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Chandra Prakash Bhongir, Civil Engr, May04 - Repositories

Chandra Prakash Bhongir, Civil Engr, May04 - Repositories

Chandra Prakash Bhongir, Civil Engr, May04 - Repositories

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It was their pressure in the Ottoman court that legalized the teaching of Albanian inside<br />

Albania in 1908. In fact it was the input from the Diasporic intellectuals which created<br />

the conditions for Albanian independence in 1912.<br />

The roots of Albanian nationalism and the role of Diasporic intellectuals are better<br />

understood by examining the importance which memory and politics of national identity<br />

play in Albanian history. Sectoral memories on the myth of Scanderbeg in Albania<br />

function much in the same way, that French memories on the myth of Joan of Arc are<br />

constructed in France. According to Pierre Nora, these sectoral memories have<br />

restructured the way the relationship between past, present and future is experienced and<br />

they have reshaped the forms of collectivity that now cohabit the national space. For<br />

Nora national memory is not a monolithic mental image of the past which is internalized<br />

the same way by all members of a given society but as the diverse representational modes<br />

by means of which communities imagine, represent and enact their specific relationship<br />

to the past. In the modern world, it is the society rather than the nation state that has<br />

become the linchpin of social organization. The idea of Nation and nationhood remains<br />

the nostalgic and enduring figure of the larger social collectivity. It is the emotive force<br />

of national memories argues Nora that has given them their magnetic, contagious and<br />

volatile character in the life of modern nation-states. 9<br />

Like Joan of Arc in France, for Albanians, Scanderbeg and his memory serve<br />

primarily the nationalist cause and its proponents. Even though he lived in the fifteenth<br />

century, it is not until the rise of nationalism in the nineteenth century that images of<br />

Scanderbeg become prolific.The idea of collective amnesia applies well to Scanderbeg’s<br />

9 Nora, 11.<br />

35

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