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PeterWatts_Blindsight

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Peter Watts 50 <strong>Blindsight</strong><br />

indirect, creeping from under seats and the edges of tables; the<br />

chromatics, this afternoon at least, were defiantly longwave. It was<br />

a place where baselines could pretend to see in infrared.<br />

So I pretended for a moment, assessing the woman in the corner<br />

booth: gangly and glorious, half-a-dozen ethnicities coexisting<br />

peacefully with no single voice dominant. Something glowed on<br />

her cheek, a faint emerald staccato against the ambient red shift.<br />

Her hair floated in a diffuse ebony cloud about her head; as I<br />

neared I caught occasional glints of metal within that nimbus, the<br />

threads of a static generator purveying the illusion of<br />

weightlessness. In normal light her blood-red skin would<br />

doubtless shift down to the fashionable butterscotch of the<br />

unrepentant mongrel.<br />

She was attractive, but so was everyone in this kind of light; the<br />

longer the wavelength, the softer the focus. There's a reason<br />

fuckcubbies don't come with fluorescent lights.<br />

You will not fall for this, I told myself.<br />

"Chelsea," she said. Her little finger rested on one of the table's<br />

inset trickle-chargers. "Former neuroaestheticist, presently a<br />

parasite on the Body Economic thanks to genes and machines on<br />

the cutting edge."<br />

The glow on her cheek flapped bright lazy wings: a tattoo, a<br />

bioluminescent butterfly.<br />

"Siri," I said. "Freelance synthesist, indentured servant to the<br />

genes and machines that turned you into a parasite."<br />

She waved at the empty seat. I took it, assessing the system<br />

before me, sizing up the best approach for a fast yet diplomatic<br />

disconnect. The set of her shoulders told me she enjoyed<br />

lightscapes, and was embarrassed to admit it. Monahan was her<br />

favorite artist. She thought herself a natural girl because she'd<br />

stayed on chemical libidinals all these years, even though a<br />

synaptic edit would have been simpler. She revelled in her own<br />

inconsistency: a woman whose professional machinery edited<br />

thought itself, yet mistrustful of the dehumanising impact of<br />

telephones. Innately affectionate, and innately afraid of unreturned<br />

affection, and indomitably unwilling to let any of that stop her.<br />

She liked what she saw when looked at me. She was a little

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