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A Future for Irish Historic Houses - Irish Heritage Trust

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Curraghmore, Portlaw, Co. Water<strong>for</strong>d<br />

Curraghmore is located outside the village of Portlaw in County Water<strong>for</strong>d. The<br />

present Lord Water<strong>for</strong>d is a direct descendant of the Le Poers (or Powers) who arrived<br />

in Water<strong>for</strong>d towards the end of the twelfth century and who later settled in Portlaw:<br />

- Curraghmore dates back to the sixteenth century, although the original<br />

castle tower that <strong>for</strong>ms part of the existing house pre-dates it by some time.<br />

- Curraghmore was enlarged and remodelled at various stages during the<br />

eighteenth and nineteenth centuries. Important architects involved in the<br />

remodelling of Curraghmore included James Wyatt who worked there in<br />

the 1780s. The dining-room is regarded as being among the two or three<br />

finest Wyatt rooms in Ireland. He also designed the blue and yellow<br />

drawing-rooms, the library and a number of smaller rooms.<br />

- The central tower block overlooks a very large <strong>for</strong>ecourt (550 feet long<br />

and 192 feet wide) with long stable ranges on either side characterised by<br />

pedimented archways with blocked columns and pilasters. This feature is<br />

unique to Ireland and, in fact, there are only one or two examples of it in<br />

Britain. It is more commonly seen on the continent. Its inspiration was<br />

probably Vanbrugh’s Blenheim and Seaton Delaval. There is no evidence<br />

as to the date or architect of the courtyard, but it was possibly designed by<br />

John Roberts of Water<strong>for</strong>d.<br />

- Regarding the interior, the stucco-work at Curraghmore has been described<br />

as being of ‘great delicacy and charm’. The intricately designed ceiling in<br />

the billiard room is the work of the internationally regarded Francini<br />

brothers.<br />

- The four roundels on the dining-room ceiling, depicting the four seasons,<br />

have been attributed to Antonio Zucchi or his wife Angelica Kauffman.<br />

The grisaille panels on the walls are by Peter de Gree.<br />

87

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