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Being Neighborly<br />

by Katie Wells<br />

To blend with the existing community,<br />

the Buddhist Cultural Center’s building<br />

skin consists of a combination of stone,<br />

stucco, wood and other finishes<br />

Winter<br />

© Dan Cunningham<br />

When looking for a new place of residence,<br />

it’s not often that you find<br />

the perfect location along one of<br />

the most popular Avenues in the United States.<br />

But, Massachusetts Avenue, or Embassy Row as<br />

it’s known in the District of Columbia, is now<br />

home to the second oldest Buddhist community<br />

in theWashington, DC metropolitan area.<br />

Since 1968, the Soka Gakkai International<br />

(SGI)-USA Cultural Center was located on<br />

the edge of the District of Columbia in Mt.<br />

Ranier, MD. With membership continuing to<br />

grow, the Buddhist community was in need of<br />

a new, more accommodating space. SGI called<br />

on the construction services of <strong>Structure</strong><br />

<strong>Tone</strong> and Hellmuth Obata + Kassabaum Architects<br />

(HOK) to construct their new place<br />

of worship.<br />

2009<br />

“Inadditiontomeshingwiththesurrounding<br />

community, concerns for the building were<br />

that it encompass the natural and peaceful<br />

elementsthatareessentialforBuddhistworship<br />

areas. We accomplished both goals.”—<br />

Michael Zajkowski, AIA, lead architect, HOK<br />

The 20,000sf building was constructed on a vacant<br />

lot purchased from the adjacent Embassy<br />

of Cape Verde, the Embassy building being a<br />

landmark listed in the District of Columbia Inventory<br />

of Historic Sites.With this in mind, the<br />

team focused on existing elements in the<br />

neighborhood—stucco, stone, copper and<br />

wood—so that the new building fit seamlessly<br />

with its surroundings. SGI, HOK and <strong>Structure</strong><br />

<strong>Tone</strong> met with the neighborhood committee<br />

Rendering courtesy of HOK<br />

Model depicting the neighborhood with the<br />

Embassy of Iraq (l), Buddhist Cultural Center<br />

(c)andtheEmbassyofCapeVerde(r)<br />

(continued on next page)


2<br />

NeighborsandSGImembersalikearedelightedwiththenew<br />

building<br />

on several occasions during design and<br />

throughout construction. Being the ‘new kid<br />

on the block’ in such a prestigious community,<br />

the entire team wanted to ensure that<br />

we established good relationships with the<br />

neighbors.<br />

<strong>Structure</strong> <strong>Tone</strong> worked with the community<br />

throughout each task to make sure it was<br />

aware of construction activity going on in and<br />

around the site. Also, when there were unavoidable<br />

circumstances,we worked with the<br />

team to give back in unique ways.For instance,<br />

excavation for the foundation and underground<br />

parking garage created unavoidable<br />

dust and dirt.The project team supplied each<br />

household in the area with a ticket for a free<br />

car wash, a gesture of sensitivity and understanding<br />

that was very welcome.<br />

Another challenge throughout the project<br />

was working within a small lay-down area<br />

for construction and equipment.The building<br />

footprint encompasses the entire property.<br />

In addition, this new zero-lot line facility is<br />

In Good Company<br />

Over 57 nations are represented along<br />

“Embassy Row”—the portion of Massachusetts<br />

Avenue where the new Cultural<br />

Center is located. <br />

© Dan Cunningham<br />

located between two<br />

sovereign embassies<br />

and the Vice President’s<br />

residence is<br />

nearby. Thus, there<br />

were restrictions on<br />

Massachusetts Avenue<br />

to ensure the<br />

safety and protection<br />

of these high profile<br />

sites, complicating the<br />

staging and movement<br />

of materials.<br />

<strong>Structure</strong> <strong>Tone</strong>’s access<br />

to the construction<br />

site was limited<br />

to a rear alley for all deliveries. Further, material<br />

entry had to be coordinated in advance<br />

with the Secret Service.<br />

In addition to its location and special requirements<br />

as a place of worship, the Cultural<br />

Center has special design features that<br />

make the project unique. A storm water<br />

management system,or green roof,which includes<br />

a 2,500sf roof-top vegetative garden,<br />

was added to the building. The green roof<br />

consists of drainage-layer water retention<br />

panels, filter fabric, organic mineral soil and<br />

vegetative roof covering.The green roof reduces<br />

summer temperatures in the building,<br />

in turn reducing cooling costs.<br />

The exterior landscaping is another special<br />

project feature. It is in harmony with both<br />

the Buddhist faith and the neighboring diplomatic<br />

embassies, churches and large homes.<br />

The outdoor plaza in the front of the building<br />

displays trees and perennials native to<br />

Japan—Kwanzan Cherry and Japanese<br />

Maples—creating a connection to the origins<br />

of the Buddhist faith.<br />

The entire building was designed to be built<br />

with natural materials.The exterior mirrors<br />

the surrounding neighborhood and the interior<br />

is primarily earth tones and eco-friendly<br />

materials,reflecting,and respecting,nature.The<br />

lay-down area was also planted as much as<br />

possible to reduce hard surfaces and runoff.<br />

W I N T E R | 2 0 0 9<br />

“<strong>Structure</strong><strong>Tone</strong>wasveryresponsivetothe<br />

demanding nature of this project,” said<br />

WilliamAiken,associatedirectorofSGI.“We<br />

(SGI committee) were very happy with<br />

how the team dealt with all aspects of the<br />

project, especially Mike Marchesani, who<br />

really kept a close eye on every detail to ensurethateveryone,includingallourneighbors,<br />

were happy.”<br />

The 200-seat main sanctuary, the heart of<br />

the building, features a combination of walnut<br />

and maple wood panels.These rich elements<br />

are surrounded by fabric wall<br />

coverings, carpet and custom lighting augmented<br />

by floor-to-ceiling windows that create<br />

a bright ambiance throughout the day.<br />

Construction of the Buddhist Cultural Center<br />

has received rave reviews from members<br />

of the congregation, neighbors and the District<br />

of Columbia. SGI hosted a few open<br />

houses before the grand opening, one of<br />

The large sanctuary features high-end<br />

finishes such as hand-gilded metal on the<br />

ceiling<br />

© Dan Cunningham


Special project considerations included<br />

coordinating construction with the Secret<br />

Service to ensure the security of the Vice<br />

President’s residence and several embassies<br />

© Dan Cunninghampher<br />

which was exclusively for their new neighbors<br />

who were fascinated by the end product.<br />

And, SGI members who came from all<br />

over the world for the opening were nothing<br />

short of stunned by their new cultural<br />

center, centrally located in the heart of the<br />

Nation’s capital. <br />

“This building, our center, went beyond<br />

the expectations that we had when we<br />

started the project,” commented Aiken.<br />

“Membersfromtheearliestyearsofourestablishmenthavecometoseethecenterand<br />

sayit’snothingshortofa‘dreamcometrue’<br />

for them. To have a faith center that is so<br />

beautiful, that encompasses the beliefs of<br />

ourreligionandisalsoawelcomeneighbor,<br />

it’s just really something to be proud of.”<br />

W I N T E R | 2 0 0 9<br />

© Dan Cunningham<br />

Executive Focus<br />

by Jim Donaghy<br />

The end of a year and the beginning<br />

of a new one is an interesting time<br />

of reflection and anticipation. In particular,<br />

as 2008 closed and 2009 began, I<br />

found myself thinking a great deal about<br />

our history and how that translates to<br />

our future.<br />

During those periods of introspection, one<br />

thought came to me time and again—what<br />

distinguishes <strong>Structure</strong> <strong>Tone</strong> in our industry<br />

is our professionals, those who focus<br />

every day on servicing our clients. Service<br />

is not merely a phrase at <strong>Structure</strong><strong>Tone</strong>, it<br />

is a way of life.<br />

Since our founding as a two-person firm<br />

almost 39 years ago, our cornerstone has<br />

been our clients’ needs.Without client relationships<br />

we would not be in business<br />

today. Our founders emphasized ‘focus on<br />

the client and the rest will come’—meaning<br />

growth, profitability, industry prominence<br />

and other measures of success.<br />

They could not have been more right as<br />

today we enjoy a position as a clear market<br />

leader.<br />

While client service has been the lifeblood<br />

of our growth, our people have been the<br />

bedrock of that achievement. Even in a<br />

business as competitive as construction<br />

management, a sustainable, successful organization<br />

is far more than the sum of its<br />

services and project track record. Successful<br />

projects and delighted clients are driven<br />

by our staff. People resolve challenges, people<br />

innovate, people go the extra mile—<br />

nothing can take the place of talented,<br />

dedicated human beings focused on helping<br />

you meet your goals.<br />

Because of our people, in today’s uncertain<br />

economic times, we are well positioned to<br />

weather the storm while consistently delivering<br />

to our clients. From principals who<br />

have been with our firm for over three<br />

decades to superintendents with similar<br />

levels of tenure, the passion and tradition<br />

of client service is instilled at all levels in<br />

our organization. This encompasses all<br />

facets of our business as we recognize that<br />

total client service extends beyond construction<br />

activity at the site. We are investing<br />

in our future by investing in the<br />

professional development and career advancement<br />

of quality professionals who<br />

embrace and embody our core values.<br />

Also, as a privately-held organization we<br />

have the flexibility to move in tandem with<br />

our clients’ needs and the market drivers<br />

affecting them. Our principals are handson,<br />

often seen at project walk-thrus and<br />

team meetings.This keeps us in touch with<br />

your day-to-day needs and expectations<br />

and allows us to be fluid and expedient<br />

making decisions in your best interests.<br />

Similarly,our ownership enables us to focus<br />

on controlled growth not artificial revenue<br />

goals. Over the past four decades each step<br />

forward has been taken with great care and<br />

deliberation—always predicated on the<br />

questions, “how does this benefit our<br />

clients” and “is it a sustainable business<br />

model?” Whether geographic expansion,<br />

market sector diversification, or service/<br />

project delivery innovation—client relationships<br />

and our ability to better serve<br />

them have been our business drivers.<br />

As we look to 2009 and beyond, we will<br />

not be shaken from this core value. Our<br />

firm was founded in the early 1970s on the<br />

cusp of extremely difficult<br />

economic times. Despite<br />

that, and due in large part<br />

to our client-first, last<br />

and always mandate, we<br />

were able to grow and<br />

prosper. Our unique culture<br />

and stable ownership<br />

position us for more of<br />

the same in the coming<br />

years. I look forward<br />

to the future<br />

with great enthusiasm.<br />

<br />

3


4<br />

ChartingaNewCourse<br />

by Giovana Moreano<br />

StandardChartered’selevatorlobbyinTwoGatewayCenter<br />

features glass wall panels depicting sporting events<br />

Corporate Photographics:<br />

Bob Zucker, Photographer<br />

Just as C&K Properties committed to accommodating its new tenant,<br />

Standard Chartered Bank, <strong>Structure</strong> <strong>Tone</strong> committed to delivering<br />

a top quality office for C&K Properties to present to Standard<br />

Chartered. A festive ribbon-cutting ceremony officially revealed<br />

a new space on the 13th floor of Two Gateway Center in Newark,<br />

NJ and heralded the beginning of a new relationship in New Jersey<br />

between C&K Properties, Standard Chartered and <strong>Structure</strong> <strong>Tone</strong>.<br />

After considering various locations throughout New Jersey, Standard<br />

Chartered Bank chose Two Gateway Center in Newark to<br />

relocate employees from One Madison Avenue in Manhattan.The<br />

new 45,000sf office space provides Standard Chartered staff with<br />

open working space, a reception lobby, lounge areas, pantries and<br />

multiple conference rooms equipped with A/V systems and video<br />

conferencing capabilities.<br />

Unique details throughout the space give this new home a sparkle<br />

that one cannot miss. The elevator lobby is one of the main highlights.<br />

It offers visitors and employees an engaging first<br />

impression featuring glass wall panels with colorful (interchangeable)<br />

graphics of various sporting events. Pantries feature Bottacino<br />

marble countertops and glass tiles on backsplashes, restrooms<br />

“Thankstothetremendouseffortsofthe<strong>Structure</strong><strong>Tone</strong>teamand<br />

itssubcontractorsincompletingthespaceinaveryaggressivetime<br />

frame.Itiswithgreatgratitudeandappreciationthatwecongratulate<br />

the entire team for bringing to fruition such a beautiful and<br />

functional space.”—Patty Fuster, head of information and administrative<br />

services—Americas, Standard Chartered Bank<br />

Corporate Photographics: Bob Zucker, Photographer<br />

have imported porcelain tiling, conference rooms are divided by<br />

modern-fold sky-wall partitions, and decorative glazing surrounds<br />

the reception area.<br />

As it is with all our projects, delivering a successful project on time<br />

and within budget while exceeding our clients’ expectations is one<br />

of <strong>Structure</strong> <strong>Tone</strong>’s top priorities. But, as is often the case, getting<br />

there without facing any challenges is rare.<br />

Working in an occupied building always creates logistical challenges—add<br />

in a very aggressive 14-week schedule and this increases<br />

exponentially. With law firms both above and below the<br />

construction floor, scheduling all noise-related work around depositions,<br />

meetings and court reporter activities made our team’s<br />

task difficult. By working closely with the property manager and all<br />

our subcontractors, we devised a plan to accommodate surrounding<br />

tenants’ business requirements while still maintaining our targeted<br />

schedule.This plan entailed adding shift and weekend work<br />

to avoid noise impacts, as well as to provide our subcontractors<br />

with additional time to complete tasks.<br />

A key part of the office renovation was installation of a new UPS,<br />

generator, dry-coolers, AHUs and CRAC units.The busy and congested<br />

streets of downtown Newark were a challenge for our team<br />

when it came time for roof installation. In order to conduct a successful<br />

installation while operating a 50ft crane within narrow<br />

streets, our team coordinated closely with the city of Newark.With<br />

the help of targeted street closures and police escorts, we were<br />

able to complete the installation efficiently and without incident.<br />

Safety planning and preparation for work in the occupied space<br />

was a critical component contributing to the project’s success. One<br />

of the most important phases of safety planning encompassed the<br />

construction of an electrical riser shaft running from the basement<br />

to the 19th floor penthouse. For this delicate phase of work, our<br />

The pantry offers a quiet respite for staff, with a glass backsplash,<br />

marble countertops and soft-toned walls<br />

W I N T E R | 2 0 0 9<br />

Corporate Photographics:<br />

Bob Zucker, Photographer


Open plan working spaces contribute to the collaborative<br />

environmentofthenewGatewayCenterspace<br />

A Clear Winner<br />

by Jason Vesuvio<br />

The Urban Glass House, located at 330<br />

Spring Street in Lower Manhattan, recently<br />

received its third industry award.<br />

Buildings magazine bestowed a Citation of<br />

Excellence on the project in the publication’s<br />

2008 New Construction Awards program.<br />

Pavarini McGovern, a member of the <strong>Structure</strong><strong>Tone</strong><br />

organization,served on the team as<br />

construction manager.<br />

Buildings Magazine’s annual Project Innovations<br />

program reviews NorthAmerica’s most<br />

prestigious projects in four project award<br />

competitions: Buildings Interiors ® Design,<br />

Greener Facilities (a new recognition this<br />

year),Modernization and New Construction.<br />

Criteria included aesthetics, function, performance<br />

and sustainability.<br />

The 12-story, glass-walled condominium<br />

building, designed by Philip Johnson + Alan<br />

Ritchie Architects, invokes the same standards<br />

of excellence and rigorous attention<br />

to detail as the late Mr. Johnson's world-fa-<br />

Corporate Photographics:<br />

Bob Zucker, Photographer<br />

safety director created a job hazard analysis, reviewed it with the<br />

entire team and implemented strict, specific protection measures<br />

for this work.<br />

The new Urban Glass House, 330 Spring<br />

Street, New York City<br />

mous Glass House in New Canaan, CT.To<br />

accomplish this, a major issue confronting<br />

the team was constructing the building next<br />

to the historic landmark Ear Inn—a two-<br />

Robert S. Varcoe Photography<br />

“Iwantedtothankeveryoneat<strong>Structure</strong><strong>Tone</strong>fortheextraordinary<br />

job they have done in completing this incredibly complex project in<br />

record time. I know that Meir Cohen and Ben Korman (C&K<br />

Principals) join me in thanking you and your entire team for your<br />

efforts.”—Kevin Collins, chief financial officer, C&K Properties<br />

Care and concern for our employees and subcontractors, the comfort<br />

of other building tenants and, ultimately, the new residents of<br />

the 13th floor, manifested itself in every aspect of our work.This<br />

was a reflection not only of <strong>Structure</strong> <strong>Tone</strong>’s mandates, but also<br />

our recognition that, while in the building, we are an extension of<br />

our client.This was not only the cornerstone of project success but<br />

the foundation upon which to build our relationship with C&K<br />

Properties and Standard Chartered Bank. <br />

W I N T E R | 2 0 0 9<br />

Robert S. Varcoe Photography<br />

story, 200-year-old timber framed structure.<br />

During the excavation and foundation phase,<br />

the team took great care when performing<br />

the required underpinning of the Inn. <br />

“We are honored to be part of the team for<br />

a project that has received so much recognition<br />

in the local New York, and now national,constructionmarkets,”saidBillFrederick,<br />

executive vice president for Pavarini<br />

McGovern and the company’s principal for<br />

the project. “The successful construction of<br />

theprojectwasdueinlargeparttotheteam<br />

we assigned to it,” said Frederick, “particularlygiventhelogisticalchallengeswefacedduringthefoundationphaseandthequality<br />

of fit and finish demanded by the highend<br />

interiors.”<br />

5


6<br />

Loosening Up<br />

by Laura Schneider<br />

One of Edelman’s most unique features—the café bar—is a place<br />

where employees and guests meet and relax with a snack or drink<br />

After deciding to combine four existing<br />

offices into one European headquarters,<br />

London’s largest independent<br />

public relations agency,Edelman,was eager to<br />

explore the possibilities an open design plan<br />

offered. Guided by Gensler, the project architect,<br />

and its own strong vision,Edelman focused<br />

on effectively organising all employees<br />

under one roof and creating a youthful and<br />

relaxed vibe in the office environment.<strong>Structure</strong><br />

<strong>Tone</strong> joined the collaborative effort,<br />

bringing construction expertise to help Edelman<br />

achieve the radical change desired.<br />

For Edelman, time had called for change. For<br />

<strong>Structure</strong> <strong>Tone</strong>, time was of the essence.<br />

With only an idea in mind, but a firm moveout<br />

date in hand, time management and efficiency<br />

were major priorities for this project.<br />

<strong>Structure</strong> <strong>Tone</strong> met the (17-week) schedule<br />

challenge head-on.<br />

By actively engaging with the supply chain<br />

early on and determining the best methods of<br />

procurement,we were able to facilitate accelerated<br />

advancement of the project from concept<br />

to detailed design and begin working with<br />

detailed working drawings at the earliest opportunity.<br />

Thus, we were able to deliver the<br />

early handover of the server room in a mere<br />

ten weeks enabling Edelman to complete its<br />

IT technical fit-out and resolve any communication<br />

issues prior to move-in.<br />

© Charles Birchmore<br />

In another schedule<br />

saving measure, our<br />

team evaluated the existing<br />

lighting control<br />

system and was able<br />

to adapt it to<br />

suit the new lighting<br />

scheme requirements.<br />

By avoiding stripping<br />

out the existing system,<br />

we were not only<br />

able to save schedule<br />

but also budget.<br />

The new 32,000sf<br />

Edelman office features<br />

an open layout<br />

that offers maximum<br />

client-facing opportunities and breaks down<br />

barriers between staff. With ten conference<br />

rooms of various size equipped with full A/V<br />

technology, glass-fronted executive offices,<br />

several modern breakout spaces and inviting<br />

quiet areas, the environment truly facilitates<br />

collaboration and interaction.<br />

“This is unndoubtedly an office, and client,<br />

with personality,” noted project executive<br />

Alan Ford. “While we certainly had challenges,<br />

it was also quite a bit of fun bringing<br />

to reality the unique vision of Edleman and<br />

Gensler.”The space contains cozy oversized<br />

furniture, vibrant colors throughout and<br />

comedy-themed conference rooms.<br />

However, the most intriguing additions—<br />

those that push the boundaries of the 21st<br />

Century workplace—are the café bar and the<br />

executive bar. Upon entering the office, one<br />

immediately notices the peculiar absence of a<br />

reception desk in the lobby. Instead, visitors<br />

are greeted by the next passing employee and<br />

ushered to a café bar where they can catch<br />

their breath in tall chairs and munch away on<br />

snacks while they wait.<br />

Three smaller executive meeting rooms are<br />

combinable and can be opened to accommodate<br />

functions of up to 100 people. At<br />

the top of this space is the executive bar<br />

and a small food prep area. But, even when<br />

there are no formal functions, the bar still<br />

W I N T E R | 2 0 0 9<br />

© Charles Birchmore<br />

One of several glass-enclosed, comedythemed<br />

conference rooms<br />

© Charles Birchmore<br />

offers bottles of beer or cool glasses of<br />

Chardonnay for staff to enjoy while relaxing<br />

and socialising at the end of a productive<br />

day at work.<br />

Edleman’s office revolutionises the work<br />

space and shatters preconceived notions of<br />

the “stuffy” work environment. Just as Edelman<br />

rose to that (self-imposed) challenge,<br />

<strong>Structure</strong><strong>Tone</strong> brought its A-game to ensure<br />

that our construction delivery was commensurate<br />

with their goals and vision. <br />

© Charles Birchmore<br />

With its new office space, Edelman sought<br />

to redefine the work envirnoment


TakeaBow<br />

by Aliona Ortega<br />

St.Thomas Aquinas High School, a fouryear<br />

college-preparatory school in<br />

Fort Lauderdale, FL had a vision for its<br />

new performing arts center—the facility<br />

had to be capable of supporting a wide<br />

range of programs, whether educational, social<br />

or cultural. Pavarini undertook the challenge<br />

and orchestrated the successful construction<br />

ofThe Bienes Center for the Arts.<br />

Only five days after Pavarini delivered the<br />

project’s temporary certificate of occupancy,<br />

Archbishop of Miami, John C. Favalora,<br />

blessedThe Bienes Center for the Arts<br />

at a dedication ceremony. Present were the<br />

‘cast and crew’ that made the whole production<br />

possible, including the founding<br />

donors Mr. and Mrs. Michael Bienes, Mr. and<br />

Mrs. Damon DeSantis and Mr. and Mrs.<br />

Manny Velar; Monsignor Vincent T. Kelly, supervising<br />

principal of the school; and representatives<br />

from Pavarini and Ziedler<br />

Partnership, the architect. Students and faculty<br />

also attended to celebrate the new addition<br />

to campus.<br />

Featuring a dramatic 45ft-high glass-walled<br />

lobby with a grand staircase to the upper<br />

tiers, this new multi-functional facility accommodates<br />

a variety of events, including<br />

theater performances and banquets. Designed<br />

to deliver enhanced sightlines and<br />

Pavarini constructed the new theater/<br />

auditorium, including a rounded, glass<br />

curtain wall lobby<br />

acoustics, performers can step right into the<br />

spotlight and delight audiences. Retractable<br />

seating also easily converts the theater into<br />

a banquet hall with a maximum seating capacity<br />

of 334 for banquets and other community<br />

functions.<br />

The ensemble of Pavarini and Ziedler Partnership<br />

and its consultant team played to<br />

the tune of meeting the vision and accommodating<br />

the needs of the client. We advised<br />

on selection of materials for the<br />

seating and retractable bleacher system and<br />

assisted with pricing and selection of lighting<br />

systems. Also, collaborative efforts on<br />

the design of the stage drapes allowed for<br />

the option of a black box theater. Conver-<br />

The glass-walled lobby and grand staircase are among the most striking features of the new Arts Center<br />

W I N T E R | 2 0 0 9<br />

sion elements were installed to require minimal<br />

transition effort without compromising<br />

the Center’s elegance.<br />

A project of this magnitude requires many<br />

trades, all managed by Pavarini. In addition, a<br />

number of specialty materials and products<br />

were required from throughout the US.<br />

Much like the conductor of a band, Pavarini<br />

gave the ‘cue’ to each trade at the appropriate<br />

time and meticulously controlled the<br />

tempo of construction. In the end, praise<br />

and appreciation from the client was our<br />

memorable curtain call. <br />

Monsignor Vincent Kelly commented, “The<br />

St.ThomasAquinasHighSchoolwasfortunate<br />

to have Pavarini Construction<br />

buildournewperformingartscenter.The<br />

quality of workmanship, and Pavarini’s<br />

ability to work within our budget and<br />

schedule constraints, combined to make<br />

this addition to our campus a resounding<br />

success. The Bienes Center for the Arts is<br />

not only a teaching facility, it is also a gift<br />

to the community.”<br />

7


8<br />

Live and Learn<br />

by Valerie Hamilton<br />

Should I live on or off campus?<br />

This is a question faced by freshmen,<br />

and even many upperclassmen,<br />

each year. Living on campus adds<br />

a unique dimension to college life, an<br />

experience that Manhattan College<br />

values highly for its students.With the<br />

recent addition of the College’s newest<br />

student residence, East Hill Tower II,<br />

Manhattan College is demonstrating<br />

its commitment to provide students<br />

the best all-around experience they<br />

can receive. East Hill Tower II, and<br />

other on-going renovations to the<br />

campus, are changing the face of undergraduate<br />

life at Manhattan College.<br />

“With an increasing demand by students for<br />

a residential college experience, Manhattan<br />

has changed with the times,” says Robert<br />

Mahan, vice president for facilities at Manhattan<br />

College, noting that “just 25 years ago<br />

Manhattan was 25 percent residential and<br />

with the new East Hill Tower II completed<br />

we are now 75 percent residential. Quality<br />

residence halls, new recreation facilities and<br />

the wonderful 24/7 O’Malley Library learning<br />

center provide a well rounded experience<br />

for our students outside of the classroom.”<br />

Getting Settled<br />

With space to accommodate over 500 students,<br />

the state-of-the-art new residence<br />

ThenewEastHillTowerIIoffersManhattanCollege<br />

students a modern student-life-focussed living environment<br />

Corporate Photographics:<br />

Bob Zucker, Photographer<br />

Every floor includes lounges for socializing<br />

or group study<br />

hall provides a place for study, socializing and<br />

growth.The residence hall offers two bedroom<br />

suite-style rooms, gathering/study<br />

lounges and a laundry facility on every floor.<br />

It is located near Horan Hall, also a student<br />

residence, facilitating the lifestyle of today’s<br />

active college student.<br />

Like Horan Hall (constructed by Pavarini in<br />

1990), the footprint of Tower II was one of<br />

the most challenging aspects of the project.It<br />

was constructed in a logistically-challenging<br />

sloped hillside on an active,occupied campus.<br />

Detailed preconstruction planning and coordination<br />

was critical for excavation of existing<br />

fill behind a massive stone retaining wall, and<br />

rock. Also, an extensive earth retaining system<br />

was provided as there was a 60ft-deep<br />

excavation that occurred within 20ft of the<br />

corner of Draddy Gym. The expertise and<br />

precision of our staff made the removal of<br />

8,000 yds of rock and 27,000 yds of earth an<br />

uneventful effort on the campus.<br />

Safety and campus access for students and<br />

faculty were paramount, among other issues,<br />

as we prepared detailed logistics plans.We installed<br />

a protective sidewalk bridge and<br />

placed concrete jersey barriers and temporary<br />

fencing to protect individuals traversing<br />

the campus adjacent to the site. In addition,<br />

we held weekly site safety meetings to review<br />

upcoming activities, and any related special<br />

safety requirements,and to address concerns<br />

or special needs of the College.<br />

Corporate Photographics: Bob Zucker, Photographer<br />

Corporate Photographics:<br />

Bob Zucker, Photographer<br />

Further, we were required to share a<br />

narrow driveway that provides access<br />

to a very busy campus loading dock.<br />

This entailed significant coordination<br />

of deliveries with the College’s facility<br />

department.<br />

The new East Hill Tower II is a<br />

134,000sf,10-story concrete structure<br />

with an exterior skin comprised of 421<br />

pre-engineered, pre-fabricated light<br />

gage framing brick veneer wall panels,<br />

inclusive of the window assemblies.The<br />

panels were hoisted, dropped into<br />

place systematically and welded to inserts<br />

in the structural slab to create the<br />

building shell. The pitched roof is<br />

framed-out in steel and metal decking with<br />

insulated board covered with asphalt shingles.<br />

Pavarini also constructed the interior of the<br />

new residence, including student bedroom<br />

suites and bathrooms, lounges and study<br />

areas. Heating and cooling is provided by<br />

thru-wall PTAC units fed from boilers in the<br />

adjacent Horan Hall.<br />

Getting There<br />

W I N T E R | 2 0 0 9<br />

Pavarini was also construction manager for<br />

a new 209,000sf, 550-car, five-story, pre-cast<br />

parking structure. The garage was vital to<br />

opening the new dorm as the parking spaces<br />

were needed to support the students<br />

housed in the new tower.<br />

Just the Facts<br />

Pavarini has also provided upgrades to one<br />

of the dining/cafeteria spaces in Thomas<br />

Hall, including:<br />

Renovation of the Dantes cafeteria<br />

featuring a new seating area behind<br />

a bowed glass window wall<br />

Revision of the servery partition layout<br />

to maximize flow of students through<br />

the food court and to the seating area<br />

Installation of new VCT tile, specialty<br />

lighting and other finishes<br />

Protection of existing kitchen and<br />

food prep areas by creating a negative<br />

air pressure environment during<br />

construction


A Story Unfolds...<br />

byAlyssaSansandFrankRenzler<br />

Alfred Hitchcock was known to plan every camera angle<br />

for every scene in his movies in such detail that he<br />

almost didn’t need to be present for filming—someone<br />

else could do it. The movie industry calls this planning<br />

“storyboarding.” In the construction world, all of this detailed<br />

planning is called preconstruction, and, for a project like the<br />

new Bank of America Tower at One Bryant Park,<br />

storyboarding was essential to the success of the project.<br />

(continued on inset)<br />

16<br />

ISO Certified<br />

bySarahLembo<br />

<strong>Structure</strong><strong>Tone</strong>’s London office recently received ISO:9001:2000<br />

accreditation.This confirms that we operate Quality Management<br />

Systems in accordance with all ISO requirements.<br />

“Thisisanimportantstepforourbusiness,” notesDeanManning,managingdirectorof<strong>Structure</strong><strong>Tone</strong>inLondon.“ISOqualitymanagementstandardsareanimportantcornerstoneaswe<br />

continually improve our processes and product and, ultimately,<br />

customer satisfaction—our paramount goal.”<br />

ISO (International Organization for Standardization) is the world’s<br />

largest developer and publisher of International Standards. ISO is a<br />

non-governmental network of<br />

the national standards institutes<br />

of 157 countries that bridges<br />

public and private sectors.<br />

The ISO 9000 family addresses<br />

quality management.This means<br />

what an organization does to fulfill<br />

its customers’ quality requirements<br />

and applicable regulatory<br />

obligations while aiming to enhance<br />

customer satisfaction and achieve<br />

continual improvement of its<br />

performance in pursuit of<br />

these objectives. <br />

Top Honors<br />

by Lisa Ruano<br />

Texas Construction and NewYork Construction, regional industry publications of McGraw-Hill, have selected our organization’s projects<br />

as the Annual Best Of the respective regions in 2008.<br />

Constructors & Associates<br />

Marriott Rivercenter<br />

Best Hospitality<br />

San Antonio,TX<br />

Marriott Solana<br />

Maquire Partners<br />

HKS<br />

Legorreta & Legorreta<br />

DMJM Rottet<br />

Blum Consulting Engineers, <strong>Inc</strong>.<br />

Huitt-Zolllars<br />

Ingenium, <strong>Inc</strong>.<br />

MESA Design Group<br />

Constructors & Associates<br />

Marriott Solana<br />

Award of Excellence<br />

Hospitality<br />

Westlake,TX<br />

Host Hotels & Resorts<br />

Marriott Rivercenter<br />

RTKL<br />

Broaddus & Associates<br />

Blum Consulting Engineers, <strong>Inc</strong>.<br />

Pavarini McGovern<br />

40 Mercer Street<br />

Best Residential<br />

New York, NY<br />

Hines<br />

Hotels AB<br />

EMJ Management<br />

Ateliers Jean Nouvel<br />

SLCE Architects<br />

W I N T E R | 2 0 0 9<br />

<strong>Structure</strong> <strong>Tone</strong><br />

Bank of America<br />

Best Green Building<br />

One Bryant Park, NYC<br />

Bank of America<br />

The Durst Organization<br />

Gensler<br />

Jaros Baum & Bolles<br />

Jones Lang LaSalle<br />

The garage’s main entrance is located directly on Broadway and an<br />

elevated, pre-cast ramp connects the garage to Manhattan College<br />

Parkway to the west.This required comprehensive maintenance and<br />

protection of traffic plans as part of our preconstruction planning.<br />

Like East Hill Tower II, foundation work for the parking structure<br />

was complex.The foundation is a combination of driven and drilled<br />

piles bearing on bedrock at depths between 15ft and 45ft and in<br />

close proximity to New York City Transit (NYCT) structures.This<br />

proximity required very specific provisions to satisfy the requirements<br />

of NYCT. These included vibration monitoring, working<br />

under the supervision of NYCT inspectors and precise coordination<br />

with NYCT train schedules. Also, height restrictions beneath<br />

the transit structures limited access to the site.<br />

In addition to these NYCT requirements, NYCDEP imposed stringent<br />

guidelines regarding excavation and disposal of soil at the site.<br />

To minimize costs associated with removing urban soil, a series of<br />

test pits were performed.These verified soil types and locations<br />

throughout the site.We then created a detailed layout of all of the<br />

footings and under-structures, thus limiting the amount of over-excavation<br />

and soil disturbance.As a result, the only soil that needed<br />

to be removed was the material displaced by the concrete pier cap<br />

footings.The balance of the material was creatively redistributed on<br />

the existing site and capped over.<br />

At Manhattan College Parkway,we are constructing an elevator and<br />

stair tower that will connect the parking structure via a pedestrian<br />

bridge crossing over the Parkway to Hayden Hall. (The bridge has<br />

passed City Planning Commission review and received approval<br />

from the NYC Arts Commission; NYCDOT and the NewYork City<br />

Department of Buildings will issue permits this winter and construction<br />

is scheduled for early spring). The tower includes masonry-clad<br />

columns with exposed steel bracing and is topped with<br />

a translucent cube with signage panels.<br />

The mission of Manhattan College is to “provide a contemporary,<br />

person-centered educational experience.”The new East HillTower<br />

II and parking addition,as well as many other upgrades being carried<br />

out by the College, are key steps in accentuating the person-centered<br />

focus of the campus. <br />

Corporate Photographics: Bob Zucker, Photographer<br />

The new five-story parking deck is a much needed amenity for<br />

students, faculty and visitors<br />

And the Award...<br />

by Lisa Ruano<br />

<strong>Structure</strong> <strong>Tone</strong>’s Boston<br />

office was honored by<br />

Construction Management<br />

Association of America<br />

(CMAA) for the 2008 Project<br />

Achievement Awards.<br />

We received the top honor<br />

in the category Buildings<br />

Renovation/Modernization<br />

with ConstructedValue Less<br />

than $20 Million for TRO<br />

Jung|Brannen’s new 50,000sf<br />

office in Boston.The Awards<br />

Ryan Caffyn-Parsons (L) receiving<br />

the CMAA Project Achievement Award<br />

Committee considered project outcomes, overall management,<br />

safety, quality management, cost management, schedule management,<br />

complexity, innovation and creativity, and customer satisfaction<br />

as the basis for the awards. <br />

“TheCMAAAchievementAwardisverymeaningfulrecognition<br />

of the entire team for a job well done. Recognition by our industry<br />

peers is always very special.”—Ryan Caffyn-Parsons, senior project<br />

manager, <strong>Structure</strong> <strong>Tone</strong>.<br />

...Goes To<br />

CoreNet Global New England named Mike Malloy, senior<br />

regional vice president for <strong>Structure</strong> <strong>Tone</strong>, as the Service<br />

Provider Leadership Award–Contractor of the Year<br />

honoree. The CoreNet<br />

Global New England<br />

Service Provider Leadership<br />

Awards recognize<br />

individuals whose performance<br />

and client interactions<br />

provide a<br />

uniquely valued experience<br />

for those with<br />

whom they work.These<br />

Mike Malloy (L) accepts the CoreNet<br />

New England 2008 Service Provider/<br />

ContractoroftheYearAwardfromSarah<br />

K. Abrams, president, Fidelity Real Estate<br />

Company, LLC and president, CoreNet<br />

NewEnglandChapter(R)<br />

W I N T E R | 2 0 0 9<br />

9<br />

awards recognize innovative<br />

service ideas and<br />

actions that transcend<br />

the expected. <br />

Bank of America<br />

One BryantPark:<br />

ASpecialFeature


11<br />

And A Bank Grows...<br />

The 300-seat conference center includes state-of-the-art A/V<br />

supporting a broadcast center capable of connecting to other<br />

worldwide Bank locations and cable TV<br />

Of course, Hitchcock was a notorious loner, but for an undertaking<br />

like the Bank of America project, teamwork was the only<br />

way to get the job done. Everyone was on board with the goal of<br />

creating a 21st century space that was beautiful, functional and<br />

environmentally-friendly.With an eye to the future, the Bank and<br />

its interior architect, Gensler, designed a structure with flexibility,<br />

functionality and sustainability in mind.<br />

Rising 54 stories above Bryant Park’s green lawn, the Bank of America’s<br />

flagship skyscraper is one of the world’s most environmentally<br />

responsible high-rise office buildings.This striking glass, steel and aluminum<br />

structure will serve as the headquarters for the Bank’s operations<br />

in New York City providing a vertical campus for the Bank’s<br />

global, corporate and investment banking, wealth and investment<br />

management and consumer and commercial banking businesses.<br />

Act1, Scene1<br />

Leaving no stone unturned, the preconstruction planning phase focused<br />

on a myriad of issues. Paramount among them were the floor<br />

layout and MEPS systems. Working hand-in-hand with Gensler,<br />

Jaros Baum & Bolles, Bank staff and the entire team, we developed<br />

an iterative series of budgets beginning with the conceptual phase<br />

and culminating in the final project budgets.These served as controls<br />

during the construction phase. Our preconstruction team<br />

worked exhaustively with key project operations staff to refine the<br />

Paúl Rivera©<br />

Keith Williams<br />

schedule, develop a phasing plan and determine opportunities for<br />

schedule efficiencies to ensure the Bank’s move-in date.<br />

Also, like the director and the studio working together, a structured<br />

and highly effective partnering program was developed to<br />

ensure that all site logistics, safety issues and overall project concerns<br />

were addressed.The partnering sessions were a key component<br />

of the two and a half-year preconstruction phase during<br />

which we established methodologies and procedures to ensure<br />

the seamless delivery of the project.<br />

“The partnering sessions ledby the Bank andthe Durst Organizationwereinstrumentalincreatingthecollaborativeenergythat<br />

drove this project,” said Tony Carvette, president, <strong>Structure</strong> <strong>Tone</strong>. “It<br />

wasanoutstandingand productiveexperiencefor<strong>Structure</strong><strong>Tone</strong><br />

andthe entire Bank team—Gensler, JB&B, Jones Lang LaSalle<br />

and manyothers—aswellasforcreatinganespritd’corpswiththe<br />

basebuildingdesignandconstructionteam.Itwas,byfar,thebest<br />

project partnering effort we have ever participatedin.”<br />

The construction strategy was to complete the Bank’s space several<br />

blocks of floors at a time upon turnover from the base building<br />

contractor. The scheduling of floor turnovers and post<br />

Inadditiontoprivateandopenoffices,theOneBryantParkspace<br />

includes touchdown (or hoteling offices) and video conference, training<br />

and conference rooms<br />

Keith Williams<br />

12<br />

An under-floor system delivers 100%<br />

fresh air utilizing floor-by-floor air handling<br />

units and allowing for individual control<br />

capability<br />

construction floor inspections were carefully<br />

coordinated to obtain all Certificates<br />

of Occupancy on time.<br />

<strong>Structure</strong><strong>Tone</strong>’s storyboarding for this massive<br />

undertaking were accomplished by<br />

breaking down the overall 1.5Msf project<br />

into a series of manageable components<br />

and assigning teams with the right expertise<br />

to deliver that particular assignment.<br />

Like a film and its director, these teams<br />

were led by senior executives highly adept<br />

at “seeing the big picture” and managing the<br />

interface of a multitude of individual parts.<br />

A Blockbuster Production<br />

with Blockbuster Savings<br />

Paúl Rivera©<br />

Storyboarding not only saves time, it also<br />

saves money. <strong>Structure</strong> <strong>Tone</strong>’s comprehensive<br />

value engineering program identified<br />

over 75 areas of potential savings for the<br />

Bank. Most of those recommendations<br />

were embraced by the Bank resulting in an<br />

overall savings of $60 million—while maintaining<br />

LEED certification points. Some of<br />

the suggested recommendations included<br />

specifying alternate ceiling tiles on the trading<br />

floors, ganging power and data outlets<br />

where possible, and obtaining alternate furniture<br />

items on office floors.<br />

<strong>Structure</strong> <strong>Tone</strong>’s procurement team exercised<br />

our favorable market status to prepurchase<br />

and direct-purchase material and<br />

equipment, reducing costs and ensuring ontime<br />

delivery of long lead items. Our purchasing<br />

power also allowed us to drive<br />

down the costs of Green materials, making<br />

sustainability more cost-effective.<br />

Our market status also contributed to savings<br />

in subcontractor bids. We carefully<br />

scrutinized bid packages vis-à-vis the subcontractor<br />

base ensuring the quality and<br />

quantity of bidders. In addition, we prepared<br />

multiple packages for trades and engaged<br />

in a concerted effort to ensure bid<br />

opportunities for qualified M/WBE firms to<br />

adhere to the Bank’s procurement diversity<br />

standards.<br />

Behind the Scenes<br />

Part of what made Hitchcock’s<br />

films interesting was<br />

the creation of suspense<br />

with what is not seen on<br />

screen but what is left up<br />

to the imagination. At the<br />

Bank’s new tower, a significant<br />

portion of the office’s<br />

LEED Gold systems remain<br />

unseen. An example of this<br />

is the office’s under-floor<br />

cooling area system.<br />

Gensler, Cook + Fox (base<br />

building architect) and<br />

<strong>Structure</strong> <strong>Tone</strong> worked cooperatively<br />

to develop and<br />

test a unique approach to<br />

the structure’s core and<br />

floor plate layouts, increasing<br />

overall building systems inte-<br />

“Over an 18–24 month preconstruction<br />

periodforour1.5millionsquarefootproject,<strong>Structure</strong><strong>Tone</strong>’sexpertiseinvalueengineering,<br />

scheduling and phasing, procurement,<br />

technology management and<br />

construction logistics planning significantlyenhancedthequalityandefficiency<br />

of our project. You gave us a great team to<br />

work with andpartneredvery effectively<br />

with Bank of America staff, our design<br />

team,andthebasebuildingcontractor.”—<br />

Gregory J. Patterson, vice president corporate<br />

workplace, Bank of America<br />

gration and including an innovative filtered<br />

under-floor displacement air ventilation system.This<br />

system delivers 100% fresh air utilizing<br />

floor-by-floor air handling units<br />

allowing for individual control capability.<br />

Paúl Rivera©<br />

The complex features a wide range of sophisticated<br />

environmental technologies, from pressurized under-floor air<br />

conditioning to advanced double-wall technology and<br />

translucent insulating floor-to-ceiling windows<br />

W I N T E R | 2 0 0 9 W I N T E R | 2 0 0 9<br />

The LEED Gold interior includes low mercury lighting—a<br />

LEED®—CI Innovation in Design credit; low-emitting materials in<br />

carpet systems, systems furniture and seating, paintings and<br />

coatings; and 25% of energy is conserved with motion detectors<br />

selectively switching off lights in unoccupied rooms<br />

During preconstruction, <strong>Structure</strong><strong>Tone</strong> developed mock-up floors<br />

to test the pressurized under-floor air ventilation system.This fourmonth<br />

testing program enabled the team to test fits and tie-ins,<br />

simulate the final space, and make modifications early in the design<br />

process, avoiding costly changes in the field.<br />

The under-floor design features carbon dioxide monitors that automatically<br />

introduce fresh air when necessary.This air filtration<br />

system removes 95% of all particulates entering the building, as<br />

well as ozone and volatile organic compounds (VOCs). Amazingly,<br />

Did You Know?<br />

At peak activity the project required over 100 trade contractors<br />

averaging more than 900 workers on site per day and escalating to<br />

as many as 1,000.<br />

Paúl Rivera©<br />

the re-circulated air, which is re-filtered with high-efficiency filters,<br />

will be cleaner than the surrounding outside air.The fresher indoor<br />

air helps improve the health and productivity of all the building’s<br />

occupants.<br />

<strong>Structure</strong><strong>Tone</strong> had direct responsibility for providing, fulfilling and<br />

managing the construction process to meet the LEED-CI intent.<br />

This encompassed the credit areas: Materials and Resources, Indoor<br />

Environmental Quality and Innovation and Design. <strong>Structure</strong><br />

<strong>Tone</strong> processed over 8,000 submittals to build this LEED<br />

Gold project.<br />

Approximately 35% of the building was constructed of recycled or<br />

recyclable materials.The building’s steel structure has a high recycled<br />

steel content and the concrete superstructure is comprised of<br />

45% blast furnace slag.The curtain wall is glass and aluminum.The<br />

interior space makes use of low VOC adhesives, sealants, paints<br />

and finish coatings.The installed carpeting is 100% recyclable. Highend<br />

finishes include (locally fabricated) stone floors and tabletops.<br />

SafetyNeverTakesaDayOff<br />

As one of the largest projects performed in the City, safety was<br />

the responsibility of every person on the job. <strong>Structure</strong> <strong>Tone</strong>’s<br />

project team empowered tradesmen and made all parties responsible<br />

for the safety of one another.Through this cooperative<br />

effort the project maintained a stellar safety record with Total<br />

Recordable Cases (TRC) 73% below the national average. <strong>Structure</strong><br />

<strong>Tone</strong> required that all workers comply with our policy. All<br />

W I N T E R | 2 0 0 9<br />

13<br />

Keith Williams Keith Williams<br />

subcontractor and trades personnel were<br />

required to participate in an intensive,<br />

mandatory safety orientation. Each person<br />

was informed of the site specific safety plan,<br />

emergency action plan, OSHA rules and<br />

regulations, protocols and reporting responsibilities.<br />

In addition, each subcontracting firm appointed<br />

a staff member with the ability and<br />

authority to recognize and correct unsafe<br />

actions. By identifying a person from each<br />

firm we added an additional 60 people to<br />

reinforce <strong>Structure</strong> <strong>Tone</strong>’s safety policies in<br />

the field.Together with the <strong>Structure</strong> <strong>Tone</strong><br />

staff, this represented over 10% of the entire<br />

field crew managing safety on site.<br />

<strong>Structure</strong> <strong>Tone</strong> coordinated with a design and consultant team<br />

of over 21 firms<br />

Through a collaborative and detailed value engineering program,<br />

the team realized over $60 million in savings for the<br />

Bank without compromising its aesthetic vision<br />

<strong>Structure</strong> <strong>Tone</strong> worked with several M/WBE firms, realizing a<br />

participation level of 35%, exceeding the project’s goal of A state-of-the-art on-site cogeneration plant provides a clean,<br />

22½% efficient power source for the building’s energy requirements<br />

Interconnecting stairs enhance the<br />

openess and flow of the space<br />

Paúl Rivera©<br />

The Bank of America Tower<br />

at One Bryant Park was selected<br />

by New York Construction<br />

Magazine as Best Green<br />

Project for 2008.<br />

Paúl Rivera©<br />

The Final Scene<br />

After over four years of preconstruction<br />

and construction the Bank’s employees<br />

began arriving for their first day of work in<br />

the new space. Although the building will<br />

not be fully completed until the end of<br />

2009, their arrival signaled the attainment<br />

of a significant milestone of the project—<br />

Occupancy Day One—and the process of<br />

relocating employees from their existing<br />

spaces had begun.The first end-users to arrive<br />

at the tower were the Equities team.<br />

They were favorably impressed with execution<br />

of the move and pleased with the<br />

smooth operation of all systems and equipment<br />

on the first day of trading.<br />

One million square feet of trading and office<br />

space was completed in 12 months, on<br />

schedule and on budget. The additional<br />

500,000sf soon followed.<br />

Unlike the last frame of a great epic film,<br />

there is no “The End” for this project.<br />

The Bank of America’s environmentally<br />

friendly, award-winning story is still at the<br />

opening credits. <br />

“Successonaprojectofthismagnitude,or<br />

any project really, cannot be achievedby<br />

onepersonalone.And,inthecaseofBank<br />

of America, that couldnot be more true.<br />

Theunparalleledconstruction know-how,<br />

skill and dedication of Russ Williams,<br />

Don Van Hook andDennis Murray were<br />

the heartbeat of our team. They, andthe<br />

incredibly talented staff who supported<br />

them, made this success possible.”—Frank<br />

Renzler, executive vice president and project<br />

executive, <strong>Structure</strong> <strong>Tone</strong><br />

W I N T E R | 2 0 0 9<br />

BoA Project<br />

Cast And Crew:<br />

Marc Albanese<br />

Mark Bailey<br />

Louis Basabe<br />

Michael P. Battelli<br />

Max Brocato<br />

Patrick Burke<br />

Lisa Cuevas<br />

Jason Fitzsimons<br />

Patrick Frawley<br />

James Gerraty<br />

Brian J Gravier<br />

Margaret Y Hartzell<br />

James Hurley, Jr.<br />

Erik Johnson<br />

Brian King<br />

Deborah Larkey<br />

Robert Link<br />

Erik Loberg<br />

Brian A Lopez<br />

Sarina Ludwall<br />

Paul Lunz<br />

Gennaro Maffia<br />

Nicholas Martone<br />

Constance E. McIver<br />

Sean Mulqueen<br />

William Murphy<br />

Dennis Murray<br />

Nicole O?Hagen<br />

Deepak Patel<br />

Eric Pellegrino<br />

Javier Perez<br />

Juan Perez<br />

Kimberly Richardson<br />

Donald Rodenheiser<br />

Patrick Ryan<br />

Slava Samoylov<br />

Anita Singh<br />

Leonard Spector<br />

Frank Renzler<br />

Rich Schneider<br />

Lori Templeton<br />

Don VanHook<br />

Eddie Vega<br />

Frank Verni<br />

Russell Williams<br />

14


LuckoftheIrish<br />

by Mike Kavanagh<br />

The new Fidelity offices in Dublin encompass this three-story building at Citywest<br />

<strong>Structure</strong> <strong>Tone</strong>’s Fidelity Investment<br />

Project team in Dublin—James Reidy<br />

(project executive), Sean Lakes (construction<br />

manager), John Allen (site foreman)<br />

and Willie O’Brien (surveyor)—were<br />

acknowledged recently by Dr. Michael Buckley<br />

of Fidelity Telecommunications Group<br />

and Tim Shaw, senior project director of Fidelity<br />

Real Estate Company, for bringing in<br />

their Citywest project ahead of schedule.<br />

The work consisted of the fit-out of the entire<br />

30,000sf, three-floor building on Lake<br />

Drive, Citywest, Co. Dublin.The project encompassed<br />

open office areas, executive and<br />

standard offices, meeting rooms, reception,<br />

kitchen and breakout spaces, print and mail<br />

rooms, and filing and storage areas. Perimeter<br />

offices featured glazed partition fronts,<br />

meeting rooms were fit with skyfold partition<br />

dividers, and open plan office areas incorporated<br />

system furniture. Extensive plant<br />

and equipment installations were required<br />

on the roof and core area upgrades included<br />

showers and coat closets.<br />

<strong>Structure</strong><strong>Tone</strong> joined the project during the<br />

preliminary design stage to assist Fidelity and<br />

the consulting team with buildability studies,<br />

programming, budget development and<br />

value engineering. Following, <strong>Structure</strong> <strong>Tone</strong><br />

managed all construction and coordinated<br />

the furniture vendors and other direct vendors<br />

employed by Fidelity. In addition to Fidelity<br />

Real Estate, a division of Fidelity<br />

Investments, and <strong>Structure</strong> <strong>Tone</strong>, the team<br />

included Gensler (architect), Davis Langdon<br />

“This is an excellent result for the entire<br />

team. Our associates are very happy with<br />

the new space.”—Dr. Michael Buckley, Fidelity<br />

Telecommunications Group<br />

PKS (quantity surveyor) and RN Murphy<br />

(mechanical/electrical engineers).<br />

Headquartered in Boston, MA, Fidelity Investments<br />

is one of the world’s largest<br />

providers of financial services and mutual<br />

funds.The Dublin project followed the successful<br />

completion by <strong>Structure</strong> <strong>Tone</strong> of Fidelity<br />

Investments’ London offices, as well as<br />

numerous projects throughout the US.<br />

<strong>Structure</strong><strong>Tone</strong> is also in the preconstruction<br />

phase for Fidelity’s Hong Kong offices via<br />

our Asia headquarters in Hong Kong. <br />

Through proactive management, <strong>Structure</strong> <strong>Tone</strong>’s Dublin team was able to complete<br />

Fidelity’s new space ahead of schedule, allowing early start of Fidelity business operations<br />

W I N T E R | 2 0 0 9<br />

©David Cantwell Photography<br />

© David Cantwell Photography<br />

17


18<br />

Two fundamental aspects of Danish<br />

culture are “hygge” and “skov.” Although<br />

hygge has no exact English<br />

translation, it is generally recognized as the<br />

absence of anything aggravating, overwhelming<br />

or bothersome and the presence and enjoyment<br />

of things that are soothing, gentle<br />

and comforting. Skov, or woodland, is representative<br />

of Danish appreciation for nature<br />

and is prized for its recreational and restorative<br />

powers.<br />

When Novo Nordisk, a Denmark-based<br />

pharmaceutical company, decided to expand<br />

its North American headquarters to a new<br />

167,000sf Princeton, NJ location, incorporating<br />

its unique cultural and corporate heritage<br />

was a very important part of the job.<br />

Working collaboratively with the architects<br />

from KlingStubbins, <strong>Structure</strong><strong>Tone</strong> was able<br />

to create a space that captured the essence<br />

of hygge and skov while simultaneously accommodating<br />

the modern business needs of<br />

this global company.<br />

“<strong>Structure</strong> <strong>Tone</strong> joined the team at the end<br />

of design development and became an invaluable<br />

resource.Working together, Novo<br />

Nordisk, KlingStubbins and <strong>Structure</strong> <strong>Tone</strong><br />

were able to give form to Novo’s vision for<br />

their future workplace,” said Mark Duckett,<br />

studio director with KlingStubbins.<br />

The building is comprised of five floors of approximately<br />

33,000sf each and is organized<br />

Woodland motifs and extensive use of natural wood reflect Danish appreciation of nature<br />

throughoutthenewoffice<br />

©Tom Crane Photography<br />

A Distinct Heritage<br />

by Robin Doordan (with Brian Brooks, Mark Duckett, Amy Manley, Patrick McGranaghan and Jennifer Nye of KlingStubbins)<br />

“This new addition draws on the best currentworkplacethinkingandpracticetocreate<br />

a sustainable and productive environment.The<strong>Structure</strong><strong>Tone</strong>team,ledbyJimO’Halpin,eagerlyaddressedtheconstructionchallengesthatwerepartoftheproject<br />

design. Occupancy of the first of five floors<br />

was accomplished in 14 weeks and each<br />

succeedingflooreverytwoweeksafter.The<br />

successfulprojectcompletionwithinanaggressiveschedulewasonlypossiblethrough<br />

the unrelenting efforts of <strong>Structure</strong> <strong>Tone</strong>’s<br />

on-site team and complete support of the<br />

office. I look forward to working on future<br />

projectswith<strong>Structure</strong><strong>Tone</strong>.”—TedBielicky,<br />

director of facilities, Novo Nordisk <strong>Inc</strong>.<br />

W I N T E R | 2 0 0 9<br />

©Tom Crane Photography<br />

Common areas, supported by wireless<br />

technology, encourage collaboration and<br />

openness<br />

©Tom Crane Photography<br />

into three sections.Each features the calming,<br />

minimalist and nature-inspired influences of<br />

Danish design in different ways.<br />

The first section encompasses the entrance,<br />

support and public areas, which include reception,<br />

security,receiving,file rooms and the<br />

building’s café.The building was originally designed<br />

for multi-tenant occupancy.Thus, the<br />

lobby area required modifications to accommodate<br />

Novo Nordisk’s security protocols<br />

and to create a more streamlined and spacious<br />

entrance and lobby.This area sets the<br />

tone for the refined and functional beauty of<br />

the rest of the building.<br />

The second section, an entire floor, is a training<br />

center that incorporates a woodland<br />

motif. Natural wood is used liberally<br />

throughout and patterns of branches appear<br />

in the carpeting, wall surfaces, glass and sliding<br />

panels. Uncomplicated, yet elegant, wood<br />

chairs originally designed by Danish architect<br />

Arne Jacobsen for Novo Nordisk’s<br />

Copenhagen headquarters in 1952 provide a


“The success of this fast track LEED project had a lot to do with<br />

theteamofprofessionalsthatNovoNordiskassembledincluding<br />

KlingStubbins, HDC, Patrinely/Crimson Services and <strong>Structure</strong><br />

<strong>Tone</strong>. The phasing plan and preliminary drawings were reviewed<br />

with Plainsboro township during the design period, enabling<br />

us to partner with the township to ensure that permits,<br />

inspections and TCOs were all completed on time for all phases.<br />

We also had 32 subcontractors who worked safely and efficiently<br />

togethertobuildahighqualityspaceandgetNovoNordiskmoved<br />

in on time.”—Jim O’Halpin, director of operations, <strong>Structure</strong> <strong>Tone</strong><br />

historic link to the company’s history and home country. Light fixtures<br />

with faux wood shades work with abundant natural light to<br />

keep the training floor warm and inviting.<br />

But, the training floor isn’t all nature and history. It incorporates<br />

state-of-the-art technology, including a large room that can comfortably<br />

accommodate 400 or be divided into three smaller spaces,<br />

as well as four 25-person break-out rooms, six role-play rooms<br />

and video-conferencing facilities.<br />

The third section is the company’s office areas.The center of each<br />

floor is a common area that includes conference rooms, casual<br />

meeting areas, a pantry, mail room and lunch space. On either side<br />

of the common area are offices arranged in groups of 15-person<br />

Each office floor includes a central common area with informal<br />

meeting areas and dining space<br />

©Tom Crane Photography<br />

©Tom Crane Photography<br />

The space maximizes daylight wherever possible, both as a<br />

measure of environmental stewardship and also to create a more<br />

soothing natural atmosphere<br />

neighborhoods, as well as small group and project rooms and hoteling<br />

space.This fosters a sense of community and openness and allows<br />

fewer distractions from over crowded work areas.<br />

Additionally, transparent glass toppers on individual work spaces<br />

provide greater access to natural light across the full width of the<br />

floor.<br />

Other features used to promote calm and increase productivity<br />

were the installation of wireless technology throughout the building<br />

(promoting functionality of common areas) and the use of white<br />

noise.Two levels of white noise were included, one for the open<br />

spaces and another for private offices.The sound masking capabilities<br />

of white noise block outside noises and maintain a level of privacy<br />

between work spaces.<br />

Environmental stewardship is also a core value for Novo Nordisk<br />

and the project has been submitted for LEED Silver Certification.<br />

Sustainable strategies included:<br />

Daylight sensors/harvesting<br />

Recycling construction waste<br />

Use of sustainable, local and low VOC materials<br />

Low-flow technology in restrooms<br />

Every aspect of Novo Nordisk’s new offices is a reflection of their<br />

unique corporate and national culture. Novo was able to achieve<br />

this meaningful homage while creating a modern, technologically<br />

sophisticated, eco-friendly and comfortable environment that focusses<br />

on enhancing workplace community to achieve greater productivity<br />

and quality. <br />

W I N T E R | 2 0 0 9<br />

©Tom Crane Photography<br />

19


20<br />

Community Fabric<br />

by Katie Wells<br />

Members of <strong>Structure</strong> <strong>Tone</strong>’s Washington, DC staff, with friends<br />

andfamily,enjoyafewminutesofrelaxationandteamcamaraderie<br />

at the 2008 DCBIA Community Improvement Day<br />

<strong>Structure</strong> <strong>Tone</strong>’s Washington, DC staff participated in the District<br />

of Columbia Building Industry Association (DCBIA) Community<br />

Improvement Day. For this year’s event, over 500 volunteers<br />

from the DC construction, architecture and development<br />

On Target<br />

by Lisa Ruano<br />

The Rotational Project Engineer<br />

(RPE) group recently<br />

held their annual<br />

paintball competition with<br />

<strong>Structure</strong> <strong>Tone</strong>’s chairman, Jim<br />

Donaghy, as their leader. It is a<br />

terrific team-building event and<br />

an opportunity for all our hardworking<br />

recruits to get to know<br />

each other better.<br />

The RPE program is for entrylevel<br />

college graduates with<br />

backgrounds in electrical, mechanical<br />

and civil engineering<br />

or construction management.<br />

RPEs are initially assigned to<br />

operations, with a formal rotation<br />

of approximately one year<br />

in each major discipline, combined<br />

with both instructor-led<br />

and self-paced training via computer.<br />

The varied exposure<br />

gives RPEs a well-rounded<br />

depth of professional experience<br />

in construction management<br />

tactics and techniques.<br />

Graduate RPEs can become superintendents,<br />

estimators or<br />

project managers, and the company<br />

monitors their progress. <br />

“Every year we look forward to supporting this event,” said Des<br />

Burke,vicepresident, estimating,<strong>Structure</strong><strong>Tone</strong>.“TheDCBIA’seffort<br />

to improve local communities is very meaningful, particularly to<br />

ourfirmandourstaffasthisiswherewenotonlyworkbutliveand<br />

play as well.”<br />

community helped restore the Douglass Community Center in<br />

southeast Washington, DC.<br />

<strong>Structure</strong> <strong>Tone</strong> was responsible for creating the new entry feature<br />

and promenade. Our team was led by Des Burke, vice president<br />

of estimating and also a DCBIA Community Improvement<br />

Day board member. Des was supported by over 30 staff and stafffamily<br />

members, as well as two subcontracting friends—Walmex<br />

and Anning Johnson. In addition to contributing their time, both<br />

Walmex and Anning Johnson also donated supplies to help us<br />

complete the project.<br />

Other improvements to the Community Center included repaving<br />

basketball courts, cutting-in a new baseball field, installing a new<br />

roof and general clean up and landscaping. <br />

LtoR:MichelleVelasquez,MikeNoblin,DanMarino,Scott<br />

Menti, Tom Lagatol, Chris Ayars, Randy Pinckney, Alex Russo, Matt<br />

DiVeglio, Ben Mullen, Ryan Doyle, Mark Miller, Jim Donaghy, Basar<br />

Kazi, Scott Corneby, Marjorie Thomas, Joseph Jenkins, Greg Cahill,<br />

Brian Lopez, Erik Johnson, Matt Ritzzo, Kevin Leddy, Keith Lodge,<br />

Ricky Moore, Tim Quinlan, Bill Murphy, Danny Artiga, Kenneth<br />

Bradley, Erik Loberg and Robert Young<br />

W I N T E R | 2 0 0 9


TAG, We’re It<br />

by Chris Davis<br />

No matter the geography, no matter<br />

the location, competition is fierce in<br />

industry today. Firms continuously<br />

strive for competitive advantage and opportunities<br />

to reduce operating costs and increase<br />

efficiencies. In the apparel industry, an<br />

historically aggressive market, this is especially<br />

true.<br />

Thus, when the lease for The Apparel<br />

Group’s (TAG) distribution center in Kentucky<br />

was up for renewal, the company took<br />

the opportunity to explore options to<br />

streamline operating costs and processes.<br />

The existing model was to design in Texas,<br />

manufacture in China, and ship apparel back<br />

to the US for distribution out of Kentucky.<br />

TAGdesigns, manufactures and distributes<br />

men’s dress shirts, pants and ties for retailers<br />

such as Brooks Brothers, Nordstrom,<br />

Dillards and JC Penney—about one of every<br />

eight dress shirts sold is a TAGproduct.<br />

The result is TAG’s new North American<br />

headquarters and automated distribution<br />

center built by Constructors & Associates in<br />

Lewisville, TX. The 188,000sf facility is located<br />

on 27 acres and includes offices, a<br />

showroom, conference rooms, a lunch room,<br />

outdoor patio and locker facilities for 150<br />

employees.The designer, Alliance Architects,<br />

included amenities appropriate to the facility,<br />

such as glass ‘garage doors’ in the lunch<br />

TAG’s new 180,000sf facility has significantly enhanced<br />

productivity and efficiency<br />

room that can be opened in nice weather<br />

and carrying the industrial theme of the<br />

warehouse through to the office design. In<br />

addition, the entrance and primary views are<br />

oriented toward nearby wooded, rolling<br />

hills.<br />

Many enhancements in the new facility have<br />

significantly increased productivity and operations<br />

efficiency for TAG. A dumb-waiter<br />

moves fabric and apparel samples between<br />

design and storage. Sixteen truck docks<br />

allow for convenient off-loading and loading<br />

to the 40ft clear-height distribution area<br />

containing storage racks<br />

and an automated conveyance<br />

system that<br />

moves 50 million pieces<br />

of apparel a year. At the<br />

previous facility, distribution<br />

operations required<br />

twice the resources and<br />

time. Further, TAG<br />

looked to the future<br />

when designing and<br />

building the Lewisville<br />

complex. If needed, a<br />

second distribution cen-<br />

ter can be added easily.<br />

This state-of-the-art facility<br />

was a collaborative<br />

©John Baer/PDM Pictures<br />

TiltwallerectionforthenewTAGNorthAmericadistributioncenter<br />

W I N T E R | 2 0 0 9<br />

effort involving TAG,Alliance Architects and<br />

both our preconstruction and construction<br />

teams. Several of the design concepts were<br />

developed by Kirk Longo, vice president of<br />

supply chain for TAG. Mr. Longo envisioned<br />

the open office and modular furniture layout<br />

to take advantage of the natural light.<br />

“We had great cooperation between our<br />

staff, TAG and the design team, particularly<br />

making final design and finish selections.”—Mike<br />

Macaluso, project manager,<br />

Constructors<br />

In addition, Mike praised his field staff and<br />

subcontractors for proactively addressing<br />

the technical complexities of the job, such<br />

as the foundation work and tilt wall erection<br />

on such a large facility and demanding schedule.<br />

“Our construction team and subcontractors<br />

really did a commendable job rising<br />

to all challenges and meeting the tight schedule.We<br />

recognize the importance of speedto-market<br />

and are very proud that, through<br />

our collaborative efforts,TAGwas able to<br />

move their forces and merchandise to their<br />

new facility as planned.” <br />

21


22<br />

Dean’s List<br />

by Steve Schneider and Kristin Poulin<br />

Like the students whose academic facilities<br />

we build, each new ‘academic year’<br />

is a growth experience for us. Our academic<br />

evolution is not measured in freshman,<br />

sophomore and upperclassman years,<br />

but rather the type and size of facilities we<br />

build and the breadth of the clients we serve.<br />

No where is this more true than in our<br />

Boston office where we have experienced<br />

stronger growth in the higher education<br />

sector than in any other we serve. Most recently,<br />

we’ve been busy on the campuses of<br />

Brown, Northeastern andTufts Universities<br />

and UMass Medical School. We have been<br />

tasked with building a variety of projects including<br />

classrooms, campus centers, biomedical<br />

labs, infrastructure upgrades,<br />

libraries and faculty offices.<br />

Mastering the key challenges inherent<br />

working on active campuses has been the<br />

cornerstone of our success. Critical issues<br />

are well-thought-out safety, logistics and<br />

communications programs. The well-being<br />

and security of students, faculty and visitors<br />

is always a top priority. In addition, while<br />

working on campus we are highly sensitive<br />

to the fact that we are an extension of the<br />

school in the eyes of trustees, donors, the<br />

©2008 Richard Mandelkorn<br />

A unique curved wall is a highlight at<br />

Northeastern’s Dana Hall physics department<br />

The new physics department at Northeastern University required converting a mechanical<br />

penthouse to state-of-the-art academic office space<br />

local community and, of course, students,<br />

parents and faculty.We take the obligation<br />

to maintain each institution’s impeccable<br />

reputation very seriously. Lastly, we are<br />

often challenged with demanding schedules<br />

and are restricted to completing work during<br />

winter and summer breaks.<br />

For example, at Brown University we completed<br />

a project renovating the BioMedical<br />

Center.The project entailed 9,000sf of laboratory<br />

space for molecular pharmacology,<br />

physiology and biotechnology research.The<br />

labs—installed with N 2 ,O 2 , natural gas and<br />

H 2 O purification systems, as well as vibration<br />

free benches—required extensive electrical<br />

and mechanical work to accommodate<br />

the necessary lab equipment<br />

Bill Gaudet, Brown University project manager<br />

expressed,“the BioMedical project was<br />

a high profile undertaking, managed well and<br />

completed on time.Superintendent Jim Mulkern<br />

was fantastic and understood the complexity<br />

of building research labs.I look forward<br />

to working with <strong>Structure</strong> <strong>Tone</strong> again.”<br />

At Northeastern University, an intricate<br />

5,500sf project involved converting a mechanical<br />

penthouse at Dana Hall into office<br />

space for the physics department, incorpo-<br />

©2008 Richard Mandelkorn<br />

W I N T E R | 2 0 0 9<br />

©2008 Richard Mandelkorn<br />

rating an innovative curved wall design.The<br />

scope demanded a new exterior façade of<br />

multiple color metal panels, replacement of<br />

36 windows, a new curtain wall window system<br />

and the installation of two skylights with<br />

structural steel beam supports. With a fall<br />

construction start, an exterior weatherproof<br />

enclosure was built to protect the new<br />

skin,as well as new rooftop HVAC ductwork,<br />

from weather and temperature changes.<br />

“Thisspacewasconstructedforanewprofessor<br />

joining the Northeastern community,”<br />

said Bill Tasso, Northeastern project<br />

manager. “It had to be completed and<br />

ready to receive special research equipmentwithinatighttimeframe.<strong>Structure</strong><br />

<strong>Tone</strong>’s team was instrumental early on in<br />

the process, focusing on key issues that required<br />

extensive coordination and advanced<br />

planning to meet our deadline.”<br />

At Tufts University, we completed an infrastructure<br />

upgrade to the Mayer Campus<br />

Center. Modifications were completed to


Mayer Campus Center, Tufts University<br />

the electrical, sprinkler, and mechanical<br />

systems while the building remained<br />

Racing Ahead<br />

bySarahLembo<br />

Our Boston office team of Mike Ryan, Sheri Pelletier, Brian<br />

Lynch and Steve DeSimone joined 5,438 others for the<br />

Pan-Mass Challenge, an annual bike-a-thon benefitting the<br />

Dana Farber Cancer Institute. The ambitious four-some accomplished<br />

a two-day, 193 mile ride from Sturbridge to Provincetown,<br />

MA, raising over $20,000!<br />

“It was exhilarating,” said Sheri Pelletier, senior marketing coordinator.<br />

“When we first started training I wondered what I had gotten<br />

into. But the challenge and team spirit of our group was terrific<br />

and I wouldn’t hesitate to do it again next year.”<br />

The Pan-Massachusetts Challenge is a pioneer of the athletic<br />

fundraising industry and today raises more money for charity than<br />

any other single event in the country. Since 1980, it has raised more<br />

than $204 million for cancer research and treatment at Dana-Farber<br />

Cancer Institute through its Jimmy Fund.<br />

More than 5,500 cyclists participate and choose from seven routes<br />

of varying mileage designed to cater to all levels of cycling strength.<br />

Noted Mike Ryan, director of operations in Boston,“At <strong>Structure</strong><br />

occupied and functional.<br />

Work included the<br />

replacement of a 50ton<br />

chiller with<br />

an upsized 100-ton<br />

chiller for air-conditioning<br />

in the fourfloor<br />

building. An air<br />

handling unit was<br />

relocated from above<br />

a first-floor kitchen<br />

ceiling to a secondfloor<br />

lounge.This required<br />

chilled and<br />

hot-water piping, balancing<br />

and control<br />

systems and supply<br />

and return ductwork,<br />

all within minimal<br />

working space. Up front coordination of the<br />

chilled water piping was critical to minimize<br />

©John Baer/PDM Pictures<br />

air-conditioning downtime during installation<br />

of the new chiller.<br />

John Martignetti, Tufts trades supervisor,<br />

was pleased with the result. “We hired<br />

<strong>Structure</strong> <strong>Tone</strong> to complete a difficult infrastructure<br />

upgrade to our Campus Center<br />

as our air-conditioning systems were<br />

not adequate to accommodate Ho Tung<br />

Cafe.This project had an aggressive summer<br />

schedule requiring its completion several<br />

weeks prior to our students’ return<br />

to campus.The process and plan was well<br />

executed and safety was <strong>Structure</strong> <strong>Tone</strong>’s<br />

first priority.”<br />

Next in the pipeline for our Tufts’ team is<br />

the exterior restoration of East Hall (circa<br />

1860). Preconstruction is well underway<br />

and construction will start summer 2009.<br />

The future of our higher education sector<br />

looks bright as we kick-off 2009. We are expecting<br />

high marks and successful projects.<br />

<strong>Tone</strong> we meet challenges every day, so the Pan-Mass bike-a-thon<br />

was going to be no exception.We went for the full two-day route,<br />

almost 200 miles!” <br />

L to R: The <strong>Structure</strong> <strong>Tone</strong> 2008 Pan-Massachusetts Challenge<br />

team: Steve DeSimone, Mike Ryan, Sheri Pelletier and Brian Lynch<br />

W I N T E R | 2 0 0 9<br />

23


24<br />

New Leadership Roles<br />

We are pleased to announce the following promotions and new additions to our<br />

executive team.<br />

MikeFarrell,LEED®AP<br />

Chief Estimator<br />

<strong>Structure</strong> <strong>Tone</strong> SNJ<br />

DermidKelly,LEED®AP<br />

Vice President<br />

<strong>Structure</strong> <strong>Tone</strong> SNJ<br />

David Leitner<br />

Vice President & Ass’t<br />

Director of Operations<br />

<strong>Structure</strong> <strong>Tone</strong> NY<br />

Jim O’Halpin<br />

Director of Operations<br />

<strong>Structure</strong> <strong>Tone</strong> SNJ<br />

Leadership Notebook<br />

Brett Ponchione<br />

Director of Operations<br />

<strong>Structure</strong> <strong>Tone</strong> DC<br />

“We are continually faced by great opportunities brilliantly disguised as insoluble problems.”<br />

—Lee Iacocca, American Industrialist<br />

Walking the Line<br />

byLizClark<br />

Most people probably don’t walk 60<br />

miles in a year,let alone in three days.<br />

But,that’s the goal for participants of<br />

the Breast Cancer 3-Day ® event. Walks take<br />

place in cities across the country over a threefour<br />

month period. Dallas was one of those<br />

and, once again, intrepid Constructors staff<br />

took on the challenge to raise money for<br />

awareness, a cure and patient support.<br />

Shelley Travell and Leslie O’Rear headed the<br />

Constructors charge and Terri Cribbin also<br />

participated.The walk began with a ceremony<br />

at Southfork Ranch in Parker,TX, complete<br />

with horses, bulls and a beautiful sunrise.<br />

The first day walkers made their way through<br />

Plano, Richardson, Dallas and Murphy. Leslie<br />

remained focused: “My main concentration<br />

was just putting one foot in front of the other.<br />

I had great little chats along the trails.”<br />

The second day encompassed a 20.7-mile<br />

route that began with greetings from Santa<br />

Claus.Walkers travelled through Carrollton<br />

and Plano and enjoyed lunch at the Arbor<br />

Hills Nature Preserve. All along the route<br />

crowds gathered and showed their support.<br />

Walkers gather to cheer themselves, and the<br />

cause, at the opening ceremony<br />

On the third (and last) day, walkers left Timberglen<br />

Park for the final 17.9-mile leg of the<br />

journey. They walked through Addison and<br />

University Park before ending at Southern<br />

Methodist University.<br />

A total of $7,900,000 was raised by 3,200<br />

walkers in Dallas, including $2,460 (and two<br />

blisters) from Leslie and $9,200 (and three<br />

blisters) from Shelly.The proceeds will go to<br />

Susan G.Komen for the Cure and the National<br />

Philanthropic Trust Breast Cancer Fund. <br />

The <strong>Structure</strong> <strong>Tone</strong> Journal is a publication<br />

of the <strong>Structure</strong> <strong>Tone</strong> marketing and<br />

corporate communications department<br />

–770 Broadway, New York, NY 10003<br />

Editor<br />

RobinMalacrea<br />

robin.malacrea@structuretone.com<br />

Design & Production<br />

Sarah Lembo<br />

sarah.lembo@structuretone.com<br />

Contributors<br />

Liz Clark<br />

Chris Davis<br />

Jim Donaghy<br />

RobinDoordan<br />

Valerie Hamilton<br />

Mike Kavanagh<br />

Sarah Lembo<br />

Giovana Moreano<br />

Aliona Ortega<br />

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The <strong>Structure</strong> <strong>Tone</strong> organization includes:<br />

<strong>Structure</strong> <strong>Tone</strong> <strong>Inc</strong>.<br />

<strong>Structure</strong> <strong>Tone</strong> International<br />

Constructors & Associates<br />

Pavarini Construction Co. <strong>Inc</strong>.<br />

Pavarini McGovern LLC<br />

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© Copyright <strong>Structure</strong> <strong>Tone</strong> <strong>Inc</strong>.<br />

2009<br />

Printed on recycled paper<br />

using soy-based inks<br />

KristinPoulin<br />

Frank Renzler<br />

Lisa Ruano<br />

Alyssa Sans<br />

Laura Schneider<br />

Steve Schneider<br />

JasonVesuvio<br />

Katie Wells<br />

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