Download Fall 2012 Catalog (English) - Gestalten
Download Fall 2012 Catalog (English) - Gestalten
Download Fall 2012 Catalog (English) - Gestalten
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
about the book<br />
The Meat Train<br />
2000. Oil on canvas, 4 x 8 cm. (top)<br />
Allegory of the Four Elements<br />
2006. Oil on Canvas, x 11 cm with frame. (right)<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
page 19 | Lowbrow<br />
Cavern Swan Escape<br />
2006. Acrylic, glitter and gold mica on wood, 91 x 61 cm. (top)<br />
Black Swan Breakdown<br />
2006. Acrylic and gold mica on paper, 6 x 98 cm. (middle)<br />
General Disorder’s Poison Party<br />
2006. Acrylic and gold mica on paper, 114 x 1 2 cm. (bottom)<br />
Royal Disorder Subterranean Invasion<br />
2006. Acrylic, glitter and gold mica on wood, 122 x 18 cm. (right)<br />
12 13<br />
[01 | 02 | 03]<br />
INSTITUT IITUT<br />
TUT<br />
MODE- MODE-M<br />
MODE-<br />
DESIGN GNMGN M MODE–<br />
DIPLOM PLO PLOMM<br />
2008<br />
<br />
<br />
Kleid: LISA BESSET Foto: LUCA CHRISTEN www.lucachristen.com Model: NIRIA FREY Grafik: GIAN BESSET www.gianbesset.ch<br />
KASERNE BASEL<br />
WWW.TICTEC.CH<br />
WWW.FHNW.CH/HGK/IMD<br />
The Upset<br />
the upset | Camille Rose Garcia page 9 | Lowbrow<br />
Young Contemporary Art<br />
A new breed of contemporary artists is celebrating new-found international<br />
recognition for their style and approach to creating art that is sprouting<br />
from and largely influenced by visual subcultures. The Upset documents the<br />
burgeoning artists in this new movement whose works are often figurative<br />
and narrative. They employ classical techniques with great skill to create<br />
about the book<br />
[04 | 05]<br />
SCHAU<br />
15–<br />
03–<br />
08<br />
MaRc BaLLy / EcaL<br />
[01] Road Movie<br />
[04] Gus van Sant<br />
[05] Futur immédiat<br />
Poster for the Swiss Film archive.<br />
Gian BESSET<br />
[02] Modeschau<br />
Poster for the 2008 diploma show of the<br />
fashion design department of the academy<br />
of art and design Basel, Switzerland.<br />
coBoi<br />
Katharina Reidy<br />
[03] Kaki King & 2 Foot yard<br />
Poster for the Bad Bonn concert Hall in<br />
düdingen, Switzerland.<br />
KAKI KAKI<br />
KIN KING KIN KING<br />
her guitar and eddie vedderñs voice H<br />
into the wild<br />
2FOOT FOOT<br />
YA YARD YA YARD royal pop oder<br />
kammermusik for the street<br />
Bad Bonn Düdingen<br />
23.03.2009B 21h<br />
www.badbonn.ch<br />
A Michael Kuhn presentation, by arrangement<br />
with Primary Talent International<br />
coboi<br />
Regular<br />
Graphic Design Today<br />
10 11<br />
[01]<br />
[03]<br />
Ludovic<br />
BaLLand<br />
P. 10 — 11, 17, 34 —37<br />
Ludovic Balland was born in Geneva, Switzerland in<br />
1973. Educated at the Schule für Gestaltung (School<br />
of art and design), Basel, Balland graduated with the<br />
equivalent of a master’s degree in 2000. He set up his<br />
own studio, under the name Typographic cabinet, in<br />
2005, also in Basel. While the majority of Balland’s<br />
work encompasses design books and posters for architects<br />
and cultural institutions, he is occasionally<br />
also commissioned to create identities. His prestigious<br />
client list includes vitra, the Museum of Modern<br />
art, Warsaw and Basel-based architects Herzog &<br />
de Meuron. Today Balland is assisted by designer<br />
natacha Kirchner.<br />
With a keen interest in Russian history since his<br />
school days, Balland was impressed at an early age by<br />
the power of Russian propaganda posters. in particular,<br />
he was always fascinated he says by “the beauty<br />
of the cyrillic alphabet and Russian texts”, adding:<br />
“i read poems by Majakowski and knew then that<br />
working with letters would one day be my job.”<br />
True to this thought, Balland’s work today is<br />
mostly typographic in nature. “Typography in my<br />
eyes is the orchestration of different information in<br />
a defined format. So it’s a question of proportion and<br />
relation between the forms the information relates<br />
to. This is about the sound of the composed text.”<br />
“For the visualisation,” he continues, “i try to consider<br />
the text as different grey values: if you want,<br />
you could say i compare the composed text with a<br />
black and white photograph of the desert by Lee<br />
Friedlander, whom i consider one of the most important<br />
artists in the last century.”<br />
Balland also cites the early works of seminal<br />
designer and typographer Wolfgang Weingart as<br />
an inspiration.<br />
His dream job? To re-design a newspaper. “Preferably<br />
The New York Times,” he adds with a smile.<br />
Ludovic BaLLand<br />
TyPoGRaPHy caBinET<br />
[01] Stadtkino Basel / cineclub, January 2009<br />
[02] Stadtkino Basel / cineclub, october 2008<br />
[03] Stadtkino Basel / cineclub, november 2008<br />
Series of posters for a cineclub showing<br />
a monthly distinctive selection of films.<br />
The information is set like news and<br />
refers to newspaper posters. The selected<br />
images are chosen and composed in an<br />
associative way, and together create<br />
new analogies.<br />
Client Stadtkino, Basel<br />
title<br />
subtitle<br />
category<br />
Art<br />
title<br />
subtitle<br />
category<br />
Graphic Design<br />
Graphic design is in constant flux. In recent years the digitalization of media,<br />
as well as the return of an appreciation of materials and personal identity,<br />
have strongly influenced the development of graphic design and its adjoining<br />
disciplines. This evolution has prompted designers to define new rules<br />
and aesthetics paving the way for future media. Regular documents the<br />
STADTKINO<br />
BASEL<br />
LANDKINO<br />
Januar JACQUES<br />
DIE MEDIALISIE-<br />
RUNG DES<br />
RAF-TERRORISMUS<br />
PODIUMSGESPRÄCH<br />
UND FILMREIHE<br />
22. JANUAR<br />
ANDREJ<br />
TATI<br />
STUMMFILME MIT DEN MITTELN DES TONFILMS<br />
TARKOWSKIJ<br />
VON ANGST UND TOD, SEHNSUCHT UND LIEBE<br />
[02]<br />
STADTKINO<br />
BASEL<br />
LANDKINO<br />
Oktober<br />
GLAUBER ROCHA<br />
UND DAS<br />
VIDEOKUNST IM<br />
TV-FORMAT:<br />
AUFNAHMEN CINEMA<br />
2. OKTOBER<br />
STUMMFILMABEND:<br />
BABEL UND<br />
BABYLON NOVO<br />
16. OKTOBER<br />
DELIRIERENDE BILDER ZWISCHEN<br />
KARGEM LEBEN UND RELIGIÖSEM TAUMEL<br />
AUDREY<br />
HEPBURN<br />
DIE RAUH-ZARTE STILIKONE<br />
Grafik: Ludovic Balland Basel / www.ludovic-balland.ch<br />
STADTKINO<br />
BASEL<br />
LANDKINO<br />
Silbern Weint Ein Krankes<br />
2007. Oil on canvas, 200 x 1 0 cm.<br />
Day Break<br />
2008. Digital ultrachrome<br />
on paper, 1 2 x 101 cm.<br />
Sleeping by Day<br />
2004. Giclee on premier<br />
art hotpress, 1 x 1 cm.<br />
Tanz der Träume<br />
2005. Oil on canvas, 220 x 190 cm.<br />
Fawn<br />
2008. Oil on board,<br />
28 x 6 cm. (right)<br />
Tea For 2<br />
2004. Oil on canvas,<br />
61 x 61 cm. (left)<br />
Flood<br />
2006–07.<br />
Oil on board, 89 x 40 cm.<br />
the upset | the Ray upset Caesar | Martin Eder the upset | David Stoupakis<br />
page 69 page | 24 gothIc | expressIonIsts<br />
November<br />
SÉLECTION LE BON FILM:<br />
WEISSE<br />
LILIEN<br />
20. BIS 29. NOVEMBER<br />
PROGRAMMPREIS DER<br />
DEFA-<br />
STIFTUNG<br />
24. BIS 30. NOVEMBER<br />
À PROPOS DE<br />
VIGO<br />
UNE MORAL DE LIBERTÉ ET<br />
DE L’AMOUR<br />
ZWISCHEN<br />
ORIENT<br />
UND<br />
OKZIDENT<br />
YILMAZ GÜNEY, NURI BILGE CEYLAN<br />
UND DAS TÜRKISCHE KINO<br />
PLAKAT_KLEIN_NOV08.indd 1 21.10.2008 9:26:37 Uhr<br />
Grafik: Ludovic Balland Basel / www.ludovic-balland.ch<br />
editors<br />
R. Klanten, H. Hellige, S. Ehmann, P. Alonzo<br />
features<br />
full color, hardcover<br />
pages size<br />
288 24 × 30 cm<br />
price<br />
€ 44 {D} £ 40 $ 69<br />
isbn<br />
978-3-89955-221-8<br />
sculpture , illustration, design, and painting with the use of spray cans,<br />
sharpies, and elaborate color palettes on canvas. In addition to the striking<br />
visual work, the book features portraits of contributors as well as in-depth<br />
interviews with selected artists who are creating outstanding cutting-edge<br />
contemporary fine art.<br />
editors<br />
R. Klanten, S. Ehmann, A. Mollard<br />
features<br />
full color, hardcover<br />
pages size<br />
288 24 × 30 cm<br />
price<br />
€ 49.90 (D) £ 45 $ 75<br />
isbn<br />
978-3-89955-253-9<br />
current state of graphic design and presents a new generation of creative<br />
excellence. The book features examples of progressive manifestations in<br />
the printed form from poster design, book, and magazine editorial design<br />
to typography. This expansive volume provides an in-depth look at what is<br />
state-of-the-art in contemporary graphic design.<br />
page | gothIc<br />
75<br />
[04]<br />
44 45<br />
[01]<br />
[05]<br />
DONDERDAG<br />
5 JUNI ’08 THIERRY<br />
VAN 9:30<br />
TOT 17 UUR DE DUVE<br />
Sint-Lucas<br />
Beeldende Kunst<br />
Auditorium A1 MICHAËL<br />
Zwartezustersstraat 34,<br />
B-9000 Gent<br />
BORREMANS<br />
THE DRAWING<br />
ROOM<br />
ANNE-MARIE<br />
CREAMER<br />
WILLIAM<br />
PLOEGAERT<br />
Deelname aan het symposium<br />
LIEVE<br />
is gratis. Inschrijven is nodig via<br />
e-mail: sabine.demeester<br />
@kunst.sintlucas.wenk.be of<br />
DEHASQUE telefoon: +32 (0)9 267 96 65<br />
www.kunst.sintlucas.wenk.be<br />
PETER<br />
MORRENS<br />
STEF<br />
VAN BELLINGEN<br />
Dit symposium wil het debat initiëren over de status, en publicaties benadrukten de specifieke kwaliteiten Way of Learning wil kernvragen uit de artistieke prak-<br />
de rol en het belang van het tekenen voor de artistie- die de tekening kenmerken over haar vele verschijningstijk koppelen aan de vragen van het kunstonderwijs:<br />
ke praktijk en de vorming tot kunstenaar. — Sinds het vormen en de eeuwen heen, zijnde: onmiddellijkheid, Waarom oordelen we over bepaalde tekeningen dat ze<br />
ontstaan van de academie is het tekenen naar waar- experiment, eenvoud, openheid, speculatie, techni- artistieke waarde hebben? Hoe draag je deze estheneming<br />
een vast onderdeel van de kunstopleiding; het sche verscheidenheid, persoonlijke visie en geste, frag- tische of artistieke blik over op een kunststudent? En<br />
werd gezien als een belangrijke basis voor elke kunmentatie, discontinuïteit en onafheid. Er kwamen nieuw welke artistieke basis heeft het tekenen vandaag? Wat<br />
stenaar. De tekening werd echter lange tijd niet als perspectieven op tekenen. — Het tekenen in het kunst- is het belang van de historische traditie? Welke (ver-<br />
een autonoom medium beschouwd, maar als tweeonderwijs echter bleef sterk bepaald door de historinieuwende of traditionele) methoden zijn vandaag bede<br />
in rang, het kleine broertje van de schilderkunst. sche traditie, het academisme en het Bauhaus-model. langrijk in het tekenonderricht? Welke rol spelen de<br />
Tekenen lijkt tegelijkertijd én centraal én perifeer te zijn. Het bleef schatplichtig aan 18e-eeuwse principes, met waarneming, het geheugen en de verbeelding in de<br />
De laatste decennia groeide de belangstelling voor als hoogste doel de representatie van de natuur en de handeling van het tekenen?<br />
de tekening als autonoom medium. Tentoonstellingen menselijke figuur in het bijzonder. — Drawing, Another<br />
SYMPOSIUM<br />
DRAWING,<br />
ANOTHER WAY OF LEARNING<br />
[02]<br />
[03]<br />
Mijn oprechte dank gaat uit naar Katrien Van Haute voor<br />
Raf Vancampenhoudt<br />
de intense begeleiding tijdens het uitvoeren van deze<br />
1 MJ Beeldende Kunsten<br />
verhandeling en naar Kevin Baert voor de verwerking van<br />
Masterscriptie / Academiejaar:<br />
het auditief materiaal.<br />
2007-2008<br />
Promotor: Michaël Bussaer<br />
Co-Promotor: Katrien Van Haute<br />
Hogeschool voor Wetenschap & Kunst<br />
Sint-Lucas Beeldende Kunst Gent<br />
BOLD ITALIC 2008 SINT-LUCAS BEELDENDE KUNST, GENT (DEPARTEMENT VAN DE HOGESCHOOL VOOR WETENSCHAP & KUNST)<br />
PRESENTEERT EEN VOLLEDIGE DAG ROND GRAFISCH ONTWERP MET LEZINGEN EN PRESENTATIES DOOR: LAURENT BENNER & JONATHAN HARES / RICHARD HOLLIS /<br />
WERKPLAATS TYPOGRAFIE / ÅBÄKE / MARC GOETHALS - DONDERDAG 17 APRIL 2008 / 10:30 - 17:00 / KUNSTENCENTRUM VOORUIT, THEATERZAAL - SINT-PIETERSNIEUWSTRAAT 23,<br />
9000 GENT - WWW.VOORUIT.BE /BOLDITALIC RESERVATIES !! VIA SABINE DE MEESTER: SABINE.DEMEESTER@KUNST.SINTLUCAS.WENK.BE / 09 267 96 65<br />
RaF vancaMPEnHoudT &<br />
JoRiS van aKEn<br />
[01] drawing, another Way of Learning<br />
Poster design for a symposium about drawing<br />
at Sint-Lucas visual arts, Ghent.<br />
Client Ans Nys, Ghent, Belgium<br />
RaF vancaMPEnHoudT<br />
[02] Bold italic 2008<br />
Poster design for the Bold italic 2008 event,<br />
an annual symposium about graphic design<br />
and typography organized by Michaël Bussaer<br />
of Sint-Lucas visual arts, Ghent.<br />
Client Michaël Bussaer / Vooruit<br />
[03] The Best of italo disco<br />
Poster as part of a master’s thesis about<br />
italo disco, an electronic music phenomenon<br />
which fi nds its origins in italy in the early<br />
eighties.<br />
voidWREcK<br />
Karl nawrot & Jaan Evart<br />
[04] abstraktsioonide öö / The night of<br />
abstractions volume 3<br />
Poster for an Estonian experimental electronic<br />
music night.<br />
Client Festival Hea Uus Heli<br />
Credits Mark typeface by Karl Nawrot / Poster<br />
design by Jaan Evart<br />
voidWREcK<br />
Karl nawrot, Jaan Evart &<br />
Walter Warton<br />
[05] Kumu öö / Kumu night<br />
Poster for a music festival in the Modern art<br />
Museum of Tallinn.<br />
Client Festival Hea Uus Heli
Change language