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ackground<br />

<strong>musicXport</strong>.<strong>nl</strong><br />

66<br />

Moke<br />

Last september, when Moke was handed a<br />

gold record for its debut album ‘Shorland’,<br />

it sudde<strong>nl</strong>y started to dawn: the Amsterdam<br />

britrock band had slowly but surely climbed<br />

up to the highest echelons of Dutch pop music.<br />

No mean feat for a band that is o<strong>nl</strong>y been<br />

doing it for a good three years. They deserve<br />

it, and certai<strong>nl</strong>y frontman Felix Maginn, the<br />

Irish expat whose previous band Supersub,<br />

playing almost the same kind of music, never<br />

got out of the margin. On their new album<br />

‘The Long & Dangerous Sea’ Moke once again<br />

shows that their patron Paul Weller’s trust is<br />

more than just: big gestures, but a small heart.<br />

And nothing but top material.<br />

De Staat<br />

You know the phenomenon? That some words<br />

change meaning over time? Like here by De<br />

Staat (= The State) we no longer mean the<br />

State of the Netherlands, but the rock band<br />

from Nijmegen who, as a T.C. Matic of the<br />

Stone Age, in one year’s time has shoved the<br />

country in its back pocket. Raw, fiery and<br />

passionate. Statesman Torre Florim (vocals/<br />

guitar) and his merry men were the discovery<br />

of the previous Noorderslag edition and since<br />

then didn’t need to look back anymore. In<br />

the meantime they have played all over The<br />

Netherlands and their debut album ‘Wait For<br />

Evolution’ is the cool calling card of Holland<br />

indie rock land. In short: De Staat is always<br />

ready. And a must-see for all Saturday Night<br />

Live fans who demand more cowbell!<br />

Greyline<br />

There is a grey line between brutal metal and<br />

melodic rock, and it’s called Greyline. Four<br />

sturdy blokes from up North - Groningen to<br />

be exact - who in recent years have won over a<br />

lot of souls. At home and abroad, at Wâldrock<br />

and EuroSonic, and at the same stages as<br />

metal gods like Slayer and Dillinger Escape<br />

Plan. After two albums, of which one selfreleased,<br />

the new ‘Behind The Masquerade’ is<br />

already hanging out to dry.<br />

De Basis<br />

Ilanois<br />

Being ambitious as a band is tricky, especially<br />

in the calvinist Netherlands. But Frisian<br />

band Ilanois has to be, their music calls for it.<br />

Accessible indie rock of panoramic dimensions,<br />

where emotions always brim over, following<br />

the example of artists like Coldplay, Chris Isaak<br />

and Jeff Buckley. They already secured national<br />

fame, through the Top 20 hit ‘Pouring Rain’, the<br />

accompanying album ‘Do You Hear Me’ and<br />

their publicity stunt ‘24 gigs in 24 hours’.<br />

De Basis<br />

You know, everything ultimately goes back<br />

to the basis. Without basis, life is nothing.<br />

Therefore this Frisian hiphop fivesome<br />

couldn’t think of a better name for their<br />

band. Having started out less than a year<br />

ago supporting Rico & Sticks, there now has<br />

grown something beautiful at De Basis. A solid<br />

sound, built from a variety of styles, from soul<br />

and funk through rock to even prog, played<br />

by a tight band using organic instruments<br />

together with synths, samplers and other<br />

electronics. And then on top flow the smooth<br />

raps of frontman Ico Balt. Compressed into<br />

an awesome live show, which already won the<br />

quintet the Kleine Prijs van Fryslân (the Small<br />

Prize of Friesland). Logical really, because you<br />

know it’s the basis!<br />

Krause<br />

Ilanois<br />

Boemklatsch<br />

Krause<br />

Wilder than La Roux, poppier than Elle<br />

Bandita, that’s Krause, the alter ego of Susanne<br />

Clermonts, who fuses catchy synthpop and<br />

hysterical electro punk together for a sound<br />

that sends your trouser legs flying. She does<br />

so on her brand new debut album, produced by<br />

her Groningen drum ‘n’ bass fellow townsmen<br />

Noisia.<br />

C-mon & Kypski<br />

Time flies when you’re having fun. Holland’s<br />

genre-bending pride C-Mon & Kypski, grown<br />

from electronics and hiphop led turntablism<br />

duo sent to makers of eclectic pop music with<br />

a capital E, is ten years old in 2010. Reason<br />

for a party. Expect a true rollercoaster ride<br />

through all corners of pop music, brimming<br />

with dazzling samples and at full speed<br />

through the style barrier.<br />

Boemklatsch<br />

Boem, klatsch. Kick, snare. It can be that<br />

simple. In fact, it was that simple when<br />

Boemklatsch was founded in U-town, in 2001.<br />

A boat party, twenty euros, free booze and<br />

spinning hip hop records. Eight years later,<br />

the group of partying friends has become a<br />

colourful and energetic dance collective that<br />

won’t hesitate to give a house-coming-down<br />

guarantee.

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