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Live the music - Queensland Symphony Orchestra

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10<br />

Maestro Series<br />

MaeSTRo 5<br />

QSO WiTH vAlERy POlyANSky<br />

8pm, Saturday 12 may 2012<br />

QPAC Concert Hall<br />

CONduCTOR<br />

Valery Polyansky<br />

PiANO<br />

Tatiana Polyanskaya<br />

TRumPET<br />

Sarah Wilson<br />

SHOSTAkOviCH<br />

Festival overture<br />

SHOSTAkOviCH<br />

Piano Concerto no.1<br />

TCHAikOvSky<br />

Marche Slave<br />

BOROdiN<br />

<strong>Symphony</strong> no.2<br />

only a Russian conductor like Valery Polyansky can invest Borodin's <strong>music</strong> with <strong>the</strong><br />

uniquely Slavic sense of yearning; nowhere is this more heartfelt that in his Second<br />

<strong>Symphony</strong>. Let Maestro Polyansky and QSo envelope you in its gorgeously sinuous<br />

melodies. In total contrast, Shostakovich’s Piano Concerto no.1 is a walk on <strong>the</strong> wild side<br />

and reveals <strong>the</strong> composer at his most subversively and mischievously satirical. at <strong>the</strong><br />

premiere of his Festival Overture, composed to commemorate <strong>the</strong> 37th anniversary of<br />

<strong>the</strong> october Revolution, <strong>the</strong> audience was ordered to applaud. Modern audiences need<br />

no encouragement.<br />

MaeSTRo 6<br />

QSO WiTH EiviNd AAdlANd<br />

A festival of Russian classics We welcome <strong>the</strong> return of Roger Woodward and Mahler’s<br />

searing Ninth <strong>Symphony</strong><br />

Valery Polyansky<br />

Roger Woodward<br />

8pm, Saturday 16 June 2012<br />

QPAC Concert Hall<br />

CONduCTOR<br />

eivind aadland<br />

PiANO<br />

Roger Woodward<br />

Maestro Series<br />

JS BACH<br />

Keyboard Concerto no.1 in D Minor<br />

mAHlER<br />

<strong>Symphony</strong> no.9<br />

Roger Woodward, whose Bach<br />

performances were described as <strong>the</strong> most<br />

searching since Glenn Gould’s, makes his<br />

only australian appearance in his 70th<br />

birthday year. The orchestra’s Principal<br />

Guest Conductor, eivind aadland, returns<br />

to conduct Mahler’s ninth <strong>Symphony</strong>,<br />

<strong>the</strong> crowning glory of <strong>the</strong> great austro-<br />

Germanic symphonic tradition which began<br />

with Haydn and Mozart. The ninth is a<br />

work of genius, with passages of anguished<br />

beauty juxtaposed with mock-gaiety<br />

and sardonic wit. The final adagio is one<br />

of Mahler’s most profound and moving<br />

statements, full of majestic resignation and<br />

far from earthly tribulations.<br />

Eivind Aadland<br />

11

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