Download here the Visitor's guide. - Les Ateliers de Rennes
Download here the Visitor's guide. - Les Ateliers de Rennes
Download here the Visitor's guide. - Les Ateliers de Rennes
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FRéDéRIC MOSER &<br />
PHILIPPE SCHWINGER<br />
Alles wird wie<strong>de</strong>r gut, 2006. Courtesy of <strong>the</strong> artists, galery Jocelyn Wolff, Paris, and galery KOW, Berlin.<br />
<strong>Les</strong> Prairies's artists<br />
Frédéric Moser and Philippe Schwinger's vi<strong>de</strong>o installations lie somew<strong>here</strong> between <strong>the</strong>atre,<br />
performance and film. They show <strong>the</strong> confrontation of figures involved in reconstructions,<br />
discussions and accusations. The event being discussed is never shown; it is <strong>de</strong>fined after<br />
collective <strong>de</strong>bate. Par les villages is a collection of five films, one of which entitled Tumeur<br />
has never been seen before. The title is a reference to a recurrent social structure in Moser<br />
and Schwinger's work, that of <strong>the</strong> village – a closed cell torn between withdrawal and<br />
exodus, community spirit and egocentricity, and exposed to new types of insecurity like <strong>the</strong><br />
industrialisation of agriculture, redundancy, unemployment and so on. The title Alles wird wie<strong>de</strong>r<br />
gut – Everything's going to be alright – (2006), references Jean-Luc Godard and Jean-Pierre Gorin's<br />
film Tout va bien (1972). It transposes <strong>the</strong> parents' picket line to a village in former East Germany,<br />
w<strong>here</strong> it has continued since <strong>the</strong> collapse of <strong>the</strong> Wall, acting as a mythology for children faced<br />
with unemployment and torn between joint action, <strong>the</strong> urge to get away and <strong>the</strong> <strong>de</strong>sire to stay.<br />
The teenagers in Cupidon grandit – Cupid grows up – (2011) are not actors but amateurs filmed<br />
acting in a role-play in which <strong>the</strong> cards <strong>the</strong>y drew imposed on <strong>the</strong>m an i<strong>de</strong>ntity to be masked or<br />
unmasked – villager or werewolf. Donnerstag (2006) shows a young agricultural worker caught up<br />
in <strong>the</strong> repetitive work of machine milking. Acting Facts (2003) is a man acting out stories told by<br />
soldiers guilty of inhuman conduct in what appear to be Vietnamese villages.<br />
H. M. tr. J.H.<br />
Born respectively in 1966 and 1961 in Saint-Imier (Switzerland),<br />
<strong>the</strong>y lives and works in Brussels (Belgium).<br />
Co-Production<br />
<strong>Les</strong> <strong>Ateliers</strong> <strong>de</strong> <strong>Rennes</strong> 2012,<br />
Galerie Art & Essai.<br />
retrouvez ces artistes à la galerie Art & Essai<br />
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