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Art<br />
first visit to Israel to consider taking up the position<br />
of Director in 1996, that the Museum had exceptional<br />
potential. It already enjoyed immense international<br />
stature but I saw then that if we could tap into the<br />
resources already accumulated, it could be transformed<br />
into one of the great, encyclopedic, even universal<br />
museums in the world.<br />
And you feel this has now been achieved?<br />
Yes, and no-one would be more proud, I believe, than<br />
Teddy Kollek - should he be looking down from his<br />
celestial perch.<br />
Will you embellish on your encounters with<br />
<strong>Jerusalem</strong>’s former memorable mayor?<br />
He was inspirational; a personality and a visionary that<br />
literarily moved the giant boulders of this great city.<br />
I will always cherish my time that I got to know and<br />
work with Teddy. I like to refer to him as the ‘Thomas<br />
Jefferson of <strong>Jerusalem</strong>’. His mission from the late 1950s<br />
was for Israel to have a national museum of encyclopedic<br />
character that would be on par with the finest museums<br />
in the great Western<br />
nations. This I believe has<br />
now been achieved.<br />
In broad brush strokes,<br />
how has the Museum<br />
been upgraded?<br />
The project reinforced the<br />
strengths of the museum’s<br />
character, namely<br />
its unique location,<br />
architecture, landscape<br />
and collections. The way<br />
we have restructured has<br />
allowed the Museum to<br />
double its collections on<br />
exhibit.<br />
I have to say that for<br />
a country as young as<br />
modern Israel, to have a<br />
museum of such depth,<br />
strength and power, is<br />
truly remarkable. There<br />
is not an overseas guest<br />
who leaves here not<br />
imbued by the power this<br />
institution exudes.<br />
Will you share any<br />
impressions of some<br />
of your more familiar<br />
guests?<br />
Too many to name and<br />
Tim Hursley, Courtesy of the Israel Museum<br />
The <strong>Inbal</strong> <strong>Jerusalem</strong> <strong>Hotel</strong><br />
The Israel Museum illustrious Director, James Snyder in front<br />
of the iconic Shrine of the Book.<br />
Spring-Summer 2011<br />
10<br />
unfair to single out a few. Let me say this. I know of no<br />
other museum in the world that attracts as many world<br />
leaders as the Israel Museum. But if I decline to mention<br />
specific individuals, I’m happy to single out two groups<br />
that both resonated with me in a very personal and<br />
enriching way.<br />
Firstly, the recent visit of the Chilean miners was for me,<br />
particularly special.<br />
After their life-threatening ordeal, these remarkable<br />
survivors wanted to connect with the sources of<br />
inspiration that gave them the strength at the time<br />
to endure their frightening ordeal. This is what they<br />
were looking for and found in Israel. This country<br />
and <strong>Jerusalem</strong> does this, and I speak from experience.<br />
From my first visit here, I felt this inspiration and I have<br />
taken it and directed it towards everything I do for this<br />
museum. This is what I expressed to the miners at the<br />
beginning of their tour.<br />
Another group that always visits the Israel Museum is<br />
Taglit-Birthright. I believe that this program that provides<br />
every young Jew in the Diaspora a free 10-day trip to<br />
Israel as a ‘right-of-birth’ is one of the most remarkable<br />
and farsighted joint<br />
projects between Jewish<br />
philanthropy and the<br />
Government of Israel.<br />
Whenever I address these<br />
groups, I tell them, that<br />
in my own way, I identify<br />
with them in the sense<br />
that this museum was my<br />
‘Birthright’ to Israel.<br />
A portal into Israel, from<br />
biblical times to the<br />
present.<br />
Our visit started at the<br />
Second Temple model,<br />
which covers nearly<br />
one acre. A recreation<br />
of ancient <strong>Jerusalem</strong> at<br />
its peak, it meticulously<br />
recreates the topography<br />
and architecture in 66<br />
CE, the year in which<br />
the Great Revolt against<br />
the Romans broke out.<br />
One can spend hours<br />
walking around the<br />
model, marveling at its<br />
fine detail and imagining<br />
what life had been like. It<br />
provides a vivid context<br />
for the Shrine of the<br />
Book, a repository for the