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ISS 25 (1995).pdf - The International Council of Museums

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English term is broader and includes all these<br />

groups but also the public or society. This<br />

ambiguity is obvious in given preprints for this<br />

meeting, too. Both colleagues wh o presented the<br />

summaries in Beijing made the conclusions which are<br />

their own vision <strong>of</strong> the given relation between<br />

museum and community. So J. A. Gjestrun suggested<br />

the need <strong>of</strong> very different museums to fulfil various<br />

aims, from creating the national identity to opening<br />

wide possibilities, in becoming the part <strong>of</strong> the<br />

reorganization <strong>of</strong> man ' s ideas <strong>of</strong> himself and his<br />

sense <strong>of</strong> values i.e. his need to be a part o f<br />

present time. not oriented only to the past. He also<br />

accentuated the danger <strong>of</strong> ideological and other<br />

kinds <strong>of</strong> oppressing the minority and other social<br />

groups using the museum as an instrument o f the<br />

national policy. D. Natteyne tried to find the<br />

solution by analysing the relations among<br />

collections, pr<strong>of</strong>essionals and users. including<br />

visitors. researchers and those who are deciding on<br />

the conditions <strong>of</strong> the museum work . A. Desvallees<br />

a ccentuated. in his final remarks. the necessity <strong>of</strong><br />

establishing 'community museums to be fulfilling<br />

the needs <strong>of</strong> minority groups but also considering<br />

the dangers <strong>of</strong> using museums as a political<br />

instrument .<br />

With such an introduction the Stavanger meeting<br />

papers are repeating the same ambiguity that existed<br />

in Beijing last year . Some <strong>of</strong> the authors <strong>of</strong> the<br />

papers are trying to explain the general problem by<br />

analysing examples taken from their own or their<br />

country's practice (P. M. Raippalinna, J. Trudel, G.<br />

Zaucha ). Some <strong>of</strong> them are trying to follow a<br />

theoretical approach dealing with relation <strong>of</strong> museum<br />

and society with the stress put on the community (E.<br />

Antzoulatou-Retsila, M. Bellaigue, N. Ladkin, L.<br />

Maranda, R. Montpetit, T. C. Sheiner) and there are<br />

some who are trying to illustrate theoretical<br />

statements relying on the practical examples (M.<br />

Horta, H. Vieregg) .<br />

<strong>The</strong> theoretical approach has a wide scope from<br />

the identification <strong>of</strong> the problem <strong>of</strong> ideologization<br />

<strong>of</strong> museum work and the span between pluralism and<br />

nationalism (E. Antzoulatou-Retsila), over the<br />

examination <strong>of</strong> the term 'community' ranging from<br />

traditional communities and new individualism , and<br />

the role <strong>of</strong> museums in such a situation ( M.<br />

Bellaigue), all to the very interesting approach to<br />

the concept <strong>of</strong> the community as an ecosystem and to<br />

the interpretation <strong>of</strong> the term ' museum ecology' ( N.<br />

Ladkin) . Not less interesting appear to be the<br />

analytical approach to relations <strong>of</strong> community and<br />

museums, using the term community in the sense <strong>of</strong><br />

social environment <strong>of</strong> museums ( L. Maranda ), as well<br />

as to the role <strong>of</strong> museums in interpreting the<br />

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