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ackground<br />

<strong>musicXport</strong>.<strong>nl</strong><br />

68<br />

Jenny Lane<br />

A white girl from Purmerend, Noord-Holland,<br />

who gets the legendary black Apollo Theater<br />

in New York on its knees, it should not get any<br />

crazier. Yet that’s what happened to Jenny<br />

Lane in 2007, when she participated in the<br />

Apollo’s weekly amateur night and sent all her<br />

competitors homeward. A tentative climax<br />

in the career of the singer, who by the way<br />

already lives in Amsterdam for a long time<br />

and has permanently traded her days as a<br />

background vocalist for a.o. Postman ánd<br />

Anouk for life as a soloist. Rightly so, as shown<br />

by her unique amalgam of pop and soul that<br />

has already yielded a spectacular debut<br />

album and hits like ‘Say Say Say’ and ‘You<br />

Start A Fire’. Now see her live and imagine<br />

you’re at the Apollo.<br />

Christiaan Hof<br />

Christiaan Hof - not a name that makes you<br />

sit up. Until his songs do, and they do. Dutchlanguage<br />

songs in the tradition of Bløf and<br />

Marco Borsato, songs that hit you right in<br />

the heart, with a phrase that stays with you.<br />

“Security is a thing that is not so sure” for<br />

example, from ‘Alleen Is Maar Alleen’ (Alone Is<br />

Just Alone), his first single. His first own single,<br />

to be exact. Because Christiaan is not new in<br />

the business. He composed for Kinderen Voor<br />

Kinderen, sang in the band of Alain Clark and<br />

produced albums by Boris and Jim. But the<br />

desire to own a place in the spotlight himself<br />

was uncontrollable. And see: Christiaan Hof is<br />

now himself a star in the making. Maybe it’s<br />

time to start remembering that name.<br />

Dennis<br />

Not everything is what it seems. The fans<br />

of Dennis know that. That Dennis is no real<br />

Dennis for example, but a Denise, daughter of<br />

famous Dutch producer Rob van Donselaar.<br />

Those who didn’t know Dennis yet, now<br />

know as well, which comes in handy. A good<br />

opportunity to also tell them that Dennis<br />

debuted three years ago with an album full<br />

of dance, rock, soul and pop, but that on<br />

the follow-up, set for a January release, the<br />

singer will sound a lot more mature and the<br />

Flux<br />

emphasis will be clearly on soul, with the<br />

help of a.o. Kraak & Smaak and soul producer<br />

Commissioner Gordon (Lauryn Hill, Aretha<br />

Franklin). That’s gonna be a fantastic gig in<br />

Groningen, with or without guests.<br />

Di-rect<br />

Who is Di-rect? A rhetorical question, for last<br />

autumn that was the title of the successful<br />

television program in which the rock band<br />

from The Hague went searching for a new<br />

singer before the eyes of the nation. They<br />

found him: Marcel Veenendaal, with whom Direct<br />

after ten years, five albums, thirteen hits,<br />

each and every stage in the Netherlands and a<br />

mantelpiece full of prizes will step on the gas<br />

once again for a new series of successes, but<br />

now in a higher gear. Therefore co-composer<br />

and keyboardist Vince van Reeken was also<br />

offered a permanent contract and with their<br />

new single ‘Times Are Changing’ the band directly<br />

slammed into the national charts. New<br />

targets: to conquer Europe ánd the alternative<br />

music snob, starting in Groningen.<br />

All Missing Pieces<br />

In the fall of 2007 they surprised the whole<br />

of the Netherlands as a rough version of the<br />

Hanson brothers from the nineties. With an<br />

average age of 12 years, The Hague-based All<br />

Missing Pieces were really just too sweet to be<br />

able to assess their music on their own merits,<br />

however great that music was. Real, raw<br />

garage rock with which they totally burned<br />

down many a festival (o<strong>nl</strong>y in the holidays),<br />

including Noorderslag 2008. Two years later<br />

they are back with new songs and a richer<br />

sound, thanks to the purchase of an authentic<br />

Philicorda-organ. Forget those old songs, the<br />

new ones are better. All Missing Pieces are at<br />

it again!<br />

Stereo<br />

For a band with two guitarists (of course,<br />

stereo), Stereo sometimes sound a bit cautious.<br />

At least on their debut album ‘Monogamy’,<br />

released last summer. Live the house just<br />

comes down with this sextet, which late in<br />

2008 arose from the television programme<br />

Rock Nation, a kind of Pop Idol for rockers.<br />

This reads like a motley crew, but Stereo<br />

sounds remarkably solid, something the Rock<br />

Nation-required living together undoubtedly<br />

helped with. Just as the past of the band<br />

members, in rock, hardcore and hip hop<br />

groups, and in studios, on rock academies<br />

and music schools. With the slightly husky<br />

power singer Astrid Kunst as figurehead,<br />

these twenty-somethings just go for gold!<br />

Flux<br />

Is pop music art? Listen to Flux and you<br />

suppose it is. Nothing elitist, mind you, but<br />

yet something more than just a collection of<br />

songs. Flux, the alter ego of the Groningen<br />

singer/keyboardist Irene Wiersma, crafts<br />

miraculous Dutch-language pop music with<br />

surreal lyrics. Songs like dreams, of light<br />

disrupting signature, that lead you to an<br />

often grim, mostly personal world full of<br />

controversy.<br />

We Swim You Up<br />

The Black Atlantic<br />

The acoustic chamber pop of this quartet<br />

from Groningen is often justly compared<br />

to acts like Bon Iver, Fleet Foxes and Sigur<br />

Rós. The calm beauty of their soft waving<br />

chants, rustic piano playing and soft-focus<br />

guitars and percussion is mesmerizing and<br />

seduced already 50,000 fans to dow<strong>nl</strong>oad<br />

their critically acclaimed debut album before<br />

it was even in the shops. After American and<br />

European tours The Black Atlantic is now<br />

back where it started three years ago: at<br />

EuroSonic.<br />

We Swim You Jump<br />

There’s a lot to hear in the indie pop of the<br />

Groningen quintet based around singer/<br />

guitarist Richard Oosterbaan and singer/<br />

keyboardist Niek Verwey. Influences of the late<br />

singer/songwriter Elliott Smith for example,<br />

and of catchy (power) pop bands like The<br />

Posies and Nada Surf. But also intriguing<br />

arrangements, which lift the band above<br />

sheer epigonism.<br />

The Black Atlantic

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