highest honor the America Jewish Committee and at the same time he received in Russia the Defenders of Freedom medal. He celebrated his 75 th birthday at the Olympic Stadium in Moscow in 2008 with an audience of 12,000 people. According to the surveys 70% of the audience were younger than 25.In the same year he received one of the highest decorations in Chile-‐medal of O’Higgins from the hands of President Mishelle Bachelet for his support of freedom during dictatorship. In 2009 he received in Washington DC a special diploma of the American-‐Russian Cultural Association for his great achievements in art for the mutual understanding between Russia and USA which before him was given to Van Clyburn, James Billington. Mstislav Rostropovich and Dave Brubeck. In 2010 he recited his poetry at the presence of the 42 thousands of young people on the Russian Woodstok on the shores of Volga River. In August of 2011 the book signing of his new book of poetry “Everything could be saved” lasts in Moscow bookstore “Biblio Globus” about 8 hours. Through his worldwide performances Yevtushenko has visited and performed in 96 countries. His poetry and prose is translated into 72 languages.\18 books In English\ In 2000 the Russian Academy of sciences named after him a minor planet. He is an honorary member of the American and European Academies of Arts and Sciences, a distinguished professor of the University of Tulsa and the honorary citizen of many American cities. His wife Maria teaches in Tulsa at the Edison school and was announced the best teacher of the Russian in the State of Oklahoma, where her husband teaches and shares his time between Russia and America, still not having lost the spirit of the River Elbe.
A Poet’s Inspiration Fri, Nov. 2, 10:30am Sat, Nov. 3, 8pm JoAnn Falletta, conductor Yevgeny Yevtushenko, honored guest Michael Boriskin, piano Mikhail Svetlov, bass SHOSTAKOVICH Piano Concerto No. 2 SHOSTAKOVICH Symphony No.13, “Babi Yar” Elizabeth Dworkin Dworkin & Company PO Box 248 Bedford Hills, NY 10507 914.244.3803 Elizabeth@DworkinCompany.com http://www.dworkincompany.com/html/boriskin/boriskin_artist.html MICHAEL BORISKIN has become recognized on five continents as one of the most imaginative and versatile American pianists of his generation. Whether the composer is Mozart or Beethoven, Brahms or Ravel, Copland or Gershwin, Perle or Lutoslawski, Mr. Boriskin offers "an adventure for the audience" (<strong>The</strong> New York Times). Each performance and recording attests to a vivid communicativeness, natural expressivity, and deeply musical virtuosity that have made him one of the most highly-‐regarded exponents of both old and new works. Mr. Boriskin has performed throughout the United States and in over 30 countries. His extensive international itinerary includes the San Francisco, Seattle, and Utah Symphonies, New York Chamber Symphony, Polish National and Munich Radio <strong>Orchestra</strong>s, American Composers <strong>Orchestra</strong>, and UNAM <strong>Philharmonic</strong> of Mexico City, among many other orchestras. He has performed at many of the world's foremost concert venues, including Lincoln Center (on its Great Performers Series), the Kennedy Center, Carnegie Hall, BBC in London, South West German Radio, <strong>The</strong>atre des Champs-‐Elysées in Paris, Vienna's Arnold Schoenberg Center, Athens Festival of Music and Dance, Teatro Colon in Buenos Aires, Library of Congress, and Istanbul International Festival. His performances, recordings, and commentary figure regularly on National Public Radio, where his innovative broadcast series CENTURYVIEW, celebrating piano works of the past hundred years, was enjoyed for three seasons by over one-‐million listeners on 200 stations coast-‐to-‐coast. Mr. Boriskin is also a much sought-‐after guest with chamber ensembles worldwide, and has worked with the Borromeo, St. Petersburg, St. Lawrence, Penderecki, Ludwig, and Lark String Quartets, Dorian and Arioso Wind Quintets, and the New York <strong>Philharmonic</strong> Ensembles. A prolific recording artist, Mr. Boriskin's impressive discography on BMG/Conifer, New World, Koch International, Albany, and many other labels ranges widely from Brahms and Tchaikovsky through the present, and continues to grow in depth and breadth. His BMG recording of Gershwin's complete works for piano and orchestra with the Eos <strong>Orchestra</strong> conducted by Jonathan Scheffer was awarded a coveted Rosette from Britain’s Penguin Guide to Recordings. He recorded five concerti for Newport Classic, including the rarely-‐heard Tchaikovsky Second and the Prokofiev First. He has four highly-‐acclaimed discs of postwar American piano works on New World Records, which have often appeared on Best Recordings lists of <strong>The</strong> New York Times and many other publications. On Bridge and Albany, he has recorded both of George Perle's towering piano concerti (the second of which was written for Mr. Boriskin). Other solo discs have been devoted to Brahms (Music & Arts), Poulenc (Musical Heritage Society), Joplin (BMG, appearing on Crossover Charts in the U.K.), and Lou Harrison (Newport Classic), as well as concerti by Richard Danielpour and Edward Smaldone (Bridge and CRI, respectively). As the Los Angeles Times noted, Mr. Boriskin's lively programming is "a paragon of enlightenment," and he actively seeks, through content and presentation, to refresh and broaden the concert experience. His vast repertoire reaches back to the works of Rameau, Scarlatti, Bach, and other Baroque masters, and he has also worked with virtually every major American composer of the past 30 years. Long ago, Mr. Boriskin broke the constraints of a traditional performing career, with major institutions enlisting his many talents. As Artistic and Executive Director of Copland House, he has guided the national emergence of this unique creative center for American music based at Aaron Copland's restored, longtime New York home. He has served as an artistic advisor for programs and projects at Carnegie Hall, Lincoln Center, the Tisch Center for the Arts at the 92nd Street Y, Columbia University's Kathryn Bache Miller <strong>The</strong>atre, New Line Cinema, and the fabled Arnold Schoenberg Institute in Los Angeles, and has traveled as an emissary for the U. S. Department of State and the U. S. Information Agency. For the New York <strong>Philharmonic</strong>, he played a significant role as
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