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ABBREVIATIONS The following conventions have been used for the sake of brevity: bk. = book c. = chapter; and also circa: about cc. = chapters cf. = confer: compare ed. = edition, or edited by e.g. = exempli gratia: for example f. = and following lines, or: and following pages fin. = ad finem: towards the end fl. = floruit: flourished, was active ibid. = ibidem: in the same place i.e. = id est: that is init. = ad initium: towards the beginning 1. = line 11. = lines med. = ad medium: about the middle n. = note n.F. = neue Folge: new series n.s. = new series op. cit. = opus citatum: the work quoted p. = page para. = paragraph pp. = pages pt. = part suppl. = supplementary volume s.v. = sub voce: under the heading tit. = titulus: title, or heading tr. = translated by v. = verse; and also versus: opposed to; and also volume vv. = verses; and also volumes The abbreviations of the titles of books and periodicals are those shown in any standard list. Among the commonest are: Aen. = Aeneid Aug. = Augustine Buc. = Bucolics Carm. = Carmina (generally of Horace's odes) Cat. = Catullus Ep. = Epistulae (the Letters of Augustine, Horace, Seneca, and others) FQ = Spenser's Faerie Queene Georg. = Georgia HF = Chaucer's House of Fame
xxxviii ABBREVIATIONS Hom. = Homer Hor. = Horace Il. = Iliad Juv. = Juvenal LGW = Chaucer's Legend of Good Women L.L.L. = Love's Labour's Lost Met. = Metamorphoses Od. = Odyssey Ov. = Ovid Proc. = Proceedings PMLA — Proceedings, or Publications, of the Modern Language Association of America Sat. = Satires, and also Petronius' Satirica Serm. — Sermones (generally of Horace's satires) Suet. = Suetonius Verg. = Vergil. A small superior number after a date shows the edition of the book produced on that date. So I914 3 means that the third edition of the book mentioned came out in 1914.
Page 2 and 3: THE CLASSICAL TRADITION
Page 4 and 5: THE CLASSICAL TRADITION GREEK AND R
Page 6 and 7: PREFACE T HIS book is an outline of
Page 8 and 9: PREFACE ix Elliot V. K. Dobbie; Cha
Page 10 and 11: ACKNOWLED xi Gallimard, Paris, from
Page 12 and 13: CONTENTS ABBREVIATIONS xxxvii CHAPT
Page 14 and 15: CONTENTS xv AElfric 46 translations
Page 16 and 17: CONTENTS xvii Filostrato 90 Fiammet
Page 18 and 19: CONTENTS xix Amyntas and The Faithf
Page 20 and 21: CONTENTS xxi MONTAIGNE 185-93 Monta
Page 22 and 23: CONTENTS xxiii his 'invention' of t
Page 24 and 25: CONTENTS xxv Nationalism in languag
Page 26 and 27: CONTENTS xxvii Limitations of the '
Page 28 and 29: CONTENTS xxix Escape and fulfilment
Page 30 and 31: CONTENTS xxxi His favourites 419 Ho
Page 32 and 33: CONTENTS xxxiii Marius the Epicurea
Page 34 and 35: CONTENTS xxxv Myths as symbols of p
Page 38 and 39: I INTRODUCTION O UR modern world is
Page 40 and 41: 1. INTRODUCTION 3 which Milton and
Page 42 and 43: 1. INTRODUCTION 5 First of all, the
Page 44 and 45: 1. INTRODUCTION 7 but from the simp
Page 46 and 47: 1. INTRODUCTION 9 and teaching of J
Page 48 and 49: 1. INTRODUCTION 11 and at last it f
Page 50 and 51: 1. INTRODUCTION 13 their spelling a
Page 52 and 53: 1. INTRODUCTION 15 great that the a
Page 54 and 55: 1. INTRODUCTION 17 standards and to
Page 56 and 57: 1. INTRODUCTION 19 and strong, with
Page 58 and 59: 1. INTRODUCTION 21 fauns, Diana and
Page 60 and 61: 2. THE DARK AGES: ENGLISH LITERATUR
Page 86 and 87:
3. THE MIDDLE AGES: FRENCH LITERATU
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4. DANTE AND PAGAN ANTIQUITY 71 fur
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4. DANTE AND PAGAN ANTIQUITY 73 Thi
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4. DANTE AND PAGAN ANTIQUITY 75 str
Page 114 and 115:
4. DANTE AND PAGAN ANTIQUITY 77 In
Page 116 and 117:
4. DANTE AND PAGAN ANTIQUITY 79 tri
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5 TOWARDS THE RENAISSANCE PETRARCH,
Page 120 and 121:
PETRARCH, BOCCACCIO, CHAUCER 83 liv
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PETRARCH, BOCCACCIO, CHAUCER 85 fir
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PETRARCH, BOCCACCIO, CHAUCER 87 the
Page 126 and 127:
PETRARCH, BOCCACCIO, CHAUCER 89 BOC
Page 128 and 129:
PETRARCH, BOCCACCIO, CHAUCER 91 if
Page 130 and 131:
PETRARCH, BOCCACCIO, CHAUCER 93 pos
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PETRARCH, BOCCACCIO, CHAUCER 95 It
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PETRARCH, BOCCACCIO, CHAUCER 97 are
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PETRARCH, BOCCACCIO, CHAUCER 99 the
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PETRARCH, BOCCACCIO, CHAUCER 101 is
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PETRARCH, BOCCACCIO, CHAUCER 103 he
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6. THE RENAISSANCE: TRANSLATION 105
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7 THE RENAISSANCE DRAMA I N the Mid
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7. THE RENAISSANCE: DRAMA 129 and l
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7. THE RENAISSANCE: DRAMA 131 The i
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7. THE RENAISSANCE: DRAMA 133 passi
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7. THE RENAISSANCE: DRAMA 135 was n
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7. THE RENAISSANCE: DRAMA 137 the f
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7. THE RENAISSANCE: DRAMA 139 Masqu
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7. THE RENAISSANCE: DRAMA 141 a coc
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7. THE RENAISSANCE: DRAMA 143 insis
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8. THE RENAISSANCE: EPIC 145 the co
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8. THE RENAISSANCE: EPIC 147 and Ch
Page 186 and 187:
8. THE RENAISSANCE: EPIC 149 Jealou
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8. THE RENAISSANCE: EPIC 151 No: li
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8. THE RENAISSANCE: EPIC 153 exampl
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8. THE RENAISSANCE: EPIC 155 Homeri
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8. THE RENAISSANCE: EPIC 157 It is
Page 196 and 197:
8. THE RENAISSANCE: EPIC 159 begins
Page 198 and 199:
8. THE RENAISSANCE: EPIC 161 is not
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y. THE RENAISSANCE: PASTORAL AND RO
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9. THE RENAISSANCE: PASTORAL AND RO
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Page 210 and 211:
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10. RABELAIS AND MONTAIGNE 179 esta
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10. RABELAIS AND MONTAIGNE 181 by e
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10. RABELAIS AND MONTAIGNE 183 A si
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10. RABELAIS AND MONTAIGNE 185 empi
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10. RABELAIS AND MONTAIGNE 187 age
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10. RABELAIS AND MONTAIGNE 189 Diod
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10. RABELAIS AND MONTAIGNE 191 to c
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10. RABELAIS AND MONTAIGNE 193 gant
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11. SHAKESPEARE'S CLASSICS 195 firs
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11. SHAKESPEARE'S CLASSICS 197 fair
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11. SHAKESPEARE'S CLASSICS 199 are
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11. SHAKESPEARE'S CLASSICS 201 quot
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11. SHAKESPEARE'S CLASSICS 203 Plat
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11. SHAKESPEARE'S CLASSICS 205 diou
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11. SHAKESPEARE'S CLASSICS 207 In a
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11. SHAKESPEARE'S CLASSICS 209 inst
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11. SHAKESPEARE'S CLASSICS 211 can
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11. SHAKESPEARE'S CLASSICS 213 mult
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11. SHAKESPEARE'S CLASSICS 215 Amph
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11. SHAKESPEARE'S CLASSICS 217 are
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12 THE RENAISSANCE AND AFTERWARDS L
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LYRIC POETRY 221 Simple, private, e
Page 260 and 261:
LYRIC POETRY 223 and pattern—not
Page 262 and 263:
LYRIC POETRY 225 of the festival fo
Page 264 and 265:
LYRIC POETRY 227 Horace is a solo s
Page 266 and 267:
LYRIC POETRY 229 modern Anacreontic
Page 268 and 269:
LYRIC POETRY 231 in 1513. Educated
Page 270 and 271:
LYRIC POETRY 233 to write odes, and
Page 272 and 273:
LYRIC POETRY 235 odes and those of
Page 274 and 275:
LYRIC POETRY 237 one in Love's Labo
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LYRIC POETRY 239 This, then, is the
Page 278 and 279:
LYRIC POETRY 241 This was little mo
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LYRIC POETRY 243 expressing genuine
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LYRIC POETRY 245 he knew no Greek.
Page 284 and 285:
LYRIC POETRY 247 In France it was t
Page 286 and 287:
LYRIC POETRY 249 His friend Milton
Page 288 and 289:
LYRIC POETRY 251 Goethe admired Pin
Page 290 and 291:
LYRIC POETRY 253 inheritance which
Page 292 and 293:
13 TRANSITION WE have seen how, aft
Page 294 and 295:
13. TRANSITION 257 (d) And finally,
Page 296 and 297:
13. TRANSITION 259 decay creeping o
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14 THE BATTLE OF THE BOOKS T HERE w
Page 300 and 301:
14. THE BATTLE OF THE BOOKS 263 a b
Page 302 and 303:
14. THE BATTLE OF THE BOOKS 265 had
Page 304 and 305:
14. THE BATTLE OF THE BOOKS 267 is
Page 306 and 307:
14. THE BATTLE OF THE BOOKS 269 war
Page 308 and 309:
14. THE BATTLE OF THE BOOKS 271 tio
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14. THE BATTLE OF THE BOOKS 273 as
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14. THE BATTLE OF THE BOOKS 275 Thi
Page 314 and 315:
14. THE BATTLE OF THE BOOKS 277 of
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14. THE BATTLE OF THE BOOKS 279 gre
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14. THE BATTLE OF THE BOOKS 281 a v
Page 320 and 321:
14. THE BATTLE OF THE BOOKS 283 'Th
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14. THE BATTLE OF THE BOOKS 285 bee
Page 324 and 325:
14. THE BATTLE OF THE BOOKS 287 The
Page 326 and 327:
15 A NOTE ON BAROQUE THE word 'baro
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15. A NOTE ON BAROQUE 291 Alessandr
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16 BAROQUE TRAGEDY I N poetry the m
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16. BAROQUE TRAGEDY 295 effective t
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16. BAROQUE TRAGEDY 297 (Always clo
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16. BAROQUE TRAGEDY 299 extravaganc
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16. BAROQUE TRAGEDY 301 Clarence's
Page 340 and 341:
17 SATIRE T HE word 'satire' has no
Page 342 and 343:
17. SATIRE 305 and Cyrano de Berger
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17. SATIRE 307 And easy, smiling, s
Page 346 and 347:
17. SATIRE 309 writers gained addit
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17. SATIRE 3" Juvenal, and Alamanni
Page 350 and 351:
17. SATIRE 313 not like it much bet
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17. SATIRE 315 ancestry of these ch
Page 354 and 355:
17. SATIRE 317 are linked and the s
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17. SATIRE 319 However, all the 'cl
Page 358 and 359:
17. SATIRE 321 poetic and emotional
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18. BAROQUE PROSE 323 of the ninete
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18. BAROQUE PROSE 325 Of this secon
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18. BAROQUE PROSE 327 Meanwhile ano
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18. BAROQUE PROSE 329 example. In M
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18. BAROQUE PROSE 331 naturalized.
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18. BAROQUE PROSE 333 1 like a trea
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18. BAROQUE PROSE 335 Such devices
Page 374 and 375:
18. BAROQUE PROSE 337 of Fenelon's
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18. BAROQUE PROSE 339 Age, it stigm
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18. BAROQUE PROSE 341 for his work
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18. BAROQUE PROSE 343 To begin with
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18. BAROQUE PROSE 345 Roman world a
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18. BAROQUE PROSE 347 period from A
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18. BAROQUE PROSE 349 empire into t
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18. BAROQUE PROSE 351 was destroyed
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18. BAROQUE PROSE 353 merits of Rom
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19 THE TIME OF REVOLUTION § I. INT
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19. THE TIME OF REVOLUTION: INTRODU
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19. THE TIME OF REVOLUTION: GERMANY
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FRANCE AND THE UNITED STATES 391 to
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FRANCE AND THE UNITED STATES 393 in
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FRANCE AND THE UNITED STATES 395 co
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FRANCE AND THE UNITED STATES 397 na
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FRANCE AND THE UNITED STATES 399 co
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FRANCE AND THE UNITED STATES 401 Mi
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FRANCE AND THE UNITED STATES 403 se
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FRANCE AND THE UNITED STATES 405 th
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FRANCE AND THE UNITED STATES 407 re
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19. THE TIME OF REVOLUTION: ENGLAND
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19. THE TIME OF REVOLUTION: ITALY 4
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19. THE TIME OF REVOLUTION: CONCLUS
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20 PARNASSUS AND ANTICHRIST IN one
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20. PARNASSUS AND ANTICHRIST 439 in
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20. PARNASSUS AND ANTICHRIST 441 He
Page 480 and 481:
20. PARNASSUS AND ANTICHRIST 443 sc
Page 482 and 483:
20. PARNASSUS AND ANTICHRIST 445 an
Page 484 and 485:
20. PARNASSUS AND ANTICHRIST 447 in
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20. PARNASSUS AND ANTICHRIST 449 Th
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20. PARNASSUS AND ANTICHRIST 451 me
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20. PARNASSUS AND ANTICHRIST 453 de
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20. PARNASSUS AND ANTICHRIST 455 Ro
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20. PARNASSUS AND ANTICHRIST 457 he
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20. PARNASSUS AND ANTICHRIST 459 he
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20. PARNASSUS AND ANTICHRIST 461 An
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20. PARNASSUS AND ANTICHRIST 463 Hy
Page 502 and 503:
20. PARNASSUS AND ANTICHRIST 465 th
Page 504 and 505:
21. A CENTURY OF SCHOLARSHIP 467 ci
Page 506 and 507:
21. A CENTURY OF SCHOLARSHIP 469 Eg
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21. A CENTURY OF SCHOLARSHIP 471 of
Page 510 and 511:
21. A CENTURY OF SCHOLARSHIP 473 fi
Page 512 and 513:
21. A CENTURY OF SCHOLARSHIP 475 Ma
Page 514 and 515:
21. A CENTURY OF SCHOLARSHIP 477 co
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21. A CENTURY OF SCHOLARSHIP 479 ra
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21. A CENTURY OF SCHOLARSHIP 481 ba
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21. A CENTURY OF SCHOLARSHIP 483 Ho
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21. A CENTURY OF SCHOLARSHIP 485 wi
Page 524 and 525:
21. A CENTURY OF SCHOLARSHIP 487 Af
Page 526 and 527:
21. A CENTURY OF SCHOLARSHIP 489 In
Page 528 and 529:
21. A CENTURY OF SCHOLARSHIP 491 pa
Page 530 and 531:
21. A CENTURY OF SCHOLARSHIP 493 ef
Page 532 and 533:
21. A CENTURY OF SCHOLARSHIP 495 cl
Page 534 and 535:
21. A CENTURY OF SCHOLARSHIP 497 of
Page 536 and 537:
21. A CENTURY OF SCHOLARSHIP 499 Th
Page 538 and 539:
22 THE SYMBOLIST POETS AND JAMES JO
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22. THE SYMBOLIST POETS AND JAMES J
Page 542 and 543:
Page 544 and 545:
Page 546 and 547:
Page 548 and 549:
Page 550 and 551:
Page 552 and 553:
Page 554 and 555:
Page 556 and 557:
Page 558 and 559:
23. THE REINTERPRETATION OF THE MYT
Page 560 and 561:
Page 562 and 563:
Page 564 and 565:
Page 566 and 567:
Page 568 and 569:
Page 570 and 571:
Page 572 and 573:
Page 574 and 575:
Page 576 and 577:
Page 578 and 579:
24 CONCLUSION W E have come a long
Page 580 and 581:
24. CONCLUSION 543 or fifteen centu
Page 582 and 583:
24. CONCLUSION 545 into Greek-speak
Page 584 and 585:
24. CONCLUSION 547 Christianity and
Page 586 and 587:
24. CONCLUSION 549 and Milton and T
Page 588 and 589:
BRIEF BIBLIOGRAPHY 551 4 H. BROWN,
Page 590 and 591:
BRIEF BIBLIOGRAPHY 553 13. R. NEWAL
Page 592 and 593:
BRIEF BIBLIOGRAPHY 555 24. The Warb
Page 594 and 595:
NOTES ON 1. INTRODUCTION 557 moment
Page 596 and 597:
NOTES ON 1. INTRODUCTION 559 (A.D.
Page 598 and 599:
NOTES ON 1. INTRODUCTION 561 500 ye
Page 600 and 601:
NOTES ON 2. DARK AGES: ENGLISH LITE
Page 602 and 603:
ENGLISH LITERATURE 565 gospel, but
Page 604 and 605:
ENGLISH LITERATURE 567 21. See D. M
Page 606 and 607:
ENGLISH LITERATURE 569 establish an
Page 608 and 609:
ENGLISH LITERATURE 571 Boethius' bo
Page 610 and 611:
ENGLISH LITERATURE 573 67. Alfred m
Page 612 and 613:
FRENCH LITERATURE S7S Trojan war wa
Page 614 and 615:
FRENCH LITERATURE 577 22. Sidney, A
Page 616 and 617:
FRENCH LITERATURE 579 see C. S. Lew
Page 618 and 619:
FRENCH LITERATURE 581 l'us dis lo v
Page 620 and 621:
FRENCH LITERATURE 583 (Adu. Iouin.
Page 622 and 623:
NOTES ON 4. DANTE AND PAGAN ANTIQUI
Page 624 and 625:
NOTES ON 4. DANTE AND PAGAN ANTIQUI
Page 626 and 627:
NOTES ON 5. TOWARDS THE RENAISSANCE
Page 628 and 629:
Page 630 and 631:
Page 632 and 633:
NOTES ON 6. THE RENAISSANCE: TRANSL
Page 634 and 635:
NOTES ON 6. THE RENAISSANCE: TRANSL
Page 636 and 637:
NOTES ON 7. THE RENAISSANCE: DRAMA
Page 638 and 639:
NOTES ON 7. THE RENAISSANCE: DRAMA
Page 640 and 641:
NOTES ON 8. THE RENAISSANCE: EPIC 6
Page 642 and 643:
Page 644 and 645:
Page 646 and 647:
Page 648 and 649:
Page 650 and 651:
PASTORAL AND ROMANCE 613 17. For th
Page 652 and 653:
NOTES ON 10. RABELAIS AND MONTAIGNE
Page 654 and 655:
NOTES ON 10. RABELAIS AND MONTAIGNE
Page 656 and 657:
NOTES ON 11. SHAKESPEARE'S CLASSICS
Page 658 and 659:
Page 660 and 661:
Page 662 and 663:
Page 664 and 665:
Page 666 and 667:
NOTES ON 12. LYRIC POETRY 629 Did P
Page 668 and 669:
NOTES ON 12. LYRIC POETRY 631 (Du B
Page 670 and 671:
NOTES ON 12. LYRIC POETRY 633 54. P
Page 672 and 673:
NOTES ON 12. LYRIC POETRY 635 The p
Page 674 and 675:
NOTES ON 12. LYRIC POETRY 637 95. T
Page 676 and 677:
NOTES ON 13. TRANSITION 639 patrona
Page 678 and 679:
NOTES ON 14. THE BATTLE OF THE BOOK
Page 680 and 681:
Page 682 and 683:
Page 684 and 685:
NOTES ON 15. A NOTE ON BAROQUE 647
Page 686 and 687:
NOTES ON 16. BAROQUE TRAGEDY 649 10
Page 688 and 689:
NOTES ON 17. SATIRE 651 23. These f
Page 690 and 691:
NOTES ON 17. SATIRE 653 37. Juvenal
Page 692 and 693:
NOTES ON 18. BAROQUE PROSE 655 gene
Page 694 and 695:
NOTES ON 18. BAROQUE PROSE 657 35.
Page 696 and 697:
NOTES ON 18. BAROQUE PROSE 659 reco
Page 698 and 699:
NOTES ON 18. BAROQUE PROSE 661 Roma
Page 700 and 701:
1. INTRODUCTION 663 Greece and Germ
Page 702 and 703:
2. GERMANY 665 mann published in th
Page 704 and 705:
2. GERMANY 667 38. On this see Kell
Page 706 and 707:
2. GERMANY 669 feat is impossible t
Page 708 and 709:
3. FRANCE AND U.S.A. 671 Rousseau s
Page 710 and 711:
3. FRANCE AND U.S.A. 673 31. Vergil
Page 712 and 713:
675 Notes on 19. THE TIME OF REVOLU
Page 714 and 715:
4. ENGLAND 677 16. Wordsworth, pref
Page 716 and 717:
4. ENGLAND 679 53. See N. I. White
Page 718 and 719:
5. ITALY 681 disdain of classical l
Page 720 and 721:
6. CONCLUSION 683 2. Ovid, Tristia
Page 722 and 723:
NOTES ON 20. PARNASSUS AND ANTICHRI
Page 724 and 725:
Page 726 and 727:
Page 728 and 729:
NOTES ON 21. A CENTURY OF SCHOLARSH
Page 730 and 731:
Page 732 and 733:
Page 734 and 735:
NOTES ON 22. THE SYMBOLISTS AND JOY
Page 736 and 737:
NOTES ON 22. THE SYMBOLISTS AND JOY
Page 738 and 739:
701 Notes on 23. THE REINTERPRETATI
Page 740 and 741:
THE REINTERPRETATION OF THE MYTHS 7
Page 742 and 743:
70S Notes on 24. CONCLUSION 1. For
Page 744 and 745:
INDEX Important references are show
Page 746 and 747:
458; modern French drama, 537; Raci
Page 748 and 749:
INDEX Astyanax, 144. asymmetry, 324
Page 750 and 751:
Belial, 150, 160, 521. Bell, Aubrey
Page 752 and 753:
INDEX 715 bucolic poets, 162-3, 375
Page 754 and 755:
Chateaubriand, works, 435; The Geni
Page 756 and 757:
Claudius, emperor, 304, 670. clausu
Page 758 and 759:
dancing, 219, 220-2, 224-6, 234, 24
Page 760 and 761:
dominae, 578. Domitian, 314, 578. d
Page 762 and 763:
encyclopaedias, 8, 15, 48, 67, 98,
Page 764 and 765:
Dead, 279; Digression on the Ancien
Page 766 and 767:
Godeau, 280. Godfrey de Bouillon, 1
Page 768 and 769:
INDEX H.D., 541. Habert, 116, 125.
Page 770 and 771:
286-7, 368, 375, 416, 419, 430, 446
Page 772 and 773:
Isidore, in Timon of Athens, 197; o
Page 774 and 775:
Klinger, F. M. von, Sturm und Drang
Page 776 and 777:
literature, and civilization, 275-6
Page 778 and 779:
Marat, 391, 393, 395. Marcellus, ca
Page 780 and 781:
mistletoe, 698. mistranslations, 96
Page 782 and 783:
Neue Jahrbucher fur das klassische
Page 784 and 785:
676; modern, 85, 88, 89-90, 91, 92-
Page 786 and 787:
388, 394-5, 409-12. 417, 420, 439,
Page 788 and 789:
Propylaea, 664. prose, 242, 322, 32
Page 790 and 791:
INDEX 753 Robespierre, Maximilien,
Page 792 and 793:
Saliat, Pierre, 116, 189. Sallust,
Page 794 and 795:
61, 199, 205, 618; Sonnets, 58, 179
Page 796 and 797:
symbolism, in literature, 32, 63-4,
Page 798 and 799:
Tuileries, 396, 633. Tuim, Jehan de
Page 800:
Winchester, city, 46; College, 11,
show all

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