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Art<br />

first visit to Israel to consider taking up the position<br />

of Director in 1996, that the Museum had exceptional<br />

potential. It already enjoyed immense international<br />

stature but I saw then that if we could tap into the<br />

resources already accumulated, it could be transformed<br />

into one of the great, encyclopedic, even universal<br />

museums in the world.<br />

And you feel this has now been achieved?<br />

Yes, and no-one would be more proud, I believe, than<br />

Teddy Kollek - should he be looking down from his<br />

celestial perch.<br />

Will you embellish on your encounters with<br />

<strong>Jerusalem</strong>’s former memorable mayor?<br />

He was inspirational; a personality and a visionary that<br />

literarily moved the giant boulders of this great city.<br />

I will always cherish my time that I got to know and<br />

work with Teddy. I like to refer to him as the ‘Thomas<br />

Jefferson of <strong>Jerusalem</strong>’. His mission from the late 1950s<br />

was for Israel to have a national museum of encyclopedic<br />

character that would be on par with the finest museums<br />

in the great Western<br />

nations. This I believe has<br />

now been achieved.<br />

In broad brush strokes,<br />

how has the Museum<br />

been upgraded?<br />

The project reinforced the<br />

strengths of the museum’s<br />

character, namely<br />

its unique location,<br />

architecture, landscape<br />

and collections. The way<br />

we have restructured has<br />

allowed the Museum to<br />

double its collections on<br />

exhibit.<br />

I have to say that for<br />

a country as young as<br />

modern Israel, to have a<br />

museum of such depth,<br />

strength and power, is<br />

truly remarkable. There<br />

is not an overseas guest<br />

who leaves here not<br />

imbued by the power this<br />

institution exudes.<br />

Will you share any<br />

impressions of some<br />

of your more familiar<br />

guests?<br />

Too many to name and<br />

Tim Hursley, Courtesy of the Israel Museum<br />

The <strong>Inbal</strong> <strong>Jerusalem</strong> <strong>Hotel</strong><br />

The Israel Museum illustrious Director, James Snyder in front<br />

of the iconic Shrine of the Book.<br />

Spring-Summer 2011<br />

10<br />

unfair to single out a few. Let me say this. I know of no<br />

other museum in the world that attracts as many world<br />

leaders as the Israel Museum. But if I decline to mention<br />

specific individuals, I’m happy to single out two groups<br />

that both resonated with me in a very personal and<br />

enriching way.<br />

Firstly, the recent visit of the Chilean miners was for me,<br />

particularly special.<br />

After their life-threatening ordeal, these remarkable<br />

survivors wanted to connect with the sources of<br />

inspiration that gave them the strength at the time<br />

to endure their frightening ordeal. This is what they<br />

were looking for and found in Israel. This country<br />

and <strong>Jerusalem</strong> does this, and I speak from experience.<br />

From my first visit here, I felt this inspiration and I have<br />

taken it and directed it towards everything I do for this<br />

museum. This is what I expressed to the miners at the<br />

beginning of their tour.<br />

Another group that always visits the Israel Museum is<br />

Taglit-Birthright. I believe that this program that provides<br />

every young Jew in the Diaspora a free 10-day trip to<br />

Israel as a ‘right-of-birth’ is one of the most remarkable<br />

and farsighted joint<br />

projects between Jewish<br />

philanthropy and the<br />

Government of Israel.<br />

Whenever I address these<br />

groups, I tell them, that<br />

in my own way, I identify<br />

with them in the sense<br />

that this museum was my<br />

‘Birthright’ to Israel.<br />

A portal into Israel, from<br />

biblical times to the<br />

present.<br />

Our visit started at the<br />

Second Temple model,<br />

which covers nearly<br />

one acre. A recreation<br />

of ancient <strong>Jerusalem</strong> at<br />

its peak, it meticulously<br />

recreates the topography<br />

and architecture in 66<br />

CE, the year in which<br />

the Great Revolt against<br />

the Romans broke out.<br />

One can spend hours<br />

walking around the<br />

model, marveling at its<br />

fine detail and imagining<br />

what life had been like. It<br />

provides a vivid context<br />

for the Shrine of the<br />

Book, a repository for the

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