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as regards the area of design and the graphic message existing<br />

in each poster. This maizes it into an innovative concept, which<br />

may be used as a model for similar museums İn the future.<br />

Thetaxonomydrawsclosertoexisting models in its treatment of<br />

representations, mobilizing conventional criteria from the field<br />

of Design as regards the study of form, which is perceived as an<br />

informational category in itself. The arguments represented in<br />

each poster allow for the creation of a new taxonomy.<br />

At present the collection contains around 40,000 posters, and<br />

is likely to increase In number. The inclusion of new posters<br />

may lead to new representations and consequently to new<br />

subjects, and so the taxonomy needs to be flexible in order to<br />

accompany the growth of the collection.<br />

If we look at Clip in the area of Design, we can see that the<br />

indexing terms are interrelated. It presents a vast list of topics,<br />

covering the whole field of Design, and thus served as an<br />

orientation tool for the construction of the taxonomy for<br />

the on-line museum, particularly as regards Design-related<br />

themes. Of the 56 preferential indexing terms, 19 were<br />

selected, and some of the headings were altered in order to<br />

adapt them to the particular needs raised by the poster.<br />

The CDU system was adopted for the classification of the<br />

posters, the Unimarc for the organization of records, and<br />

Aleph forthe cataloguing of those records in accordance with<br />

ISBN(NBM) and RPC standards. At present, the on-line poster<br />

museum is integrated Into SINBAD, which permits access to<br />

information In a structured way (although the presentation of<br />

Information in the museum is as yet provisional in character).<br />

As visits are expected from a wide range ofdifferent publics, the<br />

information may be accessed from five perspectives: 1 .History<br />

of the Poster; 2.Categories; 3.Authorship; 4.Exhibitions;<br />

and 5.0bservatlons. The information will be presented<br />

chronologically, and will cover topics ranging from history,<br />

politics and economics to Design-related subjects. It may also<br />

target more specific publics, as In the case of Categories, which<br />

is subdivided into the following main and subsidiary topics:<br />

2.1. Subject matter of posters (general topic concerned with<br />

the thematic characteristics of the poster):<br />

Performing arts posters (posters designed to advertise<br />

theatrical performances and other types of entertainment or to<br />

promote artistes without reference to any particular event).<br />

Film posters (posters for films and cinematic events).<br />

Circus posters (posters for circuses, festivals, shows, etc).<br />

Concert posters (posters for orchestras, solo instruments,<br />

vocalists and other musical performances).<br />

Sports posters (posters advertising sporting events, such as<br />

football, basketball, tennis matches, etc, or to commemorate<br />

spurring figures).<br />

Exhibition posters (posters for art exhibitions, inauguration<br />

ceremonies, trade fairs, etc).<br />

War posters (matters related to war, including military or civil<br />

support and propaganda).<br />

Books and magazines posters (posters that advertise books,<br />

magazines, newspapers, journals, etc)<br />

Educational posters (posters on education-related matters,<br />

or which instruct, educate orsensitlsethe public about specific<br />

issues).<br />

Political posters (including election campaigns, posters on<br />

social / political subjects or about environment, health, civil<br />

rights and propaganda).<br />

Protest posters (posters that comment upon or criticise social<br />

aspects, are related to propaganda or support a revolutionary<br />

movement).<br />

Rock posters (promotes concerts of rock or other kinds of<br />

popular music or musicians).<br />

Sensitization posters (posters that sensitize the public in<br />

some way, are concerned with social issues in the sense of<br />

protecring people or the cultural / natural heritage, or are<br />

related to a historical event, commemorating a political,<br />

narional or popular occasion, irrespective of subject).<br />

Souvenir posters (posters that can be purchased In specialist<br />

poster outlets, second-hand bookshops and antique shops,<br />

that are reprints or artefacts where the concept of the poster<br />

has priority over what it represents or communicates, or which<br />

are collector's Items).<br />

Theatrical posters (posters for theatre plays, singers,<br />

musicians, poetry recitals, comedy acts, burlesque, variety<br />

shows, opera, musicals, reviews, magician shows or other<br />

stage acts)<br />

Travel posters (posters promoring tourism generally, trips or<br />

means of transport, such as railways or boats).<br />

Others

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