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Sketches, Dispatches, Hull Tales and Ballads - University of Hull

Sketches, Dispatches, Hull Tales and Ballads - University of Hull

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Newcastle, York, Edinburgh <strong>and</strong>, no doubt, <strong>Hull</strong>. I’d tack myself onto<br />

a queue with a combination <strong>of</strong> deep reluctance <strong>and</strong> deep resignation<br />

that I supposed made me a truly British citizen. My trips in those<br />

days were driven by my pursuit <strong>of</strong> novelistic material, ‘seeing the<br />

world’ as I thought <strong>of</strong> it. Later on, I was a bright, over-aged PhD<br />

student at Goldsmith’s, eager to give careful little papers on Dickens<br />

<strong>and</strong> Premonition, or Dickens <strong>and</strong> Alcohol, in cities I knew He<br />

had visited.<br />

The last Flying Scotsman had left a decade before I was born, but<br />

there was still a certain atmosphere about the station, a lingering<br />

moodiness <strong>of</strong> steam. I walked carefully among the shades <strong>and</strong><br />

shadows. Underfoot, the brown-grey, semi-shiny stone resembled<br />

skin, strangely dimpled in places, patched here <strong>and</strong> darned there. A<br />

rich smell <strong>of</strong> old waiting-rooms drifted over me, <strong>of</strong> damp, s<strong>of</strong>t<br />

wooden floors, impregnated with dirt. I tasted smoke. And then I<br />

saw Him, at the end <strong>of</strong> the platform, a darting human genie made<br />

<strong>of</strong> fire <strong>and</strong> mist, surrounded by a fiery-misty crowd <strong>of</strong> fellow-actors,<br />

including pretty teenaged Ellen <strong>and</strong> her sly mama, their mass <strong>of</strong> bags<br />

in the care <strong>of</strong> fiery-misty, cap-d<strong>of</strong>fing porters. He shouted orders<br />

<strong>and</strong> jokes, he hurried everyone along, he blew kisses to Catherine,<br />

the donkey-wife he was already leaving behind.<br />

My elation died as the Pendolino nosed in. The Pendolino is a<br />

moulded-plastic Disneyl<strong>and</strong>, nursery-school, health-<strong>and</strong>-safety<br />

train, a pretend airplane-train, a train that can’t sing, even when it<br />

manages to reach forty miles per hour, a train whose wheels never<br />

go der-der-der-dum over the rails, a train which, when it stops<br />

precariously in the middle <strong>of</strong> a viaduct, has no furious steam to gush<br />

forth, not even any batteries to re-charge with a reassuring, patienthorse<br />

whinny: a train gloss-coated <strong>and</strong> uneventful as a banker’s<br />

conscience. And here it was, trying to look important.<br />

I queued briefly to get into the Quiet Coach. The backs <strong>of</strong> the seats<br />

had great orange ears sticking out, like some cartoon elephant’s. I<br />

hadn’t made a reservation. Apparently, no-one had. The little<br />

information-screens overhead were innocent <strong>of</strong> information. I sat<br />

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