Quick Start Guide - M-Audio

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17 Evolution UC-33e Getting Started There are many ways to then interact with the setup from the MIDI Controller Keyboard and the UC-33. You could program the first four faders to send data on MIDI channels 1-4, the second four faders to send on channels 8-12. To control volumes you would set each of the faders to send MIDI controller 7. You could set up the rotary controls using the same MIDI channels to control filter resonance, cut-off and pan. If Sound Module (a) is XG compatible you would set the top rotary control to send MIDI controller 74 for cut-off and the next one down to 71 for resonance. The pan control should be set to send MIDI controller 10. If Sound Module (b) is GS compatible you would configure the rotary controls above the second four faders to send NRPN data to affect filter resonance and cut-off. Even though Sound Module (a) and (b) receive cut-off and resonance controls in different ways it is easy to program the UC-33 to take account of this. Next you could program the keypad buttons 1-9 to send MIDI note data to trigger lights on the lighting rig. It is possible to set the buttons to either latch on / off or to send note off on release. Using these two settings you could set some of the buttons to flash the lights and some of the buttons to act more like switches – you tap a button to switch a light on or off. Some lighting controllers use velocity to set the intensity or brightness of each light. Each of the buttons therefore could be set to trigger a light at a different intensity. Once set up and stored in a memory, the UC-33 would function as a fully able, easy to use control surface despite the relatively complex configuration of the other MIDI devices. Example Uses (b) (b). Controlling a MIDI Synthesizer and a Hard Disk Recorder In this example connect your UC-33 to your synth and connect the THRU from your synth to your hard disk recorder. It would then be possible to utilize the faders and rotary controls with the synthesizer to control any of its parameters in real time. A very simple example of this is to setup a multi-timbral sound with faders on the UC-33 controlling the individual timbres of the sound. You can then change the character of the sound as you are playing it. Perhaps set up some of the rotary controls to affect the envelope of a synth sound. Program the transport buttons on the UC-33 to send MIDI Machine Control messages for Stop, Play, Rewind and Fast-Forward. Program the Zero key on the numeric keypad to be Record. You can then use the UC-33’s transport controls to control your HD recorder. Start recording!... and when you’ve finished use the Master Volume fader to fade out.
Evolution UC-33e Getting Started Trouble-Shooting My Evolution hardware suddenly stopped working after having performed fine since installation. Switch off the unit and leave for 10 seconds. Then restart your computer and try again. If the problem persist you may have to re-install drivers for the unit. My drivers are listed in the Device Manager and are said to be working OK, but the keyboard is not recognised in any software. Win2000 and XP have a limitation to how many MIDI device drivers you can have installed at any one time. There is no indication that you are using the maximum number of drivers - the drivers will install as if there is not a problem. To fix this problem: Go to http://www.evolution.co.uk/support/faq/index.html and locate the above question. You will find a link to an exe file that will solve this problem for you. I have plugged in a sustain pedal to my Evolution keyboard, but it works the wrong way round. The polarity of the sustain pedal is calculated by the keyboard when it is powered up. On power up, the sustain pedal is assumed to be in the OFF position. So, if you want the sustain pedal to be off when it is unpressed, make sure the pedal is unpressed when you power up. When I press a key, there is a delay before I hear any sound. This delay is known as latency. Latency with MIDI signals is due to the soft-synth you are using. MIDI data is simply control data. The MIDI is read by the soft-synth. The soft-synth then completes a large number of complex calculations, in order to produce the sound you hear. All this takes time. We recommend getting a proper soundcard. You can get a decent one these days for under £30. If you already have an adequate sound card, try re-installing the latest drivers for the sound card, or try reducing the buffer sizes of the audio drivers. You can do this in the Sound Studio II and Sound Studio Pro II programs by going to 'Audio' – 'Audio system settings' where you can reduce the buffer sizes of the MME or ASIO drives. I can’t get any sound from my Evolution Software. In your software go to Options|Devices. Here you will see a list of MIDI Inputs and MIDI outputs. If you have MIDI inputs available, if no driver names appear in the Output column, you need to re-install your soundcard or update the soundcard drivers. The output column allows you to choose which output driver you want for generating the MIDI sounds. Most soundcards will have an option such as "FM synth" or "SBLive Synth". Click on these driver names to use the sounds of your soundcard for playback of MIDI data. If you just have a sound chip, the software synth to select may be like "Microsoft SW synth". Click on the driver name of your choice. Rule of Thumb: If you have numerous output drivers enabled (highlighted in blue) and cannot hear any output, de-select all but one of them and try again. Repeat this process until you hear some sounds. 18
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