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CHOICE OF SCHEME FOR CLASSIFICATION - Indian Statistical ...

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any such newly emerging Isolate Idea or Basic Subject or Compound Subject throws new<br />

light on the existing sequences of them and calls for a new realignment of the sequence<br />

concerned. This will call for a change in the schedule and in particular in some Class<br />

Numbers.<br />

3.7.4 "They Know Not What They Say"<br />

Such occasional changes in Class Numbers are inevitable on account of the<br />

turbulent state of the Universe of Subjects. Practising librarians should realise this. Every<br />

librarian should be prepared to change the Class Numbers of the concerned subjects<br />

whenever demanded by the developments in the Universe of Subjects. Sometimes a<br />

librarian says, "Classificationists are talking only theory. They do not know the<br />

difficulties of working librarians. Administratively it is difficult, if not impossible, to<br />

change the Class Numbers." This connotes a pathetic attitude comparable to that of King<br />

Canute ordering the ocean not to send forth waves. Verily, such a librarian "Knows not<br />

what he says". Such a librarian should take to heart the significant statement of H<br />

Poincare, the great scientist, "The men most dissatisfied of theory get from it, without<br />

supporting it, their daily bread; deprived of this food, progress would quickly cease and<br />

we should soon congeal into immobility" (26).<br />

3.7.5 A Way Out<br />

Fixing the most helpful position for each Compound Subject in the overall<br />

sequence of subjects is an arduous one. Out of the work done in the Idea Plane in India,<br />

has emerged a set of postulates and guiding principles for the design of a Scheme for<br />

Classification. With their aid any Compound Subject can be found its helpful place in<br />

the sequence of subjects, with ease and consistence. According to B I Palmer, these<br />

postulates and principles, "have worked a revolution in our subject, and changed it from a<br />

dull theory with apparently little relevance to practice into an incisive intellectual tool<br />

which could be used to analyse existing schemes or to help in the construction of new<br />

ones" (25). The Wall-Picture Principle is particularly a versatile guide. It helps in<br />

determining helpful sequence among:<br />

1 The Facets of a Compound Subject;<br />

2 The Isolates in any facet; and<br />

3 The Isolates in any array (38, 58).<br />

3.7.6 Systematic Procedure for Practical Classification<br />

Work in the Idea Plane has also led to a systematic procedure, consisting of five<br />

steps, in arranging the facets of a Compound Subject prior to translating the focus in each<br />

facet into its focal number (39,64). Practically CC, DC, and UDC conform to the result<br />

of this procedure.

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