What is the research evidence on writing? - Department for Education
What is the research evidence on writing? - Department for Education
What is the research evidence on writing? - Department for Education
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5.2 Strategies <strong>for</strong> helping boys with <strong>writing</strong><br />
Evidence has identified <str<strong>on</strong>g>the</str<strong>on</strong>g> following strategies that can help boys with <strong>writing</strong> (Daly,<br />
2003; Ofsted, 2005b):<br />
Type of strategies Examples<br />
School and<br />
classroom-level<br />
Strategies about<br />
teaching in general<br />
A range of specific<br />
strategies <strong>for</strong> <strong>writing</strong><br />
o Use of active learning tasks, including drama<br />
strategies e.g. thought-tapping 7 and hot-seating 8<br />
o Use appropriate, n<strong>on</strong>-c<strong>on</strong>fr<strong>on</strong>tati<strong>on</strong>al approaches to<br />
d<str<strong>on</strong>g>is</str<strong>on</strong>g>cipline<br />
o Target-setting, m<strong>on</strong>itoring and mentoring<br />
o Use older pupils as male role models <strong>for</strong> example as<br />
‘reading buddies’ or to publ<str<strong>on</strong>g>is</str<strong>on</strong>g>h <str<strong>on</strong>g>the</str<strong>on</strong>g>ir work <strong>for</strong> younger<br />
classes<br />
o Schools as learning organ<str<strong>on</strong>g>is</str<strong>on</strong>g>ati<strong>on</strong>s which foster and<br />
support teachers<br />
o Teachers having c<strong>on</strong>fidence in <str<strong>on</strong>g>the</str<strong>on</strong>g>ir abilities and<br />
having high expectati<strong>on</strong>s from pupils<br />
o Support independent pupil awareness and encourage<br />
pupils to be resp<strong>on</strong>sible <strong>for</strong> <str<strong>on</strong>g>the</str<strong>on</strong>g>ir work<br />
o Less<strong>on</strong> planning and organ<str<strong>on</strong>g>is</str<strong>on</strong>g>ati<strong>on</strong>, as boys can benefit<br />
from tightly structured and well-organ<str<strong>on</strong>g>is</str<strong>on</strong>g>ed less<strong>on</strong>s<br />
with clear learning goals<br />
o Explicit teaching about language, <strong>for</strong> example<br />
subordinati<strong>on</strong> and co-ordinati<strong>on</strong>. In additi<strong>on</strong>, boys<br />
(and girls) can benefit from a range of diverse<br />
interventi<strong>on</strong>s such as stepped instructi<strong>on</strong>s using mini<br />
plenaries and task cards; using v<str<strong>on</strong>g>is</str<strong>on</strong>g>ual organ<str<strong>on</strong>g>is</str<strong>on</strong>g>ers and<br />
frames to scaffold text structure; <str<strong>on</strong>g>the</str<strong>on</strong>g> use of drama<br />
c<strong>on</strong>venti<strong>on</strong>s to explore aspects of character, setting or<br />
plot; incorporati<strong>on</strong> of ‘talk <strong>for</strong> <strong>writing</strong>’ time into<br />
literacy less<strong>on</strong>s so that pupils can talk about <str<strong>on</strong>g>the</str<strong>on</strong>g>ir text<br />
be<strong>for</strong>e start <strong>writing</strong> it<br />
o Topic selecti<strong>on</strong> in narrative <strong>writing</strong><br />
o Medium term planning using frameworks which are<br />
adapted to meet pupils’ diverse needs<br />
o Planning <strong>writing</strong> using mnem<strong>on</strong>ics as boys often have<br />
difficulties with timed <strong>writing</strong> and <str<strong>on</strong>g>the</str<strong>on</strong>g> process of<br />
‘beginning, middle and end’<br />
o Effective drafting should be an integral part of pair,<br />
group and whole-class teaching. Explicit teaching of<br />
drafting skills should include <str<strong>on</strong>g>the</str<strong>on</strong>g> use of photocopied<br />
7 A drama strategy where individuals are invited to speak <str<strong>on</strong>g>the</str<strong>on</strong>g>ir thoughts or feelings<br />
aloud - just a few words. Th<str<strong>on</strong>g>is</str<strong>on</strong>g> can be d<strong>on</strong>e by tapping each pers<strong>on</strong> <strong>on</strong> <str<strong>on</strong>g>the</str<strong>on</strong>g> shoulder.<br />
8 In th<str<strong>on</strong>g>is</str<strong>on</strong>g> strategy, a character <str<strong>on</strong>g>is</str<strong>on</strong>g> questi<strong>on</strong>ed by <str<strong>on</strong>g>the</str<strong>on</strong>g> group about h<str<strong>on</strong>g>is</str<strong>on</strong>g> or her<br />
background, behaviour and motivati<strong>on</strong>.<br />
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