The Classical Tradition: Greek and Roman ... - Historia Antigua

More documents

Recommendations

Info

PREFACE ix Elliot V. K. Dobbie; Charles Everett; Otis Fellows; Donald Frame; Horace Friess; W. M. Frohock; Moses Hadas; Alfred Harbage; Henry Hatfield; Werner Jaeger; Ernst Kapp; J. A. Krout; Roger Loomis; Arnaldo Momigliano; Frank Morley; Marjorie Hope Nicolson; Justin O'Brien; Denys Page; R. H. Phelps; Austin Poole; Colin Roberts; Inez Scott Ryberg; Arthur Schiller; Kenneth Sisam; Herbert Smith; Norman Torrey; LaRue Van Hook; James Wardrop; T. J. Wertenbaker; and Ernest Hunter Wright. I am also grateful to a number of my pupils who have been so good as to make suggestions—in particular Isabel Gaebelein and William Turner Levy. I have further to thank the members of the staff of Columbia University Library, especially the following, whose expert bibliographical knowledge has saved me many hours of searching: Constance Winchell, Jean Macalister, Charles Claar, Jane Davies, Alice Day, Karl Easton, Olive Johnson, Carl Reed, Lucy Reynolds, and Margaret Webb. And I must express my thanks to the Librarian and the staff of St. Andrews University Library, who gave me the traditional Scots hospitality. One other debt, the greatest of all, is acknowledged in the dedication. G. H. COLUMBIA UNIVERSITY NEW YORK
ACKNOWLEDGEMENTS SHOULD like to express my thanks to the authors, firms, and I representatives who have been kind enough to grant me permission to print quotations from the following works, in which they hold the copyright: George Allen and Unwin Ltd., London, from Lord Russell's A History of Western Philosophy; Appleton-Century-Crofts, Inc., New York, from The Art of History, by J. B. Black; Artemis-Verlag, Zurich, from Carl Spitteler's Olympischer Fruhling; The Atlantic Monthly Press, Boston, from E. J. Simmons's Leo Tolstoy; C. H. Beck'sche Verlagsbuchhandlung, Munich, from Oswald Spengler's Der Untergang des Abendlandes; Cambridge University Press, from E. M. Butler's The Tyranny of Greece over Germany; A. S. F. Gow's A. E. Housman: a Sketch; A. E. Housman's Introductory Lecture of 1892 and his preface to his edition of Juvenal; J. E. Sandys's A History of Classical Scholarship; and A. A. Tilley's The Literature of the French Renaissance; Jonathan Cape, Ltd., London, from A. E. Housman's A Shropshire Lad; Chatto and Windus, London, from Lytton Strachey's Books and Characters; The Clarendon Press, Oxford, from W. J. Sedgefield's King Alfred's Version of the Consolation of Boethius; Columbia University Press, New York, from D. J. Grout's A Short History of Opera; S. A. Larrabee's English Bards and Grecian Marbles; E. E. Neff's The Poetry of History; and G. N. Shuster's The English Ode from Milton to Keats; J. M. Dent & Sons, London, from the Everyman's Library editions of Gibbon's Decline and Fall of the Roman Empire and R. K. Ingram's translation of the Anglo-Saxon Chronicle; Dieterich'sche Verlagsbuchhandlung, Wiesbaden, from W. Rehm's Griechentum und Goethezeit (Das Erbe der Alten, 2nd series, no. 26); E. P. Dutton & Co. Inc., New York, from the Everyman's Library editions of Gibbon's Decline and Fall of the Roman Empire and R. K. Ingram's translation of the Anglo-Saxon Chronicle; Editions Bernard Grasset, Paris, from Jean Cocteau's La Machine infernale and Jean Giraudoux's Electre and La Guerre de Troie n'aura pas lieu; The Encylopaedia Britannica, Chicago, from J. B. Bury's article 'Roman Empire, Later' and D. F. Tovey's article 'Gluck'; Faber & Faber, Ltd., London, from T. S. Eliot's poems and S. Gilbert's James Joyce's ' Ulysses'; Henry Frowde, London, from E. J. Dent's 'The Baroque Opera', in The Musical Antiquary for Jan. 1910;
Page 2 and 3: THE CLASSICAL TRADITION
Page 4 and 5: THE CLASSICAL TRADITION GREEK AND R
Page 6 and 7: PREFACE T HIS book is an outline of
Page 10 and 11: ACKNOWLED xi Gallimard, Paris, from
Page 12 and 13: CONTENTS ABBREVIATIONS xxxvii CHAPT
Page 14 and 15: CONTENTS xv AElfric 46 translations
Page 16 and 17: CONTENTS xvii Filostrato 90 Fiammet
Page 18 and 19: CONTENTS xix Amyntas and The Faithf
Page 20 and 21: CONTENTS xxi MONTAIGNE 185-93 Monta
Page 22 and 23: CONTENTS xxiii his 'invention' of t
Page 24 and 25: CONTENTS xxv Nationalism in languag
Page 26 and 27: CONTENTS xxvii Limitations of the '
Page 28 and 29: CONTENTS xxix Escape and fulfilment
Page 30 and 31: CONTENTS xxxi His favourites 419 Ho
Page 32 and 33: CONTENTS xxxiii Marius the Epicurea
Page 34 and 35: CONTENTS xxxv Myths as symbols of p
Page 36 and 37: ABBREVIATIONS The following convent
Page 38 and 39: I INTRODUCTION O UR modern world is
Page 40 and 41: 1. INTRODUCTION 3 which Milton and
Page 42 and 43: 1. INTRODUCTION 5 First of all, the
Page 44 and 45: 1. INTRODUCTION 7 but from the simp
Page 46 and 47: 1. INTRODUCTION 9 and teaching of J
Page 48 and 49: 1. INTRODUCTION 11 and at last it f
Page 50 and 51: 1. INTRODUCTION 13 their spelling a
Page 52 and 53: 1. INTRODUCTION 15 great that the a
Page 54 and 55: 1. INTRODUCTION 17 standards and to
Page 56 and 57: 1. INTRODUCTION 19 and strong, with
Page 58 and 59:
1. INTRODUCTION 21 fauns, Diana and
Page 60 and 61:
2. THE DARK AGES: ENGLISH LITERATUR
Page 62 and 63:
Page 64 and 65:
Page 66 and 67:
Page 68 and 69:
Page 70 and 71:
Page 72 and 73:
Page 74 and 75:
Page 76 and 77:
Page 78 and 79:
Page 80 and 81:
Page 82 and 83:
Page 84 and 85:
Page 86 and 87:
3. THE MIDDLE AGES: FRENCH LITERATU
Page 88 and 89:
Page 90 and 91:
Page 92 and 93:
Page 94 and 95:
Page 96 and 97:
Page 98 and 99:
Page 100 and 101:
Page 102 and 103:
Page 104 and 105:
Page 106 and 107:
Page 108 and 109:
4. DANTE AND PAGAN ANTIQUITY 71 fur
Page 110 and 111:
4. DANTE AND PAGAN ANTIQUITY 73 Thi
Page 112 and 113:
4. DANTE AND PAGAN ANTIQUITY 75 str
Page 114 and 115:
4. DANTE AND PAGAN ANTIQUITY 77 In
Page 116 and 117:
4. DANTE AND PAGAN ANTIQUITY 79 tri
Page 118 and 119:
5 TOWARDS THE RENAISSANCE PETRARCH,
Page 120 and 121:
PETRARCH, BOCCACCIO, CHAUCER 83 liv
Page 122 and 123:
PETRARCH, BOCCACCIO, CHAUCER 85 fir
Page 124 and 125:
PETRARCH, BOCCACCIO, CHAUCER 87 the
Page 126 and 127:
PETRARCH, BOCCACCIO, CHAUCER 89 BOC
Page 128 and 129:
PETRARCH, BOCCACCIO, CHAUCER 91 if
Page 130 and 131:
PETRARCH, BOCCACCIO, CHAUCER 93 pos
Page 132 and 133:
PETRARCH, BOCCACCIO, CHAUCER 95 It
Page 134 and 135:
PETRARCH, BOCCACCIO, CHAUCER 97 are
Page 136 and 137:
PETRARCH, BOCCACCIO, CHAUCER 99 the
Page 138 and 139:
PETRARCH, BOCCACCIO, CHAUCER 101 is
Page 140 and 141:
PETRARCH, BOCCACCIO, CHAUCER 103 he
Page 142 and 143:
6. THE RENAISSANCE: TRANSLATION 105
Page 144 and 145:
Page 146 and 147:
Page 148 and 149:
Page 150 and 151:
Page 152 and 153:
Page 154 and 155:
Page 156 and 157:
Page 158 and 159:
Page 160 and 161:
Page 162 and 163:
Page 164 and 165:
7 THE RENAISSANCE DRAMA I N the Mid
Page 166 and 167:
7. THE RENAISSANCE: DRAMA 129 and l
Page 168 and 169:
7. THE RENAISSANCE: DRAMA 131 The i
Page 170 and 171:
7. THE RENAISSANCE: DRAMA 133 passi
Page 172 and 173:
7. THE RENAISSANCE: DRAMA 135 was n
Page 174 and 175:
7. THE RENAISSANCE: DRAMA 137 the f
Page 176 and 177:
7. THE RENAISSANCE: DRAMA 139 Masqu
Page 178 and 179:
7. THE RENAISSANCE: DRAMA 141 a coc
Page 180 and 181:
7. THE RENAISSANCE: DRAMA 143 insis
Page 182 and 183:
8. THE RENAISSANCE: EPIC 145 the co
Page 184 and 185:
8. THE RENAISSANCE: EPIC 147 and Ch
Page 186 and 187:
8. THE RENAISSANCE: EPIC 149 Jealou
Page 188 and 189:
8. THE RENAISSANCE: EPIC 151 No: li
Page 190 and 191:
8. THE RENAISSANCE: EPIC 153 exampl
Page 192 and 193:
8. THE RENAISSANCE: EPIC 155 Homeri
Page 194 and 195:
8. THE RENAISSANCE: EPIC 157 It is
Page 196 and 197:
8. THE RENAISSANCE: EPIC 159 begins
Page 198 and 199:
8. THE RENAISSANCE: EPIC 161 is not
Page 200 and 201:
y. THE RENAISSANCE: PASTORAL AND RO
Page 202 and 203:
9. THE RENAISSANCE: PASTORAL AND RO
Page 204 and 205:
Page 206 and 207:
Page 208 and 209:
Page 210 and 211:
Page 212 and 213:
Page 214 and 215:
Page 216 and 217:
10. RABELAIS AND MONTAIGNE 179 esta
Page 218 and 219:
10. RABELAIS AND MONTAIGNE 181 by e
Page 220 and 221:
10. RABELAIS AND MONTAIGNE 183 A si
Page 222 and 223:
10. RABELAIS AND MONTAIGNE 185 empi
Page 224 and 225:
10. RABELAIS AND MONTAIGNE 187 age
Page 226 and 227:
10. RABELAIS AND MONTAIGNE 189 Diod
Page 228 and 229:
10. RABELAIS AND MONTAIGNE 191 to c
Page 230 and 231:
10. RABELAIS AND MONTAIGNE 193 gant
Page 232 and 233:
11. SHAKESPEARE'S CLASSICS 195 firs
Page 234 and 235:
11. SHAKESPEARE'S CLASSICS 197 fair
Page 236 and 237:
11. SHAKESPEARE'S CLASSICS 199 are
Page 238 and 239:
11. SHAKESPEARE'S CLASSICS 201 quot
Page 240 and 241:
11. SHAKESPEARE'S CLASSICS 203 Plat
Page 242 and 243:
11. SHAKESPEARE'S CLASSICS 205 diou
Page 244 and 245:
11. SHAKESPEARE'S CLASSICS 207 In a
Page 246 and 247:
11. SHAKESPEARE'S CLASSICS 209 inst
Page 248 and 249:
11. SHAKESPEARE'S CLASSICS 211 can
Page 250 and 251:
11. SHAKESPEARE'S CLASSICS 213 mult
Page 252 and 253:
11. SHAKESPEARE'S CLASSICS 215 Amph
Page 254 and 255:
11. SHAKESPEARE'S CLASSICS 217 are
Page 256 and 257:
12 THE RENAISSANCE AND AFTERWARDS L
Page 258 and 259:
LYRIC POETRY 221 Simple, private, e
Page 260 and 261:
LYRIC POETRY 223 and pattern—not
Page 262 and 263:
LYRIC POETRY 225 of the festival fo
Page 264 and 265:
LYRIC POETRY 227 Horace is a solo s
Page 266 and 267:
LYRIC POETRY 229 modern Anacreontic
Page 268 and 269:
LYRIC POETRY 231 in 1513. Educated
Page 270 and 271:
LYRIC POETRY 233 to write odes, and
Page 272 and 273:
LYRIC POETRY 235 odes and those of
Page 274 and 275:
LYRIC POETRY 237 one in Love's Labo
Page 276 and 277:
LYRIC POETRY 239 This, then, is the
Page 278 and 279:
LYRIC POETRY 241 This was little mo
Page 280 and 281:
LYRIC POETRY 243 expressing genuine
Page 282 and 283:
LYRIC POETRY 245 he knew no Greek.
Page 284 and 285:
LYRIC POETRY 247 In France it was t
Page 286 and 287:
LYRIC POETRY 249 His friend Milton
Page 288 and 289:
LYRIC POETRY 251 Goethe admired Pin
Page 290 and 291:
LYRIC POETRY 253 inheritance which
Page 292 and 293:
13 TRANSITION WE have seen how, aft
Page 294 and 295:
13. TRANSITION 257 (d) And finally,
Page 296 and 297:
13. TRANSITION 259 decay creeping o
Page 298 and 299:
14 THE BATTLE OF THE BOOKS T HERE w
Page 300 and 301:
14. THE BATTLE OF THE BOOKS 263 a b
Page 302 and 303:
14. THE BATTLE OF THE BOOKS 265 had
Page 304 and 305:
14. THE BATTLE OF THE BOOKS 267 is
Page 306 and 307:
14. THE BATTLE OF THE BOOKS 269 war
Page 308 and 309:
14. THE BATTLE OF THE BOOKS 271 tio
Page 310 and 311:
14. THE BATTLE OF THE BOOKS 273 as
Page 312 and 313:
14. THE BATTLE OF THE BOOKS 275 Thi
Page 314 and 315:
14. THE BATTLE OF THE BOOKS 277 of
Page 316 and 317:
14. THE BATTLE OF THE BOOKS 279 gre
Page 318 and 319:
14. THE BATTLE OF THE BOOKS 281 a v
Page 320 and 321:
14. THE BATTLE OF THE BOOKS 283 'Th
Page 322 and 323:
14. THE BATTLE OF THE BOOKS 285 bee
Page 324 and 325:
14. THE BATTLE OF THE BOOKS 287 The
Page 326 and 327:
15 A NOTE ON BAROQUE THE word 'baro
Page 328 and 329:
15. A NOTE ON BAROQUE 291 Alessandr
Page 330 and 331:
16 BAROQUE TRAGEDY I N poetry the m
Page 332 and 333:
16. BAROQUE TRAGEDY 295 effective t
Page 334 and 335:
16. BAROQUE TRAGEDY 297 (Always clo
Page 336 and 337:
16. BAROQUE TRAGEDY 299 extravaganc
Page 338 and 339:
16. BAROQUE TRAGEDY 301 Clarence's
Page 340 and 341:
17 SATIRE T HE word 'satire' has no
Page 342 and 343:
17. SATIRE 305 and Cyrano de Berger
Page 344 and 345:
17. SATIRE 307 And easy, smiling, s
Page 346 and 347:
17. SATIRE 309 writers gained addit
Page 348 and 349:
17. SATIRE 3" Juvenal, and Alamanni
Page 350 and 351:
17. SATIRE 313 not like it much bet
Page 352 and 353:
17. SATIRE 315 ancestry of these ch
Page 354 and 355:
17. SATIRE 317 are linked and the s
Page 356 and 357:
17. SATIRE 319 However, all the 'cl
Page 358 and 359:
17. SATIRE 321 poetic and emotional
Page 360 and 361:
18. BAROQUE PROSE 323 of the ninete
Page 362 and 363:
18. BAROQUE PROSE 325 Of this secon
Page 364 and 365:
18. BAROQUE PROSE 327 Meanwhile ano
Page 366 and 367:
18. BAROQUE PROSE 329 example. In M
Page 368 and 369:
18. BAROQUE PROSE 331 naturalized.
Page 370 and 371:
18. BAROQUE PROSE 333 1 like a trea
Page 372 and 373:
18. BAROQUE PROSE 335 Such devices
Page 374 and 375:
18. BAROQUE PROSE 337 of Fenelon's
Page 376 and 377:
18. BAROQUE PROSE 339 Age, it stigm
Page 378 and 379:
18. BAROQUE PROSE 341 for his work
Page 380 and 381:
18. BAROQUE PROSE 343 To begin with
Page 382 and 383:
18. BAROQUE PROSE 345 Roman world a
Page 384 and 385:
18. BAROQUE PROSE 347 period from A
Page 386 and 387:
18. BAROQUE PROSE 349 empire into t
Page 388 and 389:
18. BAROQUE PROSE 351 was destroyed
Page 390 and 391:
18. BAROQUE PROSE 353 merits of Rom
Page 392 and 393:
19 THE TIME OF REVOLUTION § I. INT
Page 394 and 395:
19. THE TIME OF REVOLUTION: INTRODU
Page 396 and 397:
Page 398 and 399:
Page 400 and 401:
Page 402 and 403:
Page 404 and 405:
Page 406 and 407:
19. THE TIME OF REVOLUTION: GERMANY
Page 408 and 409:
Page 410 and 411:
Page 412 and 413:
Page 414 and 415:
Page 416 and 417:
Page 418 and 419:
Page 420 and 421:
Page 422 and 423:
Page 424 and 425:
Page 426 and 427:
Page 428 and 429:
FRANCE AND THE UNITED STATES 391 to
Page 430 and 431:
FRANCE AND THE UNITED STATES 393 in
Page 432 and 433:
FRANCE AND THE UNITED STATES 395 co
Page 434 and 435:
FRANCE AND THE UNITED STATES 397 na
Page 436 and 437:
FRANCE AND THE UNITED STATES 399 co
Page 438 and 439:
FRANCE AND THE UNITED STATES 401 Mi
Page 440 and 441:
FRANCE AND THE UNITED STATES 403 se
Page 442 and 443:
FRANCE AND THE UNITED STATES 405 th
Page 444 and 445:
FRANCE AND THE UNITED STATES 407 re
Page 446 and 447:
19. THE TIME OF REVOLUTION: ENGLAND
Page 448 and 449:
Page 450 and 451:
Page 452 and 453:
Page 454 and 455:
Page 456 and 457:
Page 458 and 459:
Page 460 and 461:
Page 462 and 463:
19. THE TIME OF REVOLUTION: ITALY 4
Page 464 and 465:
Page 466 and 467:
Page 468 and 469:
Page 470 and 471:
Page 472 and 473:
19. THE TIME OF REVOLUTION: CONCLUS
Page 474 and 475:
20 PARNASSUS AND ANTICHRIST IN one
Page 476 and 477:
20. PARNASSUS AND ANTICHRIST 439 in
Page 478 and 479:
20. PARNASSUS AND ANTICHRIST 441 He
Page 480 and 481:
20. PARNASSUS AND ANTICHRIST 443 sc
Page 482 and 483:
20. PARNASSUS AND ANTICHRIST 445 an
Page 484 and 485:
20. PARNASSUS AND ANTICHRIST 447 in
Page 486 and 487:
20. PARNASSUS AND ANTICHRIST 449 Th
Page 488 and 489:
20. PARNASSUS AND ANTICHRIST 451 me
Page 490 and 491:
20. PARNASSUS AND ANTICHRIST 453 de
Page 492 and 493:
20. PARNASSUS AND ANTICHRIST 455 Ro
Page 494 and 495:
20. PARNASSUS AND ANTICHRIST 457 he
Page 496 and 497:
20. PARNASSUS AND ANTICHRIST 459 he
Page 498 and 499:
20. PARNASSUS AND ANTICHRIST 461 An
Page 500 and 501:
20. PARNASSUS AND ANTICHRIST 463 Hy
Page 502 and 503:
20. PARNASSUS AND ANTICHRIST 465 th
Page 504 and 505:
21. A CENTURY OF SCHOLARSHIP 467 ci
Page 506 and 507:
21. A CENTURY OF SCHOLARSHIP 469 Eg
Page 508 and 509:
21. A CENTURY OF SCHOLARSHIP 471 of
Page 510 and 511:
21. A CENTURY OF SCHOLARSHIP 473 fi
Page 512 and 513:
21. A CENTURY OF SCHOLARSHIP 475 Ma
Page 514 and 515:
21. A CENTURY OF SCHOLARSHIP 477 co
Page 516 and 517:
21. A CENTURY OF SCHOLARSHIP 479 ra
Page 518 and 519:
21. A CENTURY OF SCHOLARSHIP 481 ba
Page 520 and 521:
21. A CENTURY OF SCHOLARSHIP 483 Ho
Page 522 and 523:
21. A CENTURY OF SCHOLARSHIP 485 wi
Page 524 and 525:
21. A CENTURY OF SCHOLARSHIP 487 Af
Page 526 and 527:
21. A CENTURY OF SCHOLARSHIP 489 In
Page 528 and 529:
21. A CENTURY OF SCHOLARSHIP 491 pa
Page 530 and 531:
21. A CENTURY OF SCHOLARSHIP 493 ef
Page 532 and 533:
21. A CENTURY OF SCHOLARSHIP 495 cl
Page 534 and 535:
21. A CENTURY OF SCHOLARSHIP 497 of
Page 536 and 537:
21. A CENTURY OF SCHOLARSHIP 499 Th
Page 538 and 539:
22 THE SYMBOLIST POETS AND JAMES JO
Page 540 and 541:
22. THE SYMBOLIST POETS AND JAMES J
Page 542 and 543:
Page 544 and 545:
Page 546 and 547:
Page 548 and 549:
Page 550 and 551:
Page 552 and 553:
Page 554 and 555:
Page 556 and 557:
Page 558 and 559:
23. THE REINTERPRETATION OF THE MYT
Page 560 and 561:
Page 562 and 563:
Page 564 and 565:
Page 566 and 567:
Page 568 and 569:
Page 570 and 571:
Page 572 and 573:
Page 574 and 575:
Page 576 and 577:
Page 578 and 579:
24 CONCLUSION W E have come a long
Page 580 and 581:
24. CONCLUSION 543 or fifteen centu
Page 582 and 583:
24. CONCLUSION 545 into Greek-speak
Page 584 and 585:
24. CONCLUSION 547 Christianity and
Page 586 and 587:
24. CONCLUSION 549 and Milton and T
Page 588 and 589:
BRIEF BIBLIOGRAPHY 551 4 H. BROWN,
Page 590 and 591:
BRIEF BIBLIOGRAPHY 553 13. R. NEWAL
Page 592 and 593:
BRIEF BIBLIOGRAPHY 555 24. The Warb
Page 594 and 595:
NOTES ON 1. INTRODUCTION 557 moment
Page 596 and 597:
NOTES ON 1. INTRODUCTION 559 (A.D.
Page 598 and 599:
NOTES ON 1. INTRODUCTION 561 500 ye
Page 600 and 601:
NOTES ON 2. DARK AGES: ENGLISH LITE
Page 602 and 603:
ENGLISH LITERATURE 565 gospel, but
Page 604 and 605:
ENGLISH LITERATURE 567 21. See D. M
Page 606 and 607:
ENGLISH LITERATURE 569 establish an
Page 608 and 609:
ENGLISH LITERATURE 571 Boethius' bo
Page 610 and 611:
ENGLISH LITERATURE 573 67. Alfred m
Page 612 and 613:
FRENCH LITERATURE S7S Trojan war wa
Page 614 and 615:
FRENCH LITERATURE 577 22. Sidney, A
Page 616 and 617:
FRENCH LITERATURE 579 see C. S. Lew
Page 618 and 619:
FRENCH LITERATURE 581 l'us dis lo v
Page 620 and 621:
FRENCH LITERATURE 583 (Adu. Iouin.
Page 622 and 623:
NOTES ON 4. DANTE AND PAGAN ANTIQUI
Page 624 and 625:
NOTES ON 4. DANTE AND PAGAN ANTIQUI
Page 626 and 627:
NOTES ON 5. TOWARDS THE RENAISSANCE
Page 628 and 629:
Page 630 and 631:
Page 632 and 633:
NOTES ON 6. THE RENAISSANCE: TRANSL
Page 634 and 635:
NOTES ON 6. THE RENAISSANCE: TRANSL
Page 636 and 637:
NOTES ON 7. THE RENAISSANCE: DRAMA
Page 638 and 639:
NOTES ON 7. THE RENAISSANCE: DRAMA
Page 640 and 641:
NOTES ON 8. THE RENAISSANCE: EPIC 6
Page 642 and 643:
Page 644 and 645:
Page 646 and 647:
Page 648 and 649:
Page 650 and 651:
PASTORAL AND ROMANCE 613 17. For th
Page 652 and 653:
NOTES ON 10. RABELAIS AND MONTAIGNE
Page 654 and 655:
NOTES ON 10. RABELAIS AND MONTAIGNE
Page 656 and 657:
NOTES ON 11. SHAKESPEARE'S CLASSICS
Page 658 and 659:
Page 660 and 661:
Page 662 and 663:
Page 664 and 665:
Page 666 and 667:
NOTES ON 12. LYRIC POETRY 629 Did P
Page 668 and 669:
NOTES ON 12. LYRIC POETRY 631 (Du B
Page 670 and 671:
NOTES ON 12. LYRIC POETRY 633 54. P
Page 672 and 673:
NOTES ON 12. LYRIC POETRY 635 The p
Page 674 and 675:
NOTES ON 12. LYRIC POETRY 637 95. T
Page 676 and 677:
NOTES ON 13. TRANSITION 639 patrona
Page 678 and 679:
NOTES ON 14. THE BATTLE OF THE BOOK
Page 680 and 681:
Page 682 and 683:
Page 684 and 685:
NOTES ON 15. A NOTE ON BAROQUE 647
Page 686 and 687:
NOTES ON 16. BAROQUE TRAGEDY 649 10
Page 688 and 689:
NOTES ON 17. SATIRE 651 23. These f
Page 690 and 691:
NOTES ON 17. SATIRE 653 37. Juvenal
Page 692 and 693:
NOTES ON 18. BAROQUE PROSE 655 gene
Page 694 and 695:
NOTES ON 18. BAROQUE PROSE 657 35.
Page 696 and 697:
NOTES ON 18. BAROQUE PROSE 659 reco
Page 698 and 699:
NOTES ON 18. BAROQUE PROSE 661 Roma
Page 700 and 701:
1. INTRODUCTION 663 Greece and Germ
Page 702 and 703:
2. GERMANY 665 mann published in th
Page 704 and 705:
2. GERMANY 667 38. On this see Kell
Page 706 and 707:
2. GERMANY 669 feat is impossible t
Page 708 and 709:
3. FRANCE AND U.S.A. 671 Rousseau s
Page 710 and 711:
3. FRANCE AND U.S.A. 673 31. Vergil
Page 712 and 713:
675 Notes on 19. THE TIME OF REVOLU
Page 714 and 715:
4. ENGLAND 677 16. Wordsworth, pref
Page 716 and 717:
4. ENGLAND 679 53. See N. I. White
Page 718 and 719:
5. ITALY 681 disdain of classical l
Page 720 and 721:
6. CONCLUSION 683 2. Ovid, Tristia
Page 722 and 723:
NOTES ON 20. PARNASSUS AND ANTICHRI
Page 724 and 725:
Page 726 and 727:
Page 728 and 729:
NOTES ON 21. A CENTURY OF SCHOLARSH
Page 730 and 731:
Page 732 and 733:
Page 734 and 735:
NOTES ON 22. THE SYMBOLISTS AND JOY
Page 736 and 737:
NOTES ON 22. THE SYMBOLISTS AND JOY
Page 738 and 739:
701 Notes on 23. THE REINTERPRETATI
Page 740 and 741:
THE REINTERPRETATION OF THE MYTHS 7
Page 742 and 743:
70S Notes on 24. CONCLUSION 1. For
Page 744 and 745:
INDEX Important references are show
Page 746 and 747:
458; modern French drama, 537; Raci
Page 748 and 749:
INDEX Astyanax, 144. asymmetry, 324
Page 750 and 751:
Belial, 150, 160, 521. Bell, Aubrey
Page 752 and 753:
INDEX 715 bucolic poets, 162-3, 375
Page 754 and 755:
Chateaubriand, works, 435; The Geni
Page 756 and 757:
Claudius, emperor, 304, 670. clausu
Page 758 and 759:
dancing, 219, 220-2, 224-6, 234, 24
Page 760 and 761:
dominae, 578. Domitian, 314, 578. d
Page 762 and 763:
encyclopaedias, 8, 15, 48, 67, 98,
Page 764 and 765:
Dead, 279; Digression on the Ancien
Page 766 and 767:
Godeau, 280. Godfrey de Bouillon, 1
Page 768 and 769:
INDEX H.D., 541. Habert, 116, 125.
Page 770 and 771:
286-7, 368, 375, 416, 419, 430, 446
Page 772 and 773:
Isidore, in Timon of Athens, 197; o
Page 774 and 775:
Klinger, F. M. von, Sturm und Drang
Page 776 and 777:
literature, and civilization, 275-6
Page 778 and 779:
Marat, 391, 393, 395. Marcellus, ca
Page 780 and 781:
mistletoe, 698. mistranslations, 96
Page 782 and 783:
Neue Jahrbucher fur das klassische
Page 784 and 785:
676; modern, 85, 88, 89-90, 91, 92-
Page 786 and 787:
388, 394-5, 409-12. 417, 420, 439,
Page 788 and 789:
Propylaea, 664. prose, 242, 322, 32
Page 790 and 791:
INDEX 753 Robespierre, Maximilien,
Page 792 and 793:
Saliat, Pierre, 116, 189. Sallust,
Page 794 and 795:
61, 199, 205, 618; Sonnets, 58, 179
Page 796 and 797:
symbolism, in literature, 32, 63-4,
Page 798 and 799:
Tuileries, 396, 633. Tuim, Jehan de
Page 800:
Winchester, city, 46; College, 11,
show all

The Classical Tradition: Greek and Roman ... - Historia Antigua

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?