Paperskin: barkcloth across the Pacific - Queensland Art Gallery

Selected bibliography
Bonnemaison, J, Kaufmann, C, Huffman, K and Tyron,
D (eds.). Arts of Vanuatu. Crawford House Publishing,
Bathurst, NSW, 1996.
Clark, Peter. Engini (Firedance). Gaulim Teachers College,
Rabaul, 1976.
Corbin, George A. ‘Baining and Sulka art in the Museum
für Völkerkunde, Hamburg: An iconographic analysis’.
Mitteilungen aus dem Museum für Völkerkunde, vol.3,
2003, pp.249–93.
Corbin, George A. ‘Introduction: Art of the Chachet,
Kairak, and Uramot Baining of New Britain, Papua New
Guinea’ in Masking and Ritual Theater of the Baining
and Gimi Peoples of Papua New Guinea [exhibition
catalogue]. Lehman College Art Gallery, City University of
New York, New York, 1986.
Corbin, George A. Native Arts of North America, Africa,
and the South Pacific: An Introduction. Harper and Row,
New York, 1988.
Dorney, Sean. ‘The Pacific Islands: Fragile but complex’.
Artlines (Brisbane), no.3, 2009, pp.20–25.
Ewins, Rod. Fijian Artefacts: The Tasmanian Museum
and Art Gallery Collection. Tasmanian Museum and Art
Gallery, Hobart, 1982.
Ewins, Rod. Staying Fijian: Vatulele Island Barkcloth and
Social Identity. Crawford House Publishing, Adelaide and
University of Hawaii Press, Honolulu, 2009.
Ewins, Rod. ‘Symmetry and semiotics: the case of Fijian
barkcloth figuration’ in Washburn, D (ed.). Embedded
Symmetries, Natural and Cultural. University of New
Mexico Press, New Mexico and Amerind Foundation,
Albuquerque, 2004, pp.161–83.
Fajans, Jane. They Make Themselves: Work and Play
Among the Baining of Papua New Guinea. The University
of Chicago Press, Chicago, 1997.
Gregory, Bill and Modjeska, Drusilla. In The Shadow of a
Volcano: The Barkcloth Art of Omie [exhibition catalogue].
Holmes à Court Gallery, Perth and Annandale Galleries,
Sydney, 2007.
Gregory, Bill and Modjeska, Drusilla. Omie: The Barkcloth
Art of Omie [exhibition catalogue]. Annandale Galleries,
Sydney, 2006.
Gregory, Bill and Ryan, Jayne. Omie: The Art of Omie
[exhibition catalogue]. Annandale Galleries, Sydney, 2008.
Heermann, Ingrid (ed.). Form, Colour, Inspiration: Oceanic
Art from New Britain [exhibition catalogue]. Arnoldsche,
Stuttgart, 2001.
Herda, Phyllis, Young-Leslie, Heather and Addo, Ping-
Ann (eds). ‘Hybrid textiles: Pragmatic creativity and
authentic innovations in Pacific cloth’. Pacific Arts: The
Journal of the Pacific Arts Association, no.3–5, 2007
[special issue].
Hesse, K and Aerts, T. Baining Life and Lore. University
of Papua New Guinea Press, Port Moresby, 1996;
reprinted from the original, published by the Institute of
Papua New Guinea Studies, Port Moresby, 1982.
Kaepler, Adrienne. ‘The structure of Tongan barkcloth
design’ in Herle, A, Stanley, N, Stevenson, K and Welsch,
RL (eds.). Pacific Art: Persistence, Change and Meaning.
Crawford House Publishing, Adelaide, 2002, pp.291–308.
Klein, Florence (ed.). Tapa: Ecorces et Décors d’Océanie
[exhibition catalogue]. Musée de Nouvelle-Calédonie,
Noumea, 2001.
Kooijman, Simon. Polynesian Barkcloth. Shire
Publications, Princes Risborough, Aylesbury, Bucks, UK,
1988 (Shire Ethnography, 7).
Kooijman, Simon. ‘Tapa in Polynesia’. Bernice P Bishop
Museum Bulletin, no.234, 1972.
Kooijman, Simon. Tapa on Moce Island, Fiji: A Traditional
Handicraft in a Changing Society. Brill Archive, London, 1977.
Lal, Brij and Fortune, Kate (eds.). The Pacific Islands:
An Encyclopedia. University of Hawai’i Press, Honolulu,
1999–2000.
Leonard, Anne and Terrell, John. Patterns of Paradise:
The Styles and Significance of Bark Cloth Around the
World. Field Museum, Chicago, 1980.
Neich, Roger. ‘Material culture in Western Samoa:
Persistence and change’. National Museum of New
Zealand Bulletin, no.23, 1985, pp.42–50.
Neich, Roger and Pendergrast, Mick. Pacific Tapa.
Auckland Museum, Auckland, 1997.
Page, Maud. ‘Paperskin: Barkcloth across the Pacific’.
Artlines (Brisbane), no.3, 2009, pp.10–13.
Pinney, Christopher and Thomas, Nicholas (eds.). Beyond
Aesthetics: Art and the Technologies of Enchantment.
Berg Publishers, Oxford, 2001.
Pule, John Puhiatau and Thomas, Nicholas. Hiapo: Past
and Present in Niuean Barkcloth. University of Otago
Press, Dunedin, 2005.
Read, WJ. ‘A snake dance of the Baining’. Oceania, vol.3,
1931–32, pp.232–37.
Sharrad, Paul. ‘Trade and textiles in the Pacific and
India’ in Conroy, Diana Wood and Rutherford, Emma
(eds.). Fabrics of Change: Trading Identities, University of
Wollongong, Wollongong, 2004, pp.12–26.
Teilhet, Jehanne (ed.). Dimensions of Polynesia [exhibition
catalogue]. Fine Arts Museum of San Diego, University of
California, San Diego, 1973.
Thomas, Nicholas. Entangled Objects: Exchange,
Material Culture, and Colonialism in the Pacific. Harvard
University Press, Cambridge, Mass., 1991.
Thomas, Nicholas. Oceanic Art. Thames and Hudson,
London, 1995.
Thomas, Nicholas, ‘The case of the misplaced ponchos:
Speculations concerning the history of cloth in Polynesia’
in Colchester, Chloe (ed.). Clothing the Pacific. Berg
Publishers, Oxford, 2003, pp.79–97.
Were, Graham and Keuchler, Susanne (eds). Pacific
Patterns. Thames and Hudson, London, 2005.
Williams, FE. The Drama of Orokolo: The Social and
Ceremonial Life of the Elema. Clarendon Press,
Oxford, 1940.
Winter, Joan G (ed). Talking Tapa: Pasifika Bark Cloth in
Queensland [exhibition catalogue]. Brisbane Multicultural
Arts Centre (BEMAC), Brisbane; Keeiara Press,
Southport, Qld, 2009.
Young, MW and Clark, J. An Anthropologist In Papua:
Photography of FW Williams 1922–39. Crawford House
Publishing, Adelaide, SA, 2001.
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