- Page 2 and 3: THE CLASSICAL TRADITION
- Page 4 and 5: THE CLASSICAL TRADITION GREEK AND R
- Page 6 and 7: PREFACE T HIS book is an outline of
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- Page 10 and 11: ACKNOWLED xi Gallimard, Paris, from
- Page 12 and 13: CONTENTS ABBREVIATIONS xxxvii CHAPT
- Page 14 and 15: CONTENTS xv AElfric 46 translations
- Page 16 and 17: CONTENTS xvii Filostrato 90 Fiammet
- Page 18 and 19: CONTENTS xix Amyntas and The Faithf
- Page 20 and 21: CONTENTS xxi MONTAIGNE 185-93 Monta
- Page 22 and 23: CONTENTS xxiii his 'invention' of t
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- Page 28 and 29: CONTENTS xxix Escape and fulfilment
- Page 30 and 31: CONTENTS xxxi His favourites 419 Ho
- Page 32 and 33: CONTENTS xxxiii Marius the Epicurea
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- Page 36 and 37: ABBREVIATIONS The following convent
- Page 38 and 39: I INTRODUCTION O UR modern world is
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4. DANTE AND PAGAN ANTIQUITY 71 fur
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4. DANTE AND PAGAN ANTIQUITY 73 Thi
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4. DANTE AND PAGAN ANTIQUITY 75 str
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4. DANTE AND PAGAN ANTIQUITY 77 In
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4. DANTE AND PAGAN ANTIQUITY 79 tri
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5 TOWARDS THE RENAISSANCE PETRARCH,
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PETRARCH, BOCCACCIO, CHAUCER 83 liv
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7 THE RENAISSANCE DRAMA I N the Mid
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7. THE RENAISSANCE: DRAMA 131 The i
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8. THE RENAISSANCE: EPIC 145 the co
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8. THE RENAISSANCE: EPIC 153 exampl
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8. THE RENAISSANCE: EPIC 155 Homeri
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8. THE RENAISSANCE: EPIC 157 It is
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10. RABELAIS AND MONTAIGNE 179 esta
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10. RABELAIS AND MONTAIGNE 181 by e
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10. RABELAIS AND MONTAIGNE 183 A si
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10. RABELAIS AND MONTAIGNE 185 empi
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10. RABELAIS AND MONTAIGNE 187 age
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10. RABELAIS AND MONTAIGNE 191 to c
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10. RABELAIS AND MONTAIGNE 193 gant
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11. SHAKESPEARE'S CLASSICS 195 firs
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11. SHAKESPEARE'S CLASSICS 199 are
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11. SHAKESPEARE'S CLASSICS 203 Plat
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11. SHAKESPEARE'S CLASSICS 215 Amph
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11. SHAKESPEARE'S CLASSICS 217 are
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12 THE RENAISSANCE AND AFTERWARDS L
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LYRIC POETRY 221 Simple, private, e
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LYRIC POETRY 223 and pattern—not
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LYRIC POETRY 225 of the festival fo
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LYRIC POETRY 227 Horace is a solo s
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LYRIC POETRY 229 modern Anacreontic
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LYRIC POETRY 231 in 1513. Educated
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LYRIC POETRY 233 to write odes, and
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LYRIC POETRY 235 odes and those of
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LYRIC POETRY 237 one in Love's Labo
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LYRIC POETRY 239 This, then, is the
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LYRIC POETRY 241 This was little mo
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LYRIC POETRY 243 expressing genuine
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LYRIC POETRY 245 he knew no Greek.
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LYRIC POETRY 247 In France it was t
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LYRIC POETRY 249 His friend Milton
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LYRIC POETRY 251 Goethe admired Pin
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LYRIC POETRY 253 inheritance which
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13 TRANSITION WE have seen how, aft
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13. TRANSITION 257 (d) And finally,
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13. TRANSITION 259 decay creeping o
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14 THE BATTLE OF THE BOOKS T HERE w
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14. THE BATTLE OF THE BOOKS 263 a b
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14. THE BATTLE OF THE BOOKS 265 had
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14. THE BATTLE OF THE BOOKS 267 is
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14. THE BATTLE OF THE BOOKS 275 Thi
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14. THE BATTLE OF THE BOOKS 279 gre
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15 A NOTE ON BAROQUE THE word 'baro
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15. A NOTE ON BAROQUE 291 Alessandr
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16 BAROQUE TRAGEDY I N poetry the m
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16. BAROQUE TRAGEDY 295 effective t
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16. BAROQUE TRAGEDY 297 (Always clo
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16. BAROQUE TRAGEDY 299 extravaganc
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16. BAROQUE TRAGEDY 301 Clarence's
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17 SATIRE T HE word 'satire' has no
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17. SATIRE 305 and Cyrano de Berger
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17. SATIRE 307 And easy, smiling, s
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17. SATIRE 309 writers gained addit
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17. SATIRE 3" Juvenal, and Alamanni
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17. SATIRE 313 not like it much bet
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17. SATIRE 315 ancestry of these ch
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17. SATIRE 317 are linked and the s
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17. SATIRE 319 However, all the 'cl
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17. SATIRE 321 poetic and emotional
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18. BAROQUE PROSE 323 of the ninete
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18. BAROQUE PROSE 325 Of this secon
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18. BAROQUE PROSE 327 Meanwhile ano
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18. BAROQUE PROSE 329 example. In M
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18. BAROQUE PROSE 331 naturalized.
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18. BAROQUE PROSE 333 1 like a trea
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18. BAROQUE PROSE 335 Such devices
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18. BAROQUE PROSE 337 of Fenelon's
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18. BAROQUE PROSE 339 Age, it stigm
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18. BAROQUE PROSE 341 for his work
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18. BAROQUE PROSE 343 To begin with
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18. BAROQUE PROSE 345 Roman world a
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18. BAROQUE PROSE 347 period from A
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18. BAROQUE PROSE 349 empire into t
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18. BAROQUE PROSE 351 was destroyed
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18. BAROQUE PROSE 353 merits of Rom
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19 THE TIME OF REVOLUTION § I. INT
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FRANCE AND THE UNITED STATES 391 to
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FRANCE AND THE UNITED STATES 393 in
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20 PARNASSUS AND ANTICHRIST IN one
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20. PARNASSUS AND ANTICHRIST 439 in
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20. PARNASSUS AND ANTICHRIST 465 th
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21. A CENTURY OF SCHOLARSHIP 467 ci
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21. A CENTURY OF SCHOLARSHIP 469 Eg
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22 THE SYMBOLIST POETS AND JAMES JO
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24 CONCLUSION W E have come a long
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24. CONCLUSION 543 or fifteen centu
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24. CONCLUSION 545 into Greek-speak
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24. CONCLUSION 547 Christianity and
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24. CONCLUSION 549 and Milton and T
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BRIEF BIBLIOGRAPHY 551 4 H. BROWN,
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BRIEF BIBLIOGRAPHY 553 13. R. NEWAL
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BRIEF BIBLIOGRAPHY 555 24. The Warb
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NOTES ON 1. INTRODUCTION 557 moment
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NOTES ON 1. INTRODUCTION 559 (A.D.
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NOTES ON 1. INTRODUCTION 561 500 ye
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ENGLISH LITERATURE 565 gospel, but
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ENGLISH LITERATURE 567 21. See D. M
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PASTORAL AND ROMANCE 613 17. For th
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1. INTRODUCTION 663 Greece and Germ
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2. GERMANY 665 mann published in th
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2. GERMANY 667 38. On this see Kell
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2. GERMANY 669 feat is impossible t
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4. ENGLAND 677 16. Wordsworth, pref
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5. ITALY 681 disdain of classical l
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6. CONCLUSION 683 2. Ovid, Tristia
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NOTES ON 20. PARNASSUS AND ANTICHRI
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NOTES ON 21. A CENTURY OF SCHOLARSH
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NOTES ON 21. A CENTURY OF SCHOLARSH
- Page 732 and 733:
NOTES ON 21. A CENTURY OF SCHOLARSH
- Page 734 and 735:
NOTES ON 22. THE SYMBOLISTS AND JOY
- Page 736 and 737:
NOTES ON 22. THE SYMBOLISTS AND JOY
- Page 738 and 739:
701 Notes on 23. THE REINTERPRETATI
- Page 740 and 741:
THE REINTERPRETATION OF THE MYTHS 7
- Page 742 and 743:
70S Notes on 24. CONCLUSION 1. For
- Page 744 and 745:
INDEX Important references are show
- Page 746 and 747:
458; modern French drama, 537; Raci
- Page 748 and 749:
INDEX Astyanax, 144. asymmetry, 324
- Page 750 and 751:
Belial, 150, 160, 521. Bell, Aubrey
- Page 752 and 753:
INDEX 715 bucolic poets, 162-3, 375
- Page 754 and 755:
Chateaubriand, works, 435; The Geni
- Page 756 and 757:
Claudius, emperor, 304, 670. clausu
- Page 758 and 759:
dancing, 219, 220-2, 224-6, 234, 24
- Page 760 and 761:
dominae, 578. Domitian, 314, 578. d
- Page 762 and 763:
encyclopaedias, 8, 15, 48, 67, 98,
- Page 764 and 765:
Dead, 279; Digression on the Ancien
- Page 766 and 767:
Godeau, 280. Godfrey de Bouillon, 1
- Page 768 and 769:
INDEX H.D., 541. Habert, 116, 125.
- Page 770 and 771:
286-7, 368, 375, 416, 419, 430, 446
- Page 772 and 773:
Isidore, in Timon of Athens, 197; o
- Page 774 and 775:
Klinger, F. M. von, Sturm und Drang
- Page 776 and 777:
literature, and civilization, 275-6
- Page 778 and 779:
Marat, 391, 393, 395. Marcellus, ca
- Page 780 and 781:
mistletoe, 698. mistranslations, 96
- Page 782 and 783:
Neue Jahrbucher fur das klassische
- Page 784 and 785:
676; modern, 85, 88, 89-90, 91, 92-
- Page 786 and 787:
388, 394-5, 409-12. 417, 420, 439,
- Page 788 and 789:
Propylaea, 664. prose, 242, 322, 32
- Page 790 and 791:
INDEX 753 Robespierre, Maximilien,
- Page 792 and 793:
Saliat, Pierre, 116, 189. Sallust,
- Page 794 and 795:
61, 199, 205, 618; Sonnets, 58, 179
- Page 796 and 797:
symbolism, in literature, 32, 63-4,
- Page 798 and 799:
Tuileries, 396, 633. Tuim, Jehan de
- Page 800:
Winchester, city, 46; College, 11,