11.06.2013 Views

Asides in New Comedy and the Palliata - Leeds International ...

Asides in New Comedy and the Palliata - Leeds International ...

Asides in New Comedy and the Palliata - Leeds International ...

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

ECKARD LEFÈVRE, ASIDES IN NEW COMEDY AND THE PALLIATA<br />

(Here, for <strong>the</strong>se people, every day’s a holiday.<br />

Without much wit, but with great satisfaction,<br />

<strong>the</strong>y whirl <strong>in</strong> narrow, separate rounds<br />

like kittens chas<strong>in</strong>g <strong>the</strong>ir own tails.<br />

And if <strong>the</strong>y can’t compla<strong>in</strong> of headache<br />

<strong>and</strong> still have credit with <strong>the</strong> l<strong>and</strong>lord,<br />

<strong>the</strong>y’re pleased with life <strong>and</strong> free of cares.)<br />

Here a scene is commented on by a character who is not <strong>in</strong>volved <strong>in</strong> <strong>the</strong> dialogue<br />

(type IIa). In this case <strong>the</strong> people overheard also comment on those newly<br />

arrived; for <strong>in</strong>stance Frosch says a little later:<br />

2174 Laßt mich nur gehn! Bei e<strong>in</strong>em vollen Glase<br />

2175 Zieh’ ich, wie e<strong>in</strong>en K<strong>in</strong>derzahn,<br />

Den Burschen leicht die Würmer aus der Nase.<br />

Sie sche<strong>in</strong>en mir aus e<strong>in</strong>em edlen Haus.<br />

Sie sehen stolz und unzufrieden aus.<br />

(Leave it to me! Before <strong>the</strong>y’ve drunk a glass of w<strong>in</strong>e<br />

I’ll worm <strong>the</strong>ir secrets out of <strong>the</strong>m<br />

as easily as you pull out a baby-tooth.<br />

I th<strong>in</strong>k that <strong>the</strong>y’re aristocrats,<br />

s<strong>in</strong>ce <strong>the</strong>y look haughty <strong>and</strong> dissatisfied.)<br />

Here people who comment on a scene <strong>and</strong> are not <strong>in</strong>volved <strong>in</strong> <strong>the</strong> dialogue are<br />

commented on by o<strong>the</strong>rs (type IIb).<br />

After <strong>the</strong> Lord has discussed human be<strong>in</strong>gs <strong>in</strong> general <strong>and</strong> Faust <strong>in</strong> particular<br />

with Mephistopheles, <strong>the</strong> latter says, rema<strong>in</strong><strong>in</strong>g alone on stage:<br />

352 Es ist gar hübsch von e<strong>in</strong>em großen Herrn,<br />

So menschlich mit dem Teufel selbst zu sprechen.<br />

(It is quite decent of a mighty lord to chat<br />

<strong>and</strong> be so human with <strong>the</strong> very devil.)<br />

In this case a preced<strong>in</strong>g dialogue is commented on by a character who rema<strong>in</strong>s<br />

alone on stage. This k<strong>in</strong>d of aside could be termed a—shortened—exit monologue<br />

(type IIc).<br />

It is obvious that even more subcategories of asides might be def<strong>in</strong>ed. 2 But<br />

s<strong>in</strong>ce this phenomenon shall be dealt with only <strong>in</strong> general terms <strong>in</strong> what follows,<br />

fur<strong>the</strong>r classification does not seem to be necessary.<br />

1. <strong>Palliata</strong><br />

Plautus<br />

All of <strong>the</strong> types of aside mentioned above occur very often <strong>in</strong> <strong>the</strong> <strong>Palliata</strong>. In<br />

<strong>the</strong> Amphitruo Plautus uses asides with dazzl<strong>in</strong>g virtuosity. The first examples will<br />

2 For general <strong>in</strong>structive remarks on this topic, cf. <strong>the</strong> analyses done by Schaffner 1911; Haile<br />

1913; Kraus 1934; Duckworth 1952, 109-14; Barbieri 1966; Ba<strong>in</strong> 1977; Moore 1998.<br />

2

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!