit has left all base worldly upsets<br />

in the physical sphere.<br />

‘A domestick animal that catches<br />

mice, commonly reckoned by<br />

naturalists the lowest order of the<br />

leonine species.’<br />

For I can assure you I was my<br />

Master’s cat and I did much more<br />

than catch mice.<br />

For our achievements were<br />

mountainous; that the strangers<br />

whom I see here and chose to like<br />

not, have made mere curiosities of<br />

us, goads me. They do disservice<br />

our memories. Though I am not<br />

allowed to voice my disapproval. I<br />

am reminded that my memory is<br />

short and in the days before we’d<br />

gone to the Gods, we welcomed<br />

waifs and strays, strangers all.<br />

And this is true enough.<br />

‘Hodge,’ He says, to remind,<br />

‘We kept our door ajar so that they<br />

could share tea and brandy with<br />

me and milk and oysters with you.<br />

So that they could find welcome at<br />

whatever hour.’<br />

I hadn’t forgotten. I am my<br />

Master’s cat. But a stranger once<br />

talked to is a stranger no more.<br />

What do I have in common with<br />

these people who haunt our home<br />

now? They are not the loose<br />

moggies and prostitutes, the<br />

vagabonds and wayward tabbies<br />

and ally cat beggars that frequented<br />

our home in those days, who were<br />

all welcome. Not just welcomed,<br />

needed. We did indeed keep our<br />

door ajar for the misfortunates,<br />

because we ourselves were<br />

misfortunates. They kept us sane<br />

and although we enjoyed the<br />

company of respected human and<br />

feline folk, the melancholia we<br />

shared, my Master and I, sat well<br />

with them.<br />

These unfortunates suffered too<br />

our illnesses, tics and complaints<br />

<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008


that visited upon us. For they like us<br />

were afflicted. We, like them, from<br />

base beginnings. And being from<br />

such base beginnings we were<br />

forever humbled, and knew what it<br />

was like to forgo experience and<br />

knowledge. To forgo such natural<br />

entitlements because we did not<br />

have the money to pay for such<br />

things. That my Master devoured<br />

books, borrowed before he could<br />

buy, was the measure of the Man’s<br />

Majesty. Myself, the same. I too was<br />

known for my intelligence and could<br />

discourse on topics of the day at my<br />

Club as my Master did at His;<br />

when the melancholia left us alone.<br />

Oh, history teacher, my history teacher<br />

His shirt, trousers and socks were beige,<br />

But he was not.<br />

He was a history teacher.<br />

A damn fine history teacher.<br />

The King of all Kings of historical matter.<br />

What he didn’t know about the Tolpuddle Martyrs or<br />

the French Revolution<br />

Could be written on the back<br />

Of his unstarched, dirty shirt collar<br />

Coloured walnut brown,<br />

The same as his squashy shoes and buckled belt.<br />

He arrived for class as unmade<br />

As the bed he’d got out of,<br />

His hair worn long and thin<br />

Greased stagnant as he breezed in.<br />

He had what all great teachers should have: Presence.<br />

And this Presence was Flagrant. Felt. Electric.<br />

So electric that if your elbow happened to overhang<br />

the aisle<br />

He bestrode like a colossus,<br />

You’d feel the wrath of his nylon trousers<br />

And be zapped into participation<br />

By the static he’d built up in them<br />

Through his continual pacing.<br />

He talked non-stop with nasal-voiced authority<br />

Constantly swirling round to engage everyone.<br />

His bodily fluids set free.<br />

Spittle cascading out of his mouth<br />

Like the spray off a water-logged dog drying off.<br />

But accompanying the spittle and the sweat<br />

For at times it did blanket and<br />

overwhelm us.<br />

The year the Master’s beloved<br />

died, lost to age and unclean living,<br />

in particular left us heavy of heart<br />

and alone to witness the unveil of<br />

His life’s work. At times the<br />

despondency was like a fog, so thick<br />

that one had to step on to the streets<br />

for air and vision; to seek life. I<br />

forever marvelled at what I saw.<br />

Though I had seen it a thousand<br />

times, I never grew tired of it. For to<br />

grow tired of London is to grow<br />

tired of life. And it kept us both from<br />

succumbing for eternity to our<br />

depressions.<br />

11<br />

postgraduate fiction<br />

My Master would go and see his<br />

eminent friends for solace and I<br />

would go to the Wharf and watch<br />

the nature unfold. Freed from the<br />

confines of a house dominated by<br />

sickness; we could contemplate,<br />

ruminate, think on the reception my<br />

Master was receiving and the praise<br />

I had heaped on me for my dutiful<br />

companionship. And when we<br />

returned from the streets and to the<br />

Square, the melancholia lifted, we<br />

would thank the good Lord that we<br />

had found contentment and<br />

consolation. My sensible Master<br />

and His Favourite and Fine Cat,<br />

Hodge.<br />

History poured out of his apertures.<br />

History, and nothing but.<br />

For those forty-five minutes, you were with him.<br />

Bearing banner on the battlefield at Hastings<br />

Holed up in the Tower,<br />

Exchanging notes through nooks.<br />

By his side with bayonet pointing east at Flanders.<br />

Marching on Washington,<br />

Arms and thoughts linked with belief<br />

In what should be.<br />

So what that he looked liked a bonfire Guy Fawkes<br />

And smelt like a spare room between guests?<br />

So what he bypassed the shower?<br />

He was a busy, learned man<br />

With things to teach and students to be taught.<br />

Washing was a luxury for other people.<br />

And thankful we were for this diligence.<br />

Thankful for those 45 minutes<br />

When we were made to feel like he felt about history.<br />

When we became a Roman centurion<br />

A scared stiff Tommy<br />

A White Russian for a day.<br />

Looking back, I wager there’s not one person<br />

From that classroom,<br />

Having lived half a life by now,<br />

Who wouldn’t give up their loofah and soap<br />

To feel that passionately about something.<br />

Not one.<br />

Jo Hurst<br />

<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />

Hodge<br />

Jo Hurst


Magilligan<br />

by Johanna Yacoub<br />

Employment<br />

Henri Magilligan, a short<br />

stocky man, seemed to stand<br />

at a lop-sided angle to his<br />

surroundings. One shoulder sat<br />

lower than the other. One leg was<br />

shorter than the other. His left arm<br />

hung farther down his body than his<br />

right arm. This right arm, visibly<br />

smaller, tucked itself into the<br />

waistband of voluminous but<br />

threadbare jodhpurs bunched up by<br />

frayed baling twine slotted through<br />

their waistband. He counteracted<br />

the discrepancy in his legs by<br />

keeping the longer of the two limbs<br />

slightly bent and positioned a foot’s<br />

length to the front. His head,<br />

topped by a burning bush of ginger<br />

hair, was graced with an off-centre<br />

crescent smile which wrapped itself<br />

around his face. He appeared to<br />

have all his teeth.<br />

It was six thirty in the morning.<br />

The grate had been cleaned and the<br />

fire made up, but not yet relit. The<br />

room was cold. A gunmetal sky<br />

threw its dark cloak over the<br />

chateau and the gusting wind<br />

clattered the shutters against the<br />

wall on either side of the long<br />

windows. Jeanne had lit the oil<br />

lamps. Generator fuel was in short<br />

supply and electricity was only<br />

switched on for visitors.<br />

André twisted an old regimental<br />

scarf into a makeshift turban to<br />

protect his sensitive skin from the<br />

ferocious draught howling along<br />

the corridor. He’d wound his body<br />

in a Berber camel hair burnoose, a<br />

souvenir of colonial life. Examining<br />

himself in the mirror, he recollected<br />

the day he’d met Alexia, the spirited<br />

cavalry charge and the mock<br />

capture of Abdel Kadir. ‘Poor Abdel<br />

Kadir,’ he thought. ‘Even you<br />

looked better than I do now. Who’d<br />

have thought I’d end up like the<br />

monster in Frankenstein.’ Then he<br />

wheeled himself unaided from the<br />

bedroom, allowing Alexia to return<br />

to her room and change. As she<br />

scuttled past Henri, she paused,<br />

gawped, looked with incredulity at<br />

Jeanne and fled.<br />

They’d had a difficult night.<br />

André had grown accustomed to<br />

the hospital beds and found the soft<br />

mattress unsettling. His wounds<br />

were tender and every accidental<br />

movement in the bed painful. He’d<br />

woken frequently, each time<br />

disturbing Alexia. The enormity of<br />

their problem had sunk into her<br />

head. She was ready to grab any<br />

straw within reach with both hands.<br />

‘The name Magilligan,’ began<br />

André in his quiet voice, ‘it’s not<br />

exactly French....? Are you...were<br />

you a member of the armed forces?’<br />

Henri wrinkled his face in<br />

concentration, glanced briefly at<br />

Jeanne, then replied,<br />

‘Do I look like a soldier? I’ve<br />

great skill with horses and I did<br />

offer myself but neither your lot nor<br />

my lot were interested. They’ve<br />

already got enough horse copers<br />

and no-one detected the fighting<br />

potential in me. So, the answer is<br />

no, I was not in the armed forces.’<br />

André hesitated, as if<br />

reconsidering his tactics. He started<br />

again.<br />

‘I’m trying to find out if you’re a<br />

deserter.’<br />

‘I was never in the army to run<br />

away, Sir.’<br />

‘Magilligan, if that is your name?’<br />

André, confused, stopped. He<br />

wasn’t sure what he was trying to<br />

ask this odd-looking little man. ‘It’s<br />

not a French name yet you speak<br />

12<br />

postgraduate fiction<br />

French like a Frenchman. What if<br />

you’re a spy?’<br />

He regretted the question as<br />

soon as he’d asked it. ‘He’ll think I’m<br />

paranoid,’ muttered André to<br />

himself, but Magilligan seemed<br />

unperturbed by the insinuation.<br />

‘My grandfather was the<br />

Magilligan. Irish, but I never knew<br />

him. Drank himself to death before<br />

I was born.’<br />

Magilligan looked at André and<br />

raised his bushy eyebrows as if to<br />

deny any involvement in the<br />

inebriated downfall of his forefather,<br />

then let them subside to their<br />

natural resting place above his vivid<br />

blue eyes. André threw a fleeting<br />

look of bewilderment at Jeanne,<br />

whose face remained expressionless.<br />

‘My grandfather and father<br />

worked with the racehorses at<br />

Chantilly. I can ride as well as<br />

anyone but the gaffers wouldn’t let<br />

me race, so I stayed a stable lad.<br />

Chantilly’s closed now, as you<br />

know. My mother, God rest her<br />

soul, had relatives near Chalons. I<br />

found farm work, Sir.’<br />

Remembering the main thrust of<br />

André’s investigation, he added as<br />

reassurance,<br />

‘Nobody would take me into the<br />

espionage. I stick too much to<br />

peoples’ memories.’<br />

‘Do you know this man well,<br />

Jeanne?’<br />

André manoeuvred the chair to<br />

face her. She nodded and was about<br />

to speak when André swung round<br />

again to Henri.<br />

‘I’m looking for a valet; a very<br />

personal valet. I need a man to help<br />

me with the basic functions of<br />

living.’<br />

André removed his hands from<br />

under the blanket and held them<br />

forward, as if for inspection. The<br />

fingers on his left hand were fused<br />

<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008


together though his thumb was free. He turned his gaze<br />

to Henri and asked,<br />

‘What in your previous experience qualifies you for<br />

this work?’<br />

André’s tone was sceptical. Jeanne closed her eyes in<br />

resignation. The net would have to be cast wider.<br />

Henri, however, replied with pride in his voice.<br />

‘I’ve soothed nervous foals and mares. I’ve gentled<br />

yearling colts to the bridle, without being bitten. You<br />

need a soft touch for that, and the ability to predict their<br />

next move. I’ve kept their rugs clean and saddles<br />

polished to perfection. What’s the difference between a<br />

harness and a pair of shoes?’<br />

André nodded and was about to answer, but Henri<br />

hadn’t finished his self-justification.<br />

‘I’ve laundered silks for Rothschild’s jockeys and<br />

ironed shirts for the trainers. The shaving might take a<br />

bit of practice but I’ve a steady hand and to be truthful,<br />

Sir, I don’t see much to shave.’<br />

Remnants of André’s beard straggled in isolated<br />

tufts around the areas of less burned skin. A few strokes<br />

of the razor would take it off in the blink of an eye. To<br />

overcome that uncomfortable truth, André focused his<br />

eyes on Henri’s right hand. It left the waistband in a<br />

flash, described a couple of circles in the air, waggled<br />

its fingers, then returned to its resting place once it had<br />

demonstrated its viability. No-one spoke.<br />

‘You see,’ said Henri interrupting the silence, ‘It’s<br />

much shorter than the other and<br />

bothers folk to look at it but I<br />

promise, it works as well as its<br />

partner. I’ve learned to drive a car,<br />

even had lessons in its machinery<br />

and I’m a good shot. I can reload a<br />

gun blindfolded. You want me to<br />

show you?<br />

‘Not at this precise moment,<br />

thank you.’<br />

André was at a loss. Henri was<br />

not what he’d had in mind for a<br />

manservant. He adopted a different<br />

approach.<br />

‘May I ask a personal question?’<br />

‘By all means, Sir. Ask whatever<br />

you want,’ replied Henri with an<br />

unconcerned shrug.<br />

‘Your, er, disability?’ André did<br />

not wish to be impolite or indelicate.<br />

‘Was it as a result of a riding<br />

accident?’<br />

Decadence in the Bathroom<br />

Porcelain-white tiles shine with gold,<br />

Soft candle flames bounce about the<br />

room,<br />

Unworldly.<br />

The drip-drop of water hits the floor,<br />

Bath overwhelmed, candles, dancing<br />

flames sent overboard,<br />

Waxy scent of vanilla is overcome by<br />

the stink of burning.<br />

And it started with such a tiny light,<br />

Dancing in the water,<br />

Playing with its reflection –<br />

A metamorphosis.<br />

Burning, out of control.<br />

13<br />

postgraduate fiction<br />

‘No, Sir. God sent me like this into the world. He<br />

wanted to keep me safe from harm.’<br />

‘I don’t quite follow?’<br />

Henri’s logic escaped André. Jeanne, who’d known<br />

Henri’s maternal family since childhood, wondered<br />

what was coming. She couldn’t follow his logic either.<br />

‘Well, Sir,’ Henri adjusted his stance as his shorter<br />

leg was getting tired. ‘I’ve prepared horses for the<br />

military. All the officers to begin with are like you used<br />

to be, and often end up like you are now; that’s if they’re<br />

there at all. My bodily misfortune has kept me out of the<br />

fighting. At the end of it I’ll be what I was at the<br />

beginning, not better, that’s for sure, but no worse.’<br />

André closed his eyes. It was too early in the morning<br />

for this. He needed breakfast to unravel Magilligan’s<br />

clarification of God’s benevolence. Turning to Jeanne,<br />

he asked,<br />

‘Are you sure this man is up to the job? He looks as<br />

if he slept in the stables last night.’<br />

Before Jeanne had a chance to answer, Henri butted<br />

in.<br />

‘Indeed I did, Sir. I wanted to be here nice and early<br />

after Jeanne sent word you’d need a groom.’<br />

‘I don’t need a groom,’ countered André in<br />

exasperation. ‘I need a gentleman’s servant.’<br />

‘That’s what I meant, Sir. Instead of brushing down<br />

the horses, I’ll be doing you. There’s no difference. I’ll<br />

be just as careful with you as I was with them.’<br />

undergraduate poetry<br />

The taste of blood is rich and metallic<br />

in the mouth,<br />

Delicious if cut with tequila and lime,<br />

The rouge invisible on ruby red lips.<br />

Now it rages all around,<br />

The golden porcelain charred.<br />

The heat burns,<br />

Those tiny candles<br />

Consumed -<br />

All to nothing.<br />

Now in the mirror the flame sees<br />

what it’s become,<br />

The mirror glows in recognition:<br />

A monster.<br />

Kerry Williams<br />

<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />

Magilligan<br />

Johanna Yacoub


André looked down at his hands,<br />

then at Jeanne and finally at Henri.<br />

‘I’ll give you a week’s trial. Jeanne,<br />

can you find him something more<br />

suitable to wear? Make him take a<br />

bath. Find somewhere for him to<br />

sleep and bring my breakfast. I’m<br />

starving. In fact, send Denise<br />

through right away with a pot of<br />

fresh strong coffee. I’ve had nothing<br />

but lukewarm dishwater for the last<br />

four months.’<br />

He wheeled the chair towards<br />

his room, then stopped and turned<br />

back,<br />

‘And for God’s sake, light the<br />

bloody fires. I’m freezing.’<br />

Jeanne tugged Henri’s sleeve and<br />

led him from the room. As<br />

Magilligan left, André noticed he<br />

was slightly hunched and the line of<br />

his spine skewed to one side. At that<br />

moment, Alexia entered. Henri<br />

stepped back politely to allow her to<br />

pass.<br />

‘Morning, Ma’am,’<br />

He greeted her cheerfully with<br />

his off-balance smile and a slight<br />

nod of his head.<br />

‘I’ll be back to bathe the master in<br />

a moment. He’ll be spanking clean<br />

by the time I’ve finished.’<br />

‘Come on Henri,’ muttered<br />

Jeanne. ‘I’ve got to make you<br />

presentable and set out a few rules<br />

of the house.’<br />

‘You do that, Miss Jeanne. I<br />

won’t mind a bit and if I get it<br />

wrong you can wallop me with that<br />

big stick you hide in the pantry.’<br />

Jeanne pursed her lips and<br />

propelled Henri down the corridor.<br />

Despite his misgivings, André<br />

began to laugh. Alexia looked at<br />

him, her eyes wide with<br />

astonishment and dismay.<br />

‘You haven’t taken him on, have<br />

you? You must be out of your mind.’<br />

‘It’s the gas, Alexia... just keep<br />

telling yourself... your husband was<br />

gassed.’<br />

‘May God help us,’ she moaned<br />

as she collapsed onto the sofa.<br />

‘Well,’ said André, ‘God’s<br />

certainly with Magilligan, so maybe<br />

he’ll adopt us too.’<br />

♣<br />

That other small room behind<br />

the library had become a<br />

building site. Old tarpaulins were<br />

spread over the floor to protect the<br />

parquet and a construction of<br />

planks on trestles provided a raised<br />

walkway round the walls, giving<br />

access to the higher reaches and<br />

ceiling. A wooden ladder leant<br />

against the doorframe, and an old<br />

tea chest with a chipped wood block<br />

over it doubled as a worktable.<br />

Spare brushes bristled from a jar of<br />

turpentine and smaller paint pots<br />

nestled against a large bucket of<br />

white emulsion. Magilligan stirred<br />

this with a broken broomstick,<br />

before pouring the paint into the<br />

smaller pots. They were easier to<br />

manage and, if he did drop a pot, it<br />

wasn’t a disaster. He used his longer<br />

left arm for the painting, although<br />

he was by nature right handed.<br />

Balancing on the trestles, he<br />

dipped the broad brush into the<br />

paint and began covering the walls<br />

of the small bedroom with smooth<br />

strokes of colour. He worked<br />

methodically, tipping into the<br />

cornice below the ceiling then<br />

sweeping down to the skirting<br />

board, which he’d completed the<br />

day before. Hopping on and off the<br />

trestles was tiring, but he was<br />

determined to do a neat job. At the<br />

end of each panel of paint, he<br />

feathered out the edges and<br />

scooped up any drips with the dry<br />

14<br />

postgraduate fiction<br />

brush he kept in his overall pocket<br />

for that sole purpose. Then he<br />

wiped over the gloss finish of the<br />

wood, cleaning off stray spatters as<br />

he progressed round the room.<br />

He’d get this second coat on in a<br />

couple of hours, but would leave it<br />

to dry overnight. Many decorators<br />

thought fingertip dry was sufficient<br />

and added the next layer as soon as<br />

possible but he, Magilligan, knew<br />

better. That kind of short cut<br />

produced a patchy result as the real<br />

density of cover only showed when<br />

it had “gone off”, as his father used<br />

to say. It could look perfect at first,<br />

but the flaws soon appeared once<br />

the thorough drying process was<br />

finished.<br />

By the next day, after he’d<br />

touched up those patches where the<br />

under-colour was “grinning”<br />

through, another of his father’s<br />

expressions, it would be ready for<br />

the final application. He’d need to<br />

gloss over the skirting boards once<br />

more, but then he’d be into the first<br />

proper bedroom he’d ever had in his<br />

twenty-eight years. It had a<br />

washbasin with a mirror over it, and<br />

a bathroom further down the hall<br />

was for his sole use.<br />

March wasn’t the best month for<br />

decorating as the cold damp<br />

weather made it hard to leave<br />

windows open, but he needed to<br />

sleep within earshot of André. The<br />

sooner he finished, the quicker he’d<br />

be able to do that. An alternative<br />

had been a bed in André’s room, a<br />

proposal which had not appealed to<br />

anyone, least of all Alexia. She knew<br />

her husband needed quiet privacy<br />

until he was well enough to return<br />

to a more normal life. Alexia liked to<br />

sit with André in the cosy library<br />

and then in his room until as late as<br />

possible before retiring to her own<br />

bedroom on the first floor. The<br />

<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />

Magilligan<br />

Johanna Yacoub


presence of an extra person would have made that<br />

awkward.<br />

She’d also listened carefully to the advice of André’s<br />

doctors. They were united in the opinion that he’d<br />

recover more quickly in a peaceful and familiar<br />

environment. For four years, he’d led an<br />

institutionalised existence. Solitude was the first real<br />

casualty of war and the hospital, Spartan in its facilities,<br />

thrust the distress of devastating wounds into his face<br />

everyday. After his injury, a high level of medication had<br />

been inescapable. Painkillers remained a necessity, but<br />

opiate sedatives had been reduced. These powerful<br />

drugs had eased his initial physical agony and pacified<br />

the beasts dancing in his mind. Now those<br />

psychological horrors, exacerbated by morphine’s<br />

withdrawal symptoms, slipped off their chemical<br />

shackles and began to torment him with renewed<br />

ferocity.<br />

Memories of the battlefield traumatised every<br />

unguarded moment. The screams of wounded and<br />

dying soldiers echoed in André’s head. Foul imaginary<br />

smells plagued his senses, rising even from the food<br />

placed before him, and his hands trembled in the<br />

remembered cacophony of shellfire. Phantasmagoria<br />

filled his room with ghostly faces. Spectres waved from<br />

dark corners and leapt screeching from the folds of<br />

curtains. Spurts of flame from the fire in the grate<br />

became flashes of hallucinatory shell burst, pressing him<br />

into his pillows in terror. His ears filled with the crump<br />

of artillery as wind blustered through the gables of the<br />

old house. Shutters rattled like machine-gun fire and the<br />

cry of an owl howled with the horrific agony of a<br />

dismembered man.<br />

André frequently woke drenched in perspiration, the<br />

nausea rising in his throat as he clutched his burnt face<br />

and groaned with the excruciating pain pulsing through<br />

his absent leg. Magilligan, who was sleeping in the<br />

corridor on a folding camp bed he’d found in the attic,<br />

calmed André as none other could. Squatting on a low<br />

stool by the bed, Magilligan talked to him of races and<br />

horses, of stallions and bloodlines, all spiced with<br />

anecdotes of owners and trainers. He talked and talked<br />

until the phantoms were vanquished by André’s sleep<br />

of utter exhaustion. ‘Even hellhounds get tired,’ said<br />

Magilligan to himself as he slipped noiselessly from the<br />

room until the next sortie of the banshees of battle.<br />

The attic was a wonderland to Magilligan. Three<br />

hundred years of one family’s discarded debris lay<br />

strewn under the beams of the great house. Despatched<br />

up there by Jeanne in his quest for furniture, he’d<br />

15<br />

postgraduate fiction<br />

unearthed a cornucopia of rubbish. Impervious to the<br />

startled scuttle of mice, or the rustle of nesting birds in<br />

the eaves, he’d patiently plodded through the spiders’<br />

webs and mounds of dusty droppings to disinter an old<br />

armchair whose stuffing bulged ominously through its<br />

faded upholstery. Later, he’d chanced upon a<br />

serviceable chest of drawers with no apparent trace of<br />

worm, a bed and a wardrobe. He’d had doubts about<br />

the wardrobe, having nothing to hang in it but,<br />

reckoning his fortunes were on an upward trajectory,<br />

decided notwithstanding to bring it down in<br />

anticipation of his future prosperity.<br />

Magilligan, of whom life had expected nothing, was<br />

determined to demonstrate his unacknowledged<br />

qualities. He’d already rigged up a makeshift bell system<br />

from his bedroom to André’s room. Cords, plaited out<br />

of farmyard hemp, were looped along the corridor<br />

through a series of old curtain rings he’d found in a<br />

dilapidated trunk. As he’d touched the silk velvet they’d<br />

once supported, it disintegrated in brittle shreds<br />

between his fingers but the rings were sound, if a trifle<br />

rusty. The bell, decorated with smiling cows’ faces<br />

painted on the white outer enamel and bordered by pink<br />

and lavender pansies, was a souvenir André’s father had<br />

brought back from Switzerland. After enthusiastic<br />

admiration, it had been swiftly banished to attic<br />

purgatory from whence it now re-emerged, resonant<br />

with newfound purpose. The arrangement was rough<br />

and ready, but in these hard times it was the best he’d<br />

been able to do. Above all, it was fit for the task.<br />

He laughed to himself as he slapped on the paint.<br />

‘Me, a gentleman’s gentleman; who’d have ever<br />

thought it?’ he repeated, pinching himself in his pride<br />

and good luck. Sad his parents hadn’t lived to see the<br />

day, he thought, and resolved never to permit their<br />

demons to flow down his throat.<br />

‘Not that I don’t mind a little tipple every now and<br />

then,’ he said, ‘but there’s a time and a place for<br />

everything.’<br />

He dabbed at a corner of the wall to ensure enough<br />

colour was forced into the crease and continued his<br />

monologue, ‘and the whisky bottle has no place on the<br />

breakfast table.’<br />

Another expedition to the attic had produced a pair<br />

of cotton curtains overlooked by the legions of moths<br />

who’d feasted royally on nearly every other fabric they<br />

could sink their insect teeth into. By chance, he fell<br />

upon a couple of threadbare rugs. Clouds of dust<br />

billowed out of them as he’d staggered sneezing into the<br />

<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />

Magilligan<br />

Johanna Yacoub


kitchen, his trophies held high above his head. Jeanne<br />

had screamed,<br />

‘Get those filthy things out of here... out.. out out,’<br />

and shooing him with the broom, had steered him into<br />

the laundry, where they were first bundled with enough<br />

naphthalene to eradicate the moth population of<br />

Champagne. The curtains had washed up quite nicely,<br />

he thought, and could be hung once the paint was dry.<br />

He’d had a problem with the rugs. Rolled up for years,<br />

they were cracked and encrusted with dirt. Magilligan<br />

rigged up a line between two crossbeams in the stables<br />

and, slinging the rugs over it, had gone daily to shake<br />

and beat the grime out of them.<br />

‘It’s not the dust and mildew,’ he’d complained to<br />

Jeanne, ‘They’ve been self-composting for years. There’s<br />

enough muck here to start a flower garden.’<br />

‘What are you going to do about the tears and holes,’<br />

she’d asked.<br />

‘Don’t worry.’ Magilligan wasn’t concerned about the<br />

occasional hole. ‘Isn’t there a saddler in Chalons? He’ll<br />

have strong thread and those big needles with eyes like<br />

snaffle rings. I’ve mended harness, so I can mend a rug.<br />

It won’t look great, but it’ll cover the floor. That’s all I<br />

need.’<br />

Magilligan was excited by the notion of his own<br />

room. He’d always shared with his brothers or with<br />

other lads. On his uncle’s farm in Chalons, a boarded-off<br />

corner of the barn above the horses had been considered<br />

more than adequate for him, although the family lived in<br />

comfort in a large house with spare rooms. Washing<br />

had been at the pump by the kitchen door and his few<br />

possessions were kept rolled in a canvas cloth.<br />

‘No, Magilligan,’ he said. ‘This is not a step<br />

backwards. Finally you’re on your way.’<br />

♣<br />

Charles saw the doors to his kitchen refuge close in<br />

his face. His father’s return to Chateau de<br />

Belsanges opened the house to a stream of visitors for<br />

the first time since the beginning of the war. A<br />

disorientated toddler clinging to Jeanne’s skirts was a<br />

distraction. Too busy to devote time to him as before,<br />

Jeanne now chased him back to his sisters, where he<br />

was equally unwelcome. Violette and Inez resented his<br />

intrusion into their private world of dolls, or jigsaw<br />

puzzles and skipping competitions. A governess taught<br />

them at home and the local priest supplemented<br />

Mademoiselle’s basics with extra mathematics and a<br />

smattering of Latin. There was even talk of sending<br />

16<br />

postgraduate fiction<br />

them to the village school once the war ended. They’d<br />

grown out of Charles. He was no longer the baby<br />

brother they wheeled around the garden in his pram, or<br />

dressed up in their clothes for fun, but an annoying little<br />

boy who broke their playthings and interrupted their<br />

secret games.<br />

His familiar world was crumbling before his puzzled<br />

eyes. Everyday he grew sulkier and more disconsolate.<br />

His tantrums increased in frequency and ferocity and,<br />

to the horror of his mother, he was once again wetting<br />

the bed. Since that first dreadful encounter with his<br />

father, he hadn’t dared approach him. Alexia had tried<br />

to overcome his aversion but her encouragement was<br />

insufficient to quell his irrational fear whenever he saw<br />

the wheelchair. A reassuring grip on his hand and<br />

coaxing words, or promises of special treats, met with<br />

the same spectacular failure as threats and the<br />

occasional sharp slap. He’d come close enough to see<br />

André’s face, then wrench away his hand and run to the<br />

safety of the nursery. Once inside and with the door<br />

banged shut behind him, he’d kick his sisters’ toys<br />

around in a rage he couldn’t explain whenever Jeanne<br />

asked gently why he was so upset.<br />

To his deepening distress, Charles saw the girls<br />

conquer their initial reserve and re-establish their loving<br />

relationship with their father, a relationship he’d never<br />

known. His singular position as the only male in the<br />

household had been usurped by this man who now<br />

occupied centre-stage in everyone’s attention. The<br />

arrival of a strange russet-haired person, who seemed to<br />

be everywhere at once, also relegated him to a lower<br />

position in the domestic hierarchy. Wherever he turned,<br />

he was excluded.<br />

Charles crept along the corridor behind the library.<br />

His father was resting after lunch and Alexia had left for<br />

an afternoon of local social calls. Although<br />

apprehensive, his curiosity egged him on and, lured by<br />

the smell of fresh paint, he tiptoed to Magilligan’s room.<br />

The door was open. Charles hesitated on the threshold<br />

and leaned forward to peek inside. He was afraid to go<br />

in. The room was empty. There was no sound of<br />

footsteps pacing up and down, or a body shifting in a<br />

chair, or snoring from the bed. He took a tentative step<br />

forward, flattening himself against the side of the door<br />

to be less visible. At the edge of the door, he stopped<br />

and quickly looked behind to see if anyone was hiding<br />

there. Charles often hid behind the door then jumped<br />

out with a loud ‘boo’ to frighten Violette or Inez. There<br />

was no one. In the silence of the corridor, an irresistible<br />

<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />

Magilligan<br />

Johanna Yacoub


force gathered behind him to propel his small form<br />

through the doorway and into the deserted room.<br />

A narrow table stood by the bed. Straining on<br />

tiptoes, he stared up at the wood-framed photograph of<br />

a man and woman surrounded by children. Rosary<br />

beads lay to the side of the photograph. A pair of round<br />

glasses in fine wire frames and a pencil sat neatly aligned<br />

by a small book. Charles wasn’t tall enough to climb up<br />

onto the high bedstead without a struggle. Clutching<br />

at the counterpane and the brass corner rail, he<br />

managed to drag himself up. His short legs thrashed<br />

the air until he was perched on the quilted counterpane.<br />

He scrutinized the room with the intense concentration<br />

of a child. Apart from the battered chair and the<br />

wardrobe, its furnishing was meagre and bore no<br />

resemblance to the family bedrooms on the first floor.<br />

‘Well, little man. What are you doing in here?’<br />

Charles had been so engrossed in his inspection, he<br />

hadn’t heard Magilligan’s uneven footsteps on the<br />

limestone flags of the hall. He recoiled in shock, leaped<br />

to the other side of the bed and tried to jump down.<br />

Instead, he caught his foot in the bedcover and crashed<br />

headlong to the floor with a thump. Abandoning his<br />

earlier attempt to escape, Charles sat on the carpet and<br />

screamed. He wasn’t hurt, only startled, but over the<br />

years he’d discovered the best way out of a difficult<br />

situation was to start crying. Everyone would fuss over<br />

him, try to silence him and his original misdemeanour<br />

would be quickly forgotten.<br />

Magilligan limped round to Charles and said, ‘Now,<br />

why don’t you get up from there? The floor’s cold.<br />

There’s nothing wrong with you. Come on up!’<br />

This was not the reaction Charles expected. Why<br />

didn’t Jeanne come rushing in to pacify him? Where was<br />

Denise, pleading for calm with soothing words? He<br />

clambered to his feet and stared at Magilligan, who<br />

stared back. Charles expected more consolation than<br />

this man was offering. He began to roar with<br />

frustration, his mouth open so wide, Magilligan could<br />

see his tonsils. Charles felt two hands around his waist<br />

as he was lifted back onto the bed and plonked down<br />

with his legs dangling over the side. The hands<br />

continued down his torso, felt his arms, prodded his<br />

legs, checked that all limbs moved in the normal way<br />

and then chucked him under the chin.<br />

‘There’s nothing broken, so there’s no need for this<br />

terrible din. You’ll waken the dead with it. Think of the<br />

17<br />

postgraduate fiction<br />

bodies climbing out of their graves and chasing you<br />

going whoooo...’<br />

Magilligan waved his arms around his head like a<br />

ghost. Charles swallowed, sucked up a monumental<br />

inhalation of air and gathered every muscle in his body<br />

to expel another explosion of sound. Magilligan burst<br />

out laughing and clapped his hands together to<br />

emphasise how funny he found Charles’s behaviour.<br />

The shriek died in the back of the boy’s throat with a<br />

huge hiccup.<br />

‘That’s better,’ said Magilligan. ‘Your father’s asleep.<br />

We don’t want to wake him do we?’<br />

Charles didn’t know whether he wanted to wake his<br />

father or not. He stared at Magilligan and sniffed<br />

loudly. Magilligan produced a handkerchief, pressed it<br />

to Charles’s nose and ordered, ‘Blow!’ Charles blew,<br />

sniffed again and wriggled on the bed. Confused, he<br />

stuck his thumb in his mouth and wondered what to do.<br />

‘Why don’t we take a little walk?’ asked Magilligan.<br />

‘It’s a fine day, too nice to be cooped up indoors. What<br />

do you think?’<br />

He stretched out his hand to the boy. Charles eyed it<br />

suspiciously.<br />

‘Come on,’ he continued. ‘Let’s get you down from<br />

there, into a warm coat and out. A big boy like you<br />

needs to be running about. Let’s be having you.’<br />

Before Charles could start another bout of crying, he<br />

felt himself being lifted from the bed, set down on the<br />

floor and his hand gripped firmly. Henri marched him<br />

back along the corridor, across the ground floor of the<br />

house to the garden door near the kitchen where his<br />

spare coat always hung. He lifted it from the hook and<br />

taking Charles’s arm, pushed it into the sleeve, pulled<br />

on the other sleeve and buttoned up the coat.<br />

‘Now, we’re protected against the elements,’ stated<br />

Magilligan, as he opened the door. ‘Out we go, into the<br />

world. We’ll have an adventure.’<br />

Jeanne, who’d heard the commotion, but had chosen<br />

not to intervene, sneaked a quick look from behind the<br />

kitchen door and watched man and boy tramp across<br />

the deserted wintry garden to the woods behind the<br />

chateau.<br />

‘Both of them lost children,’ she thought. ‘They<br />

might do each other good, and if not, they’ll serve each<br />

other right.’<br />

♣<br />

<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />

Magilligan<br />

Johanna Yacoub


Magilligan’s Gift<br />

At the time, I didn’t appreciate<br />

what Henri did for me. I’d<br />

never been into the woods, alone or<br />

otherwise. It was forbidden. Woods<br />

teemed with savage animals; lions,<br />

tigers, wolves, even bears, all of<br />

which ate little boys, or so I was<br />

told. The truth was less exciting.<br />

Little boys explore forests with<br />

their older brothers or with children<br />

from their neighbourhood. I didn’t<br />

have an older brother and the<br />

reserve my mother upheld towards<br />

local families reduced our everyday<br />

social life considerably. She couldn’t<br />

slip into those easy-going<br />

friendships young mothers take as a<br />

matter of course. Visits to other<br />

families with children of my age<br />

were by written invitation and<br />

involved my being dressed in my<br />

best clothes and warned to behave.<br />

The reciprocal invitations were even<br />

worse and inevitably ended with me<br />

and at least one other child in tears,<br />

my sisters furious, and my being<br />

banished to the nursery in disgrace.<br />

To be fair to Maman, a war of<br />

attrition was in its death throes a<br />

mere fifty miles from the gates. Halfcrazed<br />

deserters from both the<br />

French and the German armies<br />

were living rough in the dense<br />

forests of the Champagne, surviving<br />

by poaching, theft and scavenging.<br />

The greatest danger however, apart<br />

from wild boar which rarely<br />

attacked or the occasional rutting<br />

stag, was that Champagne is a<br />

region grounded on chalk. This soil<br />

composition imparts its unique<br />

“terroir” and produces the wines for<br />

which we are famous. It also creates<br />

a network of cool, natural caves in<br />

which our glorious nectar is<br />

matured. The drawback of this<br />

geological phenomenon is that, at<br />

certain places, the upper chalk<br />

strata, thin as a girl’s skin, is held<br />

together by the root systems of<br />

trees, the grace of God and not<br />

much else. Without warning, the<br />

land can collapse into vast sink holes<br />

or vanish down the secret tunnels<br />

carved out by subterranean<br />

watercourses. Disappearances were<br />

not unknown and on one occasion,<br />

after heavy rains, an abyss appeared<br />

in a local farmer’s yard, swallowing a<br />

plough and the unfortunate old<br />

horse hitched to it. I believe they<br />

recovered the plough but the horse<br />

was past redemption. Jeanne,<br />

nervous of the woods to begin with,<br />

was afraid to explore with me in<br />

case we stumbled into one of the<br />

smaller chasms, so my early days<br />

were restricted to the garden.<br />

As the trees grew in whispering<br />

immensity before my eyes, I began<br />

to lag back, sensing I was stepping<br />

into an unknown world.<br />

Magilligan’s hand held me tight and<br />

I’d no option but to accompany him,<br />

though he wasn’t dragging me. I<br />

could have started another tantrum,<br />

but by then I’d grasped he was<br />

immune to those, so it wasn’t worth<br />

the effort. And, deep inside my three<br />

and three-quarter-year-old heart, I<br />

wanted to explore with the<br />

desperation of the born adventurer.<br />

A high stone wall protected the<br />

garden, and separated it from the<br />

estate land. There was a gate, but<br />

Magilligan steered me towards a<br />

four-step stile built at the point<br />

where the forest straggled down in<br />

closest proximity to the boundary.<br />

When we reached it, he swung me<br />

into his arms and, despite his<br />

disability, trotted up the steps with<br />

the agility of a mountain goat. Then<br />

he rolled himself and me over the<br />

top and down the other side. My<br />

safe familiar world now lay behind<br />

those grey stones, and the man I’d<br />

spent the last two months avoiding<br />

18<br />

postgraduate fiction<br />

had hoisted me out of it like a sack<br />

of pilfered potatoes.<br />

I’m sure my father must have<br />

lifted me into his arms as a baby but<br />

I’ve lost any memory of it. Jeanne<br />

had long ago stopped doing so. I’d<br />

grown too heavy. Despite the<br />

strangeness of the experience, I<br />

wasn’t anxious. On the contrary, I<br />

felt comforted and secure, even<br />

when he set me back down on my<br />

own two feet. From my low vantage<br />

point, the turrets of the chateau<br />

were just visible above the wall but I<br />

didn’t succumb to a momentary<br />

urge to run home. I could already<br />

smell the musty, rotting odour of<br />

ancient forest freshened by the<br />

bright green aroma of sprouting<br />

grass in the surrounding fields. My<br />

nostrils twitched like a hamster’s as<br />

the herbal fragrance of ferns rose<br />

from the mulchy soil to beckon me<br />

into this woodland paradise. A<br />

wave of elation swept over me and,<br />

tearing my hand loose from<br />

Magilligan’s clasp, I dashed<br />

headlong up a moss-springy path<br />

into the shadowy dapple of the<br />

trees.<br />

‘Oy, you little ratbag... where do<br />

you think you’re going?’<br />

The voice followed me up the<br />

path but freedom was so<br />

exhilarating I didn’t want to stop. I<br />

felt one hand on my shoulder to<br />

slow me down as the other hand<br />

restrained me.<br />

‘Not so fast. I don’t want to lose<br />

you in the woods and we’ve all<br />

afternoon. Now let’s just go a bit<br />

slower.’<br />

I remember I turned and asked<br />

what I should call him.<br />

‘Henri,’ he said, as he took my<br />

hand and led me deeper into the<br />

coolness of the woods. Pigeons<br />

gurgled on hidden branches and the<br />

wind through the treetops rustled<br />

like taffeta dresses at a ball. A<br />

<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />

Magilligan<br />

Johanna Yacoub


clattering whirr of wings startled me and I grabbed<br />

Henri’s trouser leg in alarm. He laughed and, putting<br />

his hand to his lips in a shushing sign, pointed out the<br />

white scut of a deer as it leapt silently over tangled<br />

undergrowth at the side of the path.<br />

‘Henri,’ I asked. ‘Can we catch something?’<br />

‘I don’t think so,’ he laughed, ‘but we can fill our<br />

pockets with cones and acorns for the fire. And maybe<br />

we’ll find some pretty pebbles in the stream.’<br />

I’ve no idea how far we walked. It seemed miles, but<br />

I was young and this was my first expedition to the<br />

outside world. We followed the path and crossed the<br />

stream on the stepping stones. I was too scared to jump,<br />

so Henri piggy-backed me over, then found some stones<br />

with beautiful striations. I use them as paper-weights to<br />

this day. My pockets were full to bursting. I was<br />

staggering like an overloaded pack donkey in an oriental<br />

bazaar.<br />

‘I think you’ve about had it,’<br />

said Henri as he crouched down<br />

in front of me. Without hesitation,<br />

I climbed on his bent back,<br />

hugged my arms round his throat<br />

and let him carry me home.<br />

Whether it was exhaustion or his<br />

strange side-to-side roll, I fell<br />

asleep and didn’t wake until we<br />

were crunching up the gravel of<br />

the main drive to the chateau.<br />

There was a welcome party, or<br />

rather, an unwelcoming party, as<br />

my over-protective mother,<br />

Jeanne, Denise and other members of the house-staff<br />

were pacing the cobblestones of the courtyard. They<br />

were all frantic with worry.<br />

‘Where have you been?’ shouted Jeanne as Henri set<br />

me down.<br />

Before he could answer, I rushed to my mother to<br />

show her my stones and exclaimed, ‘Look what I’ve got.’<br />

In my hurry to extract the treasures from my pocket, I<br />

dropped one of the stones into a puddle. The water<br />

splashed against my mother’s leg, but in my eagerness,<br />

I didn’t notice.<br />

‘And I found pine cones and saw a deer.’<br />

I stopped babbling and looked at Maman’s face, as<br />

she wiped the splashes from her stockings. I shrank<br />

back, biting my lip. She was angry. Foraging in the<br />

forests with the likes of Henri was not her idea of<br />

suitable amusement for her only son. Her face became<br />

He laughed and, putting his<br />

hand to his lips in a<br />

shushing sign, pointed out<br />

the white scut of a deer as<br />

it leapt silently over tangled<br />

undergrowth at the side of<br />

the path.<br />

19<br />

postgraduate fiction<br />

cold as the stones I was offering her. She turned to<br />

Jeanne and said,<br />

‘Take the boy in. I wish to speak to Magilligan.’<br />

As Jeanne moved towards me, I shrank back to<br />

Henri, my spurned stones clutched to my chest as tears<br />

pricked the back of my eyes. It had been the most<br />

wonderful afternoon of my life. In my distress, I didn’t<br />

hear the squeak of wheels as the chair approached.<br />

‘Let me see them,’ said the voice. ‘Are they like the<br />

stones in my study? I found mine in the same stream.’<br />

Without thinking, I went to the chair and laid them<br />

in my father’s lap. His scarred hands picked them up<br />

and held them high against the light. Their metallic<br />

layers glistened like jewels in the late afternoon sun.<br />

‘They’re lovely,’ he said.<br />

I was still too shy to look him in the face but my<br />

horror of the wheelchair had been conquered. I was<br />

touching it.<br />

‘Jeanne,’ he asked, ‘didn’t you<br />

make an apple tart this afternoon?<br />

I think we’ll have some. Charles<br />

would love that, wouldn’t you?<br />

And I can show him my stones.’<br />

I looked at him and nodded.<br />

Close to, he wasn’t frightening,<br />

despite the patch over his lost left<br />

eye. The other eye, as blue as<br />

mine, regarded me with kindness.<br />

Magilligan grasped the<br />

wheelchair and propelled my<br />

father back into the house. I<br />

followed. My mother and the<br />

other women were left standing on the cobbles, and not<br />

quite sure what to do. Papa turned his head and yelled<br />

at my mother,<br />

‘Come on, Alexia... don’t you want cake? And bring<br />

the girls down. We’ll all have it together.’<br />

My mother jumped as if an electric current had been<br />

passed through her and hurried after us into the house.<br />

Henri positioned Papa in front of the fire in the library<br />

and tactfully withdrew, leaving us together. A rattle of<br />

footsteps and the chatter of high, girlish voices<br />

announced the arrival of my sisters.<br />

‘André,’ my mother began, ‘don’t you think it’s better<br />

for the children to take their cake in the nursery? They’ll<br />

only make a mess here and I don’t want them to get used<br />

to coming into these rooms. I’ll call Jeanne and...’<br />

‘No you won’t,’ interrupted my father. ‘This is their<br />

house until they grow up and marry someone who has<br />

a house for them to go to. One day it will all come to<br />

<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />

Magilligan<br />

Johanna Yacoub


Charles so the sooner my children<br />

get used to the rooms the better.<br />

Anyway, I want to show them my<br />

stones.’<br />

Maman became silent. Papa<br />

wheeled himself to his bureau, a<br />

great, roll-topped oak monstrosity<br />

with glass fronted bookshelves<br />

towering above it, and pulled open a<br />

drawer. I couldn’t contain my<br />

curiosity and followed him, all fear<br />

or revulsion I’d once felt for his<br />

disfigurement now forgotten in the<br />

joy of discovery. It was full of stones;<br />

geodes, fossils, rocks and splinters<br />

of quartz which flashed diamondbright<br />

in the flicker of the oil lamp. I<br />

gazed at this magic trove of geology<br />

and began to take them out one by<br />

one, passing them to my sisters once<br />

I’d pored over their every detail. I<br />

was too young to know what a fossil<br />

was. I hadn’t even started school,<br />

but their colours and textures<br />

fascinated me from the first time I<br />

saw them.<br />

There was a soft tap at the door.<br />

Magilligan entered with my father’s<br />

reading glasses and, before leaving,<br />

turned to my mother.<br />

‘Madame la Marquise,’ he began<br />

nervously. ‘If I had the boy out too<br />

long, I apologise. I won’t do it<br />

again.’<br />

Before my mother had a chance<br />

to respond, my father cut in with,<br />

‘Rubbish, Henri. You’ve nothing<br />

to apologise about. It’s what the boy<br />

needs, so you will do it again and<br />

20<br />

postgraduate fiction<br />

when I’m well enough, I’ll do it with<br />

you.’<br />

Magilligan was surprised and<br />

looked at my mother, who looked at<br />

the floor.<br />

‘Very well, Sir. Will that be all for<br />

the moment?’<br />

‘I’ll ring when I need you.’<br />

As he left, I observed my<br />

mother’s tense face and made a<br />

child’s vow always to look after<br />

Henri Magilligan. He had broken<br />

down the barrier between my father<br />

and myself. Papa was right on<br />

another issue. I’d spent too much<br />

time with women who spoiled and<br />

cosseted me. It was time to be a boy.<br />

Otherwise, I’d never be a man.<br />

<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />

Magilligan<br />

Johanna Yacoub


Canal<br />

by Kate Simants<br />

He wasn’t a stranger, of course.<br />

She’d seen him many times<br />

before, along that algae-lined<br />

stretch of the Great Western Canal,<br />

Tuesday afternoons and Thursday<br />

evenings, canoeing with the<br />

children. She looked forward to it,<br />

watching from her kitchen table,<br />

through the smudged windows,<br />

down to where they passed the end<br />

of her garden as it collapsed slowly,<br />

year by year, into the water.<br />

Pauly kept her glasses near her<br />

on the canoeing days. Often, the<br />

little plastic flotilla would appear<br />

and shoot off westwards before she<br />

had a chance to search through the<br />

faces in the dripping melee, and she<br />

would slowly shuffle down towards<br />

the canal, waiting for their return<br />

leg. With a wheelbarrow and a sheet<br />

of old fibreboard leaned up against<br />

it, the apple tree she had claimed<br />

from a dead neighbour’s garden<br />

twenty years ago was enough to<br />

hide behind. When she saw the<br />

ripples on the water get jumpier, she<br />

would peer around and check the<br />

familiar faces of the children. Then<br />

she would watch him. His muscular<br />

neck, his bright teeth. The children<br />

obeying, earnest and regimental, the<br />

shouted instructions that she could<br />

not hear.<br />

It had been years since Pauly had<br />

bothered with a hearing aid. As far<br />

back as her sixties she’d found the<br />

effort of straining was rarely<br />

worthwhile. It was easier, more<br />

dignified to stop trying, she found.<br />

So she receded into a quiet world<br />

where her other senses<br />

compensated, doing what they<br />

could to hear for her. With good<br />

eyesight and the use of her hands, it<br />

wasn’t necessary to be told that<br />

something was too hot to eat. If<br />

something was on fire, she would<br />

smell burning, or perish: the<br />

batteries for the alarm had long<br />

since been removed. If the doorbell<br />

rang, the dog would jump around.<br />

But visitors were rare – the closest<br />

neighbour was the Post Office on<br />

the edge of the village.<br />

Without her hearing she could<br />

read the general emotions of her<br />

grandchildren when they smashed<br />

into and around her home. What<br />

was detail? A sisterly feud, a ruined<br />

ice-cream, a scraped elbow – the<br />

tears would be the same, the<br />

comfort easy enough to dole out,<br />

and the drama resolved in roughly<br />

the same time. People weren’t so<br />

complicated as they imagined.<br />

Words were of little importance.<br />

Since sealing herself off aurally<br />

from the world, Pauly had learned<br />

to compartmentalise. An open beak<br />

signified a song, but probably one<br />

she had heard before. A relative<br />

with a hand on a hip, a sincere<br />

expression – these meant Pauly had<br />

done something wrong, something<br />

that concerned them, something<br />

dangerous. They’d want her to start<br />

or stop doing something, eat more,<br />

work less, stop smoking, move<br />

somewhere less isolated, ask for<br />

help with things. But why worry<br />

which? She too old to start<br />

appeasing them now.<br />

She had all she needed.<br />

Everything important was silent.<br />

Her books. The daffodils. The<br />

passing canoeists.<br />

One Thursday, Pauly missed the<br />

group’s westward journey. She<br />

waited behind the apple tree,<br />

cramped but concealed, hoping to<br />

catch them returning.<br />

The ripples came later than<br />

usual. She edged out, peering<br />

between branches. The teacher’s<br />

bow came into view first, paring<br />

21<br />

postgraduate fiction<br />

through the bubbly scum. But the<br />

peak of the slow, chunky boat was<br />

slightly raised, as if cantilevered<br />

above the water by a weight at the<br />

aft end. Maybe he was reclining; she<br />

had seen him do it, effortless,<br />

confident. Pauly held her breath.<br />

He slid past the branches and<br />

into her view. His black hair was<br />

slicked, clumps of it stuck to his<br />

face. His pale skin, even from yards<br />

away, appeared blotchy and<br />

translucent, its smooth surface<br />

puckered by a frown. He held the<br />

dripping oar across his legs with<br />

one hand, as if using it to balance.<br />

He held his other arm out behind<br />

him.<br />

He wouldn’t have seen Pauly if<br />

she hadn’t cried out.<br />

On the back of the craft, held in<br />

place at the feet by a rope, was a<br />

child. The pink t-shirt and shorts<br />

damply clinging to the limp body<br />

indicated to Pauly that the drowned<br />

infant was a girl. She was positioned<br />

face down, the teacher’s hand<br />

holding the little head against the<br />

fibreglass. Her fingers dragged in<br />

the canal, the water bunching in<br />

front of them, then splitting into a<br />

triangular wake behind. Pauly<br />

recognised a cheap, treasured<br />

charm bracelet on the girl’s left<br />

wrist.<br />

She covered her mouth, but the<br />

sound escaped. The teacher<br />

jumped, expertly dug the oar into<br />

the water, coming to an immediate<br />

halt. Pauly flattened herself against<br />

the tree, her aging hands pressed<br />

against her open jaw. She clenched<br />

her eyelids shut.<br />

She waited.<br />

*<br />

After their third cup of tea, the<br />

police left her in peace. It was<br />

<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008


touching of them to have brought along the interpreter<br />

– a Special Constable, no less – who, though not deaf,<br />

knew British Sign Language. The two detectives<br />

looked pleased with themselves for this show of<br />

consideration. But as the young woman flapped and<br />

gestured her way through the interview, her wide<br />

cheeks and chubby forearms reddening with exertion<br />

and embarrassment, it became obvious that it was<br />

useless. Pauly understood not a word.<br />

The younger of the detectives began to write<br />

questions out instead, in big half-witted capitals on<br />

Pauly’s best writing paper. She waved the sheets away<br />

and pointed sadly to her eyes, and<br />

shifted in her seat to cover the<br />

glasses-case with her hip, praying<br />

they wouldn’t notice.<br />

She could lip-read a little, but<br />

she already knew the purpose of<br />

their visit. She had seen the<br />

newspaper, even seen the police<br />

boat going up and down a few<br />

days after Emmy had drowned.<br />

Been drowned.<br />

She had nothing to tell them.<br />

She didn’t take their pen, she kept<br />

silent, shaking her head and<br />

shrugging in apology. Her blueish<br />

fingers touching her ears, her<br />

eyelids.<br />

- No.<br />

- Can’t hear a thing.<br />

- I’m blind, too.<br />

- I can’t read your questions.<br />

- I didn’t see anything.<br />

- I’m sorry.<br />

*<br />

Past the blackcurrants, where the lip of two-by-four<br />

marked the end of the lawn and the start of the<br />

water, Pauly untied her shoelaces. Squinting briefly<br />

about her, she lifted the hem of her polyester dress and<br />

drew her tights down, slowly, to halfway down her<br />

thighs. She crouched and rocked carefully backwards,<br />

and wriggled free, shedding them like snakeskin.<br />

Edging forward, she rested her feet on the water, barely<br />

touching, watching the meniscus lift around her tender,<br />

hardened soles.<br />

Opening her eyes, her irises still readjusting, she saw<br />

him on the south side of the water. He was motionless<br />

He paddled towards her,<br />

diagonally across the water,<br />

not taking his eyes from her<br />

face.<br />

With each plunge of the<br />

oar, another detail pulled<br />

into focus: the hair peeking<br />

over his t-shirt at his throat.<br />

The wedding band, lit by<br />

the low sun when he raised<br />

his right arm. The serene<br />

smile, pulled slightly to the<br />

left, the lips closed<br />

22<br />

postgraduate fiction<br />

in his canoe. Arms crossed. A perfect silhouette against<br />

the late autumn sunset.<br />

Pauly rose to her feet, disguising the struggle as best<br />

she could. She saw him raise his oar, and took a step<br />

back. She felt in her pocket for her secateurs.<br />

He paddled towards her, diagonally across the<br />

water, not taking his eyes from her face. She gripped the<br />

grass with her toes, and didn’t move. With each plunge<br />

of the oar, another detail pulled into focus: the hair<br />

peeking over his t-shirt at his throat. The wedding<br />

band, lit by the low sun when he raised his right arm.<br />

The serene smile, pulled slightly to the left, the lips<br />

closed.<br />

The coil of rope, stuck with<br />

thick black tape to the upper<br />

surface of the back of the scuffed<br />

vessel.<br />

He lay the oar across the boat,<br />

the fulcrum on his lap, and dipped<br />

the ends briefly port, then briefly<br />

starboard, until he came to a stop.<br />

He maybe ten feet from the<br />

battered planks that held Pauly’s<br />

garden in. Taking hold of the sides<br />

of the cavity he pushed himself up,<br />

shifted backwards, slipped into the<br />

water, and disappeared.<br />

Pauly gasped. She leaned<br />

forward, scanning the surface of<br />

the water for him, but could see<br />

nothing past the ellipses of orange<br />

light, reflected from the sky and<br />

fractured over hundreds of little<br />

swells in the surface of the water.<br />

He emerged, his chest and<br />

abdomen springing up from the<br />

riverbed, shooting upwards. He<br />

shook his hair. Lifting a palm, he<br />

gestured to her to join him.<br />

Pauly glanced at the empty canoe. It rocked<br />

rhythmically, the rope slipping slightly from side to side.<br />

The teacher waved his arms above his head for her<br />

attention, and made a beseeching face. He beckoned<br />

again. Pauly approached the water.<br />

Her knees cracked as she lowered herself into a<br />

crouch, then crack again as she stretched her bare legs<br />

in front of her. She was cold, but her skin felt loose on<br />

her bones. Her blood thudded in her temples.<br />

<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />

Canal<br />

Kate Simants


The teacher wrapped his fingers<br />

around her ankle. He pointed to his<br />

mouth, and spoke, mouthing the<br />

words carefully.<br />

- You know<br />

Pauly fixed his eyes with hers,<br />

seeing his lips at the periphery of her<br />

vision.<br />

- I do<br />

He began to pull. She kicked at<br />

his shoulder. He took her free foot,<br />

and with a firm tug brought her<br />

down, into the canal.<br />

The water parted and closed<br />

over Pauly’s head. His fingers<br />

pushed down on her crown, holding<br />

her hair. She felt something – a foot?<br />

a knee? press into the small of her<br />

back, and pin her against the side of<br />

the canal. Her white hair floated<br />

darkly around her. Her mouth,<br />

opening to scream, filled with<br />

water, tasting metallic, leafy. She<br />

felt the canal moving violently<br />

around her.<br />

She didn’t hesitate. Her fingers<br />

locked around the secateurs, she<br />

pushed the safety lock open with her<br />

thumb. The heavy blades sprang<br />

open. She thrust them upwards and<br />

outwards, her weak arms aided by<br />

weightlessness, until they met their<br />

target. The hand in her hair<br />

convulsed, released, then pounded<br />

at the side of her head. She<br />

squeezed the steel handles together<br />

into his ribs. It wasn’t easy, like<br />

cutting through a chicken’s wing: it<br />

took all of her strength to close the<br />

sharp edges together. The hard<br />

outer exterior of the bones<br />

splintered and crushed against the<br />

softer core. She felt a last crunch at<br />

the final effort. She withdrew, and<br />

thrust again, snipped, thrust,<br />

snipped. She opened her mouth<br />

again on reflex, her lungs frantic for<br />

air. She tasted blood as the water<br />

flooded in.<br />

He clutched her shoulder,<br />

forcing his weight down on her.<br />

They were both fully submerged,<br />

and twisting around to face him she<br />

saw his eyes open wide. She forced<br />

the thinner top blade into his left<br />

cheek and then upwards, the eye<br />

offering little resistance as the steel<br />

dug in. She tried to force the blades<br />

shut but the upper orbit was too<br />

thick to split. She twisted the<br />

secateurs in the hole. The hand on<br />

her shoulder slackened. She kicked<br />

to the surface, and filled the vacuum<br />

in her chest with air.<br />

*<br />

Turning the corner into the culde-sac,<br />

a shapeless, boredlooking<br />

woman of twenty struggles<br />

to disengage her seatbelt from the<br />

socket. She curses as a corner of her<br />

white tunic tears in the mechanism.<br />

Next to her is a man, the driver. The<br />

minibus is half-full of elderly women<br />

on their trip into town. The girl<br />

speaks in a broad West Country<br />

accent.<br />

‘Awful, ‘bout Pauline. Saw her at<br />

the funeral. Her littlest grandkid,<br />

that one was.’<br />

‘Ar,’ says the driver, nodding.<br />

‘Nothing to be done now<br />

though.’<br />

‘Nar.’<br />

The minibus pulls up outside<br />

Pauly’s bungalow. In her buttondown<br />

mackintosh and waterproof<br />

rain-hood, she waits calmly on her<br />

step, peering out into the drizzle.<br />

The girl gets out, opens an umbrella<br />

and hurries towards her. She shields<br />

Pauly from the rain, walks her back<br />

to the bus.<br />

‘Just going to the cemetery today,<br />

Pauline,’ the girl says, loudly.<br />

Pauly watches her own feet slap<br />

soundless against the glossy black<br />

23<br />

postgraduate fiction<br />

tarmac. The girl slides the side door<br />

of the van open.<br />

‘Only time to tend the roses. In<br />

and out. Alright?’<br />

Pauly doesn’t answer. Without<br />

acknowledging the others, she<br />

settles into her seat, facing forward.<br />

She rests her gardening bag on her<br />

lap, and folds her hands over it.<br />

Through the rough Hessian she<br />

feels the little plastic bottle of<br />

insecticide, the Brasso for the<br />

plaque, and the heavy, solid handles<br />

of the secateurs.<br />

<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />

Canal<br />

Kate Simants


Chicken Jack<br />

by Perry Bhandal<br />

Chicken Jack eased his<br />

Mercedes into the slow<br />

moving traffic, keeping an eye on<br />

the family estate in the rear view<br />

mirror that slipped in a couple of<br />

cars behind. He’d spotted the car<br />

even before the sergeant had<br />

mentioned it. Fuck did he think he<br />

was pointing out the obvious. Shit!<br />

The day he needed a fat fuck like<br />

that to point out when he was being<br />

watched, he may as well turn hisself<br />

over to the cops. Chicken Jack<br />

smiled at the thought of the number<br />

of people that would suddenly<br />

become very uncomfortable if he<br />

ever found religion and started<br />

walking the path of repentance and<br />

confession, and along with all the<br />

associated statement-making and<br />

paperwork that entailed. He<br />

imagined the great cloud of flatus<br />

that would accompany the<br />

collective bowel bowel-emptying<br />

across the country and up and down<br />

Europe. There was just one reason<br />

why the Chickster remained at the<br />

top of his game when many around<br />

him had fallen and been buried by<br />

the wayside, stripped away like the<br />

layers of a meteorite in perpetual<br />

fiery freefall, abraded away by<br />

laziness, stupidity and good oldfashioned<br />

greed.<br />

That reason was Insurance.<br />

Chicken Jack’s fondness for<br />

insurance was so great that had the<br />

brokers at Lloyds of London known<br />

of it, their trading floor would be<br />

awash with semen.<br />

It was a shame that it wasn’t that<br />

kind of insurance. He kind of would<br />

have liked to have seen that.<br />

The revelation had come to him<br />

when he was bent over, face down<br />

in a pillow and feeling his nine year<br />

old sphincter being stretched to<br />

tearing point by his sixteen stone<br />

social worker.<br />

Life up until that point had been<br />

fairly shitty to old Chicken<br />

Jack, then known as Pierre<br />

Lumbord. He’d grown up in the<br />

parts of Paris that most tourists<br />

didn’t see, t. Those that did<br />

normally didn’t come back to Paris,<br />

or France for that matter.<br />

Every city had a shitty part, just<br />

like every body had an asshole.<br />

Chicken loved making comparisons<br />

to the human body, especially cities.<br />

There was the face, good-looking,<br />

that everyone saw when they were<br />

being encouraged to come to their<br />

city and spend their cash. There was<br />

the pussy, the places you could go to<br />

get laid, there was the brain,<br />

government and business, there<br />

were the roads and railways, arteries<br />

and nerves, and there was the<br />

asshole. Sometimes there were was<br />

more than a single asshole, but<br />

Chicken’s metaphors didn’t stretch<br />

to explaining rare congenital<br />

disorders.<br />

Pierre Lumbord had been born<br />

and brought up in the north of<br />

Paris, right bang smack in the<br />

middle of the asshole. His mother<br />

Janine was young when she had him<br />

and was already an addict, pimped<br />

out by the local hoodlum, Franco<br />

who had shot his father dead as he<br />

handed over the contents of the<br />

grocery store’s till, simply because<br />

he didn’t like his face. Janine lived<br />

with a couple of the hoodlums’ other<br />

girls in a two bedroom apartment,<br />

sleeping in one bedroom and<br />

turning tricks for 50 euros a shot in<br />

the other. Pierre grew used to the<br />

rhythmic pumping in the room next<br />

door, comforted by it as luckier<br />

babies were by the rhythmic rocking<br />

of the their cots.<br />

24<br />

postgraduate fiction<br />

Even the occasional scream<br />

failed to disturb the toddler as he<br />

slept in his filthy cot. Sweaty and<br />

sticky fingers eased Pierre from his<br />

cot as each of the three took in turns<br />

to feed the little boy his badly mixed<br />

little bottle of milk formula, cooing<br />

to him as he gulped at the grimy<br />

rubber teat. Miraculously, Pierre<br />

Lumbord never became ill, was<br />

never sick, no matter how badly<br />

mixed his powdered milk was or<br />

infrequently he was fed. He never<br />

had any jabs or any checkups.<br />

He sometimes went days<br />

without being washed, yet no sore<br />

developed. He never cried and<br />

when he was picked up he would<br />

give a great toothless smile. Had<br />

Pierre become sick even once, he<br />

would have died; that much would<br />

have been obvious to any of the<br />

three women had anything been<br />

able to penetrate the drug and<br />

alcohol-induced fog that they<br />

roamed in. But he didn’t and his life<br />

went on; life as decay, a slow<br />

ruinous onslaught by ambient<br />

bacteria that was eating away at the<br />

flesh within those soiled walls, held<br />

at bay by briefly glimpsed moments<br />

of joy, a tinkle of laughter, a kiss, a<br />

hug, a giggle, each emanating from<br />

the tiny form of Pierre. Like a tiny<br />

wriggling maggot, little Pierre<br />

nibbled away at the sickness and<br />

decay that surrounded him, keeping<br />

the infected alive.<br />

Pierre took his first steps alone<br />

and tottered across sticky bedroom<br />

carpet and stood at the door of to<br />

watch the two shapes writhe and<br />

contort on the bed. When his<br />

mother finally saw him, her face wet<br />

with sweat and saliva, and her<br />

mouth open as wide it could go so<br />

as to accommodate the large pink<br />

prick, he smiled his toothless smile<br />

and held out his arms to her.<br />

<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008


Pierre giggled as his mother’s eyes widened in shock<br />

and she snatched her cupped hand away from the man’s<br />

balls and pushed with the other, his prick jumping free<br />

of her mouth and hanging heavily in mid air, a corpulent<br />

turgid horizontal exclamation, slick with her spit.<br />

He laughed and tried to run away from his mother’s<br />

outstretched arms as she lunged to pick him up. Now<br />

that he was on two legs, instead of four, he put the extra<br />

speed he had at his disposal to good use and tottered<br />

round the door frame as his mother sprawled at the<br />

empty space where he stood a moment ago. Pierre<br />

staggered along the hall towards the stairs, behind him<br />

he could hear a deep shouting. Pierre liked the sound<br />

of the words in the air and tried them out. ‘Fukin bich,<br />

fukin bich, fukin<br />

bich’, he repeated in<br />

his imp-like voice as<br />

he wobbled along<br />

the landing.<br />

Behind him he<br />

heard his mother<br />

scream his name.<br />

He doubled his<br />

efforts, swinging<br />

his arms. Whatever<br />

it was, he liked this<br />

game; he hoped<br />

there would be<br />

more now that he<br />

was on two legs.<br />

The deep words<br />

in the air changed.<br />

Pierre liked the<br />

sound of these too.<br />

The top step loomed and little Pierre chortling, ‘Blak<br />

Bich, Blak Bich’, stepped off the end and fell.<br />

Something clamped onto his ankle and he fell heavily<br />

against the wooden steps. For the first time in a long<br />

time Pierre started crying. His mother pulled him to her<br />

and held him, cooing and rocking, rubbing his side<br />

where he fell against the stairs.<br />

Slowly his crying subsided and all that was left was<br />

the occasional ‘Blak bich, blak bich’ as he fell asleep in<br />

her arms.<br />

What it was that had penetrated Janine’s stupor that<br />

afternoon she did not know. She did not have the<br />

mental tools with which to analyse and dissect the<br />

reasons why one minute she was so and the next minute<br />

she was different. She had no idea what it was that<br />

changed inside her and how it had been triggered, but<br />

25<br />

postgraduate fiction<br />

something that had been screaming silently inside her<br />

had suddenly found a voice, like a shipwrecked sailor<br />

marooned on a desert island, screaming at ships on the<br />

horizon, and suddenly being heard.<br />

Janine didn’t even notice the man leave, didn’t care<br />

that he had not paid. She picked herself up and<br />

collected the few possessions she had from her room.<br />

Keeping Pierre with her she went into the filthy toilet<br />

and lifted the lid of the cistern. She pulled at the thin<br />

string that was tied to the float and drew out a small<br />

black plastic bag. Pulling aside the waterproof zipper<br />

she checked the money was still there. She knew by<br />

taking it that she was signing her own death warrant.<br />

This was Franco’s stash, one of many, that he kept<br />

dotted around<br />

town. She only<br />

knew about this<br />

one, drawn to it<br />

after hearing<br />

unusual clinking<br />

and scrapings that<br />

were very unlike his<br />

normal noisy<br />

exertions whenever<br />

he availed himself<br />

of their bathroom.<br />

One thing about<br />

Franco, you always<br />

knew when he was<br />

taking a dump.<br />

When she was<br />

sure he had gone<br />

she had searched<br />

the toilet top to<br />

bottom, gagging at the thick stench in the air that<br />

filmed her nose and mouth and threatened to bring up<br />

her meagre breakfast. Swallowing down the thick<br />

phlegm that had built up in her throat, she finally found<br />

the waterproof bag stuffed full of euros. She replaced it<br />

as she found it. At that point she was had been too<br />

scared of what Franco would do to her to consider<br />

taking it. But not now.<br />

Janine left with Pierre, flagged a taxi to the train<br />

station. She picked a station at random, not daring to<br />

return to her hometown, as that would be the first place<br />

Franco would look for her.<br />

Franco returned later that afternoon. He found the<br />

open cistern and the missing money bag. Janine wished<br />

she could have warned the other two girls that had<br />

shared the flat with her, but she could not have risked it.<br />

<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />

Chicken Jack<br />

Perry Bhandal


She hoped that they would be<br />

spared the inevitable spasm of<br />

violence that would spout forth<br />

from Franco like the gushing of a<br />

freshly severed artery.<br />

For the next few years, life<br />

changed for Pierre Lumbord<br />

and his mother Janine. His name<br />

was Pierre Laforge and his mother<br />

was Jeanette Laforge. The town of<br />

Toulouse was large enough for two<br />

new arrivals to join it anonymously,<br />

but was still small enough to have<br />

the communities that made the<br />

difference between a building and a<br />

home. Keen to conserve as much of<br />

the money as possible but, equally<br />

careful to avoid the worst parts of<br />

town, Jeanette settled on a small<br />

community mostly populated with<br />

first generation Indians and<br />

Pakistanis. She liked the smells<br />

from the shops and the friendly<br />

people who greeted her in broken<br />

and funny accented French. That<br />

she was different from them was no<br />

problem. She was black, however<br />

her skin was light; unlike Pierre who<br />

had taken after his father, a deep<br />

dark brown. Jeanette settled in a<br />

small block of apartments, the<br />

tenants were all poor but proud and<br />

the place was scrupulously clean.<br />

Many of the tenants had small<br />

children too and soon Jeanette was<br />

able to go out to work, happy to<br />

leave her little Pierre with Manjit,<br />

her kindly next door neighbour.<br />

Pierre was a quiet withdrawn<br />

boy. Too quiet. Jeanette worried<br />

about him a lot. She had put him in<br />

a local nursery, however, after a few<br />

days it became clear that he wasn’t<br />

settling in and getting on with the<br />

other children. Then there was the<br />

incident with the two boys and a<br />

girl. Jeanette still refused to believe<br />

what he had supposedly done.<br />

Anyway she had had to take him out<br />

of the nursery and now Manjit<br />

looked after him during the day.<br />

School was a year off so she didn’t<br />

have to worry about it yet, but all the<br />

same it was going to be difficult to<br />

get him a place anywhere that was<br />

local. The fact that the little girl had<br />

still not returned to classes was still<br />

fresh in everybody’s mind and would<br />

continue to be until she was allowed<br />

to return. Jeanette had seen the<br />

child and had always thought her to<br />

be overly sensitive and there were a<br />

lot of people that saw it the same as<br />

her. She shuddered involuntarily<br />

and pushed the thoughts from her<br />

mind. She shouldn’t dwell on the<br />

negative; after all she had so much<br />

to be thankful for.<br />

Jeanette worked at a local<br />

Pakistani Cafe as a washer-upper in<br />

the kitchen, then as a waitress and<br />

as the years wore on and she became<br />

a trusted member of the family, the<br />

manageress.<br />

For a time life was good. It was<br />

hard work, but it was honest work,<br />

and she was amongst people that<br />

she cared about and that cared for<br />

her and her son.<br />

The Pakistani and Indian<br />

community thrived along with the<br />

Italians and native French, and<br />

much was made of the success of<br />

this town in France which, against<br />

the odds and Jean Marie Le Pen’s<br />

National Party’s exhortations, had<br />

‘integrated’. To the extent that the<br />

Prime Minister himself visited, to<br />

congratulate the town and their<br />

folk. Much was at stake in this<br />

community, for there were many<br />

detractors that sought to overthrow<br />

the convivial relations that they had<br />

enjoyed for many years. The<br />

incessant nibbling at the edges of<br />

their community by the Nationalists<br />

had threatened to overturn all their<br />

hard work. Ceaseless vigilance had<br />

26<br />

postgraduate fiction<br />

prevailed. The elder representatives<br />

of each community remained in<br />

continual dialogue. Their doors<br />

remained open to each other,<br />

regardless of the reckless and fickle<br />

deeds of the youngest amongst<br />

them. That way many an incident<br />

that could have been fanned quickly<br />

out of control by the racists<br />

withered and died, starved of the<br />

oxygen of hatred, as the community<br />

closed its ranks.<br />

The informal structure that had<br />

been employed to such success here<br />

had been written about much<br />

within the newspapers and been the<br />

subject of scholarly works also. The<br />

French government wanted to use<br />

it those for places where the melting<br />

pot had boiled over.<br />

In a country where the<br />

nationalistic opposition ran out of<br />

fingers when counting out<br />

illustrative examples of the great<br />

integration experiment gone wrong,<br />

this was the one the government<br />

needed to combat the growing<br />

feeling of resentment within their<br />

borders. Perhaps they would even<br />

be given an opportunity to look<br />

down on their brothers across the<br />

Channel, instead of wringing their<br />

hands and looking at their collective<br />

feet.<br />

The choice of the face of this<br />

community was so important that<br />

the Prime Minister’s aides were<br />

dispatched to find their poster boys<br />

and girls. Their search ended when<br />

they walked into the Pakistani<br />

restaurant and saw the light skinned<br />

negro manageress discussing the<br />

layout for a wedding party with the<br />

Pakistani owner, and the white<br />

head waiter. The little black boy<br />

playing with the small light-skinned<br />

Pakistani girl was enough to make<br />

the slim, conservatively-dressed civil<br />

servant shudder in anticipation.<br />

<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />

Chicken Jack<br />

Perry Bhandal


This was as close to an orgasm as she would get for a<br />

few years yet.<br />

The negotiations were short, the promise of the<br />

Premier’s visit and national television coverage for his<br />

restaurant more than made up for the inconvenience of<br />

having secret service men closing it down for the week<br />

prior to his arrival.<br />

On the big day everything went without a hitch.<br />

Jeanette was introduced to the dashing Prime Minister<br />

and his beautiful wife. Jeanette had expected her to be<br />

a stuck-up snob, especially if what she had seen of her<br />

on TV as anything to go by, but she was charming and<br />

certainly seemed to be taken by her little Pierre. Jeanette<br />

smiled at the woman, liking her despite herself and<br />

wondering what she would have made of her had she<br />

seen her son with his hands outstretched to her as she<br />

sucked off a fat man for 50 euros. Mentally she shook<br />

the image away. Damn, why was it that her mind<br />

insisted on reminding her of her past, and always with<br />

an image the depravity of which was directly<br />

proportional to the joy she felt at that point? ‘To keep<br />

you grounded, my dear, to ensure you appreciate what<br />

you have got’, the good fairy whispered in her ear,<br />

drowning out the voice of the bad one on the other,<br />

‘...because you’re a dirty whore...’<br />

They all sat at a large table filled with food as the<br />

newsmen and reporters quizzed the Premier and his<br />

guests. Once the newsmen had gone, Jeanette & Pierre<br />

Laforge had lunch with the Prime Minister of France.<br />

Across the country, a flickering TV faithfully<br />

reproduced the live images from the cameras in the<br />

restaurant on the retina of the man sitting at the bar.<br />

His eyes widened as he took in the coffee-coloured<br />

woman that stood next to the Prime Minister. Then he<br />

smiled, showing small yellow nicotine-stained teeth that<br />

looked like little daggers.<br />

Jeanette pulled the blanket over the sleeping form of<br />

her son. Both were exhausted after this very special day.<br />

Jeanette flopped into the armchair and closed her eyes.<br />

She looked back on the day’s events and couldn’t quite<br />

believe it. She opened her eyes and looked around the<br />

small threadbare apartment which she had shared with<br />

her son for the last three years: the dark green two seater<br />

sofa that she and Pierre and her enjoyed cuddling up on<br />

during the cold dark winter evenings to watch the small<br />

black and white television that had a remarkably clear<br />

picture; the little dining table set against the window<br />

that they sat at for meals and homework that looked out<br />

27<br />

over the communal courtyard that they sat at for meals<br />

and homework. She remembered the tutting, turbaned,<br />

bespectacled form of Khansa, Manjit’s husband, as he<br />

went about the apartment at Manjit’s insistence. He<br />

tapped and pulled, inspected and noted in his little blue<br />

notebook, as he stroked the triangular orange beard<br />

that give him a piratical appearance, albeit a very cuddly<br />

and kind one. For the next three weekends he left his<br />

turban at home, preferring instead a handkerchief over<br />

his topknot, as he went through the apartment fixing<br />

and mending. When she had tried to pay him he had<br />

raised his hands up in horror and refused any money.<br />

Jeanette told Ali, her Pakistani boss, and he smiled<br />

knowingly and provided her with the means of thanking<br />

them for their kindness.<br />

Jeanette threw a dinner party for Manjit Khansa and<br />

their children. It was a wonderful night filled with<br />

laughter. The children all decided they wanted to stay at<br />

Jeanette’s but there was no room, they all pointed to the<br />

bare floor but Jeanette would not have it, it was too<br />

hard. It was then that Khansa brought in the red,<br />

intricately flowered rug and lay it in the middle of the<br />

room. It had come all the way from India. She<br />

remembered the smell of it first as alien as the odours<br />

that had met her when she first arrived in this block.<br />

Alien no more, for these were the smells of home.<br />

Jeanette looked up at the clock that sat on top of the<br />

television. It was late and the restaurant would re-open<br />

tomorrow and she needed to be there early.<br />

With a deep sigh and to the sound of creaking joints<br />

she pushed herself off the armchair and went into the<br />

bathroom to wash her face and brush her teeth. She<br />

undergraduate poetry<br />

The Snail (after Matisse)<br />

postgraduate fiction<br />

Orange the frame,<br />

Sunset path glistening to the sea,<br />

Blue the sky the sun thrives on.<br />

Green the grass where the snail sits,<br />

Yellow the slimy trail.<br />

Pink the candyfloss beach<br />

With a rich blue sea and green seaweed.<br />

Black, when colour is seen no more<br />

And light has gone.<br />

Mark Woollard<br />

<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />

Chicken Jack<br />

Perry Bhandal


ditched her clothes in the laundry<br />

basket, wrapped the white<br />

towelling gown around her, tied the<br />

belt at the front and walked back<br />

into the living room, her nose<br />

wrinkling at the faint smell of<br />

something rotten.<br />

A hand clasped itself over her<br />

mouth, killing her scream.<br />

In the middle of the room, both<br />

hands held behind his back and<br />

with a big smile on his face stood<br />

Franco.<br />

‘Hello, Janine.’<br />

The scream died in her throat,<br />

the chemical-soaked rag clamped<br />

across absorbed it along with her<br />

consciousness.<br />

Janine came round with a jerk, her<br />

head snapping back involuntarily<br />

trying to put as much distance as<br />

possible from the unbearable<br />

ammonium smelling salts under her<br />

nose. That was all she was able to<br />

move though, the rest of her was<br />

bound to her armchair. She sucked<br />

in air through her nose, her mouth<br />

unavailable as she was gagged.<br />

Through blurry eyes she saw<br />

Franco put the smelling salts back<br />

in his pocket and settle back on the<br />

sofa opposite her. Beside him her<br />

little Pierre, also bound and gagged.<br />

Her heart twisted in her chest and<br />

for a moment she felt as if she was<br />

going to throw up. She fought the<br />

nausea down with the unbearable<br />

sadness that cracked her heart; she<br />

had failed him, her little baby. She<br />

looked into his little eyes, wide, like<br />

a rabbit’s, full of fear. A stream of<br />

tears fell from her face and even the<br />

gag was not enough to stifle a<br />

wretched moan of despair.<br />

A slight movement caught her<br />

eye and she saw that there was<br />

someone else in the room. Her eyes<br />

widened as she took him in.<br />

He was all wrong, he had all the<br />

things that made a man in the right<br />

places, but he looked wrong all the<br />

same, like a man with too many<br />

joints.<br />

The cut of his tailored black suit<br />

was expensive, his shoes were brand<br />

new and spit-polished shiny, his<br />

crisp white shirt, although buttoned<br />

up to the neck, still left enough of a<br />

gap for Janine’s hand, he was so<br />

skinny. He looked like a dead man<br />

dressed up for a wake, the pallor of<br />

his skin, the bloodless lips, the<br />

wasted frame. Only this one was<br />

walking, a walking cadaver. His<br />

receding hair was slicked back and<br />

she could make out pitted and<br />

scarred skin visible between the<br />

greasy strands. But it was his eyes<br />

that would have made her scream<br />

out loud had she not been gagged.<br />

The pupils were impossibly small,<br />

almost black dots against the<br />

bloodshot eyeball.<br />

Other objects resolved<br />

themselves around the room, a<br />

camera on a tripod and a large white<br />

light on a stand, like those found in<br />

television studios.<br />

On her dining table, the table<br />

that she shared with her little boy<br />

was an open case; there were things<br />

in the case, they were all shiny and<br />

sharp. Janine jerked her gaze at<br />

Franco and mumbled urgently<br />

behind her gag.<br />

Franco looked over to the other<br />

man. He considered for a moment<br />

and then nodded his head slightly as<br />

if giving permission.<br />

Franco got up and walked over<br />

to her. He bent down and<br />

whispered in her ear.<br />

‘You make a sound and that little<br />

nigger is dead, you unnerstan’ me?’<br />

Janine nodded quickly.<br />

Franco removed the gag. Behind<br />

him the man folded his stick-like<br />

arms and perched himself on the<br />

28<br />

postgraduate fiction<br />

edge of the table. His glittering eyes<br />

seemed to suck the light from the<br />

room.<br />

Janine coughed clearing her<br />

throat. When she spoke it was with<br />

a trembling high pitched voice.<br />

‘Franco, please don’t do this...’<br />

she pleaded. ‘Look, I’ll come back,<br />

I’ll start working again, make all the<br />

money back that I took from you.<br />

Please don’t hurt him...’. The words<br />

tumbled desperately from her<br />

mouth, dashing meaninglessly over<br />

Franco’s ears. Even as she spoke<br />

them, she knew it was of no use, but<br />

she continued nonetheless, hoping<br />

that perhaps that he heard<br />

something, that something would<br />

pierce, resonate, ring, and open a<br />

path in his mind, a future possibility<br />

that appealed to him and would<br />

make him see that there was a value<br />

to her life, something that he could<br />

exploit, make money with, that she<br />

had a future value greater than what<br />

he had in his pocket now, a simple<br />

financial comparison appealing to<br />

his greed that for her and her son<br />

meant the difference between life<br />

and death.<br />

‘I...I... still have most of the<br />

money left, it’s in the toilet behind<br />

the cistern, I used the same hiding<br />

place as you did, baby. Go-on, look,<br />

it’s there.’<br />

Franco just stood and looked at<br />

her, an almost pitiful look on his face<br />

and she begged.<br />

‘Please, baby, I’ll work hard,<br />

makes lots of money. I’ve kept in<br />

shape, I look good, please, if you<br />

hurt me, then you’ll make no money<br />

right, no-one wants damaged<br />

goods, right?’<br />

Franco smiled faintly at this.<br />

‘That’s what you’d think...,’he<br />

said more to himself than her.<br />

‘What, what...what are you<br />

talking about...?’ She entreated, her<br />

<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />

Chicken Jack<br />

Perry Bhandal


eyes flicking between the camera and the man sat on the<br />

edge of the table.<br />

‘I’m sorry, Janine, I’m just not on that whoring<br />

business anymore...I found something that pays a whole<br />

lot more.’<br />

Franco picked up the gag again and something in<br />

Janine realised she was going to die. All she could do<br />

now was to save her son.<br />

‘He’s yours, Franco’<br />

‘I know that,’ he replied as he moved to push it into<br />

her mouth<br />

‘No, no, I mean he’s yours.’<br />

Franco stopped, the gag held in mid air, his mouth<br />

slightly open. Then he smiled at her.<br />

‘You’re good, I’ll give you that, but then again you<br />

always were.’<br />

‘Look in his eyes and you’ll know, pl-,’ and he stuffed<br />

the gag back in.<br />

Franco turned to look behind at<br />

the man and then back to Janine.<br />

‘This is, Mr Rollins, you belong<br />

to him now....’<br />

Franco sat back on the sofa as Mr<br />

Rollins skipped lightly away from<br />

the edge of the table.<br />

Franco watched the man as he<br />

prepared to go about his work.<br />

There was once a part of him that<br />

would have just wanted to walk out<br />

of here, a part of him that jarred<br />

against what he was about to see,<br />

something deep within him that<br />

refused to be ignored. There was<br />

something very wrong with the man<br />

that bent and checked Janine’s pulse,<br />

opened her gown and checked her<br />

heartbeat. When he had entered into<br />

Franco’s life, perpetual night had<br />

entered with him.<br />

Rollins had wanted disposable<br />

people. He paid extremely well and<br />

Franco had been more than happy<br />

to oblige. He had known his own<br />

regulars to go too far on occasion<br />

and Franco had learnt what needed<br />

to be done to clear up after their<br />

excesses. Now, this man only<br />

wanted expendable, so it was just a<br />

case of making it the norm as<br />

Thirteen Ways of looking at Scissors:<br />

I'll run;<br />

I'll run all day if I want to.<br />

Are any of us truly harmless?<br />

You could put out someone's eyes<br />

with that.<br />

At the start of this lesson<br />

there were thirteen pairs;<br />

Now there are nine.<br />

No one goes home<br />

until they are all found.<br />

Small, they are a tool.<br />

Medium, they are ceremonial.<br />

Gigantic, they are a nightmare.<br />

The Scissors of Repetition<br />

wish the Frying Pan of Doom<br />

a good day.<br />

Standard utensil for emo kids;<br />

a spreading method of expression,<br />

or self-control.<br />

All that crisp, clean white paper<br />

makes them as hungry as you.<br />

29<br />

postgraduate fiction<br />

opposed to the exception. Franco knew many<br />

expendable people that no one would miss.<br />

However, this man’s appetite, and the appetites of<br />

the people he served, seemed without end, and the<br />

number and frequency of his requests increased to a<br />

point where even Franco was now hard pushed to<br />

satisfy.<br />

Franco was a bad man, he always had been. He had<br />

left the corpses of men in his wake as he steered a course<br />

towards the riches and power that all men of his kind<br />

sought. He had killed, methodically and with purpose<br />

as part of his business dealings, arbitrarily and<br />

whimsically when he just didn’t like the look of<br />

someone.<br />

But this man was different from any he had met. Not<br />

many men scared Franco, but this man did. His<br />

instincts had told him to keep his distance from this<br />

strange creature. Why, then, he asked himself, had he<br />

We have come<br />

to cut your Hammers<br />

and tear down<br />

your Wall.<br />

Yin and yang<br />

joined by a single bolt.<br />

Though they are twinned,<br />

they think they are one.<br />

Plant overnight.<br />

In the morning,<br />

harvest the cars.<br />

I used to like my fingers,<br />

but I need them no more.<br />

Destroyers of words.<br />

Printed words, beware.<br />

Use and discard.<br />

Not worth<br />

another thought.<br />

undergraduate poetry<br />

Jean-David Beyers<br />

<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />

Chicken Jack<br />

Perry Bhandal


asked him what he did with all the<br />

men, women, boys, girls and babies<br />

that he provided him with? He did<br />

not know. That part buried deep<br />

within him still regretted it. He had<br />

expected to be told to mind his own<br />

business, but instead he was handed<br />

a video tape. That night, so long<br />

ago now, he had sat in his living<br />

room and entered a world that he<br />

had only thought might exist, a<br />

world beyond his, beyond the<br />

handshakes, suitcases of money, and<br />

vans full of people driving off into<br />

the distance. Until now he had been<br />

separated from this world, cut off<br />

from it, earthbound, unwilling to<br />

step into the vessels that took the<br />

expendable across the blackness to<br />

their far-off destinations. By<br />

pressing ‘play’ on his video recorder,<br />

he had done just that, he had made<br />

the journey alongside them to their<br />

final destination.<br />

Shadows scurried here and there<br />

around him as he sat unable to tear<br />

his eyes away from the television as<br />

the images and colours changed,<br />

slowly the blacks and browns gave<br />

way to red and the screams gave<br />

way to small, wet, sodden sounds.<br />

Through cold, involuntary tears,<br />

and against a background of white<br />

noise and static that signaled the<br />

end of the tape, he entered a world<br />

which he would rather not have. In<br />

the carved up faces of the young and<br />

innocent Franco saw his own<br />

reflected; what he had initially<br />

reviled, he grew to like. Since then<br />

he had seen many first-hand, and a<br />

few times had even taken part. Over<br />

time he could no longer hear the<br />

small voice of protest.<br />

Franco looked down at the little<br />

boy sitting next to him. His face<br />

stained with tears, his terrified eyes<br />

locked on his mother’s, not knowing<br />

was happening to him, pulling<br />

helplessly against his bonds, not<br />

understanding the world that he<br />

was being introduced to. The little<br />

boy looked up at Franco, tears<br />

dripping freely from the corners of<br />

both eyes. Brown eyes. Beautiful<br />

eyes. His eyes.<br />

From far, far away, Franco<br />

thought he could hear a voice.<br />

A little voice.<br />

A protesting voice.<br />

Mr Rollins switched on the<br />

light, bathing Janine in harsh<br />

brightness, and then the video<br />

camera.<br />

Janine’s eyes tracked him as he<br />

put on a plastic tunic like the<br />

surgeons wore in hospital. Taking a<br />

syringe from the case, he<br />

approached Janine and injected her<br />

with a clear liquid in the arm. Janine<br />

felt the tension drain from her and<br />

her head loll forward as all her<br />

muscular control faded. The man<br />

took a roll of tape and secured her<br />

lolling head back against the sofa<br />

30<br />

postgraduate fiction<br />

headrest. Then ungagged her.<br />

Janine could not move a muscle but<br />

she could feel every touch.<br />

Franco marvelled at this the<br />

drug, Ketamine, that could do this.<br />

Rollins stood back and fished out an<br />

antique watch from his waistcoat<br />

pocket. It glinted in the harsh light<br />

as he stood there unblinking,<br />

counting seconds: tick, tock, tick,<br />

tock.<br />

Streets away, an old man tugged<br />

at his dog’s leash, pulling him away<br />

from the small dried turd that he<br />

was sniffing at. ‘C'mon, Pepe,<br />

c'mon.’ A flash caught his eye and he<br />

turned to look at a bright square of<br />

light in the middle of the apartment<br />

block in the distance. The old man<br />

lingered, wondering why on earth<br />

someone would want such a bright<br />

light. Then it flickered as if someone<br />

had passed in front of it and then<br />

was bright again. The old man<br />

shivered, despite the warmth, and<br />

hurried home, away from that light.<br />

Pierre watched the scary man<br />

pick a shiny thing from his case and<br />

walk to stand beside his mummy.<br />

He stooped slightly and brought<br />

the silver thing close to his mummy’s<br />

face. He could see the end was really<br />

sharp, he could see it was a knife.<br />

Mummy had told him not to play<br />

with knives because they were<br />

dangerous and he could cut himself<br />

with them and hurt himself.<br />

Pierre’s and Janine’s eyes locked<br />

for a moment and in them he saw<br />

the look of love, helpless,<br />

unconditional love, for the last time<br />

in his life.<br />

The man placed the edge of the<br />

knife against his mummy’s ear with<br />

the tenderness of a lover’s caress. He<br />

paused a moment, closing his eyes,<br />

<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />

Chicken Jack<br />

Perry Bhandal


and sighed as if in prayer, then he opened them and<br />

pushed and everything became red.<br />

Franco looked at the small child and the eyes that<br />

looked so familiar. The man in the gown had done his<br />

work, it was amazing how much blood the human body<br />

held, much of it had soaked into the armchair that the<br />

ruined body of Janine sat in, the rest had pooled on the<br />

floor and spread, like wings of blood.<br />

The air was thick with the smell of iron. Rollins<br />

looked to Franco and gestured to the little boy sitting<br />

beside him as if to say he was ready for his next subject.<br />

Franco looked from the man to Pierre and back to<br />

the man. The eyes in this little boy were identical to his<br />

own.<br />

Franco shook his head and got up.<br />

‘Finish up. We’re done here’<br />

‘The agreement was for two. A woman and child.’<br />

Mr Rollins said in a strained whisperous voice, as if the<br />

words struggled to make it past his throat.<br />

Franco turned to face him. He gave him his ‘don’t<br />

fuck with me stare’. Mr Rollins did not seem to notice.<br />

‘Promises have been made. People are expecting<br />

two,’ he continued.<br />

‘I’ll find another kid for you, not this one.’<br />

Rollins looked like he was going to argue for a<br />

moment, then the blank look returned.<br />

‘It took you long enough to find these. You perhaps<br />

no longer have access to the supply that I need’, he<br />

replied<br />

He stripped off the gown and the surgical gloves<br />

placed them in a small plastic bag.<br />

‘The way you’ve been going through them is that any<br />

fucking surprise?’ argued Franco<br />

Rollins toggled a switch on the video recorder and<br />

watched the screen for a few moments, nodding with<br />

satisfaction.<br />

‘Maybe it is time to move on.’<br />

Franco ignored him and turned to the little Pierre<br />

who still sat looking at the wrecked form of his mother.<br />

He turned his face to look at him and removed the gag.<br />

‘You’re mine now’ he said as he undid the bindings<br />

on his feet and arms. Behind Franco, Rollins<br />

approached silently and draped something thin and<br />

shiny over his head and then pulled. Pierre watched as<br />

the garrote slid into Francos’ throat with a gasp. Franco<br />

pushed back and they fell hard onto the floor, his weight<br />

winding Rollins. As they struggled amidst sounds of<br />

choking and spurts of Franco’s arterial blood, little<br />

Pierre reached up and opened the front door. He<br />

31<br />

postgraduate fiction<br />

turned to take one last look at his mother and then<br />

stepped into the hallway and closed the door behind<br />

him. Pierre looked across the hall to the door of the flat<br />

belonging to their neighbours Manjit and Khansa. His<br />

mother had always told him he should go to them if he<br />

ever go in trouble or needed help.<br />

Pierre waddled down the stairs, taking them one at<br />

a time. When he got to the bottom he heard a sound<br />

and looked up. At the top was Rollins leaning over and<br />

looking at him.<br />

Pierre ran as fast as his little legs would carry him,<br />

out of the block entrance around the corner and<br />

into the alleyway. He found a dark corner and sat down,<br />

pulling rubbish over him and making himself as small<br />

as possible. He waited.<br />

Pierre tried to calm his breathing. If he was quiet and<br />

did not move the scary man may not find him. He did<br />

not want the man to do to him what he did to his<br />

mother. He tried to remember his mother’s face, he<br />

could not. All he could see now was a red thing.<br />

The light from the streetlamps penetrated only a few<br />

feet before surrendering to the shadows. Into that,<br />

stepped Mr Rollins.<br />

He moved silently, scanning this way and that,<br />

looking for a him.<br />

‘Come out, Pierre,’ he whispered ‘Your mother is<br />

calling for you, boy.’<br />

Pierre sat still in the dark, his little breaths silent. He<br />

knew his mother was dead.<br />

Pierre could see the scary man now, he stood in the<br />

middle of the alleyway straight across from him, looking<br />

from one side to the other, slowly, over and over. At one<br />

point he stopped, looking directly at Pierre, his eyes<br />

glittering like a cat’s. Then he turned and walked away.<br />

Pierre did not want to move, he was too scared.<br />

Slowly his eyes began to droop and close. In his dreams<br />

ran from red things, red things with open arms that<br />

wanted to catch him.<br />

A little boy fell asleep.<br />

When the refuse collectors found him in the<br />

morning, it was not a little boy that awoke but a soul<br />

beyond repair. Pierre had been lost to the abyss. What<br />

remained was something else.<br />

The newspapers reported a brief story, of a woman<br />

attacked and killed in her home, survived by a child. The<br />

child was placed into the care of the state. The killer or<br />

killers remained at large.<br />

<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />

Chicken Jack<br />

Perry Bhandal


Pierre’s abuse began during his<br />

first week in the children’s<br />

home: sodomised, beaten, made to<br />

indulge in all manner of sex acts<br />

with men and other children. After a<br />

time it became a way of life.<br />

It was whilst being pounded<br />

from behind by his sixteen -stone<br />

carer that the revelation came to<br />

him. For four years he had endured<br />

the worst kind of abuse that could<br />

be imagined. He was alive because<br />

he did not complain. Others had<br />

and they had disappeared, never to<br />

be heard from again. He had<br />

become a vessel into which was<br />

dumped the sexual gratification of<br />

others. The ones that liked him<br />

called him Chicken Jack, a<br />

nickname acquired from a certain<br />

technique in which he had become<br />

proficient. He had been fucked<br />

every which way but loose. But he<br />

had not surrendered, he had<br />

watched and he had learnt, learnt<br />

how to avoid the beatings, how to<br />

please his masters, how to hide his<br />

true feelings and how to lie expertly.<br />

In that dark place he came to know<br />

the nature of men, their desires,<br />

their capacities, their weaknesses.<br />

The headmaster looked up as the<br />

fifteen-year-old boy placed the<br />

stills of the headmaster himself and<br />

the two boys he was sodomising on<br />

his desk. The boy pressed a button<br />

on a tape recorder and the wood<br />

panelled and richly furnished office<br />

filled with the sound of him<br />

grunting with out gravelly<br />

exclamations of love. A soundtrack<br />

to the images he held in his hands,<br />

occasionally punctuated by winces<br />

of pain from two children who<br />

otherwise remained silent<br />

throughout his exertions.<br />

His florid features looked like<br />

they were going to melt, the colour<br />

rose so quickly in them. The tips of<br />

his forefingers and thumbs were<br />

white with pressure as he held the<br />

photographs. The tape finished and<br />

the boy pressed the stop button<br />

with a click.<br />

Slowly the colour returned to his<br />

fingers as if draining from his face.<br />

He listened to the boy as he talked,<br />

as the boy told him what would be<br />

set in motion if anything happened<br />

to him. That unless he made a<br />

phone call to a very special number<br />

every day these pictures, the tape,<br />

and everything else would be<br />

Filth<br />

32<br />

postgraduate fiction<br />

released to the media and the police<br />

at the same time.<br />

The police did not worry the<br />

Headmaster, the media did.<br />

‘What do you want?’ he asked<br />

finally, when the boy had stopped<br />

talking.<br />

He expected a series of<br />

ultimatums centred around the<br />

halting of all abuse. He couldn’t<br />

have been more wrong. The boy<br />

wanted money. The abuse was not<br />

only to continue, but increase as<br />

Oh, ok. So that's how it works.<br />

I had no idea the world was this simple to figure out.<br />

I was overthinking things all along.<br />

I always thought the world was such a big, scary place to live in,<br />

with no place to hide.<br />

But no, once you figure it out, it's all so easy.”<br />

“See, I told you it would be.”<br />

From the front garden of my second home,<br />

I could see a spindly old woman stalking<br />

Down the road.<br />

She had her arms raised up above her head,<br />

And her fingers were hooked like claws.<br />

As she was passing,<br />

She suddenly turned towards me,<br />

Letting out a guttural noise.<br />

Her face was unclear,<br />

But despite that,<br />

The resulting wave of fear was like<br />

The closing of an iron maiden,<br />

Slamming into me<br />

And piercing my body bone-deep.<br />

And for a long time,<br />

I was unaware<br />

That none of it<br />

Had actually happened.<br />

undergraduate poetry<br />

Jean-David Beyers<br />

<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />

Chicken Jack<br />

Perry Bhandal


paying patrons were sought and<br />

acquired.<br />

For the next few years the abuse<br />

continued and expanded. The<br />

headmaster became rich, as did the<br />

boy now known as Chicken Jack.<br />

Chicken Jack grew to be ruthless<br />

and vicious in his dealings and<br />

his reputation for being the man<br />

that could get you anything became<br />

quickly established in the<br />

underworld. He moved to Eastern<br />

Europe, gravitating to the edges of<br />

the war in the Balkans where life<br />

was cheap. His black skin made him<br />

stand out, but his money made him<br />

invisible once more. He spread his<br />

net wide, tendrils that flickered and<br />

hovered around places where all<br />

that remained were war-torn<br />

buildings and abandoned children.<br />

These children, starved and<br />

forgotten, many mentally ill, were<br />

cared for, fattened and then shipped<br />

all over the world to satisfy the<br />

cravings of the insatiable.<br />

The demand for leftovers<br />

seemed to grow all the time<br />

and even Chicken Jack was finding<br />

it hard to fulfill it. More and more he<br />

was been forced to recategorise<br />

perfectly good chicken as leftovers.<br />

He was taking too many risks, but<br />

the money was too good to turn<br />

down.<br />

Anyway Chicken had his<br />

insurance. There were far too many<br />

people with a vested interest in<br />

keeping him free and in business. It<br />

would have been easy to get<br />

complacent but Chicken had seen<br />

too many men brought down by<br />

their own sense of invulnerability<br />

Chicken wasn’t going to repeat<br />

their mistakes. He was clever. He<br />

kept his material in both hard and<br />

electronic form. The hard was in a<br />

Swiss vault with explicit<br />

instructions for its distribution if he<br />

did not call in once a week. The<br />

electronic was encrypted and spread<br />

across various servers, each with a<br />

countdown that only he could reset<br />

weekly and, which if he missed,<br />

would automatically fire off packets<br />

to competing global news<br />

organizations and the world’s mafia,<br />

guaranteeing a rain of fire on all his<br />

associates, whether complicit in his<br />

demise or not.<br />

With the end of the Balkan War<br />

and his network firmly established,<br />

Chicken chose to base himself in a<br />

place where he could disappear<br />

amongst those that were similarly<br />

coloured. In Brixton, England.<br />

He continued to travel<br />

frequently. He liked to move<br />

around, to witness his operations<br />

working firsthand and look into the<br />

faces of those that maintained them<br />

for him. He had an eye for duplicity,<br />

he could smell it and doing the<br />

rounds kept any young Turks in<br />

check, making sure they got no<br />

ideas of their own. Every so often he<br />

would have to make an example of<br />

an upstart. Then, bathed in blood<br />

and gore, he would lavish riches<br />

upon others that remained loyal -<br />

the extremes of carrot and stick.<br />

Time moved on and Chicken’s<br />

riches grew. He began to feel an<br />

equilibrium, one occasionally<br />

punctuated by spasms of vicious<br />

violence, but an equilibrium<br />

nonetheless. He even considered<br />

the pursuit of more legitimate<br />

business ventures. But equilibrium<br />

rarely lasted for men like Chicken<br />

Jack.<br />

The beginning of the end, when<br />

it came, was ushered by the sound<br />

of knuckles tapping softly on glass.<br />

He was in his Mercedes one<br />

bright afternoon in a car park at<br />

33<br />

postgraduate fiction<br />

Heathrow Terminal 5. He’d just<br />

returned from Brazil: an anarchic<br />

country that would prove a major<br />

addition to his supply chain. He<br />

jumped at the tap on his driver’s side<br />

window. He could see a slight<br />

figure standing next to his car<br />

through the heavily tinted windows.<br />

Chicken checked the gun he kept in<br />

his lap between his legs and pressed<br />

the switch to lower the window.<br />

The figure bent down and Chicken<br />

found himself looking at the face of<br />

a man he thought had been lost to<br />

the past: Mr Rollins.<br />

Rollins joined Chicken in his car.<br />

He introduced himself and without<br />

ceremony proceeded to outline<br />

Chicken’s business activities over<br />

the last five years in worrying detail.<br />

He gave no indication that he<br />

recognized him.<br />

Rollins paused to let his words<br />

sink in and then went on to outline<br />

his requirements. Chicken’s mouth<br />

became drier and drier as the<br />

syrupy, hypnotic voice washed over<br />

him.<br />

‘Can you help us?’<br />

Rollins turned to look at<br />

Chicken: the same hair, the same<br />

eyes, everything the same. He tried<br />

to respond, but his words died in his<br />

throat. Instead he nodded like a<br />

school child.<br />

Rollins smiled, revealing small,<br />

uneven teeth.<br />

‘Good. We will be in touch.’ And<br />

with that he left. Chicken watched<br />

him walk across the car park and<br />

disappear. Only then did he notice<br />

the overpowering stench of rotting<br />

meat that filled his car. Chicken<br />

scrabbled frantically at the door<br />

release and fell vomiting on the<br />

tarmac.<br />

With the arrival of Rollins<br />

everything changed. His appetite<br />

was insatiable and he had seemingly<br />

<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />

Chicken Jack<br />

Perry Bhandal


limitless funds to finance them.<br />

Chicken had never been one to tie<br />

himself to one particular customer,<br />

but Rollins paid twice the market<br />

price for chicken. Problem was it all<br />

had to be leftovers.<br />

Chicken’s operations expanded<br />

quickly with Rollins’ arrival. He<br />

began to take greater risks. Time<br />

from grooming to delivery became<br />

shorter and shorter. Mistakes were<br />

made. Some of those picked up<br />

were not as expendable as first<br />

thought. Paying off the cops and the<br />

occasional politician had been part<br />

of the deal from the outset and they<br />

had come cheap, but they were<br />

taking more heat and buying them<br />

off was becoming more and more<br />

expensive. One sergeant in<br />

particular was beginning to turn<br />

down more and more requests.<br />

There was a momentum building<br />

here. Chicken could see that at<br />

some point in the future it would<br />

come apart. Shit, they couldn’t even<br />

keep him out of the courts. He had<br />

greased so many palms he shouldn’t<br />

even have come close to this. But he<br />

couldn’t stop. The thought of saying<br />

‘no’ to Rollins never entered his<br />

mind.<br />

A few months after their first<br />

meeting, Chicken had asked him<br />

what he did with the children and<br />

the young men and women that he<br />

sent him. He had expected to be<br />

told to mind his own fucking<br />

business, but Rollins merely smiled<br />

and offered to show him. That night<br />

he took him to an old warehouse<br />

and Chicken watched as Rollins<br />

methodically dismembered a young<br />

woman to the occasional sound of<br />

mewling and the faint whirring of a<br />

video recorder.<br />

When he finally stopped, he had<br />

turned to Chicken and asked him if<br />

he would be interested in seeing his<br />

video collection.<br />

34<br />

postgraduate fiction<br />

Chicken checked the rear view<br />

mirror. The station wagon was<br />

still there. The money sat in the<br />

boot of his car. The final batch of<br />

human cargo was due in the<br />

afternoon. One last deal and he was<br />

gone forever. It had been a hard<br />

choice for Chicken but he couldn’t<br />

bury the memories that had been<br />

jarred loose by that night in the<br />

warehouse. It wasn’t repentance or<br />

any such shit like that. It was<br />

survival instinct, pure and simple.<br />

Chicken felt himself being<br />

consumed, inside and out,<br />

dissolving as if soaked in a foul toxic<br />

brine, the diluted essence of Rollins<br />

slowly eating him away.<br />

His planning had been<br />

meticulous and quiet. He was sure<br />

Rollins suspected nothing. He had<br />

only one more stop; everything had<br />

been going like clockwork. Until<br />

this idiot started tailing him...<br />

<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />

Chicken Jack<br />

Perry Bhandal


Paradise, etc.<br />

by Ali Sheikholeslami<br />

‘…a nation of warriors and fanatics,<br />

marching forward in perfect unity, all<br />

thinking the same thoughts and shouting<br />

the same slogans, perpetually working,<br />

fighting, triumphing, persecuting - three<br />

hundred million people all with the same<br />

face.’<br />

1984 – George Orwell<br />

Summer 1984<br />

Volunteer Training Camp – Southwest Iran<br />

The khaki uniforms were not the coolest outfits for<br />

weather over 45 degrees in the Ahvaz region. The<br />

heated introductory talk had made the men sweat even<br />

more under the razor-sharp sunbeams. Their first day<br />

of training was taken up in getting acquainted with a<br />

new set of rough clothes and heavy equipment, learning<br />

what was where in the camp, listening to the PR clergy,<br />

and having two long meals. The second day was<br />

dedicated to basic military skills, marching, a shooting<br />

lesson with AK-47, and another talk expounding the<br />

advantages of martyrdom over dying in bed. The third<br />

day, on the other hand, was programmed for learning<br />

techniques in defusing land mines, including jumping<br />

on them in case of extreme emergency, when an<br />

offensive was on its way and there was no time to waste,<br />

which was normally the case.<br />

Morteza lived in the barracks for almost the whole<br />

of the war. He was one of the rare few who had<br />

survived the Khorramshahr siege, as he belonged to the<br />

same province and his local knowledge saved him. He<br />

then returned to the harbour city when it was freed<br />

several months later. He participated in most of the<br />

major assaults and always carried his RPG-7, a light<br />

missile-launcher that had earned him the reputation of<br />

a tank-hunter.<br />

Morteza got married a few years before the war<br />

alarms were first heard. His daughter was<br />

growing her first teeth when he was arrested as a<br />

revolutionary by the Shah’s secret police. They confined<br />

him to solitary for quite a while in Tehran’s special<br />

prison, caressed his bare body, including his bare balls,<br />

35<br />

postgraduate fiction<br />

with bare metal. After the Ayatollah’s victory in ‘79, he<br />

was freed and went back to Soosangerd, his home town<br />

by the Iraqi border.<br />

The family business had deteriorated as a result of<br />

the upheavals. His aluminium framing trade that was<br />

being managed by his younger brother didn’t even pay<br />

the monthly mortgage. People were too poor to build,<br />

and therefore had no need of new windows or doors.<br />

The real catastrophe came in the first month of the<br />

war. Morteza was trying to figure out what he could or<br />

should do with his workshop when he heard deafening<br />

explosions and roaring war planes nearby. A few<br />

minutes later, in utter amazement, he was taken to his<br />

one-time home, which now didn’t look like anything but<br />

rubble. The search led to nothing, except the finding of<br />

his wife’s corpse and his daughter’s scattered limbs.<br />

When the new forces arrived at the base, Morteza<br />

was waiting impatiently for the next attack. He<br />

didn’t want to accept his results during the last one: only<br />

4 tanks, not even close to his normal standards. He<br />

longed to make up for it. If he could destroy 10 this time,<br />

he’d feel relieved. But the trouble was it was an Iranian<br />

offensive and it all depended on the Iraqi intelligence.<br />

If they knew about it, they’d be prepared, with tanks in<br />

place, all ready for Morteza to shoot. If not, it’d be<br />

another disappointment for him.<br />

‘Oh, no! I don’t believe my half-blind eyes. Is that you,<br />

Morteza?’<br />

‘Habeeb!’ Morteza hugged the man in his forties,<br />

with a grey beard and hair, and astonishingly thick<br />

glasses.<br />

‘You still alive, brother? I can’t believe you’ve survived<br />

it all.’<br />

‘I did, with God’s help. They didn’t, though.’<br />

Morteza pointed to his nuts laughingly.<br />

‘Oh, brother. We all left something there. None came<br />

back whole. They made me quite good-looking,<br />

though. Look at my classy glasses.’ Habeeb made an<br />

actor’s gesture cheerfully. ‘Thank God you have your<br />

little princess; otherwise you’d have to live all your life<br />

with no children. They are truly the fruits of life, aren’t<br />

they? God bless your daughter.’<br />

Morteza took a lungful of air; exhaled, looked up to<br />

the sprinkled clouds on an azure background, rubbed<br />

his hands together forcefully and shook his head, ‘Not<br />

anymore. No princess; not even a queen.’<br />

<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008


The newcomers formed six<br />

groups of seventy-two. The<br />

plan was for them to attend the<br />

largest-scale offensive of the year on<br />

the southern front. The schedule<br />

was to start a few days after their<br />

arrival; they’d never announce when<br />

exactly till a short time before the<br />

actual operation. There was a fear<br />

there’d be a rat that the Iraqis could<br />

smell.<br />

Even the nights didn’t cool off<br />

much. You had to own a chafieh, a<br />

one by one metre checked cotton<br />

fabric, loose and ugly, but extremely<br />

useful to wipe off the sweat and<br />

send you to sleep. After the curfew,<br />

the guys normally kept on<br />

chattering, either at the foot of the<br />

man-made hills or inside the<br />

shelters. The flies and mosquitoes<br />

never lost their loyalty to the<br />

conversations. Although the juniors<br />

had their designated holes to live in,<br />

Morteza arranged accommodation<br />

for Habeeb in his own shelter.<br />

Habeeb was a box filled with stories<br />

of his eventful life, whose details<br />

were as hazy as his vision. When he<br />

talked about the prison days, he had<br />

a surreal calm, as if he was only<br />

talking about the daily chores of a<br />

happy housewife. He neither<br />

glorified the revolution, nor played<br />

it down. For him, the necessity of<br />

what had happened was a given, a<br />

simple matter of what was supposed<br />

to occur.<br />

Have you been in contact with<br />

any of the cell-mates?’<br />

Morteza asked.<br />

‘I must admit, I still see<br />

Ebraheem and spend quite some<br />

time with him. I can’t deny that he is<br />

my brother.’ Habeeb was in one of<br />

his funny moods. ‘But, apart from<br />

him, I’ve only seen Majeed twice,<br />

and still keep getting letters from<br />

Alvand.’<br />

‘Do you remember Hameed?’<br />

‘The football-fanatic?’ Habeeb<br />

asked, getting obviously interested.<br />

‘We lost him in Hoveyzeh,<br />

during a siege.’<br />

‘Good for him. I’m sure he’s set<br />

up his own football team with other<br />

martyrs.’ Habeeb nodded.<br />

‘Yeah.’<br />

Morteza was busy lovemaking<br />

the whole morning. He gave<br />

it a nice massage inside out; used<br />

the best lubricant he could find in<br />

his oil box, rubbed it all over, tried<br />

every angle. People, watching him<br />

so passionately cuddling his RPG,<br />

got a sense that the time was short.<br />

In the evening, the meal was quite<br />

substantial. A prolonged prayer<br />

session and then a cleric in uniform<br />

and turban declared the intentions<br />

of God for making nations fight<br />

wars because he loved to see how<br />

his believers were ready to sacrifice,<br />

to forget about themselves, to leave<br />

their dirty, earthly lives and turn to<br />

martyrs. Many were weeping,<br />

envying the fortunate ones that<br />

already inhabited the closeness-of-<br />

God.<br />

‘…Islam is in danger, more than<br />

ever before. Since the bloodthirsty<br />

vulture started his attack on our<br />

homeland; since the infidel started<br />

bombarding Islamic Iran four years<br />

ago, we’ve had a moral duty, a<br />

national and Islamic duty to defend<br />

our land and our religion, our<br />

dignity. Saddam is the Hitler of our<br />

times; he’s done things more horrific<br />

than America did in Vietnam. We’ve<br />

given blood for our Islamic<br />

revolution; we’ve been tortured by<br />

the Shah and his agents of horror.<br />

We are prepared to sacrifice again,<br />

to sacrifice ourselves, our families,<br />

and our blood. This is only a small<br />

token of what we can give for our<br />

36<br />

postgraduate fiction<br />

Islam and our Iran. Martyrdom<br />

runs in our veins...’<br />

The priest also gave a heartrending<br />

presentation of how being<br />

martyred on a mine would mean a<br />

shortcut to heaven. He described<br />

the naked angels that would come<br />

to the gates of paradise, exclusively<br />

to welcome the lads and change<br />

them out of their torn garments. He<br />

grinned while predicting the<br />

consecutive events and the different<br />

nature of the heavenly joys: that you<br />

can eat a fruit that tastes of every<br />

fruit all at once; that you can have a<br />

rock-hard erection for as long as you<br />

wish; that there are springs of milk,<br />

wine, honey, and a lot more. The<br />

volunteers were mobilised in the<br />

front, with hungry dicks and raging<br />

desires.<br />

The shameless rain didn’t really<br />

decrease the heat, but instead<br />

turned the thirsty soil to gluey mud.<br />

It couldn’t possibly stop those<br />

giving the commands; several<br />

regiments from different front bases<br />

had already kicked off. The artillery<br />

had been fed with ammunition<br />

during the past weeks and the air<br />

raids were perfectly planned. The<br />

minesweepers worked hard for<br />

nearly two weeks, clearing pathways<br />

through vast minefields for the<br />

troops to cross. The men were<br />

struggling, especially the ones who<br />

had suffered enormous physical<br />

pain in the prisons of the Shah, or<br />

the ones in higher age groups or of<br />

lower athletic prowess. Habeeb had<br />

it all double: both problems as well<br />

as higher spirits; he was limping<br />

with lumps of sludge stuck to his<br />

boots, nearly unable to see anything<br />

in that pitch dark; but, worst of all,<br />

he had to keep silent.<br />

‘God! Please invite me to your<br />

side. Please let me come to you.<br />

Please give me the opportunity to<br />

present my body, my soul, and my<br />

<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />

Paradise, etc.<br />

Ali Sheikholeslami


lood in your way. Let me not rot in this filthy world.’<br />

The guy, who had just finished his studies in Quantum<br />

Physics, kept repeating these lines in his head. He knew<br />

one way of convincing God was to stick to what you<br />

wanted him to give you, ask, and ask, and ask, and he’d<br />

answer. That was the promise, that if you took a single<br />

step along his path, he’d take ten towards you.<br />

Morteza remembered his childhood. When he was<br />

born, borders didn’t mean set in stone rules that couldn’t<br />

be changed. The people on both sides spoke to each<br />

other comfortably in Farsi and Arabic; they shared a<br />

similar way of life. The children of the villages had<br />

friends on the other side; there were lots of games to get<br />

involved in. The adults went on a pilgrimage to Karbala<br />

and Najaf whenever they wished; it was easier than<br />

travelling to Tehran to go to a good doctor. But now<br />

he had no vision but busting Iraqi tanks. Everything<br />

had changed since the first border disputes; the line<br />

between the two countries had changed status, its<br />

existence had become an inevitability.<br />

Get down, get down, everybody get down, now!’<br />

One of the four professional soldiers was running<br />

around, nearly shouting, trying to make the raw<br />

volunteers understand the gravity of the situation.<br />

The sky was illuminated. The troops were showered<br />

with bullets. The bright lines of red and yellow, like<br />

gold powder, were waving all over the place. Men were<br />

down; some already encircled by the naked angels, some<br />

still struggling with panic attacks. The invaluable 3-day<br />

training acted like a stimulus: a mix of rapid heartbeat,<br />

raised blood pressure and a bizarre feeling of having a<br />

baby kicking from inside. Half the people were crawling<br />

ahead, while the others decided to remain where they<br />

had fallen. They didn’t have any other choice; they were<br />

too wounded, or too dead to move.<br />

Why not?’<br />

‘Because we’ve already lost half of our boys. Because<br />

the next unit will be here in two hours. Because we’ve<br />

miscalculated the minefields in this region; there really<br />

isn’t a route. If we don’t retreat soon, there’ll be a<br />

massacre. Every other unit that arrives will be<br />

slaughtered in no time.’<br />

‘Just carry on.’<br />

The radio transmission from the operation<br />

headquarters demanded the advance continued. The<br />

field lieutenant was in charge of injecting more<br />

37<br />

postgraduate fiction<br />

adrenaline into the heads of the remaining volunteers:<br />

they needed the way; Islam was in danger of extinction.<br />

Adull sun was rising over the playground. Dried gut<br />

and prostate, odorous body contents, useless limbs<br />

and organs and metal rubbish lay silently entwined in<br />

the growing heat. A baby jackal was licking the blood<br />

off a shining RPG.<br />

<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />

Paradise, etc.<br />

Ali Sheikholeslami


Emotional Spaceman<br />

by William Leahy<br />

Iwas six when it happened. We<br />

were eating our Sunday meal in<br />

the living room when I noticed<br />

Jenny frothing at the beak. As I<br />

watched her she seemed to topple<br />

from her perch and land gently in<br />

the sand and droppings that<br />

covered the bottom of her cage. I<br />

stared at the vacated perch for a<br />

number of seconds, hoping that our<br />

budgie would suddenly flutter<br />

upwards and come to rest upon it<br />

once more, healthy and cracking her<br />

seed. She did not reappear however,<br />

and the noise she made as she struck<br />

the bottom of the cage had<br />

prompted my brother to look up<br />

also, and he squinted at the empty<br />

silent space. He stood up and<br />

walked over to the corner of the<br />

room where the cage hung on a<br />

large, red, metal stand, next to tall<br />

yellow pampas grass that shot from<br />

a massive chocolate brown vase. On<br />

his way, he passed a dark blue and<br />

tangerine lamp which stood on a<br />

teak-effect sideboard, and a tartan<br />

table which held a wooden bowl of<br />

plastic fruit and a miniature clay<br />

donkey that contained a cigarette<br />

lighter in its saddlebags. Reaching<br />

the cage, my brother peeked over its<br />

frosted glass side panels and<br />

stopped chewing.<br />

Dad, dad, he said quickly, his<br />

mouth half-full, there’s something<br />

coming out of Jenny’s beak. It’s all<br />

bubbly.<br />

Come and eat your dinner and<br />

leave the budgie alone, my mother<br />

said, swallowing some meatloaf. My<br />

father continued eating, chewing his<br />

food slowly.<br />

But Mum, there is. And she’s<br />

lying on the bottom of the cage and<br />

looks all funny. He was almost<br />

hopping with anxiety, and stood<br />

half-turned between cage and table.<br />

Colin! Come and eat your<br />

dinner. Right now! my mother<br />

demanded.<br />

But he’s right! I chipped in,<br />

pointing at the cage with my knife, I<br />

saw her drop off her perch. My<br />

mother was about to reply when my<br />

father stood up quickly, pushing his<br />

chair back over the carpet. He set<br />

down his knife and fork on the<br />

tablecloth, and I saw gravy and<br />

carrot mark its purple-flower<br />

pattern. My mother’s eyes followed<br />

his as he rose, looking worried. He<br />

did not look at her but moved<br />

around the table towards Colin,<br />

squeezing past my chair as he did<br />

so. My mother turned to follow him,<br />

and gave me an unhappy look as her<br />

eyes momentarily met mine.<br />

Just what we need on a Sunday<br />

afternoon, Freddy, she said,<br />

somewhat mysteriously.<br />

My mother and father had earlier<br />

carried the kitchen table into the<br />

living room as they did every<br />

Sunday afternoon, for us to have a<br />

posh-lunch. It was the only day of<br />

the week that we all squashed into<br />

the room in order to eat, and the<br />

only day also on which both the<br />

tablecloth and the gravy boat<br />

appeared. We would, no doubt,<br />

have used the good crockery and<br />

cutlery had we possessed any, but<br />

we made do with the everyday.<br />

Mother’s special Sunday trifle was<br />

intended to make up for that.<br />

Having the table in the middle of<br />

the room presented difficulties in<br />

terms of space, difficulties my father<br />

now encountered as he pushed past<br />

my mother’s chair. Lifting it slightly,<br />

he eased his way through and<br />

reached the corner where the<br />

birdcage hung. He shoved Colin<br />

away, towards the window. Colin<br />

38<br />

faculty fiction<br />

looked over to me suddenly, his eyes<br />

widening in his nervousness. I<br />

looked back at him and, without<br />

wanting to, giggled. As Dad looked<br />

into the cage, my mother absently<br />

lifted a piece of boiled potato<br />

toward her mouth, and a spot of<br />

gravy dripped unnoticed onto her<br />

turquoise trouser-suit.<br />

What is it, Frank? she said, the<br />

potato slipping between her teeth<br />

and into the pocket of her cheek.<br />

What is it? My brother and I both<br />

looked up at my father and then at<br />

my mother. Her empty hand shot<br />

up to her necklace, with which she<br />

began to fiddle. Frank, what is it?<br />

My father said nothing, but turned<br />

and moved back to the table with a<br />

look of determination.<br />

Dad, dad, my brother halfshouted,<br />

hopping with anxiety. My<br />

father reached over and grabbed the<br />

fork from beside his plate, and I<br />

could see his knuckles turn white as<br />

he gripped it tightly. He squeezed<br />

his way back again towards the<br />

cage. My mother stopped fiddling<br />

with her necklace and my brother<br />

stopped fidgeting. I swallowed a<br />

piece of carrot. A stream of sunlight<br />

was coming into the room and<br />

thousands of particles of dust were<br />

caught by the light. Outside there<br />

was silence, or so it seemed; no cars<br />

driving past, no dogs barking, no<br />

children shouting. My father<br />

opened the spring-door of the cage<br />

with his left hand, and raised the<br />

fork in his right. In a fifteen-second<br />

burst of energy, he finished Jenny<br />

off. He repeatedly skewered her<br />

through the throat and then, using<br />

the wooden perch as a lever, rubbed<br />

her off the fork when she became<br />

stuck. Finally, breathing heavily, he<br />

watched for any movement on the<br />

bottom of the cage. With his face<br />

returning to its normal shade of<br />

smoker’s yellow, he extracted the<br />

<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008


hand in which he held the fork, let the spring-door snap<br />

shut, turned and walked into the kitchen. Our three<br />

pairs of eyes remained on the swinging cage as we heard<br />

his footsteps on the kitchen floor and then the sound of<br />

running water. The tap was turned off and he returned<br />

to the living room. He sat down heavily and, after<br />

shaking excess water from his fork, picked up his knife<br />

and forced it through a lump of meatloaf. He pierced<br />

the severed piece with the fork, dipped it into the gravy<br />

that flooded his plate, and popped it into his mouth.<br />

Outside, a car drove by noisily, a dog barked and some<br />

children shouted. In the corner of the room Jenny’s cage<br />

continued to swing gently back and forth.<br />

Jenny’s death had been so sordid that her burial had<br />

to be grand. Colin and I demanded an appropriate<br />

ceremony, one that acknowledged the centrality of the<br />

budgie in our family life.<br />

We should bury her next to Granny, my brother<br />

suggested, and say some prayers. Colin and I were<br />

sitting on the roof of the communal garages, around the<br />

corner from our terraced maisonette, looking across a<br />

field that belonged to Farmer Dobbs. The field was<br />

part of a suburban farm and was used as a shortcut to<br />

the Dipton estate. The grass was high, and the path<br />

trodden by people walking between our estate and<br />

Dipton traversed the field from corner to corner.<br />

Maybe we should, what’s it called, er, create her,<br />

y’know, set her on fire. I said this with a blade of grass<br />

dangling from my mouth, swinging my feet over the<br />

garage rooftop. It was barely an hour since Jenny had<br />

met her end and we had been sent out to play by my<br />

mother so that she could wash the dishes in peace. After<br />

our pudding she had shooed us out while my father<br />

retired to the toilet.<br />

No, we don’t want to burn<br />

her, do we? That’s horrible. Colin<br />

looked across the field, the long<br />

grass swaying in a gentle summer<br />

breeze. And it would be all<br />

smelly.<br />

Anyway, I said, I suppose she<br />

wouldn’t catch fire. You can’t set<br />

fire to a bird, can you?<br />

I know, Fred, my brother said,<br />

we should give her to next door’s<br />

cat.<br />

You’re joking, I replied,<br />

turning and snatching the blade<br />

Weeping Woman (after Picasso)<br />

Eyes wide, white.<br />

Ready to rush.<br />

Green, not with envy,<br />

Yellow, not with light,<br />

But sorrow, fright,<br />

So sinister and sharp.<br />

39<br />

of grass from my mouth. Aren’t you? My brother<br />

considered. I noticed the soft, blond hairs on his thighs<br />

being blown by the breeze.<br />

No, Fred, really. It’s natural, isn’t it? You know, like<br />

birds eat worms, and cats eat birds, and dogs eat cats<br />

and so on.<br />

Dogs don’t eat cats, I said, replacing the blade of<br />

grass in my mouth. Do they?<br />

Well, they would if they could catch them, my<br />

brother said, raising his eyebrows. Colin was two years<br />

older than me, and I had to bow to his superior<br />

knowledge, his age guaranteeing his authority in all<br />

things. At school I often watched him with his<br />

classmates in the playground and wished that I could<br />

participate in their mature games. It was, I knew,<br />

forbidden territory, however. In the distance, coming<br />

from the Dipton estate, a figure climbed through the<br />

barbed-wire fence that enclosed the field, and began to<br />

walk in our direction. This figure kept to the path of<br />

trodden grass.<br />

I don’t want to give her to next door’s cat, I said<br />

sullenly. I can’t stand that bleeding thing, anyway. With<br />

this we were silent for a while, both of us chewing on<br />

grass-sap, the sun warm on my bare legs. My eyes were<br />

fixed on the young man crossing the field, and high<br />

behind him I saw an aeroplane crawling through the<br />

pale-blue sky. My brother and I continued to swing our<br />

legs over the rooftop edge, kicking the wall with the<br />

heels of our shoes. The figure grew larger as it<br />

approached.<br />

We could bury her at sea, I suppose, my brother said,<br />

like they do with pirates and sailors. As I turned to look<br />

at him his expression suggested the impossibility of this.<br />

If dad would drive us to the seaside, that is. We both<br />

knew that our father would not contemplate such a<br />

journey for our budgie, and the thought melted away as<br />

soon as it was spoken.<br />

undergraduate poetry<br />

faculty fiction<br />

What about Marley Wood? I<br />

wondered aloud. Dad might<br />

drive us there, because it isn’t that<br />

far. Colin lay down as I<br />

continued, flat on his back, his<br />

legs hanging over the garage<br />

edge. We could take her there<br />

and bury her. We could take her<br />

right into the wood and dig a<br />

hole and put her in and make a<br />

little cross with her name on it<br />

and stick it in the ground. Like a<br />

real grave. As I spoke I became<br />

Maria Ridley<br />

<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />

Emotional Spaceman<br />

William Leahy


excited at this realistic possibility.<br />

My brother gave me no response,<br />

but I could see that he was taken<br />

with the idea.<br />

And we can say a few prayers, I<br />

said, trailing off, looking at the<br />

swaying grass. The young man had<br />

almost reached our side of the field<br />

by now, and as I watched him he<br />

passed underneath us. He gave me<br />

the briefest of glances as he walked<br />

past, puffing on a cigarette and<br />

stumbling slightly. His shoulderlength<br />

hair was greasy and his face<br />

a deep red. He bent and climbed<br />

through the barbed-wire fence,<br />

almost falling as he did so. He<br />

disappeared around the side of the<br />

garage block. I looked back out<br />

across the field, still swinging my<br />

feet and searched for the aeroplane<br />

on the horizon. It too had<br />

disappeared. My brother levered<br />

himself up, took the blade of grass<br />

from his mouth and tossed it into<br />

the field. He stood up.<br />

Come on Freddy, he said as he<br />

rose, let’s go and ask mum. Let’s see<br />

if she’ll ask dad to drive us. I tossed<br />

my blade of grass down and stood.<br />

Yeah, alright, I said, come on<br />

then. We turned and climbed down<br />

from the garage roof, hanging with<br />

our arms stretched and our backs to<br />

the field and then letting ourselves<br />

drop. After landing we wiped our<br />

hands on our shorts and headed for<br />

the barbed-wire fence.<br />

I wonder if Jenny’s still in the<br />

cage? Colin asked. Or if dad’s taken<br />

her out yet? We reached the fence<br />

and Colin began to climb through. I<br />

made a gap for him by holding one<br />

strip of wire in my right hand and<br />

pressing down on the lower strip<br />

with my foot. When he was<br />

halfway, bent almost double, he<br />

stopped and spoke to the ground;<br />

I hope he hasn’t chucked her in<br />

the bin, he said. I hope he hasn’t. He<br />

passed through the strips of wire<br />

and then held them for me in a<br />

similar fashion. I passed through<br />

without difficulty despite catching a<br />

thread on my t-shirt. I stood up and<br />

walked alongside my brother,<br />

returning home, silently planning<br />

Jenny’s grand send-off. Kicking a<br />

stone a thought suddenly struck me:<br />

Colin, I asked, what do worms<br />

eat?<br />

He thought for a moment and,<br />

without missing a step replied, Oh,<br />

you know. Dead budgies and stuff.<br />

The drive to Marley Wood was<br />

almost completely silent. Colin<br />

and I sat in the back seat of the car<br />

looking out of the side-windows.<br />

My mother made the occasional<br />

comment, usually relating to the<br />

weather or to the large number of<br />

cars on the road. My father drove<br />

without uttering a word.<br />

What a lovely afternoon, my<br />

mother said to the windscreen, so<br />

warm and sunny. Jimmy and I did<br />

not respond. So warm and sunny,<br />

she repeated. Jenny was inside a<br />

small, brown paper bag that lay next<br />

to the handbrake of the car,<br />

between the two front seats. My<br />

father had wrapped her up inside<br />

the bag, and then placed her in the<br />

car as we were all climbing in.<br />

There are so many cars out<br />

today, said my mother, where can<br />

they all be going? She fiddled with<br />

her necklace as she spoke, staring<br />

out of the windscreen in front of her.<br />

I hope they’re not all heading for<br />

Marley Wood. As she said this an<br />

insect smashed into the windscreen.<br />

I glanced down at the small brown<br />

parcel on the floor between my<br />

parents and wondered if Jenny were<br />

really dead. Perhaps she was still<br />

alive, still breathing. I watched<br />

closely for a while to see if there was<br />

movement, but could not detect<br />

40<br />

faculty fiction<br />

any. I looked across at my brother<br />

who was stretching slightly to look<br />

out of the window. He was<br />

watching the white lines on the road<br />

as we sped past them, his eyes<br />

flicking back and forth. We had told<br />

our mother of our burial plans for<br />

our budgie, and she had promised<br />

to speak to dad. She had said that<br />

he was very tired, but that he might<br />

be persuaded. The fact that we were<br />

heading for Marley Wood seemed<br />

to suggest that she had convinced<br />

him to carry out our plan. As we<br />

approached the wood I felt sweat<br />

running down the backs of my legs<br />

caused by the plastic covering on<br />

the seat. I wiped one leg with the<br />

back of my hand and raised it to my<br />

mouth. The taste of salt was intense<br />

and stung my lips slightly. My<br />

brother noticed me doing this and<br />

did the same. He looked across at<br />

me with a bitter expression that<br />

became a smile. The car entered an<br />

area of shade as we drove into the<br />

wood. Trees bordered each side of<br />

the road, and sunlight occasionally<br />

flickered through their gently<br />

swaying leaves. We slowed slightly<br />

as we continued, the road<br />

narrowing as we drove deeper into<br />

the wood. I tried to see if I could<br />

find an ideal spot to bury Jenny as<br />

we passed, a clearing in amongst the<br />

trees. Colin seemed to be doing the<br />

same. My father slowed the car even<br />

more and, lifting his right-hand<br />

from the steering wheel, wound<br />

down his side-window. A warm<br />

wind rushed in and I felt the sweat<br />

on my legs immediately cool. Dad<br />

returned his right-hand to the<br />

steering wheel and, letting-go with<br />

his left, reached down and picked<br />

up the brown paper bag containing<br />

Jenny. From the corner of my eye I<br />

saw my mother’s head turn toward<br />

him. In one movement, he gripped<br />

the paper bag and tossed it out of<br />

<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />

Emotional Spaceman<br />

William Leahy


his open window. I stretched to<br />

watch it land in the undergrowth on<br />

the other side of the road and then<br />

disappear. Colin hadn’t noticed<br />

until he saw the bag land and,<br />

disbelievingly, glanced back in<br />

search of it. He could see nothing.<br />

We had already begun to gain speed<br />

as my father pressed down on the<br />

accelerator. Colin sat down again<br />

and I saw water spring to his eyes.<br />

My sight blurred as water came into<br />

mine. Dad wound up his window as<br />

the car continued to accelerate.<br />

Mum looked to the front, fiddling<br />

with her necklace once more. Colin<br />

and I sat staring at the backs of the<br />

heads before us, trying to hold back<br />

tears. Colin succeeded, but a tear<br />

rolled from each of my eyes, one<br />

after the other. They crawled to my<br />

chin and I wiped them with the<br />

back of my hand. I raised my hand<br />

to my mouth and tasted the salty<br />

moisture. It was intense and stung<br />

my top lip slightly.<br />

School tomorrow, boys, my<br />

mother said. Bath time, tonight. As<br />

she spoke another insect hit the<br />

windscreen and splattered like a<br />

raindrop. My father had both hands<br />

on the steering-wheel again as we<br />

reached a steady speed. We<br />

emerged from the shade and Marley<br />

Wood slowly disappeared behind<br />

us.<br />

41<br />

faculty fiction<br />

<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />

Emotional Spaceman<br />

William Leahy


December 1945...<br />

by John West<br />

Arsenal 3 (Rooke, Mortenson 2),<br />

Dynamo Moscow 4 (Bobrov, other scorers unknown)<br />

You draw deeply from your Victory, feel the smoke<br />

expand your lungs as it goes about its lethal but<br />

invigorating work. Now you rub your mittened hands<br />

against the wintry chill, exhale and watch your breathe<br />

dissolve into the general fug, see it thicken and expand<br />

to fill the ground. You're here, at the Lane, to write<br />

about the Dynamo and the Arsenal for the Tribune. Or,<br />

at least, that was the idea. You were going to write<br />

about the game, but instead you're stood here shivering<br />

and sniffling and staring at low cloud. You take another<br />

puff of Victory. It draws a rattle from you as stirring as<br />

that of any whirled above their head by a young<br />

enthusiast. You peer out and vaguely sense there's still<br />

a pitch behind the secretive curtain of fog. You're here,<br />

at the Lane, to watch the Arsenal play at home and<br />

somewhere a clock must be striking thirteen.<br />

You're here to watch the Dynamo play the Arsenal at<br />

the Lane, but this isn't really the Arsenal. How could a<br />

team containing Matthews, Mortenson and Rooke be<br />

called an Arsenal team? That is what the Soviets will<br />

claim. And you know, if no one else does, that this is not<br />

a Dynamo team but a Soviet team. You don't want to<br />

admit it, don't want to be their stooge or help do<br />

Pravda's work for them, but deep down you<br />

acknowledge that the men from Moscow are correct.<br />

How could it be otherwise? This is Dzerzhinsky's team.<br />

So this will not be Dynamo v. Arsenal. This is England<br />

v The USSR. This is not football, this is propaganda;<br />

this will not be sport, it will be war minus the shooting.<br />

And you are here, at the Lane, recording the<br />

particulars, tugging on a Victory smoke and grimacing<br />

a little with every waft of the whiff of the flat-capped<br />

42<br />

faculty fiction<br />

crowd around you. They are mainly here to see these<br />

sporting heroes from the realm of Uncle Joe. Uncle Joe.<br />

There's nothing avuncular about the reign of the Soviet<br />

Tsar. You've tried to tell them, but they will not listen.<br />

But you'll keep going, trying to find the words to nail<br />

this slippery, wriggling and inconvenient truth to the<br />

cathedral door. After the match you'll peel away from<br />

the dispersing crowd, head back to Canonbury Square<br />

and tap away at those sturdy iron keys, alone once more<br />

with that interrogating consciousness; the last man in<br />

Europe.<br />

You peer through the fog at where the teams should<br />

be. You can see the ghostly frames of the two Soviet<br />

linesmen, their boots hugging the chalk of the same<br />

right-hand touchline in a Soviet perversion of the norm.<br />

The game kicks off and straight away the Russians<br />

score. "Bobrov", suggests a flat-capped cockney in the<br />

crowd. Then Rooke scores; then another two for<br />

Mortenson before the Russians pull one back and score<br />

again. There's a scuffle between the players, a white<br />

shirt arm strikes out through fug. Half time arrives, a<br />

break in the hostilities; this war without the weapons<br />

pauses for a brief cup of tea.<br />

The fog grows ever thicker; the restart is delayed.<br />

Low heavy cloud obscures the machinations in the<br />

tunnel. A rumour starts to work its way around the<br />

ground; the Soviet officials will call off the game if their<br />

team has not drawn level before the end. Finally, into<br />

the murky gloom the 22 emerge. Red and white shirts<br />

flash out of the fog like plane tails plunging through low<br />

cloud. The Russians score. They score again. The final<br />

whistle blows; the air is foul.<br />

You'll trudge back down the Seven Sisters, past<br />

beastly charred facades. Ill and filled with ill-will, you'll<br />

shuffle up the stairs. Another whooping, rattling cough<br />

as you unwind your tight pulled, 'tache tickling scarf.<br />

You'll roll and shift and clunk and jab until gradually the<br />

black words seep and thaw the sheet of snow before<br />

you. Your spirit slowly warms. Another Victory. You let<br />

it dangle, downward pointing,<br />

held steady by a tight-lipped<br />

smile. Tap tap tap. Clunk. Tap<br />

tap tap tap tap tap as you type<br />

your weekly Tribune piece: As I<br />

Please, by George Orwell; "The<br />

Sporting Spirit"...<br />

<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008


A lesson learned<br />

By Laura Brown<br />

One: A Date with Disaster<br />

So far this month I have been on<br />

three very unsuccessful dates.<br />

Tim the trainspotter was the first.<br />

He awaited my arrival outside the<br />

Italian restaurant with his jotter pad<br />

open and his pen poised. Perhaps he<br />

likened me to a long awaited engine<br />

pulling into the station. As I<br />

approached and introduced myself<br />

he began to write something. It got<br />

me thinking that possibly he wasn’t<br />

a trainspotter at all, but something<br />

far more sinister, some sort of<br />

woman-spotter. For all I knew this<br />

could be a hip new sport. Under the<br />

guise of the trusty anorak, men<br />

could lurk about in groups noting<br />

down women’s vital statistics in<br />

their fusty little pads. Then on a<br />

Sunday afternoon in a country pub<br />

they could all sip from one orange<br />

juice and reminisce about the time<br />

they saw the 36-24-36. I couldn’t get<br />

this thought out of my head as he<br />

reached for my hand with his own<br />

grubby mitt that had just been<br />

wiped down the leg of his trousers.<br />

What the hell was he wiping off? I<br />

took it begrudgingly and tried not<br />

to think of the possible bacterial<br />

infections he could be giving me.<br />

As the food arrived I prayed he<br />

would remove the stripy scarf he<br />

had tightly wrapped around his<br />

neck, or at least take off the bobble<br />

hat. My prayers were answered and<br />

he slowly unwound the scarf and<br />

placed the hat next to his plate.<br />

God, I wish he hadn’t. With the hat<br />

came a snowfall of dandruff that<br />

sprinkled over his pasta like<br />

Parmesan cheese that hadn’t been<br />

grated finely enough. The scarf hid<br />

its own array of sins. Once removed<br />

spots, shaving scabs and what even<br />

looked like a love bite were all on<br />

display. I couldn’t bear to look at<br />

him and my stomach turned as I<br />

tried to tuck into my own spaghetti<br />

bolognese. It is safe to say that I<br />

won’t be seeing him again.<br />

A week later, outside the same<br />

restaurant, it was my turn to wait for<br />

a date’s arrival. And wait I did, for<br />

an hour and a half. As I was just<br />

about to throw in the towel, I spied<br />

what seemed to be an attractive<br />

man strolling slowly towards me. As<br />

he got nearer my heart rate<br />

quickened. He was a fine example<br />

of a man. A white t-shirt was<br />

stretched tight across his broad<br />

chest. His arms were muscular and<br />

almost as big around as my thigh. I<br />

resisted the urge to squeeze them as<br />

he introduced himself simply as<br />

‘Ollie’. I was a little disappointed<br />

that he chose not to apologise for<br />

being late, but what the hell! A girl<br />

can’t have it all. Once inside the<br />

candle-lit restaurant, he pulled out<br />

my chair and began to ask me all the<br />

right questions that are part and<br />

parcel of a first date. It was going<br />

well and as I answered I couldn’t<br />

help but look into his giraffe-lashed<br />

blue eyes. As he quickly broke into<br />

conversation about himself I<br />

noticed that his hair was completely<br />

faultless; like Barbie’s boyfriend<br />

Ken, it looked plastic and sprayed<br />

into place. His tan was also a<br />

worrying shade of burnt umber. In<br />

the dim light he could well have<br />

been Man Friday’s long-lost<br />

brother. I looked to his wrists for<br />

the signs of fake tanning and was<br />

not shocked to see white hands with<br />

orange palms. It is amazing what<br />

lengths people go to in the effort to<br />

look good and impress. At this<br />

point I realised that for the past ten<br />

minutes I hadn’t actually listened to<br />

a single word the man had said. I<br />

nodded heartily to whatever it was<br />

43<br />

undergraduate fiction<br />

he was talking about and began to<br />

pay attention. For two hours I<br />

learned the perils of not wearing<br />

sweat absorbent trainers on a hot<br />

day, the best gym equipment to use<br />

to work on my legs, bum and tum<br />

and, most importantly, what colour<br />

t-shirt shows off finely-toned abs.<br />

Surprisingly, I have actually put this<br />

man on my ‘possible second date’<br />

list. However, as yet I haven’t called<br />

him.<br />

The last date so far this month<br />

was with a gentleman named Tony.<br />

I had very high hopes for this date<br />

as he’d phoned in advance and<br />

asked what food I liked and where I<br />

would like to eat. I suggested my<br />

local Harvester as the salad bar is<br />

free and there is an endless supply of<br />

white rolls. He was a little taken<br />

aback that I picked such an ordinary<br />

restaurant, but seemed happy with<br />

the choice. On the night of the date<br />

I made a special effort to look nice, I<br />

applied a face pack, shaved my legs<br />

and sprayed myself with my most<br />

expensive fragrance. Waiting for<br />

him to arrive I felt confident that the<br />

evening was going to be a success<br />

or, if not a success, I would certainly<br />

be able to fill my plate with plenty of<br />

food.<br />

I looked around the quiet<br />

restaurant hoping to spot my date;<br />

I couldn’t see anyone that I thought<br />

could be him. There was a fat man<br />

in the corner already tucking into a<br />

plate of ribs, a young schoolboy<br />

trying to get served an alcoholic<br />

drink and a small man sitting in the<br />

corner who looked like Barry<br />

Manilow. I hoped that none of them<br />

were my man. Barry in the corner<br />

was getting up and looking in my<br />

direction. I’m not religious but I<br />

began to cross my chest and pray for<br />

divine intervention. He swaggered<br />

towards me like a 50s film star and<br />

<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008


kissed my hand. Barry was Tony<br />

and my skin was already crawling.<br />

The food was good, really good.<br />

The salad was crunchy and the<br />

bread rolls were fresh. I ordered half<br />

a chicken and ate it all. My date was<br />

a funny little man. Part of me<br />

wanted him to whip out a small<br />

Casio keyboard and serenade me<br />

with a medley of classic Barry hits.<br />

Unfortunately nothing so exciting<br />

happened. Instead, I ate while he<br />

talked about accounting and told<br />

me his clients’ life stories. As we<br />

parted company he declared that I<br />

was wonderful. I doubted his<br />

sincerity, but agreed that I had also<br />

had an enjoyable evening. At this<br />

point he tried to kiss me; luckily my<br />

expensive perfume caught the back<br />

of his throat and sent him into a<br />

coughing fit as I bade him<br />

goodnight and ran into the<br />

darkness.<br />

Tonight I am preparing for my<br />

fourth and last date of the month.<br />

After the previous three fine<br />

specimens I don’t hold out much<br />

hope of a romantic liaison. I have<br />

gone against my own better<br />

judgement and let my mother<br />

organise another encounter of the<br />

male variety. I could kill my brother<br />

for buying her a laptop and showing<br />

her how to use the internet. Lately<br />

she has been coming out with some<br />

rather strange things, and I fear that<br />

she is perusing web pages that are<br />

highly unsuitable for a woman of her<br />

growing years. Talk of bondage,<br />

whips and crotchless knickers is not<br />

what you want to hear from your<br />

mother’s lips, even if it is just to ask<br />

why people enjoy such things.<br />

Internet dating is the latest fad to<br />

take her fancy, and so far I have<br />

fulfilled her wishes by going on<br />

three quite frankly rubbish dates.<br />

Tim, Ollie and Tony were hardly<br />

the best possible candidates for<br />

dinner dates. I wonder where she<br />

found them, if she was using a<br />

website called www.weirdmen.com<br />

or something. Tonight she has<br />

assured me that I will ‘hit it off’ with<br />

her latest offering. All I know is that<br />

he is young, called Gary and that he<br />

works in a school. My friend Emma<br />

has decided that after the last three<br />

catastrophes she is coming with me<br />

as she fears for my safety and sanity.<br />

I am thankful for the offer, as my<br />

mother has refused to disclose the<br />

date venue. It’s troubling how<br />

excited she is getting about this date<br />

and the secrecy surrounding it.<br />

In the mirror my face looks puffy<br />

and tired, the thick cream I am<br />

rubbing into my skin is described as<br />

having ‘anti-aging oxidants’ and<br />

‘amino acids’. Perhaps I am allergic<br />

to them or my skin is just beyond<br />

repair. I have been using this gunk<br />

for two months and to me nothing<br />

has changed. I try to get a closer<br />

look at the open pores, which are<br />

like gaping cavities on my nose, and<br />

manage to head butt the mirror.<br />

Now I have a large red bump to<br />

contend with.<br />

“What’s going on in there? Are<br />

you doing yourself an injury again?”<br />

Emma is laughing as she asks me<br />

the question through the closed<br />

door, “What are you wearing? What<br />

shall I wear? Where are we going<br />

again?”<br />

I open the door and answer her<br />

string of questions. On her advice I<br />

decide to ring my mum and find out<br />

exactly what is going on. I pick up<br />

the receiver of our battered old<br />

phone and begin to dial the number.<br />

As usual there is no response.<br />

“She isn’t answering. Just wear<br />

anything. You know it’s going to be<br />

rubbish anyway.”<br />

I laugh as I say the last part and<br />

enter my room to begin the arduous<br />

task of getting ready. It is hard to<br />

44<br />

undergraduate fiction<br />

know what to wear when you are<br />

meeting a stranger, don’t know<br />

where you are going, and would<br />

rather be staying at home watching<br />

TV. I drag out a red dress from my<br />

crammed wardrobe and root<br />

around on the floor trying to find the<br />

matching killer red stilettos. I try on<br />

the whole outfit and surprisingly it<br />

looks quite sexy. The dress hugs my<br />

size 12 curves in the right places and<br />

the high heels make my short legs<br />

seem longer. A slick of red lipstick<br />

and a shot of hairspray on my new,<br />

short, dark bob and I’m done. I<br />

emerge from my room to find<br />

Emma in the lounge chatting to my<br />

mother.<br />

My mother offers, “Going for the<br />

lady-in-red look?” and begins to hum<br />

the classic De Berg tune.<br />

“Thanks for that, I thought I<br />

looked quite good, actually.<br />

Anyway, what are you doing here,<br />

all dressed up like a dog’s dinner?”<br />

I stand with hand on hip, waiting<br />

impatiently for her reply.<br />

“You look lovely, dear, like a<br />

plump tomato. I thought I would<br />

come along and see what it is you’re<br />

doing to scare all these dates away.”<br />

I want to tell her that all the men<br />

she has so far picked have been<br />

oddballs and that I didn’t scare<br />

them away: I simply didn’t like<br />

them. I refrain from retorting as I<br />

catch a glimpse of her bare leg and<br />

the stark realisation of what she is<br />

wearing hits me. She has been<br />

rooting through my old wardrobe<br />

again, and managed to put together<br />

an outfit that I probably once wore<br />

when I was 15. A short, frayed<br />

denim mini-skirt with a black and<br />

white, frilly, polka-dot shirt, open to<br />

reveal a cleavage that I didn’t know<br />

she had. To top off the hideous 80s<br />

look she somehow managed to find<br />

some white plastic boots.<br />

<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />

A Lesson Learned<br />

Laura Brown


I could see Emma eyeing her<br />

suspiciously, finally complimenting<br />

her and asking, “You’re very dressed<br />

up tonight, Maggie, where are we<br />

going?”<br />

Emma tried not to laugh when<br />

my mother chirped happily, “I’ve<br />

booked a cab to take us to this really<br />

happening club in town called<br />

Loose.” I had to correct her before<br />

she embarrassed herself further.<br />

“Mother, the club is called ‘Juice’<br />

and it’s full of young people. I don’t<br />

think you’ll like it.”<br />

CC’s<br />

“Why not? I thought it would be<br />

nice to spend an evening together.<br />

Anyway, I’m not that old.”<br />

Luckily I don’t have a chance to<br />

reply as the doorbell rings and we<br />

huddle out to the waiting cab. It<br />

feels strange going out clubbing<br />

with my mother. Somehow the<br />

roles have been reversed and I am<br />

now the mature responsible adult<br />

looking after the clueless child. I<br />

want to make sure that nothing<br />

happens to her, yet I somehow want<br />

her to look after me. I see the bright<br />

Slumped on sofas, we watch the bustling room in terror,<br />

Keeping forced mouths upturned. Coming here was an error:<br />

Pissed-up preppy girls on the arms of leering ‘flash your cash’ men.<br />

Think its time to go to the bar and get another drink – or ten.<br />

We manoeuvre through crowds of clicking heels, flicking hair,<br />

Take our position at the bar, packed in tight, but no one’s aware.<br />

Glasses ring, pushed together as the punters are told.<br />

An extortionate price tag: the vodka should be laced with gold.<br />

Makeup- and hair-filled restroom,<br />

Choking on a dense mist of perfume,<br />

I stumble, anxious to get out.<br />

Could leave already, without a pout.<br />

Pulled to dance with chants of ‘under my umbrella’.<br />

Would rather sit in my local with a pint of Stella,<br />

Listening to the drunks slurring their words,<br />

Telling me how they used to get all the ‘birds’.<br />

Smiles still standing as I observe your jaded stance,<br />

Whispers in my ear while there’s still a chance.<br />

It’s either get to the bar or get out the door,<br />

Quick, before friends catch us leaving the floor.<br />

undergraduate poetry<br />

No one surrounding us seems to notice.<br />

Lack of lustre within, something ceases to exist.<br />

It’s only you, looking at me who seems to understand,<br />

As we escape the mass, fingers lightly touching my hand.<br />

Maria Ridley<br />

45<br />

undergraduate fiction<br />

orange florescent sign like a beacon<br />

over the dirty doorway. Emma is<br />

jumping up and down on the seat<br />

like a child and my mother can’t help<br />

shouting, “There it is, there it is,” like<br />

she had never seen a doorway and a<br />

sign before. As we get out of the car<br />

I find it hard to resist the urge to<br />

pull my mother’s skirt down.<br />

Luckily it is early and there isn’t a<br />

queue of people to watch Emma<br />

and I usher my mutton-like mother<br />

into the club. The club is old and<br />

dirty and the décor isn’t up to much.<br />

It is 6 years since I last came here<br />

and celebrated my 21st birthday and<br />

I never thought I would return<br />

sober and with my mother.<br />

Emma breaks my contemplation<br />

as she begins to question my mum<br />

about my impending date, “So,<br />

Maggie, what is this guy like? Is he<br />

fit? What does he do?”<br />

“He’s young, very good looking,<br />

works in a school…” She trails off,<br />

almost in a dream-like state; her<br />

enthusiasm over the words ‘good<br />

looking’ is a little exaggerated for my<br />

liking. The drinks begin to flow and<br />

the club starts to fill up with<br />

underage drinkers. Over the hustle<br />

and bustle and drunken shouting I<br />

can barely hear a word of what<br />

anyone is saying. My mother has<br />

nearly fallen off her stool twice and<br />

Emma is telling a story, which I<br />

haven’t caught much of, with so<br />

much enthusiasm she is spilling half<br />

her drink on the already sodden,<br />

ash-covered carpet.<br />

“Where is he?” My mother shouts<br />

at me in a disappointed tone. I am<br />

about to answer when I notice she<br />

is staring at something in the<br />

distance.<br />

“What are you staring at?”<br />

“It’s him, it’s him….”<br />

She trails off and jumps down<br />

from her stool. Emma and I both<br />

look in the direction she is walking.<br />

<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />

A Lesson Learned<br />

Laura Brown


My god, the man walking through<br />

the door is gorgeous. Dark haired<br />

and rugged, he reminds me of a<br />

young Mr Rochester, though better<br />

looking and less weathered. Quite<br />

frankly I wouldn’t care if he had two<br />

mad women caged in his attic. If<br />

this is my date, my mother has<br />

surpassed herself.<br />

“He is good looking!” Emma<br />

offers these words and straightens<br />

her skirt. I can tell I have<br />

competition.<br />

I look expectantly in my mother’s<br />

direction to see whether she is<br />

leading this hunk towards me. My<br />

dream man has walked straight past<br />

her and she is talking to someone<br />

else. Even through the smog of<br />

cigarette smoke I know he is young,<br />

very young. My mother is tottering<br />

towards a table and he is kissing her<br />

on the cheek, his arm is draped<br />

about her shoulder and she is<br />

staring up at him, he is looking<br />

down on her with a loving gaze.<br />

“Do we know him?”<br />

Emma looks puzzled. I think for<br />

a minute, and realise that I do. He<br />

went to my school; he is the much<br />

younger brother of one of our<br />

friends.<br />

“It’s Gary Granger…”<br />

Emma looks shocked<br />

“It can’t be, he’s only 17.”<br />

I look for my mother and she is<br />

still under the spell of the toy boy.<br />

So much for ‘working in a school’.<br />

He is still at school! I feel the urge<br />

to drag my Mrs Robinson of a<br />

mother away from her latest beau.<br />

Yet, I also want to wait and see<br />

what happens. After all, he was<br />

supposed to be my date for the<br />

evening, not hers. What is she<br />

playing at?<br />

“They are getting very cosy over<br />

there, don’t they make a lovely<br />

couple?”<br />

Emma is laughing and looking<br />

over at them. I can’t stand it any<br />

longer. I decide that enough is<br />

enough.<br />

“She is old enough to be your<br />

mother!”<br />

I stare at him, waiting for an<br />

answer.<br />

“So... is she old enough to be<br />

your mother too?”<br />

His response is feeble and<br />

patronising and reinforces my hate<br />

for the youth of today.<br />

“She is my mother, and if you<br />

don’t hop it, I’m going to tell your<br />

brother that you have been out<br />

underage drinking.”<br />

After the last comment I realise<br />

that I am too much of a teacher for<br />

my own good. He is looking up at<br />

me with a defiant gaze in his eye.<br />

“You do that.”<br />

As the schoolboy and I eyeball<br />

each other, my mother is slinking<br />

lower and lower in her seat. Gary<br />

isn’t giving an inch and my mother’s<br />

bowed head proves that perhaps I<br />

should just leave them to it.<br />

“Fine,” I murmur defiantly, shrug<br />

my shoulders and head back to find<br />

Emma. She isn’t where I left her. In<br />

fact she isn’t anywhere to be seen. I<br />

scan the seating area, the dance<br />

floor and finally the bar. Out of the<br />

corner of my eye I see her, taking a<br />

drink from Mr Rochester. The<br />

Judas, she knew I liked him. Not<br />

just any drink, it looks like a bloody<br />

expensive cocktail to boot. He is<br />

either trying to impress, or wanting<br />

to see her knickers. What do I do<br />

now? Go and join my mother and<br />

the infant or stand by Emma and<br />

watch my ideal man throw his best<br />

moves her way. I decide that neither<br />

option is a good one, and go to buy<br />

myself a large drink.<br />

The bar is relatively quiet; only a<br />

few pervy old men with last night’s<br />

gravy on their polo shirted beer<br />

46<br />

undergraduate fiction<br />

bellies are leeching by the bar. I feel<br />

a little disappointed that not one of<br />

them sees fit to buy me a drink. I<br />

give the fat bald headed one the eye;<br />

he looks in the opposite direction.<br />

What the hell is wrong with me?<br />

I take my double vodka from the<br />

spotty barman and down it in one.<br />

“Fancy another?”<br />

I look in the path of the voice.<br />

This must be a joke. I’m desperate<br />

but not that desperate. The man<br />

could easily be Borat’s face- and<br />

body double.<br />

“No, I’m alright. Thanks<br />

anyway,” I offer him as kindly as I<br />

can.<br />

“Guess where I’m from then?”<br />

The guy is leaning eagerly<br />

towards me.<br />

“I don’t know, Kazakhstan?”<br />

He looks perplexed and replies,”<br />

No, Cornwall.”<br />

I nod and smile and back away<br />

from this very strange man. I don’t<br />

even look for my mother or Emma<br />

as I hail a cab and leave.<br />

The flat is cold and empty as I<br />

return miserable and deflated. I sit<br />

in the dim light and try and eat the<br />

greasy chicken kebab I have just<br />

brought from the grotty eatery on<br />

the corner of my road. Bits of lettuce<br />

and blobs of mayonnaise are falling<br />

on my dress. I wish I had the selfcontrol<br />

not to buy rubbish food after<br />

a dreadful night, but I don’t.<br />

Two: Room to Move<br />

My mother is still dating the toy<br />

boy. I have been counting; it<br />

has been precisely 3 months and 5<br />

days. I pray to God that it is merely<br />

a platonic relationship. My brother<br />

finds the whole scenario strangely<br />

amusing and has even joked that we<br />

start calling him ‘dad’. This is not<br />

funny and won’t be happening.<br />

Emma has just broken up with Mr<br />

<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />

A Lesson Learned<br />

Laura Brown


Rochester. It seems he does have a<br />

wife. Not caged in the attic as first<br />

suspected but living in a house with<br />

his two children in St Albans. She is<br />

rightly devastated and has declared<br />

herself to be a ‘plain Jane’, which I<br />

found slightly ironic. I have given up<br />

on men entirely. I am not about to<br />

become the image of Mrs<br />

Havisham and mope about my flat<br />

in a grubby wedding dress, pining<br />

for a lost love. No, I have just<br />

decided that the single life isn’t all<br />

that bad.<br />

“Should I call him?”<br />

Emma stares up at me with tears<br />

in her eyes and chocolate ice cream<br />

round her mouth.<br />

“No, I don’t really think that is<br />

the best idea….”<br />

I trail off because I see her<br />

reaching for her mobile phone and I<br />

know that nothing I can say will<br />

stop her. By late afternoon Mr<br />

Rochester is on my doorstep with a<br />

green canvas bag, begging me to let<br />

him move into our flat. I am a weakwilled<br />

pushover. He has only been<br />

moved in for twenty minutes and<br />

has already got Emma making him<br />

tea and unpacking his clothes,<br />

refolding his shirts so they don’t<br />

crease. His bag seems to be<br />

bottomless; in the style of Mary<br />

Poppins, more and more things<br />

keep flying out all over the front<br />

room. I have learnt that he is an<br />

experienced yoga teacher or, as he<br />

calls himself, a ‘master yogi’. The<br />

mat, resistance tubing and large<br />

blow-up exercise ball, which he is<br />

currently pumping up with a<br />

ridiculously small bike pump, all<br />

indicate that at least this much<br />

about him is true. The man is a<br />

terrible flirt; he has already declared<br />

that he can contort himself into all<br />

sorts of ‘positions’ and that his<br />

favourite of all is the ‘downward<br />

dog’. He gave Emma a flirty smile<br />

when he said it, which sent her into<br />

a tizzy, and then winked in my<br />

direction. My door will be firmly<br />

bolted tonight.<br />

“What’s for dinner, ladies?”<br />

He asks chucking himself onto<br />

the sofa with his muddy shoes still<br />

on. Emma runs to the kitchen to<br />

search through our half empty<br />

fridge,<br />

“Chicken curry?”<br />

He pulls a face, “What else have<br />

you got?”<br />

Getting up he leisurely strolls to<br />

the fridge and starts rummaging<br />

through like a cave man. Eventually<br />

he decides what he wants and leaves<br />

Emma in the kitchen to cook it.<br />

Walking back to the lounge he<br />

grabs the TV remote, chucks<br />

himself on the sofa and starts<br />

flicking through the channels. I<br />

actually hate him. I can’t stand being<br />

in the same room as the bendable<br />

adulterer and decide that the<br />

possible chance of poisoning him is<br />

too good to miss.<br />

“What are you cooking? Want a<br />

hand?” I ask, hoping to merely talk<br />

and not help.<br />

“He wants chicken pieces,<br />

marinated in paprika, with egg fried<br />

noodles and a tossed salad.”<br />

She repeats the food order with<br />

an air of sarcasm that proves that it<br />

is not just me that is irritated by his<br />

presence.<br />

“It’s nice to see women working<br />

in their rightful place,” he laughs at<br />

his own joke grabbing the last cold<br />

can of diet coke from the fridge<br />

before wandering out of view.<br />

Emma stares at me with a look of<br />

horror in her eyes. “Lindsay, what<br />

have I done?”<br />

I laugh and rub her shoulder.<br />

“There must be something good<br />

about him.”<br />

She thinks long and hard and<br />

finally comes up with “sex.”<br />

47<br />

undergraduate fiction<br />

Personally, I don’t think being good<br />

at sex is a valid reason for moving a<br />

married man into our tiny flat.<br />

Although, I might be tempted if one<br />

threw himself at me.<br />

“We’ll think of something.” I offer<br />

these words with absolutely no<br />

thoughts on how to get rid of the<br />

chauvinistic imbecile.<br />

I felt like an outsider in my own<br />

home as the evening progressed.<br />

After devouring dinner, they<br />

decided to devour each other. Lying<br />

together on the sofa, shrouded in<br />

my expensive cashmere throw I<br />

could distinctly see a bit of fumbling<br />

going on. I was forced to sit on the<br />

floor as there is only one sofa in the<br />

lounge and the ‘happy couple’ were<br />

lolling all over it. My bum was<br />

numb and my neck sore as I had<br />

nothing to rest my back against. I<br />

would have gone to my room, but<br />

there was a film on that I wanted to<br />

watch. Just as it was about to start,<br />

the kissing commenced. Slurping<br />

and sucking, gulping and gurgling,<br />

at one point even a low moan. The<br />

TV remote was wedged between<br />

them. I needed to retrieve it before<br />

the humping started. I tried to<br />

grope and grab it. I pulled<br />

something else that was long and<br />

hard, but unfortunately not the<br />

remote. Eventually I managed to<br />

find it and increased the volume.<br />

The kissing stopped abruptly and<br />

he demanded, “Do you have to have<br />

it that loud? I’ve got a bit of a<br />

headache.”<br />

How dare he question what I do<br />

in my own home? What I really<br />

wanted to say was, ‘You didn’t have<br />

a headache when you were sucking<br />

my friend’s tongue like a demented<br />

Hoover.’<br />

Instead I opted for “Yes, I do.”<br />

Silence fell in the room and the<br />

atmosphere was tense. Finally he<br />

muttered seductively to Emma,<br />

<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />

A Lesson Learned<br />

Laura Brown


“Shall we retire to the bedroom?”<br />

She nodded dutifully and followed<br />

him. Before exiting the room she<br />

turned and mouthed ‘sorry’.<br />

I feel alone, miserable and sad.<br />

Now, in bed, I can’t sleep. Partly<br />

because I feel sorry for myself and<br />

am worried about my first day back<br />

at school tomorrow, but mainly<br />

because I can hear them shagging.<br />

I have never liked the first day of a<br />

new school year and the thought of<br />

a brand new class is always<br />

daunting.<br />

Three: Class Rules<br />

The school gate has received a<br />

fresh lick of blue paint during<br />

the 6 weeks I have been away and<br />

the wisteria over the entrance is<br />

slowly shedding its spongy summer<br />

leaves. The staff room is humming<br />

with talk of expensive holidays, new<br />

cars, and new homes. I have<br />

nothing to say; over the summer<br />

break I have done zilch but put on<br />

10 pounds and watch TV. I scurry<br />

to the corner of the room and sit<br />

with my tea and biscuits avoiding<br />

the gaze of everyone.<br />

“ Good morning, Lindsey, have<br />

a nice break?”<br />

I know the voice before I see the<br />

face.<br />

“ Lovely, yourself?” I ask, not<br />

really wanting to hear the answer.<br />

“Wonderful, wonderful. David<br />

proposed in Dubai and the sale<br />

went through on the 4-bed in<br />

Chalfont. So not a lot really.” She<br />

trails off to a titter. I look up at the<br />

fresh blonde highlights of the<br />

bobbing head above me and realise<br />

that I haven’t answered.<br />

“That’s great for you, how<br />

fantastic”. I try to say the words<br />

without sarcasm.<br />

“I know, it’s a dream come true.”<br />

She walks off in the direction of<br />

another sucker willing to hear her<br />

‘wonderful’ news. I remember the<br />

days in college when I helped her<br />

pass her exams. Now, she has been<br />

promoted over me, is marrying a<br />

music industry mogul, and has a<br />

lovely house in the suburbs. Not<br />

that I’m envious. I, on the other<br />

hand, haven’t had a proper<br />

boyfriend in three years, live in a<br />

rented flat, and am professionally<br />

overlooked. I have a feeling the day<br />

is set to get worse.<br />

My new classroom is bigger than<br />

my last one, and is flooded with<br />

light from a large window that<br />

overlooks the school playing field.<br />

As yet the walls are white and<br />

empty, awaiting decoration. I barely<br />

have a minute of contemplation<br />

before the room is heaving with<br />

boisterous 8 year olds. I enjoy the<br />

happy hubbub. On first impression<br />

they don’t seem like a bad bunch.<br />

The girls are chatting in intimate<br />

groups and the boys are playfully<br />

kicking one another. But one boy in<br />

particular is standing completely<br />

alone. Sam has a reputation<br />

throughout the<br />

school as being<br />

disruptive in<br />

lessons and<br />

anti-social<br />

towards other<br />

pupils. Even<br />

though I can’t<br />

see his face, I<br />

know it’s him. I<br />

call his name<br />

and he turns<br />

round and<br />

stares at me<br />

dolefully from a<br />

lowered head.<br />

He has the<br />

features of a<br />

cherub; golden<br />

blonde curly<br />

locks frame his<br />

plump face and<br />

48<br />

Paranoia<br />

undergraduate fiction<br />

large sad blue eyes that he stares at<br />

me with. Everyone is seated apart<br />

from him.<br />

“Can you sit down please, Sam?”<br />

I instruct him firmly.<br />

He takes no notice and continues<br />

to stare out of the window.<br />

“Something worth looking at<br />

outside?” I ask, walking closer to<br />

him.<br />

Still he gives no answer.<br />

Running out of the classroom, he<br />

slams the door. Maria, my<br />

classroom assistant, goes after him.<br />

Within minutes he is back, sitting at<br />

his desk, refusing to work. Playing<br />

with the lid of his pen, he is already<br />

wearing my patience.<br />

At lunchtime I purposely sit with<br />

Mr Trent, a small German man<br />

with black hair styled in a slick side<br />

parting. Rude and unwelcoming, he<br />

has few friends among the staff. As<br />

he stares down my top, I ask him<br />

questions about Sam’s behaviour<br />

last year. In between taking large<br />

bites of a greasy sausage sandwich,<br />

the only explanation he can offer for<br />

Paranoia is whispers on the back of hands,<br />

Paranoia is clutching a plane seat before it lands.<br />

Paranoia is feeling watched as you walk upstairs,<br />

Paranoia is finding three grey hairs,<br />

Paranoia is checking your teeth when someone stares.<br />

Paranoia is walking home late at night,<br />

Paranoia is flight over fight.<br />

Paranoia is smoking spliffs on your own,<br />

Paranoia is acid changing music’s tone,<br />

Paranoia is God talking on the phone.<br />

Paranoia is a knife shining bright,<br />

Paranoia is when your throat gets tight.<br />

undergraduate poetry<br />

Kerry Williams<br />

<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />

A Lesson Learned<br />

Laura Brown


the way the boy behaves is to call<br />

him a “little fucker.”<br />

After asking several members of<br />

staff about Sam, I have uncovered<br />

nothing, apart from the fact that his<br />

parents have never attended a<br />

parents’ evening to discuss their son.<br />

I am giving him a week to improve<br />

his behaviour and this year his<br />

parents will be attending the open<br />

evening.<br />

Four: Spiders Legs<br />

It has been 5 weeks since the<br />

bendable adulterer moved in.<br />

Unfortunately, he and Emma are<br />

still dating. Emma has asked him<br />

numerous times to find his own<br />

place to live with no success. We are<br />

currently plotting his demise, but<br />

seeing as his wife has found a new<br />

man and dumped all of his clothes<br />

in a black sack on our doorstep, it is<br />

becoming increasingly hard, as he<br />

now has nowhere else to go. As<br />

much as I loathe him, I would hate<br />

to reduce him to the depths of<br />

homelessness, forcing him to buy a<br />

three-legged dog and charity shop<br />

blanket to beg for pennies.<br />

Sam’s behaviour has worsened.<br />

Last week he threw a rubber at my<br />

head, poked a girl in the ear with a<br />

pencil and shoved the corner of a<br />

hard back book up the classroom<br />

assistant’s nose. I am at my wit’s<br />

end; thankfully, parents’ evening is<br />

tonight, so at least I will be able to<br />

discuss his many problems. Adding<br />

further anguish to my troubles is my<br />

mother’s engagement to the<br />

schoolboy.<br />

I look terrible. The suit Emma<br />

has leant me is a size too small, so<br />

sweat patches have formed under<br />

my arms and are visibly seeping<br />

through the fabric. The skirt is so<br />

tight, it is stretched over my bum<br />

like the skin of a drum. And to top it<br />

off I have lost a button on my shirt,<br />

and my boobs are hanging out like<br />

a centrefold. In my haste this<br />

morning I forgot to pick up my<br />

make-up bag. With no powder or<br />

lipstick, my face looks oily and<br />

drained. I just saw the parents of the<br />

class clown and am about to talk to<br />

the guardians of the class swot. His<br />

father looks like an Oxford reject,<br />

complete with leather patched<br />

elbows and tweed trousers. His<br />

mother is, as expected, shy and<br />

mousy. I talk mainly to the father.<br />

Expressing his wishes for his son to<br />

go to Cambridge <strong>University</strong>, he<br />

informs me he has already made the<br />

eight-year-old study the prospectus<br />

and pick a subject; I try not to laugh.<br />

I am glad when they eventually leave<br />

and I can have a few moments<br />

respite before the next gaggle of<br />

pushy parents ambush me.<br />

“Miss McKay…” The voice has a<br />

charming Devonshire twang and<br />

the face is ruggedly handsome. His<br />

skin is weather-worn and covered<br />

with a light sprinkle of dark stubble<br />

that matches his mop of dark curly<br />

hair. I have seen his eyes before;<br />

large and blue, they look sadly into<br />

my dark brown ones as if almost<br />

searching for something.<br />

“Please take a seat.” I shake his<br />

hand with my own clammy one and<br />

look down my list to see which child<br />

this adult belongs too.<br />

Before I can find the name he<br />

offers his own, “I’m James Pearce,<br />

Sam’s dad. Sam thinks a lot of you.<br />

Talks about you all the time.” His<br />

father is staring at me now<br />

expecting me to say something in<br />

return. There are so many things I<br />

want to say about Sam, things I fear<br />

his father won’t like. As much as I<br />

want to, I can’t lie about his son.<br />

“Sam is a very disruptive<br />

influence in my class.” I offer gently.<br />

“Perhaps there is something going<br />

on at home that is affecting his<br />

49<br />

undergraduate fiction<br />

behaviour?” I am greeted with the<br />

same silence that I have come to<br />

expect of Sam.<br />

“I haven’t been at home much<br />

lately, his Nan has been taking care<br />

of him. You know how it is: when<br />

work comes up I have to take it.”<br />

He lowers his head, and rests it in<br />

his hands. He seems to be truly torn<br />

by the need to work and the welfare<br />

of his son. I wonder for a second<br />

what work it is he does that takes<br />

him away from his family and why<br />

Sam’s mum can’t take care of him.<br />

“He has always been a difficult<br />

child. We have had some really<br />

tough times. Lately his behaviour at<br />

home has been improving.<br />

Hopefully, he will be able to transfer<br />

it to the classroom.” He smiles<br />

broadly at me with a hopeful raise of<br />

one eyebrow. I want to believe him<br />

I really do. As he gets up and walks<br />

away, I watch him and hope his son<br />

doesn’t improve completely.<br />

Otherwise there will be no reason<br />

for me to see him again.<br />

The rest of the parents’ evening<br />

goes without a hitch and as I arrive<br />

home, my thoughts return to Sam’s<br />

dad, his lilting accent, cheeky grin<br />

and sad eyes. There was something<br />

he wasn’t telling me: he knows<br />

exactly why Sam is misbehaving.<br />

Why did he put his head in his<br />

hands and almost pull his hair out<br />

with despair? And why couldn’t his<br />

mother be bothered to come?<br />

“Alright, gorgeous,” the<br />

irremovable houseguest is<br />

wandering from the bedroom<br />

wrapped only in a towel.<br />

“Still here then?” Is all I can offer<br />

as he gets so close that beads of<br />

water plop from his still wet body<br />

onto my arm.<br />

“Afraid so,” he answers huskily<br />

and looks me up and down. The<br />

man loves himself so much that I<br />

wouldn’t be surprised if he kisses a<br />

<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />

A Lesson Learned<br />

Laura Brown


gilt-framed picture of his own slimy<br />

visage before he falls asleep. He sits<br />

on the edge of the sofa a little too<br />

close, with his legs wide open. The<br />

towel between his manhood and my<br />

gaze is thin and I’m starting to feel a<br />

tad uncomfortable. “Are you tickling<br />

my foot, honey?” he asks with an<br />

expectant raise of eyebrow.<br />

“No, you wish,” I simply answer.<br />

He looks to his foot; jumps up<br />

immediately and begins shouting<br />

hysterically, “Get it off me. Get it off<br />

me. Please do something!<br />

Anything!”<br />

His towel drops to the floor and<br />

he is left stark naked, gripping his<br />

manhood, shaking like a scared little<br />

child.<br />

I jump up too and begin to<br />

bellow, “What’s wrong? What do<br />

you want me to do?”<br />

“Didn’t you see it? The spider? It<br />

was huge! It ran over my foot. Can<br />

Scarf Me Up<br />

Scarf around my neck,<br />

And the old lady in mustard leggings,<br />

Flagging<br />

Tesco bags,<br />

Gently flanks me,<br />

Serpentining through hoodies,<br />

With the goodies in her denim trolley.<br />

A rising grey,<br />

She gazes up at me -<br />

hair in disarray -<br />

Eyes,<br />

Blasphemous black.<br />

Beautiful.<br />

She smiles,<br />

‘Make sure you stay warm, dear.’<br />

A scarf over the mouth,<br />

Things are different.<br />

People edge away,<br />

Even someone’s carrier bag skirts round me,<br />

‘Guttering, choking, drowning’<br />

Under our windless bus shelter.<br />

you look for it?”<br />

Hopping from one foot to<br />

another, I can’t help but laugh at<br />

him.<br />

“A spider?” I almost mock.<br />

“Arachnophobia is a valid fear,<br />

you know. Not something to<br />

ridicule. It affects millions of<br />

people.” He preaches the last bit as<br />

he runs to the bedroom to, I hope,<br />

put some clothes on. I look for the<br />

feared animal, expecting to find a<br />

hairy fiend. Instead I discover a<br />

medium-sized house spider,<br />

cowering in the corner. I pick it up<br />

and set it free. Perhaps getting rid of<br />

him will be easer than first expected.<br />

Five: Teacher’s Pet<br />

It is nearly the end of term. It has<br />

been 6 weeks since parents’<br />

evening, and Sam has become my<br />

new best friend. Giving him jobs to<br />

undergraduate poetry<br />

50<br />

undergraduate fiction<br />

do within the classroom has<br />

boosted his morale and at the<br />

moment his disruptive behaviour is<br />

gradually improving. Currently, he<br />

is my book monitor. I have become<br />

very attached to seeing his cherubic<br />

features in the morning, so much so<br />

that I feel a pang of disappointment<br />

when he is late or absent. However,<br />

there is still a tiny part of me that<br />

wishes his behaviour would slip ever<br />

so slightly. Then I would have a<br />

perfectly valid excuse to see his<br />

handsome father again. Somehow,<br />

unfortunately, I think Sam has<br />

learnt his lesson. My plan for<br />

removing the unwelcome<br />

houseguest is coming together<br />

nicely. I just hope and pray it works.<br />

The classroom is empty, apart<br />

from Sam. I can see him placing<br />

textbooks on the appropriate tables<br />

through the rectangle of glass in the<br />

door.<br />

“Morning, Sam,” I offer<br />

cheerfully as I plonk my heavy pile of<br />

marking on my cluttered desk,<br />

making pencils fly off in every<br />

direction. As I turn round he is<br />

opposite me, rocking from side to<br />

side, gripping something nervously<br />

with two hands behind his back.<br />

“Can I ask you something, Miss<br />

McKay?” His voice is trembling<br />

slightly and his cheeks have turned<br />

hot pink.<br />

“You know you can, Sam.” I offer<br />

softly and perch on the edge of my<br />

desk, so I’m not towering over him.<br />

“Well, it’s just, if you want to. I<br />

mean you don’t have to or anything.<br />

Only if you want to…” he trails off.<br />

“If I want to what?” I ask<br />

expectantly. He is really rocking<br />

now and his head is lowered, I<br />

think, with embarrassment.<br />

“Come and watch me play<br />

football on Saturday?” He asks the<br />

question as a mutter and looks up<br />

eagerly with his huge, watery blue<br />

Shane Jinadu<br />

<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />

A Lesson Learned<br />

Laura Brown


eyes wide open. I don’t know what to say. I would like<br />

to see him play football, but I’m sure the school wouldn’t<br />

be too happy with teachers spending personal time with<br />

individual students.<br />

“I’d like that, very much.” I answer and take the ticket<br />

from his hand. I feel strangely emotional that he has<br />

chosen to invite me to something that clearly means so<br />

much to him. The contented smile that works its way<br />

almost over his whole face convinces me that I have<br />

made the right decision.<br />

“What shall I wear?” I shout to Emma, hoping she<br />

will hurry from the front room and assist me with my<br />

wardrobe dilemma.<br />

“Anything. It’s a children’s charity football match, not<br />

Ladies Day at Ascot.” She looks at the red feather and<br />

crystal-encrusted hat I am holding and shakes her head.<br />

Now she is rummaging through my wardrobe, pulling<br />

out jeans and a sweatshirt.<br />

“No short skirt, no high heels and lose some of the<br />

makeup.” Her instructions are firm and direct and<br />

although I hate to admit it, I know that she is right.<br />

I leave the flat with my hair tied back in a scruffy<br />

ponytail, wearing tight jeans, low heels and a fitted,<br />

black, casual jacket. The walk to the park is a long one,<br />

and because I’m running late, very brisk. The boys are<br />

huddled in a group around a muscular man that I<br />

assume is their coach. Stretching and running on the<br />

spot, they all look nervous. I stand at the back behind a<br />

group of proud mothers, who are shouting heartily at<br />

their respective sons to ‘bend down low into the stretch’,<br />

‘take the orange segment’ and surprisingly, from one<br />

rather loud mother, ‘kick their arses.’ I feel out of place<br />

and don’t quite know if I have picked the right place to<br />

stand.<br />

“I’m glad you could make it.” I instantly recognise the<br />

Devonshire accent. Turning round, I almost bump<br />

straight into him. Conscious of my colouring cheeks, I<br />

don’t look him in the eye as I take his outstretched hand.<br />

The hand squeezing mine rather affectionately is rough<br />

and warm. Now looking up at him, I notice his cheeks<br />

are also reddening.<br />

“It’s going to be a good match, Sam is a great player.<br />

He has really come out of himself over the last few<br />

weeks.” James is smiling in the direction of his son and<br />

Sam is giving a tiny wave in our direction, big enough<br />

for us to see, yet small enough for his team mates not to<br />

mock. The roped spectator area is beginning to fill up<br />

with aggressive parents, all vying for the best view. I<br />

can’t see a thing. James is somehow managing to push<br />

his way to the front at the same time as grabbing my<br />

51<br />

undergraduate fiction<br />

hand and pulling me forward. Standing in front of him<br />

with his hands on my shoulders, I can’t concentrate on<br />

the match. All I can think about is how much I like the<br />

feel of his warm chest against my back. His hearty<br />

encouragement of his son endears me to him further and<br />

when Sam comes and hugs me at the end of the match,<br />

I feel strangely part of their family. James breaks my<br />

contemplation and asks if I would like to join them for<br />

some lunch. I find it hard to say no and after a bit of<br />

persuasion in the form of sulking Sam, I eventually<br />

agree.<br />

The café James chooses has a large slide and<br />

numerous swings and seesaws, and after we have eaten,<br />

we venture out to watch Sam play. Sitting on a damp<br />

wooden bench, I long to ask about the whereabouts of<br />

his mother and why his behaviour has so drastically<br />

improved.<br />

“Does Sam see much of his mum?” I blurt out the<br />

question before I have the chance to think of a better<br />

one.<br />

“No, he doesn’t see his mum at all.” James’s voice is<br />

melancholy and staring in the direction of his playing<br />

son I wish I could take back the question.<br />

“Oh, right,” I answer, not really knowing what to say<br />

next.<br />

“Me and Sam have had a really hard time without<br />

her.” He pauses just as he is about to go on.<br />

“Where did she go?” I eventually venture, trying to be<br />

sensitive to his situation.<br />

“She didn’t go anywhere. She died.” He doesn’t look<br />

up from the spot he is staring at on the ground. “She<br />

died, giving birth to Sam.” Now he glances up in the<br />

direction of his son and smiles. “For a long time I<br />

resented him, blamed him for her death. I wanted my<br />

wife back, not a tiny baby I had no idea how to care for.”<br />

He runs his hand through his dark curly hair and looks<br />

at me, his features full of remorse.<br />

“It is my fault Sam behaved so badly. I didn’t care for<br />

him the way I should. I have realised now that I was<br />

wrong, and what happened to her wasn’t his fault.” He<br />

wipes away a tear, and speaks as if contemplating his<br />

own feelings for the very first time. “She would have<br />

wanted me to love him, and I do. I just went about<br />

showing it in the wrong way. At the open evening, you<br />

made me realise that Sam’s bad behaviour was because<br />

of my absence. You helped me understand that I needed<br />

to be there for him.” He takes my hand cautiously, and<br />

gently continues, “He likes you very much, but it was my<br />

idea to invite you today. I want to thank you.”<br />

<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />

A Lesson Learned<br />

Laura Brown


“That’s alright. Sam is a very<br />

special little boy to me.” I shrug and<br />

try not to become tearful. Since my<br />

own father’s death when I was only<br />

ten, I know too well the difficulty of<br />

growing up with one parent, and<br />

hearing James’s story makes me<br />

realise how hard it must have been<br />

for my own mother, and how much<br />

I love her. We watch Sam play until<br />

the winter air makes our hands cold<br />

and our noses red.<br />

Six: Good Riddance<br />

It has been 3 weeks since the<br />

charity football match, and James<br />

and I have hardly spent an evening<br />

apart. I have given my blessing to<br />

my mother’s forthcoming nuptials<br />

and foolishly agreed to be a<br />

bridesmaid. So far, I have<br />

successfully warned her against<br />

wearing a white wedding dress with<br />

a thigh high split, and am currently<br />

trying to convince her that ‘Dancing<br />

Queen’ is not a suitable song to walk<br />

down the aisle to. Emma has<br />

secretly been on several dates with a<br />

Johnny<br />

undergraduate poetry<br />

He thinks he’s a rebel,<br />

Johnny boy.<br />

Watch on his right wrist<br />

Burberry cologne on his crotch,<br />

Dancing, and biting his lower lip<br />

With scally scorn.<br />

The orange ladies love him -<br />

He’s all smiles<br />

And beers in the air,<br />

When they’re about.<br />

Don’t worry, son,<br />

He tells himself,<br />

You’re a rebel<br />

And they,<br />

They can’t fight their feelings<br />

forever.<br />

Shane Jinadu<br />

new man, even though her old one<br />

is still living in our flat, eating our<br />

food and making our bathroom<br />

dirty. Sam is still by far my favourite<br />

pupil.<br />

“It’s horrible, I don’t like it.”<br />

Emma can barely look at it as we<br />

both pace round the table deciding<br />

the best possible place to put it for<br />

maximum impact. “I don’t have to<br />

touch it, do I?”<br />

I assure her that she won’t have<br />

to. We decide that the mantelpiece<br />

in the front room will be the<br />

optimum place. I am positive that<br />

lifting the heavy tank singlehandedly<br />

is causing strenuous<br />

damage to my lower back.<br />

“Perfect,” I muster as I let out a<br />

sigh of relief and step back to<br />

admire our expert positioning.<br />

“How did you manage to get<br />

one?” Emma questions me, her<br />

mouth still agog in adoration of my<br />

brilliance.<br />

“My brother knows people,” I<br />

shrug.<br />

“Do we have to keep it?” Emma<br />

asks, slowly exaggerating the ‘it’. I<br />

would love to say yes, just to see her<br />

face, but I don’t have the heart.<br />

“No. We have it on loan until<br />

8pm tonight, so if this doesn’t work<br />

I think we might be stuck with him.”<br />

The large pink-footed tarantula<br />

is eyeing us suspiciously out of its<br />

four pairs of eyes and leisurely<br />

touching the side of the tank with<br />

one front leg. It is definitely larger<br />

than my hand, although I’m not<br />

going to get it out and check. Now<br />

all we have to do is wait.<br />

“Honeys, I’m home,” he shouts<br />

loudly as he slams the front door<br />

and makes his way into the lounge<br />

where we are both sitting. Emma<br />

can hardly keep a straight face. At<br />

first he doesn’t notice it, strolling to<br />

the kitchen, we both stay put. The<br />

tank looks empty as the tarantula<br />

52<br />

undergraduate fiction<br />

crawls beneath a large piece of bark<br />

and curls up. “What’s in the tank?”<br />

he asks, walking eagerly up to it and<br />

tapping loudly on the side of the<br />

glass with his middle finger. We<br />

both stay silent and move to the<br />

edge of our seats. He taps again. I<br />

see it gradually move, unfolding one<br />

leg at a time from its tiny ball. We<br />

edge forward again. He lets out a<br />

high pitched shriek and backs<br />

towards the door. Emma begins to<br />

laugh. I keep a straight face and<br />

declare, “Say hello to your new<br />

house guest!”<br />

By the time the tarantula’s owner<br />

comes to pick her up, he is gone.<br />

The only things we have left to<br />

remember him by are an empty<br />

fridge and a dirty bath. I give Emma<br />

a scornful look, as her new man gets<br />

a little too comfy on the sofa. She<br />

knows what I mean and we both<br />

laugh when she asks him “Are you<br />

afraid of spiders?”<br />

<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />

A Lesson Learned<br />

Laura Brown


Piano<br />

Maria Papacosta<br />

Lily<br />

When I get up in the mornings,<br />

I’m usually a very cheerful<br />

person. But today I woke up and<br />

the first thing I wanted to do was<br />

shout at the cars to stop driving by<br />

my window so loudly. I miss<br />

Freddy. His house is about fifteen<br />

minutes away by train. I can visit it<br />

whenever I want, but he isn’t there<br />

any more. The house belongs to me,<br />

but it will never be my house; I don’t<br />

feel I have the right to change it.<br />

Tomorrow I am going to my<br />

Music Appreciation Society. There<br />

are nine of us that go every week and<br />

we usually manage to get on with<br />

each other. We meet in a little scout<br />

hut not much bigger than a bird<br />

box. It’s quite a secluded place,<br />

really. I don’t like the fact you have<br />

to walk through about a hundred<br />

metres of woodland to get to it, but<br />

it’s worth it once you get there.<br />

Apart from me and my friend Suzie,<br />

there’s a married couple in their<br />

thirties, a man called Tony who<br />

looks like an ageing rock star;<br />

Elvira, who’s succumbed to the<br />

surgeon’s knife, whose real age must<br />

be near sixty, a boy and girl who<br />

look so young it’s a wonder they<br />

were allowed out on their own, and<br />

Ryan, the leader of the pack who is<br />

unreasonably knowledgeable at the<br />

tender age of twenty-four. He’s a<br />

music graduate who likes folk,<br />

classical and contemporary music,<br />

as well as everything in between. He<br />

tries his best to get his members<br />

interested in music they think they<br />

won’t enjoy.<br />

Every week we hold a discussion<br />

about a certain field or genre of<br />

music. This is chosen at random by<br />

Ryan who often finds himself in the<br />

position of fighting the right to talk<br />

about things like Hip-Hop and<br />

Dance music that, I have to say, my<br />

interest strays from. It’s a fairly<br />

democratic system though because<br />

Ryan always welcomes suggestions<br />

from others.<br />

“I want you all to feel part of<br />

these discussions. Please tell me if<br />

you have any ideas about other<br />

topics you would like to talk about<br />

and I’ll note them down for next<br />

time.”<br />

Ryan’s a nice boy, I like his style<br />

of running things; he isn’t too<br />

confrontational and respects what<br />

we all have to say, even if someone<br />

thinks he’s wrong. I keep telling him<br />

he should become a teacher. I never<br />

have a problem with someone so<br />

young advising me on musical<br />

topics, but others seem to display<br />

their trouble with him. I’m looking<br />

forward to tomorrow’s meeting<br />

because we’re going to be talking<br />

about Jazz. I think Ryan thought<br />

it’d be a nice thing to do after I told<br />

him my cousin the jazz pianist had<br />

died.<br />

1925<br />

Rosetta Chambers was hanging<br />

out her washing in the usual<br />

fashion, when Robert came out of<br />

the James’ club. She had noticed<br />

him on numerous occasions but<br />

didn’t know him by name. She had<br />

spoken to Mr Frost only once, when<br />

he was moving into the building.<br />

“Hope you ain’t gonna be<br />

creating too much of a racket in<br />

here, because my family and me live<br />

upstairs,” she had said, jokingly but<br />

with serious intent.<br />

“Don’t worry ma’am, so does<br />

mine,” he added.<br />

Since that day, Rosetta<br />

Chambers had seen all the changes<br />

made in the jazz club, but she still<br />

didn’t think it would be successful.<br />

53<br />

undergraduate fiction<br />

She heard from Harry, who had an<br />

unbelievable weakness for telling<br />

strangers his family’s private<br />

business, that James was having<br />

trouble finding a decent performer.<br />

Rosetta lived with her husband<br />

Anthony on the apartment<br />

building’s 5th floor. They had been<br />

there since they married. They were<br />

young when they moved in and<br />

weren’t fussy about it being small or<br />

having holes in the floorboards that<br />

could catch your feet and make you<br />

stumble.<br />

Now in her fifties, she<br />

remembers her childhood as though<br />

it was a dream. She married<br />

Anthony because she was pregnant<br />

with his child. They told everyone<br />

they were in love, even though they<br />

probably didn’t know what it meant<br />

back then. Over the years they had<br />

grown to love each other and now<br />

they were closer than they ever<br />

thought they could be.<br />

They had lived in the apartment<br />

for almost thirty years and in all that<br />

time they hadn’t dared redecorate<br />

for fear the walls would fall down<br />

around them. Hank, who was their<br />

only child, lived with them<br />

throughout this time. He was a<br />

twenty-seven year old with no real<br />

aims in life. This put a strain on his<br />

parents. Rosetta wanted him to be<br />

a minister and work in a local<br />

church where he would gain the<br />

respect of the whole community.<br />

His father wanted him to carry on<br />

the family trade. He was a butcher<br />

who had worked every day of his life<br />

and still didn’t see the light of<br />

retirement at the end of the tunnel.<br />

Hank didn’t care to get a job. His<br />

parents were too soft on him, so he<br />

decided to take advantage of this for<br />

as long as possible. They felt guilty<br />

that they had brought him into the<br />

<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008


world while they were still children themselves.<br />

Anthony tried to talk to him about it.<br />

“I think you ought to start making your own life, son.<br />

Don’t you wanna have your own home with your own<br />

family and some kids too?”<br />

“Dad, I’m too young for all that business. I still need<br />

to find myself first.”<br />

“Well, you ain’t gonna find yourself anything if you sit<br />

here all day doing nothing.”<br />

“I go to church on Sundays, don’t I? And I offer to<br />

play the organ too.” Hank was good at playing the<br />

accompaniment for the hymns they sang. While he was<br />

playing, he could forget about everything else in his life<br />

and concentrate on that. No other thought entered his<br />

head as he worked his fingers across the keys. He<br />

received lots of compliments at the end of the service. It<br />

was mainly from old women who said they had a nice<br />

granddaughter to introduce him to, but it was always<br />

someone he thought too unattractive, too short, too<br />

talkative or sometimes it was someone he couldn’t find<br />

anything wrong with and this bothered him even more.<br />

“But that ain’t enough. What about working for me<br />

at the butcher’s?”<br />

“Dad, what makes you think a career in cutting up<br />

dead animals is appealing?” Hank looked precisely like<br />

his father from certain angles. He had a prominent<br />

brow that rested neatly above his thickly lashed eyes.<br />

Anthony had the same brow line but had started to lose<br />

his hair.<br />

“Oh yeah, I forgot, it’s much more fun for you to get<br />

drunk listening to Fats Waller records, just so you<br />

forget what a miserable life you lead. You know what?<br />

You remind me of a hobo. You’re probably the only<br />

hobo I know that has a permanent residence.”<br />

Anthony didn’t like arguing with his son but it was<br />

the only way he could get his point across. He wanted<br />

his son to tell him he knew what he wanted out of life<br />

and find something he was passionate about.<br />

Rosetta, on the other hand, knew a job that her son<br />

would love. She didn’t want to mention it though. It<br />

would lead him off the moral path she had planned out<br />

for him. Just because she conceived him before she was<br />

married didn’t mean she was going to let him be<br />

damned for life. Rosetta preferred to send her son out to<br />

do odd jobs for neighbours and friends. At least this<br />

kept him occupied. In the afternoons she would send<br />

him to her cousin Maurice to help him with various<br />

repairs around his house. She knew he would soon find<br />

out about the jazz club’s lack of performers but she<br />

54<br />

undergraduate fiction<br />

didn’t think she would ever witness it from her<br />

apartment window.<br />

Hank was on his way to church to practice hymns on<br />

the organ since he had no real way of rehearsing at<br />

home. There was nothing else he would get up early for<br />

but music was so important to him and he enjoyed it so<br />

much that even having a lie in wasn’t as appealing as<br />

playing out few chords.<br />

Rosetta was proud of the fact that he wanted to do<br />

something at the church.<br />

“And if you see Reverend Joseph, please say hello<br />

from me and tell him I’ll be seeing him at the coffee<br />

morning on Sunday,” Rosetta said as her son walked<br />

out.<br />

“Okay, mom, he might not be there because he gave<br />

me the keys to let myself in.”<br />

Hank was a little on the chubby side, thanks to his<br />

mother’s amazing cooking, but he was nevertheless a<br />

handsome young man. His face held within it a beauty<br />

that was young and alluring. He checked his reflection<br />

in the mirror and started walking down the stairs of the<br />

apartment block.<br />

At the same time, on the ground floor, Robert was<br />

saying goodbye to Harry and Sandra and putting his<br />

hat on before opening the door to leave the club. He<br />

noticed the next-door open but he didn’t have time to<br />

stop. Hank hadn’t expected a man to be standing in the<br />

vicinity of his doorway so he briskly walked into Robert.<br />

Neither of them could stop fast enough and as Robert’s<br />

hip hit against Hank’s chest, it made his satchel fall to<br />

the ground and pages of sheet music spill out like liquid.<br />

“Watch where you’re stepping!” Hank said angrily.<br />

“I’m terribly sorry, I didn’t expect anyone to come out<br />

of there.”<br />

Robert stood frozen for a moment as though any<br />

other movement he made would create another mishap.<br />

He hadn’t counted on the wind picking up.<br />

“Oh man, you’ve made me drop all my stuff and now<br />

the wind is carrying it away.”<br />

Hank opened his arms out and tried to run after<br />

the straying sheets. Robert knelt down on the ground<br />

and started picking up as much as he could and putting<br />

it back into the brown leather satchel. Realising what<br />

they were, he looked up at Hank.<br />

“You sing hymns?”<br />

“No I play them, the congregation sings.”<br />

“On the piano?”<br />

“It really ain’t none of your business but it’s on the<br />

church organ,” Hank said getting ready to leave.<br />

<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />

Piano<br />

Maria Papacosta


“I'm sorry, I know it’s none of my<br />

business but I’m just trying to find<br />

someone to play jazz here at the club<br />

on opening.”<br />

“Jazz? Like Fats Waller?”<br />

Robert realised Hank was<br />

interested. He handed him a few<br />

more sheets of music that had<br />

blown a few feet away into<br />

the road.<br />

“Sort of like Fats Waller,<br />

yeah. Can you play any of his<br />

songs?”<br />

“I only play hymns. I’ve<br />

never tried to play anything<br />

else because I don’t own an<br />

organ of my own,” Hank<br />

said, looking up to his living<br />

room window. His mother<br />

was cooking his favourite<br />

dish of chilli-fried chicken<br />

and chitterlings. He hoped<br />

she hadn’t seen him talking<br />

to Robert because when he<br />

went back home later there<br />

would be a lot of questions<br />

like ‘Who was that man?<br />

What did he want? Why<br />

were you talking to him for<br />

so long?’<br />

Of course Rosetta had<br />

seen them talking and she<br />

knew exactly what they were<br />

talking about. James had<br />

already told her they were<br />

desperate for performers, yet<br />

she neglected to mention her<br />

son could play. She looked<br />

out the window again and<br />

saw Robert ushering him<br />

into jazz club. ‘Why should<br />

my son play the devil’s<br />

music? If his father knew he<br />

wasn’t going to church, he<br />

Haiku<br />

would go and smack some sense<br />

into him,’ she thought.<br />

Hank entered the dark room<br />

without question, figuring that<br />

whatever was behind that door<br />

would be much more exciting than<br />

rehearsing at the church.<br />

“I brought this piano over from<br />

England and we still haven’t found<br />

anyone good enough to play. You<br />

can practice your hymns on it. It’s<br />

the least I can do after I knocked all<br />

your manuscripts to the floor.”<br />

A tarmac tapeworm<br />

Lives through the blackened built heart<br />

Of the city’s form.<br />

Cars flashing red blood<br />

Along the dark blackened roads,<br />

Shining wet in rain.<br />

Headlights of white blood,<br />

Staving off the night's darkness,<br />

Lighting up the vein<br />

Orange streetlights shine,<br />

Illuminating the path<br />

Of staring cat's eyes,<br />

Lining the way back<br />

To the giant concrete heart,<br />

Beating to the flow.<br />

Burning neon signs,<br />

Cannon-sounding club music,<br />

A flickering strobe.<br />

By road flows the blood<br />

Keeping the concrete alive<br />

Feeding the city<br />

undergraduate poetry<br />

Robert suddenly remembered<br />

that Harry and Sandra were still<br />

downstairs and that he’d have to<br />

introduce them to this new person.<br />

55<br />

undergraduate fiction<br />

Marc Spencer<br />

“That’s Sandra, she’ll be playing<br />

trombone, and Harry, he just…er…”<br />

Robert struggled to introduce him.<br />

“I supervise what goes on here<br />

during the day,” Harry said, with<br />

slight seriousness.<br />

“Hi, nice to meet you both. I<br />

didn’t realise I’d have an audience.<br />

Maybe I can come back, if<br />

you’ll let me practice on<br />

another day,” Hank said,<br />

hoping that Reverend<br />

Joseph wasn’t waiting for<br />

him.<br />

Harry gazed with<br />

suspicious eyes at Robert.<br />

“Hey Rob, can I speak to<br />

you for a moment out here,”<br />

He said, pointing towards<br />

the alcove where the<br />

stairway began. Robert<br />

walked over to him leaving<br />

Hank standing by the piano.<br />

He admired the glow that<br />

radiated from the natural<br />

wood and the glossy varnish.<br />

It reminded him of a shiny<br />

apple. The restoration work<br />

Robert had been doing on it<br />

was hardly noticeable. To<br />

Hank, this was a new piano.<br />

“Is everything okay?”<br />

Robert whispered<br />

“What are you trying to<br />

pull? You told him he could<br />

practice just so you could<br />

listen to him play.”<br />

“What’s the problem?”<br />

“The problem is that he<br />

doesn’t know he’s having an<br />

audition.”<br />

“So?”<br />

“I’m trying to say that<br />

you’re gonna end up<br />

exploiting him.”<br />

Before Robert could reply, Hank<br />

started playing one of the hymns he<br />

was going to practice at the church.<br />

***<br />

<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />

Piano<br />

Maria Papacosta


Play me anytime<br />

Oh my gosh I think he’s got it.<br />

Put the paycheck straight in his pocket.<br />

He can play me<br />

Anytime he likes.<br />

Wow yeah.<br />

Some people play with apprehension.<br />

He knows which buttons cause me tension.<br />

He can play me<br />

Anytime he likes.<br />

Where’d you find such a specimen of musical grace?<br />

Did you know he was this good?<br />

Or did you think he couldn’t even play double bass?<br />

Oh my gosh he knows how to play it:<br />

Any song, just as long as you say it.<br />

He can play me<br />

Anytime he likes.<br />

Wow yeah.<br />

***<br />

Lily<br />

Iwent back to Freddy’s place earlier today and found<br />

something that I’d never thought I’d find. As I was<br />

sitting by the piano, I opened the keyboard lid and the<br />

knock of the wood against wood made a piece of paper<br />

fall out of the bottom of the piano. I picked up the<br />

yellowing sheet. I could see the ink of the writing<br />

through the back and it looked like the veins of a<br />

creature. It was a letter:<br />

My Dear Elizabeth,<br />

I am sorry. I didn’t want to do this but I couldn’t go on<br />

any more living a lie. I had to battle every day living in this<br />

weird mixed up world but perhaps it is best if the world<br />

goes on without me. Lily, my darling, I love you so much<br />

and I’m sorry to leave you. It is hard to write this because<br />

you have been a good cousin and friend to me and I feel as<br />

though I have disappointed you. I have not been as truthful<br />

with you as I should have been. Lily, this is what you<br />

deserve, the truth.<br />

You were always happy in your quaint little house. I<br />

loved visiting you there every now and then and you would<br />

always ask me why I would seldom invite you back to mine.<br />

The truth is, I wasn’t living alone. For the last eight years, I<br />

56<br />

undergraduate fiction<br />

have had someone living with me. I couldn’t bring myself to<br />

introduce you to him because I knew you would want to<br />

know so many things, I thought it was easier for me not to<br />

explain anything. He was my partner, my lover. I am sorry<br />

I couldn’t tell you. It was a huge secret to keep from you and<br />

I don’t want you to think I was deliberately hiding it from<br />

you. I didn’t want you to stop talking to me just because of<br />

my different lifestyle, just the way Hilary did all those years<br />

ago when I tried to confide in her. She said ma and pa<br />

deserved a better son than me and it really hurt me, more<br />

than she could know. Now you can see why I had to laugh<br />

off all your comments of me getting married and having<br />

children. The reason I’ve decided to end it all is because my<br />

partner left me. He said he didn’t want to be with me any<br />

more so I felt I had no-one left that could possibly<br />

understand me for who I was.<br />

Lily, it wasn’t just you that I was hiding this big secret<br />

from; it was the rest of the world too. I want you to<br />

remember me the way I used to be: a big smile on my face,<br />

playing my piano and jumping up and down trying to make<br />

people laugh. I can’t be that person anymore. My partner<br />

kept telling me I’d changed. The problem is, I’d gone too<br />

far in one direction to change back. I am sorry, Lily, I’m so<br />

sorry.<br />

Love you always,<br />

Frederick Chambers<br />

I didn’t understand what I was reading. The letter<br />

wasn’t dated but it looked old. I didn’t think he wrote it<br />

recently before his death. But I didn’t understand<br />

because it hinted at his death. It must’ve been some kind<br />

of suicide note. Was this a joke? I never in my life<br />

thought Freddy was gay. Why didn’t he tell me? I was<br />

upset that he didn’t confide in me. Did he really think I<br />

was going to turn my back on him like Hilary? I wasn’t<br />

just upset, I was angry.<br />

***<br />

1925<br />

Where we going tonight then, Louisa?” Irene<br />

asked.<br />

“There’s this new place just opening tonight. I hear<br />

they’re gonna be playing some hot jazz.”<br />

“That’s what they say about every club in this town,”<br />

Irene said.<br />

“Yeah but we might as well check it out. It’s nice to<br />

go somewhere different on your birthday, isn’t it?”<br />

Louisa said to Bertie while adjusting her outfit.<br />

Bertie was celebrating her 18th birthday. They heard<br />

about the jazz club through some young people at<br />

church. Their mother spoke on a regular basis with<br />

Petunia Frost, who explained her husband was opening<br />

<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />

Piano<br />

Maria Papacosta


a new place. All three girls had<br />

matching outfits on. Each girl had a<br />

floaty knee-length dress with a lace<br />

trim around the neckline and hem.<br />

Bertie’s was powder blue whilst<br />

Louisa had the red version and<br />

Irene the white. All three had a long<br />

string of pearls and an ostrich<br />

feather in their hair that matched<br />

their dresses.<br />

“I hope we aren’t going to stay<br />

out too late. We don’t want mom to<br />

be worried about us,” said Bertie,<br />

who at eighteen still hadn’t found<br />

the urge to rebel from her parent’s<br />

rules like her two sisters did.<br />

“Don’t worry about that. She<br />

won’t know what time we’ll be back<br />

anyway,” said Louisa.<br />

Bertie always worried. She’d<br />

never been on a night out before.<br />

“I’m just saying, we don’t wanna<br />

worry her, so we’ll just tell her we’re<br />

going to Rosie’s café,” Louisa said as<br />

she powdered her nose.<br />

“Don’t worry, girls, we’ll see how<br />

it goes,” said Irene reassuringly.<br />

“Hey, maybe they’ll let us sing if we<br />

ask them nicely.”<br />

“I doubt that very much. It’s a<br />

professional club ain’t it?<br />

Sometimes, Irene, you come up<br />

with the strangest suggestions,” said<br />

Louisa.<br />

The girls enjoyed singing. They<br />

often got together and practiced<br />

harmonising with each other on<br />

hymns and popular songs they<br />

heard on the wireless. They liked<br />

singing in the church choir but<br />

didn’t enjoy it as much as singing<br />

together as a trio.<br />

When each of them had finished<br />

preening their way to perfection,<br />

they came out their front door, with<br />

their heels clomping against the<br />

sidewalk and their laughter rising<br />

up through the dark street.<br />

The jazz club was pulling in a<br />

decent sized crowd. James Frost<br />

was too nervous to hold a<br />

conversation with anyone. He kept<br />

rubbing the knuckles of each hand<br />

together to hide the fact they were<br />

shaking. But somewhere in his<br />

nervous rattle, he was happy to see<br />

the club looking so full. He had to<br />

bring down extra chairs from his<br />

apartment because of the amount of<br />

people. James was glad that he<br />

advertised in the local paper as well<br />

as telling everyone he came across.<br />

“Who says word of mouth<br />

doesn’t work?” he asked Harry, who<br />

was perched on a bar stool next to<br />

him.<br />

“Well it’s just lucky we know so<br />

many people, ain’t it?”<br />

“Is Hank ready?” James asked<br />

nervously. Hank was due to start<br />

playing in less than ten minutes.<br />

“He’s round the back in the<br />

storeroom, probably sucking on<br />

some kinda alcohol.”<br />

“He’d better not be! And I told<br />

you, don’t call it a ‘storeroom’<br />

anymore, it’s a dressing room.”<br />

“Yeah, whatever, he’s in there<br />

with a girl that he stole off me.”<br />

“Oh really?” James said and<br />

started walking towards the<br />

dressing room to see if he could get<br />

Hank to make an appearance.<br />

Ever since he’d been practicing<br />

his music at the club, Hank had<br />

developed a thirst for fame. It was<br />

now beginning to surface as a<br />

problem because as his talent grew,<br />

so did his ego. Apart from his<br />

appearance, he was unrecognisable<br />

as the shy young man who walked<br />

into Robert that windy day. Robert,<br />

who was currently talking to<br />

Sandra, knew that he and James<br />

had created a sexual monster. His<br />

appetite for beautiful young ladies<br />

was never satisfied. Once he realised<br />

he could impress them with his<br />

musical talent, he would try his luck<br />

with everyone.<br />

57<br />

undergraduate fiction<br />

Tonight, on opening night,<br />

Sandra was going to be playing<br />

trombone. She was excited but<br />

nervous. Not so much for herself<br />

but for Harry. She wondered<br />

whether he would keep up his piano<br />

playing with so many other<br />

potential distractions for him.<br />

Robert wished Sandra good luck<br />

but she had a feeling there was<br />

something else on his mind that he<br />

wanted to say to her.<br />

“So you’re ready to go on then,<br />

Sandra?” Robert asked her, looking<br />

at the buttons on her blouse and<br />

wondering whether she had<br />

intentionally left one of them<br />

undone. He liked Sandra a lot but<br />

was too much of a coward to admit<br />

his feelings because he dreaded to<br />

think what her family would do to<br />

him if he told her how he felt.<br />

Besides, he had a good idea that she<br />

didn’t like him at all so his<br />

declaration would be wasted.<br />

“I’m ready, I just hope Hank is.<br />

We’d better get started soon ’cause<br />

this crowd is getting restless,” she<br />

replied.<br />

“Oh, they’re just excited,” Robert,<br />

said reassuringly. “I wonder what<br />

my grandfather would say if he<br />

could see his old piano being used<br />

in a jazz club.”<br />

Sandra smiled at him.<br />

The club looked so different now<br />

it was full of people. He thought<br />

back to the first day and how he<br />

walked into the empty room and<br />

never thought it would look<br />

anything like it did now. Even over<br />

all that crowd noise, he could hear<br />

the muffled voices of Hank arguing<br />

with James.<br />

“Okay man, just a second, I’ll be<br />

out soon, besides, people love to<br />

wait for talent,” Hank wailed.<br />

“It’s your first night. You ain’t no<br />

star yet, so don’t push your luck.”<br />

<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />

Piano<br />

Maria Papacosta


The dressing room looked a state. Hank’s clothes<br />

were draped over lamps and chairs and there where<br />

various pairs of shoes, men’s and women’s, strewn<br />

across the floor.<br />

On the other side of the club, three young ladies<br />

entered the front door and made their way towards the<br />

tables. Realising there was no spaces to sit; they stood<br />

in a line by the bar. Louisa lit a cigarette and put it right<br />

on the edge of her lips, it was a wonder it didn’t fall out.<br />

“You smoke?” Bertie said with shock as she looked<br />

at her sister.<br />

“Yeah, of course, it’s good for the nerves, you know.”<br />

“And what have you got to be nervous about?”<br />

“Okay, you got me, I do it ’cause I enjoy it.”<br />

“Welcome, welcome everybody to what can only be<br />

described as a musical extravaganza for your ears,”<br />

James addressed the crowd. He noticed the bright faces<br />

of people, eager to hear some good quality jazz.<br />

“I’d just like to say 'welcome to Jimmy’s Jazz Joint’. I<br />

want you to feel at home, so make yourselves<br />

comfortable. Now, I will bring on our first act of the<br />

evening: a talented young pianist who goes by the name<br />

of Hank.”<br />

“Honky-Tonk Hank” a voice said from behind the<br />

stage.<br />

“Yeah, okay. Please give a cheer for Honky-Tonk<br />

Hank.”<br />

The audience applauded as a seemingly tipsy man<br />

came to the stage. He bowed, thanked the crowd and<br />

sat down on the piano stool and began to play Laugh<br />

with me, not at me, one of his own compositions. The<br />

crowd got into it very easily, but they weren’t all looking<br />

at Hank.<br />

“Have you noticed that people are staring at us, I<br />

wish we’d found seats,” Bertie whispered to her sisters.<br />

“That’s because we all look so swell, honey!” Louisa<br />

said, smiling at Bertie.<br />

“Well you girls had better get used to people looking,<br />

‘cause we’re gonna be on that stage later,” Irene said.<br />

“What are you talking about? We ain’t performing<br />

here, mom would kill us,” Bertie said.<br />

“What mom doesn’t know, won’t kill her,” Louisa<br />

said.<br />

The crowd clapped and cheered at the end of Hank’s<br />

performance. Hank bowed slightly more graciously<br />

than he had at the beginning.<br />

“Thank you, thank you all. What did y'all think of<br />

that?”<br />

The crowd carried on clapping.<br />

58<br />

undergraduate fiction<br />

“It was passable,” Irene said, her voice so<br />

unintentionally loud so that Hank and the rest of the<br />

club heard. Hank stared at her and the whole room<br />

became silent.<br />

“Passable?” Hank asked. “I’ve been practicing piano<br />

for ten hours a day, I’ve made my fingers so sore I<br />

couldn’t even hold a glass and now someone is fresh<br />

enough to say my performance was ‘passable’?”<br />

Before Hank had a chance to get angry, Robert<br />

jumped onto the stage and tried to calm him down. He<br />

whispered something in his ear but it didn’t seem to<br />

help matters. Hank tried to punch Robert in the jaw<br />

but he missed and stumbled onto the piano stool. Harry<br />

appeared out of nowhere to introduce the next act. The<br />

crowd was also getting rowdy and was clapping at<br />

Hank’s spectacular finale.<br />

“Okay folks, we’ve got a bright young performer for<br />

you now. She is my niece Sandra and...” Harry stopped<br />

as Hank fell from the piano stool to the floor.<br />

“…Boy oh boy can she blow that trombone,” he said<br />

nervously and started the applause to get her on stage.<br />

Sandra shook her head. She didn’t feel like performing<br />

now but got up on stage anyway and started playing her<br />

favourite swing medley.<br />

Everything was a mess. As Sandra was playing, she<br />

looked around at what people were doing: drinking,<br />

smoking and laughing with a hysterical glint in their<br />

eyes. She wanted it to be more civilised. She heard the<br />

smash of glass as it hit the floor. She turned around to<br />

see Robert sitting on the piano stool, slumped against<br />

the instrument. His eyes looked exhausted. It was hot<br />

and people took their layers of clothing off, throwing<br />

them to the floor with spontaneity before getting up to<br />

dance. It wasn’t the perfect set-up, Sandra thought, but<br />

they all seemed to be enjoying it.<br />

Robert attempted to accompany Sandra on the<br />

piano. He decided to stick to the simplest of chords but<br />

Sandra was flying off on her improvisation and he<br />

couldn’t play fast enough to keep up. The crowd<br />

laughed at him thinking he was purely there for comedy<br />

purposes. Sandra looked out at the smoke cloud that<br />

hung above the bobbing heads. In the distance, by the<br />

bar, she could see Hank talking to the woman that had<br />

offended him earlier. He had turned into such a sly dog<br />

and she didn’t like him one bit. Did everyone always<br />

have to change for the worst when they got into this<br />

business? She thought. The only person that had<br />

changed for the better was Robert. He wasn’t shy and<br />

awkward anymore. He was a more confident version of<br />

the man that had walked into the jazz club just over a<br />

<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />

Piano<br />

Maria Papacosta


month ago. Sandra looked at him<br />

again as he sat there. They held a<br />

gaze for a few seconds. She felt<br />

something strange inside her but<br />

she didn’t know if it was attraction<br />

or just that she felt sorry for him. Of<br />

course she would never tell him how<br />

she felt, there were so many<br />

differences between them it was<br />

unthinkable.<br />

People cheered as Sandra<br />

finished her performance. She<br />

stepped down from the stage to<br />

make way for Hank once more. He<br />

didn’t look as unruly as he did before<br />

and she hoped his performance<br />

would reflect this.<br />

“How's about we bring some<br />

girls on who think they can sing<br />

against my ‘passable’ piano playing?”<br />

Hank said, curling his lips into a<br />

smile as though it had all been an<br />

act.<br />

“What is that fool doing now?”<br />

James asked. “He's ruining the<br />

order of things.” He fumbled with<br />

his pocket watch before putting it<br />

back in his jacket.<br />

Louisa, Bertie and Irene joined<br />

Hank on the stage.<br />

“I can’t believe we’re doing this.<br />

Have you seen the crazy bunch of<br />

people that are watching?” Bertie<br />

said.<br />

Stella, the woman who<br />

auditioned to James in that strange<br />

manner, was jumping up and down<br />

and fanning herself with her<br />

jewelled hat.<br />

“Lets get goin’,” Hank shouted<br />

and pounced into the first few bars<br />

of the song that just so happened to<br />

be one the girls were practicing a<br />

few hours earlier.<br />

***<br />

Leaving when I’ve got the chance<br />

IRENE: Baby you left me.<br />

BERTIE: Left me, I was all alone.<br />

IRENE: I said, baby you left me.<br />

LOUISA: Left me out in the cold.<br />

BERTIE: You didn’t mean to.<br />

IRENE: That’s what you told me.<br />

LOUISA: But that excuse is<br />

getting old.<br />

IRENE: They said they saw you in<br />

the back of a jazz club,<br />

BERTIE: getting friendly with<br />

some dame.<br />

IRENE: They said they saw you in<br />

the back of a jazz club.<br />

LOUISA: I doubt you even knew<br />

her name.<br />

BERTIE: You didn’t mean to.<br />

IRENE: That’s what you told me.<br />

LOUISA: So now go hang your<br />

head in shame.<br />

IRENE: Woo…<br />

HANK’S SOLO<br />

IRENE: Baby it's over.<br />

BERTIE: Ain’t nothing left for you<br />

to say.<br />

IRENE: I said, baby it's over.<br />

LOUISA: If not tomorrow then<br />

today.<br />

BERTIE: You see I’m leaving,<br />

IRENE: Because you’re two-faced.<br />

LOUISA: So don’t be trying to<br />

make me stay.<br />

BERTIE: Oh boy, I’m leaving.<br />

IRENE: (spoken) I should’ve done<br />

so long ago but I never had the guts<br />

to go through with it so…<br />

LOUISA: Don’t be trying to make<br />

me stay.<br />

Lily<br />

***<br />

59<br />

undergraduate fiction<br />

So what did we all think of that<br />

guys?” Ryan asked as he lifted<br />

the needle off the record. The<br />

gramophone he brought in<br />

reminded me of the one my mother<br />

owned. In fact, she told me that she<br />

named me Lily after the lily-like<br />

shape of the gramophone’s speaker.<br />

“I couldn’t hear it very well. It<br />

was too grainy,” moaned Aneeka,<br />

the youngest of the group. “Why<br />

didn’t they make a better<br />

recording?”<br />

“The music was alright, quite<br />

bluesy. The voices of the singers<br />

were strong but the lyrics were a bit<br />

basic,” said Tony. “No offence Lily.<br />

I mean, they probably thought it<br />

was good turn of phrase or<br />

something but to be honest, the<br />

vocabulary isn’t that great. It could<br />

be more lyrically inventive if you ask<br />

me.”<br />

I thought the group would enjoy<br />

the Hartman sisters' record. Why<br />

would they give me so many<br />

negative comments? These songs<br />

brought me a personal happiness<br />

that I won’t let anyone destroy…just<br />

because they think ‘the lyrics were a<br />

bit basic’. They probably didn’t<br />

understand them. This was my only<br />

copy of the Hartman sisters record.<br />

Of course, they recorded it a few<br />

weeks after that first performance<br />

on opening night but together with<br />

the story she used to tell me, it was a<br />

complete memory. It’s a story she<br />

told me many times. She had it all<br />

planned out and spoke to Hank at<br />

church about whether they could<br />

sing with him on opening night. He<br />

agreed but said he didn’t have time<br />

to convince James or Robert to give<br />

the girls an audition. So they made<br />

up this idea of the girls being<br />

hecklers to Hank’s mock<br />

drunkenness. She always said that it<br />

was the funniest thing she ever did<br />

because it was so convincing. She<br />

<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />

Piano<br />

Maria Papacosta


managed to keep it a secret from her sisters too. After<br />

the performance, James had dollar signs in his eyes and<br />

asked them to be part of the house band along with<br />

Sandra.<br />

“I think the lyrics were supposed to be basic. Isn’t<br />

that right Lily?”<br />

“Actually I don’t think my mum and her sisters really<br />

cared for lyrical quality. They were more concerned<br />

with feelings and I think they did a good job of it. After<br />

all, isn’t that what blues is about?” I said hoping that<br />

someone would agree with me but everyone remained<br />

silent.<br />

“That’s a good point Lily. Blues is about emotions<br />

above everything else.”<br />

“Did a lot of people buy the record?” Simi asked.<br />

“My mother and aunts made a few copies to sell at<br />

the bar but people at the time preferred to come into the<br />

club to see them for real.”<br />

“You’ve brought along another record for us to listen<br />

to, haven’t you Lily? It’s by your cousin Fred who, sadly,<br />

passed away quite recently?”<br />

“Freddy, yes. He was an extraordinary pianist who<br />

surpassed everything his father taught him. I have a few<br />

of his records because he did a lot of stuff throughout<br />

his life.” I said and gave him the record, which still had<br />

a shine to it, being at least thirty years newer than my<br />

mother's, which now had a matte finish. He placed it<br />

on the turntable and placed the needle gently down.<br />

How soothing it was to hear Freddy’s opening to<br />

‘Riviera.’ I closed my eyes and imagined I was sitting by<br />

his piano as he played.<br />

“I couldn’t keep up with that one,” said Aneeka. “It<br />

was too fast at some points.”<br />

“Well it was supposed to be varied. Freddy told me<br />

that he wrote this piece as a story and as he played it, he<br />

would tell himself the story so that he could remember<br />

which section came next.”<br />

“That sounds a bit pointless to me, why not write<br />

each bit down?” said Tony, who liked to argue about<br />

everything so I saw it coming.<br />

“The point is so that he didn’t have to write it down,<br />

he created a narrative to remember.”<br />

“Isn’t that a waste? All the audience would<br />

experience is the piece he is playing. I'm sure they would<br />

love to experience the story too,” said Ryan, who was<br />

starting to question my explanations.<br />

“But surely the audience does get to experience a<br />

story, because the musical structure of the piece mirrors<br />

the structure of a story,” said Dennis Ray, who up until<br />

that point hadn’t spoken.<br />

60<br />

“I’m not convinced. If you didn’t mention anything<br />

Lily, I think we would’ve been none the wiser,” said<br />

Elvira, who arched her eyebrow and turned her mouth<br />

up at me. “Just like if a story was inspired by a song, we<br />

wouldn’t necessarily know unless the author told us.”<br />

“But it’s all about emotion again, you would notice it<br />

in the structure.” I said.<br />

“He is a good pianist though,” said Simi.<br />

“Well, you’ll be interested to know that it was his<br />

father playing piano on my mum’s record, and it’s the<br />

same piano.”<br />

There was a chorus of “oh, okay” from all the<br />

members. I don’t think they were that interested.<br />

“You know, for a music appreciation society, you<br />

lot aren’t very appreciative!” I said, realising I was<br />

getting angry.<br />

I think I knew who would appreciate such a legacy<br />

that my family was leaving behind. I decided then to<br />

donate the piano to the Jazz Institute, where people<br />

could admire its beauty and wonder about the stories<br />

behind it. I think Freddy would’ve liked that a lot. I<br />

wanted to go home at that point and start planning the<br />

piano’s final journey. I sat back and tried to forget where<br />

I was by listening to the gramophone in my head that<br />

was playing Little Lily’s Swing.<br />

In Retrospect<br />

undergraduate fiction<br />

***<br />

If I could cry real salty tears,<br />

My varnish would dissolve,<br />

But I’ve been silent for forty years<br />

So what would that resolve?<br />

No warmth of human hand has played,<br />

My strong and sturdy keys.<br />

My crevices are filled with dust,<br />

Seems more like centuries.<br />

And what will happen to me now?<br />

Perhaps my time has come.<br />

To be cut into firewood,<br />

But will my soul live on?<br />

Please play on me one last song,<br />

A hopeful melody,<br />

So music can awake once more<br />

My tuneful memory.<br />

<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008<br />

Piano<br />

Maria Papacosta


61<br />

postgraduates<br />

<strong>Metropolitan</strong> <strong>Lines</strong> Summer 2008


Visit us on-line:<br />

<strong>Metropolitan</strong> <strong>Lines</strong><br />

http://arts.brunel.ac.uk/gate/ml/index<br />

<strong>Brunel</strong> <strong>University</strong><br />

http://www.brunel.ac.uk/<br />

The Department of English at <strong>Brunel</strong> <strong>University</strong>, School of Arts<br />

http://www.brunel.ac.uk/about/acad/sa/artsub/english

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!