The Military Band - Regimental Drum Major Association
The Military Band - Regimental Drum Major Association
The Military Band - Regimental Drum Major Association
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CHAPTER 3<br />
THE CONCERT BAND<br />
Section I. AUTHORIZATION AND INSTRUMENTATION<br />
18. Purpose.<br />
<strong>The</strong> band proves its primary value as a morale<br />
building and community relations factor through<br />
its public appearances and concerts both on the<br />
military reservation and in the civilian community.<br />
<strong>The</strong> principal importance of the band in concert<br />
is to provide good musical entertainment for<br />
its audiences and to present programs that will<br />
exert some definite influence toward mental relaxation,<br />
inspiration, and development of patriotism<br />
and esprit de corps in its listeners.<br />
certain substitutions are frequently effective.<br />
Most efective substitutions are made by hav-<br />
ing missing parts played by other instruments<br />
of the same key and of similar tone quality. <strong>The</strong><br />
piano player occasionally can be substituted for<br />
missing instrumentalists such as flute, oboe, and<br />
bassoon players. If more than one part is missing,<br />
the piano player can work from a full or con-<br />
densed score. Other substitutions, such as alto<br />
saxophone for alto clarinet, also are efective.<br />
19. Authorization<br />
Strength authorizations of Army bands are predicated<br />
on the performance of commercially published<br />
standard band literature. To achieve acceptable<br />
results, maximum usage must be made<br />
of musicians authorized and assigned (particularly<br />
in small bands) since most band literature<br />
is written and arranged for large bands. Where<br />
possible, all parts should be played.<br />
20. Substitution of Instrumentation<br />
When adequate instrumentation is not assigned,<br />
21. Balance<br />
<strong>The</strong> band must be balanced properly to achieve<br />
acceptable results. Balance must be maintained in<br />
and between sections and groups. Instruments<br />
within sections should be distributed evenly so<br />
that a balanced harmonic situation is obtained.<br />
<strong>The</strong> groups also should be balanced so that a de-<br />
sirable blend results. For example, the woodwind<br />
group should be matched evenly with the brass<br />
and percussion groups. Balance is achieved best<br />
when sections are not separated.<br />
Section II. PROGRAM PLANNING<br />
22. Selection of Music paramount importance. If material is selected<br />
which is too difficult for the players, a ragged<br />
In the selection of music, the type and size of the performance can result. Music which allows the<br />
audience for which the band will play must be of more proficient musicians to display their skills<br />
prime consideration. <strong>The</strong> selections to be played on solo passages will stimulate the players to<br />
should be left to the discretion of the bandmaster, work harder and will be of greater interest to the<br />
who must prepare an entertaining, interesting, audiences.<br />
and well-balanced program. To insure the success<br />
of a musical performance, the program must be 23. Music Commemorating Special Events<br />
cohesive and not be a sequence of musical num- In programs commemorating any special event,<br />
bers selected at random. <strong>The</strong> selection of music the mood of the chosen selections should conform<br />
well suited to the instrumentation of the band to the nature of the occasion. Special care should<br />
and the organization of a program that will cap- be exercised in the choice of music for such proture<br />
and maintain the audience's interest are of grams.