The Military Band - Regimental Drum Major Association

CHAPTER 4
STAGE BAND, ENSEMBLE, AND CHORUS
Section i. THE DANCE/STAGE BAND
32. General d. Arranger. An arranger who is experienced
The Army band must be able to provide dance in the dance band style and who knows the abiland
show music as well as good concert and cere- ity of the band members should be available. Spemonial
music. Each Army band must have at cial arrangements are valuable in creating an inleast
one unit capable of providing music for dividual sound with which to characterize an or-
dances and of producing a stage show. When used
properly and well rehearsed, this unit can be of
inestimable value in stimulating the morale of
the troops. In addition, the technique of performing
dance and show music idiomatically is an inherent
segment of professional musicianship.
ganization, in meeting requirements for special
occasions, and in exploiting the abilities of in-
strumental and vocal soloists.
e. Vocalist. A vocalist adds variety to the rep-
ertoire of the dance/stage band and should be
utilized for the greatest possible effect.
f. Manager. The manager is responsible for
33. Organization transportation, supply, arrangement of the band-
The dance/stage band will consist of and/or be stand, and other related activities.
supported by the following personnel:
a. Leader. The dance/stage band leader will be
a noncommissioned officer with knowledge and
experience in the dance band idiom.
34. Performance Techniques
Details concerning each performance must be
worked out in advance. Music must be selected
b. Instrumentalists. Members will, when possible,
be experienced in the performance of dance
music.
c. Librarian. A member of the dance/stage
band will be appointed as librarian. He will be responsible
for the numbering, maintenance, and
indexing of all music.
carefully and well rehearsed. Special effects must
be coordinated. Lights, music stands, drums, and
other settings, must be arranged to most effectively
enhance the performance. Above all, the
musicians should display an enthusiasm which
contributes to the success of the performance.
Publicity reflecting the time, place, and type of
performance should be distributed widely.
Section II. SMALL GROUPS
35. Combos 36. Instrumental Ensembles
Small combos for entertainment provide great Small concert ensembles are frequently more
flexibility in mobility and in the types of places suitable for certain functions (e.g., command reand
audiences which can be serviced. In remote ceptions and formal luncheons) than other musiareas
such groups have proven to be of great cal units. A vast repertoire of music for winds,
morale building value for troops. Because of its including woodwind and brass trios, quartets,
ability to adapt to popular styles, the combo has quintets, and sextets, is available and should be
certain advantages over other musical units. maintained.
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