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Untitled - Memorial University's Digital Archives Initiative

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public. For -mythologists-like Hebdige and Banhes the machine which spins out the<br />

insidious myth consciousness they seek to expose \\ill forever remain a black box: as<br />

such. they are doomed to stand by and watch as its signs and S)mbols drift by. powerless<br />

to effect any kind ofchange.<br />

Angela McRobbie - Zool Suits andSecond-Hand Dresse.f (/988) and<br />

In Ihe (u/lUre Soden' (/999)<br />

Perhaps the hopelessness ofthe positions staked out by the Birmingham School in<br />

the seventies ultimately pro\'ed too much to bear. for almost a decade after Hebdige<br />

authored Subculrure. fellow Birmingham alumnus Angela McRobbie presented l22!<br />

Suits and Second Hand Dresses an Anthology of Fashion and Music. A comparative<br />

reading ofthese two texts illustrates the decisive impact that the decline ofCommunism<br />

had on the sociological imagination. McRobbie's introduction to this volume of<br />

-academic journalism" opens \\ith the obsen.ation that won the Binningham School a<br />

preeminent position in the field ofcultural studies: consumption is an active. dynamic<br />

process that makes possible the creation ofnew. unintended meanings. and enables youth<br />

to interpret and give expressive form to their social and material experience. But<br />

McRobbie gives this potenl and inno\'ative idea a why-worry gloss that strips it ofthe<br />

critical force il possessed in previous works by Willis and Hebdige and situates it<br />

squarely \\ithin the ideological terrain ofconswner capitalism: "What we buy and<br />

consequently wear or display in some public fashion. in tum creates new images. new<br />

and sometimes unintended. constellations ofmeaning. In a sense we become media<br />

farms ourselves. the physical body is (rans/armed infO a campa.1 portable ·,..alleman·"<br />

43

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