Live the music - Queensland Symphony Orchestra
Live the music - Queensland Symphony Orchestra
Live the music - Queensland Symphony Orchestra
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10<br />
Maestro Series<br />
MaeSTRo 5<br />
QSO WiTH vAlERy POlyANSky<br />
8pm, Saturday 12 may 2012<br />
QPAC Concert Hall<br />
CONduCTOR<br />
Valery Polyansky<br />
PiANO<br />
Tatiana Polyanskaya<br />
TRumPET<br />
Sarah Wilson<br />
SHOSTAkOviCH<br />
Festival overture<br />
SHOSTAkOviCH<br />
Piano Concerto no.1<br />
TCHAikOvSky<br />
Marche Slave<br />
BOROdiN<br />
<strong>Symphony</strong> no.2<br />
only a Russian conductor like Valery Polyansky can invest Borodin's <strong>music</strong> with <strong>the</strong><br />
uniquely Slavic sense of yearning; nowhere is this more heartfelt that in his Second<br />
<strong>Symphony</strong>. Let Maestro Polyansky and QSo envelope you in its gorgeously sinuous<br />
melodies. In total contrast, Shostakovich’s Piano Concerto no.1 is a walk on <strong>the</strong> wild side<br />
and reveals <strong>the</strong> composer at his most subversively and mischievously satirical. at <strong>the</strong><br />
premiere of his Festival Overture, composed to commemorate <strong>the</strong> 37th anniversary of<br />
<strong>the</strong> october Revolution, <strong>the</strong> audience was ordered to applaud. Modern audiences need<br />
no encouragement.<br />
MaeSTRo 6<br />
QSO WiTH EiviNd AAdlANd<br />
A festival of Russian classics We welcome <strong>the</strong> return of Roger Woodward and Mahler’s<br />
searing Ninth <strong>Symphony</strong><br />
Valery Polyansky<br />
Roger Woodward<br />
8pm, Saturday 16 June 2012<br />
QPAC Concert Hall<br />
CONduCTOR<br />
eivind aadland<br />
PiANO<br />
Roger Woodward<br />
Maestro Series<br />
JS BACH<br />
Keyboard Concerto no.1 in D Minor<br />
mAHlER<br />
<strong>Symphony</strong> no.9<br />
Roger Woodward, whose Bach<br />
performances were described as <strong>the</strong> most<br />
searching since Glenn Gould’s, makes his<br />
only australian appearance in his 70th<br />
birthday year. The orchestra’s Principal<br />
Guest Conductor, eivind aadland, returns<br />
to conduct Mahler’s ninth <strong>Symphony</strong>,<br />
<strong>the</strong> crowning glory of <strong>the</strong> great austro-<br />
Germanic symphonic tradition which began<br />
with Haydn and Mozart. The ninth is a<br />
work of genius, with passages of anguished<br />
beauty juxtaposed with mock-gaiety<br />
and sardonic wit. The final adagio is one<br />
of Mahler’s most profound and moving<br />
statements, full of majestic resignation and<br />
far from earthly tribulations.<br />
Eivind Aadland<br />
11