Access to Art, Inc. Ludwig performs on a rare violin made in the late 1700's by the Cremonese master Lorenzo Storioni and a Dominique Peccatte bow. His violin has been lauded in a Fanfare review by Jerry Dubins as "one of the most gorgeous instruments I've ever heard." Michael Ludwig studied violin with his father, Irving Ludwig, a violinist in the Philadelphia <strong>Orchestra</strong>, as well as Raphael Bronstein and Josef Gingold. He attended the Curtis Institute of Music and the University of the Arts in Philadelphia, and Indiana University.
Hungarian Soul Sat, March 2, 8pm Sun, March 3, 2:30pm JoAnn Falletta, conductor Cecile Licad, piano DOHNÁNYI Ruralia Hungarica LISZT Piano Concerto No. 1 LISZT Totentanz for Piano and <strong>Orchestra</strong> RÓZSA Hungarian Nocturne BRAHMS Hungarian Dances Nos. 1, 4, 5 Herbert Barrett Management, Inc. Mary Lynn Fixler mlfixler@barrettvantage.com 212-‐245-‐3530 http://www.barrettvantage.com/artist.php?id=clicad Called "a pianist's pianist" by <strong>The</strong> New Yorker, Cecile Licad's artistry is a blend of daring musical instinct and superb training. Her natural talent was honed at the Curtis Institute of Music by three of the greatest performer/pedagogues of our time: Rudolf Serkin, Seymour Lipkin and Mieczyslaw Horszowski. Licad's large repertoire as an orchestral soloist spans the Classical works of Mozart and Beethoven, the Romantic literature of Brahms, Chopin, Tchaikovsky, Schumann and Rachmaninoff, and on to the 20th century compositions of Debussy, Ravel, Shostakovich, Prokofiev and Bartok. Recent highlights include performances with Seattle Symphony, <strong>Buffalo</strong> <strong>Philharmonic</strong>, Virginia Symphony, Santa Rosa Symphony, Tucson Symphony, and at the La Jolla Chamber Music and Eastern Music Festivals. In 2010-‐11, she joined the Wynton Marsalis Septet performing the music of Louis Moreau Gottschalk to accompany the feature film Louis, a silent film homage to Louis Armstrong which premiered at Chicago's Symphony Center, and was also seen in Detroit, Bethesda MD, Philadelphia and at the Apollo <strong>The</strong>ater in New York City. She also traveled to Russia to play Brahms Piano Concerto #1 with the Moscow State Academy Symphony. In 2011-‐12 she performs with Santa Fe Pro Musica Chamber <strong>Orchestra</strong> in Brahms' Concerto No. 1 and in recital playing a Liszt/Chopin program; performs in recital at Xavier University in Cincinnati and on Boston's Gardner Museum Concerts series; and tours Germany again with cellist Alban Gerhardt, with whom she often collaborates in piano/cello duos recitals. <strong>The</strong> Louis project was also repeated with two performances at London's Barbican Hall, followed by a recording of the live music at Abbey Road studios. Licad has toured in Germany in past seasons with the Wurtemburg <strong>Philharmonic</strong>, appeared with the Freiburg <strong>Orchestra</strong> performing the Shostakovich Concerto for Piano and Trumpet, and performed with Alban Gerhardt, both in Germany and the United States. She has appeared in North America with orchestras such as the Chicago Symphony, Boston Symphony, Philadelphia <strong>Orchestra</strong>, New York <strong>Philharmonic</strong>, National Symphony, Los Angeles <strong>Philharmonic</strong>, and many others. In Europe she has played with the London Symphony, London <strong>Philharmonic</strong>, Bayerisches Rundfunk <strong>Orchestra</strong>, and Orchestre de la Suisse Romande. In Asia, she has performed with the Hong Kong <strong>Philharmonic</strong>, New Japan <strong>Philharmonic</strong>, Tokyo's NHK Symphony and her native Philippine <strong>Philharmonic</strong>. Among the conductors with whom she has collaborated are Claudio Abbado, Andrew Davis, Charles Dutoit, Kurt Masur, Sir Neville Marriner, Zubin Mehta, Seiji Ozawa, André Previn, Gerard Schwarz, Michael Tilson-‐Thomas, David Zinman, Pinchas Zukerman, as well as the late Sir Georg Solti, Eugene Ormandy, and Mstislav Rostropovich. Cecile Licad has performed in recital with Murray Perahia, Peter Serkin and Nadja Salerno-‐Sonnenberg, with whom she has appeared at Lincoln Center, <strong>Orchestra</strong> Hall in Chicago, and the Kennedy Center, respectively. She appeared as soloist in the Steinway Piano Sesquicentennial Celebration at Carnegie Hall, performing six Rachmaninoff songs with tenor Ben Heppner, and has made television appearances with Mstislav Rostropovich. As a highly regarded chamber musician, she has performed regularly with ensembles such as the New York Chamber Symphony, St. Paul Chamber <strong>Orchestra</strong>, Guarneri Quartet, Takacs Quartet, Chamber Music Society of Lincoln Center, and Music from Marlboro. She also appeared as guest soloist on tour with the Orpheus Chamber <strong>Orchestra</strong> in Leipzig, Hamburg, Dusseldorf and Cologne, among other European cities. Her summer festival appearances have included Caramoor, Tanglewood, the International Music
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- Page 7 and 8: A Poet’s Inspiration Fri, Nov. 2,
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- Page 21 and 22: Cheers to Mozart! Sat, Jan. 19, 8pm
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- Page 37 and 38: Flora in La traviata with New Orlea
- Page 39 and 40: Mozart’s Requiem Sat, April 20, 8
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- Page 45: Mr. Maynor is also a gifted recital