Piccadilly Talk - Ofcom Licensing
Piccadilly Talk - Ofcom Licensing
Piccadilly Talk - Ofcom Licensing
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AN APPLICATION FOR THE MANCHESTER RADIO LICENCE
Executive Summary<br />
<br />
The application submitted by <strong>Piccadilly</strong> Radio Ltd, operators of commercial radio stations in Manchester for 32 years and<br />
a wholly-owned subsidiary of Emap plc, is for the new licence to operate an all speech service in the city.<br />
This follows extensive research and discussions on the likely development needs of Commercial Radio in the next few<br />
years. In these discussions, held by both Emap’s Radio Division and its plc management, it quickly became clear that<br />
there was an overwhelming need to add something new to existing services and with wider audience appeal.<br />
Consequently, this application reflects a well thought out determination to challenge a situation where commercial radio<br />
had a 51.1 share of all radio listening in the second quarter of 1998 and a 42.9 share in the second quarter of 2006 - despite<br />
the launch of 65 new commercial stations between those dates. It also follows a substantial investigation of the success<br />
of all speech stations in the United States, Canada and Australia.<br />
This application recognises that with the BBC’s substantial access to public funding and ability to use TV airtime worth<br />
millions of pounds on cross promotion, the levels of competition will remain intense. It also recognises that a new speech<br />
based station may not achieve the instant success that a new music service might hope for. Because of this our proposal<br />
represents a very conservative approach and although we estimate that PICCADILLY TALK will cost more than £1million<br />
a year less to operate than a free standing operation, it will have an initial loan capital of £3 million plus a reserve of a further<br />
£1 million. PICCADILLY TALK also benefits from Emap’s declared policy of standing firmly behind all subsidiary companies.<br />
Manchester is arguably the most competitive radio market in the UK after London. It is definitely the number two media city<br />
with several thousand people working in media companies. This will greatly increase with the BBC’s stated intention of<br />
moving large areas of its national operations to Salford Quays. It is the ideal centre for Commercial Radio to demonstrate<br />
a highly professional and successful operation of a new service.<br />
Ability to Maintain a New Service.<br />
Emap is one of Europe’s strongest and most innovative media companies with a great history of new product launches.<br />
In addition to the £4 million financial arrangement for PICCADILLY TALK, Emap is able to provide substantial economies<br />
by basing PICCADILLY TALK at existing ultra modern facilities at Castle Quay in the centre of Manchester, a facility which<br />
is also the headquarters for all the group’s radio operations.<br />
Catering for the Tastes and Interests of the Audience.<br />
After 32 years of operating radio services in Manchester, <strong>Piccadilly</strong> Radio Ltd has a unique knowledge of the area, its needs<br />
and aspirations. It has a large team of highly experienced management and staff eager and excited to implement the new<br />
proposals and the substantial local knowledge and financial resources to attract and retain the services of the outstanding<br />
new talent needed to ensure success.<br />
Broadening Listener Choice.<br />
Manchester already enjoys a huge range of music based stations, two of them operated by <strong>Piccadilly</strong> Radio Ltd. While it is<br />
true that there may be niches in the market, it is our commercial view that these other niches are not viable. We firmly<br />
believe that by far the best opportunity to broaden listener choice is a uniquely programmed speech station appealing at<br />
various times to all sections of the community but with a slight bias to female and older listeners.<br />
Evidence of Demand.<br />
The evidence comes in two forms – the local knowledge gained in the 32 years of successful operation in Manchester and<br />
an extensive research programme detailed in the application. The research programme faced the usual difficulties when<br />
seeking views of something entirely new. This can only be illustrated by limited clips rather than the overall feel and sound of<br />
the station. However, even a fairly moderate calculation between expressed likelihood and actuality of listening indicates a<br />
keen demand, interest and intention to sample the new service.<br />
Section 105 (A): Ability to Maintain Proposed Service 1
General Information<br />
(A) Name of Applicant, Address, Telephone and Fax Nos., E-mail address<br />
<br />
This must be a single legal entity: either a body corporate or a named individual person. If the former, a copy of the certificate<br />
of incorporation must be included with the application.<br />
<strong>Piccadilly</strong> Radio Limited<br />
Castle Quay<br />
Castlefield<br />
Manchester<br />
M15 4PR<br />
Telephone 0161 288 5000<br />
Fax 0161 288 5071<br />
E-mail clare.bostock@key103.co.uk<br />
(B) Main Contact (for public purposes)<br />
Please nominate at least one individual to deal with any press or public enquiries, stating:<br />
Name: Michelle Surrell (Managing Director)<br />
Telephone (daytime): 0161 288 5000<br />
Address: <strong>Piccadilly</strong> Radio Limited<br />
Castle Quay<br />
Castlefield<br />
Manchester<br />
M15 4PR<br />
E-mail address: michelle.surrell@key103.co.uk<br />
(C) Proposed Station Name (if decided)<br />
PICCADILLY TALK<br />
(D) Main Contact (for <strong>Ofcom</strong> purposes)<br />
Please nominate one individual to whom questions of clarification and/or amplification<br />
should be sent, stating:<br />
Name: Michelle Surrell (Managing Director)<br />
Telephone (daytime): 0161 288 5000<br />
Address: <strong>Piccadilly</strong> Radio Limited<br />
Castle Quay<br />
Castlefield<br />
Manchester<br />
M15 4PR<br />
E-mail address: michelle.surrell@key103.co.uk<br />
This information must be submitted in confidence, separately from the other responses in this section.<br />
Section 105 (A): Ability to Maintain Proposed Service 2
SECTION 105 (A)<br />
Ability to Maintain Proposed Service<br />
<br />
Section 105 (A): Ability to Maintain Proposed Service 3
SECTION 105 (A)<br />
Ability to Maintain Proposed Service<br />
<br />
<br />
1. Ownership and control of company which will Operate the licence<br />
(A) Board of Directors<br />
I) Provide the name, occupation, other directorships, other media interests, background and relevant<br />
media experience of each director (executive and non-executive), including the proposed chairperson<br />
Mike Unger (Chairman), Non-Executive Director<br />
Mike was for 14 years the award-winning editor of the Manchester Evening News during which time he won national<br />
awards including Editor of the Year, Newspaper of the Year and Campaigning Newspaper of the Year. Before that he was<br />
also editor of the Liverpool Echo and the Daily Post, Liverpool - together the three main newspapers in the North West.<br />
He has also been General Manager of the Salford based JazzFM radio station and was a member of the Broadcasting<br />
Standards Commission.<br />
Mike has been a management consultant since 1997 specialising in communications and the media. His clients have<br />
included the Chrysalis radio group, Granada TV, Marks and Spencer, the Unique Communications Group and the Press<br />
Association. He has also done a considerable amount of training and consultancy abroad, particularly in Commonwealth<br />
countries such as Trinidad and Tobago, Jamaica and South Africa.<br />
He was the founder chairman of the North West Arts Board, a director of the Royal Exchange Theatre and a trustee of the<br />
Manchester Science and Industry museum.<br />
While editor of the Manchester Evening News he was also a member of the Guardian Media Group plc main board and a<br />
member of the Scott Trust, owners of the group. He was instrumental in bringing Broadcast Communications into the group,<br />
a television programme producer that is now Endemol UK producing among many other programmes, Big Brother.<br />
Mike has been Chief Executive of The Roy Castle Lung Cancer Foundation since September 2002. He had previously been<br />
a Trustee.<br />
He has been a Director of <strong>Piccadilly</strong> Radio for three years.<br />
Section 105 (A): Ability to Maintain Proposed Service<br />
4
Alistair Mackintosh, Non-Executive Director<br />
Alistair Mackintosh is the 36 year old Chief Executive of Manchester City Football Club.<br />
<br />
A proud Mancunian, Alistair began his working life qualifying as a Chartered Accountant with Price Waterhouse in their<br />
London and Stockholm offices. After four years with Price Waterhouse, Alistair moved to work with Sony, based in the<br />
City of London.<br />
In 1998 Alistair had the opportunity to return to Manchester when he became the Financial Controller at Manchester City.<br />
In 1999 he became the Club’s youngest Director and he retained the position of Finance Director until 2002 when he was<br />
promoted to Managing Director. Alistair remains the sole Executive Director at the Club and became Chief Executive from<br />
1st August 2004.<br />
Recent projects include the delivery and operation of the new City of Manchester Stadium, the kit, naming rights and<br />
securitisation deals and the record breaking sponsorship with Thomas Cook.<br />
The Club’s strategy is to participate in every aspect of Manchester life, ranging from work with Halle Orchestra through to<br />
involvement with the Manchester Pride event. The Club recently hosted concerts by Oasis, U2, Bon Jovi, Red Hot Chili<br />
Peppers and Take That.<br />
Alistair appointed football’s first Corporate Social Responsibility Manager and the Club proudly realised a “Blue:Print” for<br />
development within the Manchester community over five years with the following seven themes: Football, Health, Education<br />
and Life-long learning, Social Inclusion, Sustained Environments, Crime, Drugs and Prejudice, Quality Management.<br />
Alistair is also a trustee of Manchester Kids charity and a Director of the organisation responsible for running Leisure<br />
Centres throughout Manchester.<br />
He has been a Director of <strong>Piccadilly</strong> Radio for four years.<br />
Mike Dyble, Non-Executive Director<br />
Mike Dyble has spent all his business career in advertising and marketing, first of all working for a major advertising agency<br />
in Liverpool before moving to Manchester to join the mail order division of Great Universal Stores. From there he joined<br />
Manchester’s leading advertising agency where he became Director of Marketing and the youngest main board member.<br />
He left in 1964, along with three colleagues, to form their own Agency, Bowden Dyble and Hayes Ltd.<br />
Over the years BDH became one of the most successful and largest agencies in the UK with a turnover in excess of £75<br />
million and a staff of over 150, winning many national and international creative and marketing awards in the process.<br />
The Agency was sold to publicly quoted GGT in 1988. In 1991 Mike resigned as Chairman and joined Manchester’s 1996<br />
and 2000 Olympic Bid team as head of international marketing, and continued in the role until 1995 with the successful<br />
nomination of Manchester as the Host City for the 2002 XV111 Commonwealth Games. During the Games themselves Mike<br />
was the Attaché for both New Zealand and Mauritius.<br />
For over 12 years Mike has been a Trustee of the award winning Museum of Science and Industry in Manchester and he is<br />
Chairman of the Museum’s Trading Company, responsible for all commercial activity.<br />
A Fellow of the Chartered Institute of Marketing, Mike is President of the Manchester Branch.<br />
Mike became a director of Key 103 in 1996 and the Chairman for three and a half years. He is Chairman of the Station’s<br />
successful Charity, Manchester Kids.<br />
Section 105 (A): Ability to Maintain Proposed Service 5
Michelle Surrell (Managing Director), Executive Director<br />
<br />
Michelle’s career began as a Sales Executive with Thompson Regional Newspapers. Her two years there were enough to<br />
convince her that a sales career was definitely the way forward so she joined the TFM radio sales team in Stockton, working<br />
with both local and agency clients across the North East.<br />
Michelle moved to Hallam FM in Sheffield as Sales Manager, became Sales Director and then moved across the Pennines<br />
to Red Rose Radio as Managing Director. During her four years there, the station saw extensive growth in both audience<br />
and revenue.<br />
In 2000, Michelle was given the opportunity to lead the Big City network – leading the 16 FM and AM stations across the<br />
North of England. This was a particularly interesting and challenging role and one that she relished for four years.<br />
After taking a short career break, Michelle took on a completely different project – driving the interactive strategy across<br />
Big City. Again, this delivered good revenue strategy and is a project she continues to drive today, in addition to her current<br />
role as Regional Managing Director of the North West Big City stations.<br />
Gary Stein (Programme Director), Executive Director<br />
Gary started his broadcasting career in Scotland at both Northsound Radio and Radio Clyde, both part of the former SRH<br />
group, stations now part of the emap group. While IT and Computer programming had been his chosen career path at<br />
university, an opportunity came up to present on the local station Northsound, which led to him taking over the job of<br />
programming the station in 1995. This led to the station’s highest ever recorded audience figures with a record 48%<br />
weekly reach.<br />
While working at Northsound, Gary was approached by Grampian Television, where he worked on several cross media<br />
ventures including the successful ‘We the Jury’. This was a weekly courtroom style ‘live’ show exploring some of the most<br />
relevant issues to viewers across the region. This was then continued in the form of a talk show on the local radio station<br />
with Gary presenting the debate on both television and radio.<br />
Gary was approached by Scotland’s biggest commercial station Radio Clyde in 2000, and made the move back to his<br />
hometown of Glasgow to take up the position of Programme Controller for Clyde 1, in addition to presenting the mid<br />
morning show on the station. While other commercial stations were cutting back on social and news content, Gary<br />
continued to put this right at the heart of what Radio Clyde stood for, and the station’s strong bonds with the community<br />
were maintained in the face of many new start ups.<br />
With family in Manchester, Gary seized an opportunity to move back to the North West in 2002 taking on a senior role with<br />
Forever Broadcasting and helping to implement a strategy across the group’s stations to reposition and make the stations<br />
more profitable through increased audience.<br />
Over the last 3 years Gary has been working with emap, first as Programme Director at Hallam FM in Sheffield, and now<br />
with Key 103 and Magic 1152 in Manchester. Gary continues to be heavily involved in various group projects within the<br />
business including web, interactive and creative forums.<br />
Section 105 (A): Ability to Maintain Proposed Service 6
John Pickford (Head of News and Sport) Executive Director<br />
<br />
Head of News and Sport for Key 103 and Magic 1152 Manchester. Manchester born and bred – he has worked as a journalist<br />
in the city for the past 30 years and now heads one of the most successful news and sport teams in the country.<br />
John trained as a newspaper journalist and wrote for the Newcastle Evening Chronicle and the Stockport Express. He joined<br />
<strong>Piccadilly</strong> Radio 26 years ago as a news reporter, before eventually becoming Head of News and Sport.<br />
He personally covered many of the big breaking stories in Manchester, including the Moss Side and Strangeways riots, the<br />
Tenerife and Manchester air disasters, the Warrington and Manchester bomb outrages, the Harold Shipman case and<br />
Manchester United’s famous triumphs.<br />
John and his team have been recognised three years in a row at the prestigious Sony Awards, and a number of New York<br />
Gold awards line the newsroom shelves. Last year they beat every other commercial station in the country to the CRCA<br />
News Award, for their campaigning journalism.<br />
This year John was presented with the Regional Public Health Director’s Special Award for leading campaigns such as<br />
“Beat the Bugs” and “Safer Sex”, which have significantly raised awareness of health issues in Manchester.<br />
John helps trains journalists within Emap and also at the various broadcast journalism colleges across the country. He has<br />
been a member of the Broadcast Journalism Training Council, helping to bring up to date their standards for accredited<br />
courses. He is a member of the University of Central Lancashire Journalism Industry Advisory Board and is a member of<br />
the panel interviewing new recruits to the course.<br />
Tracy Eastwood (Commercial Director), Executive Director<br />
Born and bred in Yorkshire, Tracy’s career started in banking and progressed through to finance and insurance development<br />
within the motor trade. During her ten years within the business to business fleet management arena with Ford, rose fleet<br />
sales executive to fleet and business development manager of a Ford main dealership.<br />
In 1994 Tracy was tempted away from the motor industry to Radio and started her radio career with the Metro Radio Group<br />
joining the team in West Yorkshire selling radio advertising and creative ideas to local clients.<br />
Three years later in 1997 the opportunity with Emap to lead the North West regional team presented itself and Tracy’s career<br />
brought her to the Northwest based at Key 103 developing radio advertising for regional brands.<br />
Over the last nine years with Emap Tracy has progressed through Sales Manager and Sales Director of the North West<br />
regional operation, Commercial Director of Radio Aire and Magic 828 to her current position back in Manchester as<br />
Commercial Director of Key 103 and Magic 1152.<br />
Section 105 (A): Ability to Maintain Proposed Service 7
II) If there are firm plans to appoint any further directors, provide information (with details of any specific individuals in mind).<br />
This information may be submitted in confidence.<br />
Not applicable.<br />
(B) Proposed Investors and Shareholding Structure<br />
Full details of the proposed shareholding structure should be provided, including:<br />
I) Names and addresses (the latter may be submitted in confidence) of all existing or proposed shareholders.<br />
<strong>Piccadilly</strong> Radio Limited is a wholly owned subsidiary of Emap Radio Limited. PICCADILLY TALK will be financed by an<br />
interest free loan of £3 million from Emap Radio with a further £1 million in reserve.<br />
Registered office:<br />
<strong>Piccadilly</strong> Radio Limited<br />
40 Bernard Street<br />
London<br />
WC1N 1LW<br />
II) Total number, class/classes of shares and issue price of shares (specify voting, non-voting, preference, other etc.).<br />
Not applicable<br />
III) All voting shareholders and holders of 5% or more of non-voting shares and loan stock should be named. State the number,<br />
class/classes and price of shares to be issued to each investor.<br />
<strong>Piccadilly</strong> Radio Limited is a wholly owned subsidiary of Emap Radio Limited.<br />
IV) Outline any shareholders agreements or arrangements which exist.<br />
Not applicable.<br />
V) Where a corporate body other than a current <strong>Ofcom</strong> licensee will be providing 30% or more of the required funding,<br />
details should be given of its directors and main shareholders, and of its activities.<br />
Emap Radio Limited is a current <strong>Ofcom</strong> licensee.<br />
VI) <strong>Ofcom</strong> may request additional information (e.g. a banker’s letter, statutory/management accounts) regarding the shareholders,<br />
or any other providers of finance, listed in the application.<br />
Any required details will be provided on request.<br />
Section 105 (A): Ability to Maintain Proposed Service 8
(C) Involvement of the Applicant in Specified Activities<br />
<br />
Details are required of the involvement by the applicant and its participants (including shareholders or other subscribers of<br />
more than 5% of the applicant’s total funding requirements) in any of the activities listed below, and the extent of the<br />
interest. For these purposes, the applicant includes associates of the applicant (i.e. directors and their associates and<br />
other group companies).<br />
I) Advertising agencies;<br />
None<br />
II) Newspapers;<br />
None<br />
III) Other broadcasting interests;<br />
Emap Radio Limited owns 100% of the shares in the following companies:<br />
Emap Digital Radio Limited<br />
Emap Metro Limited<br />
Emap Pop Limited<br />
Kerrang! Radio (West Midlands) Limited<br />
Kiss FM Radio Limited<br />
Magic 105.4 Limited<br />
Metro Radio Limited<br />
<strong>Piccadilly</strong> Radio Limited<br />
Radio Aire Limited<br />
Radio City (Sound of Merseyside) Limited<br />
Radio Hallam Limited<br />
Red Rose Radio Limited<br />
Solent Radio limited<br />
Scottish Radio Holdings Limited<br />
TFM Radio Limited<br />
Viking Radio Limited<br />
Emap Radio Limited owns 50% of the shares in CE Digital Limited<br />
Emap Radio Limited owns 24% shares of Edinburgh Radio Limited<br />
IV) Bodies whose objects are wholly or mainly of a religious nature;<br />
None<br />
V) Bodies whose objects are wholly or mainly of a political nature;<br />
None<br />
VI) Local authorities;<br />
None<br />
VII) Other publicly-funded bodies.<br />
None<br />
*Applicants should note that this information is required for the purposes of checking compliance with the ownership rules,<br />
and is not relevant to an applicant’s ability to maintain its proposed service. If none of the categories above apply to the<br />
application this should be clearly stated.<br />
Section 105 (A): Ability to Maintain Proposed Service 9
2. Financial and Business Plan<br />
(A) Overall Financial Strategy<br />
<br />
Provide a concise summary of how the applicant considers it is able to establish and maintain, throughout the licence period,<br />
its proposed service, and how this licence fits in with the investors’ strategy.<br />
The PICCADILLY TALK licence application has been created out of our team identifying a highly attractive opportunity in the<br />
market, and using our research insight and radio expertise to create a unique and engaging radio proposition to exploit.<br />
We are confident of attracting significant revenues, both from new and existing clients and new market opportunities.<br />
Our heritage of broadcasting to Manchester over the last 32 years, and the brand equity ‘ PICCADILLY TALK’ will be able to<br />
leverage are key assets. As will the deep rooted relationships we have created with community, city and commercial<br />
partners – many of whom have supported us through this application.<br />
Our thorough audience projections and realistic sales expectations have enabled us to produce a business plan that shows<br />
a station that is able to break even in Year three. We forecast that 50 percent of total revenues will be delivered from our<br />
National Advertising team in London, which recognises the profile we would expect the station to achieve, and the<br />
cosmopolitan feel the station will create, connecting seamlessly with the core target groups.<br />
Due to the highly competitive market, and the cosmopolitan nature of Manchester and its surrounding area, we have<br />
budgeted for a higher than average level of programming investment for a station of this potential size. We feel justified<br />
in doing that, in order to satisfy the demands of the target consumer. The fact that we are able to maximise the infrastructure<br />
of Key 103 and Magic 1152, has enabled us to make this investment decision, and one we feel justified in doing in order<br />
that we can create the most desirable radio station for advertisers and listeners alike.<br />
“ A cosmopolitan city such as Manchester could definitely benefit from<br />
an entertaining, compelling and informative speech based radio station.<br />
Manchester is well served by music stations but apart from BBC<br />
Radio Manchester there is nothing else to chose from if you’re after<br />
speech radio. ”<br />
DOMINIC WOOLFE - COI GROUP ACCOUNT DIRECTOR, STARCOM<br />
Section 105 (A): Ability to Maintain Proposed Service 10
YEAR 1 YEAR 2 YEAR 3 YEAR 4 YEAR 5<br />
Population 1,450 1,450 1,450 1,450 1,450<br />
Weekly Reach (000) 51 68 102 112 124<br />
Weekly Reach % 3.5% 4.7% 7.1% 7.8% 8.5%<br />
Average Hours 5.0 7.0 9.0 9.0 9.0<br />
Total Hours 256 477 920 1,012 1,114<br />
Average Spot Audience<br />
(assumed audience/hrs 12.00-06.00 immaterial)<br />
2.0 3.8 7.3 8.0 8.8<br />
Saleable Hours 18.0 18.0 18.0 18.0 18.0<br />
Average Hourly Minutage 4.0 6.5 8.1 8.3 8.5<br />
% Sold per Hour<br />
(based on 9 minutes per hour)<br />
44.4% 72.2% 90.0% 92.6% 94.5%<br />
Total Spots Sold per Annum 52,507 85,384 106,434 109,450 111,744<br />
% Sold Locally 50.5% 45.0% 40.0% 40.0% 40.0%<br />
% Sold Nationally 50.0% 55.0% 60.0% 60.0% 60.0%<br />
Local Cost per Thousand 2.46 1.76 1.80 1.83 1.87<br />
National Cost per Thousand 1.34 1.68 1.71 1.75 1.78<br />
Local Spot Rate 5.0 6.7 13.1 14.7 16.5<br />
National Spot Rate 2.7 6.4 12.5 14.0 15.8<br />
Local Revenue (gross) 131,269 256,413 558,893 644,845 738,682<br />
% of Local Revenue subject to Agency Comm. 10% 10% 10% 10% 10%<br />
Agency Commission 1,969 3,846 8,383 9,673 11,080<br />
Net Local Revenue 129,300 252,567 550,509 635,172 727,602<br />
National Revenue 71,594 298,809 799,324 922,253 1,056,458<br />
Agency Commission 10,739 44,821 119,899 138,338 158,469<br />
Net Rational Revenue 60,855 253,987 679,426 783,915 897,989<br />
<br />
Total Net Revenue 190,154 506,554 1,229,935 1,419,087 1,625,591<br />
Total Gross Revenue 202,862 555,222 1,358,217 1,567,097 1,795,140<br />
Gross Airtime 202,862 555,222 1,358,217 1,567,097 1,795,140<br />
Gross S&P 100,000 135,000 180,000 200,000 220,000<br />
Creative 22,930 45,257 90,051 104,517 114,760<br />
Total Station Gross Revenue 325,792 735,478 1,628,268 1,871,615 2,129,900<br />
Gross Revenue 203 555 1,358 1,567 1,795<br />
Discounts/Commissions 13 49 128 1,419 1,626<br />
Net Revenue 190 507 1,230 1,419 1,626<br />
Section 105 (A): Ability to Maintain Proposed Service 11
Arrangements for the Sale of National Advertising<br />
<br />
Emap Advertising will manage the sales for PICCADILLY TALK– they are the national sales point for all Emap Radio Brands.<br />
With almost 100 people dedicated to radio sales across three offices in London, Manchester and Glasgow, this team<br />
combines experience from many different media sales and agency backgrounds such as Channel 4, BBJ, Carat, Mindshare,<br />
and National Press<br />
The most significant factors in national advertising revenue are the existing arrangements and strong relationships between<br />
Emap Advertising and the major advertising agencies. These arrangements are renewed every 12 months on a rolling<br />
basis. They guarantee a minimum percentage share of the agencies total spend on radio and PICCADILLY TALK will be<br />
worked into these arrangements. Emap Advertising is well established as one of the leading sales houses for UK radio<br />
and won both the Media Week Sales Team of the Year and Radio Sales Team of the Year in 2005.<br />
Emap Advertising conducted informal interviews to hear the views of key agency personnel in major advertising agencies<br />
and their comments can be seen throughout the application document.<br />
Arrangements for the Sale of Local Advertising<br />
Key 103 and Magic 1152 are currently sold by a dedicated local sales team made up of six field sales executives, a sales<br />
director and a support network of three sales support, sponsorship and promotions implementers and two creative writers.<br />
We believe from our research detailed below that there are opportunities to grow radio revenue to PICCADILLY TALK from<br />
both the existing advertisers of Key 103 and Magic 1152 but more so from new categories and businesses who would be<br />
super served by the PICCADILLY TALK format. As a direct result of the research findings we will appoint a dedicated Sales<br />
Manager plus two Sales Executives to focus specifically on the development of new advertisers and new categories of<br />
business whilst being experts in the product and how we can hep local advertisers to build their business by running<br />
effective radio campaigns. The existing support team of Key 103 and Magic 1152 will offer expertise in S&P, creative<br />
services and planning along with the seamless implementation of innovative new ideas to the PICCADILLY TALK format.<br />
Research of our existing advertisers showed us that 45% of those interviewed agreed that they would consider using<br />
PICCADILLY TALK if the application was successful showing that there are considerable opportunities to add PICCADILLY<br />
TALK to grow existing clients current radio spend.<br />
Key 103 and Magic 1152’s strong ties and relationships with the Public Sector bodies within Greater Manchester has always<br />
added a depth of content and opportunity to both stations. The opportunity that exists within these relationships for<br />
PICCADILLY TALK is wider and deeper again. The partnership of PICCADILLY TALK and all areas of Public Sector will bring<br />
with it the ability to expand on important issues for Manchester and the communities within it. This will be done by inviting<br />
interaction and ensuring accurate and fair debate whilst growing support and investment from both public sector areas<br />
and businesses relying on exposure to and the growth of communities in Manchester.<br />
“ Increased consumer choice in the commercial radio market place is<br />
something that we would actively encourage. A content based radio<br />
station in Manchester I think would prove very successful in such a<br />
dynamic city and would definitely be appealing to a number of our clients.<br />
MANDY FOWLER - HEAD OF RADIO, ZENITHOPTIMEDIA<br />
”<br />
Section 105 (A): Ability to Maintain Proposed Service 12
PICCADILLY TALK will attract new advertisers to radio by capitalising on the specialist programmes within the format to<br />
attract new categories that have historically favoured local press or TV Categories within Gtr Manchester advertising<br />
within Manchester Evening News Aug 05 to Jul 06.<br />
TOTAL 23,674,787<br />
70 Recruitment Classified 6,927,437<br />
26 Motors 3,219,434<br />
30 Retail 2,585,799<br />
28 Travel and Sport 1,821,382<br />
22 Entertainment and The Media 1,714,666<br />
38 Government, Social, Political Organisations 1,451,566<br />
16 Household Equipment 1,180535<br />
04 Drink 1,099,754<br />
95 Miscellaneous 834,619<br />
34 Property 768,797<br />
36 Finance 490,893<br />
Categories within Gtr Manchester advertising on TV Aug 05 to Jul 06.<br />
MANCHESTER EVENING NEWS<br />
TV - ITV Granada<br />
TOTAL 165,021,944<br />
30 Retail 32,481,253<br />
22 Entertainment and The Media 18,855,365<br />
36 Finance 17,355,652<br />
02 Food 16,016,589<br />
26 Motors 15,310,890<br />
08 Cosmetics and Toiletries 12,319,487<br />
04 Drink 7,871,288<br />
18 Household Stores 7,697,629<br />
66 Telecomms 7,565,597<br />
10 Pharmeceticals 5,884,972<br />
The following table shows a cross section of categories advertising on speech formats within other markets and demonstrates<br />
the opportunity to expand into new revenue categories within the Manchester marketplace.<br />
TOTAL LBC 97.3 (LONDON) TALK SPORT AM<br />
TOTAL 43,344,664 5,776,667 37,567,997<br />
26 Motors 7,804,775 607,405 7,197,370<br />
22 Entertainment and The Media 6,829,677 643,882 6,185,795<br />
36 Finance 6,774,038 530,964 6,243,074<br />
66 Telecomms 6,52,730 496,736 3,155,994<br />
38 Government, Social, Political Organisations 3,612,050 691,525 3,920,525<br />
30 Retail 2,682,663 415.310 2,267,353<br />
44 Business and Industrial 2,284,227 731.842 1,552,385<br />
50 Computers 1,679,088 274,950 1,404,138<br />
28 Travel and Transport 1,303,188 407,481 895,707<br />
02 Food 1,103,731 55,493 1,048,238<br />
Section 105 (A): Ability to Maintain Proposed Service 13
YEAR 1<br />
£’000<br />
YEAR 2<br />
£’000<br />
YEAR 3<br />
£’000<br />
YEAR 4<br />
£’000<br />
Sponsorship 15 20 27 30 33<br />
Promotions & Other 85 115 153 170 187<br />
NATIONAL<br />
100 135 180 200 220<br />
<br />
YEAR 5<br />
£’000<br />
YEAR 1 YEAR 2 YEAR 3 YEAR 4 YEAR 5<br />
Sponsorship 7,500 10,125 13,500 15,000 16,500<br />
Promotions 7,500 10,125 13,500 15,000 16,500<br />
Total National S&P 15,000 20,250 27,000 30,000 33,000<br />
% sold locally 85.0% 85.0% 85.0% 85.0% 85.0%<br />
% sold nationally 15.0% 15.0% 15.0% 15.0% 15.0%<br />
LOCAL<br />
Sponsorship 42,500 57,375 76,500 85,000 93,500<br />
Promotions 42,500 57,375 76,500 85,000 93,500<br />
Total Local S&P 85,000 114,750 153,000 170,000 187,000<br />
Total S&P 100,000 135,000 180,000 200,000 220,000<br />
We expect 85% of sponsorship and promotions revenue to be generated from local advertisers.<br />
The programming format of PICCADILLY TALK will open up a highly targeted and exciting range of sponsorship opportunities<br />
for local clients. In advance of the station launch the team will focus on pre selling the key sponsorships to underpin local<br />
revenue. The existing team and infrastructure at Key 103 will allow us to be present in the market quickly and deliver a<br />
high level of service from the outset.<br />
Promotions on PICCADILLY TALK that can go beyond the commercial break and form a relevant and engaging relationship<br />
between the listener, the station and the client will deliver campaigns that work hard and deliver results for all three<br />
stakeholders.<br />
YEAR 1<br />
£’000<br />
YEAR 2<br />
£’000<br />
YEAR 3<br />
£’000<br />
YEAR 4<br />
£’000<br />
Creative Services 13 25 55 64 73<br />
IRN 5 10 15 16 17<br />
Web & Text 5 10 20 25 25<br />
based on 10% of Net Local Revenue<br />
YEAR 5<br />
£’000<br />
23 45 90 105 115<br />
Creative Services will be provided by the award winning Creative Team at Key 103 and will generate additional revenue<br />
stream for PICCADILLY TALK.<br />
“ I am all for speech based stations and although we have seen some<br />
failures, for example in Edinburgh, I feel a magazine style format would<br />
resonate well with audiences in Manchester. ”<br />
CRAIG ROBINSON, HEAD OF UNILEVER RADIO<br />
Section 105 (A): Ability to Maintain Proposed Service 14
(B) Funding<br />
Detail the sources of finance that will be used to fund the licence, under the following headings:<br />
I) Share capital<br />
Nil<br />
II) Loan stock<br />
Nil<br />
III) Leasing/HP facilities (capital value)<br />
Nil<br />
IV) Bank overdraft<br />
Nil<br />
V) Grants and donations<br />
Nil<br />
VI) Other (please specify)<br />
Intercompany loan from Emap plc of £3,000,000.<br />
<br />
PICCADILLY TALK will be wholly-owned by <strong>Piccadilly</strong> Radio Ltd which is a wholly-owned subsidiary of Emap plc. Emap<br />
plc unconditionally guarantees that it will provide all the initial capital and future funding required to launch, maintain<br />
and develop the station throughout the licence period.<br />
Where relevant, provide information on:<br />
I) Loan terms (e.g. interest rate, repayment terms, redemption/conversion terms);<br />
Not applicable.<br />
II) Assets leased.<br />
Not applicable.<br />
All of the funding identified above should be confirmed to the applicant. Explanation should be provided if this is not the case.<br />
Capital expenditure (including capital value of leases) 340,690<br />
Other pre-operational expenditure 276,905<br />
Working capital (at on-air date) 2,382,405<br />
£ £<br />
Total 3,000,000<br />
Section 105 (A): Ability to Maintain Proposed Service 15
(C) Financial Projections<br />
<br />
The purpose of this question is to allow the applicant to demonstrate its understanding of the market. The forecasts should<br />
be based on reasonable assumptions, that are logically applied and justifiable.<br />
The applicant should provide financial projections on an annual basis for the licence. The projections must include:<br />
I) Profit and loss accounts<br />
II) Balance sheets<br />
III) Cash-flow forecasts<br />
The period covered is at the discretion of the applicant, but should be justified. The forecasts should be supplied on an Excel<br />
spreadsheet or similar, with any accompanying guidance notes. The applicant must also complete and submit the spreadsheet<br />
entitled “Financial Template” located at: http://www.<strong>Ofcom</strong>.org.uk/radio/ifi/rbl/car/lapr/ftap.xls using information from its<br />
business model.<br />
This section must include a full listing of the underlying assumptions on which the financial projections are based, relating<br />
such assumptions clearly to other parts of the application (e.g. proposed format, extent of coverage area).<br />
The applicant should detail how revenue figures were derived, distinguishing between local, national and sponsorship revenue.<br />
The response to this question may be submitted in confidence.<br />
Please see Appendix 3 (A-C).<br />
“ Our clients are continually asking for new programming formats to tap<br />
into and often refer to the lack of opportunities away from music in<br />
radio. A speech based format in Manchester would offer this. From<br />
a commercial point of view it would aid the battle against the BBC<br />
especially if Emap utilised their content from their magazine portfolio<br />
which make for refreshing celebrity news. ”<br />
MATT LANDEMAN, HEAD OF RADIO, CARAT<br />
Section 105 (A): Ability to Maintain Proposed Service 16
(D) Audience Projections<br />
Provide the following information:<br />
<br />
I) The projected adult (aged 15+) population of the Total Survey Area (TSA) within which it is intended to measure the listenership<br />
of the service;<br />
The projected adult population of the TSA.<br />
II) Projections for listenership ratings (e.g. weekly reach, average weekly hours of listening) over the first three years of the<br />
service, with detailed demographic breakdowns as appropriate;<br />
Projections for listenership ratings.<br />
Our audience projections which support this application have been based on our extensive external research which identifies<br />
a core audience who are ‘likely’ or ‘very likely’ to listen to this service. They also take into account the complexities of this<br />
market, and the high volume of competition that currently exists. Speech based radio formats attract a loyal audience, and<br />
by the very nature of such a loyal audience, it is a slower build. This projection recognises the reality of that situation in its<br />
modest average hours forecast.<br />
TSA POP ’000’S RESEARCH RESULTS LISTENERS PER RESEARCH RESULTS<br />
AGE MANCHESTER VERY LIKELY<br />
TO LISTEN<br />
QUITE LIKELY<br />
TO LISTEN<br />
TOTAL<br />
LIKELY<br />
VERY LIKELY<br />
TO LISTEN<br />
QUITE LIKELY<br />
TO LISTEN<br />
TOTAL<br />
LIKELY<br />
15-24 232,000 10% 40% 50% 23,200 92,800 116,000<br />
25-34 232,000 12% 49% 61% 27,840 113,680 141,520<br />
35-44 275,500 12% 49% 61% 33,060 134,995 168,055<br />
45-54 217,500 20% 47% 67% 43,500 102,225 145,725<br />
55-64 217,500 17% 42% 59% 36,975 91,350 128,325<br />
65+ 275,000 11% 39% 50% 30,305 107,445 137,750<br />
TOTAL 1,450,000 13% 44% 58% 194,880 642,495 83,375<br />
000’S ASSUMED RESULT<br />
YEAR 1<br />
ASSUMED RESULT<br />
YEAR 2<br />
ASSUMED RESULT<br />
YEAR 3<br />
AGE VERY LIKELY QUITE LIKELY VERY LIKELY QUITE LIKELY VERY LIKELY QUITE LIKELY<br />
% of +ve respondents assumed<br />
to listen<br />
12.5% 4.2% 16.7% 5.6% 25.0% 8.3%<br />
15-24 2,900 3,867 3,867 5,156 5,800 7,733<br />
25-34 3,480 4,737 4,640 6,316 6,960 9,473<br />
35-44 4,133 5,625 5,510 7,500 8,265 11,250<br />
45-54 5,438 4,259 7,250 5,679 10,875 8,519<br />
55-64 4,622 3,806 6,163 5,075 9,244 7,613<br />
65+ 3,788 4,477 5,051 5,969 7,576 8,954<br />
TOTAL AUDIENCE<br />
24.360 26,771 32,480 35,694 48,720 53,541<br />
51,131 68,175 102,261<br />
REACH 3.5% 4.7% 7.1%<br />
ASSUMPTIONS<br />
1 in 8 “very likely” respondents listen 1 in 6 “very likely” respondents listen 1 in 4 “very likely” respondents listen<br />
“Quite likely” response rate 1/3 of “very likely” response in each year<br />
Section 105 (A): Ability to Maintain Proposed Service 17
III) The expected impact of the proposed service on existing services, in listenership terms;<br />
<br />
Following our research we expect the proposed new service to have a significant impact on existing commercial and BBC<br />
services, with 58% of adults ‘very’ or ‘quite’ likely to listen to our proposed speech format. 8 out of 10 of the surveyed<br />
population think the station is a good idea, with over 30% stating that it is a ‘very good’ idea.<br />
Over 55% of total respondents, and over 50% of GMR and 5 Live listeners said they would listen to the radio more, with 44%<br />
of current GMR listeners saying that they would ‘listen to an existing station less’. When probed further 80% of BBC Radio<br />
Manchester listeners and 72% of Five Live listeners surveyed said they would tune into the proposed new service.<br />
In particular, the format had high appeal within the 25-64 year old demographic.62% of respondents within this group<br />
suggested they would be ‘very’ or ‘quite’ likely to listen to the new station. The over 45 demographic did not have an<br />
overwhelming conclusion about which stations in the TSA currently target them. Indeed, Smooth, BBC Manchester, Five<br />
Live and <strong>Talk</strong>Sport all recorded a lower than 20% figure when asked if each station was ‘aimed mainly at me’. This provides<br />
a target rich environment for the new service, and our demographic profile breakdown of audience projection reflects that.<br />
We also gained a great deal of insight into how we might differentiate the product to attract the highest possible audience<br />
within the target groups. This has then in turn, helped to influence our programming schedule, and create a platform of<br />
interest for us to develop our ‘flagship’ shows. Of the potential audience nearly half of the respondents preferred a style<br />
of presentation that is ‘knowledgeable but funny’, compared to just over 20% who would prefer a style that is ‘young, funny<br />
and fast’. Of the specific areas we tested, adults in all but two of the topics (showbiz and sports commentary) concluded<br />
that well over half of the population would be interested in listening to features covering these subjects on this station.<br />
In summary, 64% of respondents believed that the new format would increase choice in the commercial market and 53%<br />
in BBC choice. There was high appeal for the format and style of the proposed station, and the suggested content within<br />
it. It is clear that a new market exists, and that the proposed speech-based format, delivered in a consumer friendly way<br />
would fill it, and be a great addition to the Manchester market-place.<br />
IV) The basis on which the estimates above have been calculated, and any assumptions taken into account.<br />
The basis on which the estimates above have been calculated.<br />
We have taken the ‘very likely’ and ‘likely’ to listen respondents from our research survey and applied these to the proposed<br />
TSA, by age group, to calculate the audience potential from those groups. We then applied a weighting to take into account<br />
that not all of these respondents will actually listen.<br />
In Year 1, we suggest that one in eight of the ‘very likely’ respondents will listen, and that the response rate from the ‘likely’<br />
respondents would be a third of the ‘very likely’ rates. In Year 2, we assume that the response from the ‘very likely’ group<br />
increases to one in six, and in Year 3 it increases to one in four. The ‘likely’ to listen group continue to listen at a third of<br />
the ‘very likely’ response rate across the second and third years.<br />
“ Any opportunity to expand listener choice in Manchester with different<br />
formats to those that already exist is a positive one. An opportunity<br />
for a magazine style format will suit the Manchester region reflecting<br />
it’s cosmopolitan lifestyle. A speech based format would also appeal<br />
to a wide range of clients who are looking for an association with<br />
news content. ”<br />
MARK ROSE, BUSINESS DIRECTOR, MINDSHARE<br />
Section 105 (A): Ability to Maintain Proposed Service 18
3. Transmission Proposals<br />
<br />
(A) Provide details of the Transmission Site you propose to use, under the following headings:<br />
I) Name and National Grid Reference of site;<br />
Sunley Building - SJ 844 983<br />
II) Height of site above Ordnance datum (in metres);<br />
44m Above Ordnance Datum<br />
III) Height of transmitting aerial above ground level (in metres);<br />
130m Above Ground Level<br />
IV) Radiated power in either or both planes of polarisation, and aerial radiation pattern (if no aerial radiation pattern is submitted,<br />
it will be assumed without exception to be omni-directional).<br />
1.0 kW (500 WHP + 500 WVP)<br />
The antenna pattern is nominally omni directional.<br />
The applicant should confirm whether he believes that his intended mast aperture will be available, and whether, where<br />
required, planning permission can be obtained. Where appropriate, evidence to support this belief should be provided.<br />
Details of any negotiations which have been entered into with the site owner should also be provided.<br />
The information provided above must take into account any requirements set out in Section 2 of this Notice. In the event<br />
of minor non-compliance, <strong>Ofcom</strong> may revisit an applicant’s proposals with a view to modest adjustment following award<br />
and closer scrutiny. Significant non-compliance may render the application liable to disqualification.<br />
Planning permission will not be required as we propose to utilise an existing antenna which is installed at the stated aperture.<br />
Arqiva, the antenna’s owners have confirmed that the antenna is capable of being shared.<br />
Comprehensive discussions have been held with both Arqiva and National Grid Wireless, who are both in no doubt that<br />
they are able to supply, install and maintain the equipment required to broadcast PICCADILLY TALK for the budgetar y<br />
figure disclosed in the financial projections.<br />
(B) Please provide a detailed computer predicted map (in colour) of the coverage anticipated<br />
using the Transmission Site and parameters described above.<br />
Please see Appendix 4.<br />
Section 105 (A): Ability to Maintain Proposed Service 19
(C) Describe proposed arrangements for transmission provision (installation, maintenance<br />
and repair). The transmission system and equipment must comply with the Engineering<br />
Code originally published by the Radio Authority, which represents <strong>Ofcom</strong>’s current policy<br />
and is available at: http://www.<strong>Ofcom</strong>.org.uk/radio/ifi/rbl/car/<br />
National Grid Wireless or Arqiva will supply the transmission equipment as part of a service agreement under which they<br />
will provide, operate and maintain the transmission system for the duration of the licence. The transmission provider will<br />
ensure that the system complies with the <strong>Ofcom</strong> Engineering Code for Analogue Radio Broadcast Transmission Systems<br />
and any other relevant requirements.<br />
The system will typically consist of:-<br />
FM transmitter with dual power supply and multi-redundancy amplifier<br />
Dual Drives and automatic changeover<br />
RDS Encoder<br />
System controller with Audio back up device<br />
Omnia or Orban processors in both the main and reserve feeds<br />
Telemetry system, linked to the transmission providers monitoring centre<br />
Systembase codec providing a 256k Kilostream (main) and ISDN (reserve) link to the studio site.<br />
APTX coding will be utilised.<br />
(D) What is the anticipated time-lapse between the award of licence and start of broadcasting?<br />
Applicants should note that failure to commence broadcasting the service within two<br />
years of the date on which the licence is awarded is likely to lead to the offer of a licence<br />
to the successful applicant being withdrawn. In these circumstances the licence would<br />
be advertised afresh and a new competition would be held to award the licence.<br />
It is anticipated that the station will launch six months after the successful award.<br />
Section 105 (A): Ability to Maintain Proposed Service 20
SECTION 105 (B) AND (C)<br />
<br />
Catering for Tastes and Interests/Broadening Choice<br />
Section 105 (B) and (C): Catering for Tastes and Interests/Broadening Choice 21
4. Proposed Format<br />
A blank Format is attached at Annex 3. Fill it in, ensuring that each of the following criteria are addressed within, where it is<br />
felt appropriate to do so. It should follow the style of <strong>Ofcom</strong> Formats, which can be viewed at: http://www.<strong>Ofcom</strong>.org.uk/<br />
static/radiolicensing/amfm/analogue-main.htm. Reasons for omission of any particular criteria (and it is accepted that not<br />
all criteria will be relevant to all applications) should be set out separately. The Format will form part of the licence. Therefore,<br />
questions of clarification may be asked prior to licence award and the wording amended to reflect this, if necessary.<br />
(A) Station Name (working titles accepted);<br />
(B) Service Duration. This is the number of hours you will broadcast each day. It should also include the number of hours<br />
of locally-made programming (i.e. programming made within the licensed area) promised.<br />
(C) Character of Service. This is a clear, one or two sentence description of the output and target audience.<br />
(D) Detail. This should address, where appropriate:<br />
(I) A clear description of the type/range of music.<br />
(II) Specialist music programmes.<br />
(III) A level of speech content (peak/non-peak)<br />
(IV) Any specific plans for local material.<br />
(V) News obligations, local and national (weekdays and weekends, peak-time, non-peak, etc.)<br />
<br />
SECTION 105 (B) AND (C)<br />
Catering for Tastes and Interests/Broadening Choice<br />
(VI) Other character-defining elements of programming (N.B. As set out in Phase 2 of Radio – Preparing for the Future, <strong>Ofcom</strong><br />
does not believe that the amount of automation utilised by a station is an indication of programme quality. Therefore, <strong>Ofcom</strong><br />
has no specific rules relating to the amount of automation that a licensee may utilise, and applicants do not need to include<br />
details in their proposed Format of how much live programming they intend to provide. However, should an applicant wish<br />
to include such information, it should be included in this part of the Format and will be regarded as a binding commitment<br />
in the event of a licence award.)<br />
Section 105 (B) and (C): Catering for Tastes and Interests/Broadening Choice 22
Format Outline<br />
Station Name<br />
Licence Area<br />
Frequency<br />
Hours of Broadcast<br />
Definitions<br />
Speech<br />
Music<br />
Peak time(s)<br />
Daytime<br />
Locally made<br />
Character of Service<br />
Detail<br />
PICCADILLY TALK<br />
PICCADILLY TALK<br />
Manchester<br />
106.1<br />
Format Outline Form Ofw 307<br />
excludes advertising trails, sponsor credits and the like and<br />
will be calculated over the period specified.<br />
percentages are calculated as a percentage of the total<br />
tracks broadcast in the specified period<br />
refers to weekday breakfast and afternoon drive output and<br />
weekend late breakfast.<br />
is 0600 to 1900 weekdays and 0800 to 1400 at weekends.<br />
<br />
24 hours a day; all programmes produced in <strong>Piccadilly</strong> Radio Ltd’s own<br />
studios, other than exceptional news items such as extended IRN<br />
reports. For example, the Chancellor’s Budget speech, the Coronation<br />
or a major terrorist activity. Anticipated maximum 10/12 hours a week.<br />
refers to output produced and presented from within the<br />
license area and must include peak time.<br />
24 HOURS A DAY SPEECH PROGRAMMING INCLUDING NEWS, SPORT, FEATURES,<br />
DOCUMENTARIES, ADVICE, PHONE-INS, STUDIO DISCUSSIONS AND SPECIAL WEEKLY OR<br />
MONTHLY PROGRAMMES.<br />
I No music other than illustrative items in interviews. No more than 60 seconds of any commercial track. No more than 5%<br />
(2) of total output<br />
II No specialist music (except (I) above)<br />
III 24 hours a day speech programming.<br />
IV With only the exceptions stated above, all programmes as detailed in the schedule will be locally produced.<br />
V National and local news will be broadcast on the hour. During the hours of 11PM and 5AM the news bulletins will be<br />
broadcast simultaneously with our sister station Key103. Both local and national news items will be introduced by the<br />
newsroom between bulletins and will frequently become the subject of radio discussion. News sources will include staff<br />
journalists in an extended <strong>Piccadilly</strong> Radio Ltd newsroom and sports staff. IRN, Press Association, Reuters, freelance<br />
agencies and Emap national magazines will contribute to all aspects of news gathering including showbiz, celebrity and<br />
other human interest items.<br />
VI As detailed in our programme schedules PICCADILLY TALK will operate on a 24-hours a day speech-only basis. This will<br />
be created by staff presenters, editors and producers, constantly changing studio guests, regular contributions from our news<br />
and sports staff, radio car, all outside news sources, e-mail and text comment from listeners plus a hotline to record votes on<br />
topical issues. There will be some phone-in contributions which will normally be confined to subjects under discussion in the<br />
studio. A truly distinctive and major aspect of the programmes is that because of the quality of the presenters they will be<br />
heavily involved in the planning and production of their programme. As a consequence they will also be deeply involved in<br />
the production of flagship special programmes that will be an integral part of the scheduling. These will add distinction and<br />
difference to PICCADILLY TALK and will become a major attraction to new listeners by heavy on air promotion and cross<br />
promotion through existing brands.<br />
Section 105 (B) and (C): Catering for Tastes and Interests/Broadening Choice 23
5. Programming Philosophy<br />
(A) This sub-section of the application should take the form of a statement setting out the<br />
applicant’s overall programming philosophy and vision for the radio service.<br />
PICCADILLY TALK is the all speech station that Manchester has been waiting for. Manchester is the country’s second city<br />
and has a vibrancy that is not fully reflected in any of its current radio stations – either commercial or BBC.<br />
Manchester is where it is happening and now PICCADILLY TALK can give the time to reflect and analyse this. There is the<br />
vibrancy of its commercial activities, its artistic brilliance and its sporting prowess. Manchester is the UK’s media capital<br />
outside of London which is why the BBC is setting up its important Media City in the region adding thousands of extra jobs<br />
to the 4,500 who already work in the sector. There are also the stories that the other radio stations just do not have the<br />
time to analyse properly; from the gun culture of Moss Side to the controversial expansion at Manchester Airport.<br />
PICCADILLY TALK will report and comment on all of this in the accessible and informative way that Manchester has been<br />
waiting for by providing an entirely new type of service quite different to any existing format provided by either commercial<br />
or BBC radio stations.<br />
PICCADILLY TALK will assist in widening overall appeal of commercial radio and help reverse the current trend of audience<br />
losses to the BBC by providing a service based on lifestyle rather than age. With the generation gap becoming less relevant,<br />
the programme schedule is tailored heavily to the common thread that most appeals to the entire radio audience, with an<br />
emphasis on issues that are relevant for the over 25’s. PICCADILLY TALK expects to draw its audience as the first or<br />
second choice from across the market.<br />
PICCADILLY TALK is the product of careful planning, extensive research and realistic ambitions. It enjoys substantial<br />
investment as well as the enthusiastic backing of the holding company, Emap plc, one of Europe’s most respected media<br />
groups.<br />
The proposal is presented by <strong>Piccadilly</strong> Radio Ltd which produces Key103 and Magic1152 – consistently two of Britain’s<br />
most respected and popular commercial radio stations. <strong>Piccadilly</strong> Radio Ltd has an excellent reputation for journalism with<br />
Sony Award winning presenters and its Head of News is the most experienced in commercial radio. <strong>Piccadilly</strong> Radio Ltd<br />
has won many awards over the past 25 years for news, sport, documentaries, individual journalism, support of the arts<br />
and community service. The company takes pride in developing talent and has firm links with the journalism, radio and<br />
media course at Salford University.PICCADILLY TALK will provide a credible alternative for the people of Greater Manchester.<br />
All of its team will be fully trained and attend regular refresher courses on the laws of contempt and libel, as well as <strong>Ofcom</strong>’s<br />
guidelines on regulatory practice.<br />
<br />
Section 105 (B) and (C): Catering for Tastes and Interests/Broadening Choice 24
(B) The strategies which the applicant proposes to implement in regard to:<br />
I) catering for the tastes and interests, general or particular, of persons living in the area;<br />
II) broadening the range of local commercial services available in the area;<br />
What will PICCADILLY TALK be?<br />
The key to good radio is making people believe that they have joined a club and the whole concept of PICCADILLY TALK<br />
is to create an environment for social networking which welcome listeners to this club so that they can interact with like<br />
- minded people.<br />
PICCADILLY TALK will be innovative in a rapidly changing world. This will be reflected in both its speech content, its<br />
technological advances and its corporate and social responsibility.<br />
It will provide an original new service with a number of clever ideas and unique programmes to create a welcomed and<br />
valued addition to radio listening. It will innovate by having a fully interactive website, and the news bulletins will be<br />
transmitted into all of Cabitvate’s taxis serving Manchester Airport and Manchester’s expanding tram system.<br />
PICCADILLY TALK will be designed to appeal to all sections of the community but with a slight bias to female listeners.<br />
Programmes will be inclusive across a culturally diverse audience and not segregate the listeners into specific groups<br />
based, for example, on race or sexuality.<br />
The concept will be of sensible and intelligent conversation skillfully laced with news, sport, current affairs and Mancunian<br />
issues. It will be have the flexibility to allow editors and presenters to take on a particular topic either as a brief news item<br />
or a full programme. They will do this with a light, sparky, all-inclusive touch.<br />
Studio discussions will not rely solely on the news of the day and local stories, but will also regularly tackle serious emotional<br />
and human interest subjects such as the heartbreak of divorce or highly controversial subjects such as euthanasia. The<br />
approach in all areas will be factual, honest, detailed and different.<br />
A significantly important aspect of the whole output will be unique and controversial documentaries. These will be based<br />
on an individual theme, well researched and presented. They will cover such diverse topics as should Manchester’s new<br />
International Festival compete or complement Edinburgh’s Festival or a frank interview series with major personalities.<br />
They will form an integral part of an individual programme. Regular cross-promotion on other <strong>Piccadilly</strong> Radio Ltd stations<br />
and internet sites as well as local newspaper advertising will be a major tactic in bringing new listeners to hear these<br />
specials on PICCADILLY TALK.<br />
PICCADILLY TALK will be a Mancunian talk station for all Mancunian people representing their interests, values and lives.<br />
With news, information and entertainment PICCADILLY TALK will be an opinionated platform for a culturally rich city; a city<br />
which includes Europe’s biggest university campus.<br />
The new station will more than fulfill <strong>Ofcom</strong>’s requirement to broaden choice for the audience.<br />
“ In a Manchester market place which continues to expand, a speech<br />
based station focused on the more cosmopolitan feel of Manchester will<br />
have real stand out and offer our clients something new and refreshing. ”<br />
ZOE SCHMID, HEAD OF RADIO, VIZEUM<br />
<br />
Section 105 (B) and (C): Catering for Tastes and Interests/Broadening Choice 25
What PICCADILLY TALK will not be.<br />
In contrast to some substantial or wholly speech stations PICCADILLY TALK will not be dominated with what is often seen<br />
as cheap-phone in programmes that can produce topics switching in an instant from amusing local anecdotes to a widow’s<br />
complaint about funeral costs. Its structure will not rely on the whim of callers. Instead we will always have suitable studio<br />
guests to add experience, depth and quality to discussions.<br />
Good talk radio is more than just about news and information, it is about personality. Personality is king and PICCADILLY<br />
TALK will have some of the finest presenters available. Personalities cannot be duplicated, like news or music. The key<br />
programmes will feature two complimentary presenters, with news readers and sports personalities joining in from time<br />
to time. Issues will be debated at length by the studio team before callers are asked to participate. This will improve the<br />
quality of the output which feels more involving of all listeners and not just those who are able to phone in.<br />
PICCADILLY TALK will avoid any sense of ‘always sounding the same’ through lack of highlights and while the essence of<br />
the station and the key to its success is the presenter, it will not employ presenters and editors whose on-air personality<br />
is rated more highly than their knowledge of Manchester.<br />
In the vital area of news coverage PICCADILLY TALK will have the first truly 24-hour news coverage in Manchester, with<br />
its own news summaries through the night. Its aim is to be the best with the news and will carefully avoid such characteristics<br />
as being first with the news sometimes at the expense of accuracy. Clearly such an approach can be exciting and provide<br />
a real service but it does become repetitive creating high reach, low listening hours and a difficult commercial market.<br />
While we accept and welcome the fact that we are in a “bitz” culture there needs to be a balance. PICCADILLY TALK will<br />
avoid the danger of audience loss by putting the news “meat” on to these brief news “bones”.<br />
PICCADILLY TALK will fully embrace the Internet and will add to the broadcast programming by having chat rooms, blogs<br />
and additional information such as helplines and information for emotional topics discussed on air, as well as, of course,<br />
having the programmes broadcast live.<br />
PICCADILLY TALK is also mindful of its corporate and social responsibilities and as such it will not only support on air the<br />
company’s own charity Manchester Kids, but will also support other charities and organisations whose expertise it will be<br />
seeking and supporting on air through studio discussions and emotional help-lines.<br />
Note: <strong>Piccadilly</strong> Radio Ltd has a high reputation for developing talent both in news and in entertainment. Chris Evans,<br />
Richard Keys, Kay Burley and a host of well known of presenters on the BBC, Sky and ITV started their broadcast careers<br />
at <strong>Piccadilly</strong> Radio. This talent of developing young professionals will be enhanced at PICCADILLY TALK. While the staffing<br />
proposals are listed in the Financial Appendix 3 (A-C) these will be boosted by the addition of journalism undergraduates,<br />
primarily from Salford University.<br />
III) the provision of local material, if any.<br />
IV) the proportion of locally made programming, if any should be set out in this section<br />
<br />
All programmes will be locally produced with the exception (as stated before) of special news items or extended coverage<br />
of major national events from IRN and some overseas contributors.<br />
The exceptional items mentioned above are not likely to exceed 10/12 hours a week except in the event of extended<br />
coverage major national events such as a General Election or a major act of terrorism.<br />
Section 105 (B) and (C): Catering for Tastes and Interests/Broadening Choice 26
(C) If appropriate, the applicant may also provide a typical programme-by-programme<br />
weekday schedule, to give a flavour for the direction of the station.<br />
00:00<br />
01:00<br />
02:00<br />
03:00<br />
04:00<br />
05:00<br />
06:00<br />
07:00<br />
08:00<br />
09:00<br />
10:00<br />
11:00<br />
12:00<br />
13:00<br />
14:00<br />
15:00<br />
16:00<br />
17:00<br />
18:00<br />
19:00<br />
20:00<br />
21:00<br />
22:00<br />
23:00<br />
WEEKDAY<br />
NEWS<br />
LOCAL<br />
LOCAL<br />
LOCAL<br />
LOCAL<br />
LOCAL<br />
LOCAL<br />
LOCAL<br />
LOCAL<br />
LOCAL<br />
LOCAL<br />
LOCAL<br />
LOCAL<br />
LOCAL<br />
LOCAL<br />
LOCAL<br />
LOCAL<br />
LOCAL<br />
LOCAL<br />
LOCAL<br />
LOCAL<br />
LOCAL<br />
LOCAL<br />
LOCAL<br />
LOCAL<br />
MON TUES WEDS THURS FRI<br />
GET IT OFF YOUR CHEST!<br />
THE CITY NEVER SLEEPS<br />
BREAKFAST ON A PLATE<br />
FRIENDS!<br />
PICCADILLY REPORTS<br />
OPEN HOUSE<br />
HOME TIME<br />
THE ‘IN CROWD’<br />
GET IT OFF YOUR CHEST!<br />
SAT SUN<br />
SEX IN THE CITY<br />
THE CITY<br />
NEVER SLEEPS<br />
BREAKFAST<br />
ON A PLATE<br />
REAL LIFE<br />
SOAP STORIES<br />
FRIENDS!<br />
ON SATURDAY<br />
PICCADILLY REP.<br />
THE<br />
SATURDAY<br />
CROWD<br />
THE BEST<br />
OF FRIENDS<br />
OPEN HOUSE<br />
HIGHLIGHTS<br />
SEX IN<br />
THE CITY<br />
INSPIRATIONS<br />
FRIENDS!<br />
ON SUNDAY<br />
PICCADILLY<br />
REPORTS<br />
THE<br />
PICCADILLYLINE<br />
THE<br />
‘IN’<br />
CROWD<br />
ON CAMPUS<br />
CREAM OF<br />
MANCHESTER<br />
PICCADILLY<br />
CALLING<br />
GET IT OFF<br />
YOUR CHEST<br />
<br />
WEEKEND<br />
NEWS<br />
LOCAL<br />
LOCAL<br />
LOCAL<br />
LOCAL<br />
LOCAL<br />
LOCAL<br />
LOCAL<br />
LOCAL<br />
LOCAL<br />
LOCAL<br />
LOCAL<br />
LOCAL<br />
LOCAL<br />
LOCAL<br />
LOCAL<br />
LOCAL<br />
LOCAL<br />
LOCAL<br />
LOCAL<br />
LOCAL<br />
LOCAL<br />
LOCAL<br />
LOCAL<br />
LOCAL<br />
00:00<br />
01:00<br />
02:00<br />
03:00<br />
04:00<br />
05:00<br />
06:00<br />
07:00<br />
08:00<br />
09:00<br />
10:00<br />
11:00<br />
12:00<br />
13:00<br />
14:00<br />
15:00<br />
16:00<br />
17:00<br />
18:00<br />
19:00<br />
20:00<br />
21:00<br />
22:00<br />
23:00<br />
Section 105 (B) and (C): Catering for Tastes and Interests/Broadening Choice 27
WEEKDAYS<br />
6-9AM<br />
BREAKFAST ON A PLATE<br />
9AM-1PM<br />
FRIENDS!<br />
1-1.30PM<br />
PICCADILLY REPORTS<br />
1.30-4PM<br />
OPEN HOUSE<br />
4-6PM<br />
HOME TIME<br />
6-10PM<br />
THE “IN CROWD”<br />
10PM–2AM<br />
GET IT OFF YOUR CHEST!<br />
2-6AM<br />
THE CITY NEVER SLEEPS<br />
SATURDAY<br />
6-9AM<br />
BREAKFAST ON A PLATE<br />
9-10AM<br />
REAL LIFE SOAP STORIES<br />
10AM-1PM<br />
FRIENDS ON SATURDAY<br />
1-1.30PM<br />
PICCADILLY REPORTS<br />
1.30-6PM<br />
THE SATURDAY CROWD<br />
6-8PM<br />
THE BEST OF FRIENDS.<br />
8-10PM<br />
OPEN HOUSE HIGHLIGHTS<br />
“Manchester’s View on the World” Our big name presenters get Greater<br />
Manchester up and informed. Our radio car reporter is at the morning’s top local story<br />
and we link up with Emap reporters across the country. We also launch the Big Issue<br />
of the day. Our experts review the papers, look at the sport and business stories, and<br />
Manchester’s celebrity gossip. What would Mancunians do if they were able to<br />
change the things that are going on in the world? They’ll be able to text, phone or<br />
e-mail their views on the morning’s breaking stories.<br />
“Gloss and Goss” Give a group of individuals the latest magazines and tabloids to<br />
flick through and join in their chat and gossip. They’ll put experts on the spot and talk<br />
to star guests. Including<br />
11-12PM That’s What Friends are For Advice from our team of experts.<br />
12-1PM Review The listener helps us review everything worth experiencing in<br />
the area – books, films, television, holidays, sport, theatre, concerts, pubs, bars<br />
and restaurants.<br />
We take you closer to the big local news stories and link up with our reporters around<br />
the country. Including a guide to What’s On in Greater Manchester.<br />
“Closer to the Stars” Interviews with star guests or ordinary people making the news.<br />
Including:<br />
2.30PM The Cream of Manchester people who’re making a real difference.<br />
3.30PM Feel Good Stories to help you wind down at the end of a busy day.<br />
The fast moving digest of news, sport and travel information to get you home.<br />
We bring the Big Issue of the Day to a conclusion.<br />
“You’ll want to be in with the In Crowd”<br />
6-7.30PM <strong>Talk</strong>ing Sport<br />
7.30-10PM Time Out in Manchester<br />
Your calls, text and e-mails and guests talking about issues of the day. Plus psychics<br />
and ghostly goings on. From Midnight Sex in the City with Miss Charlie Daniels.<br />
“The overnight news watch”<br />
Local news throughout the night, plus the chance to listen to some of the best bits of<br />
the days programming.<br />
“Starting Saturday With a Smile” Including “Countdown to Kick Off and<br />
“Manchester Icons”. Getting you in the mood for the weekend including daftest<br />
stories of the week, television review, “boredom busters” and brides of the day.<br />
“The Mancunian Way “ Who needs Coronation Street when people in Greater<br />
Manchester have some great stories to tell?<br />
“It’s a funny life” We let a group of Greater Manchester comedians loose on the<br />
week’s news and sport stories.<br />
Including a look ahead to the afternoon sport in “Countdown to Kick Off.”<br />
“Sport from a different angle” A different look at the varied sports going on in<br />
Greater Manchester. They’ll talk to the wives and girlfriends of sports stars, take a<br />
look at the role of women in clubs, tackle burning issues, chat with the growing<br />
army of female fans and we’ll hear about all the goals as they go in.<br />
Highlights of the Monday to Friday programme.<br />
The best of the week’s star interviews.<br />
<br />
Section 105 (B) and (C): Catering for Tastes and Interests/Broadening Choice 28
SATURDAY<br />
10PM -2AM<br />
SEX IN THE CITY<br />
2-6 AM<br />
THE CITY NEVER SLEEPS<br />
SUNDAY<br />
6-9AM<br />
BREAKFAST ON A PLATE<br />
9-10AM<br />
INSPIRATIONS<br />
10-1PM<br />
FRIENDS ON SUNDAY<br />
1-2PM<br />
PICCADILLY REPORTS<br />
2-3PM<br />
THE PICCADILLYLINE<br />
3-6PM<br />
THE “IN-CROWD”<br />
6-8PM<br />
ON CAMPUS<br />
8-9PM<br />
THE CREAM OF MANCHESTER<br />
9-10PM<br />
PICCADILLY CALLING<br />
10PM-2AM<br />
GET IT OFF YOUR CHEST !<br />
2 AM-6AM<br />
CITY NEVER SLEEPS<br />
“Your emotional rescue” What did you regret getting up to last night?<br />
Plus Mancunians re-united – bringing back together friends and lovers.<br />
Local news, highlights and the chance for budding writers and performers to<br />
showcase their work.<br />
“Sunday’s Hangover Cure” News and sport briefing, plus review of the week and a<br />
trawl through the <strong>Piccadilly</strong> Archive. Your good news stories, what you got up to last<br />
night, plus a look at the front and back pages of the papers.<br />
Interview with a personality and what inspired them to success.<br />
Its “morals and quarrels” as people from different backgrounds, including the area’s gay<br />
and ethnic communities, discuss the week’s headlines. They also put politicians on the spot.<br />
Including the Sunday Documentary.<br />
“The hotline to the best advice” A team of experts on health, finance and legal<br />
matters answer listener questions.<br />
Sunday’s style guide for the best in food, fashion, homes, motors and holidays.<br />
Giving a voice to students on Europe’s biggest student campus.<br />
Produced by Students from Manchester and Salford.<br />
“The search for Manchester’s heroes”<br />
“How ex-pats are living the dream abroad”<br />
Your chance to tell us what’s making you angry via phone, text or e-mail.<br />
MIDNIGHT–2AM SEX IN THE CITY<br />
<br />
Local news, the best bits from the week’s programmes , and tell us why you are up all night.<br />
Section 105 (B) and (C): Catering for Tastes and Interests/Broadening Choice 29
PICCADILLY TALK - Schedule in Detail<br />
WEEKDAYS<br />
6-9AM BREAKFAST ON A PLATE<br />
9AM-1PM FRIENDS!<br />
1-1.30PM PICCADILLY REPORTS<br />
1.30-4PM OPEN HOUSE<br />
4-6PM HOME TIME<br />
6-10PM THE ‘IN CROWD’<br />
10-12PM GET IT OFF YOUR CHEST!<br />
12PM-2AM SEX IN THE CITY<br />
2-6AM THE CITY NEVER SLEEPS<br />
WEEKDAYS<br />
6-9AM BREAKFAST ON A PLATE<br />
“Personality Presenters Who Know Manchester” Our research has shown that the presenters<br />
of this programme are likely to be one of the major keys to its success. We have in mind a male and<br />
female partnership, who already know Manchester and its people. The presenters will be joined<br />
by a series of guests throughout the programme, who will review the papers and take a look at the<br />
morning’s sport, business and showbiz.<br />
Including:<br />
“Manchester’s View on the World” There will be plenty of opportunities for listeners to join in,<br />
via phone, e-mail or text and air their own views on the big stories. For example, after the murder of<br />
a teenager in Moss Side, how can we get guns off the streets of Manchester? We will talk to people<br />
who know the area, including “Street Pastor” Tony Weeks, who walks the streets of Moss Side every<br />
night, persuading youngsters away from drug gangs. His own nephew was shot dead two years ago.<br />
This will be a fast-moving programme, touching on topics which affect the lives of Mancunians –<br />
they could be local, national or even international events. They will be the sort of stories listeners will<br />
be talking about at home, work or in the pub.<br />
“Up Early” We’ll ask listeners why they are up so early and their plans for the<br />
day ahead.<br />
<br />
“The Other Manchesters” We’ll talk to people living in cities called Manchester around the globe<br />
and find out what is going on there.<br />
“News Makers” The listener will tell us the story they are involved in and we’ll chase up reaction.<br />
For example the holidaymakers who found themselves booked into a hotel in Tenerife, which was only<br />
half finished.<br />
“On The Couch” We’ll invite people into the studio to tell us about the story or campaign they are<br />
involved in. For example Elaine Haskins who is fighting for compensation for the growing number of<br />
people who find themselves victims of deadly asbestos, which was manufactured in Rochdale.<br />
“Big Issue” Will be set every morning on a topic of local, or national debate. Subjects could include,<br />
obese women being refused fertility treatment, breast- feeding in public, taking children on holiday<br />
in school time, older women having children, or perhaps children having the right to choose which<br />
parent they stay with. The poll will run throughout the day with a “Rant Line” for listeners to express<br />
their views. There will also be an on-line vote.<br />
“Bite Size News” Again our research has shown that the audience we are aiming at wants “bite –size”<br />
news every 30 minutes. It will be a mix of local and national stories. PICCADILLY TALK will have the<br />
advantage of being able to share the extended resource of Key 103’s award winning news team and<br />
also link up with Emap reporters based in every big city in Britain.<br />
“Radio Car Reporter” The radio car reporter will be out at the top local news story of the morning,<br />
filing back live reports and “quality” audio.<br />
Section 105 (B) and (C): Catering for Tastes and Interests/Broadening Choice 30
9AM - 1PM<br />
“American Spy” PICCADILLY TALK also has its own correspondent in America – Manchester journalist<br />
Abigail Bonnell used to work at Key 103 and now is an award winning broadcaster in the States.<br />
“The World in Our Ears” A number of English speaking radio stations in other parts of the world<br />
have also agreed that we can use programme excerpts or link up with their reporters when relevant<br />
international events happen.<br />
“Paper <strong>Talk</strong>” Guest commentators like former BBC political editor Jim Hancock and Paul Horrocks<br />
Editor of the Manchester Evening News take an in depth look at the morning papers getting the low<br />
down on the big stories that people are waking up to. There will be lots of interaction with listeners<br />
getting their views on national and local stories.<br />
“Strange But True” We’ll look at some of the strange but true stories from around the world. For<br />
example scientists at Manchester University have discovered that mice don’t actually like cheese.<br />
“Access to Experts” PICCADILLY TALK will have unique access to experts in every field thanks to<br />
Emap’s consumer and life style magazines. We also have three major Universities on our doorstep<br />
and we will be able to use their massive bank of specialists for example Doctor Eric Groves who is<br />
an expert on terrorism.<br />
“Out On The Town” The latest gossip from our showbiz reporter Chelsea Norris ,who is out and<br />
about at the big events in town. We will open the door to the most glamorous parties.<br />
<br />
“School Gate Mums” We will ask mums and dads taking their children to school about their views<br />
on life and issues.<br />
“Rainy City Reports” We get weather from across the area from our very own rain watching team.<br />
They will be ordinary people dotted around the Greater Manchester area.<br />
“Travel News” Travel reports every twenty minutes. PICCADILLY TALK will have a team of road<br />
spies – truck drivers and a fleet of sixty cabbies calling in with any delays on the region’s motorways<br />
or main roads.<br />
FRIENDS!<br />
“Gloss and Goss” We’ll take a group of women and perhaps the odd male guest, sit them around<br />
the table with a cup of coffee, give them the tabloids and celebrity magazines and eavesdrop on their<br />
lively discussions. They’ll talk about the issues affecting their lives - what is making them laugh or<br />
making them angry. They will be given access to experts, to explain the detail behind the headlines.<br />
There will be a regular host – a local journalist and broadcaster. She’ll be joined by local celebrities<br />
like Coronation Street’s Sally Lindsay and Vicky Binns. They will also invite local campaigners onto<br />
the panel. It won’t be a turn off for men – they’ll be invited to join in as well. The panel will be able to<br />
link up with experts at Emap’s life style magazines and talk to people like Closer’s Mr Showbiz ,<br />
Dean Piper, or Heat’s Mark Frith. They may want to get more details on some of the day’s more serious<br />
stories so they’ll talk to people in the know at First Magazine, or even ITV correspondents at some<br />
of the world’s trouble spots.<br />
Including:<br />
11AM-12PM “That’s What Friends are For!” Got a problem and need some advice? PICCADILLY<br />
TALK will bring in experts on law, relationships, finance etc. If the listener wants to find something<br />
fabulous to wear on a Friday night or something quick (but spectacular) to cook for friends, the<br />
experts will give easy, chic ideas to help simplify a frantic life. Friends will also ask experts such as<br />
Manchester hairdresser Jason Johnson to give great tips on haircare.<br />
“Fashionista Sister” The hottest new fashion and beauty buys available now! The latest fashion<br />
trends from King Street to the Trafford Centre with fashion experts from Manchester’s retail stores<br />
and Grazia Magazine. We’re living in fast times and sometimes it is difficult to keep up - but we’ll keep<br />
the listener right up to date with the latest trends and fashion, whether it’s flip flops or spotty dresses!<br />
“This is My Life” We will explore beneath the surface of someone’s life. For example: the nurse<br />
at Manchester Royal Infirmary who juggles caring for others with looking after her own children, the<br />
mother living with an autistic child, or what life is like for a devout Muslim living in Manchester.<br />
“Real Life Issues” How to adopt a child, what to do when your teenagers won’t respect the rules,<br />
coping with divorce etc.<br />
Section 105 (B) and (C): Catering for Tastes and Interests/Broadening Choice 31
1- 1.30PM<br />
“Feel Good Manchester” The city has one of the country’s worst records on health. On average,<br />
people are living less than in other parts of the country. Our news team have already won a special<br />
award for promoting health issues and we have a unique partnership with the NHS who have<br />
enthusiastically backed our “Feel Good “ campaign. It promotes healthy eating and gives sound<br />
advice on how people can beat stress ,depression, heart disease, and obesity. PICCADILLY TALK<br />
will continue this campaign and we will feature guests such as Janet Finucane, an expert on mental<br />
health and Professor John Ashton the former Regional Director of Public Health ,who’s able to advise<br />
on a wide range of health issues.<br />
12-1PM “The Review Hour” Greater Manchester has everything for a great night out – but there’s<br />
so much choice we need help to decide where to go and we need a steer on whether it will actually be<br />
worth paying for a ticket. Top productions come to theatres like the Lowry, Palace and Opera House.<br />
International pop acts appear at the Arena, Apollo and Bridgewater Hall. The area’s bars and<br />
restaurants attract thousands of people to Manchester city centre every night - the latest eating<br />
place will be high up in the Beetham Tower, which now dominates the Manchester sky line.<br />
For those wanting a night in – where can we get a tasty take-away meal or what TV programmes<br />
should we watch?<br />
Thousands fly out from Manchester Airport on sunshine holidays – but where are the best places to<br />
visit and where should we avoid?<br />
This programme will hopefully provide the answers – we’ll talk to those in the business but we will<br />
also ask our listeners to be our reviewers. Including:<br />
“My Spies” We’ll look at the best kept secrets whether its restaurants, pubs, holiday destinations,<br />
fashion trends and the city’s most sensational venues and nights out. We’ll talk to restaurant owners<br />
like Paul Heathcote , but we’ll also go undercover with our own spies.<br />
“Fly Away” Our travel experts discuss the hot new destinations around the world and talk to the<br />
airline and holiday companies operating out of Manchester Airport. Where can you go on holiday for<br />
a week for less than a hundred pounds, how do you avoid credit card fraud while away and what are<br />
the advantages of self service check ins? Where is kid friendly, where has the best spas, where’s<br />
great to chill out, where can you find the bargain Gucci at the markets? We’ll also give listeners tickets<br />
to holiday hot spots and they’ll give us a report. There will be low down on the resorts to avoid, hidden<br />
gems you can get to from Manchester Airport and three things to see in the resorts or cities you’re<br />
going to.<br />
“Big Ticket” We will give tickets to the big shows, concerts, movies, and holidays and listeners<br />
come back and review them.<br />
“Food and Drink Detectives” The true review as the listeners give us the low down on the best<br />
places to eat and drink. Who has the best deals for eating out with children? Which pubs are nonsmoking.<br />
Which venue has the best access and whose toilets are a disgrace? The best bottle of wine?<br />
“The Secret Shopper” The best and worst deals for consumers each week.<br />
<br />
“My Big Fat Night Out” Listeners text in explaining why they need a night out and the best reason<br />
gets a posh meal and a show or club that night. They then call back, tell us why it was great, who they<br />
took along, what they ate etc.<br />
“Book Club” We pick a book that’s a best seller or in the news e.g. Jordan’s autobiography, or Jamie<br />
Oliver’s latest cook book . We will talk about why it is great or not, speak to the author, and chat to<br />
panelists who have read it. We’ll trail the books we are going to discuss so people who have read it<br />
will tune in to hear what is said.<br />
PICCADILLY REPORTS<br />
We are throwing the traditional studio based bulletin out of the window . Instead, we’ll take the listener<br />
right to the scene of the day’s big local news event. Our news anchor will present this bulletin from the<br />
scene of the main local story, e.g a crime scene , big fire, from the home of a family affected by antisocial<br />
behaviour, or the Christie Hospital where young cancer sufferers are launching a campaign to stop<br />
them being barred from pubs and clubs, because of strict dress codes. PICCADILLY TALK will get the<br />
very best coverage of national stories by linking up with reporters from other Emap stations across<br />
Britain. For the main anchor role, we have in mind an experienced former Sky and Granada television<br />
news presenter.<br />
Section 105 (B) and (C): Catering for Tastes and Interests/Broadening Choice 32
1.30-4PM<br />
4-6PM<br />
OPEN HOUSE<br />
“Closer to the Stars” We have a nationally known female personality in mind for this programme.<br />
Every big star coming to Greater Manchester to appear at the Palace, Opera House, Bridgewater Hall<br />
or Lowry Theatres will be invited into our open house for interview. We will look at preparations for<br />
big theatre productions and we will showcase the big acts appearing at the MEN Arena.<br />
ALSO AT 2.30PM “The Cream of Manchester” Open House will interview the people who have<br />
put the Greater back in to Manchester since the IRA bomb blast ten years ago.<br />
We’ll talk to the architect Ian Simpson the man who’s designed the city’s towering new landmark, The<br />
Beetham Tower, Wing Yip who runs Manchester’s huge Chinese Restaurant business, and the work<br />
of the “Kirsty Appeal” for The Francis House Children’s Hospice which had benefactors like David<br />
Beckham and Mohammed Al Fayed.<br />
3.30PM “Happy Hour” Open House will be looking for those great stories to help the listener wind<br />
down from a busy day either at work or home.<br />
“Rugrats” What has the listener been doing with their kids today, what funny things have they done,<br />
what’s on in the region for them.<br />
“The Grumps” Who has the listener bumped into today and who needs a smile makeover.<br />
“Shop Your Offspring” We’re all in this parenting thing together - so lets share stories, help each<br />
other out and have a laugh – because it can be a nightmare! Our “supernanny “ will give you some<br />
handy help and tips.<br />
HOME-TIME<br />
Hear how the day’s stories have developed. We’ll also help f ind the quickest route home. The f irst hour will<br />
have a lighter feel as we wind down from a busy day at the off ice, home, college or picking the children up<br />
from school. We will use experienced, Manchester-based journalists to present this programme.<br />
Programme highlights include:<br />
“Big Issue” The result of today’s big talking point.<br />
“Jobsearch” Fancy a career change, or a great first job? Not only will PICCADILLY TALK give details<br />
of a number of job vacancies everyday, but when appropriate, we will talk to an employer to get a<br />
description of their firm and the job rather than a simple list of vacancies. Who’s recruiting, how to get<br />
started, what qualifications you need, how long should you stay in a job, CV advice. How to get into<br />
the media, police, nursing, retail or seasonal work abroad.<br />
“Goss on the Box” What to watch and what to forget, with guest TV reviewers.<br />
<br />
“Hey, It’s Not all Bad!” The best light stories from around the country. Listeners tell us what’s brightened<br />
up their day.<br />
Section 105 (B) and (C): Catering for Tastes and Interests/Broadening Choice 33
6-10PM<br />
“Business Daily” PICCADILLY TALK will discuss issues with experts like Angie Robinson from the<br />
Greater Manchester Chamber of Commerce. For example; would the area benefit from having an<br />
elected Mayor like London’s, or, should the extension of the Metrolink tram system be paid for by<br />
congestion charging? We’ll talk to The Arndale Shopping Centre’s General Manager Glen Barkworth<br />
and Development Director Jon Weymouth, because after four years of redevelopment costing £170<br />
million, it is now the largest in-town shopping centre in the UK – but what effect will that and the<br />
giant Trafford Centre have on high streets in neighbouring towns like Stockport and Altrincham?<br />
We’ll have discussions with people like Nigel Gillingham from Allied London. He’s advising on the<br />
latest development of sixty shops and bars in Crown Square. We’ll also look at financial issues and<br />
why some appear to be ‘spending it like Beckham’ and getting into enormous debt. Over the past<br />
twelve months, Greater Manchester’s seen a sixty percent increase in bankruptcies and a 24 percent<br />
rise in house repossessions.<br />
We will also look at some of the big business success stories from male and female entrepreneurs,<br />
what they’ve done and how they’ve done it: e.g. the people behind Manchester’s clothing industry,<br />
and Russell Hirst and Jason Zemmel who have set up internet flower and perfume businesses<br />
boasting thousands of customers worldwide.<br />
We’ll look at the row surrounding the proposed redevelopment of parts of Canal Street –<br />
Manchester’s famous “gay quarter”<br />
And we will find out how Manchester’s Muslim women are making a huge contribution to the<br />
economy of the area.<br />
We’ll look at the area’s “Hot property” – the number of city centre apartments are set to double in the<br />
next decade, so we find out the best buys and investments.<br />
News, Sport and Business every 30 minutes. Travel every 15 minutes<br />
THE ‘IN CROWD’<br />
“You’ll want to be in with the in-crowd and go where the in-crowd go” The “In-Crowd”<br />
include: Michelle who loves United, fashion and showbiz parties. Darren reports on United and<br />
loves theatre so much, he’s appeared on-stage naked in The Full Monty.<br />
Alex ( a girl, by the way,) loves music and live concerts. Andy made his England football debut<br />
alongside David Beckham – but doesn’t begrudge his fame and fortune or good looks.. much.<br />
Kate does martial arts, so don’t mess with her – she loves food and going to bars and<br />
restaurants and supports Bolton Wanderers.<br />
Programme highlights include:<br />
6-7.30PM “<strong>Talk</strong>ing Sports From a Different Angle” Andy hosts the sports phone in with a<br />
difference. He’ll link up with the true fans, like Mark Longden from Independent Manchester<br />
United Supporters or Dave Wallace from City fanzine King of the Kippax. Andy will get the views<br />
from the growing army of female fans like Michelle and Kate. He’ll talk to women in positions<br />
of power at local sports clubs like Brenda Spencer at Wigan Football Club or Kate Parkinson at<br />
Salford Reds Rugby League. He’ll also use his contacts to talk to WAGS – wives and girlfriends,<br />
to see what it’s like living with a sports star.<br />
“On the Road” We take the show on the road to local supporter clubs<br />
<br />
“Heroes” We talk to local sport stars such as Freddie Flintoff, Darren Campbell, Amir Khan ,<br />
Ricky Hatton and see what makes them tick and what inspired them.<br />
“Live reports” Hugh Ferris , former England star Andy Hinchcliffe and United reporter Darren<br />
James bring us score updates from local sporting events and the big games at Old Trafford and<br />
City of Manchester Stadium.<br />
“Back Page Issues” We discuss the big issues affecting sport, including drugs cheats and how<br />
kids are influenced by players like Wayne Rooney.<br />
7.30-10PM “Time-Out”<br />
This programme will often go out on the road - whether it is backstage at the Arena or the first<br />
night of the latest theatre production. Every night in Greater Manchester, there’s something<br />
happening and we’ll be there, to get a taste of the atmosphere. The programme will often be<br />
presented live from the venue with links to other items reflecting entertainment, life-style,<br />
fitness and time out in Greater Manchester.<br />
Section 105 (B) and (C): Catering for Tastes and Interests/Broadening Choice 34
10PM-12PM<br />
12PM-2AM<br />
2-6AM<br />
SATURDAY<br />
Including:<br />
“Arena” When the big gigs are on at the Arena, our showbiz reporter, Alex , will be backstage talking<br />
to the stars.<br />
“Curtain Call” The best of theatre – whether it’s at the Lowry, Palace, Bolton Octagon, Tameside<br />
Hippodrome or the Opera House.<br />
“The F-word” We’ll get the very best tips on fitness and healthy living.<br />
“Comedy Club” The best comedy from Greater Manchester’s comedy clubs, with contributions<br />
from stars like Caroline Aherne, Peter Kay and Justin Moorhouse.<br />
GET IT OFF YOUR CHEST!<br />
“Manchester calling Manchester”<br />
The chance to phone, text or email about the issues affecting the lives of people in Manchester.<br />
We’ll put the Chief Constable Mike Todd and Manchester Central MP Tony Lloyd on the spot about<br />
what they’re doing to reduce gun crime in the city.<br />
The listener can respond to contentious claims – such as those by Professor Mark Bellis, that there’s<br />
a clear link between young women binge drinking and the dramatic rise in sexually transmitted<br />
diseases in Manchester.<br />
“Sex in the City” Our nightly emotional rescue, with relationship experts like Julia Gash and Miss<br />
Charlie Daniels. What does a young man do when his girlfriend tells him she wants to cool the<br />
relationship and have a bit of time to herself?<br />
What should a young woman do if she finds herself attracted to her boss?<br />
It’s all about relationships or lack of them, sexual health problems and dating – and what did the<br />
listener regret doing last night?<br />
We’ll also tackle issues like arranged marriages and the increasing number of young people who are<br />
self-harming.<br />
“The City Never Sleeps” Many radio stations in the area become automated or take network<br />
programming at this time of the night. But a big city like Manchester never sleeps. We will have a live<br />
presenter who will update local headlines on the hour, take calls and texts from people working<br />
through the night and link to some of the best highlights from programmes which were broadcast<br />
earlier in the day, which the overnight listener will have missed.<br />
It will ensure that we will be the first to know of any overnight breaking national stories and if there is<br />
a big local story happening overnight, for example a fatal fire or fatal shooting, we will be the first to<br />
get reporters to the scene.<br />
6-9AM BREAKFAST ON A PLATE<br />
9AM-10AM REAL LIFE SOAP STORIES<br />
10-1PM FRIENDS ON SATURDAY<br />
1-1.30PM PICCADILLY REPORTS<br />
1.30-6PM THE SATURDAY CROWD<br />
6-8PM THE BEST OF FRIENDS<br />
8-10PM OPEN HOUSE HIGHLIGHTS<br />
10PM-2AM SEX IN THE CITY<br />
2-6AM THE CITY NEVER SLEEPS<br />
<br />
Section 105 (B) and (C): Catering for Tastes and Interests/Broadening Choice 35
SATURDAYS<br />
6-9AM<br />
9-10AM<br />
BREAKFAST ON A PLATE<br />
“Starting Saturday with a Smile” More relaxed than our weekday breakfast show - this is the<br />
programme, which will get Manchester in the mood for the weekend.<br />
We will focus on some of the daftest stories of the week and we will ask the listener to come up with<br />
suggestions for a great day out, whether it’s Lyme Park, Chester Zoo, the latest exhibition at Urbis or<br />
even a local event.<br />
Including:<br />
“Manchester Icons” We will also take a look at some of the significant people and landmarks which<br />
have helped make Manchester one of the world’s greatest cities, for example what used to go on<br />
at the Printworks, Triangle and Hacienda before they were transformed into some the city’s most<br />
fashionable apartments, shopping and leisure complexes.<br />
“Paper <strong>Talk</strong>” We will take a look at what is in the Saturday morning papers and ask the listener to<br />
come up with their solutions to some of the week’s burning issues, whether it is on lighter topics<br />
such as where should Tony Blair go on his “farewell tour” of Britain or on a more serious note should<br />
young people have the right to choose which parent they live with?<br />
“Goss on the Box” The weekly TV fix. We delve deeper into the world of the small screen with guests<br />
including Sean Marley MD of the t.v. company which makes Hollyoaks and Grange Hill. We’ll go<br />
behind the scenes of Coronation Street and Shameless, talk to Alice Morrison from North West Vision<br />
which finds film companies great locations in Manchester. We’ll look at all the latest story lines in the<br />
soaps and serials. We’ll also pay tribute to the Cheshire cartoon empire of Cosgrove Hall who make<br />
Dangermouse and Bill and Ben. It is also the chance to hear in simple language what’s happening in<br />
the world of digital technology.<br />
“Home Style” We will give inspiring ideas on how to improve your home, plan your leisure time and<br />
holidays to book.<br />
“Smiley People” Listeners tell us what’s made their week.<br />
“Boredom Busters” ideas for a great day out – especially if you’ve got children.<br />
“Countdown to Kick Off” We will throw the football clichés out of the window and get broadcaster<br />
and former England footballer Andy Hinchcliffe to give his thoughts on this weekend’s sporting events.<br />
“Brides of the Day” We will talk to brides and grooms as they prepare for their big day and find out<br />
where they met, where they will spend their honeymoon and some of their hopes for the future. We<br />
will give a special prize to our “bride of the day” and we will stay in touch with some of them – and on<br />
anniversaries we’ll find out what has been happening in their lives.<br />
We will have local news and sports bulletins every thirty minutes.<br />
<br />
REAL LIFE SOAP STORIES<br />
Who Needs Corrie when people in Greater Manchester have great stories to tell about their own lives?<br />
An hour of uplifting or sometimes heart- wrenching real life stories. We will interview listeners about<br />
their unusual hobbies whether it is kite surfing or driving locomotives on the East Lancashire steam<br />
railway. We will talk to people who have been reunited with friends, family or even former lovers, or<br />
“The Christie Crew” a group of young cancer sufferers from Manchester’s famous Christie Hospital,<br />
who are campaigning against discrimination in night clubs which won’t allow them in because their<br />
strict dress codes forbid the wearing of caps and trainers. We’ll talk to the mum who took on the yobs<br />
who were terrorising her neighbourhood in Gorton and Jav Patel who bravely tackled a gunman who<br />
tried to rob his Post Office in Rochdale.<br />
Section 105 (B) and (C): Catering for Tastes and Interests/Broadening Choice 36
10-1PM<br />
1-1.30PM<br />
1.30-6PM<br />
6-8PM<br />
8-10PM<br />
10-2AM<br />
FRIENDS ON SATURDAY<br />
Hosted by Key 103 presenter Justin Moorhouse, who is a stand-up comedian, and character on Peter<br />
Kay’s Phoenix Nights.<br />
Justin has been nominated at the Sony Awards for his interaction with the listener.<br />
He will invite friends from the world of comedy to discuss the week’s news events, trawl through the<br />
Saturday papers and also take a look at this afternoon’s sporting events. There is a wealth of comedy<br />
talent in Greater Manchester including Caroline Aherne who became famous for her Mrs Merton<br />
Character. This would also enable comedians performing in the various comedy venues to further<br />
showcase their talent.<br />
PICCADILLY REPORTS ON SATURDAY<br />
A full digest of the day’s news so far and a look ahead in detail at the afternoon sporting action with<br />
preview interviews.<br />
“Saturday Night Fever” We’ll also feature some of the work of the services trying to make<br />
Manchester a safer place to live and play on a Saturday night. We’ll take a look at the work of paramedics<br />
and the doctors and nurses in the Accident and Emergency Unit at the Manchester Royal Infirmary.<br />
We’ll go out with the MASH organisation in Bolton, which helps prostitutes and drug addicts. We’ll talk<br />
to George Simms from the taxi drivers association about the lack of cabs to get late night revellers<br />
safely home.<br />
Guests like Fred Booth from The Printworks venue will talk about how they are working hard to try to<br />
control bouncers, prevent drug taking, date rapes and the “spiking” of drinks.<br />
THE SATURDAY CROWD<br />
“Sport from a Different Angle” Our “in-crowd” consists of a mix of male and female presenters<br />
who love sport and the showbiz element of the game. They will take a different look at the varied<br />
sports going on in Greater Manchester.<br />
Including:<br />
“Clubbing it” different people from different clubs – dangerous sports etc come in a talk about their<br />
passion. We’ll talk to the army of female sports fans in Greater Manchester, focus on women who play<br />
sport for example combat sports or the lady footballers at Manchester City. We will also find out what it is<br />
like to work behind the scenes at Manchester United or at the other extreme struggling Stockport<br />
County.<br />
“Fanzone” Fans will be invited to ring or text in their thoughts throughout the afternoon and we’ll<br />
find out the most bizarre goings on at sporting events.<br />
We will also ask fans to send in their own reports on games as we hunt for the next talented sports reporter.<br />
We have exclusive access to Manchester City’s players and management due to the pod-cast, which<br />
we already produce for the club.<br />
“Back Page Issues” Hugh Ferris, who this year won a Sony Silver Award for his documentary on the<br />
Malcolm Glazer takeover of United, will take an in-depth look at other “back page” issues concerning<br />
sport. He’ll talk to Manchester athlete Darren Campbell about his concerns about drugs in the sport,<br />
or the influence Wayne Rooney’s antics have on young footballers. We will be able to take live reports<br />
from City and United and other Premiership and local matches up and down the country.<br />
THE BEST OF FRIENDS<br />
Highlights from the “Goss and Gloss” as the listener prepares for a Saturday night out or an<br />
entertaining evening in.<br />
OPEN HOUSE HIGHLIGHTS<br />
The best of the week’s celebrity interviews<br />
SEX IN THE CITY<br />
“The emotional rescue” What did the listener regret getting up to last night? Plus we will try<br />
to reunite lost loves or friends. The best possible advice too for lonely hearts or people needing<br />
emotional rescue.<br />
<br />
Section 105 (B) and (C): Catering for Tastes and Interests/Broadening Choice 37
2-6AM THE CITY NEVER SLEEPS<br />
The presenter of this programme will update local news and sport headlines on the hour. They will<br />
also take calls from people still out on a Saturday night – whether it’s club-goers or taxi drivers. Who’s<br />
been to the best clubs or concerts? We will also have highlights of the week’s best programming<br />
SUNDAY<br />
Including:<br />
“The Commission” <strong>Piccadilly</strong> Radio is famous for finding new talent.<br />
Here we will broadcast new work from people who would relish the prospect of having their work<br />
broadcast on the radio. We want to find the best new writers and performers.<br />
Listeners will be asked to showcase their comedy or serious writing, or local societies will be able to<br />
perform theatre on the radio. The best talent will be rebroadcast at a later date in a special daytime<br />
programme.<br />
6-9AM BREAKFAST ON A PLATE<br />
9-10AM INSPIRATIONS<br />
10-1PM FRIENDS ON SUNDAY<br />
1-2PM PICCADILLY REPORTS<br />
2-3PM THE PICCADILLY LINE<br />
3-6PM THE “IN CROWD”<br />
6-8PM ON CAMPUS<br />
8-9PM THE CREAM OF MANCHESTER<br />
9-10PM PICCADILLY CALLING<br />
10PM-2AM OFF YOUR CHEST!<br />
2-6AM THE CITY NEVER SLEEPS<br />
SUNDAY<br />
6-9AM<br />
9-10AM<br />
BREAKFAST ON A PLATE<br />
“Sunday’s Hangover Cure” We have in mind for this programme a presenter with the ability to put<br />
a smile on the face of the listeners as he trawls through the Sunday papers and reviews yesterday’s<br />
sport. Stay in bed and we’ll tell you what’s in the papers the gossip, the sport speculation and the funny<br />
stories that will brighten up the start to the day.<br />
Including:<br />
“Boredom Busters” With great ideas from the listener for a great Sunday.<br />
What will people and their families be doing today?<br />
“It’s never too late to say sorry” What do people regret doing last night and who will they need<br />
to send an apology to. We will send a bouquet of flowers round to the person needing the greatest<br />
amount of talking round.<br />
“Real people –real lives” True stories and real lives of people in Greater Manchester<br />
“Sunday Review” A look back on some of the top stories of the week.<br />
<br />
“Where Are They Now” We link up with people who have moved away from the area and see how<br />
they live life abroad.<br />
“<strong>Piccadilly</strong> Archive” IRA Bombs ,the Airport Disaster, Harold Shipman, Hindley and Brady, the riots<br />
at Strangeways, Moss Side and Oldham – over the years we’ve covered them all so we’ve got exclusive<br />
archive. We will mark major anniversaries of events and look if any lessons have been learned since.<br />
INSPIRATIONS<br />
PICCADILLY TALK will delve into the lives of some of the people who have put Manchester on the<br />
map.We will discover what makes them tick and what inspired them to success. Who are their heroes?<br />
What great stories can they tell us? People like Mick Hucknall lead singer of the pop group Simply Red,<br />
Liam Spencer the artist being heralded as the next Lowry, or Sir Bobby Charlton the Manchester<br />
United director who survived the Munich Air Disaster.<br />
Section 105 (B) and (C): Catering for Tastes and Interests/Broadening Choice 38
10-1PM<br />
1-2PM<br />
2-3PM<br />
3-6PM<br />
FRIENDS ON SUNDAY<br />
Robina is a freelance broadcaster who describes herself as a practicing British Muslim, Maria works at<br />
the Manchester Settlement with kids who have been excluded from schools, Nick is a lawyer who has<br />
got several celebrities off driving bans , Mark is a member of Manchester’s Jewish community , Wendy<br />
is a mum from Manchester’s notorious Moss Side estate, and Paul works with members of the gay<br />
community who are HIV positive. They’ve all got one thing in common they live in the same city – thing<br />
is they all have different views and beliefs. It’s a potentially explosive mix of people from different<br />
cultures and backgrounds – but we will ensure it doesn’t get out of hand. We have an experienced<br />
former political editor in mind to host this programme. They will look at issues which have dominated<br />
the news during the week – terrorism, gun crime, anti social behaviour, deaths due to speeding on<br />
the region’s roads and the rising number of deaths from Aids.<br />
Politics - The “Friends” will be able to discuss their burning issues with local or national politicians<br />
and see if they can get their concerns on the political agenda.<br />
“Morals and Quarrels” We will discuss moral issues like how soon should you return to work after<br />
having a baby or artificial insemination, or having a baby at the age of 60,and talk to those who are for<br />
and against the issue.<br />
PICCADILLY REPORTS<br />
An hour long special looking at the day’s main local and national stories and also a review of the week.<br />
We will also have a weekly documentary – for example the story of Stockport woman Alison Davies<br />
who threw herself off the Humber Bridge with her young autistic son Ryan. We’ll talk to her friends and<br />
family to try to find out what was going through her mind and discuss with experts on mental health.<br />
PICCADILLY LINE<br />
“hotline to the best advice”<br />
A team of experts on health, finance and legal matters answer listener questions.<br />
THE ‘IN CROWD’<br />
Our “In Crowd” of female and male reporters present the guide to the best in food, fashion, homes,<br />
motors and holidays. The listener can join into give us their best tips.<br />
Including:<br />
“The Manchester Scene” Phil Burke from the Manchester Pub and Club network gives us the latest.<br />
“Festival” Manchester International Festival will be a twice yearly event from next summer – and<br />
we’ll bring the latest on the build up.<br />
“Apartment 106” Homes, City living and Property. Good areas to buy in, best times to buy or stay<br />
put? Investment opportunities.<br />
“Ringway” The latest holiday destinations from Manchester Airport, the world trouble spots to avoid,<br />
how to travel light on aircraft and hot tips on how to stay safe and enjoy your leisure time.<br />
“Road Test” We’ll put the latest new motors to the test whether it’s the sportiest or the cheapest.<br />
“Shoperation” What’s hot and what’s not in Trafford Centre , the Arndale boutiques and down King<br />
Street. Every week we dissect a different shop and find out what it sells, who goes there, what the staff<br />
love about it, the best thing in it.<br />
“Rugrat Recreation” What is the listener doing with their kids today, what funny things have they<br />
done, what’s on in the region for them?<br />
“Lipstick” News and reviews on the city’s nightlife - interviews with owners of the latest clubs.<br />
“The Whisper” Listeners tell us about the best clubs, t.v. theatre, gigs, restaurants and movies.<br />
“TXT” The listener is invited to text us with suggestions of where you go for your night out, where<br />
the worst loos are, longest wait for a drink and best cocktails.<br />
“The F-word” The best tips on how to keep fit and the sexiest gyms in town.<br />
<br />
Section 105 (B) and (C): Catering for Tastes and Interests/Broadening Choice 39
6-8PM<br />
8-9PM<br />
9-10PM<br />
10-2AM<br />
2-6AM<br />
ON CAMPUS<br />
Giving a voice to young people, the issues affecting their lives, developing links with the biggest<br />
University campus in Europe and finding new talent.<br />
Including:<br />
“Student Soap” We’ll find a flat with four students and produce a weekly look at their lives – what is<br />
on their minds and interaction between themselves. We’ll use our links with Salford’s broadcast and<br />
media courses.<br />
“The Big Student Issue” Gay times on campus, STD’s, leaving a partner back home, drinking too<br />
much and drugs. Each week we take a different issue and interview students and experts, like Cliff<br />
Shelton from Unisex at Manchester University.<br />
“The Geek Show” Latest gadgets, latest inventions from the University’s Robotics Centre and sky<br />
high stuff from Manchester’s Rocket Man Steve Bennett. Great web sites from around the world.<br />
THE CREAM OF MANCHESTER<br />
Looking at the work of selfless people who make a difference to the lives of others. We will feature the<br />
projects we help through our Manchester Kids Charity including the efforts of women who run the<br />
local shelters for victims of domestic violence and this will culminate in an annual awards ceremony as<br />
we celebrate the people who are the Cream of Manchester.<br />
PICCADILLY CALLING<br />
How ex-pats are living the dream abroad . We will find out how Kirsty left Manchester with her husband<br />
to live in China where he has a new job. Nicky who now runs a bed and breakfast in New Zealand.<br />
Lynne who met an Italian chef in Manchester and now lives in Italy, Bernie who lives and works in the<br />
Middle East and Murray who runs a bar in Spain What is the view of the world from where they are?<br />
Are they missing home , family and friends ?<br />
GET IT OFF YOUR CHEST!<br />
The chance for the listener to phone, text or email their thoughts or concerns on the week’s news<br />
or what’s happening in the local neighbourhood.<br />
THE CITY NEVER SLEEPS<br />
See weekday schedule.<br />
“ Nice to see you offering something different to the area and I am<br />
sure the magazine format will go down well in the City as diverse<br />
as Manchester. ”<br />
PHIL MAHONEY - BROADCAST GROUP MANAGER, PHD<br />
<br />
Section 105 (B) and (C): Catering for Tastes and Interests/Broadening Choice 40
SECTION 105 (D)<br />
Evidence of Local Demand or Support<br />
<br />
Section 105 (D): Evidence of Local Demand or Support 41
6. Evidence of Demand<br />
This section should provide an analysis of the reasons as to why it is considered that there is a demand for the type of service<br />
proposed, with reference to the size and nature of the proposed target audience. If original market research has been<br />
undertaken, please provide the following information for each piece of research:<br />
A) A statement of the key objectives of the research;<br />
B) The specific questions that the research sought to answer;<br />
C) How the research was conducted;<br />
D) The size and composition of the sample(s);<br />
E) When and where the research was conducted;<br />
Please provide your responses to (a) – (e) in tabular format.<br />
PROJECT PHASE<br />
(type)<br />
Team Development<br />
Discussion Session<br />
Desk Research of<br />
Manchester market<br />
& study of talk radio<br />
in international<br />
markets<br />
Development &<br />
refining the format<br />
(Qualitative)<br />
Quantifying the<br />
demand and<br />
appeal of the<br />
proposed service<br />
(Quantitative)<br />
A) OBJECTIVE B) SPECIFIC<br />
QUESTIONS<br />
Brainstorming<br />
session to create<br />
new format ideas<br />
that are signficantly<br />
different from<br />
existing ones in<br />
the UK<br />
Identifying a gap in<br />
the market for a<br />
new radio station<br />
in Manchester<br />
To provide detailed<br />
information to<br />
enable the format<br />
to be refined and<br />
finely tuned to our<br />
target audience<br />
Investigate<br />
perceived targeting<br />
of current radio<br />
stations.Investigate<br />
appeal of proposed<br />
station and its<br />
impact on current<br />
radio listening<br />
Understand BBC’s<br />
position in the<br />
market place.<br />
Discuss new format<br />
ideas. Establish if<br />
magazine formats<br />
are transferable<br />
to radio.<br />
Investigating<br />
population,<br />
economic and<br />
radio listening<br />
trends for the area<br />
and to identify a<br />
gap in the radio<br />
market place.<br />
Analysis of<br />
audience trends of<br />
overseas talk<br />
stations and gain<br />
insight into how<br />
these station<br />
models may be<br />
applied in UK<br />
Investigating the<br />
best and most<br />
appropriate<br />
approach in terms<br />
of presentation<br />
style and editorial<br />
content for the<br />
new format<br />
Establish which<br />
segments of the<br />
population see a<br />
particular station<br />
targeted at them.<br />
Gauge appeal of<br />
proposed station in<br />
general and<br />
specifically in<br />
terms of editorial<br />
content.<br />
Understand how<br />
new station would<br />
be incorporated<br />
into current<br />
listening habits.<br />
Explore the extent<br />
to which the format<br />
broadens choice.<br />
CONDUCTED BY C) METHODOLOGY D) SIZE AND<br />
COMPOSITION OF<br />
SAMPLE<br />
National Magazine<br />
Editors and<br />
Publishers, Emap<br />
Radio Staff &<br />
guests<br />
Emap Radio Staff Internet searches,<br />
running of bespoke<br />
reports on<br />
specialist software,<br />
Arbitron research<br />
and a visit to the<br />
USA to study 4 talk<br />
radio stations and<br />
to attend a talk<br />
radio conference<br />
Lucid People,<br />
3 Gloucester Yard,<br />
Brighton, BN1 4AF<br />
M-Lab Research,<br />
43 Oxford Drive,<br />
London, SE1 2FB<br />
& Emap Radio staff<br />
E) WHEN AND<br />
WHERE RESEARCH<br />
WAS CONDUCTED<br />
Group discussions n/a January 2006.<br />
Institute of<br />
Directors Hub,<br />
London<br />
4 x 90 min focus<br />
groups<br />
1,000 street<br />
interviews lasting<br />
10 minutes each<br />
n/a February and<br />
April 2006<br />
1) male 30-40<br />
BC1C2<br />
2) female 30-40<br />
BC1C2<br />
3) female 40-50<br />
BC1C2<br />
4) female 30-50<br />
BC1C2<br />
1,000 interviews<br />
across the .<br />
Weighted to be<br />
representative of<br />
population in<br />
the area.<br />
<br />
12th July 2006,<br />
The Village Hotel,<br />
Stockport<br />
1st August - 8th<br />
August 2006,<br />
Manchester<br />
Section 105 (D): Evidence of Local Demand or Support 42
PROJECT PHASE<br />
(type)<br />
Establishing views<br />
of advertising<br />
community<br />
(Qualitative &<br />
quantitative)<br />
A) OBJECTIVE B) SPECIFIC<br />
QUESTIONS<br />
Seek the views of<br />
advertising market<br />
of current radio<br />
stations and<br />
proposed format<br />
Establish appeal of<br />
using the proposed<br />
station as an<br />
advertising<br />
medium.<br />
Investigate how<br />
advertising<br />
community feels<br />
the station will<br />
impact on current<br />
radio stations on<br />
offer in the area.<br />
CONDUCTED BY C) METHODOLOGY D) SIZE AND<br />
COMPOSITION OF<br />
SAMPLE<br />
Emap Advertising &<br />
Key 103<br />
Advertising Staff<br />
Informal interviews<br />
& short<br />
questionnaires<br />
8 informal<br />
interviews with<br />
Heads of Radio and<br />
29 questionnaires<br />
with local<br />
advertisers<br />
E) WHEN AND<br />
WHERE RESEARCH<br />
WAS CONDUCTED<br />
August 2006,<br />
Manchester &<br />
London<br />
F) A summary of the main findings from the research, showing how these demonstrate<br />
evidence of demand for the service proposed;<br />
Executive Summary<br />
PICCADILLY TALK has exceptionally strong and broad appeal among the population in the proposed TSA.<br />
Almost 6 in 10 of adults interviewed said they would be very or quite likely to tune in, of which 14% said they would<br />
be very likely to listen.<br />
The format holds particular appeal to 25-64s.<br />
24% of BBC Radio Manchester and 23% of Five Live listeners said they would be very likely to tune in to<br />
PICCADILLY TALK.<br />
<br />
Our qualitative research reinforces this finding with those respondents already accepting talk based radio or stations<br />
with stronger talk elements, being predisposed to the proposed new station<br />
Respondents were particularly drawn to the idea of presenters with strong personalities, the mix of serious and<br />
humorous and “speaks its mind” attitude of the station.<br />
The qualitative research indicated the main market for this station is likely to be women 30-55 and men 40-55,<br />
re-enforced by quantitative findings which showed a slightly wider age band (25yrs-64yrs) finding the format<br />
appealing.<br />
Our quantitative research revealed that people over the age of 45 did not feel there was any station clearly aimed<br />
at them, unlike under 45s who felt there were clearly two stations “for them” – Galaxy and Key 103.<br />
During both the qualitative and quantitative stages of research we investigated what was the most appropriate and<br />
interesting editorial content for the station. Local information was vital be-it local news - economic issues or headlines<br />
from the area to leisure information like What’s On.<br />
PICCADILLY TALK will increase radio listening in the area with 56% of potential listeners saying that they would<br />
increase their overall hours listening to the radio to incorporate the station into their repertoire.<br />
Our extensive research programme has provided us with convincing evidence of the appeal of PICCADILLY TALK and how<br />
it will boost the commercial radio market in the Manchester area. The results have been used to refine and develop our<br />
programme schedule ensuring we will deliver to the people of Manchester and surrounding area precisely what they want<br />
from their new radio station.<br />
Section 105 (D): Evidence of Local Demand or Support 43
Identifying the Opportunity in the Market<br />
Our findings:<br />
In April 2006, in preparation for the anticipated Manchester FM licence advertisement, we conducted detailed analysis<br />
of the Greater Manchester market place.<br />
Prior to this in February, a field trip to the USA meeting with key figures from the talk radio industry was conducted by<br />
Emap’s group programming director. The aim of the trip was to gain insight into this very successful market and inform<br />
our licence applications strategy and in particular, help us decide if applying for an all talk licence was a viable strategy.<br />
Full details of this trip are found in Appendix 5 (A-J).<br />
The first phase of this research was to gain a full understanding of the market place including population trends and forecasts,<br />
economic indicators and cultural influences in the area.<br />
By 2021 47% of the population will be over the age of 45, this highlighted to us the importance of providing a radio<br />
service appropriate and of interest to this key demographic.<br />
Analysis of RAJAR data included an investigation of existing services, who they target, who are their current listeners and<br />
established where there was a potential gap in the market. We concluded that the over 45s in the area were not served by<br />
the existing local commercial stations.<br />
The current market place is well served with music based stations covering many different genres of music from dance to<br />
hits from the 60s. Whilst it is acknowledged that BBC Radio Manchester does include music in its programming content,<br />
it is viewed by those in the area as having significant speech content. Taking all this information into consideration and<br />
understanding the differences between Manchester and Liverpool, where we have already completed extensive work on<br />
a talk format, the concept or PICCADILLY TALK began to evolve.<br />
“ We are always supportive of speech formats as we believe they offer a<br />
real alternative in a commercial radio marketplace that often provides<br />
listeners with very similar formats - any station that can take audience<br />
from the bbc increases advertiser choice. ”<br />
GEORGE HOWARD - HEAD OF RADIO, OMD<br />
<br />
Section 105 (D): Evidence of Local Demand or Support 44
Developing and Refining the Format<br />
Our findings:<br />
As part of this phase of the research we had prepared stimulus material which included mood boards and audio clips of<br />
speech content from Today FM in Ireland and Key 103’s own phone in show. The use of these materials allowed us to assist<br />
respondents to imagine what content and style to expect from the station as it currently doesn’t exist in the UK. In addition<br />
to the stimulus material a short paragraph was read to the groups and given to them to read in order to explain the concept<br />
of the station. (for full paragraph see appendix 5 (A-J) along with the full qualitative debrief provided by the research<br />
agency, Lucid People)<br />
Current radio listening habits in the area are quite eclectic and respondents felt they are well served by a wide range of<br />
radio stations with not much to choose between them.<br />
Listeners were rarely loyal to a single station and “cruised” between stations.<br />
This raised some key issues in the development of our concept: making our station sufficiently distinctive and provide<br />
a compelling proposition that is personally engaging to attract loyalty.<br />
PICCADILLY TALK’s concept was well received as it was perceived it could be offering something new and different<br />
compared with many of the existing stations.<br />
Those who responded well to the concept were drawn to the idea of something ‘for me’, as opposed to ‘for us’ or ‘for<br />
the community’ and above all entertaining and useful.<br />
The concept was appealing to many in the groups, driven not so much by age or gender but by those accepting of<br />
talk radio already.<br />
Respondents warmed to the idea of presenters with strong personalities, the mix of serious and humorous and the<br />
“speaks its mind” attitude of the station.<br />
Content that appealed to our respondents was drawn from a wide range of areas<br />
Consumer issues<br />
Health<br />
“Good News” stories<br />
What’s on<br />
Practical advice - from travel and pub grub to dealing with problem teenagers<br />
Money and property<br />
Fashion and celebrity<br />
Fascinating trivia<br />
Big local issues.<br />
<br />
The style and tone of the format is also clear and some do’s and don’ts came out in the research<br />
Needs variety and fast pace change within programmes<br />
Keep the information “bite” sized<br />
Important subjects should be dealt with in a fairly light way.<br />
Strong presenters a key to holding the programmes together.<br />
Avoid too much depth, repetition of news or lengthy commitment programmes e.g. three hour phone in shows<br />
The research revealed that our programme schedule should have clear zoning of content by subject matter, gender<br />
appeal (if necessary) and by style.<br />
Section 105 (D): Evidence of Local Demand or Support 45
We concluded from this section of the qualitative research that people are drawn to the following notions<br />
Variety within editorial consistency<br />
Information made easily digestible<br />
Enjoyment<br />
Personal connection/engagement<br />
In many ways this is similar to what people seek in a light style magazine or magazine style TV programme.<br />
PICCADILLY TALK – our “magazine on the radio” – should<br />
Be a station for “ME” rather than us<br />
Be entertaining and useful<br />
Have an easy going format<br />
Have presenters that “I” can have a fairly close personal relationship with<br />
Personalities of PICCADILLY TALK’s presenters will be the most effective way of achieving listener understanding<br />
of, and engagement with, positioning the station as a “magazine on the radio”.<br />
The qualitative research indicated the main market for the station is likely to be women 30-55 and men 40-55.<br />
But with the same appeal to all other groups.<br />
Those who responded well to the idea believed they would listen for at least five and up to ten hours a week, replacing<br />
listening to other stations to make room for PICCADILLY TALK. It was not clear which station they would replace because<br />
of eclectic listening trends and dependent on final content of the station. However it is likely the more talk based<br />
stations such as BBC Radio Manchester and Five Live would lose most to the new station.<br />
The qualitative research gave us clear understanding of where the challenges lie in introducing a completely new station<br />
format to this market. In addition it generated key information showing how we could develop and refine our initial ideas<br />
to produce a radio station with strong appeal and to generating loyal engaged listeners<br />
“ Current commercial services cater for 15-44s adequately, with formats<br />
that are predominantly music-based. There is therefore a gap in the<br />
market for a speech format that embodies the very strong character<br />
and spirit of Manchester. This type of station would certainly be<br />
appealing to advertisers. ”<br />
JONATHON BARROWMAN, HEAD OF RADIO, INITIATIVE MEDIA<br />
<br />
Section 105 (D): Evidence of Local Demand or Support 46
Quantifying the Demand and Appeal of the Proposed New Service<br />
A full set of tables and PowerPoint slides of the results to this phase can be found in the appendix 5 (A-J).<br />
Our large scale quantitative survey was designed to provide data to assist in audience projections, to develop the editorial<br />
content of the station, and to understand who our potential audience would be and the effect on the existing radio market<br />
place.<br />
Our findings:<br />
We initially investigated how respondents viewed current radio services and if they felt they were aimed at them or not.<br />
Under 45 year olds believe there is clear targeting & delivery of their radio needs through offerings from Key 103,<br />
Galaxy and XFM.<br />
In contrast over 45’s do not appear to feel any particular station is clearly for them.<br />
Only 20% of over 45’s feel BBC Radio Manchester is for them with other stations scoring below that level.<br />
These findings further reinforced our belief that older generation are not adequately served by current commercial<br />
radio stations.<br />
Is Aimed at People Like Me.<br />
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We introduced the respondents to our proposed format with a short paragraph introducing the content and style of<br />
presentation.<br />
There was overwhelming support and interest in the format with 58% of the population stating they are very or quite<br />
likely to tune into our proposed format.<br />
14% of respondents stated they’d be very likely to include our station within their listening repertoire.<br />
The format holds particularly strong appeal among 25-64s.<br />
80% of BBC Radio Manchester & Five Live listeners interviewed said they would be very/quite likely to tune in, with<br />
24% of BBC Radio Manchester listeners saying they would be very likely to listen.<br />
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Section 105 (D): Evidence of Local Demand or Support 47
Likelihood to Listen to Proposed Format.<br />
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PICCADILLY TALK will grow the size of the radio listening market. The majority of respondents (56%) who said they<br />
would listen to the new station said they would increase their overall radio listening in order to incorporate PICCADILLY<br />
TALK into their repertoire.<br />
Of those who said they would reduce/stop listening to another station 21% stated it would be Key 103 and 8% said<br />
BBC Radio Manchester.<br />
Overall 39% of people stated they would reduce their listening to/stop listening completely to a BBC station.<br />
64% of adults in the market place believe this new station would increase the choice of commercial stations available<br />
53% said it would increase choice in the BBC market place.<br />
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A key part of our research was to establish what was the most appropriate and interesting editorial content for<br />
PICCADILLY TALK. Each topic was described with specific feature examples in order that the respondent fully<br />
understood the approach of the station to this general topic area.<br />
All editorial topics investigated held strong appeal amongst adults in the area. Among certain demographics there<br />
was strong appeal of particular topics<br />
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Section 105 (D): Evidence of Local Demand or Support 48
Very/Quite Interested...<br />
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In addition to all topics having strong levels of interest to the respondents, it was felt these areas were also highly<br />
appropriate to be covered on a station of this nature.<br />
Among potential listeners (those who said they would be very/quite likely to listen) levels of interest were higher than<br />
adults as a whole and among their favourite topics were local economic news, local issues and what’s on.<br />
There was strong interest in all types of news with local and regional news of most interest.<br />
<br />
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Our respondents indicated that they would prefer a knowledgeable but funny style of presentation.<br />
<br />
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This reflected closely how respondents felt sport should be covered i.e. not necessarily what personally appealed to<br />
them most.<br />
Over a third of the respondents stated that not having live coverage of football matches on a radio station meant they<br />
would either definitely not or probably not listen to it.<br />
Section 105 (D): Evidence of Local Demand or Support 49
Establishing Views from the Advertising Community<br />
The views of national and local advertisers were gathered to assist in the revenue projections as well understanding general<br />
levels of interest and support for PICCADILLY TALK.<br />
A short questionnaire was distributed by Key 103 advertising staff to local advertisers from across the region. We received<br />
29 responses from a variety of categories ranging from solicitors, electrical contractors to local government bodies.<br />
There was strong support among members of the local advertising community for the proposed PICCADILLY TALK format.<br />
86% agreed that the format will reach a different audience currently not served by commercial stations<br />
90% thought it appropriate Emap/Key 103 should run the station<br />
59% felt that it would expend the advertising options for their business<br />
45% said they would consider advertising on the station.<br />
62% said they would personally tune in to hear PICCADILLY TALK.<br />
Informal discussions were held with heads of radio among a selection of advertising agencies based in London. Emap<br />
Advertising staff gave a description of the proposed new service and then through informal discussion probed for views<br />
on how the station a) would effect choice for the advertiser b) would affect choice for listener c) the appropriateness of<br />
Emap running PICCADILLY TALK.<br />
We are always supportive of speech formats as we believe they offer a real alternative in a commercial radio marketplace<br />
that often provides listeners with very similar formats - any station that can take audience from the BBC increases advertiser<br />
choice.<br />
GEORGE HOWARD - HEAD OF RADIO, OMD<br />
Increased consumer choice in the commercial radio market place is something that we would actively encourage. A content<br />
based radio station in Manchester I think would prove very successful in such a dynamic city and would definitely be<br />
appealing to a number of our clients<br />
MANDY FOWLER - HEAD OF RADIO, ZENITHOPTIMEDIA<br />
Nice to see you offering something different to the area and I am sure the magazine format will go down well in the City as<br />
diverse as Manchester.<br />
PHIL MAHONEY - BROADCAST GROUP MANAGER, PHD<br />
Any opportunity to expand listener choice in Manchester with different formats to those that already exist is a positive one.<br />
An opportunity for a magazine style format will suit the Manchester region reflecting its cosmopolitan lifestyle. A speech<br />
based format would also appeal to a wide range of clients who are looking for an association with news content.<br />
MARK ROSE, BUSINESS DIRECTOR, MINDSHARE<br />
Current commercial services cater for 15-44s adequately, with formats that are predominantly music-based. There is<br />
therefore a gap in the market for a speech format that embodies the very strong character and spirit of Manchester. This<br />
type of station would certainly be appealing to advertisers.<br />
JONATHON BARROWMAN, HEAD OF RADIO, INITIATIVE MEDIA<br />
I am all for speech based stations and although we have seen some failures, for example in Edinburgh, I feel a magazine<br />
style format would resonate well with audiences in Manchester.<br />
CRAIG ROBINSON, HEAD OF UNILEVER RADIO<br />
<br />
Section 105 (D): Evidence of Local Demand or Support 50
Our clients are continually asking for new programming formats to tap into and often refer to the lack of opportunities away<br />
from music in radio. A speech based format in Manchester would offer this. From a commercial point of view it would aid<br />
the battle against the BBC especially if Emap utilised their content from their magazine portfolio which make for refreshing<br />
celebrity news.<br />
MATT LANDEMAN, HEAD OF RADIO, CARAT<br />
In a Manchester market place which continues to expand, a speech based station focused on the more cosmopolitan feel<br />
of Manchester will have real stand out and offer our clients something new and refreshing.<br />
ZOE SCHMID, HEAD OF RADIO, VIZEUM<br />
G) Full data tables for any quantitative research undertaken<br />
(these may be submitted in confidence).<br />
Please see Appendix 5 (A-J).<br />
<br />
Section 105 (D): Evidence of Local Demand or Support 51
7. Evidence of Support<br />
This section should provide evidence of support, where appropriate, from the applicant’s potential audience or from prospective<br />
local advertisers.<br />
Establishing Views from Leaders and Activists in the Community.<br />
‘We informally canvassed the views of leaders and activists. The lists were drawn from known leaders or activists in the<br />
local area of activity such as the arts, public health, ethnic groups, education, local government, universities, travel, local<br />
business and fire and rescue.<br />
Their quotes in support of our application are below.<br />
“We would very much welcome the introduction of a speech based station to further develop the already successful<br />
relationship and continue to communicate effectively with those who live and work in Greater Manchester.<br />
KATRINA DAVIS, HEAD OF CORPORATE COMMUNICATIONS, GREATER MANCHESTER FIRE AND RESCUE SERVICE<br />
“Manchester lacks a speech based radio station. As city of international repute with a diverse population, a fast growing<br />
business environment and a reputation for outspoken, independent thought, speech based radio is a gap in Manchester’s<br />
broadcasting market that needs to be filled. Given its demonstrable ability to produce intelligent, engaging and entertaining<br />
radio that meets the needs of its listeners, Key 103 are ideally placed to deliver a successful speech format and Manchester<br />
Airport fully supports their application for this licence.”<br />
RUSSELL CRAIG, GROUP HEAD OF EXTERNAL COMMUNICATIONS, THE MANCHESTER AIRPORTS GROUP<br />
“Your student placement programme has been a vital link with the industry and provided very many of our BA TV and Radio<br />
students and our Broadcast Journalism students with valuable work experience.<br />
Best wishes with the application. You can be assured of Salford University’s support.”<br />
MIKE HENFIELD MA, PROGRAMME LEADER, BA (HONS) JOURNALISM AND BROADCASTING<br />
“Manchester is a diverse and cosmopolitan city, and Key 103 is recognised as one of the leading commercial music stations<br />
here. Their knowledge of the city and its people, the vastly differing cultures, interests and life styles should give them<br />
the perfect platform to create a station that will become the ‘voice’ of Manchester.”<br />
SUE REDMOND, BRITISH AIRWAYS MEDIA RELATIONS MANAGER, NORTH OF ENGLAND<br />
“Key 103 has always played an important part in Manchester especially in helping to raise the city’s profile world wide,<br />
this is the only radio station which appeals to all ages, and with many different programs and excellent presenters what<br />
more could you ask for from a radio station keeping our vibrant city buzzing 24/7.”<br />
PHIL BURKE, SPOKESPERSON MANCHESTER PUB AND CLUB NETWORK<br />
“It’s certainly a station I’d listen to. There is a definite market for a station with a female slant and I’m sure it would be<br />
welcomed by women across Manchester.”<br />
ANGIE ROBINSON, CHIEF EXECUTIVE, GREATER MANCHESTER CHAMBER OF COMMERCE.<br />
“The Key 103 team in Manchester are old friends of ours. We have worked closely together on many campaigns including<br />
sexual health for first year students and the importance of hand-washing and hygiene for health care staff. They had an<br />
important role in getting vital information out to NHS staff during the fuel blockades and I find that they are always receptive<br />
to ideas, as well as originating many ideas of their own.”<br />
PROFESSOR JOHN ASHTON CBE, REGIONAL DIRECTOR OF PUBLIC HEALTH<br />
<br />
Section 105 (D): Evidence of Local Demand or Support 52
“I would like to offer my firm support for the application. As a teacher with responsibility for careers, work-related<br />
learning and enterprise education I have had a huge amount of support from the staff at Key 103 in developing my<br />
students understanding and awareness of both the role of the media - and specifically a commercial radio station with a<br />
proven record for news and sport in the Manchester area. The station has run tailor made courses for my students and<br />
offered support from members of the News and Sports team at special events within the school. The team has also played<br />
an active role on a Work-related learning and Enterprise education steering group.”<br />
CATHERINE COLLIER, SUBJECT LEADER BUSINESS, WORK-RELATED LEARNING, ENTERPRISE AND CAREERS EDUCATION,<br />
HARTSHEAD SPORTS COLLEGE, ASHTON-UNDER-LYNE.<br />
A talk radio station where there’s a chance for every ethnic community to give their views to Manchester is long needed<br />
and something the Asian community who by a majority are under 35, are crying out for’.<br />
ROBINA SHAH, BROADCASTER AND MEMBER OF THE ISLAMIC SOCIETY OF BRITAIN<br />
“ An all speech format allowing more time to debate important issues like “Smoke Free Manchester” is just the sort of<br />
radio station the area is crying out for. In my view an established and respected broadcaster like Key 103 is best placed<br />
to provide this.”<br />
EDNA BOAMPONG, COMMUNICATIONS AND CAMPAIGNS COORDINATOR, MANCHESTER PUBLIC HEALTH DEVELOPMENT SERVICE<br />
“I am pleased that the EMAP brand is pitching for a new predominately speech orientated station, an area which there is<br />
a definitely gap in the market in Manchester. I have always found KEY103 & Magic 1152 a professional, organised and<br />
efficient company to deal with. They have a focus on what enhances and benefits the city by using their relationships with<br />
key businesses within the area.<br />
Key 103 are one of our main media partners within the city and we work exceptionally close on a variety of campaigns.<br />
Their excellent programming department and creative sales and marketing teams are essential to our audience development<br />
as they maintain focused on their positioning within the city and is continually delivered through proven results.<br />
I wish EMAP all the success in their bid for a talk based station.”<br />
MADELEINE SHEEN, MARKETING MANAGER, PALACE THEATRE & OPERA HOUSE<br />
<br />
Section 105 (D): Evidence of Local Demand or Support 53
Declaration<br />
Applicants are required to conclude their submission by responding to the following question:<br />
Do you confirm that, to the best of your knowledge and belief:<br />
A) the applicant is not a disqualified person in relation to the licence by virtue of the provisions of section 143(5) of the<br />
Broadcasting Act 1996 (relating to political objects);<br />
B) no director or person concerned directly or indirectly in the management of the company or the applicant group is the<br />
subject of a disqualification order as defined by section 145(1) of the Broadcasting Act 1996;<br />
C)) no person involved in the application has been convicted within the past five years of an unlicensed broadcasting offence<br />
and that the applicant will do all it can to ensure that no person so convicted will be concerned in the provision of the service,<br />
the making of programmes included in it, or the operation of a radio station if the applicant is granted a licence; and<br />
D) any matters which might influence <strong>Ofcom</strong>’s judgement as to whether the directors and substantial shareholders involved<br />
in the application are fit and proper persons to participate in a radio licence have been made known to <strong>Ofcom</strong>?<br />
Applicants should note that <strong>Ofcom</strong> reserves the right to revoke a licence if at any time any material statement made is found<br />
to be false and to have been made by the applicant or any member or officer thereof knowing it to be false, and that in the<br />
circumstances of section 144 of the Broadcasting Act 1996, the provision of false information or the withholding of relevant<br />
information with the intention of misleading <strong>Ofcom</strong>.<br />
We confirm that this application is based on total acceptance and accuracy of the above statements.<br />
<br />
Section 105 (D): Evidence of Local Demand or Support 54