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musicXport.nl - Buma Cultuur

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eviews<br />

by Enrico Riva<br />

<strong>musicXport</strong>.<strong>nl</strong><br />

50<br />

Daily Bread<br />

Well, You're Not Invited<br />

(Excelsior)<br />

Trio Daily Bread, from northern Dutch town Leeuwarden,<br />

blend ‘60s garage rock to ‘80s electro and spice it up with<br />

some Dada tactics. Their stripped-down sound – drums,<br />

fuzz bass and a vintage ‘60s Philicorda organ – has a ferocious<br />

attack, helped by the distortion of their homemade<br />

effect pedals and voicebox. It results in a genui<strong>nl</strong>y<br />

odd mash of retro and futuro elements, transcending the<br />

band’s instant novelty appeal. *****<br />

Moke<br />

The Long & Dangerous Sea<br />

(PIAS)<br />

Amsterdam-based five-piece Moke never have been<br />

slouches and their second longplayer – the follow-up to<br />

2007’s Shorland – finds them in full-tilt mode. The band<br />

works from the Britpop template (part indie, part wave)<br />

and channels its energy via arrangements that are a tad<br />

more intricate than on Shorland and its take-no-prisoners<br />

approach. This time around, Moke’s big-hearted musings<br />

on big city life are wrapped in a big sound, beefed up by<br />

orchestral flourishes. *****<br />

Knobsticker<br />

Forest Fruit<br />

(Dox)<br />

Synthi-pop duos usually are comprised of a singer and a<br />

knobtwister stuck behind an ironing board. Knobsticker<br />

(Falco Torenstra and Wim van Dam) has cooked up a<br />

variation on the synthi-pop theme: a drums and synths<br />

duo, with occasional vocals by Benny Sings. Forest Fruit<br />

is a ragbag collection of weird tunes and even weirder<br />

arrangements, more Jean Jacques Perry than Pet Shop<br />

Boys. It scores high on novelty and will please deejays<br />

looking for some off-beat relief. *****<br />

Kindred Spirits Ensemble<br />

Love Is Supreme<br />

(Kindred Spirits/Rush Hour)<br />

Kindred Spirits Ensemble is a 20+ congregation of<br />

seasoned players, dedicated to celebrate the music of<br />

jazz icon John Coltrane and his spiritual take on jazz and<br />

music in general. This album contains a selection of live<br />

performances, recorded at Amsterdam’s Paradiso (on<br />

the night of Coltrane 80th birthday, virtually of course),<br />

North Sea Jazz and Pure JazzFest. This is heady stuff,<br />

orchestrated (not big band) jazz meets jazz&poetry.<br />

Some tracks come across as overly precious, however,<br />

Love Is Surpreme exudes good taste. *****<br />

MilkMoneyMaffia<br />

Milkshake<br />

(Basserk)<br />

Last year, the Amsterdam-based Basserk label released the<br />

Musik digital mini-album by MilkMoneyMaffia, Gree<strong>nl</strong>and’s<br />

hardest electrorocking producer – or so they want us to<br />

believe. Three tracks of Musik – the best from the album,<br />

by the way - have been remixed by various producers for<br />

Milkshake, another digital mini-album release. The ‘Mr.<br />

Oizo meets Uffie’ original tracks have been kicked around<br />

by the likes of Kid Goesting, 3-1, Boemklatsch and DJ<br />

Donna Summer. The reworkings retain the sense of satire<br />

and goofiness of MilkMoneyMaffia’s razor-like electropunk<br />

and dress it in weird party attire. *****<br />

Moss<br />

Never Be Scared/Don't Be A Hero<br />

(Excelsior)<br />

Holland’s Excelsior label is a bedrock of guitar-oriented<br />

music and five-piece Moss fit that bill perfectly. What<br />

makes their debut platter – which rated high in the critics<br />

polls for 2009 – stand out from the crowd is a certain<br />

naivety. Never Be Scared is not a kaleidoscope of the best<br />

bits from their aggregated record collections, but a dip<br />

in uncharted waters. It fuses elements from fifty years of<br />

rock and moulds them into compact and catchy songs,<br />

elevated by joyous harmonies. Fleet Foxes with added<br />

punch, anyone?<br />

*****

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