musicXport.nl - Buma Cultuur
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<strong>musicXport</strong>.<strong>nl</strong><br />
80<br />
Aux Raus Deluxe<br />
Swine flu, so what? The Aux Raus virus, now<br />
that is deadly contagious. The recipe of<br />
this Amsterdam duo is well-known, also for<br />
Noorderslag punters from two years back:<br />
fucking loud, ruthless, pent-up gabber punk<br />
spewed from decrepit drum machines and a<br />
heavily distorted guitar, but packaged in genuine<br />
pop songs: songs with a beginning and an end<br />
and a catchy chorus in-between. Additional<br />
fun-enhancing elements: vocals with a thick<br />
Dutch accent and scenes so overheated that<br />
the pants are coming off regularly. Last summer<br />
at Lowlands they were one of Promo’s guests,<br />
this time Aux Raus throw a party themselves.<br />
Exactly who will come along remains secret for<br />
now, but one thing is certain: it will be clearing<br />
up the mess deluxe!<br />
Tim Knol<br />
Predictions are always dangerous in the<br />
wondrous world of pop music, but it seems<br />
plain as day that just 20-year old singer/<br />
songwriter Tim Knol is heading towards a<br />
golden future. A talent the complete Dutch<br />
roots community has been waiting for. When<br />
it’s time for the remarkably battered-voiced<br />
Tim to appear at Noorderslag, his debut<br />
album on the ever so alert Excelsior-label will<br />
be out, and we’re telling you: that’s gonna be<br />
a record we’ll still be talking about in years to<br />
come. Those who won’t believe that his songs<br />
are at least as good as those of examples such<br />
as Steve Earle, Gram Parsons, Rod Picott and<br />
Ron Sexsmith, are invited to check him out this<br />
autumn as the support act on Johan’s farewell<br />
tour. Killing three birds with one stone!<br />
Tim Knol<br />
Awkward I<br />
Awkward I<br />
Rest assured: there is nothing awkward to<br />
Awkward I, the brainchild of Groningen singer/<br />
songwriter Djurre de Haan. On the contrary,<br />
Awkward I’s indie folk, soft as a whisper<br />
and recently registered on the appropriately<br />
titled debut album ‘I Really Should Whisper’,<br />
immediately sets you at ease. With the<br />
emphasis on immediately, the reason why De<br />
Haan & co. got themselves a slot at famous<br />
showcase festivals such as SXSW (Austin),<br />
CMJ (New York) and our own EuroSonic, at<br />
a time when they didn’t have a record out<br />
yet. So, moving on to Noorderslag this year<br />
isn’t more than logical. Prepare yourself for<br />
intimate songs about life, love and conscience,<br />
and surrender to the power of I.<br />
Eric Vloeimans Gatecrash<br />
In love with a trumpet. That’s what you’re<br />
automatically in for when witnessing jazz<br />
maestro Eric Vloeimans and his quartet<br />
Gatecrash (pianist Jeroen van Vliet, bassist<br />
Gulli Gudmunsson and drummer Jasper van<br />
Hulten). The man from Rotterdam isn’t seen as<br />
the best jazz trumpeter of the Netherlands and<br />
its surroundings for nothing, and internationally<br />
put on the same pedestal as a Chet Baker or<br />
Wynton Marsalis. The most important thing<br />
from a Noorderslag point of view however, is<br />
that his lyrical, velvety sound makes also nonjazz<br />
fans melt like snow in the sun. It is sultry,<br />
sensual music. Exciting too, and swinging, but<br />
especially stunningly beautiful.<br />
Bettie Serveert<br />
See page 58.<br />
Lola Kite<br />
Lola Kite sounds like Cola Light. We don’t<br />
make that up ourselves, you can read it<br />
on their MySpace. So that we understand<br />
where their name comes from, because the<br />
music of this Amsterdam trio sounds more<br />
like Hawkwind light: psychedelic space rock<br />
with an eighties pop streak. Or the other way<br />
round of course: like a psychedelic Orchestral<br />
Manoeuvres In The Dark. Also contemporary<br />
electronic bands such as Air, Phoenix and The<br />
Knife echo in the ever catchy and danceable<br />
songs of Lola Kite, who moreover loves to<br />
jazz up something or other with a dive into<br />
the dress-up box. Sonic richness, uninhibited<br />
ecstasy, bear suits, Lola Kite is a treat for eyes<br />
and ears.<br />
Noah's Ark<br />
Do you remember, the Ark of Noah? The<br />
biblical vessel built to survive the Flood? Of<br />
each species on earth two copies signed on.<br />
Not so with Amersfoort hip hop king Jiggy<br />
Djé’s red hot record label of the same name.<br />
Here everybody is unique. How unique,<br />
is demonstrated by two of Noah’s Ark’s<br />
thoroughbreds: Turk and Kraantje Pappie, who<br />
each do a short gig under the watchful eye of<br />
hosts SpaceKees and Jiggy Djé himself. Be on<br />
the lookout for Turk, who will undoubtedly<br />
provide a taste of his forthcoming debut<br />
album, while Kraantje gets an extra boost<br />
next to his own Noorderslag-appearance. We<br />
say: cast off and go!<br />
Anne Soldaat<br />
Once upon a time Anne Soldaat (Dutch for<br />
‘soldier’) served in the Ermelo-based guitar<br />
elite corps Daryll-Ann. After the break he<br />
formed his own army Do-The-Undo, and now<br />
Anne fights his own battle, as a musical Rambo.<br />
In name at least, for the widely acclaimed<br />
solo album ‘In Another Life’ on the Excelsior<br />
label was created together with his American<br />
soul mate Jason Falkner, and on stage he is<br />
surrounded by a four-piece band of friends.<br />
Anyway, Soldaat’s love for Californian pop<br />
music from the sixties and seventies results<br />
in magnificent, colourful songs, from acoustic<br />
singer/songwriter ballads to sunny powerpop<br />
and all the beauty in between. Forward!<br />
Shaking Godspeed<br />
Shaking Godspeed<br />
The Achterhoek (a rural region in the far east<br />
of The Netherlands) was always synonymous<br />
with Normaal (Achterhoek’s most famous<br />
band, and a national treasure). Until a few<br />
years back, The Bloody Honkies wiped<br />
themselves dry behind the ears with an oil<br />
cloth and boxed the whole nation’s ears with<br />
their swampy garage blues, drawn straight<br />
from the Achterhoek clay. Unfortunately, The<br />
Bloody Honkies exhausted themselves, but<br />
never mind: from their ashes rose Shaking<br />
Godspeed, the o<strong>nl</strong>y true heir to the Honkies.<br />
And, as befits an heir: Shaking Godspeed<br />
picks up where The Bloody Honkies left. The<br />
idiom is the same, but the music is hungrier<br />
and more angular. Live is the influence of<br />
blues really felt, a real increased bluesband.<br />
The play at quarter past two at Noorderslag!<br />
Anne Soldaat