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NATURAL ENGAGEMENTS AND ECOLOGICAL AESTHETICS ...

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I am quite ambivalent, in general, about the prospects of combining scientific with other<br />

kinds of methodologies and this goes to the heart of my differences with many other anthropo-<br />

logical approaches that focus squarely on people’s interactions with the environment. Without<br />

wishing to detract in any way from the validity, sophistication, insight, or even impact on my own<br />

research that the ethnobiological work of Bill Balée has had (see especially Balée 1989), it would<br />

be impossible to carry out parts of my own research if I were to adopt certain programmatic state-<br />

ments that guide his work. If, as Balée holds, ethnobotany is, “best regarded as a field of biocul-<br />

tural inquiry, independent of any specific paradigm, yet rooted in a scientific epistemology”<br />

(1994: 1) how can it hope to capture those native epistemologies –which are decidedly non-sci-<br />

entific– that generate that knowledge in the first place?<br />

This critique is also applicable to studies of traditional ecological knowledge (TEK) (see<br />

for example Moran 1993; Ventocilla 1995) as well as traditional resource management (e.g.,<br />

Irvine’s 1987, 1989 important work on the San José de Payamino Runa). As Alf Hornborg notes,<br />

the focus on TEK and traditional resource management is paradoxical because, “it hopes for an<br />

appropriation of local knowledge by the very modernist framework by which such knowledge is<br />

continually being eclipsed” (1996: 58, see also Nadasdy 1999: 13-14). That is, these approaches<br />

define and frame the knowledge they seek to study, thereby ignoring the fact that knowledge is<br />

not just about content but about the context in which knowing is produced. This, perhaps, is most<br />

evident in the very use of the term “resource management.” Such a term automatically assumes<br />

that locals view the forest as a resource that needs to be managed and ignores the possibilities of<br />

other kinds of interactions and conceptualizations.<br />

My interest is not in knowledge per se, but in the local generative processes that contribute<br />

to knowing and how these emerge in ecological engagement. To this extent Hornborg’s concept<br />

of ecosemiotics is fundamental to my work because it captures an important element of the way<br />

in which the Runa see ecology and it also provides a plausible framework by which the study of<br />

ecology might be situated within a western research tradition. It is my contention that native and<br />

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