(3) Honors to the Nation (concurrent with c. Honors to the Nation. (If retreat is schedretreat, if scheduled). uled in the parade, disregard this para.) (4) Reports. (1) If retreat is not conducted, the adjutant (5) Publishing of Orders. (after the band has completed sound off) directs (6) Officers Center March (Post). BRING YOUR UNITS TO ATTENTION AND (7) Pass in Review. PRESENT ARMS. (8) Conclusion. (2) <strong>The</strong> battalion commander commands c. Retreat may also be incorporated into a pa- himself and his staff to present arms. This is the rade when appropriate. If retreat is scheduled signal for the bandmaster to begin conducting the Honors to the Nation is conducted concurrently. National Anthem (para 90). <strong>The</strong> drum major executes the BATON SALUTE on the first note of the 137. Ceremonial Battalion Parade a. Formation of Troops. <strong>The</strong> band is formed music. At the conclusion of the music, the bandmaster FACES ABOUT and SALUTES; instruments re- main in the playing position. At the command for a parade in the same manner as for a review (para 130a). Attention, Adjutants Call, and a ORDER main in ARMS, the playing the bandmaster position. At and the drum command major TERMINATE their salutes and bandsmen return march, to move the battalion forward, are all performed as in in a review (para 130a). their instruments to the carry position in ca- their dence. instruments to the carry position in ca- b. Sound Off. (1) Immediately following the march, the bandmaster CHANGES POSTS withthedrummand t(fg. Whenlthebattalionha)s.been-givenpa- (2) When the battalion has been given parade rest, the adjutant directs SOUND OFF. cd. Reports. <strong>The</strong> adjutant reports to the commander of troops, receives reports from the units again reports to the commander of troops. e. Publishing of Orders. <strong>The</strong> adjutant reads the orders. (3) At this command, the drum major con- f. Officers Center March (POST). ducts the three Sound Off Chords. At the conclu- (1) Units are given PARADE REST. <strong>The</strong> sion of the third chord, the band marches FOR- WARD playing a march at quick time. <strong>The</strong> band band (2) remains <strong>The</strong> atATTENTIoN. adjutant commands OFFICERS, executes a LEFT TURN to march across the front of the troops (fig. 62). <strong>The</strong> bandmaster and drum (3) At the command march, the band begins to play a march and continues playing until the major do not salute at any time during this phase officers are halted in front of the of the ceremony. At the left of the line of troops, the band COUNTERMARCHES and returns over the the band and COUNTERMARCHE returns over the same ground to the right of the line. After the ficer. <strong>The</strong> bandmaster should endeavor to CUT OFF the band at the exact time that the officers band has passed beyond the right of the troops, it RIGHT executes TURN, a COUNTERMARCHES again, and HALTS in its original position. When halt (4) <strong>The</strong> officers execute present arms and order arms. <strong>The</strong> battalion commander gives such order arms. <strong>The</strong> battalion commander gives such the band finishes the march, it again plays Sound mands OFFICERS POST ssar and then co Off. <strong>The</strong> bandmaster and drum major then (Trooping the line may be eliminated when cerem O e o march (5) At the command march, the band plays a march and continues to play until the last officer reaches his original post and assumes pamonies are conducted indoors during inclement rade rest. weather and space is at a premium.) (6) Immediately following the conclusion of Note. Retreat when scheduled will be integrated at the march, the bandmaster and drum major this point. <strong>The</strong> adjutant directs SOUND RETREAT. CHANGE POSTS. When the adjutant assumes the parade rest position, the g. Pass in Review. trumpets sound Retreat. Immediately upon completion of (1) <strong>The</strong> battalion commander directs, retreat, the adjutant directs ATTENTION and PRE- SENT ARMS. <strong>The</strong> battalion commander's salute is the signal for the band to play the National Anthem. <strong>The</strong> drum major executes the BATON SALUTE on the first note of the music. At the conclusion of the music, the bandmaster FACES to the front and SALUTES; instruments remain in the playing position. <strong>The</strong> bandmaster and the drum major TERMINATES their SALUTES on the command ORDER, ARMS. Instruments are returned to the carry position in cadence at the command ORDER, ARMS. BRING YOUR UNITS TO ATTENTION. When all units are at attention, the battalion com- mander directs PASS IN REVIEW. (2) <strong>The</strong> band proceeds as in a review. For detailed description refer to paragraph 130f(3) through (9). h. Conclusion. For a detailed description of the conclusion including <strong>The</strong> Army Goes Rolling Along refer to paragraph 130g. <strong>The</strong> completion 89
COUNTER MARCH I BAND A, COUNTER MARCH LEGEND (~ LEGEND ~ BATTALION COMMAN'DER C~ BANDMASTER …---… BAND COMP$ANY CONOMMANDER DRUM MAJOR : ADJUTANT 90 BAND COUM
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Copy 3: DEPARTMENT OF THE ARMY FIEL
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CHAPTER 1 INTRODUCTION Section I. P
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experience is advantageous and comp
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istration of supply procedures. The
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The drummer should have a dependabl
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CHAPTER 3 THE CONCERT BAND Section
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CHAPTER 4 STAGE BAND, ENSEMBLE, AND
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CHAPTER 5 THE MARCHING BAND Section
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I~·- o FRONT RANK BANDMASTER BANDS
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cutes a right face, and proceeds to
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(1) Diagonal position CSTEPS 1 7 SE
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k5IDE _ . .. _ _ _ _ _ _ ._ -, I :
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,~~Ik sI s t Figure 6. Order baton.
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63. Purpose Verbal commands to the
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(1) Preparatory signal Figure 16. T
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Figure 18. Half step, preparatory s
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(1) Preparatory signal (2) Signal o
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(1) Half left turn, withdrawn posit
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