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READINGS OF GUSTAVE COURBET MARK EDWIN SOUNESS A ...

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contexts within which positivist interpretations of his work were produced and consumed.<br />

The first two chapters focus upon the Second Republic (1848-1852), a period in French<br />

history whose extreme social upheaval and violent political conflict impacted directly upon<br />

the relationship between Courbet‟s work and positivism. These chapters critically examine<br />

the two key positivist concepts of „progress‟ and „order,‟ which were articulated in<br />

commentaries about Courbet‟s work across the political spectrum. Shaped by these<br />

methodological imperatives, chapter one follows a trajectory from the extreme political left<br />

to the moderate centre. The chapter discusses three different views of Courbet‟s work<br />

formulated in the press by the engraver Pierre Hawke, the poet Max Buchon and the<br />

novelist Francis Wey. The discussion highlights the distinct character of these views and<br />

demonstrates that positivist interpretations of Courbet‟s work had a rich range of concepts<br />

at their disposal, concepts that were articulated differently according to the contrasting<br />

social implications they were perceived to have. Hawke and Buchon were left-wing radicals<br />

who condemned the prevailing capitalist bourgeois society and who sought to ameliorate<br />

the working class. Their revolutionary readings of Courbet‟s paintings sought critical<br />

leverage from the positivist assertion that social progress was driven by a sympathetic<br />

instinct inherent in the human physiology. Both readings argued that Courbet‟s work could<br />

help reform society and postulated the aesthetic power of a positivist truth expressed in the<br />

artist‟s paintings. Hawke referred to the artist‟s inspiring reaffirmation of human sympathy<br />

in the face of social decay and Buchon pointed to the artist‟s emotive exposure of the<br />

bourgeois oppression of such sympathy. Representing the political centre, Wey supported<br />

the maintenance of social order and postulated a different positivist truth expressed in<br />

Courbet‟s work: the existence of a biological order governing all living beings and<br />

physiological organisms, including humans. Wey attributed an underlying and enduring<br />

social stability to this order and, reading Courbet‟s representations of human suffering as<br />

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