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Table of Contents Foreword 1 Daily Practice Routine 2 Preparatory Embouchure Studies (Walter Smith) 7 Cichowicz Expansion Slurs 10 Flow and Expansion Studies (James Stamp) 17 Articulation Studies (Chris Gekker) 20 Pitch Bending Exercises (James Stamp) 23 30 Expansion Studies (Harry Glantz) 24 Interval Studies (Jean-Baptiste Arban) 28 Singing/Fingering Patterns (John Schlabach) 30 Technical Studies - Three Day Rotation (Herbert L. Clarke) 32
Foreword The following daily routine is a resource which will gUide the player through a structured regimen of studies which is designed to prepare the player for a full day of playing, as well as continuously hone and improve fundamental skills. Avoid trying to play everything contained in this volume every day. In fact for moststudents, it will take some time to learn most of the studies contained within this collection. Strive at all times to produce the best possible sound. Each study should be worked with a metronome at all times. Turn the metronome on when entering the practice room, and leave it on until leaving. set the metronome to a tempo at which each study may be played with the fewest errors possible, even if that means the quarter note =40 or slower. Please note the following goals for performance. Goals for Performance • Good / Characteristic Tone Quality • Clean Attack / Note Starts o Avoid Wah-Wah's • Smooth Slurs • Move from center of pitch to center of pitch o Avoid any extra sound between the notes caused by valve issues or the lips moving at a different time than the fingers. (Think of the piano) • Strive for a homogenous tone in all registers • Good Intonation • Play exactly the right note at exactly the right time. 1
Page 1: CCM Trumpet Studio Trumpet Fundamen
Page 5: Part 3 Maintenance STILL WITH THE M
Page 8: Everyday, cover the following: Ever
Page 15: 29 37 46 Cichowicz Expansion Slurs
Page 31 and 32: Intervals 29
Page 33: 2 nd set: Descending patterns (up o
Page 48: - Fourth Study 46
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