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Hello, Dolly! Libretto

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(She Xes him and around upstage to cupboard)<br />

MRS. MOLLOY<br />

(Taking his arm)<br />

....Has this not affected you, Sir? I came here at fourteen years of age as an immigrant girl from a land that<br />

oppressed my people and I must echo here what was said by that great and patriotic American....uh....<br />

Moses.<br />

MRS. LEVI<br />

MRS. MOLLOY<br />

(As MRS. LEVI sneaks CORNELIUS out of the cupboard, marches him to the table, and pushes<br />

him under it, squeezing BARNABY out the other side)<br />

I STAND FOR MOTHERHOOD,<br />

AMERICA,<br />

AND A HOT LUNCH FOR ORPHANS.<br />

TAKE OFF YOUR HAT, SIR,<br />

THERE'S A TEAR-STAINED EAGLE PASSING.<br />

DO YOU SEE HIM<br />

ON THE BRIDGE AT WATERLOO,<br />

'NEATH THAT GREAT TRIUMPHAL ARCH?<br />

(She leads VANDERGELDER in a march to the right. MINNIE pops out of the workroom and joins<br />

them)<br />

IF YOU HEAR HIM SINGING “DIXIE” IN THE SUGAR CANE,<br />

STAND UP AND MARCH, MARCH, MARCH!<br />

I STAND FOR MOTHERHOOD!<br />

(Through MRS. MOLLOY's chorus, and following, CORNELIUS and BARNABY have tried to better<br />

their hiding places by exchanging, trying different concealments, etc., while VANDERGELDER is<br />

being distracted. They finally end up exactly as they started)<br />

MINNIE, MRS. MOLLOY MRS. LEVI<br />

(MRS. LEVI Leading BARNABY across the stage as the TRIO of women wheels, marching)<br />

AMERICA AND A<br />

HOT LUNCH FOR ORPHANS.<br />

TAKE OFF YOUR HAT,<br />

SIR,<br />

BETSY ROSS' FLAG IS PASSING.<br />

ALAMO,<br />

REMEMBER THE<br />

ALAMO.<br />

I REGRET THAT I’VE<br />

ONE LIFE TO GIVE<br />

FOR MY COUNTRY.<br />

35

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