Download here the Visitor's guide. - Les Ateliers de Rennes
Download here the Visitor's guide. - Les Ateliers de Rennes
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38<br />
<strong>Les</strong> Prairies's artists<br />
MICHEL AUBRY<br />
Le Grand Jeu, 2011. Detail of <strong>the</strong> installation at <strong>the</strong> Galerie nationale <strong>de</strong> la Tapisserie<br />
(Beauvais), exhibition Décor & Installations, 2011. Photography : Michel Aubry.<br />
This large-scale wall installation is composed of familiar elements<br />
from Michel Aubry's work: carpets, military uniforms, camouflage<br />
fabric, pieces of furniture, a card table, a military map, and<br />
Maoist propaganda objects. The carpets had various uses and<br />
origins. T<strong>here</strong> are Afghan rugs, mats from children's games and<br />
from casinos. The <strong>the</strong>med assembly brings games and political<br />
and war strategy toge<strong>the</strong>r in an enormous jigsaw puzzle. The<br />
composition is on a grand scale and accentuates <strong>the</strong> ornamental<br />
qualities of <strong>the</strong> <strong>de</strong>contextualised objects. Aubry works on <strong>the</strong><br />
patterns, <strong>the</strong>ir referents and <strong>the</strong>ir connotations, making semantic<br />
switches between war and play and creating a <strong>the</strong>atre on <strong>the</strong><br />
wall to emphasise <strong>the</strong> old alliance between <strong>the</strong> two. The patterns<br />
become signs whose meanings are mutually affected by contact<br />
with one ano<strong>the</strong>r. The twin notions of ornament and politics recall<br />
<strong>the</strong> great frescoes of 15th and 16th century Italian cities. The work is<br />
like a ceremonial, ritual object, redolent of an altar cloth, standing<br />
horizontal objects vertically. Le Grand Jeu operates in (at least)<br />
two ways. It eulogises and at <strong>the</strong> same time pillories a particular<br />
political iconography, and i<strong>de</strong>ology, <strong>de</strong>aling with <strong>the</strong> end of <strong>the</strong><br />
great communist empires and evoking <strong>the</strong>ir apo<strong>the</strong>osis. This is a<br />
post-communist fresco, that associates Afghanistan, <strong>the</strong> USSR and<br />
China with casinos, and pokes fun at political fetishism.<br />
A. B. tr. J.H.<br />
Born in 1959 in Saint-Hilaire-du-Harcouët (France), lives and works<br />
in Paris (France).