Faubourg Saint Patrice - ScholarsArchive at Oregon State University
Faubourg Saint Patrice - ScholarsArchive at Oregon State University
Faubourg Saint Patrice - ScholarsArchive at Oregon State University
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C<strong>at</strong>holic Church and Irish n<strong>at</strong>ionalism. Foucault describes such a process of discovering<br />
power rel<strong>at</strong>ions in his essay, "The Subject and Power":<br />
I would like to suggest another way to go further towards a new<br />
economy of power rel<strong>at</strong>ions. . . It consists of taking the forms of<br />
resistance against the different forms of power as a starting point. To use<br />
another metaphor, it consists of using this resistance as a chemical<br />
c<strong>at</strong>alyst so as to bring to light power rel<strong>at</strong>ions, loc<strong>at</strong>e their position, find<br />
out their point of applic<strong>at</strong>ion and the methods used. R<strong>at</strong>her than<br />
analyzing power from the point of view of its internal r<strong>at</strong>ionality, it<br />
consists of analyzing power rel<strong>at</strong>ions through the antagonism of<br />
str<strong>at</strong>egies. (210-1)<br />
Writing Ulysses sixty years previous, Joyce applied this method in reflecting the<br />
dominant influences of his homeland: Stephen is Joyce's "chemical c<strong>at</strong>alyst," the<br />
religious deviant who, through his apostasy and subsequent guilt, "brings to light" and<br />
reveals the "applic<strong>at</strong>ion [of] and methods used" by the C<strong>at</strong>holic Church to control its<br />
practitioners.<br />
When Stephen Dedalus is reintroduced in Ulysses, he appears to have undergone<br />
significant changes in both <strong>at</strong>titude and personality from those he displayed <strong>at</strong> the<br />
conclusion of A Portrait. As he rel<strong>at</strong>es in "Scylla and Charybdis": "As we, or mother<br />
Dana, weave and unweave our bodies . . . from day to day, their molecules shuttled to<br />
and from, so does the artist weave and unweave his image" (9.376-8). Likewise,<br />
Stephen is no longer the egotistical, self-ordained poet-priest who embarks on his self-<br />
made quest to forge the "uncre<strong>at</strong>ed conscience of [his] race," rejecting family, friends,<br />
and faith. In Ulysses, Stephen appears deeply troubled over his mother's de<strong>at</strong>h, his<br />
alien<strong>at</strong>ion from friends and family, his position as an aspiring but frustr<strong>at</strong>ed artist within<br />
Dublin culture, and his diss<strong>at</strong>isfying work as a teacher in Dalkey. Underlying these<br />
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