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What does the universe look like in color?

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long used. But to everyone's surprise, Helmholtz showed that <strong>the</strong><br />

eye's three k<strong>in</strong>ds of <strong>color</strong> receptors have <strong>the</strong>ir peak sensitivity to red,<br />

green, and blue light. These three <strong>color</strong>s are now known as <strong>the</strong><br />

primary <strong>color</strong>s of light, s<strong>in</strong>ce any <strong>color</strong> <strong>the</strong> eye can see can be<br />

produced by stimulat<strong>in</strong>g <strong>the</strong> eye with a comb<strong>in</strong>ation of red, green,<br />

and blue light.<br />

From a scientific po<strong>in</strong>t of view, Helmholtz' discovery was a great<br />

success. It expla<strong>in</strong>ed, for example, <strong>the</strong> phenomenon of after-images.<br />

If you stare at a red circle, for example, for half a m<strong>in</strong>ute or so, and<br />

<strong>the</strong>n <strong>look</strong> at a blank white part of <strong>the</strong> page, you will see a bluishgreen<br />

after-image. Helmholtz <strong>in</strong>terpreted this as <strong>in</strong>dicat<strong>in</strong>g that <strong>the</strong><br />

eye's red-receptors somehow got "used up" <strong>in</strong> star<strong>in</strong>g at <strong>the</strong> <strong>color</strong>,<br />

allow<strong>in</strong>g <strong>the</strong> blue- and green-receptors to dom<strong>in</strong>ate vision and<br />

produce <strong>the</strong> bluish-green afterimage.<br />

Inspired by Helmholtz' early experiments on <strong>color</strong> vision, <strong>the</strong><br />

Scottish physicist James Clerk Maxwell gave an astound<strong>in</strong>g<br />

demonstration to <strong>the</strong> British Academy <strong>in</strong> 1861: He was able to<br />

create a full-<strong>color</strong> image of a Scottish tartan ribbon, from three<br />

black-and-white slides projected through red, green, and blue filters<br />

to form one image. This proved that full-<strong>color</strong> could be recreated<br />

from mix<strong>in</strong>g red, green, and blue light.<br />

Artists were fasc<strong>in</strong>ated by <strong>the</strong>se new scientific discoveries, which<br />

stimulated new styles of art. Georges Seurat, for example, attempted<br />

to stimulate <strong>the</strong> viewer's eye with pa<strong>in</strong>t<strong>in</strong>gs created from thousands<br />

of dots, often us<strong>in</strong>g primary <strong>color</strong>s or complementary <strong>color</strong>s side by<br />

side. But artists quickly found it difficult and unreward<strong>in</strong>g to try to<br />

mimic <strong>the</strong> mix<strong>in</strong>g of light by juxtapos<strong>in</strong>g <strong>color</strong>ed pigments. Today,<br />

<strong>the</strong> primary pigments for artists rema<strong>in</strong> red, yellow, and blue—while<br />

<strong>the</strong> primary <strong>color</strong>s of light are red, green, and blue, as you can see<br />

from closely observely <strong>the</strong> screen of your television set or computer<br />

monitor.<br />

James Clerk Maxwell<br />

(1831-1879) demonstrated<br />

that full <strong>color</strong> could be<br />

recreated from red, blue,<br />

and green images projected<br />

on a screen. He is best<br />

known for his discovery of<br />

<strong>the</strong> laws of<br />

electromagnetism.<br />

Detail from Seurat’s<br />

Bath<strong>in</strong>g at Asnieres.

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