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2008 - Glendale Community College

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He reaches down, pulls cold wet socks off his<br />

feet. He says, “Why do you keep bringing home<br />

trash?”<br />

Anger ignites in the tight of Lecia’s ribs.<br />

With a foot she shoves the “XMAS” box aside. The<br />

door slams behind her. She storms toward the<br />

garage to lock everything up.<br />

The boy sounds just like his dad. Last week<br />

Jeremy said, “These chairs make our place look<br />

trashy.”<br />

He says she doesn’t appreciate quality--this<br />

from a man whose favorite chair is a Lazy-Boy!<br />

In fact each of the chairs is of good design and<br />

style, some are even antiques. And all are still<br />

useful. The banker’s chair doesn’t swivel, but it<br />

still rolls, and the easy chair with the brittle<br />

Naugahyde cushion lives in the art studio and is<br />

so comfortable to sketch in.<br />

But when Jeremy asks, “Why do you do keep<br />

bringing these home?” Her throat strangles her<br />

words. The ache buries deep in the silence.<br />

* * *<br />

On the porch, she slumps on the seat of the<br />

Queen Anne. A green-ripple afghan cloaks her<br />

tight against the cold and her slippered feet<br />

rest on the seat of the broken ladder-back. She<br />

had shut off the overhead light to better see the<br />

steady fall of snow illuminated from the outside<br />

spotlight. She thought the sight would soothe<br />

her, maybe help her get in the mood for the<br />

holiday. Instead she just feels empty.<br />

Her eyes wander to the box labeled “XMAS.” She<br />

should open it. See what’s there. And have Jeremy<br />

bring the cartons of family decorations down from<br />

the attic. She should get some baking done, too.<br />

Jeremy has been hinting about her strawberry<br />

sour-cream bread, and the boys want her famous<br />

peppermint cookies. She should. She should. But<br />

since Mom died, apathy has seeped around Lecia’s<br />

bones and it squeezes any intention.<br />

“Sweetie?”<br />

A chorus of almost-men voices answers, “She’s<br />

on the porch.”<br />

The door from the den opens and the light switch clicks, flooding<br />

the screened-in porch with glare. She blinks and meets the startle of<br />

Jeremy’s eyes. She sees concern as he takes her in, sees the hint of<br />

irritation when he notices the Queen Anne.<br />

His thumbnail rubs the thoughts on his lower lip, “Did you see your<br />

Dad today?”<br />

She nods at him.<br />

“How is he?”<br />

Her icy words bite, “Why don’t you come and see him yourself?”<br />

He looks away. “I just can’t, yet.”<br />

She feels her eyes hooding, the hurt hiding. Feels the touch of his<br />

hand on the Queen Anne as he passes. Hears the shush of his steps and<br />

the close of the door.<br />

* * *<br />

The glitter of morning light reflects off snow pillowed on the ground.<br />

It flows into the large east windows of the studio. It glints on the<br />

18<br />

Untitled<br />

by Otto Gromoll<br />

Stoneware<br />

2nd Place<br />

Traveler

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