Paperskin: barkcloth across the Pacific - Queensland Art Gallery

More documents

Recommendations

Info

Queensland Museum Hiapo 19th century Niue (attributed) barkcloth, dye / 97 x 216cm / Gift of A.hamilton, 1912 / Collection: Museum of New Zealand Te Papa Tongarewa / Fe000268/1 Siapo or Ngatu c. 1955 samoa or Tonga barkcloth, dye / 176.5 x 84.7cm / Collected by sir Guy richardson Powles c. 1949-60. Gift of Michael Powles, 2001. Collection: Museum of New Zealand Te Papa Tongarewa / Fe011614 Nemasitse 19th century Vanuatu, eromanga (attributed) barkcloth, dye / 104.3 x 201cm / Gift of A. hamilton, 1912. Collection: Museum of New Zealand Te Papa Tongarewa / Fe000273 Pare’eva (mask) unknown Cook islands, Mangaia, (attributed) barkcloth, dye / 66cm x 30cm x 20cm / Collected by T.W. Kirk. Gift of Masonic lodge, Paraparaumu, 1950 / Collection: Museum of New Zealand Te Papa Tongarewa / Fe008435 Barkcloth unknown Papua New Guinea Popondetta, Oro Province barkcloth, dye / 45.8 x 132.5cm / Collected by Alan Queale. Donated by Mrs J Finucane, 1983 / Collection: Queensland Museum / e11959 Barkcloth unknown Papua New Guinea Collingwood bay, Oro Province barkcloth, dye / 156.8 x 45cm / Collected by sir William Macgregor, 1897 / Collection: Queensland Museum / MAC5000 Barkcloth 19th century Papua New Guinea Doriri people, Oro Province barkcloth, dye / 71.5 x 129.5cm / Collected by Captain F. r. barton, 1901 / Collection: Queensland Museum / e4836 Barkcloth 19th century Papua New Guinea Doriri people, Oro Province barkcloth, dye / 57.6 x 117.3cm / Collected by Captain F. r. barton, 1901 / Collection: Queensland Museum / e4838 Lepau 19th century solomon islands, santa Cruz barkcloth, dye / 26 x 42cm / Collected 1899 / Collection: Queensland Museum / e4380 Lepau 19th century solomon islands, santa Cruz barkcloth, dye / 41 x 69cm / Collected 1899 / Collection: Queensland Museum / e4381 Barkcloth 19th century Papua New Guinea Doriri people, Oro Province barkcloth, dye / 116 x 149cm / Collected by Captain F. r. barton, 1901 / Collection: Queensland Museum / e4840 Marsang Papua New Guinea, b.1918 Kairak baining people, east New britain Province Siviritki 1974 barkcloth, dye, felt pen, natural fibre, wood and cane / Two components: 160 x 45.5 x 50cm (mask); 97cm (fibre) / Collected by harold Gallasch, 1974 / Collection: Queensland Museum / e10025.1 & 10025.2 Mask unknown Papua New Guinea Orokolo, Gulf Province barkcloth, dye, cane / 57 x 41 x 20cm / Collected by s.G. MacDonell, 1913 / Collection: Queensland Museum / e228 Eharo mask unknown Papua New Guinea Orokolo, Gulf Province barkcloth, dye, cane / 95.5 x 101.5 x 101.5cm / Collected by s.G. MacDonell, 1913 / Collection: Queensland Museum / e240 Eharo mask unknown Papua New Guinea Orokolo, Gulf Province barkcloth, dye, cane / 128 x 84.5 x 81cm / Collected by s.G. MacDonell, 1913 / Collection: Queensland Museum / e217 Dance object unknown Papua New Guinea Orokolo, Gulf Province barkcloth, dye, cane / 28 x 205 x 75.5cm / Collected by s.G. MacDonell, 1913 / Collection: Queensland Museum / e214 Mask unknown Papua New Guinea Orokolo, Gulf Province barkcloth, dye, cane / 31.5 x 95 x 21cm / Collected by s.G. MacDonell, 1913 / Collection: Queensland Museum / e232 Mask unknown Papua New Guinea Orokolo, Gulf Province barkcloth, dye, cane / 68 x 47 x 34cm / Collected by s.G. MacDonell, 1913 / Collection: Queensland Museum / e237 Mask unknown Papua New Guinea Chachet baining people, east New britain Province barkcloth, dye, cane / 90 x 52 x 74cm / Collection: Queensland Museum / e31027 harold Gallasch Collection Marsang Papua New Guinea b.1918 Kairak baining people, east New britain Province Mandas mask 1975 barkcloth, dye, wood, natural fibres, feathers / 310 x 74.5 x 59cm / Collection: harold Gallasch, hahndorf, south Australia / b477 Gabriel Asekia Papua New Guinea, b. unknown sibali baining people, east New britain Province Anui lagun Papua New Guinea, b. unknown sibali baining people, east New britain Province Mandas mask c. 1995 barkcloth, dye, felt pen, cane / 410 x 174 x 40cm / Collection: harold Gallasch, hahndorf, south Australia / b800 Gioracka mask 1978 Papua New Guinea sibali baining people, east New britain Province barkcloth, dye, wood, natural fibres, feathers / 154 x 85 x 35cm / Collection: harold Gallasch, hahndorf, south Australia / b917 Wuwana Papua New Guinea b. unknown sibali baining people, east New britain Province Mandas mask 2003 barkcloth, dye, felt pen, wood, natural fibres, cassowary feathers / 400 x 75 x 55cm / Collection: harold Gallasch, hahndorf, south Australia / b845 74 75
Selected bibliography Bonnemaison, J, Kaufmann, C, Huffman, K and Tyron, D (eds.). Arts of Vanuatu. Crawford House Publishing, Bathurst, NSW, 1996. Clark, Peter. Engini (Firedance). Gaulim Teachers College, Rabaul, 1976. Corbin, George A. ‘Baining and Sulka art in the Museum für Völkerkunde, Hamburg: An iconographic analysis’. Mitteilungen aus dem Museum für Völkerkunde, vol.3, 2003, pp.249–93. Corbin, George A. ‘Introduction: Art of the Chachet, Kairak, and Uramot Baining of New Britain, Papua New Guinea’ in Masking and Ritual Theater of the Baining and Gimi Peoples of Papua New Guinea [exhibition catalogue]. Lehman College Art Gallery, City University of New York, New York, 1986. Corbin, George A. Native Arts of North America, Africa, and the South Pacific: An Introduction. Harper and Row, New York, 1988. Dorney, Sean. ‘The Pacific Islands: Fragile but complex’. Artlines (Brisbane), no.3, 2009, pp.20–25. Ewins, Rod. Fijian Artefacts: The Tasmanian Museum and Art Gallery Collection. Tasmanian Museum and Art Gallery, Hobart, 1982. Ewins, Rod. Staying Fijian: Vatulele Island Barkcloth and Social Identity. Crawford House Publishing, Adelaide and University of Hawaii Press, Honolulu, 2009. Ewins, Rod. ‘Symmetry and semiotics: the case of Fijian barkcloth figuration’ in Washburn, D (ed.). Embedded Symmetries, Natural and Cultural. University of New Mexico Press, New Mexico and Amerind Foundation, Albuquerque, 2004, pp.161–83. Fajans, Jane. They Make Themselves: Work and Play Among the Baining of Papua New Guinea. The University of Chicago Press, Chicago, 1997. Gregory, Bill and Modjeska, Drusilla. In The Shadow of a Volcano: The Barkcloth Art of Omie [exhibition catalogue]. Holmes à Court Gallery, Perth and Annandale Galleries, Sydney, 2007. Gregory, Bill and Modjeska, Drusilla. Omie: The Barkcloth Art of Omie [exhibition catalogue]. Annandale Galleries, Sydney, 2006. Gregory, Bill and Ryan, Jayne. Omie: The Art of Omie [exhibition catalogue]. Annandale Galleries, Sydney, 2008. Heermann, Ingrid (ed.). Form, Colour, Inspiration: Oceanic Art from New Britain [exhibition catalogue]. Arnoldsche, Stuttgart, 2001. Herda, Phyllis, Young-Leslie, Heather and Addo, Ping- Ann (eds). ‘Hybrid textiles: Pragmatic creativity and authentic innovations in Pacific cloth’. Pacific Arts: The Journal of the Pacific Arts Association, no.3–5, 2007 [special issue]. Hesse, K and Aerts, T. Baining Life and Lore. University of Papua New Guinea Press, Port Moresby, 1996; reprinted from the original, published by the Institute of Papua New Guinea Studies, Port Moresby, 1982. Kaepler, Adrienne. ‘The structure of Tongan barkcloth design’ in Herle, A, Stanley, N, Stevenson, K and Welsch, RL (eds.). Pacific Art: Persistence, Change and Meaning. Crawford House Publishing, Adelaide, 2002, pp.291–308. Klein, Florence (ed.). Tapa: Ecorces et Décors d’Océanie [exhibition catalogue]. Musée de Nouvelle-Calédonie, Noumea, 2001. Kooijman, Simon. Polynesian Barkcloth. Shire Publications, Princes Risborough, Aylesbury, Bucks, UK, 1988 (Shire Ethnography, 7). Kooijman, Simon. ‘Tapa in Polynesia’. Bernice P Bishop Museum Bulletin, no.234, 1972. Kooijman, Simon. Tapa on Moce Island, Fiji: A Traditional Handicraft in a Changing Society. Brill Archive, London, 1977. Lal, Brij and Fortune, Kate (eds.). The Pacific Islands: An Encyclopedia. University of Hawai’i Press, Honolulu, 1999–2000. Leonard, Anne and Terrell, John. Patterns of Paradise: The Styles and Significance of Bark Cloth Around the World. Field Museum, Chicago, 1980. Neich, Roger. ‘Material culture in Western Samoa: Persistence and change’. National Museum of New Zealand Bulletin, no.23, 1985, pp.42–50. Neich, Roger and Pendergrast, Mick. Pacific Tapa. Auckland Museum, Auckland, 1997. Page, Maud. ‘Paperskin: Barkcloth across the Pacific’. Artlines (Brisbane), no.3, 2009, pp.10–13. Pinney, Christopher and Thomas, Nicholas (eds.). Beyond Aesthetics: Art and the Technologies of Enchantment. Berg Publishers, Oxford, 2001. Pule, John Puhiatau and Thomas, Nicholas. Hiapo: Past and Present in Niuean Barkcloth. University of Otago Press, Dunedin, 2005. Read, WJ. ‘A snake dance of the Baining’. Oceania, vol.3, 1931–32, pp.232–37. Sharrad, Paul. ‘Trade and textiles in the Pacific and India’ in Conroy, Diana Wood and Rutherford, Emma (eds.). Fabrics of Change: Trading Identities, University of Wollongong, Wollongong, 2004, pp.12–26. Teilhet, Jehanne (ed.). Dimensions of Polynesia [exhibition catalogue]. Fine Arts Museum of San Diego, University of California, San Diego, 1973. Thomas, Nicholas. Entangled Objects: Exchange, Material Culture, and Colonialism in the Pacific. Harvard University Press, Cambridge, Mass., 1991. Thomas, Nicholas. Oceanic Art. Thames and Hudson, London, 1995. Thomas, Nicholas, ‘The case of the misplaced ponchos: Speculations concerning the history of cloth in Polynesia’ in Colchester, Chloe (ed.). Clothing the Pacific. Berg Publishers, Oxford, 2003, pp.79–97. Were, Graham and Keuchler, Susanne (eds). Pacific Patterns. Thames and Hudson, London, 2005. Williams, FE. The Drama of Orokolo: The Social and Ceremonial Life of the Elema. Clarendon Press, Oxford, 1940. Winter, Joan G (ed). Talking Tapa: Pasifika Bark Cloth in Queensland [exhibition catalogue]. Brisbane Multicultural Arts Centre (BEMAC), Brisbane; Keeiara Press, Southport, Qld, 2009. Young, MW and Clark, J. An Anthropologist In Papua: Photography of FW Williams 1922–39. Crawford House Publishing, Adelaide, SA, 2001. 76 77
Page 1 and 2: 2 Paperskin Barkcloth across the Pa
Page 3 and 4: Contents Foreword 6 Tony ellwood /
Page 5 and 6: Preface Nicholas Thomas since the e
Page 7 and 8: information in barkcloth designs is
Page 9 and 10: for the four-metre-high, three-pron
Page 11 and 12: ACKNOWleDGMeNT i would like to ackn
Page 13 and 14: Traffic in ideas and cultural mater
Page 15 and 16: in New Zealand, people share a rang
Page 17 and 18: 32 Marsang Papua New Guinea, b.1918
Page 19 and 20: y this crocodile barkcloth of their
Page 21 and 22: 40 Nerry Keme Papua New Guinea b.19
Page 23 and 24: Barkcloth 19th century Papua New Gu
Page 25 and 26: Barkcloth unknown Papua New Guinea
Page 27 and 28: Lepau 19th century Ihilland Solomon
Page 29 and 30: Barkcloth 19th century Papua New Gu
Page 31 and 32: 60 Stella Upia Papua New Guinea b.1
Page 33 and 34: 64 Siapo mamanu c.1905 Samoa Barkcl
Page 35 and 36: Mask unknown Papua New Guinea Oroko
Page 37: List of works 1 Dating of works in
Page 41: Authors Maud Page Maud Page took up

Paperskin: barkcloth across the Pacific - Queensland Art Gallery

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?