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He reaches down, pulls cold wet socks off his<br />
feet. He says, “Why do you keep bringing home<br />
trash?”<br />
Anger ignites in the tight of Lecia’s ribs.<br />
With a foot she shoves the “XMAS” box aside. The<br />
door slams behind her. She storms toward the<br />
garage to lock everything up.<br />
The boy sounds just like his dad. Last week<br />
Jeremy said, “These chairs make our place look<br />
trashy.”<br />
He says she doesn’t appreciate quality--this<br />
from a man whose favorite chair is a Lazy-Boy!<br />
In fact each of the chairs is of good design and<br />
style, some are even antiques. And all are still<br />
useful. The banker’s chair doesn’t swivel, but it<br />
still rolls, and the easy chair with the brittle<br />
Naugahyde cushion lives in the art studio and is<br />
so comfortable to sketch in.<br />
But when Jeremy asks, “Why do you do keep<br />
bringing these home?” Her throat strangles her<br />
words. The ache buries deep in the silence.<br />
* * *<br />
On the porch, she slumps on the seat of the<br />
Queen Anne. A green-ripple afghan cloaks her<br />
tight against the cold and her slippered feet<br />
rest on the seat of the broken ladder-back. She<br />
had shut off the overhead light to better see the<br />
steady fall of snow illuminated from the outside<br />
spotlight. She thought the sight would soothe<br />
her, maybe help her get in the mood for the<br />
holiday. Instead she just feels empty.<br />
Her eyes wander to the box labeled “XMAS.” She<br />
should open it. See what’s there. And have Jeremy<br />
bring the cartons of family decorations down from<br />
the attic. She should get some baking done, too.<br />
Jeremy has been hinting about her strawberry<br />
sour-cream bread, and the boys want her famous<br />
peppermint cookies. She should. She should. But<br />
since Mom died, apathy has seeped around Lecia’s<br />
bones and it squeezes any intention.<br />
“Sweetie?”<br />
A chorus of almost-men voices answers, “She’s<br />
on the porch.”<br />
The door from the den opens and the light switch clicks, flooding<br />
the screened-in porch with glare. She blinks and meets the startle of<br />
Jeremy’s eyes. She sees concern as he takes her in, sees the hint of<br />
irritation when he notices the Queen Anne.<br />
His thumbnail rubs the thoughts on his lower lip, “Did you see your<br />
Dad today?”<br />
She nods at him.<br />
“How is he?”<br />
Her icy words bite, “Why don’t you come and see him yourself?”<br />
He looks away. “I just can’t, yet.”<br />
She feels her eyes hooding, the hurt hiding. Feels the touch of his<br />
hand on the Queen Anne as he passes. Hears the shush of his steps and<br />
the close of the door.<br />
* * *<br />
The glitter of morning light reflects off snow pillowed on the ground.<br />
It flows into the large east windows of the studio. It glints on the<br />
18<br />
Untitled<br />
by Otto Gromoll<br />
Stoneware<br />
2nd Place<br />
Traveler