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Classics 2012-2013 Biographies - The Buffalo Philharmonic Orchestra

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Tutti Italiani<br />

Sat, June 1, 8pm<br />

Sun, June 2, 2:30pm<br />

JoAnn Falletta, conductor<br />

Chloë Hanslip, violin<br />

Kevin Maynor, bass<br />

<strong>Buffalo</strong> <strong>Philharmonic</strong> Chorus<br />

GABRIELI Canzonas for Brass Choirs<br />

PAGANINI Violin Concerto No.1<br />

PIZZETTI Venetian Rondo<br />

BOITO Prologue in Heaven from Mefistofele<br />

Schmidt Artists International<br />

Michael Schmidt<br />

212-­‐421-­‐8500<br />

http://www.chloehanslip.com/<br />

At the age of 22, Chloë is already an established international artist of distinction. Her recent recording for Naxos of the John<br />

Adams Violin Concerto with the RPO under Leonard Slatkin entered the UK Classical Charts at number 2, and Philip Clark, writing in<br />

Gramophone, concluded that "Playing like this should secure Chloë Hanslip's reputation for life". Her two earlier CDs with the<br />

London Symphony <strong>Orchestra</strong> for Warner <strong>Classics</strong>, won her, respectively, the German 'Echo Klassik Award for Best Newcomer' in<br />

2002, and 'Young British Classical Performer' at the Classical BRITS 2003. She released her 4th CD -­‐ Romantic Concerti by Benjamin<br />

Godard-­‐ to critical acclaim. Her recital disc of works by Bazzini was released in Sept 2008 and her 6th CD -­‐ Hubay Concerti with the<br />

Bournemouth Symphony <strong>Orchestra</strong> -­‐ was released in Sept 2009.<br />

In the 2005/2006 season Chloë made an impressive debut with Mariss Jansons and the Symphonieorchester des Bayerische<br />

Rundfunk in the Munich Gasteig. She made her BBC Proms debut in 2002, her US concerto debut in 2003, and has performed in<br />

major venues in the UK (Barbican, Royal Festival Hall, Royal Albert Hall, Wigmore Hall), Europe (Vienna Musikverein, Louvre and<br />

Salle Gaveau-­‐Paris, <strong>The</strong> Hermitage-­‐St.Petersburg) as well as Carnegie Hall, Metropolitan Arts Space-­‐Tokyo and the Seoul Arts<br />

Centre.<br />

<strong>Orchestra</strong>s she has performed with include the Philharmonia, London Symphony <strong>Orchestra</strong>, Royal <strong>Philharmonic</strong>, English Chamber<br />

<strong>Orchestra</strong>, Hallé, BBC <strong>Philharmonic</strong>, Royal Liverpool <strong>Philharmonic</strong>, Royal Scottish National, Bournemouth Symphony, Academy of<br />

St.Martin-­‐in-­‐the-­‐Fields, London Mozart Players, Seattle Symphony, Malaysian <strong>Philharmonic</strong>, Moscow State Symphony, Czech<br />

National Symphony, Lithuanian National Symphony, Belgrade <strong>Philharmonic</strong>, and the Tokyo Symphony.<br />

Conductors she has worked with include Mariss Jansons, Sir Andrew Davis, Leonard Slatkin, Paul Daniel, Pavel Kogan, Richard<br />

Hickox, Gianandrea Noseda, Gerard Schwarz, Barry Wordsworth, Claus Peter Flor, Martyn Brabbins, Paul Freeman, Petr Altrichter &<br />

Christopher Warren-­‐Green. In the 2008/2009 Season she made her debut with Mikhail Jurowski and the Tonkunstler <strong>Orchestra</strong> in<br />

the Musikverein and debuted with Paavo Jarvi and the Cincinnati Symphony <strong>Orchestra</strong> in Cincinnati.<br />

Chloë’s mentor for 10 years was the Russian pedagogue Zakhar Bron. She has also worked with Ida Haendel, Salvatore Accardo,<br />

and Gerhard Schulz . Bryn Terfel, winner of Hamburg’s 2006 Alfred Töpfer Shakespeare Prize for outstanding contribution to the<br />

Anglo-­‐Saxon cultural heritage of Europe chose Chloë as the 2007 young artist to receive a scholarship for further studies.<br />

At ten, Chloë appeared as the 'infant prodigy violinist' in Ralph Fiennes’ film adaptation of Pushkin`s 'Evgeny Onegin', and made a<br />

significant contribution to Maxim Vengerov’s Master Class, shown on Channel 4 and throughout Europe, as part of the<br />

documentary ‘Playing by Heart’. She was the first instrumentalist invited by Bryn Terfel to play in the Opera Night at his Faenol<br />

Festival, and has performed for the Duke of Edinburgh in Windsor. Greenwich and Buckingham Palace, given the European<br />

Premiere of Sir John Tavener’s 'Ikon of Eros', and the World Premiere of the first extract of Andrew Lloyd-­‐Webbers 'Phantasia on<br />

Phantom of the Opera’.<br />

Chamber Music has become an integral part of Chloë`s life. She is a regular participant in Open Chamber Music at Prussia Cove,<br />

working with Steven Isserlis and Gerhard Schulz, and is a regular performer at the Kuhmo Chamber Music Festival in Finland being<br />

invited to perform in the 40th Anniversary celebration in 2009. In 2005 she received a personal invitation from Seiji Ozawa to<br />

attend his inaugural Chamber Music Festival in Blonay, Switzerland, which was subsequently extended to 2006 and 2007.<br />

Chloe was invited by Gidon Kremer to attend his Festival in Lockenhaus in July 2008 and this invitation was extended to 2009

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