musicXport.nl - Buma Cultuur
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<strong>musicXport</strong>.<strong>nl</strong><br />
58<br />
Oceana Company<br />
They have nobody to compare with, they<br />
find themselves. Where have we heard that<br />
before? But in the case of Oceana Company<br />
that might well be true. In any case in the<br />
Netherlands, where their woven carpet of<br />
prog rock, psychedelia, indie/post rock and<br />
stoner metal hasn’t been displayed before,<br />
and certai<strong>nl</strong>y not in the original and organic<br />
way they proceed.<br />
Kleazer<br />
This year they did cry victory at the Grote<br />
Prijs van Twente, while one festival or club<br />
audience after the other were left behind with<br />
mouths hanging open. Anyway, EuroSonic will<br />
be in for devilish, almost surreal stoner rock,<br />
but moulded into songs with heads and tails.<br />
Who would have thought otherwise from a<br />
band who has a Jeroen Bosch in its ranks.<br />
Cords<br />
Cords<br />
If the name Cords rings a (deci)bel(l): that’s<br />
right. In the nineties the illustrious Deventer<br />
noise rock band already swept through the<br />
Netherlands, toured Europe, the USA and<br />
Australia and garnered some due success,<br />
until the band split up late in 1999. But the holy<br />
noise fire is glowing again! Cords has risen<br />
again and the explosive musical chemistry<br />
of the band centered around singer Simone<br />
Holsbeek doesn’t appear to have handed in<br />
an ounce of urgency. Better even: there is a<br />
new album coming up, ‘Collage’, and live the<br />
band is good again for a swirling trip along<br />
haunting psychedelia, brooding silences and<br />
seething guitar storms - in short: Cords fever<br />
guaranteed.<br />
Bettie Serveert<br />
Bettie Serveert<br />
Life can run the strangest course. Tennis star<br />
Betty Stöve is long served out, but Bettie<br />
Serveert far from it. Okay, the Amsterdam<br />
indie rock band led by singer Carol van Dyk<br />
did take it easy in recent years, but is now<br />
gearing up for a new blitzkrieg, which will<br />
ruthlessly run 2010 through with their guitars:<br />
a new cd, the ninth and apparently toughest<br />
in the nearly 20-year history of the group,<br />
followed by a full-blown club tour of three<br />
months, starting at Noorderslag. Yes, that’s<br />
the way we like to hear it. Carol’s seductive<br />
voice, the loud guitars, that bittersweet<br />
sound, please come on in!<br />
Daily Bread<br />
If Daily Bread was our daily bread, you would<br />
not hear us complaining. No wonder, with these<br />
young Frisian Flevo dogs, who bark and bite,<br />
with their guerrilla punky-electro sound and<br />
singer Kimberly’s voice, changing colour from<br />
Siouxsie Sioux to PJ Harvey. Spearheading is<br />
Kimberly’s authentic Philicorda-organ, with<br />
help from noisebox and other accessories, and<br />
who o<strong>nl</strong>y gives away its toy tone at unguarded<br />
moments. Combined with banging drums and<br />
fuzz bass, arises the sexy garage dance sound<br />
with which Daily Bread explicitly claims the<br />
Dutch organ rock crown.<br />
2562<br />
Agua de Annique<br />
There are still people who associate Anneke<br />
van Giersbergen with The Gathering, the<br />
progressive rock/metal which she led for<br />
thirteen years. And a great thirteen years they<br />
were, but they are over. Since two years the<br />
Brabant singer is the proud front woman of<br />
her own Agua De Annique, a band in which<br />
the rock heart still beats somewhat but<br />
where everything revolves around passionate<br />
pop melodies and Van Giersbergen’s voice,<br />
which has become o<strong>nl</strong>y more beautiful over<br />
the years. Indiepop with an edge. Meanwhile<br />
Agua De Annique has also been touring the<br />
world and received an international warm<br />
welcome for the three so far released albums,<br />
of which ‘In Your Room’ is still warm. Time for<br />
Groningen applause!<br />
Klein<br />
Sometimes jazzy, sometimes folky, largely<br />
acoustic, and also on the enthusiastically<br />
received debut album ‘A Devil’s Bargain’,<br />
despite the solid guest line-up there, always<br />
small and intimate. May they become very big.<br />
Blue Flamingo<br />
Blue flamingos don’t exist, but Ziya Ertekin<br />
does. And in Ziya you have to want to believe<br />
too: a Dutch collector of 78 rpm records who<br />
as a dj lets you make a miraculous journey<br />
through time: back to the thirties, forties and<br />
fifties. The years of oriental jazz-exotica, palm<br />
music of the Caribbean and Latin American<br />
dance styles like mambo and rumba, which<br />
mixed with rhythm & blues. From Sidney<br />
Bechet and Duke Ellington through Jelly<br />
Roll Morton and Alphonso et son Orchestre<br />
Typique Antillais to Charles Brown, Otis<br />
Blackwell and Big Maybelle. Many a festival<br />
audience already literally knuckled under,<br />
EuroSonic will surely follow suit.<br />
Odilo Girod<br />
2562<br />
If you want to know where dubstep producer<br />
Dave Huismans lives, just look at his stage<br />
name, which not coincidentally resembles a<br />
postcode from The Hague. A little joke that<br />
has nothing to do with his music, or it should<br />
be its skippiness, a feature that can’t be traced<br />
back to the garage roots of dubstep. Rather<br />
2562 seems influenced by broken beats and<br />
even the imperturbable four-to-the-floor of<br />
techno. The latter is not surprising, given the<br />
deep house and techno parties of Huismans’<br />
other alter ego A Made Up Sound. So, with<br />
2562 Huismans is also out for the dance floor.<br />
Odilo Girod<br />
Imagine Nick Drake being still alive and inviting<br />
Jamie Lidell, Beck and Eels over for dinner.<br />
That’s more or less the sound of Chop Wood, a<br />
solo project of Amsterdam-based songwriter<br />
Odilo Girod, known as frontman of the widely<br />
acclaimed indie rock band Coparck.