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READINGS OF GUSTAVE COURBET MARK EDWIN SOUNESS A ...

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conceived, not divinely created, and that the religious threat of damnation was used by the<br />

Church and the State to perpetuate the fear of the people and maintain the privileges of<br />

controlling social sectors. Through this investigation, which includes an exploration of the<br />

impacts that the domains of biology and positivism had on each other, biology emerges as<br />

an important conceptual impetus for the positivist and anti-establishment manner in which<br />

Courbet opposed religious and mystical ideals. In his writings, the artist attacked such<br />

ideals and their oppressive effects by giving human and animal subjects equivalent status as<br />

physiological beings and by expressing a biological view of the natural circumstances in<br />

which they existed. The chapter also highlights a number of philosophical principles<br />

postulated by the artist to advance this view, principles whose positivist character has been<br />

almost entirely ignored in the existing literature on the subject: „synthesis,‟ „concretisation,‟<br />

the exercise of reason and the biological idea of „series.‟ According to Courbet‟s idea of<br />

synthesis, for example, knowledge always served social unity. Synthesis opposed<br />

„analysis,‟ the principle of specialisation characteristic of theological and metaphysical<br />

philosophies seen to disunite and divide society. In contention with the majority of existing<br />

scholarly opinion on the subject, this chapter also argues that Courbet‟s rejection of<br />

religious and mystical ideals was not part of an opposition against all forms of idealism. As<br />

the thesis reveals, this rejection was entirely consistent with the artist‟s overall positivist<br />

position, which embraced certain idealist views articulated in Proudhon‟s positivist<br />

philosophy.<br />

To what extent was Courbet‟s stance against particular forms of idealism<br />

representative of the relationship between the artist‟s work and the positivist treatment of<br />

idealism as a whole? Paradoxically, despite the positivist condemnation of religious and<br />

mystical idealism, other forms of idealism occupied central roles in positivism. Chapter five<br />

31

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