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The Military Band - Regimental Drum Major Association

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CHAPTER 3<br />

THE CONCERT BAND<br />

Section I. AUTHORIZATION AND INSTRUMENTATION<br />

18. Purpose.<br />

<strong>The</strong> band proves its primary value as a morale<br />

building and community relations factor through<br />

its public appearances and concerts both on the<br />

military reservation and in the civilian community.<br />

<strong>The</strong> principal importance of the band in concert<br />

is to provide good musical entertainment for<br />

its audiences and to present programs that will<br />

exert some definite influence toward mental relaxation,<br />

inspiration, and development of patriotism<br />

and esprit de corps in its listeners.<br />

certain substitutions are frequently effective.<br />

Most efective substitutions are made by hav-<br />

ing missing parts played by other instruments<br />

of the same key and of similar tone quality. <strong>The</strong><br />

piano player occasionally can be substituted for<br />

missing instrumentalists such as flute, oboe, and<br />

bassoon players. If more than one part is missing,<br />

the piano player can work from a full or con-<br />

densed score. Other substitutions, such as alto<br />

saxophone for alto clarinet, also are efective.<br />

19. Authorization<br />

Strength authorizations of Army bands are predicated<br />

on the performance of commercially published<br />

standard band literature. To achieve acceptable<br />

results, maximum usage must be made<br />

of musicians authorized and assigned (particularly<br />

in small bands) since most band literature<br />

is written and arranged for large bands. Where<br />

possible, all parts should be played.<br />

20. Substitution of Instrumentation<br />

When adequate instrumentation is not assigned,<br />

21. Balance<br />

<strong>The</strong> band must be balanced properly to achieve<br />

acceptable results. Balance must be maintained in<br />

and between sections and groups. Instruments<br />

within sections should be distributed evenly so<br />

that a balanced harmonic situation is obtained.<br />

<strong>The</strong> groups also should be balanced so that a de-<br />

sirable blend results. For example, the woodwind<br />

group should be matched evenly with the brass<br />

and percussion groups. Balance is achieved best<br />

when sections are not separated.<br />

Section II. PROGRAM PLANNING<br />

22. Selection of Music paramount importance. If material is selected<br />

which is too difficult for the players, a ragged<br />

In the selection of music, the type and size of the performance can result. Music which allows the<br />

audience for which the band will play must be of more proficient musicians to display their skills<br />

prime consideration. <strong>The</strong> selections to be played on solo passages will stimulate the players to<br />

should be left to the discretion of the bandmaster, work harder and will be of greater interest to the<br />

who must prepare an entertaining, interesting, audiences.<br />

and well-balanced program. To insure the success<br />

of a musical performance, the program must be 23. Music Commemorating Special Events<br />

cohesive and not be a sequence of musical num- In programs commemorating any special event,<br />

bers selected at random. <strong>The</strong> selection of music the mood of the chosen selections should conform<br />

well suited to the instrumentation of the band to the nature of the occasion. Special care should<br />

and the organization of a program that will cap- be exercised in the choice of music for such proture<br />

and maintain the audience's interest are of grams.

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