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Analog Science Fiction and Fact - June 2013

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Vol. CXXXIII No. 6 Next Issue on Sale<br />

<strong>June</strong> <strong>2013</strong> May 7, <strong>2013</strong><br />

6 45<br />

SERIAL<br />

DARK SECRET, part III of IV, Edward M. Lerner __________________________ 67<br />

NOVELETTES<br />

A CUP OF DIRT, Mark Niemann-Ross ___________________________________ 6<br />

SHORT STORIES<br />

IN THE GREEN, K. S. Patterson_______________________________________ 26<br />

WAVEFRONTS OF HISTORY AND MEMORY, David D. Levine ______________ 31<br />

HYDROPONICS 101, Maggie Clark ____________________________________ 45<br />

OUT IN THE DARK, Linda Nagata _____________________________________ 58<br />

PROBABILITY ZERO<br />

GLITCH, Jack McDevitt______________________________________________ 39<br />

SCIENCE FACT<br />

WAVES OF THE FUTURE: WHERE WILL THE NEXT<br />

TSUNAMI STRIKE? Richard A. Lovett _______________________________ 18<br />

SPECIAL FEATURE<br />

WORKING ON THE SPACE SHUTTLE, Jeff Mitchell_______________________ 52<br />

READER’S DEPARTMENTS<br />

GUEST EDITORIAL: GEM HUNTING, Jamie Todd Rubin ____________________ 2<br />

IN TIMES TO COME ________________________________________________41<br />

THE ALTERNATE VIEW, Jeffery D. Kooistra _____________________________ 42<br />

THE REFERENCE LIBRARY, Don Sakers______________________________ 100<br />

BRASS TACKS ___________________________________________________ 104<br />

UPCOMING EVENTS, Anthony Lewis _________________________________106<br />

Trevor Quachri Editor Emily Hockaday Editorial Assistant<br />

Cover design by Victoria Green Cover Art by diversepixel/shutterstock<br />

Indicia on Page 3


GUEST EDITORIAL Jamie Todd Rubin<br />

GEM HUNTING<br />

If you have ever read Jack McDevitt’s wonderful<br />

Alex Benedict series, then you<br />

know that Alex is a treasure-hunter. Along<br />

with his companion, Chase Kolpath, he<br />

seeks relics of the distant past (sometimes<br />

thous<strong>and</strong>s of years in the past) for his clients.<br />

His clients pay for these relics, of course, but<br />

I get the idea that Alex is not in it for the<br />

money. He loves unraveling the mysteries<br />

<strong>and</strong> holding these treasures in his h<strong>and</strong>, even<br />

if only for a short time, admiring them for<br />

what they represent.<br />

While I am no Alex Benedict, I feel the<br />

same way about science fiction stories that<br />

Alex feels about the relics he seeks out. Each<br />

time I begin reading a story I’ve never read<br />

before, I get a little bit of a rush. It is similar<br />

to the feeling I get just before the first pitch<br />

of a baseball game, wondering whether or<br />

not I will witness history: a perfect game,<br />

perhaps, or maybe a no-hitter? I do believe<br />

there are “perfect” stories, but unlike the<br />

baseball game, “perfect” in this sense is relative<br />

to the reader’s tastes. Ray Bradbury’s<br />

“The Rocket Man” is one example. Harlan Ellison’s<br />

“The Man Who Rowed Christopher<br />

Columbus Ashore” is another. The newest<br />

member of this short list is Ken Liu’s “The Paper<br />

Menagerie.”<br />

Perfect stories are extremely rare, whatever<br />

your definition of perfection. I don’t expect<br />

to find perfect stories, just like I don’t<br />

expect to see a pitcher throw a perfect game.<br />

Lately, I’ve been actively looking for what I<br />

call “gems.” Gems are those great stories that<br />

aren’t talked about much. If they are older<br />

stories, perhaps they have been forgotten or<br />

overlooked. For the last two years I have<br />

been seeking gems in this magazine, albeit<br />

seventy years in the past. Beginning with the<br />

May 1939 issue of Astounding, I have been<br />

2<br />

reading every word of every issue, cover-tocover,<br />

on a hunt for these lost stories. It takes<br />

me about two weeks to get through an issue,<br />

after which I write a blog post about it. I call<br />

this my “Vacation in the Golden Age.” What<br />

has been truly remarkable about this experience,<br />

much to my surprise, is the number of<br />

gems that I’ve uncovered in the first forty issues<br />

alone.<br />

<strong>Analog</strong>/Astounding (I’ll refer to the magazine<br />

as ASF going forward) has, in its 82 year<br />

history, published thous<strong>and</strong>s of stories. The<br />

magazine, under John W. Campbell, was utterly<br />

dominant in the 1940s. Many of the stories<br />

from that decade <strong>and</strong> since are now classics<br />

in the genre, <strong>and</strong> it would undoubtedly<br />

surprise younger fans to learn that these stories<br />

were first published in ASF. For instance,<br />

there have been two movies called The<br />

Thing, both of which were based on the<br />

1938 ASF story “Who Goes There?” by Don<br />

A. Stuart. Stuart was a pseudonym for Campbell.<br />

Dune was made into a movie <strong>and</strong> a<br />

miniseries <strong>and</strong> was based upon Frank Herbert’s<br />

novel, which was originally a series<br />

that appeared in ASF in the 1960s. There are<br />

many other examples of these ASF classics,<br />

from Isaac Asimov’s Robot <strong>and</strong> Foundation<br />

stories in the 1940s to Anne McCaffrey’s<br />

Hugo Award-winning. “Weyr Search” in<br />

1967.<br />

The gems that I’ve been seeking don’t often<br />

coincide with the classics we know today.<br />

A Venn diagram would certainly show<br />

some small overlap, but it is the gems that<br />

don’t overlap with the classics that I find<br />

most interesting. These stories, one <strong>and</strong> all,<br />

have been remarkable not just because they<br />

are outst<strong>and</strong>ing stories, but because they are<br />

seemingly forgotten. I hear almost no one<br />

talking about them at conventions. I read lit-


tle about them in online discussions. It seems<br />

to me the proper thing to do, therefore, is to<br />

call your attention to a h<strong>and</strong>ful of these precious<br />

stones, if for no other reason than to<br />

ensure they are better remembered.<br />

I uncovered the first of these stories in the<br />

middle of the May 1939 ASF. The story, “The<br />

Day Is Done” was written by Lester del Rey.<br />

It caught my attention because I recalled<br />

Isaac Asimov mentioning the story in his autobiography.<br />

When I sat down to read the<br />

story, I noticed something immediately different<br />

about it from the other stories I’d been<br />

reading in the early ASF: the story contains<br />

no spaceships, no aliens, no time machines,<br />

no scientists of any kind. Instead, we follow<br />

the last days of Hwoogh, the last of the Ne<strong>and</strong>erthals,<br />

struggling to live in a world of<br />

Homo sapiens amongst whom he simply<br />

cannot compete.<br />

In the Brass Tacks columns that followed<br />

that issue, fans of the day complained that<br />

the story wasn’t really science fiction. I disagree<br />

with them. Del Rey does a masterful<br />

job of putting us inside the head of a character<br />

who is not on the “fittest” side of the “survival<br />

of the fittest” equation. Hwoogh <strong>and</strong> all<br />

of his kind have been outcompeted. Their<br />

day is done. “The Day Is Done” is on my<br />

short list of the best stories I’ve read. Fortunately,<br />

this story is still available in the NESFA<br />

Press collection Robots <strong>and</strong> Magic, edited by<br />

Steven H Silver.<br />

I discovered two more gems in 1939. The<br />

first, “Greater Than Gods” by C. L. Moore,<br />

appeared in the July 1939 ASF. That issue included<br />

what would much later be considered<br />

a star-studded lineup: Isaac Asimov’s first story<br />

in ASF; A. E. van Vogt’s first story. Also stories<br />

by Nat Schachner <strong>and</strong> Ross Rocklynne.<br />

JUNE <strong>2013</strong><br />

C. L. Moore wasn’t even the only woman in<br />

that issue. There was a story by Amelia R.<br />

Long. Moore’s “Greater Than Gods” was not<br />

only the best story in the issue, it was the<br />

best story ASF produced in the second half of<br />

1939. The story was philosophical, pondering<br />

the multiverse before the term even existed.<br />

It explored the theme with characters<br />

that seemed real, people with whom we<br />

could empathize. The story was reprinted in<br />

The Best of C.L.Moore as well as in Great <strong>Science</strong><br />

<strong>Fiction</strong> Stories of 1939, edited by Martin<br />

H. Greenberg.<br />

The second gem of 1939 was a robot story.<br />

Robot stories are a staple of science fiction<br />

made most famous, perhaps, by Isaac Asimov<br />

who, with Campbell’s help, developed the<br />

now-famous “Three Laws of Robotics.” There<br />

were earlier robot stories, including E<strong>and</strong>o<br />

Binder’s “I, Robot” <strong>and</strong> Lester del Rey’s “Helen<br />

O’Loy.” In my opinion, none of these<br />

reached the emotional level <strong>and</strong> compactness<br />

of a little story called “Rust” (October<br />

1939) by Joseph E. Kelleam. This is the tale<br />

of the last three robots on earth, long after<br />

humanity has vanished. The three robots can<br />

repair one another, but one of them has begun<br />

falling apart <strong>and</strong> can no longer repair his<br />

counterparts. This leads them, each in turn,<br />

to mechanical failure <strong>and</strong> demise, with the<br />

last one witnessing the end of his kind with<br />

the same quiet sadness experienced by del<br />

Rey’s character, Hwoogh, in “The Day Is<br />

Done.” After I read “Rust” I began to sing its<br />

praises as perhaps the finest robot story I’ve<br />

ever read. The story was reprinted several<br />

times, most notably in The Great <strong>Science</strong> <strong>Fiction</strong><br />

Stories, Volume 1, 1939 edited by Isaac<br />

Asimov <strong>and</strong> Martin H. Greenberg.<br />

In 1940, the Golden Age as we know it to-<br />

<strong>Analog</strong> <strong>Science</strong> <strong>Fiction</strong> <strong>and</strong> <strong>Fact</strong> (Astounding), Vol. CXXXIII, No. 6, <strong>June</strong> <strong>2013</strong>. ISSN 1059-2113, USPS 488-910, GST#123054108. Published monthly<br />

except for combined January/February <strong>and</strong> July/August double issues by Dell Magazines, a division of Crosstown Publications. One-year subscription $55.90<br />

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Canada Post International Publications Mail, Product Sales Agreement No. 40012460. (c) 2012 by Dell Magazines, a division of Crosstown Publications, all<br />

rights reserved. Dell is a trademark registered in the U.S. Patent Office. Protection secured under the Universal Copyright Convention. Reproduction or use<br />

of editorial or pictorial content in any manner without express permission is prohibited. All stories in this magazine are fiction. No actual persons are designated<br />

by name or character. Any similarity is coincidental. All submissions must be accompanied by a stamped self-addressed envelope, the publisher<br />

assumes no responsibility for unsolicited manuscripts or artwork.<br />

GEM HUNTING<br />

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3


ANALOG<br />

day really began to take off. The year opened<br />

with my favorite Robert Heinlein story, “Requiem.”<br />

There was Nat Schachner’s “Cold”<br />

(March 1940), Theodore Sturgeon’s “Butyl<br />

<strong>and</strong> the Breather” (October 1940) <strong>and</strong> Willy<br />

Ley’s “Fog” (December 1940, written under<br />

the pseudonym Robert Willey). But the unexpected<br />

gem that year was the L. Ron Hubbard<br />

serial, “Final Blackout” (April, May, <strong>June</strong><br />

1940). “Final Blackout” follows a nameless<br />

Lieutenant leading his b<strong>and</strong> of men through a<br />

war-devasted Europe. In many respects the<br />

story was a contemporaneous alternate history.<br />

Rather than follow the broad historical<br />

strokes, Hubbard chose to focus on this<br />

small, tight-knit group (as was the case in<br />

Saving Private Ryan) in a technologically ruined<br />

European l<strong>and</strong>scape. It made for a powerful<br />

story, in my opinion the finest thing<br />

that Hubbard ever wrote. “Final Blackout”<br />

was put out as a novel first in 1948 <strong>and</strong> more<br />

recently in 1998.<br />

In 1941, one of my favorite Heinlein novels<br />

was serialized. “Methuselah’s Children” appeared<br />

across the July, August <strong>and</strong> September<br />

issues of ASF. Isaac Asimov’s “Nightfall”<br />

appeared in the September 1941 issue <strong>and</strong><br />

Theodore Sturgeon’s “Microcosmic God” appeared<br />

in the April 1941 ASF. All of these stories<br />

are fantastic, but the real gem that I<br />

found buried in the yellowed pages of 1941<br />

was the lead novelette for the February 1941<br />

TREVOR QUACHRI ........................................Editor<br />

EMILY HOCKADAY.........................Editorial Assistant<br />

MARY GRANT ................................Editorial Assistant<br />

CARISA MCLAUGHLIN ........Editorial Admin Assistant<br />

JAYNE KEISER............................Typesetting Director<br />

SUZANNE LEMKE.........Assistant Typesetting Manager<br />

KEVIN DORIS ................Senior Typesetting Coordinator<br />

VICTORIA GREEN ........................Senior Art Director<br />

CINDY TIBERI ..................................Production Artist<br />

LAURA TULLEY ................Senior Production Manager<br />

JENNIFER CONE .......................Production Associate<br />

ABIGAIL BROWNING................................Manager,<br />

Subsidiary Rights <strong>and</strong> Marketing<br />

TERRIE POLY .....................Digital Publishing Manager<br />

SANDY MARLOWE......................Circulation Services<br />

issue, “Magic City” by Nelson S. Bond. The<br />

story, which I later learned was the second in<br />

a loosely-connected series, was a kind of<br />

post-apocalyptic travelogue of a b<strong>and</strong> of men<br />

<strong>and</strong> women making their way to a city once<br />

known as New York. In some ways it foreshadowed<br />

a new kind of story; the kind that<br />

would lead to “A Canticle For Leibowitz” by<br />

Walter M. Miller, Jr. <strong>and</strong> “They Don’t Make<br />

Life Like They Used To” by Alfred Bester.<br />

“Magic City” was reprinted in 2002 in the<br />

collection The Far Side of Nowhere by<br />

Arkham House.<br />

As regular readers know, ASF publishes not<br />

only stories but science articles as well. This<br />

is true today <strong>and</strong> it was true seventy years<br />

ago. When I began my search for these gems,<br />

I had stories in mind. But I found myself impressed<br />

with a number of the science articles<br />

that appeared. One in particular has stood<br />

out among all of the others that appeared in<br />

the first 40 issues of my Vacation. “The Other<br />

Side of Astronomy” (September 1939) by<br />

R. S. Richardson was a remarkable article that<br />

talked about the trials <strong>and</strong> tribulations of the<br />

day in the life of an astronomer. Richardson’s<br />

colloquial style, self-deprecation, <strong>and</strong> obvious<br />

dedication to his career made this article<br />

the finest that I’ve read in the early years of<br />

ASF. Even so, Willy Ley has been close on his<br />

heels once or twice.<br />

Seeking out these gems—<strong>and</strong> for the<br />

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Publisher<br />

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Senior Vice President<br />

Sales, Marketing, <strong>and</strong> IT<br />

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Vice President,<br />

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Vice President,<br />

Design <strong>and</strong> Production<br />

Published since 1930<br />

First issue of Astounding<br />

January 1930 ©<br />

4 JAMIE TODD RUBIN


ecord, I have yet to find one in 1942, despite<br />

having read 11 of the 12 issues that<br />

year—has given me a new appreciation for<br />

slush piles. Writers often look upon the notion<br />

of a slush pile with suspicion. “Why,”<br />

they might think, “would an editor bother to<br />

look at stories in the slush pile, when they<br />

are certain to get a usable story from one of<br />

their reliables?”<br />

I am no editor, but I have to suspect part of<br />

the answer lies in the gems. An editor takes<br />

the same pleasure in seeking out gems in the<br />

slush pile that I find digging them out of the<br />

old pages of ASF. The experience has<br />

changed the way I read science fiction magazines.<br />

I used to read the stories by friends<br />

first. Next, I’d tackle stories by writers I’ve always<br />

admired. It used to be that if I didn’t<br />

recognize someone’s name, I would skip the<br />

story. Not anymore. The reason is because<br />

you never know if that story with an unfamiliar<br />

name is going to be the next gem. I imagine<br />

the same is true of an editor <strong>and</strong> their<br />

slush pile.<br />

There is also a pleasure in time-traveling<br />

into science fiction’s past. Each lunch hour, I<br />

am transported back into the early 1940s.<br />

GEM HUNTING<br />

JUNE <strong>2013</strong><br />

The world is at war <strong>and</strong> at times, things look<br />

bleak. But there, within the pages of ASF,<br />

bright people are imaging moon l<strong>and</strong>ings <strong>and</strong><br />

cities on Mars. They are exploring different<br />

models of society. They envision robots <strong>and</strong><br />

automation <strong>and</strong> video phones <strong>and</strong> flying<br />

cars. And, much like discussion boards on<br />

the Internet today, they are duking it out in<br />

the Brass Tacks column, holding the 1940s<br />

equivalent of a modern-day flame war.<br />

And occasionally, they produce a gem. ■<br />

About the Author:<br />

Jamie Todd Rubin is a science fiction writer<br />

<strong>and</strong> blogger with stories appearing in <strong>Analog</strong>,<br />

InterGalactic Medicine Show, Apex<br />

Magazine, Daily <strong>Science</strong> <strong>Fiction</strong> <strong>and</strong> 40K<br />

Books. He wrote the Wayward Time Traveler<br />

column on science fiction for SF Signal,<br />

<strong>and</strong> occasionally appears on the SF Signal<br />

podcast. Jamie also writes book review <strong>and</strong><br />

interview columns for InterGalactic Medicine<br />

Show.<br />

Jamie lives in Falls Church, Virginia with<br />

his wife <strong>and</strong> two children. He can be found<br />

online at jamietoddrubin.com.<br />

5


Enzo <strong>and</strong> Dmitry sat in the galley of the<br />

space station unencumbered by EVA<br />

suits, eating dinner <strong>and</strong> appreciating being<br />

able to scratch their faces. Olya<br />

Sidorova, the older, taller, <strong>and</strong> blonder of the<br />

much-lusted-after Sidorova sisters tried to eat<br />

6<br />

Illustrated by Vincent DiFate<br />

A Cup<br />

of Dirt<br />

Mark Niemann-Ross<br />

Dirt is what you track into the space station.<br />

Soil is what you grow things in.<br />

between interruptions from the kitchen.<br />

Three plates held construction-worker sized<br />

quantities of spaghetti with tomatoes from<br />

the hydroponic gardens.<br />

The galley was small, so it was logical for<br />

Olya to be sitting close to Dmitry. Close


enough that her blonde hair stuck to the static<br />

electricity of his sweater.<br />

“Izvinite,” Olya said. She reached across<br />

Dmitry’s plate for a napkin.<br />

She could have retrieved a napkin from the<br />

dispenser behind her, but instead invaded his<br />

personal space, flashing a smile. Olya’s smile<br />

had caused several rocket scientists to lose<br />

concentration. Dmitry blushed <strong>and</strong> focused<br />

on his spaghetti.<br />

“Olya, dinner is delizioso,” Enzo said. He<br />

waved a chunk of tomato with his fork.<br />

“These remind me of tomatoes from my<br />

home.”<br />

“Comrade Enzo, you never could grow<br />

tomato like my Nana.” Dmitry swallowed,<br />

then spun the fork to point at his fellow station<br />

worker. “Hydroponic dermo tomato lack<br />

soul of real tomato when plant seed in fertile<br />

earth. This tomato—processed urine in red<br />

skin—Bah.” Dmitry forked, shoveled, looked<br />

up <strong>and</strong> chewed with Russian enthusiasm.<br />

Enzo’s English vocabulary was ten times<br />

that of Dmitry’s, but he had nothing to say. He<br />

pictured his family’s fattoria in the Tuscan<br />

Valley of Italy. There, gardens are a status symbol<br />

<strong>and</strong> the absence of a flock of sheep is an<br />

eyesore. Enzo remembered one uncle who<br />

gained a black eye by carelessly disparaging a<br />

neighbor’s produce. Dmitry’s complaints<br />

about hydroponic tomatoes hadn’t been addressed<br />

directly at him—Enzo wasn’t much of<br />

a gardener—but his ancestral conditioning<br />

viewed it as a challenge. Soil-grown tomatoes<br />

on a space station. Irrational, impossible—exactly<br />

the kind of problem Enzo couldn’t ignore.<br />

Enzo twirled spaghetti <strong>and</strong> daydreamed<br />

about the home he hadn’t seen for the better<br />

part of a year. The installation of the Italian<br />

science module proceeded along a predictable<br />

<strong>and</strong> boring timeline. A good thing,<br />

considering the alternative to boredom often<br />

involved sudden <strong>and</strong> cold death. But Enzo<br />

thrived on challenges, <strong>and</strong> anyone who knew<br />

him, knew trouble could soon follow.<br />

Enzo’s job as the module manager required<br />

an engineer’s knowledge <strong>and</strong> a comm<strong>and</strong>er’s<br />

self-confidence. Unfortunately, these rare<br />

combinations of personalities were Il Demonio’s<br />

playground. Enzo encouraged <strong>and</strong> enabled<br />

his college engineering class to reassemble<br />

a professor’s skimmer in the<br />

A CUP OF DIRT<br />

JUNE <strong>2013</strong><br />

women’s locker room. And to launch laserguided<br />

water balloons during freshman visitation.<br />

Solving offbeat problems was Enzo’s<br />

drug of choice.<br />

A buzzer sounded in the kitchen, calling<br />

Olya to action <strong>and</strong> bringing Enzo back to the<br />

galley.<br />

“Bus dishes!” she shouted as she left, swearing<br />

in Russian when a second stove alarm<br />

joined the chorus. Dmitry turned to appreciate<br />

the backside of the departing cook, but<br />

the entrance of Captain Theresa Jerwin broke<br />

his moment of concentration. Sharing a room<br />

with the Station Captain had a highly clarifying<br />

effect. Some described it as terrifying.<br />

“Gentlemen,” she said. Captain Jerwin gave<br />

them a dismissive nod <strong>and</strong> strode to the coffee<br />

machine.<br />

She filled her sippy-cup <strong>and</strong> turned to regard<br />

the engineers. One of the older members<br />

of the station, her efforts to retain bone mass<br />

had kept her looking like the sprinter she had<br />

been at the University of Oregon. She excelled<br />

in the nascent sport of orbital Judo <strong>and</strong> several<br />

visiting athletes were surprised to find themselves<br />

on the receiving end of her chokehold.<br />

“How’s the food?” she asked.<br />

“Good. Fine,” said Enzo.<br />

“Tomatoes are dermo,” said Dmitry. “My<br />

Nana grow better at home.”<br />

“Perhaps we need to assign you to the hydroponics<br />

bay,” Captain Jerwin pasted a terrifying<br />

grin on her face. “I’m sure they would<br />

appreciate the talents <strong>and</strong> opinions of someone<br />

with discerning tastes such as yourself.”<br />

Enzo wasn’t sure Dmitry could read the implied<br />

threat <strong>and</strong> kicked him under the table.<br />

Captain Jerwin was likable, but had a limited<br />

sense of humor.<br />

She had learned self-defense on Earth as a<br />

Director at NASA, although her opponents<br />

were bean counters <strong>and</strong> the contest had been<br />

funding space exploration, not Judo. Captain<br />

Jerwin’s passion had been sharpened by the<br />

aftermath of an unexpected bolt failure on a<br />

previous station, tragically resulting in the orbiting<br />

object known as “CPTN_ABDUL_RAH-<br />

MAN.” Her presentation at a Congressional<br />

hearing showed the failure was a result of illadvised<br />

budget cutbacks by a red-faced Representative.<br />

She exhibited an “I would kill you if<br />

I could reach you” stare which had been<br />

recorded <strong>and</strong> reached most-popular status on<br />

7


ANALOG<br />

the Internet.<br />

A death on this station wouldn’t improve<br />

shareholder value <strong>and</strong> the Corporation gave<br />

her god-like powers to prevent it. Captain Jerwin<br />

kept the crew happy <strong>and</strong> safe. The crew<br />

kept Captain Jerwin on a pedestal. Dmitry <strong>and</strong><br />

Enzo didn’t relax until she departed from the<br />

galley.<br />

Enzo thought about soil when he took a<br />

bath. Water from his sponge disappeared<br />

through vacuum ports, taking dirt with it.<br />

Enzo thought about soil as he passed through<br />

airlocks. A quick shake <strong>and</strong> a blast of air sent<br />

dirt through the floor vents. Growing tomatoes<br />

in soil would be hampered by the stationwide<br />

absence of dirt. Dirt was nasty stuff with<br />

no purpose; its presence led to component<br />

failures. Soil had no ‘return on investment’<br />

<strong>and</strong> the shuttle schedule wouldn’t prioritize a<br />

bag of mulch over a piece of necessary lab<br />

equipment.<br />

Tomato seeds would be easy enough. His fidanzata,<br />

Amata, would gladly send some in<br />

the next personal package, included with<br />

chocolate chip cookies deemed essential for<br />

crew morale. Water wasn’t an endless resource,<br />

but he would be able to satisfy a plant.<br />

Abundant sunlight waited just outside the<br />

hull.<br />

But—soil. How do you make soil in a sterile<br />

environment?<br />

It was no problem on Earth. Take a shovel,<br />

get as much as you want. If needed, amend it<br />

with minerals, mulch, or worms <strong>and</strong> compost.<br />

On Earth, soil inevitably happened.“Ashes<br />

to ashes, dust to dust.” On a space station,<br />

soil was an anomaly, a pest. Station procedure<br />

manuals were clear; “All personnel will complete<br />

pre-orbital sanitation procedures to<br />

prevent contamination of the facility by foreign<br />

bodies.”<br />

Enzo researched the Internet. Googling<br />

“make dirt” produced some unexpectedly<br />

racy results. Googling “create dirt” produced<br />

no useful results; Earth had no need to make<br />

more. Googling “manufacturing soil” resulted<br />

in pages of information on removing it from<br />

clean environments such as manufacturing facilities<br />

or space stations. Enzo chased the idea<br />

until falling asleep; he dreamt of his beloved<br />

Amata digging in the garden.<br />

8<br />

Eleven hours later, Dmitry <strong>and</strong> R-Eva (the<br />

Robotic Extravehicular Automaton) floated<br />

outside the station. The robot was remotely<br />

operated, saving an operator from the ordeal<br />

of suiting up. Above the waist R-Eva was humanoid,<br />

complete with arms, h<strong>and</strong>s, <strong>and</strong> a<br />

protective helmet around stereo video cameras.<br />

But instead of legs, R-Eva had a tail ending<br />

in an EVA clamp.<br />

R-Eva was controlled by Antoniy, a babyfaced<br />

Ukrainian with a master’s in orbital engineering.<br />

He was one of the few qualified<br />

(<strong>and</strong> well-paid) R-Eva operators. Corporate<br />

headhunters had tried to recruit him for other<br />

projects, but he always turned down their offers.<br />

Experience on the station put him closer<br />

to the stars <strong>and</strong>—hopefully—a career among<br />

them.<br />

Antoniy wore VR glasses showing the view<br />

from R-Eva’s perspective <strong>and</strong> gave the sensation<br />

of being outside, wearing only a jumpsuit.<br />

R-Eva mimicked everything Antoniy did,<br />

so training had included learning not to<br />

scratch one’s anatomical parts. Woe to the operator<br />

who forgot <strong>and</strong> found video evidence<br />

of their embarrassing moment broadcast to<br />

the world.<br />

R-Eva might be convenient, but trickier procedures<br />

required a h<strong>and</strong>s-on spacewalk. Dmitry<br />

was fastening connectors on the outside of<br />

the hull with Enzo providing guidance from<br />

inside, st<strong>and</strong>ing next to Antoniy.<br />

“I’ve been asked to confirm the arrangements<br />

for air recirculation,” Enzo said to Antoniy.<br />

“Will there be enough flow to make it<br />

through both filtration <strong>and</strong> sterilization?”<br />

“Da, plenty airflow,” Antoniy affirmed. He<br />

looked down at a virtual bolt in his virtual<br />

h<strong>and</strong>. “Sterilizer close to module joint. Air<br />

come in, get cleaned, right back out.”<br />

“But only if Antoniy install correctly,” Katya<br />

Sidorova’s voice laughed over the intercom.<br />

Katya was Olya’s younger sister <strong>and</strong> had red<br />

hair, blue eyes, <strong>and</strong> a degree in electrical engineering.<br />

The medical staff asserted they<br />

could determine Katya’s location just by observing<br />

heart rate telemetry of the station personnel.<br />

Currently she was checking diagnostics<br />

inside the Italian module. She had also<br />

been checking out Antoniy, who was too shy<br />

to respond, but this hadn’t stopped her from<br />

being persistent. Katya may have been the<br />

reason Antoniy turned down offers to move<br />

MARK NIEMANN-ROSS


to other projects.<br />

“If Antoniy distracted, air systems do not<br />

work <strong>and</strong> moosor float free,” Katya continued,<br />

slipping into Russian for “garbage.”<br />

That’s the answer, realized Enzo.<br />

The human body pollutes. It emits noxious<br />

gasses. It sheds dead tissue. It excretes waste.<br />

Large parts of the station were dedicated to<br />

cleaning air <strong>and</strong> water after use by various organs.<br />

Most interesting to Enzo, filtration systems<br />

removed floating bits of filth.<br />

“Is filtration located near the sterilizer?”<br />

asked Enzo.<br />

“Same thing,” said Antoniy. He h<strong>and</strong>ed a<br />

virtual bolt to Dmitry. “Sterilize. Filter. One<br />

unit. Cheaper to maintain. Air flow in, sterilize,<br />

filter, air go back. New filter every<br />

month.”<br />

“What happens to the used filters?”<br />

Antoniy paused for a minute. He gently<br />

reached into the air, grasped a non-existent<br />

connector, then replied. “Filters sampled <strong>and</strong><br />

sealed. Test moosor for pathogens, send to incinerator.”<br />

Incineration meant a fiery re-entry<br />

into atmosphere.<br />

“How much filtrate do you test—<strong>and</strong> is it<br />

returned to the rest of the collection bag?”<br />

“One cc, eight filters. Keep samples for<br />

month, then throw down with next bag.” Antoniy<br />

absently responded while he h<strong>and</strong>ed another<br />

bolt to Dmitry.<br />

“I’d like to use some for testing. Instead of<br />

throwing them away, could I have them?”<br />

“If you want moosor, take. I show to you<br />

where samples are stored. Take last day of<br />

month or I throw out.” Antoniy picked up another<br />

imaginary bolt <strong>and</strong> h<strong>and</strong>ed it to Dmitry,<br />

leaving Enzo to contemplate his potential supply<br />

of raw material.<br />

* * *<br />

With the station under construction, the<br />

outer ring contained pressurized but unassigned<br />

rooms. Later, these would become officer’s<br />

quarters, labs <strong>and</strong> storage areas—but<br />

for now, the crew occupied them <strong>and</strong> Enzo<br />

enjoyed a bit of privacy. The door didn’t lock<br />

but he had a hidden place to store his<br />

moosor.<br />

“Antoniy,” yelled Katya. She walked past<br />

Enzo’s room, deep into male territory. “You<br />

are wearing clothes?”<br />

The station ring had been divided into<br />

three areas: men, women, <strong>and</strong> couples. Visi-<br />

A CUP OF DIRT<br />

JUNE <strong>2013</strong><br />

tors weren’t prohibited, but protocol suggested<br />

an announcement when crossing boundaries—shower<br />

stalls were a shared facility.<br />

Katya had decided it was more convenient to<br />

walk through the men’s area—<strong>and</strong> past Atnoniy’s<br />

room—when she needed access to<br />

the science labs.<br />

“I don’t think Antoniy is here,” said Enzo.<br />

He called through his door as he put on his<br />

shoes. “I’m going to meet him at the maintenance<br />

lab. Would you like to come along?”<br />

“Da!” Katya enthusiastically responded.<br />

Enzo walked out of his room <strong>and</strong> stopped.<br />

Katya Sidorova wore makeup.<br />

Makeup on a girl is pleasant. Makeup on a<br />

girl on a space station is wildly extravagant. At<br />

an orbiting cost of roughly one dollar per<br />

gram, a small tube of eyeliner cost two dollars<br />

to ship into space. Lipstick cost five dollars.<br />

Shampoo cost $340. Katya had invested a<br />

small, but significant, portion of her discretionary<br />

payload into the pursuit of Antoniy.<br />

Enzo tried not to stare.<br />

Ten meters around the ring <strong>and</strong> a progressively<br />

easier climb of fifty meters up a spoke;<br />

they reached the nearly weightless maintenance<br />

room. Just enough gravity to keep projects<br />

in place, but not enough to prevent<br />

climbing the walls. Antoniy stood in front of a<br />

beheaded R-Eva, cleaning lenses <strong>and</strong> cameras.<br />

Adrienne, an attractive French girl, sat at the<br />

station next to him. She smiled at Antoniy, listening<br />

to a story he was telling.<br />

“Antoniy, I’m here to pick up some filtrate,”<br />

said Enzo. Adrienne abruptly turned<br />

back to her project area.<br />

Katya entered the room behind Enzo. “And<br />

I here to pick up Antoniy,” she said. Katya had<br />

not missed Adrienne’s furtive move.<br />

At Katya’s voice, Antoniy turned <strong>and</strong><br />

blushed.<br />

“Da. Moosor there. Behind door.” Antoniy<br />

spoke to Enzo, but stared at Katya. Enzo<br />

moved across the room to inspect the filtrate,<br />

opening a clear path for Katya to assess the situation.<br />

“Antoniy, dorogoy,” Using the low gees to<br />

exaggerate her swinging hips, Katya moved to<br />

st<strong>and</strong> between Antoniy <strong>and</strong> Adrienne. The reduced<br />

gravity allowed her to accidentally<br />

bump up next to him, <strong>and</strong> with deliberation,<br />

she flipped her long braid over her shoulder.<br />

It floated into Adrienne’s project area, leaving<br />

9


ANALOG<br />

Adrienne to bat at the semi-floating intruder.<br />

“Tell me what is this?” Katya asked. She<br />

glanced at R-Eva’s head, then looked up to Antoniy.<br />

Antoniy stammered <strong>and</strong> tried not to direct<br />

his gaze where he most wanted to look.<br />

Katya’s degree in electrical engineering had<br />

not stunted her femininity, nor her ability to<br />

monopolize the thoughts of a man. Enzo felt<br />

bad for Adrienne’s discomfort <strong>and</strong> wondered<br />

what might happen to a more serious competitor<br />

for Antoniy’s attention. He took his filtrate<br />

<strong>and</strong> left, wisely deciding there was no<br />

further need of his presence.<br />

Enzo looked at the eight CC of filtrate. Collecting<br />

enough to plant a tomato would take<br />

time, but as long as the crew continued to<br />

shed their skin he’d eventually have a bowl of<br />

nutritionally deficient organic dust.<br />

Enzo knew the creation of soil would be<br />

classified as an unsanctioned biological experiment.<br />

Any number of PhDs would actively<br />

object to the skunk-works project when<br />

their research was being delayed. Station operations<br />

didn’t care about PhD empire-building<br />

concerns, but they sure as hell would<br />

strongly discourage anything with a potential<br />

to cause a clean-room failure. He thought it<br />

best to keep things quiet.<br />

But filtrate wasn’t fertile soil. As a boy, he<br />

carried compost to all corners of the fattoria.<br />

He blamed the unending job for his mental<br />

block of agriculture <strong>and</strong> resulting civil engineering<br />

degree, but fully understood the necessity.<br />

Tomatoes would need minerals <strong>and</strong><br />

organics. He pondered stealing chemicals<br />

from the hydroponics lab, but that would be<br />

difficult <strong>and</strong> somewhat contrary to his self-imposed<br />

rules of the game—an unfair shortcut.<br />

He needed rotting vegetables.<br />

“Olya, what do you do with the food wastes?<br />

How do you break it down for the plants in hydroponics?”<br />

Enzo queried the cook over dinner.<br />

Dmitry quietly shoveled in his food.<br />

Olya reached across Dmitry’s plate for the<br />

saltshaker, shook it <strong>and</strong> wetted a finger to<br />

pick up the small amount. Licking it from her<br />

finger, she pointed her blue eyes at Enzo.<br />

“Incinerator. Too much spices <strong>and</strong> meat.<br />

Wrecks hydroponics then no dermo tomato<br />

for Dmitry.”<br />

She looked at Dmitry, who smiled at being<br />

mentioned but continued to focus on his<br />

plate of food.<br />

Later, Enzo found an opportunity to w<strong>and</strong>er<br />

past the kitchen. “Chort voz’mi!” Olya’s voice<br />

rose amidst a chorus of buzzers <strong>and</strong> the clatter<br />

of a dropped bowl. She bent to scoop up<br />

the spilled pan of re-hydrating textured vegetable<br />

protein.<br />

“Can I help?” Enzo asked.<br />

Olya jumped <strong>and</strong> spun to face Enzo, suddenly<br />

aware of his presence. “Nyet. This is<br />

fine. You are back, would you like coffee?”<br />

“Um . . . I hoped to find out more about<br />

food wastes,” Enzo asked. “I’m doing some research<br />

<strong>and</strong> hoped to get some samples.”<br />

“Antoniy says you collect moosor,” Olya<br />

leaned back on the counter, holding the pan<br />

of scooped-up TVP. “You need more? You like<br />

messy room, garbage lying around?”<br />

“Uh, I’m . . . doing some research on . . .”<br />

“You are not good liar, Enzo,” Olya put<br />

down the pan <strong>and</strong> wiped her h<strong>and</strong>s. “You<br />

have dust, now you need old food. Tell me<br />

what you research.”Olya flashed a smile, melting<br />

Enzo’s self-reserve.<br />

“Er. Okay . . . I’m going to grow tomatoes,”<br />

admitted Enzo. “The dust <strong>and</strong> food waste are<br />

for making soil. When I have enough, I’ll plant<br />

seeds, <strong>and</strong> then surprise Dmitry with a real<br />

soil-grown tomato.”<br />

Enzo stopped, knowing the space station<br />

owners wouldn’t want to hear about soil being<br />

created on-board. Perpetrators would likely<br />

be sent Earthside <strong>and</strong> Olya was now in the<br />

uncomfortable position of either informant or<br />

collaborator.<br />

“Soil tomato for Dmitry?” Olya crossed her<br />

arms <strong>and</strong> smirked at Enzo. Her lips worked<br />

side to side, mirroring the thoughts behind<br />

her eyes.<br />

“I like,” Olya said. “I supply ground up vegetable<br />

scrap, rescued from trash of sloppy<br />

eaters. No meat. How much you need?”<br />

Enzo needed far less than Olya supplied.<br />

Perhaps Olya was interested in gaining Dmitry’s<br />

attention. Like Antoniy, Dmitry was shy,<br />

but the sisters appeared to like the hard-to-get<br />

Russian boys.<br />

“How is research?” Olya often whispered to<br />

Enzo, but only when Dmitry was out of<br />

earshot.<br />

10 MARK NIEMANN-ROSS


Unfortunately, “research” was not going<br />

well. Enzo mixed the compost puree with filtrate<br />

but only created a dry salsa. The combination<br />

quickly went rancid, growing mold. He<br />

needed a processing facility to convert the<br />

powdered human cast-offs into component<br />

minerals <strong>and</strong> organics. It was so easy to compost<br />

on Earth with its teeming mass of bugs<br />

<strong>and</strong> critters—but impossible here. Absently,<br />

he poked the moldy salsa, wiped off his finger,<br />

slung back into his hammock <strong>and</strong> dialed<br />

up his fidanzata.<br />

“Enzo, amore mio! How are you?” Amata<br />

appeared on the screen, Tuscan fields in the<br />

background. “I wondered when you were going<br />

to call.”<br />

Amata had studied biochemical engineering<br />

at the same university as Enzo, with a minor<br />

in botany. Engineering was her career; plants<br />

were her passion. Enzo admired the l<strong>and</strong>scape<br />

with a new appreciation for all the free<br />

soil lying around.<br />

“Things are good, Amata. Working on a few<br />

minor problems, but the module install is going<br />

perfettamente.”<br />

“So you will be coming home early?” Amata<br />

laughed. She placed the phone on a shelf, giving<br />

Enzo a view of her in the garden shed. She<br />

was always willing to talk but her h<strong>and</strong>s were<br />

constantly in motion. She scooped the contents<br />

of the kitchen compost bucket into a<br />

bin.<br />

“Sorry, no changes to the schedule.” Enzo<br />

watched Amata work, watched her dark hair.<br />

Enzo refocused <strong>and</strong> recited the station gossip,<br />

but his attention drifted to the background—<br />

the potting soil, the green plants, the fertilizer.<br />

“What are you doing?” Enzo asked.<br />

“Just feeding the worms.”<br />

With a flock of chickens arguing off-camera,<br />

she described the healthy state of the<br />

worm farm, the egg bundles she had recently<br />

found, <strong>and</strong> the amount of castings.<br />

Enzo slapped his head. “Amata, would you<br />

send me a care package? I have a special request.<br />

. . .”<br />

He explained his needs <strong>and</strong> Amata shook<br />

her head, placing her h<strong>and</strong> on her hip. “I can<br />

do this. But if you get into trouble, make sure<br />

they return you directly to me for disciplining.”<br />

“Cargo container ATE 23.55 successfully<br />

A CUP OF DIRT<br />

JUNE <strong>2013</strong><br />

docked. Shuttle Tiberius clear. Enjoy the<br />

toys.” The departing shuttle extinguished its<br />

floodlights <strong>and</strong> drifted to the next docking<br />

station.<br />

Inside the station, Dmitry equalized pressure<br />

with the cargo container, opened the airlock<br />

<strong>and</strong> floated through. Enzo could hear<br />

him unsnapping clamps; he quickly reappeared,<br />

pushing the perishables container.<br />

Too many flash-frozen bottles of good Russian<br />

vodka had resulted in grumblings from the<br />

crew, so the captain arranged a compromise.<br />

Each cargo container included a limited volume<br />

of warm, pressurized storage. In exchange,<br />

construction would get back on<br />

schedule.<br />

Captain Jerwin knew to play the politics<br />

<strong>and</strong> insisted on personally distributing the<br />

contents. She refused to wear the Station’s<br />

Santa Claus suit while she performed this task,<br />

but the event was clearly festive.<br />

“Enzo, you have a package from Amata,”<br />

Captain Jerwin announced. “Is this from your<br />

farm?”<br />

“Sì,” Enzo said. “Something special from my<br />

fidanzata.”<br />

“I’m not going to have to confiscate this,<br />

am I?” asked the Captain. “We can’t be introducing<br />

contaminates....”<br />

Enzo froze. Had the Captain somehow<br />

learned the contents of the package? He<br />

quickly examined the seal—still intact. He<br />

started to formulate a response.<br />

“. . . After all, chocolate-chip cookies are a<br />

special kind of contrab<strong>and</strong>,” continued Captain<br />

Jerwin. “I’d hate to have to eat them all<br />

myself in the name of station cleanliness.”<br />

Captain Jerwin was smiling. Enzo realized<br />

she was joking. He resumed breathing.<br />

“Amata sends you cookies?” Dmitry whispered.<br />

“Drinking vodka later, you bring!”<br />

“Gotta go, Dmitry,” mumbled Enzo as he<br />

h<strong>and</strong>-climbed out of the zero-gee dock in the<br />

hub of the station. “I’ll stop by this evening.”<br />

Enzo rushed to his room <strong>and</strong> snapped the<br />

seal on the package. Inside were cookies—<br />

but more importantly, a bag containing tiny<br />

yellow pouches, each smaller than a grain of<br />

rice. He carefully opened the bag <strong>and</strong> mixed<br />

the contents with a fresh sample of filtrate<br />

<strong>and</strong> a bit of water.<br />

Every preschool student plants a seed in a<br />

cup of soil, unleashing an ancient force of bio-<br />

11


ANALOG<br />

chemical mysticism. They watch in awe as the<br />

emerging life waves a green banner of hope<br />

<strong>and</strong> fulfillment. Enzo was no less hopeful as<br />

he planted the packets of worm eggs in skin<br />

flakes. A batch of mature worms from Amata<br />

would have been easier, but rail-gun acceleration<br />

turned complex organisms into mush.<br />

Eggs were much more robust <strong>and</strong> if they<br />

weren’t frozen, would make orbit in fine<br />

shape.<br />

Enzo watched the mix for weeks, but nothing<br />

moved. No worms, no soil, just powdered<br />

dead skin. Olya frequently stopped by to<br />

check up on the research—which accidentally<br />

led to the next conspirator in the tomato<br />

drama.<br />

Enzo had borrowed a magnifying glass to<br />

inspect for weld undercuts <strong>and</strong> had “forgotten”<br />

to return it. Olya sat at the desk <strong>and</strong> held<br />

it above the dormant worm farm, searching<br />

for life.<br />

“Is this worm egg?” she asked. Enzo stood<br />

<strong>and</strong> took the magnifier, looking over her<br />

shoulder at the contents of the desk. The aerial<br />

view of Sidorova cleavage caught his attention,<br />

if only for the slightest of moments.<br />

“You don’t need magnifier to see that,” Antoniy<br />

laughed. His unexpected appearance in<br />

the small room startled <strong>and</strong> embarrassed<br />

Enzo. He straightened quickly <strong>and</strong> his collar<br />

zipper snagged several blonde hairs from<br />

Olya’s head, yanking her back <strong>and</strong> exposing<br />

the worm farm to Antoniy’s full view.<br />

“Moosor?” Antoniy immediately recognized<br />

the powder. “You are hoarding moosor? This<br />

is strange.”<br />

Enzo <strong>and</strong> Olya babbled with competing explanations,<br />

protesting entirely too much to assert<br />

any innocence. He watched them quietly,<br />

then walked to the desk, fingered the small<br />

pile <strong>and</strong> turned to regard his shipmates with a<br />

puzzled expression.<br />

“Tomatoes!” Enzo exclaimed. “Soil grown<br />

tomatoes for Dmitry.” He came clean about<br />

the entire plan. Olya held her breath.<br />

Antoniy, revealing a hidden sense of humor,<br />

thought the idea of presenting Dmitry with a<br />

tomato taste-test was “Vot eto da!” Enzo’s private<br />

quarters become a clubhouse for the<br />

three while they fretted over the dormant<br />

worm farm.<br />

Olya <strong>and</strong> Antoniy sat at the desk, using the<br />

magnifier to examine the bowl of filtrate for<br />

signs of activity. As had been true for the previous<br />

week, nothing could be seen.<br />

“I’m worried about this,” said Enzo. “This<br />

station is too small to keep secrets. What happens<br />

when people find out?”<br />

“Nobody to find out from me,” Olya said. “I<br />

want surprise for Dmitry.”<br />

“Chyort voz’mi!” exclaimed Antoniy, looking<br />

at the clock <strong>and</strong> bolting out the door.<br />

“Late for shift!”<br />

Which resulted in the opening scene of a<br />

major station-side love sc<strong>and</strong>al, complete with<br />

associated gossip.<br />

In the hallway, Antoniy received a refresher<br />

course on the effects of rapid acceleration,<br />

precession <strong>and</strong> movement against direction of<br />

spin in the tight confines of a space station.<br />

These forces normally resulted in a collision—<br />

in this case with Katya Sidorova.<br />

Russian cursing <strong>and</strong> apologies echoed back<br />

into the room as Katya <strong>and</strong> Antoniy tried to regain<br />

their proper orientation. Olya mistakenly<br />

peeked out the door. Katya looked up from<br />

her position on the floor.<br />

Speakers of any language could underst<strong>and</strong><br />

the ensuing Russian invectives between the<br />

sisters. Katya had not expected to meet Antoniy<br />

in such a forceful way <strong>and</strong> was especially<br />

not pleased to find Olya peeking out of the<br />

door he had just exited. Thinking with her red<br />

hair, Katya jumped to the worst of conclusions<br />

<strong>and</strong> berated her sister for romancing Antoniy.<br />

The volume quickly rose to uncomfortable<br />

levels <strong>and</strong> echoed through the station,<br />

with Antoniy unhappily stuck in the middle.<br />

“Blyad!” screamed Olya as she jetted off toward<br />

the kitchen.<br />

“Blyadishcha!” answered Katya, running in<br />

the opposite direction.<br />

Silence from the hall leaked into Enzo’s<br />

quarters. Antoniy had slipped back into the<br />

room in an attempt to hide from the sisters.<br />

The explosive situation in the hallway had dissipated<br />

before Antoniy turned to Enzo. “I go<br />

to work now. Perhaps EVA might be safer.” He<br />

slunk out the door.<br />

Enzo’s clubhouse became a therapy room.<br />

Olya frequently replayed the event <strong>and</strong> shared<br />

stories of Katya’s irrational behavior. Antoniy<br />

focused on the worm farm. Enzo was an engineer,<br />

not a therapist, so he wisely spent much<br />

of the time nodding his head in vague agree-<br />

12 MARK NIEMANN-ROSS


ment.<br />

Station retellings of the Shakespearean drama<br />

were proliferate <strong>and</strong> inaccurate. Dmitry reacted<br />

with Slavic silence, which annoyed Olya<br />

who found reasons to blame Katya. Dmitry<br />

seemed unsure of the relationship between<br />

Antoniy <strong>and</strong> Olya—they had been spending a<br />

lot of time together. Time spent farming<br />

worms, but he was unaware of this detail. Perhaps<br />

Dmitry was just frightened of Olya, either<br />

her explosive temper or possibly her<br />

smoldering good looks.<br />

Katya aggressively didn’t speak to Antoniy,<br />

but found opportunities to make him feel<br />

sheepish. As they were still working on the<br />

Italian installation, those moments were frequent.<br />

Enzo replayed one awkward session on<br />

video for Amata.<br />

On the recording, Dmitry floated on EVA,<br />

accompanied by R-Eva, operated by Antoniy.<br />

Enzo could be seen consulting blueprints next<br />

to Antoniy. Katya appeared in an inset window<br />

of the monitor, confirming connections<br />

at the module joint.<br />

“Dmitry, connection not functional,” Katya<br />

said. “Please tell R-Eva move it to socket B13.”<br />

Dmitry shifted his position to look up at Antoniy/R-Eva,<br />

<strong>and</strong> then looked back at the panel<br />

he held. Normally, Katya would have made<br />

an impish remark directly to Antoniy. Now<br />

she directed her conversation to Dmitry, who<br />

had to relay it to R-Eva <strong>and</strong> finally to Antoniy.<br />

Antoniy could hear everything, but anger or<br />

shyness prevented his direct reply.<br />

The video lasted for one minute, thirty-two<br />

seconds, but recorded an eternity. On an orbiting<br />

station, awkward moments have a lot of<br />

space to fill.<br />

* * *<br />

“. . . she always took last of ice cream <strong>and</strong><br />

Mama let her,” Olya said. She had been venting<br />

to Enzo <strong>and</strong> Antoniy about her younger<br />

sister for the last hour.<br />

Enzo tried to read in his hammock. Antoniy<br />

avoided eye contact.<br />

“I need return to kitchen. Dinner waits.”<br />

Olya stood <strong>and</strong> departed from Enzo’s Therapy<br />

Room <strong>and</strong> Dormant Worm Farm. The cabin<br />

was blissfully quiet for forty-two minutes before<br />

the excitement started.<br />

“Gospodi!” Antoniy quietly whispered from<br />

the desk. Enzo didn’t look up from his reader—Antoniy<br />

had been calling false alarms for<br />

A CUP OF DIRT<br />

JUNE <strong>2013</strong><br />

the last week. “Little worms!”<br />

Enzo shifted his gaze to the desk. Antoniy<br />

turned the bowl of filtrate with one h<strong>and</strong>, the<br />

other holding the magnifier to his eye. Turn<br />

the bowl, stop, turn back, fiddle with the focus<br />

dial, turn the bowl.<br />

“Gospodi!” Antoniy again exclaimed.<br />

Antoniy’s false alarms were usually momentary,<br />

followed by “Nyet” <strong>and</strong> a sniff. This time,<br />

Antoniy did see something. Enzo rolled off the<br />

hammock <strong>and</strong> stood, looking through the<br />

magnifier.<br />

“Oh my God!” agreed Enzo.<br />

The white filtrate contrasted with the small<br />

red lines crawling across the surface. No mistake—worms.<br />

Worms, searching for food.<br />

Enzo hadn’t kept any kitchen scraps around<br />

for weeks, but now he suddenly needed nutrients.<br />

He turned for the door.<br />

“Stay here!” shouted Enzo. “Don’t let them<br />

get away!”<br />

Workers from the third shift filled the galley,<br />

but seeing Enzo breathlessly appear in the<br />

kitchen doorway gave Olya every reason to ignore<br />

the crowd.<br />

“Research!” whispered Enzo.<br />

Dumping the contents of the mixer, Olya<br />

grabbed a h<strong>and</strong>ful of mixed food trimmings<br />

<strong>and</strong> minced them to soup. Like a bartender in<br />

a high-class restaurant, she deftly tossed the<br />

puree into a clean glass <strong>and</strong> h<strong>and</strong>ed it to<br />

Enzo.<br />

“Research!” agreed Olya. “Go!”<br />

Enzo proceeded down the corridor at a<br />

faster pace than advised in the station manuals,<br />

bouncing off walls when his enthusiasm<br />

exceeded available gees. He directed his attention<br />

entirely at the small glass of vegetable<br />

puree, resulting in his vector abruptly intersecting<br />

with the Captain’s. He tumbled, but<br />

managed to keep the contents of the glass<br />

contained. Containing the angry Captain<br />

proved to be more difficult.<br />

“Where’s the fire, Enzo?” queried the Captain.<br />

Her eyebrows furrowed in annoyance.<br />

“Do we need to post speed limits?”<br />

Enzo used his finger to wipe up the small<br />

bits of vegetable from the floor, walls, <strong>and</strong> her<br />

uniform. “Sorry,” he said, hoping to truncate<br />

the conversation <strong>and</strong> return to his starving<br />

worm farm.<br />

“What’s in the glass?” she enquired. “Does<br />

Olya have a new milkshake flavor?”<br />

13


ANALOG<br />

Enzo realized he should panic. Transporting<br />

unlicensed vegetable puree wasn’t prohibited—but<br />

could lead to questions he didn’t<br />

want to answer.<br />

“Um . . . it’s something she’s trying out. A<br />

bit bl<strong>and</strong>, but lots of vitamins.” He desperately<br />

spun the story, focusing his adrenaline with<br />

hopes of preserving his career <strong>and</strong> the secrecy<br />

of the impending soil. Captain Jerwin regarded<br />

him with a questioning look.<br />

Enzo hesitated, raised the glass of puree to<br />

his lips, took a tentative sip <strong>and</strong> swirled the<br />

woody pulp. The overwhelming taste of garlic<br />

<strong>and</strong> strawberry surprised him, but he<br />

smacked his lips in theatrical approval, held<br />

up the glass <strong>and</strong> nodded.<br />

“Delicious!” he lied. “Gotta go.”<br />

Enzo resumed his dash down the hallway<br />

before the Captain could respond. Cornering<br />

into his cabin, he h<strong>and</strong>ed the puree to Antoniy,<br />

who carefully placed small amounts<br />

near the infant worms. Antoniy <strong>and</strong> Enzo almost<br />

cheered out loud when their babies<br />

found the vegetable mix.<br />

The worms thrived on Olya’s compost<br />

puree <strong>and</strong> the filtrate slowly turned from salsa<br />

to soil. A diet of straight vegetable sauce<br />

failed—the worms needed the filtrate for rest<br />

<strong>and</strong> breeding. Antoniy decided the station air<br />

filters needed more frequent cleaning <strong>and</strong><br />

now supplied twenty or thirty CCs of moosor<br />

per month.<br />

Distressingly, an increasing number of station<br />

personnel were becoming aware of the<br />

project <strong>and</strong> becoming willing co-conspirators.<br />

“Enzo, please meet friend of mine,” Antoniy<br />

introduced a newcomer to Enzo’s research<br />

room <strong>and</strong> private quarters. “He comes<br />

from Penza, much farming. He misses smell of<br />

soil. I tell him I know of something he will<br />

like, he bring vodka from Penza. Top quality.<br />

We drink!”<br />

Enzo had learned to appreciate fine vodka,<br />

but this was some of the best he had appreciated.<br />

Likewise, Antoniy’s friend agreed the<br />

soil was the best he had smelled in months.<br />

“Too bad about plants,” the Penzan farmer<br />

said. “Space seeds are genetically modified for<br />

hydroponics—lots of fruit, not much root. In<br />

dirt, they sprout then die. Not enough nutrients.<br />

Normal seeds also fail. Light is all<br />

wrong.”<br />

Enzo had had assumed the failure to sprout<br />

was due to his lack of gardening skills. After<br />

the conversation with the Penzan, he realized<br />

the need for more agricultural know-how.<br />

With hopes of gaining further insights, Enzo<br />

supplied the staggering Russian with a starter<br />

kit of filtrate, worms <strong>and</strong> puree.<br />

Olya now included “Research” in her daily<br />

food preparation schedule <strong>and</strong> “For Research”<br />

became a regular, although cl<strong>and</strong>estine, request<br />

at the galley.<br />

The success of soil creation offset the corresponding<br />

social failures of Katya, Antoniy<br />

<strong>and</strong> Olya. With hopes of patching up friendships,<br />

Enzo carefully hid any evidence of<br />

worms <strong>and</strong> threw a small party in his quarters.<br />

“Antoniy tells me this vodka is from Penza,”<br />

Enzo chattered to Dmitry, pouring him an<br />

oversized glass. He poured an equal amount<br />

for Antoniy, hoping the myth of Russians<br />

holding their booze was inaccurate. For himself<br />

he poured only a little, trying to maintain<br />

his wits should things go out of control.<br />

“Penza near my home town,” Dmitry cheerfully<br />

agreed. “Make good vodka. Za druzhbu<br />

myezhdu narodami!” Dmitry <strong>and</strong> Antoniy<br />

emptied their glasses in a toss, <strong>and</strong> then<br />

looked expectantly at Enzo. Enzo, being a<br />

good host, followed their example.<br />

Two more shots <strong>and</strong> the singing started.<br />

Loud Russian vocalizations did not need the<br />

intercom to echo through the station. The out<br />

of control portion of the party began with<br />

Katya entering the room.<br />

Dmitry noticed Katya first. Antoniy faced<br />

away from the door, teaching Enzo the correct<br />

pronunciation of a Russian folksong.<br />

Dmitry removed the foolish grin from his face,<br />

replacing it with a sober frown.<br />

“Enzo, you not say Antoniy here!” Katya<br />

said, expecting a pleasant evening with Dmitry<br />

<strong>and</strong> Enzo, rather than a weak attempt at reunions.<br />

Antoniy stopped <strong>and</strong> turned. Not prepared<br />

for an encounter with a redheaded Russian<br />

she-badger, he tossed back the rest of his glass<br />

<strong>and</strong> exited the room, managing to avoid any<br />

contact with Katya through a door not designed<br />

for two occupants.<br />

“Antoniy is Yeban’ko maloletnee,”<br />

screamed Katya. “I make clear I don’t want<br />

see him again!”<br />

14 MARK NIEMANN-ROSS


And on cue, Olya entered the room at high<br />

velocity. She had been just down the hallway<br />

when she saw Antoniy exit <strong>and</strong> heard her sister<br />

swearing at Enzo.<br />

“Enzo, you are glupetz, why is she here?”<br />

Olya blasted him before she even passed the<br />

doorway. She didn’t expect Katya would be<br />

blocking the door <strong>and</strong> unexpectedly bounced<br />

off her—directly into Dmitry’s half-finished<br />

glass of vodka, spilling the drink into his lap<br />

<strong>and</strong> l<strong>and</strong>ing there herself.<br />

The silence was as brief as the explosion of<br />

cursing <strong>and</strong> accusations was loud. Katya<br />

swearing at Enzo. Olya swearing at Katya <strong>and</strong><br />

Enzo. Dmitry trying to move between the<br />

atoms of the wall behind him <strong>and</strong> away from<br />

the struggling blonde in his lap. Enzo trying to<br />

explain. Katya <strong>and</strong> Olya challenging each other’s<br />

parenthood <strong>and</strong> virtue. Abruptly, the sisters<br />

exited into the hallway, departing in<br />

equal but opposite directions. Dmitry listened<br />

to the firestorm recede, glanced at Enzo <strong>and</strong><br />

quietly left him alone.<br />

Two days later, Enzo <strong>and</strong> Dmitry climbed to<br />

EVA prep for the next scheduled install.<br />

“Antoniy <strong>and</strong> Katya? Same room, same<br />

time?” queried Dmitry of Enzo. “Did Katya<br />

<strong>and</strong> Antoniy know same room, same time?”<br />

Enzo admitted he had been a neglectful<br />

host.<br />

“Why not sponsor Judo match instead?”<br />

snarked Dmitry.<br />

Sobs greeted them as they entered the<br />

wing. “That Yeban’ko maloletnee LEFT!”<br />

Katya choked. “Antoniy transferred to other<br />

station yesterday. Did not say goodbye, just<br />

gone with glupetz robot.” Another sobbing<br />

cry filled the station. Katya was a hysterical<br />

wreck.<br />

Enzo paged Olya to collect her sister. Without<br />

a qualified tech helping them inside the<br />

station, they were done for the day. It would<br />

be best if they were gone when Olya arrived,<br />

so they went to find other projects.<br />

Enzo later found Olya <strong>and</strong> Katya in the galley<br />

with strong black tea <strong>and</strong> tissues. The magnetic<br />

force of boyfriends had repelled, <strong>and</strong><br />

then attracted the sisters. While Katya<br />

sobbed, Olya explained to Enzo how Antoniy<br />

had transferred to the sister space station, also<br />

under construction. The other station had a<br />

greater need for R-Eva operators, so his re-<br />

A CUP OF DIRT<br />

JUNE <strong>2013</strong><br />

quest had been quickly granted. Antoniy had<br />

left without telling Katya, leaving her to find<br />

out from the station project manager. For a<br />

woman who had been inflicting Russian silent<br />

torture on Antoniy for several weeks, Katya<br />

now reacted as if Antoniy was the only boy in<br />

space.<br />

“I angry, but not want him to leave,” sniffed<br />

Katya. “Just want him to be strong, notice<br />

me.” Another sob <strong>and</strong> a drink of tea.<br />

“Stupid men,” agreed Olya.<br />

Katya wasn’t the only one missing Antoniy.<br />

The engineer newly tasked with cleaning filtration<br />

wanted nothing to do with saving filtrate<br />

for worms <strong>and</strong> soil. Filters were cleaned,<br />

moosor incinerated <strong>and</strong> the monthly eight<br />

CCs of archived filtrate sent Earthward. Enzo<br />

couldn’t blame him for sticking to documented<br />

procedures, but it created a barrier to<br />

building enough soil for serious agriculture.<br />

Or even one good tomato.<br />

Further <strong>and</strong> unfortunately, the module installation<br />

continued to proceed on schedule.<br />

With only a few short weeks before the last<br />

connectors were placed, Enzo realized he<br />

would be sent back to Amata before the tomatoes<br />

were sprouting.<br />

“Ciao amore mio!” Enzo said to the video<br />

link image of Amata, who smiled back at him.<br />

“Three weeks <strong>and</strong> I will be home. Is the house<br />

still st<strong>and</strong>ing?”<br />

“There have been no fires to speak of,” Amata<br />

laughed. “The chickens are happy <strong>and</strong> the<br />

garden is ripe. Fresh marinara for you when<br />

you return.” Amata held up a Roma tomato,<br />

ripe <strong>and</strong> out of reach. Her botany degree had<br />

served her well.<br />

“Amata, you cannot imagine how much I<br />

wish to be holding that tomato.”<br />

“Tell me more when you come home,” Amata<br />

breathed. “I miss you.”<br />

Three days later, the final scene of the station<br />

celebrity sc<strong>and</strong>al took place. It began as<br />

Enzo, Dmitry <strong>and</strong> Katya reported to EVA prep<br />

for external inspection spacewalks.<br />

“Don’t bother suiting up,” said Roger, the<br />

EVA tech. “Captain just left. She said to tell<br />

you two things. First—you’re late. Second—<br />

you’re to report to her conference room. And<br />

I’m pretty sure she meant immediately.”<br />

The three moved down the station corridors<br />

feeling the dark, gravitational pull of the<br />

15


ANALOG<br />

Captain’s summons. They passed the galley<br />

when Olya emerged with a glass of what appeared<br />

to be vegetable puree.<br />

“Move,” Olya shouted. “Captain want<br />

pureed vegetables in conference room.”<br />

Enzo imagined bad things coming his way.<br />

They entered the room to find Antoniy’s<br />

image displayed on a teleconference link, the<br />

Captain looking out of the view port <strong>and</strong> a<br />

bowl of soil <strong>and</strong> worms at the head of the<br />

table. Enzo smelled impending doom.<br />

“Sit,” stated Captain Jerwin.<br />

They sat.<br />

“The five of you are an unbelievable pain in<br />

the ass.” The Captain turned, staring at each<br />

of them, finishing with a glare at the worms.<br />

“I assume you have forgotten the commercial<br />

nature of this station. I assume you have<br />

forgotten the importance of maintaining a<br />

clean-room environment. I assume you have<br />

forgotten the consequences, both to your<br />

safety <strong>and</strong> careers, of willfully creating quantities<br />

of contaminant.”<br />

“I can explain—” Enzo attempted to do the<br />

noble thing <strong>and</strong> own up.<br />

“I’m talking. You’re listening.” The Captain<br />

glared at him in a fashion reminiscent of her<br />

famous video. “When I’m ready to hear from<br />

you, I will have told you what you are going to<br />

say. Until then, nothing. Understood?”<br />

Enzo gulped <strong>and</strong> nodded. He hoped he’d be<br />

sent home in the pressurized transport, rather<br />

than the incinerator run.<br />

“Last night, I had a Captain’s dinner at our<br />

sister space station. A wonderful meal, until<br />

we discussed shipboard morale. At this point,<br />

my peer challenged me with a wager. He believes<br />

his station will produce soil-grown<br />

tomatoes faster <strong>and</strong> of better quality than<br />

ours.”<br />

Enzo shot a quick glance at a puzzled Dmitry.<br />

The Captain continued, “‘What are soilgrown<br />

tomatoes?’ I thought to myself. But I<br />

don’t like to appear ignorant of activities<br />

around my station. So I, of course, accepted<br />

his wager. And by the way, it is a substantial<br />

wager.”<br />

Enzo mentally inventoried his possessions<br />

on the station <strong>and</strong> decided to whom they’d be<br />

given.<br />

“Antoniy.” The Captain faced the monitor.<br />

“Thank you for indulging me in our conversa-<br />

tion last night. For those of you in the room,<br />

Antoniy explained where these worms <strong>and</strong><br />

soil have come from <strong>and</strong> how they traveled to<br />

our sister station amongst his personal belongings.”<br />

The Captain picked up the bowl <strong>and</strong> examined<br />

it closely. “News travels quickly in the vacuum<br />

of space. This morning, I had the unexpected<br />

pleasure of conversing with an<br />

extremely enthusiastic representative of the<br />

Corporation that owns this station. He told me<br />

they were thrilled we had instituted a program<br />

to improve station morale by reproducing a little<br />

piece of Earth. He was briefly curious about<br />

how we contained this—dirt—so as to not<br />

contaminate the station, but didn’t pause long<br />

enough for me to dream up a lie. He rushed on<br />

to tell me Earthside engineers were highly supportive<br />

about the improvements in quality of<br />

life on our station. He wanted to know when<br />

we’d be prepared for a press conference to<br />

show off these tomatoes.”<br />

Turning back to the monitor, the Captain<br />

continued. “Antoniy. I managed to rescind<br />

your transfer, much to the dismay of my competitor<br />

in this wager. You are returning to this<br />

station on the next transport. I believe it will<br />

be departing your current location in approximately<br />

fifty minutes. When you set foot on<br />

this station, you will report to engineering<br />

headquarters. You will accept your previous<br />

assignment. They are expecting you to complete<br />

cleaning the filtration systems before<br />

dinner. You will continue to use your modified<br />

disposal routine for the filtrate. Dismissed.”<br />

The connection ended <strong>and</strong> a dropjawed<br />

Antoniy disappeared from the monitor.<br />

“Katya,” The Captain turned from the blank<br />

monitor <strong>and</strong> stared down the Russian girl.<br />

“You are remaining as Support Engineer on<br />

the same team. This time you will not turn my<br />

station into a soap opera. I will not hear reports<br />

of missed assignments. You <strong>and</strong> Antoniy<br />

will attend an upcoming series of Effective<br />

Communication classes. I expect to hear<br />

glowing reports from the instructor regarding<br />

your respective performances. This is not a<br />

speculative statement. Is this clear?”<br />

Katya’s face was as red as her hair. She understood.<br />

The Captain turned to Olya.<br />

“This vegetable puree seems to be exceedingly<br />

popular <strong>and</strong> until last night, it didn’t occur<br />

to me it was anything other than a health<br />

16 MARK NIEMANN-ROSS


drink. Apparently it’s a health drink, but not<br />

for my human crew. In support of the tomato<br />

project, you are now going to produce<br />

enough of your health mix to keep our worm<br />

population happy <strong>and</strong> producing soil.”<br />

“And you,” The Captain turned her gaze on<br />

a suddenly fidgeting Dmitry. “It’s unclear<br />

how, but you are somehow the cause of this<br />

situation. You are now accepting the job of<br />

Soil Production Manager. I expect you will<br />

work closely with Olya <strong>and</strong> Antoniy to monitor,<br />

contain, <strong>and</strong> maximize system throughput.<br />

Emphasis on contain. Please do not consider<br />

this a promotion; it is simply a new part<br />

of your job. Understood?”<br />

Dmitry replied with a vigorous affirmation.<br />

“Da, Captain!”<br />

“The three of you are dismissed,” The Captain<br />

said in an efficient tone. “Enzo, you stay.”<br />

Olya, Dmitry, <strong>and</strong> Katya cleared the room<br />

as if in an explosive decompression. In spite<br />

of the air-conditioning, Enzo began to sweat.<br />

“Enzo, you <strong>and</strong> I have a problem,” started<br />

the Captain. “First, an affirmation. You’re a<br />

good engineer. Your module install will finish<br />

on time. Good work.”<br />

Enzo swallowed. Nodded. Stared.<br />

“If you were a screw-up, I could just wait<br />

for your contract to end <strong>and</strong> you’d be off my<br />

station. However, you are clever <strong>and</strong> you<br />

know the routines. And there’s this wager <strong>and</strong><br />

press conference. All of this soil. But no tomatoes.”<br />

The Captain held up the bowl. “Is that<br />

correct? There are no tomatoes?”<br />

Enzo admitted that yes, there were no<br />

tomatoes.<br />

“I’ve put in a recommendation you remain<br />

on the ship for further work on the Italian<br />

module. I have expressed concerns about its<br />

operation, concerns that will require a qualified<br />

engineer to address. In addition to your<br />

duties with the module, you are also going to<br />

produce tomatoes.”<br />

Enzo felt his heart drop to Earth, to his Amata.<br />

A CUP OF DIRT<br />

JUNE <strong>2013</strong><br />

“Captain.” Enzo stopped to clear his throat<br />

<strong>and</strong> started again. “Captain, I’m not sure it can<br />

be done. I’m not good with plants. I’m sure<br />

Dmitry <strong>and</strong> Olya can h<strong>and</strong>le it.”<br />

“They will be busy enough. This is for you<br />

to do.” The Captain voiced the statement<br />

slowly, enunciating every syllable. “Your<br />

tomatoes are now tied to shareholder value.<br />

You will grow them successfully, if you have<br />

to spend evenings taking a community college<br />

class in botany. I don’t care what it takes. It<br />

apparently doesn’t matter to the corporation<br />

how much it costs. But I’d better see them on<br />

my desk <strong>and</strong> soon.”<br />

Enzo thought for a long moment. “Captain,<br />

I think I know how to do this.”<br />

“Fine. Good. Do as you need. Red, round<br />

vegetables on my desk. Dismissed.”<br />

Two weeks later, R-Eva worked near the<br />

docking port. Antoniy, wearing VR glasses<br />

<strong>and</strong> controlling R-Eva, stood inside next to<br />

Katya.<br />

“Can you see them?” Katya scanned the<br />

videos, showing the view from outside via R-<br />

Eva’s cameras. Katya put her arm around Antoniy.<br />

R-Eva reached down to pat a phantom<br />

Katya’s butt—an oversight by Antoniy, with<br />

video evidence shared widely among station<br />

crew.<br />

“There is shuttle,” said Antoniy. “Coming<br />

from behind spoke three.”<br />

R-Eva’s head swiveled to follow the Italian<br />

personnel shuttle. Inside the station, Antoniy<br />

took off the VR glasses <strong>and</strong> joined Katya in<br />

watching the video of the dock interior. They<br />

could see Enzo, Dmitry, <strong>and</strong> Olya waiting by<br />

the entry port for final pressurization. Lights<br />

flashed, the seal opened, <strong>and</strong> several new station<br />

personnel emerged. Among them was a<br />

dark-haired woman with a botany major <strong>and</strong> a<br />

sack of seeds, who launched herself into<br />

Enzo’s arms. ■<br />

17


A<br />

few years ago, I joined some friends<br />

for an event called the Hood to Coast<br />

Relay—which, as the name implies, is<br />

a relay race running all the way from<br />

Oregon’s Mount Hood to the sea (about two<br />

hundred miles). That year I didn’t run, but instead<br />

served as a volunteer, directing traffic<br />

somewhere in the recesses of the Oregon<br />

Coast Ranges. Afterward, I joined my friends<br />

at the beach for sunset, celebration, <strong>and</strong> a<br />

weekend on the coast.<br />

Since I’d not run the race, I went for a jog.<br />

About two miles into it, I got to thinking<br />

about tsunamis.<br />

That might sound strange, but those<br />

18<br />

<strong>Science</strong> <strong>Fact</strong><br />

Waves of the<br />

Future: Where<br />

Will the Next<br />

Tsunami Strike?<br />

Richard A. Lovett<br />

who’ve read my prior articles know I’ve often<br />

written about seismology, earthquakes, <strong>and</strong><br />

tectonics. 1 Not far offshore from the Oregon<br />

Coast is one of the world’s largest subduction<br />

zones—a place where tectonic plates crush<br />

together, with one diving beneath another,<br />

sometimes in giant lurches. These can produce<br />

earthquakes of magnitude 9.0 or greater<br />

. . . <strong>and</strong> undersea earthquakes of that size<br />

mean tsunamis.<br />

What, I wondered, would I do, if the<br />

ground heaved?<br />

I knew a tsunami wouldn’t strike until<br />

twenty or thirty minutes after a quake ended.<br />

That was enough time for me to run three or<br />

1 In fact, my guest Alternate View column in November 2012, “Traditional Mousetraps” was about<br />

a different aspect of the global tsunami problem.


four miles . . . assuming bridges were intact<br />

<strong>and</strong> I didn’t have to swim sloughs. Assuming<br />

there weren’t power lines down all over the<br />

place. Assuming the hill I ran for didn’t turn<br />

out to be an impenetrable blackberry thicket.<br />

The beach I was running along was three<br />

miles long, which meant the middle of it was<br />

a mile <strong>and</strong> a half from high ground. Suddenly,<br />

I felt dangerously exposed.<br />

The last decade has done much to bring the<br />

threat of tsunamis to worldwide attention.<br />

The best-known disasters were the ones in<br />

Sumatra (230,000 dead on December 26,<br />

2004) <strong>and</strong> Japan (20,000 dead on March 11,<br />

2011). But those aren’t the only killer waves.<br />

The 2010 Chilean earthquake generated eightfoot<br />

waves that killed two hundred people. 2<br />

And an earthquake near Samoa on September<br />

29, 2009 washed the isl<strong>and</strong>s with 15-foot<br />

waves, killing at least 129. 3 Even the Haiti<br />

earthquake of 2010 generated a small but<br />

deadly tsunami. 4 All of which leads to a simple<br />

question: where will the next deadly wave hit?<br />

The short answer is that until earthquake<br />

prediction becomes a true science, nobody<br />

knows. But some regions are at greater risk<br />

(<strong>and</strong> more poorly prepared) than others.<br />

The Oregon Coast where I was jogging is<br />

one of these. The fault that threatens it is the<br />

Cascadia Subduction Zone, which stretches<br />

offshore from Northern California to Canada.<br />

JUNE <strong>2013</strong><br />

Every few hundred years, geologists believe,<br />

this fault unleashes a mega-quake comparable<br />

to the one that devastated Japan. The most recent<br />

was in 1700 (dated by tree-ring studies of<br />

trees it killed). 5 Nobody knows whether that<br />

means the fault is about ready to slip again, or<br />

if it will be quiescent for several more centuries.<br />

Unfortunately, if it happens now, American<br />

coastal residents won’t react as well as the<br />

Japanese. “The Japanese are culturally attuned<br />

to be aware of earthquakes <strong>and</strong> tsunamis,”<br />

says Patrick Corcoran, a disaster specialist at<br />

Oregon State University. “We are not.”<br />

How many people are in the danger zone is<br />

difficult to estimate. Corcoran puts the figure<br />

at roughly a hundred thous<strong>and</strong>, but some of<br />

the coastal towns, he notes, can see their populations<br />

swell by a factor of ten during peak<br />

tourist weekends. “It’s musical chairs,” he<br />

said. “When the earthquake happens, whoever<br />

is going to be there is going to be there.”<br />

In Japan, 90% of the people in the areas hit<br />

by the tsunami escaped. In Oregon, Corcoran<br />

fears, it might be the reverse: the 90% might<br />

well be the victims. 6<br />

Ring of Fire . . . <strong>and</strong> Water<br />

Cascadia is part of the Pacific “Ring of Fire,”<br />

where volcanoes (<strong>and</strong> subduction zones) rim<br />

the planet’s most tectonically active zone. Seven<br />

of the ten largest earthquakes in recorded<br />

history 7 have occurred here—sixteen of the<br />

2<br />

“When Will We Learn,” Newsweek, March 13, 2011, http://www.thedailybeast.com/newsweek/<br />

2011/03/13/when-will-we-learn.html.<br />

3<br />

Ibid.<br />

4<br />

Of the 200,000 who died in that earthquake, only three are known to have been killed by the wave,<br />

but there might have been others who survived the collapse of their houses only to drown. See<br />

Richard A. Lovett, “Haiti Earthquake Produced Deadly Tsunami,” Nature News (online) 25 February<br />

2010.<br />

5<br />

It also spawned legends among coastal tribes, <strong>and</strong> produced a tsunami described by Japanese historians.<br />

See Richard A. Lovett, “From Atlantis to Canoe-Eating Trees: Geomythology Comes of Age,”<br />

<strong>Analog</strong>, September 2009.<br />

6<br />

Northern California might fare slightly better if people remember 2011, when four people (three of<br />

whom survived) were washed out to sea by 8-foot waves from the Japan earthquake. See “Tsunami:<br />

Much of Crescent City harbor destroyed; 4 people swept into sea, 1 feared dead,” Los Angeles Times,<br />

March 11, 2011, http://latimesblogs.latimes.com/lanow/2011/03/crescent-city-harbor-destroyed-people-swept-into-sea.html.<br />

But history isn’t on the side of memory. The person who died was reportedly<br />

photographing the waves — despite the fact that well within living memory, Crescent City had seen 11<br />

fatalities from a tsunami generated by Alaska’s 1964 “Good Friday” earthquake (magnitude 9.2).<br />

7<br />

“Largest Earthquakes in the World since 1900,” U.S. Geological Survey, http://earthquake.usgs.gov/<br />

earthquakes/world/10_largest_world.php.<br />

WAVES OF THE FUTURE<br />

19


ANALOG<br />

top seventeen, in fact, if you include the Indian<br />

Ocean side of Indonesia, which may not<br />

border the Pacific but is part of the same tectonic<br />

region.<br />

Another high-danger part of that region lies<br />

offshore from Lima, Peru. “[Since] the Spanish<br />

conquest in 1543, Lima has been destroyed<br />

three times by a major earthquake with<br />

tsunamis,” says Emile Okal, a geophysicist<br />

from Northwestern University, Evanston, Illinois.<br />

“How large, we are not sure, but enough<br />

to completely wreck the city as it was built [at<br />

the time]. Now construction would be a bit<br />

better, but the population has increased tenfold<br />

or something, so I would put Lima as a<br />

city very much at risk.”<br />

Also at risk is Indonesia (<strong>and</strong> the same farflung<br />

regions of the Indian Ocean that were<br />

hard hit in 2004). At one level, that’s surprising,<br />

because classic tectonic theory says that<br />

earthquakes release long-accumulating strain.<br />

This means that a fault should not rupture<br />

again in the same place until enough time has<br />

passed for strain to re-accumulate.<br />

But faults appear to come in segments, <strong>and</strong><br />

an earthquake in one segment can transfer<br />

stress to adjacent ones. And, while Indonesia<br />

has seen more than its share of giant earthquakes,<br />

one segment of the Sunda Subduction<br />

Zone—the fault that generated both the 2004<br />

Indian Ocean tsunami <strong>and</strong> a subsequent magnitude<br />

8.6 earthquake nearby—hasn’t seen a<br />

major earthquake since 1833 . . . <strong>and</strong> even that<br />

earthquake may have released only a portion<br />

of the accumulating strain.<br />

That segment lies offshore of the densely<br />

populated city of Padang, which is several<br />

times larger than B<strong>and</strong>a Aceh, the largest Indonesian<br />

city hit by the 2004 tsunami. “There<br />

are places where we know of very large historical<br />

earthquakes that are more or less ripe<br />

for [another],” says Okal. “I would put Padang<br />

as [such] a bad place.”<br />

Other “bad” places circle much of the Ring<br />

of Fire. For example, Okal says, there may still<br />

be strain to be released in northern Chile. “We<br />

know there was one earthquake [there] in<br />

1877, <strong>and</strong> a smaller one in 1922,” he says.<br />

“But there is the possibility [of another].”<br />

Moving north, he notes that Mazatlán, Mex-<br />

ico, could be at risk, though probably not of a<br />

mega-quake (magnitude 9). Similarly, southern<br />

California doesn’t seem likely to have a giant<br />

subduction-zone earthquake, though, of<br />

course, it’s always vulnerable to waves coming<br />

from far afield. And, as we’ll discuss later,<br />

subduction zone temblors aren’t the only<br />

source of tsunamis.<br />

Continuing to move north, we hit Cascadia,<br />

then Alaska, where the giant “Good Friday”<br />

earthquake of 1964 (magnitude 9.2) unleashed<br />

a tsunami that killed people as far<br />

away as Crescent City, California. But that was<br />

less than fifty years ago <strong>and</strong> it’s unlikely that<br />

enough stress for a repeat will reaccumulate<br />

anytime soon.<br />

Better primed for big earthquakes are the<br />

Aleutian Isl<strong>and</strong>s, parts of which, Okal says,<br />

haven’t seen large earthquakes since 1788.<br />

“But they are very lightly populated.” Still, he<br />

notes, a big earthquake here could beam<br />

tsunami waves toward Los Angeles <strong>and</strong> other<br />

parts of California. “This is a scenario which is<br />

considered by some people [to be] a major<br />

priority in terms of hazard assessment on the<br />

U.S. West Coast,” he says.<br />

Other parts of the Aleutians, he adds, could<br />

produce a tsunami that “would strike Hawaii<br />

pretty badly.”<br />

Continuing around the Ring of Fire, Kamchatka,<br />

Russia, had a huge earthquake in 1952<br />

(variously reported as magnitude 8.2 to 9.0)<br />

that produced a tsunami whose effects the Soviet<br />

Union long kept secret. “It killed upward<br />

of seventeen thous<strong>and</strong> people,” Okal says. But<br />

here, too, the strain has probably been fully<br />

released, making a near-future repeat unlikely.<br />

Moving to Japan, the best thing that can be<br />

said is that the fault zone that produced the<br />

2011 earthquake is probably safe for hundreds<br />

of years. But there’s always the threat of a big<br />

tsunami from other areas hitting Tokyo, as<br />

happened in 1923, when one hundred thous<strong>and</strong><br />

died, with another forty thous<strong>and</strong> missing.<br />

8 Farther south, Okal adds, the big<br />

question is a fault zone known as the Nankai<br />

Trough. “Some parts are ripe for rupture,” he<br />

says.<br />

Continuing south, the Ryukyu Isl<strong>and</strong>s<br />

(which run from Japan to Taiwan) appear to<br />

8 Not all, or even most, of these people died from the tsunami. The earthquake produced fires, which swept<br />

through the city, killing tens of thous<strong>and</strong>s. A subsequent typhoon added to the misery, <strong>and</strong> the death toll.<br />

20 RICHARD A. LOVETT


have had some history of seismicity in the<br />

1700s, but have been quiescent since. In<br />

earthquake risk, that’s not a good thing.<br />

“There is a possibility to fit a very large earthquake<br />

in there—up to magnitude 9—which<br />

would be bad for the Philippines in addition<br />

to the local isl<strong>and</strong>s,” Okal says.<br />

The Philippines themselves, he adds, are a<br />

“tectonic mess.” Mega earthquakes have never<br />

occurred there in recorded history, he says,<br />

but it’s possible that a region known as the Luzon<br />

Trench might produce such an earthquake.<br />

“If all of this were to rupture at<br />

once—<strong>and</strong> there is no reason to think it could<br />

not—you could have a major event,” he says.<br />

The resulting wave, he adds, would be a disaster<br />

in the South China Sea, which borders not<br />

just Manila but much of Southeast Asia. “It<br />

could be one of the very few scenarios in<br />

which the coastlines of Vietnam, western<br />

Malaya, <strong>and</strong> perhaps Singapore, could be<br />

threatened,” he says, adding that Hong Kong<br />

might also be hit by the resulting wave.<br />

It’s a very poorly understood area, tectonically,<br />

but—for those worried about mega-disasters—probably<br />

the scariest setting we’ve yet<br />

discussed, simply because of the enormous<br />

number of people living along the coast <strong>and</strong><br />

their lack of tsunami preparedness. 9<br />

Continuing south, Okal says an earthquake<br />

on the southern coast of the Indonesian isl<strong>and</strong><br />

of Java would not only be disastrous for local<br />

communities, but is one of the few that could<br />

produce a wave that would hit Western Australia,<br />

including the harbor city of Perth. “Economically,<br />

that is of great concern to our<br />

friends Down Under,” he says.<br />

The final big risk in the Pacific is Tonga,<br />

which lies near a subduction zone that shares<br />

some characteristics with Indonesia’s Sunda<br />

zone. But, Okal says, it’s another “big question<br />

mark” because we don’t know much about its<br />

seismic history.<br />

Luckily, it’s not a densely populated area.<br />

Other than Tahiti, Okal notes, an earthquake<br />

there would beam its tsunami energy mainly<br />

at uninhabited areas—though, he says, an<br />

1865 event in the region did produce a tsunami<br />

that hit the Marquesas Isl<strong>and</strong>s.<br />

* * *<br />

JUNE <strong>2013</strong><br />

Sloshing the Middle East<br />

The Ring of Fire is well known. But other<br />

than the South China Sea, some of the globe’s<br />

most dangerous tsunami zones may be elsewhere.<br />

One such potential disaster area is the<br />

Makran Subduction Zone, which lies in the<br />

Arabian Sea, paralleling the coasts of Pakistan<br />

<strong>and</strong> Iran. Virtually unknown to Americans,<br />

this region’s most recent large event was a<br />

magnitude 8.5 quake in November, 1945,<br />

which produced waves reported to be as high<br />

as forty-five feet <strong>and</strong> killed four thous<strong>and</strong> people<br />

in southern Pakistan.<br />

One might think that this released all of the<br />

accumulating strain, but only about one-third<br />

of the “available” fault ruptured, Okal says. Is<br />

the rest primed to go any day? Who knows.<br />

But, Okal says, “There is a concern. We are<br />

talking about a major impact on places like<br />

Karachi <strong>and</strong> Mumbai.”<br />

Another place that’s ripe for a major tsunami<br />

might be Istanbul, Turkey.<br />

It’s another place most of us wouldn’t associate<br />

with tsunamis. After all, it’s inl<strong>and</strong>, miles<br />

from either the Black Sea or the Aegean. But it<br />

happens to lie on a body of water known as<br />

the Sea of Marmara, which is the lake-like<br />

zone between the Black <strong>and</strong> Aegean Sea. And<br />

Turkey’s most dangerous fault, the North Anatolian<br />

Fault, runs right along the northern<br />

edge of Turkey, directly toward that sea, says<br />

Costas Synolakis, a tsunami expert at the University<br />

of Southern California <strong>and</strong> president of<br />

the Hellenic Center for Marine Research in<br />

Greece.<br />

Since 1939, that fault has been rupturing,<br />

piecemeal, starting at the eastern end, <strong>and</strong><br />

heading toward Istanbul. The most recent<br />

earthquake, in 1999, was a magnitude 7.4 in<br />

Izmit (only sixty miles east of Istanbul) that<br />

left seventeen thous<strong>and</strong> dead <strong>and</strong> produced a<br />

small tsunami in the Sea of Marmara.<br />

The 1999 tsunami wasn’t a major source of<br />

destruction, but the next segment of the fault<br />

lies directly beneath the sea <strong>and</strong> is likely to<br />

produce a more substantial tsunami, Okal<br />

9 It is only very recently that the Vietnamese appear to have become aware of the risk. See, “Tsunami<br />

in Vietnam is the Real Risk,” VietnamNet English, April 2012, http://en.baomoi.com/ Info/Tsunamiin-Vietnam-is-the-real-risk/6/256298.epi.<br />

WAVES OF THE FUTURE<br />

21


ANALOG<br />

Megatsunamis<br />

Not all tsunamis originate from beneath the ocean’s surface. Giant l<strong>and</strong>slides falling into the<br />

waters from above can also set off big waves, at least locally. 1<br />

The biggest tsunami ever known happened exactly this way, in a place called Lituya Bay,<br />

Alaska, on July 9, 1958. The earthquake that triggered it, magnitude 7.9 to 8.3 (depending on<br />

which estimate you believe), wasn’t undersea, but on a fault about thirteen miles inl<strong>and</strong>. But<br />

there were steep mountains near the sea, <strong>and</strong> one of them gave way, dropping forty million<br />

cubic yards of rock into the head of a fjord. Some of the rock plunged as far as three thous<strong>and</strong><br />

feet.<br />

The resulting splash sent water surging across the narrow fjord <strong>and</strong> 1,720 feet up the opposite<br />

wall—a height that could be precisely measured simply by looking at areas denuded of<br />

vegetation. It then sped out of the fjord, still reaching as high as eighty to one hundred feet as<br />

it approached the mouth of the fjord, seven or so miles away, killing five people on its way.<br />

Once out of the fjord, it quickly dissipated in the Gulf of Alaska. 2<br />

Such events aren’t all that uncommon. In Lituya Bay alone, geologists have found signs of at<br />

least three other one-hundred- to five-hundred-foot tsunamis in the past 160 years—not the<br />

type of place in which I’d like to live.<br />

Volcanic isl<strong>and</strong>s are another possible source of megatsunamis. In the Atlantic, geologists<br />

have long had their eyes on the Canary Isl<strong>and</strong>s, where a somewhat controversial theory holds<br />

that an eruption might trigger an above-water flank collapse that might unleash a rather nasty<br />

tsunami on the U.S. East Coast, Brazil, <strong>and</strong> the Western Caribbean. 3<br />

The mother of all such megatsunamis, however, would be from a mega-l<strong>and</strong>slide flank collapse<br />

on Hawaii’s 13,100-foot Mauna Loa. If that occurred in the right (or wrong) place, Honolulu<br />

could be wiped out before most people could evacuate, a National Geographic TV<br />

segment called “Ultimate Tsunami” claimed a few years ago. 4<br />

1 An asteroid impact can do the same, but that’s beyond the scope of this article.<br />

2 There is a good map here: http://geology.com/records/biggest-tsunami.shtml<br />

3 For opposing views on this, see: Ian Gurney, “A Wave of Destruction Will Destroy America’s East Coast,”<br />

The Daily Express (UK), 8 October 2004 (I think; the date reads “8-10-4”), www.rense.com/general56/tsu.htm,<br />

<strong>and</strong> “Canary Isl<strong>and</strong>s L<strong>and</strong>slides <strong>and</strong> Mega-Tsunamis: Should We Really Be Frightened?,” <strong>Science</strong> Daily (Aug.<br />

15, 2004). www.sciencedaily.com/releases/2004/08/040815234801.htm.<br />

4 http://natgeotv.com/uk/ultimate_disaster/about<br />

says, “right in front of Istanbul.” And, he adds,<br />

Turkey’s seismic-based building codes aren’t<br />

the world’s best enforced. “The next earthquake<br />

along the North Anatolian Fault is going<br />

to be a humanitarian disaster,” he says. “We<br />

can bet on this.”<br />

“Misery Beyond the Intolerable”<br />

Turkey isn’t the only part of the Eastern<br />

Mediterranean that might be at risk. One of<br />

the least studied <strong>and</strong> least understood subduction<br />

zones in the world is the Hellenic Arc,<br />

which runs south of Greece <strong>and</strong> Turkey, says<br />

Synolakis.<br />

In the last two thous<strong>and</strong> years, Synolakis<br />

says, that region has produced two giant<br />

earthquakes, with magnitudes estimated to<br />

have exceeded 8.5 <strong>and</strong> “tsunamis to match.”<br />

One, in 365 AD, devastated ancient Alexan-<br />

dria, Egypt. The other occurred in Crete in<br />

1303, also hitting Alex<strong>and</strong>ria. On average, Synolakis<br />

says, the Mediterranean appears to have<br />

seen one or two tsunamis per century (although<br />

he notes that not all of the historic reports<br />

are equally reliable). “The exposure is<br />

huge,” he says. “The Mediterranean is heavily<br />

populated along its shores, with millions of<br />

tourists in the summer. The awareness is<br />

abysmal, <strong>and</strong> there is no tsunami warning center.”<br />

What this means is that in addition to the<br />

ongoing risks of well-known fault zones in the<br />

Pacific Ring of Fire (Chile, Alaska, Cascadia,<br />

Japan), there are three areas of dense population<br />

<strong>and</strong> low preparedness where a tsunami, if<br />

it occurs, could be horrific. Thirteen million<br />

people live in Istanbul. Another thirteen million<br />

live in Karachi. Hong Kong, Macau, Mani-<br />

22 RICHARD A. LOVETT


la, <strong>and</strong> a host of other cities are within striking<br />

range of a tsunami in the South China Sea. “I<br />

refuse the temptation to compare the exposures,”<br />

Synolakis says. “It is like choosing your<br />

poison or imagining degrees of misery beyond<br />

the intolerable.”<br />

The Atlantic isn’t immune to tsunamis, either.<br />

One of the worst such disasters in history<br />

occurred in 1755 when Lisbon, Portugal,<br />

was rattled by an earthquake now estimated<br />

to have been magnitude 8.5 to 9.0, centered<br />

about 120 miles offshore. Frightened survivors<br />

ran to the docks, only to watch the water<br />

recede so far they could see shipwrecks on<br />

the harbor floor. Unfortunately they didn’t<br />

know what the receding water meant, <strong>and</strong><br />

when it came back, it rushed in so quickly<br />

that by some accounts the only way to escape<br />

was on a galloping horse. All told, some thirty<br />

to forty thous<strong>and</strong> people died, nearly 20% of<br />

the city’s populace.<br />

More recently, a smaller earthquake struck<br />

offshore from Newfoundl<strong>and</strong> in 1929. Even<br />

though it was only magnitude 7.2, the earthquake<br />

produced a tsunami that killed 28 <strong>and</strong><br />

left ten thous<strong>and</strong> homeless on the south coast<br />

of Newfoundl<strong>and</strong>. Unlike Japan, which has a<br />

long history of dealing with tsunamis, the<br />

Newfoundl<strong>and</strong>ers had no idea what was happening.<br />

“We thought the place was sinking or<br />

something,” one survivor said later.<br />

This comment <strong>and</strong> many others were collected<br />

years later in a St. John’s, Newfoundl<strong>and</strong>,<br />

retirement center. 10 The stories make<br />

fascinating reading. One of the most amazing<br />

came from Pearl Brushett, who at the time<br />

was five years old, snug in bed when the first<br />

wave hit. The water lifted her house off its<br />

foundations <strong>and</strong> carried it out to sea, where it<br />

grounded in shallow water, next to an isl<strong>and</strong>.<br />

Before the frightened family could figure out<br />

what to do about this odd predicament, another<br />

wave struck, refloating the house. This<br />

time, it wound up back on the beach not far<br />

from its original location—at which time<br />

everyone escaped with only minor injuries.<br />

Nobody is sure exactly what caused the Lis-<br />

JUNE <strong>2013</strong><br />

bon tsunami, other than the obvious fact that<br />

it was produced by the earthquake. The problem<br />

is that the fault, the Azores-Gibraltar<br />

Transform Fault, isn’t a subduction zone fault,<br />

which is the type normally associated with<br />

mega-earthquakes.<br />

Subduction zones are “thrust” faults in<br />

which one plate is shoved beneath another.<br />

Transform faults are more like the San Andreas<br />

Fault, in which blocks of crust scrape horizontally<br />

past each other, a motion that geologists<br />

describe as strike/slip. “When an<br />

earthquake generates a tsunami, it’s because<br />

the sea floor went up <strong>and</strong> down,” says Seth<br />

Stein, a colleague of Okal’s at Northwestern<br />

University. “An earthquake which is pure<br />

strike-slip doesn’t do that.”<br />

Since we don’t know how the Azores-<br />

Gibraltar Transform Fault produced a big<br />

tsunami in the first place, it’s impossible to<br />

figure out whether it’s going to be safe for<br />

hundreds of years or on the verge of doing it<br />

again. “I have colleagues in France, Portugal,<br />

<strong>and</strong> Spain who have done excellent work trying<br />

to figure out what happened,” Okal says.<br />

“[But] it is very difficult.”<br />

Turbidity Flows <strong>and</strong> Cruise Ships<br />

In the case of Newfoundl<strong>and</strong>, however, scientists<br />

mapping the seabed <strong>and</strong> taking core<br />

samples have found debris fields indicating<br />

that the tsunami was caused by a giant underwater<br />

l<strong>and</strong>slide. Running for hundreds of<br />

miles, that l<strong>and</strong>slide raced down a series of<br />

submarine canyons fanning from the Gulf of<br />

St. Lawrence into the deep-water abyss, mixing<br />

mud with water to form what is known as<br />

a turbidity flow. Reconstructions of the event<br />

indicate that the flow may have carried as<br />

much as 75 cubic miles of mud at speeds of<br />

up to 60 miles per hour, sloshing huge volumes<br />

of water in the process. 11<br />

It’s only recently that scientists have come<br />

to realize that turbidity flows may be quite<br />

common. In 2001, researchers at the Monterey<br />

Bay Aquarium Research Institute, in Santa<br />

Cruz, California, planted equipment in<br />

10 Not Too Long Ago . . . Seniors Tell their Stories, The Seniors Resource Centre, St. John’s,<br />

Newfoundl<strong>and</strong> (1999), available free online at: http://www.nald.ca/library/learning/ntla/ntla.pdf.<br />

11 I.V. Fine et al, “The Gr<strong>and</strong> Banks l<strong>and</strong>slide-generated tsunami of November 18, 1929: preliminary<br />

analysis <strong>and</strong> numerical modeling,” Marine Geology 215 (2005) 45–57, http://www.pac.dfo-mpo.gc.ca/<br />

science/oceans/tsunamis/documents/1929.pdf.<br />

WAVES OF THE FUTURE<br />

23


ANALOG<br />

Monterey Canyon, a deep submarine canyon<br />

running offshore from Central California.<br />

Three months later, their equipment had vanished.<br />

Eventually, the scientists found it 550<br />

meters further down the canyon, partially<br />

buried in mud. They installed a new experiment,<br />

only to have it mangled by at least two<br />

turbidity flows in the space of five months. 12<br />

These were small turbidity flows, but if<br />

small ones are common, it’s unlikely that<br />

Newfoundl<strong>and</strong>’s tsunami-triggering giant is<br />

unique. If you’re looking for a recipe for disaster,<br />

all you need are three factors: a sloping<br />

seabed, a triggering earthquake, <strong>and</strong> the presence<br />

of a lot of loosely consolidated sediment,<br />

either deposited by a river or washed down at<br />

the end of the last ice age. “These features<br />

aren’t remarkable,” says David Mosher of the<br />

Bedford Institute of Oceanography in Dartmouth,<br />

Nova Scotia. “We see similar features<br />

all along the Canadian east coast.”<br />

The same features also occur in Alaska,<br />

where glacial rivers have brought huge<br />

amounts of mud down into the ocean, only to<br />

deposit it in large banks of sediment, perched<br />

at the heads of deep fjords. In the 1964 earthquake,<br />

in fact, only a fraction of Alaska’s 106<br />

tsunami deaths were from the main tsunami.<br />

The rest were from local tsunamis produced<br />

by l<strong>and</strong>slides. 13 And Alaska isn’t the only place<br />

facing such threats. “In Los Angeles, the<br />

biggest tsunami risk would probably be from<br />

a l<strong>and</strong>slide somewhere in the Channel Isl<strong>and</strong>s,”<br />

Okal says.<br />

Another region where submarine l<strong>and</strong>slides<br />

pose a tsunami risk is the Caribbean.<br />

“The Caribbean is an important place that is<br />

often overlooked,” says Matthew Hornbach, a<br />

geophysicist from Southern Methodist University,<br />

Dallas, Texas, who spent part of 2012 in<br />

the region helping to take submarine core<br />

samples in an effort to assess the region’s l<strong>and</strong>slide<br />

history.<br />

Here, the risk isn’t so much from perched<br />

sediments as from undersea “flank collapses”<br />

of the submarine slopes of volcanic isl<strong>and</strong>s<br />

such as Montserrat.<br />

Okal agrees. It doesn’t take a magnitude 9<br />

earthquake to trigger such an undersea<br />

avalanche. In 1918, an earthquake of magnitude<br />

7.5 occurred in the strait between Puerto<br />

Rico <strong>and</strong> the Dominican Republic, hitting<br />

Puerto Rico with twenty-foot waves that killed<br />

forty people. 14 “All indicators point to a l<strong>and</strong>slide,”<br />

Okal says.<br />

Another danger zone, Okal says, is the U.S.<br />

Virgin Isl<strong>and</strong>s, which had a magnitude 7.5<br />

earthquake <strong>and</strong> associated tsunami as recently<br />

as 1867. 15 The big risk there, he says, is to<br />

cruise ships, of which five or six can be in<br />

port at once, each with several thous<strong>and</strong> passengers<br />

<strong>and</strong> crew.<br />

Cruise-ship captains have said they could be<br />

under way within five minutes of an earthquake,<br />

Okal says, but he doesn’t believe it.<br />

“You’re going to have a traffic jam trying to<br />

move these enormous things,” he says. And<br />

he notes, “If you do get your ship out in five<br />

minutes, you’re going to leave people on the<br />

shoreline to be washed away by the waves. It’s<br />

a tsunami trap.”<br />

Chaotic Effects<br />

There have, of course, been movies <strong>and</strong><br />

novels about tsunamis. But the real story for<br />

science fiction probably wouldn’t be the raceagainst-time<br />

disaster story. The real story<br />

might take a longer view.<br />

One obvious aspect of this is the degree to<br />

which such a disaster would shake up the<br />

global economy. If the eruption of a single Icel<strong>and</strong>ic<br />

volcano in 2010 could shut down air<br />

traffic in Europe for days, what would be the<br />

effect of a harbor-wrecking wave in the poorly<br />

prepared Mediterranean?<br />

But the effects can be far more subtle than<br />

that.<br />

Jelle Zeilinga de Boer of Wesleyan University<br />

in Middletown, Connecticut, has proposed<br />

what he calls the “vibrating string” theory, in<br />

which he argues that natural cataclysms can<br />

have impacts that ripple through history for<br />

years, decades, <strong>and</strong> centuries. It’s a bit like<br />

chaos theory’s famous “butterfly effect” or<br />

12<br />

Richard A. Lovett, “The Wave from Nowhere,” New Scientist, 24 February 2007, pp. 52-53.<br />

13<br />

Ibid.<br />

14<br />

University of Southern California Tsunami Research Group, www.usc.edu/dept/tsunamis/caribbean/<br />

webpages/1918prindex.html.<br />

15<br />

www.usc.edu/dept/tsunamis/caribbean/webpages/1867viindex.html.<br />

24 RICHARD A. LOVETT


Ray Bradbury’s classic short story, “A Sound of<br />

Thunder,” <strong>and</strong> he’s argued it at length in two<br />

books: Volcanoes in Human History:The Far-<br />

Reaching Effects of Major Eruptions (2001)<br />

<strong>and</strong> Earthquakes in Human History:The Far-<br />

Reaching Effects of Seismic Disruptions<br />

(2004). The Lisbon earthquake <strong>and</strong> tsunami,<br />

for example, sent shock waves through both<br />

the Catholic Church (Portugal was a Catholic<br />

country) <strong>and</strong> the European intelligentsia, both<br />

of which tried to make sense of what had happened<br />

<strong>and</strong> what it said about the world in<br />

which we live.<br />

The Newfoundl<strong>and</strong> tsunami was smaller,<br />

but its effects might have been even more<br />

sweeping because it snapped more than a<br />

dozen transatlantic cables.<br />

Scientifically, those cables were one of the<br />

clues that helped geophysicists piece together<br />

the cause of the tsunami, because they<br />

broke one at a time, in sequence as the flow<br />

moved down-canyon. Since the earthquake<br />

was long over by the time the last one broke,<br />

it was a strong sign that something other than<br />

ground shaking was happening beneath the<br />

waves.<br />

The loss of the cables, however, was more<br />

than just a scientific curiosity. Expensive <strong>and</strong><br />

not easy to replace, they were the era’s equivalent<br />

of today’s communication satellites. Losing<br />

that many of them put a serious pinch on<br />

transatlantic communications.<br />

“This was shortly after the Wall Street<br />

crash,” Mosher’s Bedford Institute of<br />

Oceanography colleague, David Piper, told<br />

me a few years ago. The breaks, he speculates,<br />

may have contributed to the Great Depression<br />

by impeding communication<br />

between American <strong>and</strong> European banks at a<br />

critical time.<br />

Speculative? Absolutely. But that’s what science<br />

fiction is about, as well. So if we’re going<br />

to write about disasters, let’s think about<br />

them in greater depth than simply the classic<br />

plots of who will survive. And if you’re looking<br />

for background for future histories, any<br />

one of the tsunamis described in this article<br />

not only might occur, but not far in the future<br />

at least one of them is likely to have occurred.<br />

JUNE <strong>2013</strong><br />

And when each of them does, something will<br />

change.<br />

And if you’re looking for the possibility of<br />

long-term ripples from the Japan tsunami, all<br />

you have to say is “nuclear power.” Most likely<br />

these won’t amount to much, although, as of<br />

this writing, the Japanese have announced<br />

plans to cut in half their reliance on nuclear<br />

power, which, one day before the tsunami<br />

sent the Fukushima nuclear plant into meltdown,<br />

amounted to thirty percent of their<br />

electrical generating capacity. 16 Had the nuclear<br />

disaster been a little worse, however,<br />

there might have been major effects, with the<br />

entire globe shifting course . . . toward what?<br />

Coal? Smog <strong>and</strong> global warming? Conservation?<br />

A Manhattan-Project—style crash solarpower<br />

program?<br />

Those are exactly the type of questions science<br />

fiction excels at addressing. Are such<br />

changes the result of broad sociocultural effects,<br />

as envisioned by Isaac Asimov’s Foundation-novel<br />

psychohistorian Hari Seldon? Or<br />

are they driven by powerful individuals, such<br />

as Asimov’s character The Mule, whose<br />

unique talents upset Seldon’s plans? Or are<br />

they actually based on chaos theory, in which<br />

pretty much anything can happen because<br />

small, unexpected factors can count as much<br />

as supposedly “big” ones? A Google search reveals<br />

that there is at least one novel called<br />

Tsunami! I know nothing about it, but the<br />

one I’d like to read would use the wave to explore<br />

at least some of these questions. ■<br />

About the author:<br />

Richard A. Lovett has been a full-time writer<br />

since 1989. In addition to being a regular contributor<br />

to <strong>Analog</strong>, he has written more than<br />

3,000 articles for such publications as Nature,<br />

Scientific American, New Scientist, <strong>Science</strong>,<br />

Cosmos, National Geographic News, Travel &<br />

Leisure, Running Times, <strong>and</strong> Psychology Today.<br />

His short-story collection, Phantom<br />

Sense & Other Stories (all collaborations with<br />

fellow <strong>Analog</strong> writer Mark Niemann-Ross)<br />

was released in 2012 by Strange Wolf Press.<br />

Follow his professional page on Facebook, or<br />

find him on the web at www.richardalovett.com.<br />

16 Linda Sieg, “Japan Nuclear Energy: Japan Unlikely to Exit Nuclear Power,” Huffington Post (from Reuters),<br />

May 25, 2012, www.huffingtonpost.com/2012/05/25/japan-nuclear-energy_n_ 1544875.html.<br />

WAVES OF THE FUTURE<br />

25


I<br />

WANT BEANS.<br />

Luna took the sentence strip Ben offered<br />

her. She thought he was asking for<br />

sungka, but didn’t have the right icon—<br />

he only had his small travel communication<br />

book.<br />

“Oh, okay,” she said, pulling her sungka<br />

board from its place under the coffee table.<br />

She held it up. “Sungka?”<br />

Ben reached for the wooden board, so she<br />

knew she had guessed correctly. He placed<br />

the board on the couch between them. Luna<br />

stuck her h<strong>and</strong> underneath the table, grabbed<br />

a clear plastic box full of pinto beans, <strong>and</strong> began<br />

counting beans into each of the seven<br />

bowl-like holes in her side of the oblong<br />

board. She had three done when Ben finished<br />

filling his side. He was good with numbers.<br />

“Man, you’re fast, Bennie-boy.”<br />

Ben cleared his sentence strip <strong>and</strong> had a<br />

comment ready by the time Luna had finished<br />

counting her beans.<br />

I LIKE BEANS.<br />

Luna took the sentence he offered, reading<br />

it quickly before placing it back on the Velcro<br />

strip at the bottom of Ben’s book. “You like<br />

sungka. I know. I do too.” She made a mental<br />

26<br />

In the<br />

Green<br />

K. S. Patterson<br />

note to make a “sungka” PCS for Ben’s travel<br />

book.<br />

She paused for a moment, looking at Ben.<br />

His eyes slid away from hers, but she knew he<br />

was listening. She tapped her palm against her<br />

chest, “It’s my turn to go first.” She didn’t feel<br />

the faint spike of anxiety that usually meant<br />

Ben would protest. Smiling, she leaned forward<br />

to lightly squeeze his forearm in a couple<br />

of places.<br />

“Thanks Ben.” She withdrew her h<strong>and</strong> <strong>and</strong><br />

removed all of the beans from one of the<br />

bowls on the board. Moving counterclockwise,<br />

she dropped one bean in each bowl until<br />

she ran out, then gathered all the beans<br />

from the bowl her last bean had l<strong>and</strong>ed in <strong>and</strong><br />

continued until her last bean l<strong>and</strong>ed in an<br />

empty bowl.<br />

“Your turn.”<br />

Ben made his selection, rolling the beans in<br />

his h<strong>and</strong> for a good minute before beginning<br />

to drop them in the bowls. Luna leaned back<br />

in her seat, knowing she was going to be waiting<br />

a while. Ben always seemed to be able to<br />

think three or four moves ahead in sungka, so<br />

his turns usually lasted a lot longer than hers<br />

did. She watched Ben’s h<strong>and</strong> as he played. He


used his thumb to slide a bean up to his fingers<br />

<strong>and</strong> rubbed it before dropping it into the<br />

board.<br />

It was the same motion he had used when<br />

he was a kid <strong>and</strong> still playing with giant plastic<br />

containers of beans <strong>and</strong> uncooked rice. He<br />

still needed lots of tactile sensory, but Luna<br />

had noticed the weird looks <strong>and</strong> faint feelings<br />

of discomfort coming from Nanay’s friends<br />

when they saw a teenage boy sitting at the<br />

table squeezing <strong>and</strong> dropping h<strong>and</strong>fuls of uncooked<br />

beans. So she had replaced all the<br />

shells <strong>and</strong> tamarind seeds her family used as<br />

game pieces with beans, <strong>and</strong> taught Ben to<br />

play sungka.<br />

When Ben finished his turn, he had a huge<br />

mound of beans in his ‘mother house.’ Luna<br />

glanced down at hers. Three. She managed to<br />

get two more beans before her turn ended. “I<br />

think you’re gonna win again, Bennie.”<br />

When they finished (Ben won, of course),<br />

Luna made a quick phone call to her mother<br />

while Ben cleaned up. “Na’ay, Ben <strong>and</strong> I are<br />

heading over to Lola’s now. I think I’m going<br />

to keep him with me for another night, if<br />

that’s okay with you.” She cradled the phone<br />

to her ear, absently listening to her mother’s<br />

rote response <strong>and</strong> absorbing the bubbles of<br />

calm contentment coming from Ben.<br />

He scooped up a small h<strong>and</strong>ful of beans,<br />

<strong>and</strong> allowed them to flow off of his palm into<br />

their plastic case. Clink. Clink. Clink. Cling-<br />

ClinkClink. Each muted sound elicited another<br />

bubble. Luna noticed that her lips had<br />

curved into a small, relaxed smile.<br />

Ben put the lid on the beans <strong>and</strong> signed “All<br />

done.”<br />

“Okay Ma, see you tomorrow.” She paused<br />

to give her mother a chance to ask to speak to<br />

Ben, but only silence came through the line.<br />

She sighed, unsurprised. “Bye, Na’ay.”<br />

She hung up <strong>and</strong> looked out through the<br />

milky opaque glass of her reinforced window.<br />

The sky was still a soft green, so it was safe<br />

enough to walk. “Let’s go see Lola,” she said to<br />

Ben.<br />

He hung the lanyard attached to his book in<br />

the crook of his elbow <strong>and</strong> took her h<strong>and</strong>.<br />

They walked down the street together. Luna<br />

struggled to keep Ben in the Green Zone. It<br />

was the safest part of the walkway, but he hated<br />

it. He walked as close to the edge as he<br />

could, often attempting to slip into the Yel-<br />

IN THE GREEN<br />

JUNE <strong>2013</strong><br />

low. Her arm began to ache from the effort of<br />

keeping him by her side.<br />

When Petra II was colonized, it was designed<br />

to be as Earth-like as possible. Only<br />

Earth-imported building materials had been<br />

used when creating structures, <strong>and</strong> imported<br />

plants <strong>and</strong> wildlife had been integrated into<br />

the local ecosystem. The native flora <strong>and</strong> fauna<br />

tended to be larger than that of Earth, <strong>and</strong>,<br />

in less than a century, the imported wildlife<br />

that survived had evolved into larger, more aggressive<br />

versions of their original Earth counterparts.<br />

The Green Zone was constantly flooded<br />

with sonic pulses <strong>and</strong> various inaudible frequencies<br />

designed to keep the wildlife away.<br />

Luna wouldn’t have noticed the dissonance if<br />

it weren’t for her brother. A vague, but steadily<br />

rising stream of unease trickled out of him<br />

whenever he was within the Green. He tolerated<br />

the Yellow Zone—where the protections<br />

were muted—much better. The emotions she<br />

picked up from Ben reminded her of the way<br />

she had felt in dark spaces during childhood—<br />

before the tolerance training <strong>and</strong> desensitization.<br />

She wished the therapy had worked for<br />

Ben.<br />

They were on the receiving end of several<br />

odd looks from people walking in the center<br />

of the Green. Walking on the edge, as Luna<br />

<strong>and</strong> Ben always did, was considered unwise—<br />

a slightly irresponsible action most often done<br />

by groups of young teenage boys. People obviously<br />

in their twenties should have better<br />

sense.<br />

Luna let out a deep breath when they arrived<br />

at Lola’s house. It was a simple square<br />

building the same size <strong>and</strong> shape as every other<br />

home on America Street. But the bold sapphire<br />

blue color made it seem larger <strong>and</strong> more<br />

imposing than its white <strong>and</strong> tan neighbors.<br />

Ben had verbally expressed a preference for<br />

the color when Lola was having her home retinted.<br />

He placed his h<strong>and</strong> on the palmplate. The<br />

door recognized him as a familiar entity, <strong>and</strong><br />

opened easily. Luna <strong>and</strong> Lola tried to keep Ben<br />

with them as much as possible, so he was a<br />

frequent visitor at Lola’s house. Nanay didn’t<br />

seem to mind.<br />

“Lola! Are you home?” Luna called once<br />

they were inside.<br />

“Gr<strong>and</strong>son! Gr<strong>and</strong>daughter!” They walked<br />

27


ANALOG<br />

through the hallway into the family room. Lola<br />

was sitting in her usual chair, a black leather<br />

recliner only slightly younger than Luna <strong>and</strong><br />

Ben. Drops of moisture decorated her brow,<br />

<strong>and</strong> her black curls were a little wilted from<br />

the humidity. She didn’t like artificial air or<br />

heat, so Lola’s house relied on insulated curtains<br />

to keep the heat out.<br />

Lola scooted out of her chair <strong>and</strong> squeezed<br />

Ben in a powerful hug like he was still a little<br />

one, <strong>and</strong> didn’t tower over her slight five-foot<br />

frame. She grabbed Luna’s h<strong>and</strong>s in both of<br />

hers <strong>and</strong> kissed her cheek. “Sit down, Gr<strong>and</strong>daughter.”<br />

I SEE LOLA.<br />

He didn’t smile as he gave Luna his strip,<br />

but her pleasure in seeing her gr<strong>and</strong>mother<br />

suddenly increased. Sometimes it was hard to<br />

separate Ben’s happiness from hers, but it was<br />

a positive emotion, so Luna couldn’t bring<br />

herself to care.<br />

“You’re right, that is Lola,” she said. She<br />

looked at Lola. “Ben’s loving you right now.”<br />

Lola signed “I love you” to him, then pointed<br />

to a large stack of magazines on the floor.<br />

“Pick up please, Ben.”<br />

He lifted the heavy stack, placing them on<br />

the table Lola patted. She immediately began<br />

shuffling through the magazines.<br />

“I saved a good one for you, Gr<strong>and</strong>son.” She<br />

squinted, then looked up at Luna, “Please.<br />

Open the light.”<br />

Luna flipped the light switch, <strong>and</strong> Lola offered<br />

Ben a travel magazine, “I got this one<br />

from that lady who always tries to get me to<br />

go vacation off-world. It has lots of new places<br />

in it.”<br />

Ben quickly grasped the magazine, but she<br />

held it fast, eyes on his face. After a moment,<br />

he flicked his eyes to hers, briefly. “Thank<br />

you.” His voice was barely audible.<br />

Lola smiled <strong>and</strong> relinquished her hold on<br />

the magazine. She squeezed his shoulder as he<br />

began flipping through the pages. Her wrinkled<br />

h<strong>and</strong>s were still strong, her grip steady<br />

<strong>and</strong> confident. After watching a few minutes,<br />

Luna walked into the kitchen <strong>and</strong> looked in<br />

the refrigeration unit. “I’ll make you some sinigang<br />

tonight.”<br />

“Okay, Gr<strong>and</strong>daughter.”<br />

Luna lost herself in the ritual of cutting vegetables<br />

for the soup. Her h<strong>and</strong>s remembered<br />

Lola’s lessons from her childhood—-a tradi-<br />

tional way to cut that gave a nod to both style<br />

<strong>and</strong> function. Her contentment mingled with<br />

Ben’s as she set water to boil on the stove <strong>and</strong><br />

listened with half an ear to the verbal part of<br />

the conversation behind her.<br />

“What do you see?”<br />

“I like the ocean too, Gr<strong>and</strong>son . . .”<br />

“You’re right. The sky is red in that picture.<br />

That’s Petra I . . .”<br />

Even though he didn’t speak, Ben was talking.<br />

The evidence of Ben’s communication<br />

still made her happy. When they were children,<br />

Ben had rejected the small electronic<br />

communication device Ben’s teachers had<br />

tried to get him to use. Even as a child, Luna<br />

knew that being unable to communicate was<br />

like a prison for Ben. She used the Net to research<br />

<strong>and</strong> found out what they had used back<br />

on old Earth, before palm-tablets had been developed.<br />

The paper symbols served the same<br />

function as a palm-tablet, but without the electronic<br />

sounds that Ben was unable to tolerate.<br />

The sky darkened to olive, then forest<br />

green. By the time they finished eating <strong>and</strong><br />

Luna had placed the leftovers in the refrigeration<br />

unit, the sky had deepened to a thick, velvety<br />

green that was almost black. “You be<br />

careful, gr<strong>and</strong>daughter. It’s late already. Go<br />

straight home.” She wasn’t about to argue;<br />

they had lingered over dinner longer than usual,<br />

<strong>and</strong> night had crept in while they talked.<br />

The idea of walking home in the dark made<br />

her vaguely uncomfortable, but the path was<br />

well lit, <strong>and</strong> she would have Ben with her. She<br />

was soothed by his company almost as much<br />

as he was by hers.<br />

“We will, Lola. See you tomorrow.” Luna<br />

kissed her cheek, <strong>and</strong> opened the door while<br />

Lola gave Ben another tight squeeze.<br />

Ben stared at something above <strong>and</strong> to the<br />

left of Lola’s head, but his too-soft voice made<br />

another appearance. “Bye.”<br />

Lola patted his h<strong>and</strong>, “Bye, bye Gr<strong>and</strong>son.”<br />

She signed a quick, “I love you,” before turning<br />

to settle into her chair. She used her palms<br />

to scoot herself all the way against the backrest,<br />

her feet dangling a good foot off the floor<br />

before she reached down to recline the chair.<br />

The door closed behind them, shutting<br />

away the soft light from Lola’s lamps. The lock<br />

engaged with a soft electric buzz, followed by<br />

the hiss of escaping air. Ben pressed his h<strong>and</strong>s<br />

over his ears. She pressed them down again.<br />

28 K. S. PATTERSON


The walkway glowed in front of them. A fivefoot<br />

wide section in the middle of the path<br />

was illuminated by eerie green light, <strong>and</strong> s<strong>and</strong>wiched<br />

between two yellow-lit sections of the<br />

same width. The path home.<br />

Luna took Ben’s h<strong>and</strong>. “Stay on the Green,”<br />

she reminded him.<br />

The road was empty, <strong>and</strong> Luna’s occasional<br />

reminder, “Green. Stay in the Green please,”<br />

sounded odd <strong>and</strong> echo-y over the loud chirping<br />

<strong>and</strong> chittering of the night creatures hidden<br />

in the heavy dark looming outside the<br />

path.<br />

They were only a block from Luna’s home<br />

when Ben stopped, abruptly. A spike of intense<br />

distress that made her instantly nauseous<br />

warned her the moment before Ben<br />

twisted his h<strong>and</strong> out of her grasp. He pressed<br />

his h<strong>and</strong>s over his ears, his entire body vibrating,<br />

lips emitting a low, repetitive sound. He<br />

lunged into the Yellow Zone. Luna grabbed<br />

his arm, <strong>and</strong> his body weight pulled her into<br />

the Yellow after him. Ben’s footsteps stuttered<br />

at the outer edge of the Yellow, <strong>and</strong> he<br />

stopped. Luna’s momentum carried her further;<br />

she managed to release Ben’s arm before<br />

she tripped out of the Yellow <strong>and</strong> into the<br />

darkness beyond.<br />

She was alone. Her breath hitched, <strong>and</strong> her<br />

h<strong>and</strong> l<strong>and</strong>ed on something small <strong>and</strong> sharp. It<br />

burst under the weight of her h<strong>and</strong>, coating<br />

the ground with warm slime, <strong>and</strong> her palm<br />

slipped out from under her. Her chin hit the<br />

ground. Pain shot into her jaw, but was soon<br />

overwhelmed by deep fear. Luna couldn’t tell<br />

if it was her own. Alone, alone, alone. Her<br />

thoughts <strong>and</strong> motions were sluggish <strong>and</strong> she<br />

struggled to push the feelings aside. She had<br />

to get back on the walkway.<br />

The night seemed to fold around her <strong>and</strong><br />

constrict. Anxiety coiled in her stomach. She<br />

forced herself to st<strong>and</strong>, <strong>and</strong> move toward the<br />

yellow light. Something hit her head hard,<br />

shrieking. She grabbed at it. Her fingers slid<br />

over a mass of fur <strong>and</strong> scales. Its frantic motions<br />

made it tangle itself in her long, straight<br />

hair. Claws scraped across her h<strong>and</strong>s, <strong>and</strong> she<br />

cried out in pain as a warm wet substance<br />

dripped from her scalp into her eyes. She<br />

stumbled. The ground sloped beneath her<br />

feet, <strong>and</strong> she began to slide downward, barely<br />

keeping her footing. The yellow got further<br />

<strong>and</strong> further away until it finally faded from<br />

IN THE GREEN<br />

JUNE <strong>2013</strong><br />

sight.<br />

Abruptly, h<strong>and</strong>s grasped her arms <strong>and</strong><br />

pulled her forcefully backwards. The high<br />

pitched shrieking <strong>and</strong> struggling of the creature<br />

trapped in Luna’s hair increased. She felt<br />

a pulse of the familiar emotional scent that<br />

was Ben’s alone, <strong>and</strong> realized he followed her<br />

into the dark. She reached up <strong>and</strong> gripped a<br />

furry body <strong>and</strong> what felt like a claw-tipped<br />

wing. She tucked her chin to her chest <strong>and</strong><br />

Ben released her arms. His h<strong>and</strong>s moved to<br />

her hair, gently pulling, that low noise coming<br />

from the back of his throat. Luna felt his anxiety<br />

rising <strong>and</strong> ebbing in waves, but he continued<br />

to work his h<strong>and</strong>s in her hair. Luna tried<br />

to keep the unknown animal as still as possible.<br />

Finally, Ben was able to pull the creature<br />

from her hair. Her eyes had adjusted somewhat,<br />

so she was able to see him carry it a few<br />

steps away, <strong>and</strong> deposit it gently on the<br />

ground. She wiped the blood from her face<br />

<strong>and</strong> h<strong>and</strong>s on the hem of her shirt. He returned<br />

to her side <strong>and</strong> took her h<strong>and</strong>.<br />

“We’ve got to find the Yellow.”<br />

Luna looked around her. She was completely<br />

disoriented. Ben waited expectantly by her<br />

side. She felt no anxiety form him, only calm<br />

patience. She always took care of him, kept<br />

him safe.<br />

Several minutes ticked by. Ben’s confidence<br />

pounded in her head, <strong>and</strong> she stood immobilized<br />

because she knew, knew, that she<br />

couldn’t lead him home.<br />

“I’m sorry, Bennie. I don’t know the way.”<br />

She spoke the words, even though she didn’t<br />

know if he understood.<br />

She was afraid to take a step in any direction.<br />

What if she only led them farther from<br />

the path?<br />

As more time passed by, <strong>and</strong> Luna remained<br />

paralyzed, unable to choose, to move,<br />

Ben’s calm finally began to ebb away. His rising<br />

anxiety mingled with her own until her<br />

whole body felt tight—like it was about to explode.<br />

“I’m sorry, I’m sorry, I’m sorry.” She<br />

couldn’t stop repeating the words. A sticky,<br />

cottony feeling lodged in her throat. The panic<br />

wasn’t all her own.<br />

He took a step to the left. Then another,<br />

pulling her along with him, his h<strong>and</strong> tightening<br />

on hers like he was afraid to lose her. His<br />

29


ANALOG<br />

steps were hesitant at first, then his stride<br />

lengthened <strong>and</strong> quickened until they were<br />

both running headlong through the dark. A<br />

thin ribbon of yellow light appeared before<br />

them <strong>and</strong> they ran steadily forward, bursting<br />

onto the path, across the Yellow, <strong>and</strong> into the<br />

Green.<br />

Ben dropped her h<strong>and</strong>, frantically placing<br />

symbols, <strong>and</strong> ripping the Velcro-backed sentence<br />

strip from his book. He dropped to his<br />

knees on the pavement, <strong>and</strong> pushed his strip<br />

roughly into Luna’s h<strong>and</strong>s. He touched each<br />

icon heavily.<br />

I WANT. BEANS.<br />

“Bennie, Bennie. I don’t have it with me.”<br />

His h<strong>and</strong>s were covered with bite marks <strong>and</strong><br />

scratches. His panic increased, seeming to fill<br />

her lungs <strong>and</strong> chest with thick paste. Each<br />

beat of her heart felt hard <strong>and</strong> intense, like<br />

punching through water. She sucked in air,<br />

trying not to hyperventilate. “Ben, it’s okay.<br />

Calm down.”<br />

Ben tapped the strip in Luna’s h<strong>and</strong>, over<br />

<strong>and</strong> over again, bobbing his head up <strong>and</strong><br />

down rhythmically, the silent movement of his<br />

lips echoing in the still air.<br />

I WANT. BEANS.<br />

I WANT. BEANS.<br />

I WANT. BEANS.<br />

I WANT. BEANS.<br />

I WANT. BEANS.<br />

She grabbed him around the torso, pulling<br />

him against her chest. She squeezed him as<br />

hard as she could, but their panic didn’t ebb,<br />

the tightness in their chest didn’t ease, the<br />

need to scream rose in a steady eruption up<br />

their throat.<br />

Luna opened her mouth <strong>and</strong> let the sound<br />

explode, “eeeeeeeeeeeeeeeeeeee!” It cracked<br />

against the air <strong>and</strong> shattered the sky with lightning<br />

as invisible as Ben’s voice. He wrapped<br />

his arms around her <strong>and</strong> they rocked together<br />

until the storm . . . suddenly . . . stopped.<br />

As one, they released each other. Luna took<br />

a deep breath. The air flowed sweet <strong>and</strong> easy<br />

in her lungs. She stood, silently watching as<br />

Ben retrieved his book. The laminated icons<br />

were a bit worse for the wear after lying face<br />

down in the dirt. Luna smoothed the crumpled<br />

sentence strip in her h<strong>and</strong> <strong>and</strong> returned<br />

it to its place.<br />

Ben quickly flipped through the pages; the<br />

soft sound of icons being pulled from their<br />

Velcro was strangely soothing. He held out the<br />

strip <strong>and</strong> Luna took it automatically. She<br />

looked at Ben’s face, <strong>and</strong> for once he actually<br />

met her eyes.<br />

I SEE BEN.<br />

Luna stared into his brown eyes for a long<br />

moment. She tasted the complex mire of emotions<br />

blending inside her as she looked at her<br />

reflection in Ben.<br />

“Yes,” she said. “Yes. We’re the same, Bennie.<br />

Exactly the same.”<br />

They walked home, side by side, <strong>and</strong> stumbled<br />

tiredly into Luna’s house. She turned on<br />

the light <strong>and</strong> saw the sungka board sitting on<br />

the coffee table next to the neat little plastic<br />

box. She hadn’t put it away before they left.<br />

Luna flopped onto the couch, <strong>and</strong> pulled the<br />

board onto her lap.<br />

“Hey, Bennie,” she said, as he sat down on<br />

the couch next to her, “I want beans!” Ben<br />

dropped his book on the carpet by his feet,<br />

wiped his bloody h<strong>and</strong>s on his pants, <strong>and</strong><br />

smiled.<br />

Then, he began counting out the beans. ■<br />

30 K. S. PATTERSON


Wavefronts<br />

of History<br />

<strong>and</strong><br />

Memory<br />

There is a coldness at my heart, colder<br />

even than the airless space around me:<br />

a ball of laser-cooled cesium gas mere<br />

billionths of a degree above absolute.<br />

Surrounded by layers <strong>and</strong> shells of vacuum<br />

<strong>and</strong> ceramic though it may be, still I feel the<br />

tendrils of cold creeping like threads of ice<br />

through my chest. I shudder at the necessity.<br />

But the promise . . .<br />

In one facet of my mind, a jewel-toned<br />

transparent sphere clicks open to reveal a profusion<br />

of layers: Paleoelectromagnetic Era,<br />

Broadcast Age, Late Encrypted Period. The<br />

vertical scale absurdly exaggerated, of course.<br />

The surface of the sphere divided into sectors<br />

whose names predate even the Eoradio Age:<br />

Centaurus, Pisces, Canopus. And here, in<br />

Aries sector at the lower edge of the Second<br />

Global War period, where the earliest dawning<br />

fragments of the later technophilian empires<br />

can just barely be detected, a pulsing<br />

point of blue-white light. Me.<br />

I have emerged from Keene space into Ein-<br />

David D. Levine<br />

stein space exactly where I meant to be.<br />

Where I want to be?<br />

Perhaps not. But here I am.<br />

I have not revisited this sector in eight<br />

years, despite its rich promise, because of<br />

memories of Aleá . . . the hope of what I might<br />

find here outweighed by the dread of what I<br />

know I will recall. But when the Institute extended<br />

this cold bright promise to me, a signal<br />

honor indeed, I knew immediately where<br />

I must put it to use.<br />

Oh, sweet Aleá, my lost love, the source of<br />

so much pain . . . will the treasure be worth<br />

the hazard?<br />

I extend my antennae, fingers <strong>and</strong> toes<br />

stretching outward—atom-thin wires shooting<br />

from my ship-body—tiny impellers drawing<br />

my substance out into a cobweb a<br />

quarter-year wide. I turn the great ear toward<br />

the rubble of Earth. I listen. I feel for the shredded,<br />

attenuated signal.<br />

And yes. Yes, oh yes, oh there it is.<br />

Crisper than I’d ever before felt; clearer<br />

31


ANALOG<br />

even than I’d dared to hope. Forms <strong>and</strong> shapes<br />

<strong>and</strong> . . . yes, artifacts, emerging from the noise<br />

<strong>and</strong> dust under my mental fingers’ touch.<br />

My heart pounds with excitement. My fingers<br />

itch to probe <strong>and</strong> pry the treasures from<br />

this lode. But the dem<strong>and</strong>s of the Institute<br />

must first be met. I extract my attention from<br />

my work <strong>and</strong> open a speaker within my cabin.<br />

“We’ve reached the target coordinates,” I<br />

say. “Signal’s clear.”<br />

“No errors?” my passenger asks, his voice as<br />

hard-edged <strong>and</strong> inelegant as the awkward prototype<br />

in my guts. “No malfunctions?”<br />

Evon is his name, a technofactor imposed<br />

on me by the Institute to install, monitor, <strong>and</strong><br />

tune the new cryomagnetic detector. I’ve<br />

worked alone these eight years; I tolerate his<br />

presence with ill grace. My internal cameras<br />

are off, but the sound of his voice brings to<br />

mind his rough unstyled hair <strong>and</strong> beard, his<br />

coarse, merely practical clothes. He is a gray<br />

man with a gray mind, but I need his skills.<br />

In grudging response to his questions, I focus<br />

on my own systems. The chill of the new<br />

detector pierces my belly with icy talons but<br />

there are no other, unanticipated pains. “No.<br />

Everything seems to be in order.”<br />

“Good. I run diagnostic now.”<br />

“Wait!” Even the thought of his hairy knuckles<br />

beneath my panels feels like a violation.<br />

Even worse, a diagnostic on the new detector,<br />

so intimately interwoven with my own systems,<br />

could damage my mind. “Let me disengage<br />

first.”<br />

With one last covetous glance at the crystalline<br />

beauty of the new data, I draw my<br />

awareness down <strong>and</strong> in, releasing the tug <strong>and</strong><br />

whisper of the electromagnetic spectrum <strong>and</strong><br />

focusing on the comm<strong>and</strong> couch in my forward<br />

cabin. A figure there sits up, reaches disused<br />

fingers awkward to the fastenings at the<br />

nape of the neck. A sucking sound, a harsh<br />

moment of transition . . . <strong>and</strong> I am embodied.<br />

Heart pulses, ship gravity draws down on<br />

arms, legs, breasts. I pull the heavy helmet<br />

from my head <strong>and</strong> blink.<br />

The action may look like waking, but to me<br />

it feels like falling asleep. The ship has no<br />

awareness of itself, but when connected to it I<br />

am empowered; I feel correlations <strong>and</strong> make<br />

intuitive leaps impossible to my human brain<br />

alone. Without the helmet I am half myself.<br />

But there are compensations.<br />

To ground myself in my body I run fingers—my<br />

physical fingers—along the comm<strong>and</strong><br />

couch’s seams, the nubbly lines of<br />

warm buttery leather waking the connections<br />

between skin <strong>and</strong> brain. I stroke the cold firm<br />

metal of the couch’s frame, feel the play of<br />

joint <strong>and</strong> tendon in my h<strong>and</strong>s, smell my own<br />

sweat. Not conventionally pleasant, but warm,<br />

human. Me.<br />

I squeeze my own breasts, bringing a brief<br />

bright shock of arousal. Compensations, oh<br />

yes. I smile, enjoying the play of muscle <strong>and</strong><br />

the slip of lips across teeth.<br />

I rise from the couch, my small unsteadiness<br />

the result of only mental disorientation;<br />

as always, my human body has been as well<br />

maintained as any of my other systems by the<br />

ship’s faithful, silent mechanisms. A robe of<br />

maroon silkfish skin hangs by the door, <strong>and</strong> I<br />

glide its delicious texture over my nakedness.<br />

Usually I maintain the ship at blood heat, but<br />

Evon hails from snowy Svyataya Kirill <strong>and</strong><br />

both heat <strong>and</strong> nudity make him uncomfortable.<br />

He barely acknowledges my entrance, eyes<br />

<strong>and</strong> h<strong>and</strong>s busy with the console of some device<br />

he’s brought with him. It’s hard <strong>and</strong> boxy,<br />

its slick gray finish an intrusion on the lush<br />

curved surfaces <strong>and</strong> rich textures of my cabin.<br />

A thick cable runs to one of my ports, probing<br />

<strong>and</strong> analyzing the new detector <strong>and</strong> its interfaces<br />

with my systems. “Would you like some<br />

tea?” I offer.<br />

“Is enough,” he grunts, pointing to a glass<br />

of water he’s poured himself. We’re speaking<br />

Languedoui, our best common language, but<br />

his thick Kirilian accent strips it of articles <strong>and</strong><br />

pronouns. A half-eaten food bar litters the<br />

table beside it; he eats nothing else. “Efficient,”<br />

he’s explained. His screen jerks <strong>and</strong><br />

tics with graphs <strong>and</strong> numbers. I can’t wait until<br />

this desiccated man is finished with his<br />

work, off my ship, out of my life.<br />

I take snowberries <strong>and</strong> fresh mint from the<br />

larder, muddle them with sugar <strong>and</strong> cinnamon,<br />

add water <strong>and</strong> just a tinkle of ice. Ahh.<br />

As I drink, I settle myself cross-legged on the<br />

long padded bench that rings the main cabin,<br />

watching Evon work. There’s little else to do<br />

<strong>and</strong> nowhere else to go; the ship has only one<br />

sleeping cabin <strong>and</strong> I’ve ceded it to him for the<br />

duration. Not that I use that berth much myself.<br />

Ever since Aleá left, eight years ago, I<br />

32 DAVID D. LEVINE


sleep in the comm<strong>and</strong> couch. The ship’s systems<br />

tickle my mind as I dream, the weird disturbing<br />

visions the price I pay for the<br />

occasional astonishing insight.<br />

The ship <strong>and</strong> I are one, in this as in so many<br />

things. The ship does not even have a name;<br />

my own name, Kell, is what appears in dock<br />

registries <strong>and</strong> bills of lading when I am in port.<br />

“How’s it going?” I ask after a while.<br />

“Eh?” He does not look up.<br />

“Your diagnostic. Will it be finished soon?<br />

I’d like to get back to work, if I may.”<br />

Now he does look up, his gaze flicking<br />

across my hairless scalp, the glossy metal<br />

plates at crown <strong>and</strong> temples <strong>and</strong> nape, before<br />

settling on my eyes. I know the plates disquiet<br />

him; on Svyataya Kirill what I’ve done to myself<br />

for my studies is illegal. Even in the wider<br />

human community, few are willing to undergo<br />

the surgeries, the therapies, the learning to<br />

walk all over again. Augments like me are a curiosity<br />

to many, monstrous to some. Defiant, I<br />

go bare-headed in public. “Half hour,” he says.<br />

“Have you found any problems so far?”<br />

“No, no, no. Is very good. See?” He turns his<br />

screen to me, showing a twitching chart. It is<br />

meaningless to me; how can I underst<strong>and</strong><br />

something I can’t touch? “Excellent sensitivity,”<br />

he explains, pointing to a peak on the<br />

graph. He smiles, the charts <strong>and</strong> numbers<br />

bringing his face alive for the first time. “Better<br />

than expected.”<br />

“I’m pleased,” I say, <strong>and</strong> I really am. The<br />

frigid box of barely-tested hardware welded to<br />

my ship’s core makes me uneasy, but I salivate<br />

at the promised results. “I can’t wait to try it.”<br />

“You will like.” Evon turns his shoulders to<br />

face me, politeness winning out over his habitual<br />

reticence, though his eyes still dart to<br />

the screen at intervals. “What do you hope to<br />

find,” he says, “with new detector?”<br />

My area of study, I explain, is the Showa period<br />

of the Nihon culture: a single century in a<br />

single culture of the Late Telegraphic <strong>and</strong> Early<br />

Broadcast strata. Despite its obscurity, I believe<br />

this period is a key hinge-point between<br />

the pre-electromagnetic culture of ancient Nihon<br />

<strong>and</strong> the daikeiretsu governments that<br />

dominated the planet in the twenty-second<br />

century <strong>and</strong> pioneered the industrialization of<br />

space. Somewhere in the vast middens of<br />

noise <strong>and</strong> garble that form the electromagnetic<br />

l<strong>and</strong>scape of the Tojo Shogunate, I am con-<br />

WAVEFRONTS OF HISTORY AND MEMORY<br />

JUNE <strong>2013</strong><br />

vinced, can be found the seeds of the<br />

Kikkasho Efflorescence that birthed our modern<br />

world.<br />

But it’s a hard period to study, a deep deep<br />

layer of the fuzziest, most tenuous signals. The<br />

radioartifacts of the Late Telegraphic were indistinct,<br />

weak, <strong>and</strong> drowned in noise even<br />

when they originated; today they are smeared<br />

across the outermost surface—the bottom, in<br />

radioarchaeologists’ upside-down traditional<br />

terminology—of a sphere nine thous<strong>and</strong> years<br />

in radius that exp<strong>and</strong>s further each day. Torn<br />

by dust clouds, punctured by stars, <strong>and</strong> dispersed<br />

by nebulae, most of this enormous<br />

spherical surface is useless; the areas of good<br />

seeing are rare <strong>and</strong> eagerly sought. We have<br />

come to one such location because of its unparalleled<br />

view of Nihon in years 16 through<br />

19 of the Showa period, or 1941 through<br />

1944 in the anno domini system also in use at<br />

the time.<br />

“It was during that period,” I tell Evon, “that<br />

the baryonic energy technologies that eventually<br />

both powered humanity’s expansion into<br />

space <strong>and</strong> demolished the Earth made their<br />

first crude weaponized appearances. It’s well<br />

known that Nihon was the first Earth culture<br />

to feel the impact of these weapons, at the<br />

end of the Second Global War, <strong>and</strong> that attack<br />

had a profound impact on the culture’s development<br />

<strong>and</strong> attitudes toward those technologies<br />

in the following centuries. But the<br />

reasons Nihon was attacked are unclear; even<br />

the identity of the attacker is disputed. I hope<br />

to unearth radioartifacts of the Tojo Shogunate<br />

to definitively answer this question.”<br />

“What kind signal strengths, these artifacts?”<br />

“Four point three femtojanskys.” Numbers<br />

are not my forte, but this cruel figure is etched<br />

on my heart. “No more.”<br />

Evon’s lips purse in concentration. His eyes<br />

had w<strong>and</strong>ered during my discussion of history<br />

<strong>and</strong> culture, but this statistic is something he<br />

can get his h<strong>and</strong>s around. “Is very weak, yes.<br />

But new detector can do, I think.” He nods, as<br />

though to reassure himself. “Yes. Can do.”<br />

I can’t help but recall my last dig at this site.<br />

Aleá had squealed in delight as the first signals<br />

had come through. “My God!” she said. “Listen<br />

to this!” She pulled the headphones from<br />

her ears <strong>and</strong> jammed them down on my head.<br />

Through hiss <strong>and</strong> whine I heard a voice in<br />

33


ANALOG<br />

archaic Nihongo—syllables shaped by lips <strong>and</strong><br />

tongue gone to dust nine thous<strong>and</strong> years ago.<br />

It was nothing more than an advertisement for<br />

cosmetics, but still . . . to hear that voice, that<br />

ancient breath, across so many years was like<br />

a miracle. I gasped <strong>and</strong> hugged Aleá close, the<br />

headphones making the gesture awkward.<br />

But the miracle had soured over the following<br />

weeks, as we realized what a fluke that<br />

first clear signal had been, how filthy <strong>and</strong> attenuated<br />

most of the data was.<br />

Perhaps the stress of that failure was the reason<br />

Aleá had left. It is certainly the reason I<br />

haven’t returned before this. But in eight years<br />

I haven’t found any other site nearly as promising;<br />

the new detector offers a chance to redeem<br />

my reputation as a researcher, perhaps<br />

even heal the still-raw hole in my self-esteem.<br />

I’ve cashed in every favor I had at the Institute<br />

to get myself selected for this pilot project.<br />

Evon’s harsh voice breaks me out of my<br />

reverie. “Can inspect data?”<br />

I blink. “Excuse me?”<br />

“The data, the artifacts, that you find with<br />

new detector. May I inspect?”<br />

“Certainly not!” The very thought of this<br />

bloodless technician pawing through my artifacts<br />

is an affront. But his startled eyes remind<br />

me there isn’t any technical reason for me to<br />

refuse. “I, uh, it’s . . . it’s too preliminary,” I<br />

prevaricate. “Raw research data is . . . it’s subject<br />

to misinterpretation. You underst<strong>and</strong>.”<br />

“I underst<strong>and</strong>.” His face shows that he underst<strong>and</strong>s<br />

all too well.<br />

“So, uh . . . may I use the detector now?”<br />

He gestures to the wall behind which the<br />

device is installed. It is only in my mind, I’m<br />

sure, that a wave of chill air flows from it.<br />

“Certainly,” he says, then grins. “Good hunting!”<br />

I manage, just, to remember to say “thank<br />

you” on my way out. So eager am I to get to<br />

work that I tear the sleeve of my silkfish robe<br />

as I shuck it off. My fingers tremble as I fit the<br />

heavy helmet to my head.<br />

In the helmet’s close dark, I shut my eyes<br />

<strong>and</strong> hold my breath. I press the activation<br />

stud. After a moment of transition, the site<br />

spreads itself out in my sensorium, so dense<br />

with possible artifacts I practically salivate. I<br />

ready my tools.<br />

My mother has never understood why I<br />

travel to barren, desolate areas of space thou-<br />

s<strong>and</strong>s of years away from Earth to study its history.<br />

Archaeologists, she thinks, unearth physical<br />

artifacts. But those traditionalists in their<br />

heavy shielded suits can do little more than<br />

scrape up shattered, melted fragments—ruined<br />

bits of jetsam they can never even touch<br />

with their own h<strong>and</strong>s, nor display to the public<br />

except behind thick glass stained yellow<br />

with lead. We radioarchaelologists, on the other<br />

h<strong>and</strong>, can reach across the years to grasp<br />

Earth as it was, alive <strong>and</strong> buzzing with activity.<br />

With any point in Einstein space just a step<br />

away in Keene space, all we need do is travel<br />

to a place with a clear view of our selected period<br />

of history <strong>and</strong> bring a good enough detector.<br />

And now, I hope, I have both.<br />

Although the subjects of my work are only<br />

tenuous wisps of radio waves, with the ship’s<br />

help I perceive them as solid objects. Illusions<br />

of weight, color, <strong>and</strong> texture help my ape-descended<br />

brain distinguish signal from noise,<br />

diamonds from dross. I use metaphors of hammers,<br />

chisels, brushes; I chip <strong>and</strong> scrape away<br />

at radio noise to reveal fragments of data like<br />

jawbones <strong>and</strong> potsherds teased from the rock.<br />

Then I fit those fragments together into useful<br />

information.<br />

Most of the artifacts I find were never intended<br />

for public consumption: state secrets<br />

sent along telegraph lines, messages of love<br />

whispered over telephone, continent-wide<br />

patterns of activity revealing hidden geopolitical<br />

strategies. All preserved in time like rose<br />

petals in amber, though fearfully attenuated<br />

<strong>and</strong> torn by passing stars <strong>and</strong> veils of dust;<br />

now revealed in vivid detail by the new detector.<br />

My ship-enhanced mind identifies, sifts,<br />

sorts, discards with thunderous speed.<br />

I am entranced, overwhelmed. An unending<br />

feast of data unveils itself: names, dates,<br />

motivations. Details long lost to history. Astonishing<br />

revelation after astonishing revelation.<br />

Within mere hours the answers to some of<br />

my field’s most vexing questions are laid plain<br />

beneath my fingers. The baryonic bomb had<br />

not been launched by either Sina or the Socialist<br />

Republic Union, but by the American<br />

States—a major power in later periods of history,<br />

but isolationist <strong>and</strong> barely industrialized<br />

during the First <strong>and</strong> Second Global Wars. Or<br />

so we had thought. There are even tantalizing<br />

hints that the isolationism of the States had<br />

34 DAVID D. LEVINE


een broken by an ill-timed surprise attack by<br />

Nihon itself.<br />

There is more. Much more. These finds will<br />

do more than repair my reputation; they will<br />

make my name.<br />

But as exciting as the artifacts are, the matrix<br />

in which they are embedded is equally recalcitrant—a<br />

hard, fibrous mass that must be<br />

painstakingly chipped <strong>and</strong> scraped from each<br />

new find. This is the ship’s representation of a<br />

powerful noise source that requires significant<br />

computation to separate from the desired<br />

signal.<br />

I’m spending far too much time removing<br />

the same encrusted junk from artifact after artifact.<br />

I decide to take a moment to analyze it,<br />

in hopes of determining its source <strong>and</strong> factoring<br />

it out of the data at a low level.<br />

Usually this type of interference comes<br />

from a nearby pulsar or black hole. But as I examine<br />

the noise I find it is too hard-edged, too<br />

gritty, for any natural source.<br />

How can this be? I’m thous<strong>and</strong>s of years<br />

from the nearest inhabited world. I look more<br />

closely, run a correlation with a database of artificial<br />

noise sources.<br />

The result comes back quickly, but it takes<br />

me a long moment to underst<strong>and</strong> it. When I<br />

do, I feel a disorienting rush of vertigo—as<br />

though I’ve been staring out the window at a<br />

craggy l<strong>and</strong>scape <strong>and</strong> suddenly realize it’s a<br />

micrograph of human skin.<br />

My own skin.<br />

For the source of the interfering signal is<br />

myself.<br />

I laugh out loud at the realization, the sound<br />

echoing harsh <strong>and</strong> moist within my helmet.<br />

I have placed myself at the single point of<br />

intersection between the gr<strong>and</strong> exp<strong>and</strong>ing<br />

sphere of human history <strong>and</strong> a tiny bubble a<br />

mere eight years in radius: the wavefront of<br />

the weeks I <strong>and</strong> my partner-lover Aleá studied,<br />

coupled, <strong>and</strong> fought together while digging in<br />

this exact same electromagnetic midden eight<br />

years earlier. Although my earlier ship was<br />

well-shielded by the st<strong>and</strong>ards of the time,<br />

even the tiny amount of electromagnetic radiation<br />

that leaked out is inescapable to the new<br />

detector at this close remove.<br />

I consider moving the ship to avoid the interference<br />

from my earlier self, but a quick regional<br />

scan reveals the futility of such an<br />

action. The spherical wavefront of noise from<br />

WAVEFRONTS OF HISTORY AND MEMORY<br />

JUNE <strong>2013</strong><br />

my earlier ship, though minuscule by comparison<br />

with the sphere of history, is exp<strong>and</strong>ing<br />

at the same rate of one light-year per year;<br />

from now on, any attempt to study this point<br />

in Earth history from this area of clear seeing<br />

will find the ancient signal entangled with this<br />

later, stronger one. And eight years of searching<br />

have failed to find a better location.<br />

I have no alternative but to find a way to filter<br />

it out.<br />

From a little-used drawer in the ship’s mind<br />

I pull other tools, hard <strong>and</strong> shiny, better suited<br />

to the fine jittery signals of the modern world.<br />

I step back to a higher level of abstraction <strong>and</strong><br />

apply the tools to the direct feed from the new<br />

detector, seeking to identify <strong>and</strong> eliminate all<br />

signs of my previous self.<br />

The low hum of the engines <strong>and</strong> the whirr<br />

of the navigational sensors are the first, most<br />

obvious targets, <strong>and</strong> I begin by adjusting the<br />

antenna parameters to filter them out. These<br />

adjustments are as familiar as my own breathing;<br />

I used to have to do this every time the engine<br />

was serviced.<br />

As I work, I remember the self I was then.<br />

Excited, driven, full of ideas, yes. But also arrogant,<br />

conceited, too convinced of my own<br />

genius. It was Aleá who kept me sane, helped<br />

me focus my energies on the work <strong>and</strong> not on<br />

self-aggr<strong>and</strong>izement.<br />

Beautiful, compassionate, brilliant Aleá. It’s<br />

true we spent nine hours in bed together on<br />

the day we met. But it was always more than<br />

just sex—she was the other half of my heart,<br />

the completion of my mind. The papers we<br />

wrote together were far more than the sum of<br />

our skills; they were the product, the exponent,<br />

of two fine minds operating in perfect<br />

harmony. After she left I couldn’t work at all<br />

for six months, then spent two years more in<br />

an angry, wasteful thrash. It’s only in the past<br />

year that I’ve been able to do productive work<br />

again.<br />

And now this. She—<strong>and</strong> the previous me—<br />

are getting in my way again.<br />

Distracted, I manage to mess up the compensator<br />

settings. I have to reset, start over.<br />

Beneath the helmet I feel my teeth grind.<br />

Our work, like our loving, had always been<br />

full of violent passion. Whenever we worked<br />

a site together we would argue vehemently,<br />

screaming <strong>and</strong> throwing things before reuniting<br />

in a mad rush of intellectual <strong>and</strong> sexual en-<br />

35


ANALOG<br />

ergy. But eight years ago—in this very spot—it<br />

had been different. We’d first sniped at each<br />

other, then fought openly, then sullenly retreated<br />

to separate work spaces as the signals<br />

we’d worked so hard to locate fell apart under<br />

our h<strong>and</strong>s. We used different tools, I merged<br />

with the ship <strong>and</strong> she with goggles <strong>and</strong> gloves,<br />

but both of us were frustrated, angry, despairing—lashing<br />

out at each other because the distant,<br />

roaring stars <strong>and</strong> nebulae that were our<br />

real enemies were beyond our reach. When<br />

we gave up <strong>and</strong> transitioned back to the Institute,<br />

we hadn’t spoken in days. I awoke the<br />

next morning to a cold void in my bed <strong>and</strong> a<br />

paper note: “Don’t try to follow me.”<br />

I tore the note to pieces with my teeth,<br />

then set it on fire.<br />

But I’d never been able to burn away the<br />

pain in my soul, the question that seared my<br />

heart.<br />

Why?<br />

Why did she leave me?<br />

We’d fought many times before. Why had<br />

this fight been so different? So . . . terminal?<br />

At last I am done filtering out the engine<br />

<strong>and</strong> sensor noise. But pulling those away reveals<br />

finer structures, fidgeting like a tangle of<br />

fine wires. I’ve never seen signals like these<br />

before; they were below the threshold of my<br />

detectors at the time, even at a range of zero. I<br />

look more closely.<br />

These signals are the leakage from the ship’s<br />

internal electronics. In a way, I am looking at<br />

the workings of my own earlier mind. It’s a fascinating<br />

<strong>and</strong> slightly disturbing thought.<br />

I wish I could ignore these vibrating wires,<br />

but I can’t; faint though they may be, these signals<br />

are stronger than nine-thous<strong>and</strong>-year-old<br />

radioartifacts. I must strain them out of the<br />

data stream now or I’ll have to chip them off<br />

of every single item later. I pull the old ship’s<br />

documentation from storage <strong>and</strong> begin the<br />

painstaking work of building a filter to remove<br />

them.<br />

Later. I find myself in the cabin, blowing the<br />

steam off a bowl of miso soup. The hot bowl<br />

trembles in my h<strong>and</strong>s <strong>and</strong> I realize I haven’t<br />

eaten in over twenty hours.<br />

Evon is munching on one of his ubiquitous<br />

food bars. “Is good, new detector?” he asks in<br />

a conversational tone.<br />

“Too good.” I sip cautiously. Still too hot.<br />

“It’s picking up new sources of noise as well<br />

as the new signals.” I find myself reluctant to<br />

explain exactly what those noise sources are.<br />

I’ve always been a private person, <strong>and</strong> never<br />

shared the pain of my severed relationship<br />

with anyone.<br />

“I see on my readouts,” he replies. “Signal<br />

source is nearby. Probably ship.”<br />

“I know what it is.” I won’t let this bloodless<br />

man tell me how to do my job.<br />

“I can help filter it out.”<br />

I feel my teeth grind together. “I have the<br />

situation in h<strong>and</strong>.”<br />

“You be careful,” he says, waving the food<br />

bar. I wince as crumbs dirty the table. “Detector<br />

is verrry sensitive. Focus on strong signal<br />

could damage. Or worse.”<br />

“I’ll be careful,” I snap, <strong>and</strong> take another sip<br />

of soup to calm my nerves.<br />

Damn it. I’ve burned my mouth.<br />

After finishing my soup, I retire to the comm<strong>and</strong><br />

couch for a few hours’ rest.<br />

In my dreams I’m back in school, my hair<br />

luxuriantly curly <strong>and</strong> my mind still entirely organic.<br />

I’m on a dig, a physical dig, in some<br />

hot, s<strong>and</strong>y place where an unremitting sun<br />

hammers down from a pink sky. An infinity of<br />

scraped earth, neat terraces of precise excavations<br />

divided into squares by glittering laser<br />

beams, stretches away to the horizon.<br />

With brush <strong>and</strong> pick <strong>and</strong> trowel I work<br />

down through layer after layer of char <strong>and</strong> ash,<br />

the ruins of some ancient disaster. The dark,<br />

gritty stuff embeds itself beneath my fingernails<br />

<strong>and</strong> makes me sneeze black goo. And<br />

then I find a pair of skulls.<br />

One bears a diadem of fine wire. The other . . .<br />

I pick it up. Embedded in the skull are metal<br />

plates, scratched <strong>and</strong> pitted with age.<br />

The skull’s eyes open, <strong>and</strong> they are my own.<br />

I thrash <strong>and</strong> gasp awake.<br />

It takes only a few more hours’ work before<br />

I’ve pared away the last of the intruding signal.<br />

Or so I think. But I find the artifacts still gritty<br />

with hard, encrusted noise. What have I<br />

missed?<br />

I switch back to the data stream. Although<br />

I’ve filtered out every trace of my old ship’s<br />

systems, <strong>and</strong> even my own augments, one<br />

fine jittering wire of signal remains.<br />

A wire like the wire diadem on the first<br />

36 DAVID D. LEVINE


skull.<br />

My pulse catches in my throat as I realize<br />

the message my subconscious <strong>and</strong>/or the<br />

ship’s autonomic systems were sending me in<br />

my dream.<br />

Aleá’s personal datappliance. The one electronic<br />

system on board that was never, ever<br />

connected to the ship’s network. This is its<br />

signal.<br />

I tease out the trembling wire with a fine<br />

probe. It pulses between my fingertips like a<br />

tiny bird’s rapid heartbeat.<br />

I have spent my entire professional career<br />

extracting meaning from electromagnetic artifacts<br />

like this.<br />

Secrets. Ancient mysteries. Solutions to<br />

questions long unanswered.<br />

Why did Aleá leave me?<br />

No. I set the wire down. I never, ever<br />

probed or pried into Aleá’s personal data<br />

when we were together. To do so now would<br />

be immoral, illegal, wrong.<br />

What I should do is simply filter it out.<br />

I sharpen a narrow chisel <strong>and</strong> apply it to the<br />

wire . . . <strong>and</strong> a buzzer breaks my concentration.<br />

“What are you doing?” comes Evon’s<br />

groggy voice from the intercom in the sleeping<br />

cabin. It’s three in the morning ship time,<br />

not that I have been paying much attention to<br />

that.<br />

“There’s one last bit of signal I’m removing.”<br />

“Detector is on verge of heterodyning!”<br />

“I told you, I’ll be careful.” I cut the connection.<br />

I feel the wire’s pulse through the chisel<br />

h<strong>and</strong>le.<br />

I swallow.<br />

I am an archaeologist. I study, I analyze, I decrypt.<br />

I can’t ignore this data . . . this chance to<br />

unearth the truth about my own past.<br />

In my place I’m sure Aleá would do the<br />

same.<br />

I set the chisel aside, bring out probes <strong>and</strong><br />

brushes. The wire magnifies itself at my attention,<br />

revealing its details.<br />

This modern radioartifact is like a jeweled<br />

bracelet beside the potsherds <strong>and</strong> spear points<br />

of the Late Telegraphic, but the principles of<br />

analysis are the same. The signal is crisp <strong>and</strong><br />

clean; the storage is encrypted, but that protection<br />

is a paper shield against the powerful<br />

blades of the ship’s processors. With a delicate<br />

WAVEFRONTS OF HISTORY AND MEMORY<br />

JUNE <strong>2013</strong><br />

hook I tease out the shining str<strong>and</strong> representing<br />

the decrypted signal.<br />

I pull out my loupe, a metaphor for a sophisticated<br />

pattern-matching algorithm, <strong>and</strong><br />

focus it on the glittering str<strong>and</strong> of data. I seek<br />

my own name in a strong emotional context.<br />

Long moments pass while the loupe does<br />

its work. And then I hear Aleá’s voice, for the<br />

first time in eight years. A sweet acid music<br />

that pierces my heart <strong>and</strong> closes my throat.<br />

I do love Kell, it says, but—<br />

The buzzer interrupts again. “What!” I<br />

shout through the ship’s speakers.<br />

“Whatever you’re doing, stop it! Signal is<br />

too strong! Detector is overh—”<br />

I cut him off. I lock his door. I have to know.<br />

I peer through the loupe again.<br />

I do love Kell. Aleá’s lips, her breath, flutter<br />

in my ear. But I must resign myself to the fact<br />

that I can never be with her.<br />

What?<br />

I’ve tried for years to reconcile the one I<br />

love with the body that shares my bed.But ...<br />

but it’s finally gotten to the point that it’s too<br />

painful. I can’t go on like this. She takes a<br />

long, trembling breath. Lying with Kell is . . .<br />

it’s . . . it’s like screwing a brain-damaged<br />

child.And the worst thing is that she sounds<br />

like my beloved.While the real Kell, the Kell I<br />

love, is just a voice on a speaker <strong>and</strong> an unmoving<br />

mannequin with a hard metal helmet<br />

for a head.<br />

The floor drops away <strong>and</strong> I feel the thous<strong>and</strong>s<br />

of empty light-years beneath me, a gap<br />

of cold vacuum so far beyond human scale we<br />

don’t even attempt to comprehend it. In<br />

Keene space we can step across that gulf in<br />

moments, but it is still vast beyond underst<strong>and</strong>ing.<br />

I cannot kiss my beloved’s lips, Aleá sobs.<br />

She cannot feel my caresses.<br />

A long pause filled with shuddering sighs. I<br />

feel a hot pain rising up from somewhere<br />

deep within.<br />

It was never me that Aleá loved. It was the<br />

ship . . . or the union of the shipmind <strong>and</strong> my<br />

organic brain . . . but my body, my warm sensual<br />

body that has brought me so much pleasure,<br />

by itself was not enough.<br />

It was the tension between who I am <strong>and</strong><br />

what I am that tore Aleá <strong>and</strong> I apart. A tension<br />

that I will never be able to resolve.<br />

Aleá’s voice returns: I cannot touch the one<br />

37


ANALOG<br />

I love; I cannot love the one I touch.<br />

And at that moment the detector overheats,<br />

its cold ceramic casing shattering as the cesium<br />

gas within exp<strong>and</strong>s a millionfold. Pain<br />

tears through my systems as searing-cold gas<br />

pours into spaces it was never meant to<br />

touch.<br />

My heart bursts because it has taken in too<br />

much.<br />

Oblivion.<br />

Light stabs my eyes. I wince <strong>and</strong> squirm<br />

away from the pain, raising h<strong>and</strong>s to defend<br />

myself, but something restrains me.<br />

“Whoa, whoa, malyutka!” It’s Evon’s voice,<br />

Evon’s h<strong>and</strong>s on my wrists. “Don’t fight. Is<br />

only me. You okay?”<br />

“Uh . . .” My voice is ashy. “I’m alive . . .”<br />

“Here. Drink.” A cool glass is pressed into<br />

my h<strong>and</strong>s. Water. I realize I’m parched. “Not<br />

so fast!”<br />

The glass is taken away. My thirst tells me<br />

I’ve been insensate <strong>and</strong> unserviced for some<br />

time. “How . . . how long?”<br />

“Sixteen hours.” He h<strong>and</strong>s me another glass<br />

of water, <strong>and</strong> a food bar. It’s the most delicious<br />

thing I’ve ever tasted. “Was getting pretty cold<br />

before I managed to get door open. Lifesystem<br />

working now, anyway.”<br />

I shiver. It’s still pretty cold. “I’m sorry I<br />

locked you in.”<br />

“I’m sorry detector exploded. Next one will<br />

have better compensators. Big question is, can<br />

you fly ship?”<br />

The helmet’s indicators have all gone black,<br />

but the wall displays are operative. Drive systems<br />

are good; navigation is running on back-<br />

38<br />

VISIT OUR WEBSITE<br />

www.analogsf.com<br />

ups, but the coordinates of the last transition<br />

are still locked in. “Yes. I can get us back to<br />

the Institute, anyway.”<br />

Evon blows out a sigh. “Is good.”<br />

I turn the cold helmet over in my h<strong>and</strong>s.<br />

The shipmind is dead. A new one can be<br />

grown from backups, of course, but it won’t<br />

be exactly the same.<br />

I won’t be exactly the same.<br />

What do I want me to be?<br />

I stare into the blind eye of the helmet’s<br />

dead power indicator. It stares blankly back . . .<br />

<strong>and</strong> suddenly I realize there’s a more immediate<br />

problem. “My data!”<br />

Evon quirks an eyebrow at me.<br />

“All the data I’ve gathered here. Is it safe?”<br />

He shrugs, spreads his h<strong>and</strong>s. “I would never<br />

consider looking. Raw research data, after<br />

all. Subject to misinterpretation.” Though his<br />

words are light, his eyes are as hard <strong>and</strong> cold<br />

as one of his technical readouts. “You underst<strong>and</strong>.”<br />

I gather breath to snap a response . . . then<br />

stop myself, letting it back out slowly. I begin<br />

again. “Will you . . . would you, please, check<br />

it for me? Make sure it’s properly stored <strong>and</strong><br />

backed up before we fire up the system for<br />

the transition back to the Institute?”<br />

A small smile, <strong>and</strong> a nod. “Since you ask so<br />

nicely.”<br />

“Thank you.”<br />

There’s still a lot of noise crusted on my<br />

soul. It will take a while to scrape it all off.<br />

“Okay,” he says. “Where are manual controls?”<br />

Together, we set to work. ■<br />

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DAVID D. LEVINE


Jeff Sanford <strong>and</strong> several colleagues had<br />

been sitting in the conference room<br />

when the news came. The door<br />

opened <strong>and</strong> Linda Wilson stuck her<br />

head in. “Hey, guys.” she said, “the Crab Pulsar<br />

has gone missing.”<br />

Myra snickered. “Maybe we need to wipe<br />

the lens.”<br />

“We got an alert from the Navy,” said Linda,<br />

referring to the U.S. Naval Observatory, also<br />

located in Flagstaff. “They can’t find it. Neither<br />

can I.”<br />

Jeff checked his watch. His son Brian was a<br />

sophomore at Northern Arizona. “He<br />

promised a surprise this evening,” he said, getting<br />

up, “but removing the Crab Pulsar’s a bit<br />

much.”<br />

It was well past visiting hours <strong>and</strong> the Lowell<br />

Observatory was quiet. One of the interns<br />

looked up from the Clark scope. “It’s still not<br />

visible,” she said, backing away as they approached.<br />

“The pulsar’s not there. I can see<br />

the nebula, but nothing’s happening.”<br />

The Crab Pulsar was seven thous<strong>and</strong> lightyears<br />

away, in the constellation Taurus. It rotated<br />

thirty times a second, providing a<br />

flashing light that was impossible to miss.<br />

Jeff checked the control console. “Radio<br />

waves <strong>and</strong> x-rays are normal,” he said. “Must<br />

be a dust cloud.”<br />

Myra frowned. “A dust cloud couldn’t block<br />

that thing off overnight.”<br />

Glitch<br />

Jack McDevitt<br />

Linda was listening to her cell phone. She<br />

nodded. Told them to wait. “Mauna Kea says<br />

visibility was normal three hours ago.”<br />

“Not possible,” said Myra.<br />

Live <strong>and</strong> learn, thought Jeff. It was obviously<br />

possible. He checked his watch. There’d be<br />

an explanation in the morning, <strong>and</strong> Brian was<br />

waiting for him. The surprise, he suspected,<br />

would be a young woman. And probably talk<br />

of an impending marriage. Kids, like pulsars,<br />

tended to spring surprises.<br />

But it was only an electronic gadget. A<br />

game station of some kind, he guessed. “It’s a<br />

Y-Box,” said Brian. He was taller than his father,<br />

big, with wide shoulders <strong>and</strong> an easy-going<br />

personality that sometimes seemed too<br />

casual. Though when his mother ran off with<br />

a supermarket clerk three years ago, he’d<br />

blamed Jeff.<br />

“What’s a Y-Box?”<br />

“Come on, Dad. They’ve been advertising<br />

them for two months.”<br />

Jeff shrugged. “So what is it?”<br />

“It creates artificial realities.”<br />

Jeff smiled. “Okay.”<br />

“Dad, you need to stop trying to hang onto<br />

the twentieth century.”<br />

“If you say so, Brian.”<br />

“Good. Just give this a chance. You’ll like<br />

it.” He produced a pair of helmets <strong>and</strong> held<br />

one out for his father. “Have a seat <strong>and</strong> put<br />

39


ANALOG<br />

this on.”<br />

It mattered to his son, so he settled into a<br />

chair <strong>and</strong> pulled the helmet on. Brian touched<br />

a computer key. “Pull the flap down over your<br />

eyes,” he said. “Show starts in thirty seconds.”<br />

Jeff complied. Everything went dark.<br />

“Adjust it, Dad, so you aren’t getting any<br />

light.”<br />

“Believe me, there’s no light in here.”<br />

“Good. Ten seconds.”<br />

Stars appeared. It was still night, <strong>and</strong> he was<br />

looking out across a bleak, dismal l<strong>and</strong>scape.<br />

Brian was beside him, still seated comfortably<br />

on the sofa. But the living room, the coffee<br />

table, the TV, were gone. “We’re on Mars,<br />

Dad,” Brian said.<br />

Jeff looked up at familiar constellations. “It’s<br />

a bit more realistic than any other virtual l<strong>and</strong>scape<br />

I’ve seen. But—”<br />

“Until now,” Brian said, “every l<strong>and</strong>scape<br />

you’ve been to has been like this, right?”<br />

“More or less.”<br />

“But no people? Right?”<br />

“Sure there were.”<br />

“Projections, you mean.”<br />

“Yes, of course. Lots of people on the<br />

beach, whatever.”<br />

“You ever try talking with any of them?”<br />

“Brian, they’re projections.”<br />

“Okay, Dad. Let’s try somewhere else.”<br />

Jeff laughed. “Okay. Go ahead.”<br />

Mars faded. The world became brighter.<br />

The sun came back. And some trees. A couple<br />

of houses. His chair changed shape <strong>and</strong> he<br />

was sitting on a horse. A warm breeze<br />

brushed his cheeks. “Careful,” said Brian, riding<br />

beside him. “Don’t fall off.”<br />

Jeff was about to ask where they were<br />

when he spotted the white obelisk rising into<br />

the distant sky. The Washington Monument.<br />

“Where are we?”<br />

“K Street.”<br />

Hoofbeats were approaching. And he saw<br />

movement through the trees. A horse with a<br />

tall, bearded rider came toward them. He<br />

wore a jacket, a top hat, <strong>and</strong> hunting boots.<br />

“Who is he?” asked Jeff.<br />

Brian raised a h<strong>and</strong> to the rider. “Hello, Mr.<br />

President.”<br />

The rider stopped. “Hello,” he said. “Glorious<br />

day, isn’t it?”<br />

He did look like Lincoln. “You are good.”<br />

“I’ll take that as a compliment, sir.”<br />

He touched his hat <strong>and</strong> was about to ride<br />

off when Brian jumped back in: “Mr. President,<br />

my father would like to ask a question.”<br />

“Of course,” said the President. “I’ll be happy<br />

to answer if I can, sir. What is it you wish to<br />

know?”<br />

“Umm—” Jeff felt lost.<br />

“Go ahead, Dad,” said Brian.<br />

And he understood. The projection could<br />

have been programmed to respond to a specific<br />

question from his son. But that possibility<br />

was off the table if he was the source. “Mr.<br />

President,” he said, “how high do you expect<br />

the casualty list to be in this war?”<br />

“What war is that, sir?”<br />

Oh. “They haven’t seceded yet?”<br />

Lincoln managed a smile. “Seceded? No, I<br />

doubt it will come to that. Now I really must<br />

go.”<br />

Jeff shook his head. “You know, that’s a very<br />

slick creation.”<br />

Brian smiled. “Artificial intelligence.”<br />

“I didn’t think it was possible.” Jeff<br />

frowned. “Where is President Lincoln now?”<br />

“I don’t underst<strong>and</strong> the question.”<br />

“You want me to repeat it?”<br />

“I guess the short answer, Dad, is that he’s<br />

dead.”<br />

“You’re talking about the historical Lincoln.”<br />

“Of course.”<br />

“What about the one we just talked to?”<br />

“I turned it off.”<br />

“You turned him off.”<br />

“I don’t quite follow.”<br />

“Was Lincoln aware that we were there?”<br />

“It doesn’t say anything about that in the description.”<br />

“But it does say that the Y-Box generates artificial<br />

intelligences?”<br />

“I guess it does. Yes.”<br />

“So from his perspective, that virtual world,<br />

with its virtual history, is real. He’s real.”<br />

“I guess so.”<br />

“So where is he now?”<br />

Brian shrugged.<br />

“Got one more question for you.”<br />

“Fire away.”<br />

“The Washington Monument.”<br />

“What about it?”<br />

“It wasn’t completed until something like<br />

twenty years after the Civil War ended. The<br />

40 JACK MCDEVITT


one we just saw was perfect.”<br />

Brian rolled his eyes. “I guess it was a<br />

glitch,” he said.<br />

Jeff was getting ready for bed when his ringtone<br />

sounded. It was Myra. “The pulsar’s<br />

back,” she said.<br />

He was on his way to the observatory next<br />

morning when Myra called again. “Jeff ?” she<br />

said.<br />

Her voice sounded strange. “Don’t tell me.”<br />

“Yep. Not a sign of it.”<br />

“That can’t be right.”<br />

“There’s something else.”<br />

GLITCH<br />

JUNE <strong>2013</strong><br />

“What?”<br />

“Pluto <strong>and</strong> Neptune have gone missing,<br />

too.”<br />

“What?”<br />

“According to Beijing.”<br />

“Well, that’s crazy.”<br />

“Hold on a second, Jeff.” Seconds later she<br />

was back. “We just lost Uranus.”<br />

Jeff felt his stomach tighten. “Can’t be,” he<br />

said.<br />

“It has to be an equipment failure.”<br />

“I hope.”<br />

“What else could it be, Jeff ?”<br />

“A glitch.” ■<br />

IN TIMES TO COME<br />

Our lead story for July/August is “Thaw,” by Arlan Andrews,<br />

Sr. It takes place in a setting that may not seem very science<br />

fictional at first, but a careful reading reveals quite a<br />

bit going on under the surface, <strong>and</strong> it’s all the more interesting for it.<br />

Then we take advantage of the double-issue format to bring<br />

you a pair of novellas: Howard V. Hendrix’s “Other People’s Avatars”<br />

<strong>and</strong> Brad Torgersen’s “The Chaplain’s Legacy,” a sequel to his popular<br />

short story, “The Chaplain’s Assistant.” Of course, we’ll also have<br />

the final installment of Edward M. Lerner’s Dark Secret.<br />

We’ll have a pair of fact articles this time out—one for the<br />

astrophysicists: “Galactic Cannibalism: Who’s on the Menu,” by H.G.<br />

Stratmann; <strong>and</strong> one for the biologists: “The Fabulous Fruits of<br />

Mendel’s Garden,” by Fran Van Cleave.<br />

There’s also plenty of shorter fiction, such as Bud<br />

Sparhawk’s “CREM d’Etiole,” Rick Norwood’s “Love,” Marissa K.<br />

Lingen <strong>and</strong> Alec Austin’s “Milk Run,” K.C. Ball’s “A Quiet Little Town<br />

in Northern Minnesota,” <strong>and</strong> a Probability Zero by Jamie Todd Rubin,<br />

as well as stories from newcomers Seth Dickinson, Rosemary Claire<br />

Smith, Haris A. Durrani, <strong>and</strong> Mary Lou Klecha.<br />

41


THE ALTERNATE VIEW Jeffery D. Kooistra<br />

ON THE SUCKING OUT OF INERTIA<br />

So I was minding my own business, getting<br />

ready to hang Christmas lights in<br />

early December, when I checked my<br />

Facebook account before going outside<br />

<strong>and</strong> found an email from Rajnar Vajra. He<br />

was writing a story for an anthology <strong>and</strong><br />

wanted to ask me a physics question, or<br />

more precisely, a “super-science physics”<br />

question. Here’s how he put it: “So here’s my<br />

question: assuming some miraculous device<br />

that can temporarily remove a person’s inertial<br />

potential, <strong>and</strong> considering all net forces,<br />

if said person jumped off a building, how fast<br />

would they fall?”<br />

Actually, Rajnar had already thought this<br />

over, but wanted me to think it over as well<br />

to see if I would independently come to the<br />

same conclusion he had, which he did not<br />

provide me with in the email.<br />

The most dramatic <strong>and</strong> vivid memory I<br />

have of a device that “sucks out inertia”<br />

comes from Heinlein’s Methuselah’s Children.<br />

Therein, Lazarus Long’s long-lived<br />

“families,” in an attempt to escape persecution<br />

on Earth, steal an enormous generationtype,<br />

slower-than-light starship. Prior to this<br />

theft, Lazarus had discussed with his genius<br />

friend Andy “Slipstick” Libby the possibility<br />

of developing a “space drive” to aid in their<br />

escape. This Libby accomplished. It fit inside<br />

a satchel. Heinlein described how it looked<br />

thusly: “Assembled from odd bits of other<br />

equipment, looking more like the product of<br />

a boy’s workshop than the output of a scientist’s<br />

laboratory, the gadget which Libby referred<br />

to as a ‘space drive’ underwent<br />

Lazarus’ critical examination. Against the polished<br />

sophisticated perfection of the control<br />

room it looked uncouth, pathetic, ridiculously<br />

inadequate.”<br />

42<br />

A few sentences later he says it’s a “giddy<br />

little cat’s-cradle of apparatus.”<br />

This is typical of Heinlein when describing<br />

something entirely made up—he makes the<br />

reader do the heavy lifting of envisioning it.<br />

It is up to you to decide what an uncouth, pathetic,<br />

cat’s-cradley thing looks like.<br />

For the next several pages the starship is<br />

taken on a trajectory very near the sun, the<br />

idea being that Libby’s machine will be<br />

turned on, the inertia in the ship will go<br />

away, <strong>and</strong> the Sun’s light <strong>and</strong> wind will instantly<br />

accelerate the ship to near light<br />

speed. Bear in mind that they don’t as yet<br />

even know for sure if the drive will work—<br />

but then comes that inevitable moment<br />

when they’re going to find out that it does.<br />

Or die.<br />

The scene is as follows:<br />

“(Lazarus) poked a thumb at Libby’s uncouth-looking<br />

‘space drive.’ ‘You say that all<br />

you have to do is to hook up that one connection?’<br />

‘That is what is intended. Attach that one<br />

lead to any portion of the mass that is to be<br />

affected.’<br />

Andy hooked it up.<br />

‘Go ahead,’ urged Lazarus. ‘Push the button,<br />

throw the switch, cut the beam. Make it<br />

march.’<br />

‘I have,’ Libby insisted. ‘Look at the Sun.’<br />

‘Huh? Oh!’<br />

The great circle of blackness, which had<br />

marked the position of the Sun on the starspeckled<br />

stellarium, was shrinking rapidly. In<br />

a dozen heartbeats it lost half its diameter;<br />

twenty seconds later it had dwindled to a<br />

quarter of its original width.”<br />

No doubt about it, that’s exciting stuff! I


loved it when I read it the first time, <strong>and</strong> I<br />

still love it. But now I’m a bit more critical.<br />

For instance, take this “attach that one lead<br />

to any portion of the mass that is to be affected”<br />

business. Why? Why can’t the lead just<br />

hang in the air? The air is part of the mass to<br />

be affected, isn’t it? If the air doesn’t have the<br />

inertia sucked out of it along with everything<br />

else in the ship when the drive is turned on,<br />

you’ll get one shredded ship in an instant.<br />

A bit later, with the ship moving comfortably<br />

close to the speed of light, but not yet<br />

even outside the orbit of Mercury, Libby<br />

wants to turn off his space drive. Lazarus is<br />

concerned that the ship will slow down<br />

again once it has its inertia back, but Libby<br />

tells him that their current velocity is as real<br />

as any other velocity. He points out that turning<br />

off the drive will not instantly transport<br />

them back to the spot where it was turned<br />

on, so why should turning it off return the<br />

ship to the velocity it had initially?<br />

It’s a fair point. Made up physics is fine in<br />

SF as long as you keep it consistent, <strong>and</strong><br />

Heinlein’s version of inertia removal in<br />

Methuselah’s Children marks a sort of upper<br />

limit for inertia-removal gizmos. That is, 1.)<br />

inertia is removed instantly, <strong>and</strong> 2.) it is reduced<br />

to zero, <strong>and</strong> 3.) there are no “penalties”<br />

involving either energy or momentum<br />

conservation.<br />

But I’m not convinced this particular version<br />

of the gizmo can ever actually be treated<br />

in a consistent way. Consider point 2 <strong>and</strong><br />

look at the implications. Inertia is the tendency<br />

of a mass to resist a change in its state<br />

of motion. It doesn’t like to be sped up, but<br />

once it has been, it doesn’t want to be<br />

slowed down, <strong>and</strong> it doesn’t want to change<br />

direction. Now suppose we have a spaceship<br />

under thrust, <strong>and</strong> we drop the inertia to zero.<br />

Regardless of the amount of push from the<br />

propulsion system, our ship will suddenly accelerate<br />

to—Well, to some very high speed.<br />

The limiting speed will depend on the<br />

propulsion method <strong>and</strong> the environment the<br />

ship is in. In Heinlein’s tale, the push wasn’t<br />

from the engines, but from the sun. If we are<br />

pushing our ship with a big laser from the<br />

Moon, it will be near lightspeed in very short<br />

order, limited only by the build up of the resistant<br />

opposing force of the tiny amount of<br />

matter that exists even in “empty” space (es-<br />

ON THE SUCKING OUT OF INERTIA<br />

JUNE <strong>2013</strong><br />

sentially, wind resistance). If the push is coming<br />

from some kind of rocket, the limiting<br />

speed will depend not on the total thrust,<br />

but on the exhaust velocity of the jet (I<br />

think—I’m willing to be convinced otherwise).<br />

And what happens when the laser or the<br />

rocket is turned off ? I don’t know. It isn’t defined.<br />

Even if our ship was in perfectly empty<br />

space, with the push gone, there is no reason<br />

for the ship to keep going at all, since the inertia<br />

is gone <strong>and</strong> that is the only thing that<br />

keeps something moving when the force<br />

goes to zero. But there’s also no reason for it<br />

to stop, <strong>and</strong> no reason for it not to just go any<br />

which way at any old speed.<br />

So we’d be better off living with some restraints<br />

on our inertia sucker. Like with point<br />

one. Why should the inertia go away instantly?<br />

You don’t cool a beer instantly by putting<br />

it in the fridge, nor can you suck all the air<br />

out of an airlock instantly. And let’s not have<br />

all of it go away. As long as there is always<br />

some inertia, we can continue to use Newton’s<br />

laws <strong>and</strong> treat removal of inertia exactly<br />

the same as a removal of mass.<br />

Under these conditions, suppose we have<br />

our spaceship out in deep space moving<br />

along at some velocity. It doesn’t even need<br />

to have the rockets firing. Now we turn on<br />

our gizmo, reduce the inertia (or mass) of<br />

our ship to a tenth of what it was, <strong>and</strong> assuming<br />

momentum conservation is in effect,<br />

what happens? Momentum is defined as the<br />

mass times the velocity, so if we reduce the<br />

mass to one tenth of its initial value, to conserve<br />

momentum our ship is going to have to<br />

move ten times faster. Keep sucking out inertia<br />

this way <strong>and</strong> eventually we’re pushing<br />

lightspeed, <strong>and</strong> to slow down, all we need to<br />

do is put the inertia back in.<br />

Okay, before you rush off to write a letter<br />

to Trevor, I am aware that even though I imposed<br />

momentum conservation, I ignored<br />

energy conservation. As most of you know,<br />

though momentum is directly related to the<br />

velocity, kinetic energy is related to the<br />

square of the velocity. So in general, most of<br />

the time you are not going to be able to satisfy<br />

the dem<strong>and</strong>s of both momentum <strong>and</strong> energy<br />

conservation with this particular approach.<br />

However, if you’re writing a<br />

super-science SF story, what you can do is<br />

43


ANALOG<br />

bring in the designated distinguished bafflegab<br />

expositor to explain how the energy imbalance<br />

is “borrowed from the fabric of<br />

spacetime itself!” <strong>and</strong> paid back in full when<br />

the gizmo is turned off.<br />

It might also be fun to consider some other<br />

options. Momentum is, after all, a vector<br />

quantity. So maybe in addition to (or even<br />

just instead of) varying inertia at will, perhaps<br />

we should think about varying it by direction<br />

as well. You know, turn down the inertia<br />

in the direction you want to go, <strong>and</strong><br />

turn it up in the directions you don’t. This<br />

would nullify the force of drag we’d get<br />

when plowing through the interstellar medium<br />

at high speed, <strong>and</strong> also make it harder to<br />

be deflected off course.<br />

But exploring this could run into a lot of<br />

words <strong>and</strong> I want to come back to Rajnar’s<br />

question. You guys run with it.<br />

The thing with gravity is that it doesn’t<br />

care what the mass of something is—on<br />

Earth it’s going to accelerate rocks, people,<br />

spaceships, raindrops, at 32.2 f/s/s. Suppose<br />

Rajnar’s jumper leaps off the building <strong>and</strong><br />

starts falling, then turns his inertia way down<br />

(but not to zero) like we discussed above<br />

with that spaceship. Once he’s falling he’s<br />

got velocity, so regardless of gravity he’s going<br />

to gain speed dramatically <strong>and</strong> hit the<br />

ground far faster than gravity would get him<br />

there.<br />

However, with less inertia, air resistance<br />

(we ain’t out in space here) will work on him<br />

much, much more effectively. So depending<br />

on how thick the air is (among other things,<br />

including when during the fall he sucks out<br />

his inertia), the jumper might actually slow<br />

down. And if there is any cross wind, he’ll be<br />

taken along with that at the speed of the<br />

wind so God only knows where he’d actually<br />

hit the ground.<br />

Come to think of it, since he’s in an atmosphere,<br />

there is another force we’ve ignored<br />

completely that we really can’t ignore at all.<br />

It’s buoyancy!<br />

A submarine at the bottom of the sea<br />

blows out ballast that reduces its weight (<strong>and</strong><br />

thus, its density) <strong>and</strong> the force of buoyancy<br />

floats it up toward the surface. So if our<br />

jumper up on the roof just turns down his inertia<br />

enough, without even jumping off at all<br />

he’ll soon find himself floating up into the<br />

sky like a helium balloon. If he did jump,<br />

with a suitable dial <strong>and</strong> a bit of finesse, our<br />

jumper could adjust his inertia on the fly <strong>and</strong><br />

come down to a nice soft l<strong>and</strong>ing.<br />

So my answer to Rajnar’s specific question<br />

is this: If he jumps <strong>and</strong> the building is in an<br />

atmosphere, <strong>and</strong> he removes his inertia soon<br />

enough, ultimately he’s going to rise, but exactly<br />

how fast depends on too many things to<br />

provide a number.<br />

And with that, <strong>and</strong> I know this is coming<br />

pretty late, Merry Christmas, Happy New<br />

Year, <strong>and</strong> congratulations Trevor on your rise<br />

up the masthead! ■<br />

Know when to tune out. If you listen to too much advice, you may<br />

wind up making other people’s mistakes.<br />

—Ann L<strong>and</strong>ers<br />

Truth is stranger than fiction, but it is because fiction is obliged to<br />

stick to possibilities; truth isn’t.<br />

—Mark Twain<br />

44 JEFFERY D. KOOISTRA


Hydroponics<br />

101<br />

Farmer slept in the crook of the MudderTree’s<br />

limbs <strong>and</strong> dreamt of murder.<br />

This was the most dangerous dream to<br />

dream, <strong>and</strong> though he recalled none of<br />

it by morning, he knew of his transgression<br />

from the wilding spiders bearing down from<br />

MudderTree’s top branches when he awoke—<br />

spiders to be dealt with before they ate all the<br />

sweet green leaves <strong>and</strong> the golden meat-fruits<br />

that were his most cultivated fare.<br />

Farmer shuddered as he snapped the legs<br />

off each <strong>and</strong> piled their leathern bodies high<br />

on a flat of bark midway down the Mud-<br />

Maggie Clark<br />

Illustrated by Mark Evans<br />

derTree, a chorus of bright, beady eyes twitching<br />

after him as he worked upon their kin.<br />

Even near death, each pair of m<strong>and</strong>ibles wended<br />

a sticky, translucent substance between<br />

them, which stuck to the bark like last-ditched<br />

anchors as he lifted them one by one <strong>and</strong><br />

drank their bitter innards from a perforated<br />

corner in each fuzzy husk. He could have<br />

thrown them into the water <strong>and</strong> watched<br />

them drown, but MudderTree was sometimes<br />

not abated by this gesture, <strong>and</strong> left their bodies<br />

floating in the pool where he daily swam<br />

<strong>and</strong> bathed <strong>and</strong> hoped to drink. Better not to<br />

45


ANALOG<br />

displease her any further, so Farmer swallowed<br />

his deepest fears gulp by gulp until he<br />

choked on them <strong>and</strong> then, only then, did MudderTree<br />

make swift work of all the rest.<br />

Morning was a façade the lights outside his<br />

sphere brought, <strong>and</strong> which illuminated the<br />

sliding metal rack along which his entire<br />

world rolled in yearlong cycle, the glass of it<br />

clinking from time to time against other enclosures<br />

down the line. Reverberations from adjacent<br />

cells were the only sounds that slipped<br />

with any surety into Farmer’s sphere; though<br />

he could see the observation deck at the heart<br />

of the facility, it might as well have been painted<br />

to the ceiling of his heavens, for all he<br />

could choose his interactions with the distant<br />

figures moving silently within. Farmer knew<br />

no help would be forthcoming if he failed to<br />

slay his unwanted morning guests all on his<br />

own, or if MudderTree withered further under<br />

his return to violent thoughts; or if ever he fell<br />

catatonic or worse within this seamless shell.<br />

What use were they who would never intervene?<br />

After Farmer had cultivated his MudderTree<br />

to bioluminescence, he liked to watch the<br />

blue glow of her skin turn the glass near perfectly<br />

opaque—to pretend that there was<br />

nothing of note beyond his sealed cocoon,<br />

<strong>and</strong> never had been. But today he could not<br />

even bear to watch his own reflection, his<br />

face a shag of dark, matted hairs through<br />

which the whites of his bloodshot eyes shone<br />

through. Not much difference from the spiders’<br />

faces, when he came to think of it. He<br />

wondered if that was why he loathed them,<br />

too.<br />

The day’s good work lay in further cultivation.<br />

Farmer soothed his MudderTree with<br />

coarse h<strong>and</strong>s upon her thrumming skin <strong>and</strong><br />

songs for the night’s other, unintended<br />

wounds along her bark. When he swam in the<br />

water that housed her roots, he scrubbed<br />

fresh black slick from them <strong>and</strong> picked the<br />

smallest of her fallen twigs to clean his teeth,<br />

then chew. He could sit for hours half-submerged<br />

in the near-pristine pool that made up<br />

the bottom third of his sphere, <strong>and</strong> so he<br />

did—resting his head against her trunk <strong>and</strong><br />

thinking what a different course his life would<br />

run if he were as dependent on the water <strong>and</strong><br />

the light as she. In a way, of course, he was.<br />

Farmer held up his h<strong>and</strong> against the maze of<br />

roots sprawling beneath the surface of the water,<br />

shifting his focus from one to the other until<br />

he could humor, if only for a moment, that<br />

the roots he saw were his.<br />

For lunch, he climbed to the top of the<br />

MudderTree <strong>and</strong> ate of the sweet green leaves<br />

surviving there, their juices catching as much<br />

in his grizzled beard as in his belly’s keep. After,<br />

he swung down to the mid-range limbs he<br />

used for exercise—willing them with thought<br />

<strong>and</strong> physical demonstration to reshape themselves<br />

more fully to his body’s needs. Beyond<br />

the glass of his enclosure, he watched his<br />

neighbor shatter the flimsy stalk of his own<br />

MudderTree for the second time that week,<br />

<strong>and</strong> thrash about in murky water just to beat<br />

his head against the glass. Farmer focused on<br />

his breathing between reps, but the lonely<br />

smear of blood soon splayed before him became<br />

too much; his mind dipped into its own,<br />

dark reservoir, <strong>and</strong> as if burned by his<br />

thoughts, MudderTree’s limbs suddenly refused<br />

to hold him. Farmer fell hard <strong>and</strong> far<br />

enough to hear his leg snap on a root raised<br />

high above the water before he, in turn,<br />

passed out.<br />

His family had been there to wheel him into<br />

the facility. It was this or the vacuum of space,<br />

the courts had said—but once Farmer was<br />

strapped down, sedated, gagged, <strong>and</strong> two<br />

doors deep within the prison compound, the<br />

law was lax enough to let his loved ones help<br />

him endure the final stage of his departure<br />

from the outside world. The director, for his<br />

part, did not even evince surprise to see so<br />

many at Farmer’s side, but then, Farmer’s case<br />

file held none of the usual genetic, neurological,<br />

or environmental markers for violence on<br />

the level he had somehow managed when he<br />

broke. Nor was there a moment’s hesitation<br />

from his parents about the deservedness of<br />

drastic punishment for such drastic crimes—<br />

yet still his youngest sister, barely ten, would<br />

not let go his unresponsive h<strong>and</strong>.<br />

“Most of the others you’ll see here are<br />

rather cut-<strong>and</strong>-dry cases—some with callousindifferent<br />

behavior sets their whole lives<br />

through; others with perfectly compassionate,<br />

rational personalities right until their breakdowns—though<br />

there are some indications,<br />

46 MAGGIE CLARK


of course, if you look deeper in their family<br />

trees.”<br />

“And all of them . . . ah . . . they’ve all . . . ?”<br />

His mother’s voice—tired, disoriented. Farmer<br />

remembered that there was a great deal of<br />

steel-gray about the walls, the ceilings. No effort<br />

even on the observation deck to make<br />

more of the facility than it was.<br />

“Oh yes,” said the director, holding a useless<br />

clipboard in useless h<strong>and</strong>s Farmer envisioned<br />

breaking all through the interview. Distantly he<br />

remembered someone sponging saliva from<br />

the corner of his mouth when he tried to snarl.<br />

“All of our residents have been involved in truly<br />

brutal altercations, with many casualties—<br />

not, of course, that even one casualty at such<br />

h<strong>and</strong>s is permissible, but . . .” The director<br />

glanced at the sliding series of glossy spheres<br />

behind them. “Make no mistake, in this whole<br />

system you’ll find no greater density of violent<br />

persons than we keep here.”<br />

“And the recidivity rate?” Farmer recognized<br />

his father’s attempt at composure<br />

through the acquisition of statistics, <strong>and</strong> was<br />

surprised to find he resented the old, doddering<br />

man for none of it. His little sister was now<br />

stroking the whole of his h<strong>and</strong>, his wrist, his<br />

lower arm. It would be the last human contact<br />

he remembered.<br />

The director pushed up his glasses <strong>and</strong><br />

smiled a most meaningless smile at Farmer’s<br />

father. “Zero, of course. You must underst<strong>and</strong>:<br />

this is by all practical accounts a terminal<br />

move for our residents.”<br />

“But isn’t there any hope? Isn’t that the entire<br />

point of—” His mother again, overexerting<br />

herself with concern. Farmer tried to comprehend<br />

the essence of her existence with<br />

one long, fixed stare, but the sedative would<br />

not allow it; his eyes rolled of their own, lazy<br />

accord inside his head. He thought he could<br />

make out patterns after all along the walls.<br />

Nasty ones, at that.<br />

“Please don’t get me wrong,” the director<br />

said. “MudderTree technology is remarkable—<br />

truly the wonder of our age. Used on terraforming<br />

runs, in medical rehab, for persons without<br />

full use of their limbs, the autistic—<strong>and</strong> all with<br />

considerable success rates, too. In theory,<br />

therefore, we absolutely allow that some of our<br />

residents might eventually graduate from the<br />

program we have in place here . . . but in practice,<br />

you must underst<strong>and</strong>, we simply haven’t<br />

HYDROPONICS 101<br />

JUNE <strong>2013</strong><br />

seen any resident succeed just yet.”<br />

“But how could they?” Farmer heard his little<br />

sister’s voice ring out—tiny, but already<br />

hardened by circumstance. Had he really<br />

come back <strong>and</strong> hugged her first, his jumpsuit<br />

still drenched in colonist blood? “Locked up in<br />

glass like that for years at a time, with no one<br />

to talk to, not ever?”<br />

The director’s bl<strong>and</strong> smile came too close to<br />

her for Farmer’s liking; Farmer’s arms tensed<br />

against his restraints but his head was still<br />

swimming, his muscles weak.<br />

“I promise you,” the director said, touching<br />

her shoulder ever so lightly. Farmer’s vision<br />

went a blanket red, but he gnawed at his gag<br />

to no avail. “Your brother will never be alone.<br />

Not here. Not with a MudderTree to call his<br />

own.”<br />

After his family had left, Farmer remained<br />

on the observation deck, a violent heat still<br />

coursing through his arms, while the director<br />

pulled footage less than appropriate for a tenyear-old’s<br />

purview—a triptych of Don’t Do<br />

What Johnny Don’t Does selected from the<br />

worst of the enclosures in the facility. As the<br />

director explained, step by step, the procedure<br />

by which Farmer would soon be entombed<br />

in his own glass sphere, <strong>and</strong> how to<br />

interact with the latent MudderTree he found<br />

within, Farmer’s eyes flicked from panel to<br />

disastrous panel with no shortage of amusement<br />

for the human suffering he found there.<br />

In the first panel, a man stood neck-deep in<br />

blackened water, sticks of MudderTree strewn<br />

hopelessly about him—each dissolving every<br />

time he reached for one. In the second, the<br />

MudderTree bore the crude, misshapen figure<br />

of a woman, which its owner seemed recklessly<br />

intent upon even as the long black nettles<br />

along its limbs scored deep into pre-existing<br />

wounds across his back. In the third there<br />

was no sign of life within the water; just a<br />

man’s body in a state of extreme decomposition—the<br />

MudderTree in turn wholly dissolved,<br />

presumably at work preparing the<br />

compartment for the next fool resident to l<strong>and</strong><br />

a berth. The director tapped the last panel<br />

with his middle finger. Though he seemed to<br />

be trying for sorrow, his lips were too much<br />

upturned at the corners for Farmer to believe<br />

a word he said.<br />

“A very sad case, that—but you must under-<br />

47


ANALOG<br />

st<strong>and</strong>, we simply cannot interfere. If death is<br />

what you wish, that’s what the airlock option<br />

at your trial was offered for. To be sure, this<br />

needn’t be as hard a life as these three men<br />

have made it, but if you cannot muster<br />

enough cooperative, compromising spirit<br />

even to feed yourself, eventually the added nutrients<br />

in your water will not be enough. It<br />

took this man one hundred <strong>and</strong> eleven days to<br />

die. One hundred <strong>and</strong> eleven days in which he<br />

simply could not be bothered to exercise any<br />

goodwill toward his MudderTree at all. With<br />

some people, it’s just . . . incredible how much<br />

they’ll nurse a grudge. You know? But I trust<br />

you’ll find another way. I certainly hope you<br />

do.”<br />

Farmer glanced back at the first panel, then<br />

at the director, grinning. As another doctor<br />

wheeled him out, his thoughts lay with how<br />

many pieces he could tear a man into.<br />

Farmer’s leg was halfway healed when his<br />

sphere slid before the observation deck, marking<br />

its sixth tour around the whole facility<br />

along rails that held what seemed like a thous<strong>and</strong><br />

such microcosms suspended. This time<br />

there was a woman behind the panel of flat<br />

glass set just beyond his rounded own; Farmer<br />

entertained himself with the thought that she<br />

was trapped in her own enclosure, too. The<br />

woman was not particularly young, but she<br />

smiled <strong>and</strong> waved at him in a kindly way while<br />

the mechanical arm swung about to affix a<br />

communications device to the outside of his<br />

sphere, her voice thereafter reverberating inwards:<br />

the device transmitting trace frequencies<br />

of his own in turn.<br />

“Good morning,” she said. “Mr.—”<br />

“Just Farmer,” he said. His vocal cords surprised<br />

him with their reliability; he had been<br />

at best crooning all love songs to his MudderTree<br />

over the past three weeks.<br />

“A good name, Farmer. It says here you<br />

chose that one for yourself two years ago. I<br />

feel like the name has done you well—quite<br />

well, I dare say, since.”<br />

Farmer studied the woman from his comfortable<br />

roost midway up the MudderTree, his<br />

leg in a ropey sling MudderTree had woven after<br />

extricating him from the bottom of the<br />

pool. The woman hesitated <strong>and</strong> referred again<br />

to her notes.<br />

“Yes, well—my name is Dr. Chang. I’ve<br />

been appraised of your progress over the<br />

years, <strong>and</strong> frankly, I’m very excited to finally<br />

meet you. Your work with the program has<br />

been quite exceptional—like nothing we’ve<br />

ever seen before.”<br />

“I’ve noticed,” said Farmer, after a pause. He<br />

indicated the sphere to his left with a slight<br />

nod of his head. The smear on the neighboring<br />

glass was now a crusty dark brown.<br />

“Ah yes. About that.” Dr. Chang frowned<br />

<strong>and</strong> adjusted her glasses. “There is some conjecture<br />

among the staff here that your neighbor<br />

played a contributing role in your fall<br />

three weeks back. It was quite unexpected for<br />

us—especially in the wake of so much peace<br />

within your sphere for so very long. And yet,<br />

you came back from that ordeal with no clear<br />

resentment toward the MudderTree itself.<br />

Would you care to comment on that?”<br />

Farmer paused. “On my lack of resentment<br />

toward my MudderTree, or the fall?”<br />

The older woman shrugged. “Whatever you<br />

wish, Farmer. On what you attribute your exceptional<br />

progress in the program to, if you<br />

can name it.”<br />

Farmer smiled rather grimly through his<br />

beard: a mere year since his last encounter,<br />

<strong>and</strong> already he had almost forgotten how<br />

vague was human speech—nothing like his<br />

MudderTree’s precision <strong>and</strong> clarity of response;<br />

nor the simplicity of her dem<strong>and</strong>s of<br />

him.<br />

“Zero tolerance,” he said at last, scratching<br />

an ingrown hair along his shaggy neck. “I had<br />

a moment of weakness when I saw my neighbor<br />

through the glass, but a moment of weakness<br />

is enough. MudderTree knows me well.<br />

She is stern, but fair.”<br />

“Indeed, she must be. And is it true—I hear<br />

you’ve got your MudderTree glowing on<br />

comm—” Before she had finished her question,<br />

Farmer had his MudderTree flood the<br />

sphere a radiant <strong>and</strong> calming blue; the inquiry<br />

had been voiced for three years running, <strong>and</strong><br />

its presence as much amused as irritated him.<br />

His MudderTree was not for show.<br />

“Remarkable,” said Dr. Chang—<strong>and</strong> indeed,<br />

there was something breathless about the<br />

quality of her speech. “Hold, please.”<br />

Farmer puzzled at the function of her last<br />

request, but not for long; MudderTree was<br />

thrumming all the while at him—pleased, perhaps,<br />

by his protective streak—<strong>and</strong> at this<br />

48 MAGGIE CLARK


much clearer entreaty, he rubbed her soft bark<br />

in turn. In reward, a sweet, flowery warmth<br />

suffused him within minutes; ensconced in a<br />

latticework of bracing limbs, Farmer nuzzled<br />

closer to his MudderTree <strong>and</strong> nodded off.<br />

There had been terror in Farmer when he<br />

was first dropped into the sphere—minutes,<br />

then hours, when he struggled just to remember<br />

how to breathe as the water was dumped<br />

in after him <strong>and</strong> the enclosure fully sealed. It<br />

would be months before Farmer began to relate<br />

his feelings then to how the colonists<br />

must have felt—the ones he’d frozen, the ones<br />

he’d suffocated, the ones he’d left swimming<br />

in their own blood. In the meantime, Farmer<br />

was neck-deep in warm water, surrounded by<br />

the facility’s lackluster version of a clear <strong>and</strong><br />

starry night; if he wanted to, Farmer could certainly<br />

have drowned himself then <strong>and</strong> there,<br />

<strong>and</strong> one part of him was very much inclined<br />

to—but the other part was just too scared. He<br />

leaned instead against the glass <strong>and</strong> studied<br />

the long, narrow pole of composite materials<br />

that protruded from the other side of the<br />

pool—this was MudderTree? It seemed at<br />

once a monstrous cosmic joke.<br />

And sure enough, he knew someone, somewhere<br />

was laughing at him; even in near-total<br />

darkness, Farmer could make out figures in<br />

the spheres to either side—haggard, shaggy<br />

men peering at him, leering, their teeth bared<br />

in hungry grins. Farmer made a go at the glass<br />

with his fist <strong>and</strong> found his flesh <strong>and</strong> bones<br />

wanting. He clapped his h<strong>and</strong>s to his ears at<br />

the heavy sound that followed, a resonance<br />

that struck him to the quick <strong>and</strong> seemed to<br />

make his whole sphere lurch. As it did, Farmer<br />

despaired to see the narrow pole of MudderTree<br />

slip beneath the surface of the pool;<br />

he did not yet comprehend its power, but he<br />

knew that pole was all now that he had. He<br />

lunged after it with sluggish, throbbing h<strong>and</strong>s.<br />

Still, his first contact with the substance<br />

was all wrong—wrong enough to haunt him<br />

even months after he’d got the hang of it. As<br />

he gripped the strange, rough pole that first<br />

time, he recalled the first panel in the triptych<br />

<strong>and</strong> imagined snapping the length in two,<br />

since the enclosure itself would not give way<br />

instead to excesses of his fear, <strong>and</strong> rage. But<br />

the MudderTree beat him to it—dissolved itself<br />

at the merest thought of violence. An-<br />

HYDROPONICS 101<br />

JUNE <strong>2013</strong><br />

gered all the more by its escape, Farmer dove<br />

after it—again <strong>and</strong> again in the darkening water.<br />

But though the substance routinely reformed<br />

into floating solids, it never held<br />

shape long enough for him in his mood to<br />

latch on, <strong>and</strong> so Farmer stood a wretched,<br />

seething, starving resident inside his spheroid<br />

home for days on end before it occurred to<br />

him to be sorry for his anger—<strong>and</strong> then, if<br />

possible, to try to make amends.<br />

“—Sorry for the wait, Farmer. I needed to<br />

consult with the rest of the team before I<br />

could go any further. You are, you must underst<strong>and</strong>,<br />

a real rarity here. A light in the perfect<br />

darkness of a difficult new field. There’s a<br />

case study of you on its way as we speak to<br />

The Modern Review of—”<br />

But Farmer did not catch all that the good<br />

doctor had said or was saying—MudderTree<br />

rousing him as much as he roused himself at<br />

the return of such prattling reverberations<br />

from outside the sphere. He rubbed his eyes<br />

<strong>and</strong> blinked vaguely through the glass. There<br />

were five men <strong>and</strong> women on the observation<br />

deck now—four with bright, keen expressions;<br />

the fifth, the director, with something<br />

still tempered by conscious affect in his smile.<br />

“Farmer,” said Dr. Chang. “Do you underst<strong>and</strong><br />

what we’re trying to tell you? You have<br />

exceeded all our expectations. There is nothing<br />

left in the program for you. We’re ready to<br />

make you our first ever graduate—to transfer<br />

you to medium security for the rest of your<br />

sentence, with a chance of parole if you reach<br />

your fifteenth year without incident.”<br />

When Farmer did not reply, he caught the<br />

tail end of another doctor murmuring “He’s<br />

still in shock—” before the comm system shut<br />

off, <strong>and</strong> he was left to observe the group conferring<br />

amongst themselves. Before long, one<br />

of the other doctors was sent out <strong>and</strong> returned<br />

with her h<strong>and</strong> on the arm of a much<br />

younger woman—a teen at best, with long<br />

sleek hair <strong>and</strong> eyes much older than the rest.<br />

“Farmer,” said Dr. Chang, switching the<br />

comm back on. “We’ve brought a visitor for<br />

you. Do you remember your little sister?<br />

Well—not quite your little sister anymore.”<br />

The young woman exchanged a nervous<br />

smile with the doctor <strong>and</strong> stepped forward.<br />

Farmer needed no such prompting to recognize<br />

his kin, strange <strong>and</strong> far-off as she now<br />

49


ANALOG<br />

seemed to him—but the ache in his chest was<br />

a different matter altogether. It clamored at<br />

him in a way he had not felt in ages, <strong>and</strong> hardly<br />

knew how to put to words.<br />

“Hello,” came the not-so-tiny voice, which<br />

paused for corroboration on what to say next.<br />

“. . . Farmer?”<br />

Farmer took in every line of his sister’s face,<br />

every feature he could bear to shore up in his<br />

mind’s eye, every thought he still had of her<br />

from when she was small <strong>and</strong> tender to him<br />

over those last steps within facility walls. And<br />

then he tipped back his scraggly head, clawed<br />

at his chest, struck out at the MudderTree until<br />

she dropped him, howled <strong>and</strong> cursed when<br />

he hit water, <strong>and</strong> beat himself bloody against<br />

the unrelenting glass.<br />

Farmer was almost caught by surprise when<br />

his next annual stop before the observation<br />

deck rolled around; for many months after his<br />

violent outbreak, his MudderTree had sat a<br />

withered, reluctant companion in his sphere,<br />

<strong>and</strong> all his attention had been fixed upon<br />

mending their broken ties. It had taken many<br />

nights, many songs, many explanations, <strong>and</strong><br />

above all many apologies to bring her back to<br />

whole. But eventually she understood. Eventually<br />

all was forgiven. Eventually she<br />

thrummed at him anew.<br />

There was only one doctor behind both layers<br />

of glass this time—the director himself,<br />

wearing no trace of his usual false smile as the<br />

mechanical arm affixed the communications<br />

device to Farmer’s self-contained sphere. A<br />

tremendous pause ensued—Farmer preoccupied<br />

midway up his MudderTree with some of<br />

the weaving arts; the director’s eyes fixed<br />

firmly upon his resident.<br />

“I know why you did it,” the director said at<br />

last.<br />

Farmer neither looked up nor spoke.<br />

“You’re right, of course. Your MudderTree<br />

would have gone right back into regular circulation<br />

with you gone. Hacked to bits, perhaps,<br />

by the next occupant. And the next. Or maybe<br />

fashioned into a series of crude holes for the<br />

obvious. Or simply left a stringy, blackened<br />

thing—but whatever its future, certainly as<br />

nothing like your fortress of a home. Doubtful<br />

ever to sing or gain bioluminescence to this<br />

magnificent extent again.”<br />

Farmer met the director’s gaze with great<br />

uncertainty. Could the watery film in Farmer’s<br />

blood-shot eyes be viewed through so many<br />

layers of thick lenses? Farmer got no clear answer,<br />

but the director did seem to hesitate; he<br />

even dropped his own gaze <strong>and</strong> bowed his<br />

head, h<strong>and</strong>s clasped behind his back.<br />

“I imagine I’d be a fool to remind you that<br />

these are, after all, only nanites that we’re talking<br />

about. Nanites routinely performing brain<br />

scans, then responding in accordance with<br />

your most up-to-date statistical profile logged<br />

here at the observatory. But still . . . nanites, in<br />

the end. Machines. Although I suppose an argument<br />

could be made that little more is true<br />

of us.” When Farmer said nothing, the director<br />

shrugged <strong>and</strong> opened his h<strong>and</strong>s before<br />

him. “So tell me, Farmer—what would you<br />

have me do? Do you want to stay in here forever?<br />

Is she so important that you’d choose<br />

these walls for life?”<br />

Farmer rested a h<strong>and</strong> on his MudderTree,<br />

her soft bark warming to his touch. “No,” he<br />

said at last. “I don’t want the facility. Not with<br />

these neighbors. Not for life.”<br />

“I can’t give her to you, though. I wish I<br />

could, but I can’t. The front door out of this<br />

place is paved in property laws you can’t defeat.<br />

Medium security simply isn’t equipped.”<br />

“And I can’t leave her,” said Farmer. “I won’t<br />

even say I wish I could. I can’t.”<br />

The director sighed, dropping heavily into a<br />

lone black seat before the facility’s massive<br />

monitors. Farmer wondered again whose enclosure<br />

was really the worse. “What, then?<br />

What would you have me do?”<br />

Farmer’s reply was as swift as it was tranquil.<br />

“Let us go,” he said. “Just . . . let us go.”<br />

The director sniffed, <strong>and</strong> in the ensuing<br />

look of resignation Farmer saw, at last, an honest<br />

smile. “Yeah, right. Like I could just open<br />

the cargo bay doors <strong>and</strong> . . .” The director<br />

paused. He looked at Farmer, but Farmer did<br />

not look back. They looked together at his<br />

MudderTree. The MudderTree began to sing.<br />

From the great, uneven silence of outer<br />

space, the opening of the cargo bay doors<br />

would seem a singular sensory affair—light<br />

from the nearby white dwarf illuminating the<br />

station’s side panel as it rolls back, then catching<br />

on the many glass enclosures strung like<br />

polished gems on a necklace trailing deep<br />

within. The following maneuver would be a<br />

50 MAGGIE CLARK


precarious one—each shining bead rolling<br />

with unusual speed along the metal rails, <strong>and</strong><br />

then the rails simply parting to let slip one errant<br />

pearl.<br />

But forget, thereafter, all about the folding<br />

of those same rails back into place, <strong>and</strong> the<br />

cargo bay doors gradually reclaiming the other<br />

gems in turn, <strong>and</strong> the red <strong>and</strong> flashing lights<br />

signaling some form of serious alarm within.<br />

Observe, instead, the darkness <strong>and</strong> the points<br />

HYDROPONICS 101<br />

JUNE <strong>2013</strong><br />

of distant starlight reflecting off one half of<br />

the sphere then drifting gently out; the dazzling<br />

white light gleaming off the side set toward<br />

the ancient, black-bodied sun.<br />

It won’t take long.<br />

Count to ten, perhaps, <strong>and</strong> think good<br />

thoughts.<br />

Watch the little round of glass bloom a pale<br />

but sturdy blue. ■<br />

51


Working on the Space Program at the<br />

Kennedy Space Center was a unique,<br />

rewarding, challenging, <strong>and</strong> a sometimes<br />

frustrating <strong>and</strong> boring experience.<br />

As a kid I watched the astronauts walk<br />

on the moon, sometimes at the nineteenth<br />

hole at the golf course with my dad while we<br />

drank a coke <strong>and</strong> watched it on a black <strong>and</strong><br />

white TV. It inspired me. I, like many others,<br />

wanted to be an astronaut. I loved science<br />

<strong>and</strong> math in high school. I applied to MIT <strong>and</strong><br />

was accepted. I got a degree in electrical engineering,<br />

but my thesis (we all had to do a<br />

thesis for our bachelor’s degree) was an astrophysics<br />

topic. So I was always interested in<br />

space science. I had a Navy scholarship, <strong>and</strong><br />

was commissioned as an officer. I served for<br />

six years. The first three years of my time I<br />

was on an aircraft carrier. A message arrived<br />

that said NASA was accepting applications for<br />

astronauts, <strong>and</strong> they wanted scientists. I applied,<br />

<strong>and</strong> was rejected because of my eyesight.<br />

This was the first of five rejection letters<br />

I would receive from NASA.<br />

After serving on the aircraft carrier, the<br />

Navy made me a Captain of a small ship. I de-<br />

52<br />

Special Feature<br />

Working on<br />

the Space<br />

Shuttle<br />

Jeff Mitchell<br />

cided to leave the Navy at age 27. Once you<br />

are Captain Kirk, what else do you do? Fortunately<br />

my ship was stationed in Cape Canaveral,<br />

so I applied for jobs at the Kennedy Space<br />

Center <strong>and</strong> got a job very quickly.<br />

I started working in 1983 for McDonnell<br />

Douglas. Other contractors processed the<br />

shuttle for launch; McDonnell Douglas<br />

worked on the payloads that flew in the shuttle<br />

making all the new science discoveries. I<br />

was excited, I would have paid them to allow<br />

me to work on this stuff. The program I primarily<br />

worked on was called Spacelab; it was<br />

built by the Europeans <strong>and</strong> run by McDonnell<br />

Douglas <strong>and</strong> NASA. My job was to test all the<br />

systems on Spacelab—electrical, cooling,<br />

computers—before the experiments were installed.<br />

Then we tested all the experiments,<br />

<strong>and</strong> when everything was ready, we loaded it<br />

into the shuttle’s payload bay <strong>and</strong> tested the<br />

interfaces of Spacelab <strong>and</strong> the experiments to<br />

the shuttle. (One note, the shuttle folks originally<br />

called it the cargo bay, but scientists<br />

didn’t like the word cargo, made them think<br />

they were on a ship going from Engl<strong>and</strong> to<br />

America. But all of us military guys used the


term payload for things you dropped on the<br />

enemy that went bang. Absolutely the wrong<br />

word for a scientific experiment.)<br />

My first launch was STS-9 in 1983; the last<br />

launch of the shuttle I worked on was the last<br />

launch of the shuttle STS-135 in 2011. Yes,<br />

I’m ancient.<br />

Sounds pretty boring, doesn’t it? But it was<br />

exciting: imagine, the experiment I worked<br />

on was going to look at areas of the Universe<br />

<strong>and</strong> discover new things. PhDs were made on<br />

the data that came back from these Spacelab<br />

missions. And that was just Spacelab. I also<br />

worked on the launch of Galileo, Ulysses, the<br />

Hubble Space Telescope, <strong>and</strong> other probes.<br />

More knowledge gained for mankind. Very exciting<br />

to those of us working on the payload<br />

side of the shuttle.<br />

Launch<br />

The first mission I sat on console in the<br />

Launch Control Center (the LCC) was nerve<br />

racking. It was the launch of STS-51F on July<br />

12, 1985, which carried Spacelab-2. At T minus<br />

7 seconds (roughly) the three main engines<br />

are started, one at a time.<br />

During that countdown we monitored the<br />

payload. If certain parameters went out of limits,<br />

called Launch Commit Criteria, (LCC), the<br />

launch would scrub. Our LCC went down to<br />

T minus 31 seconds. Imagine, you are 28<br />

years old <strong>and</strong> you can stop the launch of the<br />

shuttle with a single word, “Cutoff.” We went<br />

through a lot of training for this moment: simulations,<br />

practice countdowns. But now it<br />

was real. I have been on an aircraft carrier<br />

l<strong>and</strong>ing planes in rough weather. I’ve had helicopter<br />

flights to other ships in rough seas being<br />

lowered by a “horse collar” on a pitching<br />

deck hoping I wouldn’t break a leg. All that<br />

was scary, but I was okay with it. Now, for the<br />

first time in my life, my palms were sweating.<br />

I had a headset <strong>and</strong> microphone on with my<br />

left h<strong>and</strong> touching the transmit button, <strong>and</strong> I<br />

had to constantly wipe my right h<strong>and</strong>. LCC<br />

started six hours prior to launch. At that<br />

point, if a problem arose, you had time to do<br />

troubleshooting. You could issue comm<strong>and</strong>s,<br />

look at data, talk to people on the phone, <strong>and</strong><br />

figure out if it was a real problem. When it got<br />

down to T minus a minute or so, you had no<br />

time, you just had to scrub. At T minus 31 seconds<br />

the Ground Launch Sequencer (GLS)<br />

WORKING ON THE SPACE SHUTTLE<br />

JUNE <strong>2013</strong><br />

takes over, <strong>and</strong> if it sees anything out of<br />

bounds, its software will shut down the<br />

launch. That’s when I can breathe again. At T<br />

minus 3 seconds, the engines were shut<br />

down. Damn—so close. Then the entire<br />

launch crew had to safe the pad <strong>and</strong> get the<br />

astronauts out of the shuttle. A very tense<br />

emergency.<br />

On July 29, 1985, we tried again. My palms<br />

were sweating all the way to T minus 31 seconds<br />

as before, <strong>and</strong> I should mention that I<br />

had a team of 12 people sweating with me.<br />

They were all highly trained, <strong>and</strong> under as<br />

much stress. I was the only one that had to report<br />

to the Payload Test Conductor (PTC),<br />

who reports to the NASA Test Director<br />

(NTD), the person who makes the final decision<br />

to launch. My people made the decisions<br />

to tell me what to say to the PTC. At T-7 seconds<br />

the engines fired successfully, <strong>and</strong> at Tzero<br />

the boosters ignited <strong>and</strong> we had liftoff. A<br />

few seconds later, the windows facing the<br />

pad started to vibrate from the shear power of<br />

the engines <strong>and</strong> boosters. The noise was loud,<br />

even though the shuttle was a mile away. If<br />

you are there for a launch, <strong>and</strong> your heart isn’t<br />

racing, <strong>and</strong> your mouth doesn’t open, you<br />

must be dead.<br />

At T plus 3 minutes <strong>and</strong> a half, one turbo<br />

pump turbine discharge temperature sensor<br />

failed. Two minutes later the second sensor<br />

failed, <strong>and</strong> that caused the engine software to<br />

shut down. If another engine failed it would<br />

mean that the shuttle might have to l<strong>and</strong> overseas<br />

at a contingency l<strong>and</strong>ing site. Eventually<br />

our payload would have to be removed which<br />

means I would have to fly to help them. We<br />

sat on the console hoping <strong>and</strong> praying it<br />

would make orbit. I’m thinking: I don’t want<br />

to process this payload all over again. Fortunately,<br />

the shuttle made it to orbit.<br />

I worked on many other missions. I was the<br />

lead test conductor for the Ulysses mission.<br />

That means that, again, we had Launch Commit<br />

Criteria for that mission. But I wasn’t making<br />

the technical evaluation, because I was<br />

now the PTC. I was just telling the NTD what<br />

my team told me. Much easier than Spacelab.<br />

Later I started being a part of the team that<br />

simulated the Launch Commit Criteria. I<br />

served on various boards to make sure the<br />

payloads were ready for launch. Mostly boring<br />

stuff.<br />

53


ANALOG<br />

Then came the International Space Station.<br />

I was asked <strong>and</strong> so volunteered to test the first<br />

piece of the ISS that the good old US of A<br />

launched called Node 1. We were told that it<br />

would be shipped to KSC with 90% of everything<br />

installed. It came to KSC with about<br />

10% installed. Worse, the test cables that we<br />

needed to test what it was installed with were<br />

being built in California <strong>and</strong> weren’t ready. It<br />

was a mess. I would go to a meeting at six AM<br />

<strong>and</strong> we would get a report about which cables<br />

had arrived at KSC the day prior. Then I<br />

would look at my test procedures <strong>and</strong> figure<br />

out what we could test, if anything. I had volunteered<br />

for this testing for six months. With<br />

all the cable delays, hardware delays, <strong>and</strong><br />

hardware failures, the job lasted 19 months.<br />

Beware what you volunteer for.<br />

After the launch of Node 1, I took a variety<br />

of jobs working for the Space Station. I was<br />

then hired by Spacehab, Inc. to be the Director<br />

of Operations. Spacehab was a little like<br />

Spacelab—it flew in the shuttle, astronauts<br />

did science experiments in it, <strong>and</strong> it took a lot<br />

of material up to both the Russian Mir Space<br />

Station <strong>and</strong> the International Space Station.<br />

The difference was that Spacehab was a commercial<br />

enterprise. In other words, NASA was<br />

not involved. We processed our module, delivered<br />

it to KSC, <strong>and</strong> loaded the material at<br />

the pad. We made a profit without government<br />

involvement. This is what Elon Musk<br />

<strong>and</strong> Space-X does as well.<br />

My final job was to be an Astronaut Representative.<br />

That means I represented them at<br />

meetings, testings, <strong>and</strong> other events that they<br />

couldn’t attend. I was trained in a lot of the<br />

same areas that they were. During my training<br />

I had to use a Pistol Grip Tool (PGT), which is<br />

basically an electric drill that sockets can be<br />

attached to. It has knobs big enough for your<br />

space suit glove to manipulate when setting<br />

torque values for the drill to stop at, or a finite<br />

number of turns. I learned how to use this<br />

<strong>and</strong> asked the instructor, “How much does<br />

this cost?”<br />

“Two hundred <strong>and</strong> fifty thous<strong>and</strong> dollars.”<br />

So I have held in my h<strong>and</strong> a quarter of a million<br />

dollars.<br />

I also went through the shuttle-l<strong>and</strong>ing simulator<br />

at JSC. It has a complete cockpit, with<br />

everything from switches to the front seats to<br />

back seats. You had to strap in because the<br />

simulator bounced you around to demonstrate<br />

launch <strong>and</strong> re-entry. We launch facing<br />

up, then after Main Engine Cutoff they rotated<br />

the simulator to horizontal, <strong>and</strong> then reset<br />

it for l<strong>and</strong>ing. I watched my friend go from<br />

high altitude to l<strong>and</strong>ing at KSC. He did a great<br />

job, despite not being a pilot. Then we<br />

changed seats. I strapped in <strong>and</strong> grabbed the<br />

stick, confident that I would do pretty well—<br />

after all, I had l<strong>and</strong>ed a real plane. I only<br />

crashed a little short of KSC. We might have<br />

survived . . . but I don’t think so. Later that day<br />

another friend turned off the heads up display,<br />

<strong>and</strong> all the other helpful things that the<br />

astronauts get to use, <strong>and</strong> l<strong>and</strong>ed the shuttle<br />

flawlessly. He is really good, much to my<br />

envy.<br />

L<strong>and</strong>ing<br />

The best thing about being an Astronaut<br />

Representative was escorting the astronauts<br />

off the shuttle after it l<strong>and</strong>ed.<br />

My first l<strong>and</strong>ing was on STS-122 on February<br />

20, 2008. It was a beautiful Florida morning.<br />

I was at the runway, but couldn’t actually<br />

see the l<strong>and</strong>ing. The shuttle came in from the<br />

north, <strong>and</strong> we were on the south part of the<br />

runway. The shuttle came in at a very steep<br />

angle <strong>and</strong> we watched it as it turned around<br />

<strong>and</strong> lined up with the runway. It was a stunning<br />

sight. It was a dead stick l<strong>and</strong>ing; the<br />

shuttle had no engines for l<strong>and</strong>ing. We<br />

couldn’t actually see it touch down on the<br />

runway because there are trees in the way.<br />

You may not know this, but KSC is a wildlife<br />

refuge, so they don’t cut down trees. Before<br />

the shuttle l<strong>and</strong>s on a day l<strong>and</strong>ing, they chase<br />

the alligators off the runway. No, really they<br />

do—the alligators like the warm concrete. As<br />

the shuttle rolled down the runway, it cleared<br />

the trees <strong>and</strong> we saw it stop. Our vehicle, the<br />

Crew Transport Vehicle (CTV), drove up to<br />

forty meters or so of where the shuttle<br />

stopped. People in fully encapsulated suits<br />

sniffed for hypergolic fuels <strong>and</strong> oxidizers (hazardous<br />

stuff) <strong>and</strong> then gave us the go to proceed.<br />

The CTV drives up to the “white<br />

room,” which is a small room up against the<br />

shuttle. I’ve been in the shuttles many times,<br />

but never on the runway. This was very exciting.<br />

Technicians opened the hatch. I went in<br />

with my boss, Jerry Ross, an astronaut who<br />

54 JEFF MITCHELL


has flown seven times, <strong>and</strong> we installed a flat<br />

platform that made entering <strong>and</strong> exiting the<br />

round hatch easier. Equipment started coming<br />

out—parachutes, helmets, gloves, you name<br />

it. I carried them back into the vehicle <strong>and</strong><br />

stowed them. Then the first astronaut exited.<br />

They had been weightless for 13 days, <strong>and</strong> so<br />

were not used to gravity. My biggest job was<br />

to make sure they didn’t fall or trip. (This is an<br />

inner ear problem when coming back to gravity.)<br />

All of them walked out unassisted. In fact,<br />

Dan Tani (an MIT graduate like myself), who<br />

had been on the International Space Station<br />

for four months, had no problem walking. We<br />

were all impressed.<br />

Suit technicians helped them out of their<br />

orange launch <strong>and</strong> l<strong>and</strong>ing suits. They got into<br />

their blue suits, had some water, maybe some<br />

food, <strong>and</strong> sat in chairs for a while. Doctors<br />

<strong>and</strong> nurses examined them briefly. They<br />

talked about the l<strong>and</strong>ing, how great it was to<br />

be in space, whatever came to mind. They<br />

were excited <strong>and</strong> you could feel it. Everyone<br />

in the CTV was excited. At their request, I had<br />

marked some stuff used on the space walks<br />

with letters or numbers using a flight-qualified<br />

Sharpie marker. I ask the three who did<br />

space walks if what I had marked helped<br />

them. “It was great, I don’t know how I could<br />

have wrapped that around the quick disconnect<br />

without the markings.” It is good to be<br />

useful. And yes, my h<strong>and</strong>writing is on the<br />

space station.<br />

The next thing they did was the walkaround.<br />

This is the tradition where the crew<br />

walks around <strong>and</strong> under the shuttle to take a<br />

look at it. Afterward there are photo opportunities<br />

<strong>and</strong> speeches. The comm<strong>and</strong>er of the<br />

shuttle told his crew that they shouldn’t look<br />

up at the tiles on the bottom of the shuttle because<br />

when they tilted their heads back, they<br />

might fall over. I now had a new job—to accompany<br />

them <strong>and</strong> make sure they don’t fall<br />

over, or trip on the big cables <strong>and</strong> other<br />

things on the ground—<strong>and</strong> there were a lot of<br />

things on the ground. The tile was still hot,<br />

but there was no smell. We walked around<br />

the vehicle <strong>and</strong> there were cameras everywhere.<br />

We had a German astronaut, so the<br />

German press was there in droves. I was talking<br />

to one of the astronauts <strong>and</strong> there was this<br />

video operator filming us. We ignored him<br />

<strong>and</strong> continued our discussion. Sure enough,<br />

WORKING ON THE SPACE SHUTTLE<br />

JUNE <strong>2013</strong><br />

I’m on the nightly Orl<strong>and</strong>o news that evening.<br />

We drove back to the Astronaut Crew Quarters<br />

<strong>and</strong> unloaded all the gear. Later on we<br />

had lunch with the shuttle astronauts <strong>and</strong> all<br />

the support astronauts <strong>and</strong> medical people.<br />

One of the many astronauts I met saw my<br />

brass rat (MIT class ring) <strong>and</strong> said that he<br />

went to MIT too.<br />

When I wasn’t helping the astronauts off of<br />

the shuttle, I was in the crew quarters taking<br />

care of their families. After the family watched<br />

the l<strong>and</strong>ing at the Shuttle L<strong>and</strong>ing Facility,<br />

they were put on busses <strong>and</strong> taken back to<br />

the crew quarters. It took an hour or so for<br />

the astronauts to get back to the quarters.<br />

One time I had to figure out how to use the<br />

new big screen TV to make sure that the kids<br />

could watch Harry Potter while waiting for<br />

their mother or father to come back to the<br />

quarters. It took me, a coworker, <strong>and</strong> an astronaut<br />

to figure out all the remote controls.<br />

We got it working, <strong>and</strong> the kids were happy.<br />

Life can be rough. I rewarded my hard work<br />

by grabbing a couple of cookies that the<br />

cooks had made for the astronauts <strong>and</strong> took<br />

them to my wife. Astronaut cookies!<br />

That’s what a shuttle l<strong>and</strong>ing is like.<br />

The workers at KSC were, in a word, dedicated.<br />

Imagine all the different jobs. There are<br />

the normal ones, like manager <strong>and</strong> secretary,<br />

which are important. But there were jobs that<br />

are not anywhere else. There are people who<br />

applied the heat resistant tiles on the shuttle.<br />

People who lifted a shuttle <strong>and</strong> attached it to<br />

the external tank, <strong>and</strong> this is after they lifted<br />

pieces of the external boosters, loaded with<br />

highly explosive fuel, stacked these, <strong>and</strong> then<br />

lifted the tank between the two boosters.<br />

Other people drove the shuttle out to the<br />

launch pad at a staggering one mile per hour<br />

on the same crawler that they used on the<br />

Apollo missions. People had to make sure payloads<br />

<strong>and</strong> the shuttle were very clean. People<br />

made sure that there were no sharp edges<br />

that would cut the spacesuit during their Extra<br />

Vehicular Activity (spacewalk). Then there<br />

were software writers, software testers, <strong>and</strong><br />

numerous other jobs needed to propel X<br />

pounds to 17,500 mph into orbit.<br />

All the jobs were important. Everyone was<br />

concerned with the safety of the shuttle <strong>and</strong><br />

the astronauts. They were dedicated. They<br />

worked long hours. Of course some were<br />

55


ANALOG<br />

paid overtime for working long hours, but<br />

many volunteered whether they got paid or<br />

not. It was their life, it was their calling.<br />

So what was it really like to work there?<br />

Like any place—many meetings. Some really<br />

important, some boring. Take trying to convince<br />

NASA to change the software used during<br />

testing. You had to convince multiple<br />

NASA people that changing the software<br />

would save testing time. If you only had to<br />

convince your boss, that would be one thing.<br />

But you convinced your boss, then a couple<br />

NASA folks, then go to a NASA engineering<br />

board <strong>and</strong> convince a joint NASA <strong>and</strong> contractor<br />

board. A waste of time, too much bureaucracy.<br />

I hated it.<br />

But, making things more efficient was<br />

worthwhile. Despite going through all the<br />

hoops, it was satisfying when you improved<br />

the testing, made it simpler, more efficient,<br />

<strong>and</strong> reduced the costs. And there were many<br />

NASA people that helped you along the way.<br />

They hated the inefficiency as well.<br />

It was not just the people at KSC, but also<br />

the people at Johnson Space Flight Center,<br />

<strong>and</strong> the Marshall Space Flight Center, the<br />

Goddard Space Flight Center, all the space<br />

flight centers. All of them are just as dedicated<br />

to making space flight for people <strong>and</strong> machines<br />

safe <strong>and</strong> successful.<br />

Challenger <strong>and</strong> Columbia<br />

On January 28, 1986, I walked outside my<br />

building, got my binoculars from my car, <strong>and</strong><br />

watched the Challenger launch. We all know<br />

that it blew up, but right then we at KSC<br />

didn’t know what happened to the shuttle. I<br />

went back into my office <strong>and</strong> talked to<br />

coworkers. Some people thought the astronauts<br />

might have survived. Those of us who<br />

were in the military just shook our heads.<br />

We’d seen explosions before; we knew they<br />

had been disintegrated instantly. Later we<br />

found out that we were wrong, the crew survived<br />

the explosion <strong>and</strong> died on impact with<br />

the ocean. In fact, there was evidence that<br />

one astronaut turned the oxygen on the Comm<strong>and</strong>er’s<br />

helmet after the explosion. I never<br />

watched another launch through my binoculars;<br />

it was too painful.<br />

We spent two plus years updating the procedures<br />

to test everything. We looked at what<br />

could go wrong, whether it was likely or not.<br />

We questioned everything because we didn’t<br />

want another Challenger accident. Many<br />

meetings, many questions, much paperwork.<br />

Then we flew again. During that return to<br />

flight launch, the firing room folks were told<br />

not to cheer at liftoff, which was the natural<br />

thing we did before. We could only cheer or<br />

applaud after the boosters separated. When<br />

they did, there was clapping, cheering, <strong>and</strong><br />

crying. It was very emotional.<br />

Then there was Columbia. On February 1,<br />

2003 I was at home <strong>and</strong> saw the news when<br />

the Columbia accident happened. I never expected<br />

the Challenger accident, I thought<br />

burning up on re-entry a much more likely<br />

proposition. Even from the first mission, STS-<br />

1, there was tile damage. On STS-1, sixteen<br />

tiles were missing, <strong>and</strong> 148 damaged <strong>and</strong> had<br />

to be replaced. So burning up was an option.<br />

But I didn’t expect it after a hundred missions.<br />

We knew what we were doing by then.<br />

Ha! We had fooled ourselves as an engineering<br />

community.<br />

I had other duties, too. One day I got a call<br />

from a co-worker:<br />

“Hey, you live near the Orl<strong>and</strong>o airport,<br />

don’t you?”<br />

“Yeah, why?”<br />

“Well these two astronauts have a broken<br />

airplane, <strong>and</strong> need a lift.”<br />

So I drove them to the airport, a 45-minute<br />

trip, talking to them the entire time, waited to<br />

make sure they got on the airplane, <strong>and</strong> then<br />

went home. Work is tough sometimes.<br />

The International Space Station partners<br />

were a joy to work with, whether they were<br />

the Italians on Node 3, the Germans <strong>and</strong> Italians<br />

on the Columbus module, or the Japanese<br />

on their modules. You would think we<br />

would have trouble communicating, but even<br />

the ones who didn’t speak any English still understood<br />

gestures. For instance, I was able to<br />

tell the Japanese that the tape securing their<br />

hardware needed to be able to be pulled off<br />

easily on orbit using only h<strong>and</strong> gestures.<br />

The Japanese were very interesting. Normally<br />

when you go into a clean room, you<br />

wear a smock or bunny suit <strong>and</strong> a hair cover<br />

to keep your hair out of the hardware. Why<br />

do we do this? Remember, all that stuff will<br />

float <strong>and</strong> the crew could breathe it in, which<br />

could be a big problem if it’s a small nut or<br />

bolt. Dirt <strong>and</strong> hair will also clog up the air fil-<br />

56 JEFF MITCHELL


ters, which will have to be cleaned in orbit,<br />

using time that an astronaut could be using<br />

for an experiment. If you have a beard, you<br />

would wear a beard cover, if you have hair, a<br />

hair cover. But every company <strong>and</strong> nation has<br />

different rules. The Japanese had everyone<br />

wear beard covers, even if they didn’t have a<br />

beard, <strong>and</strong> even the women, who obviously<br />

will never have beards. Hair covers for bald<br />

guys as well.<br />

The Russians were great. NASA launched a<br />

piece of Russian hardware called MRM-1. As<br />

an astronaut representative, I had to inspect<br />

the interior for sharp edges <strong>and</strong> take photos. I<br />

was one of only four Americans to go into<br />

MRM-1 while it was being processed in Cape<br />

Canaveral. That’s the good news. The bad<br />

news was that the Russians required certain<br />

medical tests before I could go in. I had to<br />

give a stool sample—<strong>and</strong> I don’t mean the<br />

stool at the bar in your house. On another day<br />

I had to inspect the exterior for sharp edges.<br />

We finished the inspections on a Saturday<br />

morning <strong>and</strong> signed the official paperwork. A<br />

big political <strong>and</strong> engineering step. It turns<br />

WORKING ON THE SPACE SHUTTLE<br />

JUNE <strong>2013</strong><br />

out, that this was also International Women’s<br />

Day, so after signing everything, we drank<br />

champagne, took many photos, shook h<strong>and</strong>s,<br />

<strong>and</strong> celebrated. You had to celebrate with the<br />

Russians to be sociable. One of the female<br />

U.S. engineers didn’t drink, so she pretended<br />

to sip the champagne. She admitted this to<br />

her co-worker, <strong>and</strong> he finished most of his<br />

drink, h<strong>and</strong>ed it to her <strong>and</strong> said, “Here, hold<br />

this for the look,” <strong>and</strong> grabbed her glass. Then<br />

the Russians broke out the hard liquor, there<br />

were more toasts, <strong>and</strong> by eleven thirty I was<br />

happy.<br />

After the final l<strong>and</strong>ing, I, like thous<strong>and</strong>s of<br />

others at KSC, was out of a job I loved. I don’t<br />

have a problem with this though, for at least<br />

28 years I was a member of a team trying to<br />

get us off the planet. We launched telescopes<br />

that see the far reaches of the Universe. We<br />

launched probes to the outer planets. We<br />

even built the science fiction fan’s bread <strong>and</strong><br />

butter, a space station. Quite a series of accomplishments<br />

that all America should be<br />

proud of.<br />

I know I am. ■<br />

57


A<br />

fter three years out in the dark among<br />

the rocks, Kiel Chaladur docked his<br />

prospecting boat, the Gold Witch, at<br />

Sato Station. It had been a successful<br />

voyage. He’d found, sold, <strong>and</strong> sent in-system a<br />

comet remnant dense with volatiles. The<br />

money he’d taken for it had made his fortune<br />

<strong>and</strong> that of his two-person crew—but wealth<br />

wasn’t the only prize Kiel Chaladur brought<br />

back with him. Against all odds, he’d found a<br />

wife out there, born <strong>and</strong> grown among the<br />

rocks.<br />

Shay Antigo stepped through the port gate<br />

at Sato Station as an unknown citizen. She<br />

was met by the local watch officer of the<br />

Commonwealth Police, who confirmed her<br />

status <strong>and</strong> shepherded her through the<br />

process of establishing a legal existence. As I<br />

read the brief, it struck me as an engaging story—<strong>and</strong><br />

almost certainly untrue.<br />

Three days after the initial report was filed,<br />

I was assigned to investigate.<br />

“Name?” the brisk voice of a Dull Intelligence<br />

asked, prodding me into wakefulness<br />

within the close embrace of a cold-sleep pod.<br />

I drew a deep breath into lungs that had<br />

58<br />

Out in the<br />

Dark<br />

Linda Nagata<br />

never been used before. “Zeke Choy,” I answered.<br />

And then, anticipating its next question,<br />

“Field officer, Commonwealth Police.”<br />

I’d entered cold sleep in the inner system,<br />

ghosting to Sato Station as an electronic persona,<br />

completing in eleven minutes a journey<br />

that would have consumed years if I’d traveled<br />

in physical form. The arrival of my ghost<br />

had wakened a stored husk—a precisely<br />

grown replica of the body I’d left behind. By<br />

Commonwealth law, a citizen was limited to<br />

one physical incarnation at a time. It was part<br />

of the definition of being human, <strong>and</strong> no exceptions<br />

were allowed, not even for an onduty<br />

cop. So that version of me that I’d left<br />

behind eleven minutes ago would remain<br />

locked down in cold sleep until I’d finished<br />

my investigation at Sato Station.<br />

When the DI was satisfied that I fully occupied<br />

my new platform, it opened the coldsleep<br />

pod. I got up, glancing at my projection<br />

in the image panel. I stood taller than most<br />

men, strong <strong>and</strong> lean <strong>and</strong> with a stern gaze. It<br />

was a physical appearance considered ideal<br />

for instilling order <strong>and</strong> compelling respect. I’d<br />

been less imposing when I’d entered the<br />

academy, but judicious engineering during


my months of training had given me the size<br />

<strong>and</strong> bearing of a cop.<br />

A locker linked to my identity popped<br />

open. Inside was a uniform <strong>and</strong> a collection of<br />

glossy gel ribbons in different colors, each ten<br />

centimeters long <strong>and</strong> containing a different<br />

chemical armament. They were the st<strong>and</strong>ard<br />

weapons of a field officer. I laid the ribbons<br />

against the skin of my forearms <strong>and</strong> they adhered<br />

immediately, syncing to my atrium—a<br />

neural organ used by all residents of the Commonwealth<br />

to link mind <strong>and</strong> machine. Of<br />

course, Daoud Pana, the watch officer I’d<br />

come to investigate, would be similarly<br />

armed, but if it came to an overt confrontation,<br />

I had an authorization level that would<br />

shut down every one of his police-issue<br />

weapons.<br />

A DI popped into my atrium with a map of<br />

Sato Station. Around the wheel, the location<br />

of each one of 308 current residents was<br />

marked, some as stationary points, others on<br />

the move, all of them tracked by their implanted<br />

ID chips, marking them as citizens of<br />

the Commonwealth. Neither Shay Antigo nor<br />

Kiel Chaladur was among them. The brief I’d<br />

scanned when the case came in had told me<br />

they’d already left through the station’s data<br />

gate, their ghosts bound for Mars. Chaladur’s<br />

other two crew had taken off to destinations<br />

of their own, all of them authorizing that the<br />

husks they left behind be dissolved, indicating<br />

that none of them intended to return.<br />

Officer Pana’s position was highlighted. He<br />

was the only officer-in-residence at Sato Station,<br />

<strong>and</strong> presently he was outside the station<br />

itself, doing a walk-through inspection of a recently<br />

arrived ship. He didn’t know yet that<br />

he was suspected of colluding to manufacture<br />

a new identity for Shay Antigo, <strong>and</strong> that an investigation<br />

had been launched against him.<br />

And he didn’t know I was here. The alert that<br />

would normally have gone out when anyone<br />

arrived in the cold-sleep mausoleum had been<br />

suppressed.<br />

I pulled on the uniform: knee-length shorts<br />

<strong>and</strong> a black pullover with long sleeves designed<br />

to hide the gel ribbons. I was not a police<br />

officer by choice. I’d been drafted into<br />

the service, where it became my duty to enforce<br />

the Commonwealth’s conservative definition<br />

of what it meant to be human: a<br />

singular physical existence <strong>and</strong> no invented<br />

OUT IN THE DARK<br />

JUNE <strong>2013</strong><br />

quirks—only natural, human physiology, except<br />

that aging had been ruled a defect <strong>and</strong><br />

had been cured, <strong>and</strong> we were all allowed an<br />

atrium.<br />

In my primary duty I was the watch officer<br />

at Nahiku, a small celestial city in the inner<br />

system, but every cop takes on special duties<br />

too. Mine was to investigate other officers.<br />

Commonwealth law is strict, punishment is<br />

severe, <strong>and</strong> the unfortunate reality is that cops<br />

hold the power of life <strong>and</strong> death over the citizens<br />

of their watch. Some cops are judicious,<br />

but others take advantage of their power. It<br />

was far more likely that Daoud Pana was a corrupt<br />

cop who’d fabricated this case for some<br />

kind of payoff, than that Shay Antigo was truly<br />

unknown.<br />

Using my atrium, I linked into the station’s<br />

surveillance network to get a first look at my<br />

quarry. Pana had set a flock of inspection<br />

bees buzzing through the levels of the newly<br />

arrived ship, each one of the tiny devices<br />

sending back datastreams as they used their<br />

camera eyes to search every visible space, <strong>and</strong><br />

their molecular sensors to taste the air <strong>and</strong> assay<br />

the surfaces.<br />

I comm<strong>and</strong>eered an inspection bee that<br />

was hovering close to Pana, turning it around<br />

so that its gaze fell on him: a man as tall as<br />

me—cop height, we called it—with a broad<br />

face <strong>and</strong> wide nose. No smile at all as he questioned<br />

the crew. Brusque <strong>and</strong> imposing in his<br />

black uniform. I watched him for several minutes,<br />

<strong>and</strong> found him neither overly friendly<br />

nor overly strict. If he was looking for a bribe<br />

or a kickback, I couldn’t see it. Maybe he only<br />

did favors for those who took care to make<br />

arrangements in advance.<br />

The mausoleum was in a warehouse district,<br />

so at first I saw only small transport robots<br />

in the main corridor, but as I rounded<br />

the wheel I encountered people. They looked<br />

at me in idle curiosity, until they realized I<br />

was not the cop they’d grown used to seeing.<br />

Then their expressions shifted—sometimes<br />

to curiosity, but often to shock, <strong>and</strong> even fear,<br />

because the appearance of a strange cop at a<br />

remote station like this one could only mean<br />

trouble.<br />

I was still watching Pana within my atrium,<br />

<strong>and</strong> I found it easy to mark the precise moment<br />

someone pinged him with the news<br />

59


ANALOG<br />

that I was there. His jaw tightened. His lips<br />

drew back. He looked up, looked around, until<br />

he spotted the surveillance bee that I controlled.<br />

“On my way,” he growled in an undertone.<br />

Then he barked at the cargo ship’s three-person<br />

crew. “Do not attempt to disembark. You<br />

have not been cleared <strong>and</strong> you will not be allowed<br />

to pass through the station gate.”<br />

He waved off their objections, <strong>and</strong>, leaving<br />

his flock of bees to continue the job, he left<br />

through the ship’s lock. The station gate<br />

knew him, <strong>and</strong> he was allowed back into the<br />

wheel with only a cursory surface scan.<br />

Pana worked out of an office with a small<br />

reception room in front, <strong>and</strong> interrogation<br />

<strong>and</strong> lab space in the back—a st<strong>and</strong>ard layout<br />

for watch officers. I let myself in, did a quick<br />

walk-through of all the rooms, checked the<br />

storage lockers, <strong>and</strong> then took a seat on a<br />

couch in one of the interrogation rooms to<br />

wait for his arrival. A DI had put together a<br />

summary of the surveillance recorded on the<br />

day the unknown citizen, Shay Antigo, had<br />

come in. I used the time to review it.<br />

After Kiel Chaladur’s prospecting boat had<br />

docked at the station, Daoud Pana had gone<br />

onboard to do a walk-through inspection just<br />

like he’d done today with the cargo ship. Inside<br />

the Gold Witch, he’d been met by Chaladur,<br />

a small man with sharp features <strong>and</strong> not<br />

much flesh beneath his charcoal skin, whose<br />

thin shoulders were a little hunched even in<br />

Sato’s low-gee. The video identified Shay Antigo<br />

as the woman st<strong>and</strong>ing beside him. They<br />

both wore their hair close-shaven, but that<br />

was the limit of the resemblance. Shay stood<br />

taller by a few centimeters, with a wide, pretty<br />

face, <strong>and</strong> demure features. My DI confirmed<br />

the anxiety I sensed in her gaze as she<br />

eyed Officer Pana.<br />

In the video, an alert spoke, notifying Pana<br />

that she lacked an ID chip. He drew back. His<br />

h<strong>and</strong> rose slightly, <strong>and</strong> I knew the gel ribbons<br />

he carried under his sleeve were gliding<br />

down his forearm to his palm, where they<br />

would be ready for use.<br />

But no resistance was offered—not by Shay<br />

Antigo, or Kiel Chaladur, or his two-person<br />

crew. Shay submitted to every scan <strong>and</strong> test<br />

that procedure required, <strong>and</strong> in the end Pana<br />

certified her as a previously unknown citizen,<br />

granting her a Commonwealth ID chip, <strong>and</strong> a<br />

new existence without the burden of a past.<br />

Daoud Pana was scowling when he strode<br />

into the interrogation room. He didn’t bother<br />

with introductions. “It’s the unknown, isn’t<br />

it?” he dem<strong>and</strong>ed. “I knew trouble was coming<br />

when I filed that report.”<br />

“You filed it anyway.”<br />

“It was my job to file it. I conducted the required<br />

investigation <strong>and</strong> I drew the only conclusion<br />

I could. She was legit. No record of<br />

her in the system. I didn’t write her a free<br />

pass.”<br />

Every celestial city operated under its own<br />

charter, but in matters of molecular science,<br />

biology, <strong>and</strong> machine intelligence, Commonwealth<br />

law applied, <strong>and</strong> it was merciless. For<br />

most violations, those found guilty-with-intent<br />

faced death as a penalty. Their only recourse<br />

was to disappear <strong>and</strong> become someone else.<br />

Cops had been bribed before.<br />

I studied Pana. My DI had flagged no lie in<br />

his words, but some people learned to fool<br />

the DIs.<br />

Pana’s lip curled. “You’ve done this before?<br />

Investigated another cop?”<br />

“I’ve been called out a couple of times.”<br />

“Yeah? And were they experienced cops<br />

that you investigated? Or were they new?” He<br />

shook his head. “You don’t have to answer.<br />

Only the new-issues are dumb enough to<br />

think they can pad their accounts <strong>and</strong> no one<br />

the wiser.”<br />

It was true that most cops who leaned toward<br />

corruption were exposed in their first<br />

years, but I saw it as a Darwinian process.<br />

Those who didn’t get caught early were the<br />

smart ones, <strong>and</strong> the longer they survived, the<br />

smarter they got, <strong>and</strong> the smarter they got,<br />

the more they tried to get away with. People<br />

believe all the time in the magic of their own<br />

success.<br />

I guess I believed in magic too. “Tell me<br />

about her,” I said, confident that I could discern<br />

his thoughts <strong>and</strong> intentions by watching<br />

his face, hearing his voice, even though I<br />

knew moods could be quirked, <strong>and</strong> voice<br />

rhythms could be steadied with tranks.<br />

He scowled <strong>and</strong> shook his head again, making<br />

it clear I was wasting his time. “It’s all in<br />

the report. Everything. You’ve watched it,<br />

haven’t you? The detainment vid?”<br />

60 LINDA NAGATA


“Tell me anyway.”<br />

Pana understood that the best way to get<br />

rid of me was to cooperate, so, sitting on the<br />

couch opposite mine, he started talking, his<br />

deep voice flat <strong>and</strong> fluid, as if he was reading<br />

the words.<br />

“I meet every ship that comes in. It’s not<br />

strictly required—I could just send the bees<br />

to inspect the cargo—but it’s my policy.<br />

We’re spread thin out here. Indies working<br />

out in the rocks, they’ll try out illegal biomods,<br />

figuring it’s long odds on getting<br />

caught—but eventually everyone comes in. If<br />

they know I’m going to be down at the gates<br />

every time, they might think a little harder before<br />

they push the wall.”<br />

I hated to admit that this made sense to me.<br />

People get in trouble when they think no<br />

one’s looking. But did the threat of a cop waiting<br />

at the station gate really balance out the<br />

temptation that grew in the dark, in those<br />

years when you were out in the rocks, alone<br />

with your thoughts, <strong>and</strong> free to run any experiment<br />

your tools allowed? Pana must have<br />

seen a lot of mods over the years, but his arrest<br />

record was thin. Sometimes that’s a sign<br />

of a good watch officer—someone who<br />

knows how to make a mess quietly disappear<br />

before it’s ever official. I’d done it myself. People<br />

who underst<strong>and</strong> their jeopardy willingly<br />

cooperate, <strong>and</strong> life goes on.<br />

Pana leaned back in his chair <strong>and</strong> scowled<br />

again. It seemed to be his default expression.<br />

“So, this prospecting boat came in. The Gold<br />

Witch. There’d been chatter about it. They hit<br />

big. Found a snowball. Auctioned it for a nice<br />

gain. That was over a year ago.”<br />

“It took them that long to come in?”<br />

He nodded. “They were way out in the<br />

dark. God knows what goes on out there.”<br />

“What did go on?”<br />

He shrugged. “No one patrols the Belt.<br />

There’s no way to really know, but everyone’s<br />

heard stories. Sometimes these prospectors<br />

let the dark inside their heads, <strong>and</strong> they decide<br />

they don’t want to come back. They find<br />

a rock far away from everything, <strong>and</strong> they tunnel<br />

it, set up housekeeping, declare themselves<br />

beyond the bounds of the Commonwealth.”<br />

The legality of independent holdings was<br />

heavily debated, but the cold fact was that the<br />

Commonwealth police could establish jurisdiction<br />

simply by force of arms. It was only<br />

OUT IN THE DARK<br />

JUNE <strong>2013</strong><br />

ever a matter of time.<br />

“And Shay Antigo? She came from an indie<br />

holding?”<br />

Doubt shadowed his face. I caught it before<br />

my DI did.<br />

“That was her story. I couldn’t refute it. The<br />

DI picked up a low level of deception, nothing<br />

clear cut. I think she’d been in a station,<br />

but not one with a police presence.”<br />

“So she wasn’t scanned.”<br />

“That’s my guess. I couldn’t ask for a full<br />

history without cause.”<br />

“Being an unknown citizen isn’t sufficient<br />

cause?”<br />

“Didn’t seem like it at the time.” His eyes<br />

narrowed, <strong>and</strong> he leaned forward. “You think<br />

she’s a fake because she doesn’t look like a<br />

freak, because she could hold a human conversation,<br />

because she knew what a cop was,<br />

<strong>and</strong> what it meant to get through a station<br />

gate.”<br />

I nodded. “She grew up in the dark.”<br />

He shrugged. “She has an atrium. You<br />

know how indies get by out there? They live<br />

through their atriums. They spend all their<br />

downtime in virtual worlds, a lot of ’em based<br />

on real places. It’s the damnedest thing. They<br />

interact with machine personas, learn the accent<br />

<strong>and</strong> habits of some city they’ve never<br />

seen, <strong>and</strong> you’d swear they were birthright<br />

citizens. Indies can masquerade as anyone<br />

they want to be.”<br />

A DI brought a report into my atrium. I’d<br />

sent it hunting through Pana’s background.<br />

He’d saved up a good-sized nest egg. He had<br />

family, but none that were close. He’d been<br />

married twice, both had ended when the contract<br />

expired. He held citizenship in two celestial<br />

cities <strong>and</strong> one Earth nation. Nothing in<br />

his record was suspicious . . . but he would<br />

have known to keep his record clean.<br />

He was studying me, no doubt using the<br />

same interpretive DI that I was using to assess<br />

his mood. “You won’t find anything,” he told<br />

me in a satisfied tone. “Because there’s nothing<br />

to find.”<br />

I took a walk around the ring of the station.<br />

Eight ships were docked to the gates, one of<br />

them the Gold Witch. Kiel Chaladur had ordered<br />

it cleaned <strong>and</strong> refurbished immediately<br />

on his return. It had been on the market a little<br />

more than forty hours when it sold to an<br />

61


ANALOG<br />

experienced prospector. I found her supervising<br />

the loading of food <strong>and</strong> supplies for what<br />

looked to be a long expedition. Pana must<br />

have warned her I was on my way, because<br />

she didn’t look surprised when I came<br />

through the station gate—a small, gray-eyed<br />

woman, soft <strong>and</strong> plump, with a smile sincere<br />

enough to hide mass murder behind it.<br />

Most people don’t smile when a Commonwealth<br />

cop comes to ask them questions.<br />

“Do you want to inspect us?” she asked me<br />

without preamble.<br />

The cleaning crew had been through. We<br />

both knew there would be nothing to find.<br />

“Did you know Kiel Chaladur?” I asked her.<br />

Her eyes were fixed on me with eerie intensity.<br />

Despite her smile, my DI picked up<br />

hostility, but I didn’t think it was directed at<br />

me. “I knew him. I crewed with him twice,<br />

way back. He had no luck then, so I moved<br />

on.”<br />

“He had luck this last trip.”<br />

“You never know when it’ll hit.”<br />

“What do you know about Shay Antigo?”<br />

She crossed her arms <strong>and</strong> her smile disappeared.<br />

“It’s hard to believe sometimes, what<br />

goes on out there.”<br />

“What do you mean?”<br />

“Just what I said. Some stories are hard to<br />

believe.”<br />

“You’ve been prospecting a long time,<br />

haven’t you?”<br />

“Nineteen years. Six expeditions. Maybe<br />

this time I’ll finally hit gold.”<br />

“You must have seen a lot out there.”<br />

Her smile flashed, fierce <strong>and</strong> bitter. “I<br />

wouldn’t say that. The Belt’s a big place. But<br />

it’s mostly empty space, <strong>and</strong> you know what?<br />

There’s nothing much to see out there. There<br />

aren’t any mysteries. Just a few rocks <strong>and</strong> a<br />

whole lot of silence.”<br />

“No mysteries? No unknowns?”<br />

“Not that I’ve ever seen.”<br />

Pana’s report included a copy of the Gold<br />

Witch’s log file, which had a few entries from<br />

the start of the voyage, but nothing more. As<br />

an owner-operator, Chaladur wasn’t required<br />

to keep a log <strong>and</strong> I guessed that if he’d kept a<br />

record at all, it was locked up safe inside his<br />

head. I knew that he’d set out with three souls<br />

aboard <strong>and</strong> returned with four, <strong>and</strong> that there<br />

was no data gate on the Gold Witch, <strong>and</strong> no<br />

crèche in which a fresh husk could be grown.<br />

So Shay could not have been regenerated. She<br />

had come from somewhere: either an independent<br />

holding as she’d claimed, or from another<br />

boat.<br />

I sent a DI to look for any discrepancies in<br />

ship crews: a list of the dead <strong>and</strong> the missing,<br />

all those who had never come back. I set another<br />

DI to assembling a map of radio chatter<br />

recorded over the years, to see if a pattern<br />

could be recovered suggesting a habitation in<br />

the sector where Kiel had found his strike.<br />

Then I went over the DNA evidence collected<br />

by Pana. He’d run a st<strong>and</strong>ard assessment<br />

of Shay’s profile <strong>and</strong> had found no<br />

matches in the Commonwealth central library.<br />

I decided to look deeper.<br />

I ordered the sample pulled from storage<br />

<strong>and</strong> subjected it to a more detailed profiling.<br />

The new report turned up a fair amount of radiation<br />

damage—nothing that couldn’t be repaired,<br />

but highly indicative of time spent in<br />

the rocks. More suspect were the splices:<br />

well-known segments of artificial DNA with<br />

no actual function. They’d been devised as<br />

copyright marks, but they’d been adapted for<br />

use as placeholders that could throw off a basic<br />

DNA match. It was possible Shay had inherited<br />

the splices, but a smart amateur with<br />

the proper molecular toolkit could easily<br />

achieve the result.<br />

The two reports I’d requested earlier had<br />

come back while I was working. The radio<br />

map failed to show any consistent point<br />

source of chatter in the sector Chaladur had<br />

been prospecting, but the list of the dead was<br />

more interesting. It was longer than I expected:<br />

a hundred ninety-seven who’d had to be<br />

restored from backups. Most had died of injuries<br />

or air loss, with a few suicides in the<br />

mix. Nearly all the bodies had been recovered<br />

<strong>and</strong> the organics recycled.<br />

A single exception caught my eye. Thirtytwo<br />

years ago a prospecting boat had disappeared<br />

with its crew of three. No one had<br />

ever reported sighting the ghost ship. No<br />

word had ever come of its crew.<br />

The radiation damage in Shay’s DNA sample<br />

had indicated a long time spent in the rocks.<br />

I sent a DI hunting information on the missing<br />

crew—<strong>and</strong> in seconds it returned an initial<br />

report: only one of them had been female,<br />

her name was Mika Brennan, <strong>and</strong> the last time<br />

62 LINDA NAGATA


the local database had been synced with the<br />

Commonwealth central library, the version of<br />

her that had been restored from backup was<br />

living with her family in one of the oldest celestial<br />

cities, Eden-2. I compared her video ID<br />

with that of Shay Antigo <strong>and</strong> found marked<br />

differences. Mika’s face was more slender, her<br />

features sharper than Shay’s, her eyes green<br />

not gray . . . but people changed their features<br />

all the time.<br />

I wanted to hear what the surviving Mika<br />

Brennan knew about her long-ago disappearance.<br />

So I generated a ghost within my atrium<br />

<strong>and</strong>, leaving my physical presence behind to<br />

continue searching the historical records, I<br />

passed through the station’s data gate.<br />

There is no awareness during the journey<br />

between data gates <strong>and</strong> none in the receiving<br />

platform. It’s like stepping through a door,<br />

from one world to another. In my next moment<br />

of awareness I existed in a virtual reality<br />

within Mika Brennan’s atrium, one that perfectly<br />

reflected the hard reality around her.<br />

Most people get nervous when a cop<br />

comes to talk to them. Mika Brennan only<br />

seemed perplexed. “Officer Zeke Choy?” she<br />

asked, her head cocked to one side. “The request<br />

said you had questions? About my<br />

death?”<br />

We were in a park in Eden-2. Not far away,<br />

two young girls were climbing boldly through<br />

a jungle tree. They shared Mika’s lean features,<br />

her thick, dark hair, <strong>and</strong> the deep,<br />

clove-brown color of her skin. “Mommy,<br />

watch!” one of them shouted.<br />

My ghost existed within Mika’s atrium. I<br />

was written onto her reality, so that from her<br />

perspective, I was as solid <strong>and</strong> real as the two<br />

kids—but from the kids’ perspective I did not<br />

exist. At best, I was a phantom that only<br />

Mommy could see.<br />

“I’m talking,” she called back to them.<br />

“We’ll play in a minute.” Then she cocked an<br />

eyebrow at me. “At least I hope you don’t<br />

plan to detain me?”<br />

“I’d like to hear the story of what happened<br />

to you out there. It might have some bearing<br />

on a current case.”<br />

“I went out there more than once, you<br />

know.”<br />

That surprised me, but then I hadn’t bothered<br />

to pull a complete dossier.<br />

OUT IN THE DARK<br />

JUNE <strong>2013</strong><br />

She nodded. “I don’t remember what happened<br />

that first time, of course. That branch<br />

of my existence ended. I presume there was<br />

an accident. After a couple of years with no<br />

word from me, no word of my ship, my parents<br />

sought permission to restore me from a<br />

backup made before I left.” Her gaze followed<br />

the progress of the girls as they clambered<br />

around the jungle tree. “It shook me up,<br />

knowing I’d died out there. But that other me,<br />

she’d sent a lot of video journals to my parents.<br />

I watched them, <strong>and</strong> I came to underst<strong>and</strong><br />

that I’d loved it out there in the raw,<br />

cold dark. We went places where no one had<br />

ever been, where no one was ever meant to<br />

be.” She grinned. “And anyway, she’d left me<br />

with a lot of debt. So I went out again, <strong>and</strong><br />

twelve years ago, I got lucky. We found a rock<br />

loaded with rare metals. Everything I owed to<br />

anybody was paid off, with wealth to spare,<br />

so I came home.” She nodded at the two kids.<br />

“And started the next phase of my life.”<br />

I asked her if she knew anything about indies<br />

living in holdings out in the rocks, raising<br />

families there. She snorted. “Fables. People<br />

like to tell stories, but that’s all they are. I remember<br />

one time, a couple, a man <strong>and</strong> a<br />

woman, were marooned on a rock. They did<br />

some excavating. Lived there a few months,<br />

while their ship self-repaired. And then they<br />

got the fuck out of there as soon as they<br />

could.” She looked up at me, with an open,<br />

honest gaze that I admired. “No one lives out<br />

there. Not that I ever saw, or heard, <strong>and</strong> I was<br />

out there more than twenty years.”<br />

I asked her if she’d ever go out again, <strong>and</strong><br />

she laughed, bright-eyed <strong>and</strong> buoyant.<br />

“Maybe. We have forever, don’t we? To do<br />

anything we want?” She turned again to the<br />

kids. “Not any time soon, though.”<br />

“So you didn’t leave a husk out there?”<br />

“No. You underst<strong>and</strong> . . . the years in microgee,<br />

the constant radiation. Even with ongoing<br />

repairs, the integrity of the husk is<br />

doubtful. If I ever go back, I’ll start fresh. I can<br />

afford a new husk. So I had my old one dissolved<br />

<strong>and</strong> the matter sold off. There’s nothing<br />

of me out there anymore.”<br />

Back at Sato Station, I started to pull Mika’s<br />

DNA record from her latest scan, but I hesitated.<br />

There were implications to what I might<br />

find. Mika could be drawn into this case, even<br />

63


ANALOG<br />

if she had no immediate involvement . . . but I<br />

needed to know what had happened, before<br />

I could know what to do—<strong>and</strong> I didn’t have<br />

to include everything I found in my final report.<br />

So I went ahead with it, comparing DNA<br />

samples from Mika <strong>and</strong> Shay. And I found<br />

what I expected: outside the spliced segments,<br />

<strong>and</strong> with some exceptions for radiation<br />

damage <strong>and</strong> repairs, they were a match.<br />

Somehow, the Mika who’d disappeared thirtytwo<br />

years ago had finally made it back from<br />

the dark.<br />

How had it happened? And had Officer<br />

Daoud Pana known the truth? Had Kiel Chaladur<br />

given him a cut of the profits for certifying<br />

Shay as an unknown citizen? Or had Pana<br />

been played?<br />

I’d been so sure of this case when I started,<br />

but I wasn’t sure anymore.<br />

I got up from the couch where I’d been<br />

working. Pana was in his office, talking to a<br />

ghost I couldn’t see, but he turned his attention<br />

to me when I looked in the doorway.<br />

“I’m leaving.”<br />

“Did you find anything?” he asked in a cold<br />

voice. “Should I start preparing a defense?”<br />

“I’ll let you know.”<br />

It was time for me to go to Mars.<br />

On Sato Station I returned my husk to cold<br />

storage, <strong>and</strong> a moment later in my perspective,<br />

I opened the eyes of another husk, this<br />

one in the mausoleum in Confluencia, the<br />

largest city on Mars.<br />

Confluencia was a good place for someone<br />

with a questionable identity to disappear. The<br />

city snaked for hundreds of miles through<br />

Mariner Valley <strong>and</strong> the Martians weren’t big<br />

on security, so no gates existed between the<br />

city’s districts. A person could live a hundred<br />

years in Confluencia <strong>and</strong> never be scanned.<br />

I wondered about her, this unknown, Shay<br />

Antigo, who was once Mika Brennan. What<br />

had she done out in the dark? How had she<br />

lost herself for so many years? And why had<br />

she finally chosen to come back . . . as someone<br />

else?<br />

The Martian husk was heavier than the one<br />

I usually used, adapted to a higher gravity, but<br />

it didn’t take long to master my balance, <strong>and</strong><br />

within minutes I was dressed <strong>and</strong> armed <strong>and</strong><br />

heading out into the city.<br />

In most parts of the Commonwealth, locating<br />

a citizen is a simple matter of having a<br />

city’s network of listening posts search for the<br />

ping of an ID chip, but the Martians of Confluencia<br />

liked their privacy, <strong>and</strong> the only listening<br />

posts were on the walls of government<br />

buildings. So I did the next best thing: I followed<br />

the money, requesting real time account<br />

activity for both Shay Antigo <strong>and</strong> Kiel<br />

Chaladur.<br />

In a city as vast as Confluencia, it’s impossible<br />

to go anywhere without constantly paying<br />

for transportation, <strong>and</strong> given that my quarry<br />

was newly flush with money <strong>and</strong> fresh from<br />

the austerity of the Belt, I expected to see frequent<br />

transactions mapping a bright electronic<br />

trail.<br />

To my surprise, it took more than an hour<br />

for the first transaction to occur, but a location<br />

was attached to it, a mall, a few kilometers<br />

down the valley.<br />

By the time I reached the mall, a second<br />

transaction put their location at a designer<br />

clothing store—<strong>and</strong> minutes later, I saw<br />

them. Kiel Chaladur looked taller <strong>and</strong> more<br />

robust than he had stepping off the Gold<br />

Witch at Sato Station, while Shay Antigo<br />

looked much the same, her hair still closecropped<br />

<strong>and</strong> her soft features suggesting<br />

nothing of Mika Brennan’s bold face.<br />

I didn’t need to talk to them right away. I<br />

was close enough to register the ping of their<br />

ID chips, <strong>and</strong> that made them easy to follow.<br />

So I tracked them through two more stores,<br />

then waited while they had a drink. Anything<br />

said or done in public was likely to be recorded,<br />

either by a security device or a passerby,<br />

<strong>and</strong> then all chance of discretion was gone. So<br />

I bided my time, <strong>and</strong> after an hour my patience<br />

was rewarded when Shay <strong>and</strong> Kiel disappeared<br />

through the lobby doors of a luxury<br />

hotel.<br />

I gave them a minute to get onto the elevator<br />

before I followed. The hotel yielded their<br />

room number, <strong>and</strong> before long a chime was<br />

announcing my presence at their door.<br />

No one answered, not for three minutes or<br />

more. I imagined the frantic, whispered conversation<br />

that must be going on inside as they<br />

considered why a Commonwealth police officer<br />

stood on their threshold. The door finally<br />

slid back to reveal Shay, gazing up at me with<br />

a sorrowful look.<br />

64 LINDA NAGATA


Asking no questions, she stepped aside—a<br />

gesture I took as an invitation to enter. Kiel<br />

stood on the balcony, a glass-encased ledge<br />

that overlooked the canyon as it wended<br />

south. His arms were crossed over his chest<br />

<strong>and</strong> from the look on his face, I knew that if<br />

there was no glass barrier there, he would enjoy<br />

throwing me over the precipice.<br />

The door whispered in its tracks, <strong>and</strong> as it<br />

closed my atrium informed me I was signaldead,<br />

cut-off from the network. I froze in<br />

shock—though I should have expected it.<br />

This was a luxury hotel, offering the best, including<br />

electronic privacy, <strong>and</strong> Shay <strong>and</strong> Kiel<br />

were fugitives.<br />

I sent a gel ribbon gliding down my arm,<br />

wondering what else they were willing to do<br />

to protect themselves.<br />

Shay circled around me, keeping her eyes<br />

fixed on me as she gave me a wide berth.<br />

“What was I supposed to do?” she asked me<br />

in a desperate voice.<br />

“What did you do?” I wondered.<br />

“I came in from the dark. That’s all.”<br />

“So it is you? Mika Brennan. How much did<br />

Officer Pana make you pay for your new identity?”<br />

My DI confirmed the confusion I saw on<br />

her face. “It wasn’t like that—”<br />

“And her name is Shay Antigo,” Kiel interrupted,<br />

stepping in from the balcony.<br />

“Kiel, please. You need to stay out of it.”<br />

He didn’t listen, no more than I would have<br />

in the same situation. “She is Shay Antigo. An<br />

unknown from the rocks. The cop at Sato<br />

confirmed it <strong>and</strong> we didn’t pay him a damned<br />

thing.”<br />

“It’s true,” Shay said. “There was no record<br />

of me in the system, because I came to life<br />

out there in the rocks.”<br />

The DI studied her, <strong>and</strong> to my surprise it<br />

did not suggest she was lying—but then, time<br />

changes the way we define ourselves. “You<br />

came to life after Mika Brennan died?” I asked<br />

her.<br />

“The prospector? I heard that story. It was<br />

a long time ago.”<br />

“She never went home.”<br />

“That’s not what I heard. I heard her family<br />

restored her from backup. I heard she made it<br />

home.”<br />

Kiel added, “I heard that too. I heard she<br />

made a fortune, <strong>and</strong> set up a life for herself.”<br />

OUT IN THE DARK<br />

JUNE <strong>2013</strong><br />

“A good life,” Shay added, tears glinting in<br />

her eyes. “A life I wish I’d had.”<br />

“What happened out there?” I asked her.<br />

She turned <strong>and</strong>, crossing the room, she<br />

sank slowly onto a sofa.<br />

“There was an accident.”<br />

Mika Brennan had been one of a crew of<br />

three, on a prospecting boat running on marginal<br />

resources. They’d found a comet remnant<br />

<strong>and</strong> knew their fortunes were made.<br />

Engines were fixed to the ice, but there were<br />

fault lines that they didn’t detect, <strong>and</strong> when<br />

the engines fired, a massive chunk of ice<br />

sheared away <strong>and</strong> struck the ship.<br />

“We lost all power,” Shay said. “The reactor<br />

was damaged. It was only a matter of time before<br />

the radiation killed us. But we figured if<br />

we could get back to the main ice fragment,<br />

eventually another prospector would come<br />

along <strong>and</strong> we’d be found.”<br />

So they wrestled cold sleep pods <strong>and</strong> a<br />

bivouac tent to the hopper bay. Mika jumped<br />

first, taking her pod with her. And because<br />

she was the lightest, she took the bivouac<br />

tent too. Her hopper was fully fueled, <strong>and</strong> she<br />

made it. Her companions didn’t. They overshot<br />

the ice, <strong>and</strong> had no fuel left to turn<br />

around.<br />

The three of them talked, until the distance<br />

was too great for the suit radios. Then Mika<br />

bolted her cold sleep pod to the ice. She set<br />

up the bivouac tent around it, inflating it with<br />

the last of her air reserve. Then she stripped<br />

off her suit, <strong>and</strong> before the cold could kill her,<br />

she climbed into the pod.<br />

“I thought it’d be a year or two before I was<br />

picked up. But it was thirty-one years until<br />

Kiel <strong>and</strong> his crew found me, <strong>and</strong> by then I<br />

didn’t exist anymore. I mean, the Mika Brennan<br />

of thirty-two years ago, she no longer existed<br />

in the Commonwealth. It was too late<br />

for me to go home.”<br />

“Shay’s harmed no one,” Kiel said gruffly.<br />

“She’s done no wrong.”<br />

I wished that was true. “She lied about her<br />

name.”<br />

Shay wasn’t going to give in easily. “It<br />

wasn’t a lie! That name didn’t belong to me<br />

anymore—<strong>and</strong> you know what would have<br />

happened if I tried to take back my life.”<br />

I didn’t answer right away. Instead, I<br />

walked out to the balcony, thinking about the<br />

65


ANALOG<br />

choice she’d had to make. She could have<br />

claimed her true name. It was her right. She<br />

could have seized back the life of Mika Brennan,<br />

but she’d chosen not to.<br />

I felt a shy touch against my arm <strong>and</strong> looked<br />

down, surprised to see that Shay had followed<br />

me. “She’s the version of me that my parents<br />

know. She’s the one my brothers <strong>and</strong> sisters<br />

love. She’s the mother of my children. For<br />

thirty years we’ve grown apart, <strong>and</strong> it’s too<br />

late now to ever put us back together.”<br />

Shay was right, of course. A ghost can join<br />

its memories to its progenitor, but only for a<br />

while. As they grow apart, it becomes impossible<br />

to meld one mind with another. But in<br />

the Commonwealth, individuals are allowed<br />

only one physical copy of themselves.<br />

“If I took back my name,” Shay said, “I’d<br />

take her life away. Do you think my family<br />

would even want me if I could do a thing like<br />

that?”<br />

“You know it doesn’t work that way,” I told<br />

her.<br />

We all want to see shades of meaning in<br />

what we do, but Commonwealth law is absolute.<br />

It’s concerned with limits, not justice.<br />

“You were first,” I said. “She was second.<br />

Under the law, that makes her an illegal<br />

copy.”<br />

“No, she was approved. There was a legal<br />

certification.”<br />

“Based on the assumption of your death,<br />

but you’re not dead. She’s the backup, so you<br />

have precedence. You knew it. That’s why<br />

you decided to disappear.”<br />

Shay stared out at the sprawl of gleaming<br />

towers <strong>and</strong> the canyon’s seemingly infinite<br />

walls. Kiel came to st<strong>and</strong> on her other side.<br />

He took her h<strong>and</strong>.<br />

“What was I supposed to do?” she asked<br />

me—that same question she’d met me with<br />

when I first came in the door. Only this time,<br />

there was steel in her voice, the stern conviction<br />

of a woman who’d survived out in the<br />

dark, alone. “I gave Mika my life. I didn’t ask<br />

for it back. I just wanted my own.”<br />

“And Officer Pana gave it to you.”<br />

“He’s a good cop,” Kiel said. “With a reputation<br />

for playing fair. Not like the jackboot<br />

cops of the inner system.”<br />

I wasn’t going to argue. Pana had done a<br />

better job than me. Sometimes, being a good<br />

cop means knowing when to stop asking<br />

questions.<br />

I’d been so determined to prove that Pana<br />

had been paid off, I’d followed this case too<br />

far. If I reported what I knew, the life of Mika<br />

Brennan, resident of Eden-2, would be forfeit<br />

as an illegal copy of a living person. And<br />

when she was gone, Shay would be tried <strong>and</strong><br />

convicted of counterfeiting her identity, <strong>and</strong><br />

she would be executed for it. Hardly a just reward<br />

for what she’d been through, <strong>and</strong> what<br />

she’d given up.<br />

I drew a breath <strong>and</strong> let it out slowly. “The<br />

radiation out there in the dark,” I said. “It<br />

damages the DNA. The repair programs . . .<br />

sometimes it seems like they’re copying patterns<br />

from the wrong DNA source.”<br />

“Like a cousin or something?” Kiel asked<br />

tentatively. “Even a sibling?”<br />

“Like that,” I agreed.<br />

Daoud Pana had known the truth, I didn’t<br />

doubt it, <strong>and</strong> he’d chosen to let Shay through<br />

the station gate because it was the right thing<br />

to do. Now I’d entered into his conspiracy.<br />

I turned <strong>and</strong> walked back across the hotel<br />

room. The door opened at my touch. I felt my<br />

connection restored. Looking back at Shay<br />

<strong>and</strong> Kiel, I saw they were still st<strong>and</strong>ing together<br />

on the balcony. “Thank you for answering<br />

my questions,” I said. “Assessments<br />

such as this one help us maintain the integrity<br />

of our officers. My report will state that,<br />

based on the evidence, Daoud Pana followed<br />

procedure <strong>and</strong> made the right call. This case<br />

is closed.”<br />

I took a step into the hall before I thought<br />

to turn back. “And welcome to the Commonwealth,<br />

Shay Antigo. I think you’ll like it<br />

here.”<br />

“Better than the rocks,” she allowed, in<br />

whispery relief.<br />

I nodded <strong>and</strong> went on my way.<br />

In my mind I started composing my report.<br />

I would have liked to open it with the truth:<br />

that strange things happen out in the dark.<br />

But I don’t want anyone else to get curious<br />

<strong>and</strong> start digging into this story . . . not<br />

until the law is changed—<strong>and</strong> that will happen.<br />

It must. ■<br />

Editor’s Note: This story is a sequel to<br />

“Nahiku West.” (October, 2012)<br />

66 LINDA NAGATA


The story so far:<br />

The planet meets no one’s idea of paradise.<br />

Its gravity is oppressive <strong>and</strong> its climate cold.<br />

Oxygen is thin <strong>and</strong> the carbon-dioxide level<br />

is almost toxic.The terrain is bleak beneath<br />

sunlight scarcely half as bright as on Earth,<br />

<strong>and</strong> the local biota have yet to make the<br />

great leap to l<strong>and</strong>. For several good reasons,<br />

Blake Westford has named this world<br />

Dark.<br />

Blake <strong>and</strong> wife Rikki Westford fly a shuttle<br />

from orbiting starship Endeavour to the<br />

first l<strong>and</strong>ing on Dark.Without experience<br />

how weather works here, they’re taken by<br />

surprise by a blizzard.And an avalanche ...<br />

Fade to almost seventy years earlier ...<br />

Blake, a ship’s engineer, <strong>and</strong> ship’s captain<br />

Dana McElwain, on a test flight in the Asteroid<br />

Belt, are urgently summoned home to<br />

Mars. Police impound Clermont, the ship<br />

Blake <strong>and</strong> Dana operate for Bradbury University.The<br />

police deliver Blake, Dana, <strong>and</strong><br />

their passenger, aerospace engineer Dr.<br />

Jumoke Boro, to the planetary governor’s<br />

residence.Astrophysicist Dr. Antonio Valenti<br />

explains that two co-orbiting neutron stars<br />

Dark<br />

Secret<br />

Part III of IV<br />

Edward M. Lerner<br />

“Those who do not learn from history . . .”<br />

But there’s a lot of history to choose from<br />

are at best a few years from spiraling into<br />

each other.Their cataclysmic collision will<br />

produce a gamma-ray burst. Or, rather, this<br />

has already happened, <strong>and</strong> lethal radiation<br />

will be following close behind the tell-tale<br />

gravitational waves.The GRB will obliterate<br />

life across the solar system.<br />

Working in secrecy lest the doomed populations<br />

panic, colony ships will be built using<br />

Jumoke’s Dark Energy Drive. But the<br />

DED is experimental at best. Clermont, into<br />

which the prototype drive has been installed<br />

<strong>and</strong> integrated, needs lots more check-out.<br />

Only Dana <strong>and</strong> Blake are trained to fly the<br />

ship <strong>and</strong> work out the DED’s bugs.As soon as<br />

the DED is made reliable, they’ll scout the<br />

path ahead to another star.They agree—if<br />

Blake’s wife can join them.<br />

As the distant neutron stars entered their<br />

death spiral, the gravitational waves intensified—ending<br />

all ambiguity. In months, not<br />

years, the GRB will arrive.There’s no time to<br />

complete any colony ships. Humanity’s last<br />

hope of avoiding extinction is Clermont.Neil<br />

Hawthorne, the governor’s aide, arrives at<br />

the spaceport where Blake <strong>and</strong> Dana oversee<br />

67


ANALOG<br />

Clermont’s retrofit for the scouting trip.<br />

Hawthorne brings Rikki, Antonio, <strong>and</strong> two<br />

kidnapped specialists: microbiology/nanotech<br />

expert Dr. Carlos Patel, <strong>and</strong> psychiatrist<br />

<strong>and</strong> family counselor Li Yeo, MD.<br />

Hawthorne also brings comm<strong>and</strong>eered critical<br />

supplies, including thous<strong>and</strong>s of frozen<br />

embryos <strong>and</strong> a few artificial wombs taken<br />

from an in-vitro fertilization clinic.<br />

To spare billions across the solar system<br />

from spending their final months under a<br />

cruel death sentence, the embryo theft must<br />

go unexplained. Hawthorne remains on<br />

Mars to take the blame, under the cover story<br />

of a cult stealing Clermont <strong>and</strong> the embryos<br />

for a utopia to be built in the outer<br />

solar system. Clermont (carrying Blake, Rikki,<br />

Dana, Antonio, Carlos, <strong>and</strong> Li) evades<br />

pursuit by Space Guard cutters determined<br />

to recover the stolen embryos.<br />

At Li’s recommendation, as a morale<br />

builder, the six refugees rename Clermont.<br />

They choose Endeavour, emblematic of ambition<br />

<strong>and</strong> new beginnings. Studying their<br />

route to Alpha Centauri, Antonio discovers a<br />

relic of the Big Bang: a cosmic string.He confesses<br />

that escaping the GRB is the best-case<br />

scenario, scarcely possible within the error<br />

margins of his observations. But there’s new<br />

hope, from an old astrophysical speculation<br />

that along a cosmic string the speed of light<br />

might exceed normal.They alter course,<br />

headed for the string, <strong>and</strong> h<strong>and</strong> off navigation<br />

to Marvin, the shipboard artificial intelligence.The<br />

crew enters hibernation for the<br />

long journey, wondering if the GRB will kill<br />

them as they sleep.<br />

They awaken in galactica incognita, fortunate<br />

to be alive.The cosmic string had complexities<br />

beyond the assumptions of Marvin’s<br />

navigational programming, as a consequence<br />

of which they’ve been traveling for<br />

forty-five years! Their velocity along the<br />

string topped out at thirty-nine times (normal)<br />

light speed.Sometimes, to prevent being<br />

drawn into the string, Marvin had needed<br />

Endeavour’s back-up fusion drive as well as<br />

the DED.Their deuterium tanks are all but<br />

drained. Bearings taken on distant pulsars<br />

locate them on the far side of the Coal Sack<br />

Dark Nebula, more than 700 light-years<br />

from home.Only home is gone forever ...<br />

While Antonio searches nearby stars for<br />

habitable planets, Li plays mind games:<br />

—With Antonio (whose Asperger’s Syndrome<br />

makes any social interaction<br />

painful), Li uses the anticipation of responsibility<br />

for thous<strong>and</strong>s of children.<br />

—With Carlos (middle child; orphaned<br />

young;lost among his foster family;Peter Pan<br />

Syndrome with an adolescent fixation on<br />

sex), Li dangles prospects of a sexual relationship.<br />

—With Dana (retired Space Guard search<strong>and</strong>-rescue<br />

pilot; ever duty-bound), Li intimates<br />

the many ways in which the captain<br />

is unfit to found <strong>and</strong> lead a civilization.<br />

—With Rikki (insecure, painfully aware<br />

that she wasn’t brought along for her skills,<br />

oppressed by survivor’s guilt), Li flirts with<br />

Blake, Rikki’s lone anchor.<br />

—With Blake (devoted to his wife), Li exploits<br />

his worries about Rikki’s frame of<br />

mind.<br />

Li has her own unresolved issues. She<br />

broods about: her relationship with her<br />

mother; a messy romantic break-up; <strong>and</strong> the<br />

sc<strong>and</strong>al that almost ensued.As a California<br />

state legislator, Mother had the connections<br />

to suppress the sc<strong>and</strong>al <strong>and</strong> save Li’s practice<br />

<strong>and</strong> medical license. Intercession came at a<br />

price: Li’s emigration to Mars, so as never<br />

again to embarrass Mother. Li was ashamed<br />

to learn that her famously liberal mother<br />

had, in fact, a Victorian streak.<br />

Carlos almost died during the long cold<br />

sleep <strong>and</strong> starts drinking. He needs liquid<br />

courage to return to the cold-sleep pod when<br />

the only c<strong>and</strong>idate world is fourteen lightyears<br />

distant.After “only” twenty-four years<br />

this time, Endeavour reaches the new solar<br />

system.<br />

The crew discusses names for planets,<br />

moons, <strong>and</strong> geographical features. Li had,<br />

with her typical subtlety, maneuvered Dana<br />

into proposing this conversation—<strong>and</strong> the<br />

debate is divisive. Names offer a way to acknowledge<br />

aspects of human heritage, <strong>and</strong><br />

preferences reflect philosophical differences.<br />

From Li’s nominations, Antonio infers an<br />

authoritarian leaning.Does Li hope to install<br />

the crew as the new civilization’s aristocracy?<br />

Herself as its philosopher queen?<br />

Li insists that they name their future<br />

home world. Goading the crew, pushing too<br />

hard, she is conditioning them to believe she<br />

68 EDWARD M. LERNER


isn’t subtle.There are six crew <strong>and</strong> six planets;<br />

to end the arguments, they’ll each name<br />

one planet. Blake draws the lot to name the<br />

world on which they will live. He chooses . . .<br />

Dark.<br />

Blake <strong>and</strong> Rikki take a shuttle to the first<br />

c<strong>and</strong>idate settlement site (reference the opening<br />

scene).<br />

Blake escapes the avalanche <strong>and</strong> rescues<br />

Rikki.After treatment aboard Endeavour for<br />

frostbite <strong>and</strong> exposure, they return to Dark.<br />

They find a location with caves for shelter,<br />

an inl<strong>and</strong> sea for deuterium, <strong>and</strong> a broad<br />

river delta whose sterile silt offers a head<br />

start toward developing soil.<br />

With colonization imminent, Li recalls her<br />

mother’s ineffectiveness in the California<br />

state legislature—<strong>and</strong> Li’s own failed electoral<br />

efforts.Li is determined to wield power.<br />

She challenges Dana to ground the ship, to<br />

commit the ship as an electrical generator<br />

<strong>and</strong> emergency shelter, knowing the request<br />

will make Dana determined to keep Endeavour<br />

flying. Dana flitting about the solar system<br />

is Dana removing herself as a rival for<br />

authority.<br />

Among Dark’s many differences from terrestrial<br />

norms, its biology uses arsenic instead<br />

of phosphorus.Dark’s algae mats won’t<br />

serve as feedstock for synthesizer vats without<br />

new supplies of phosphorus.As a better<br />

feedstock, they start growing earthly bacteria.<br />

Living in caves, living on slime, running<br />

out of phosphorus . . . they’re off to a discouraging<br />

start.<br />

By a month after L<strong>and</strong>ing Day, Dana <strong>and</strong><br />

Blake have found a phosphate-rich asteroid.<br />

Rikki, nonetheless, is deep in depression—<br />

pushed there by Li’s skilled <strong>and</strong> subtle interventions.<br />

Rikki, become Li’s puppet, is<br />

maneuvered into challenging Li to hurry up<br />

<strong>and</strong> start bringing children into the colony.<br />

Before Li “allows” herself to be convinced<br />

they’re ready, she’s extracted everyone’s<br />

promise to serve at her beck <strong>and</strong> call.<br />

Whether stockpiling diapers or at midnight<br />

feedings, the rest will serve her.Whenever it<br />

suited Li, she could send off Dana <strong>and</strong> Blake<br />

to gather some obscure trace element. Li<br />

thinks: This, Mother, is how one exercises<br />

power.<br />

DARK SECRET<br />

* * *<br />

DYSTOPIA<br />

(Spring, Year Four)<br />

JUNE <strong>2013</strong><br />

Chapter 27<br />

Beneath a sullen teal sky, under the pitiless<br />

glare of an alien sun, Blake plodded<br />

forward. No matter the ceaseless wind,<br />

despite the remnants all around of the<br />

spring’s latest unseasonable snowfall, he<br />

dripped with sweat. He was as tanned as a walnut,<br />

as filthy as mud, as exhausted as . . . as . . .<br />

Words failed him.<br />

Somewhere beyond the too distant horizon<br />

his destination beckoned. If only he could<br />

reach it. If only he could see his goal. If only<br />

he could spare a moment to rest. If only he—<br />

To a flourish of trumpets, he shuddered<br />

awake.<br />

Bach? McCartney? Copel<strong>and</strong>? Some centuries-ago<br />

composer. A way to keep alive a bit<br />

of the culture they had left behind, that Li insisted<br />

it was important for them to cherish.<br />

Most mornings, the r<strong>and</strong>om selection was<br />

okay.<br />

This was just a discordant bleat.<br />

“I’m up,” Blake croaked, so Marvin would<br />

kill the noise. “Lights on dim.”<br />

At Blake’s side, Rikki tugged the blankets<br />

over her head.<br />

“Time to get up, hon,” he said softly, sitting<br />

up.<br />

She burrowed deeper.<br />

“We have things to do.”<br />

“Yeah.” She threw aside her covers, but required<br />

a minute to summon the energy to stir<br />

further.<br />

Blake understood. He hadn’t felt rested<br />

since . . .<br />

Since Eve arrived.<br />

After willing themselves from bed, he <strong>and</strong><br />

Rikki quickly showered <strong>and</strong> dressed. Outside<br />

their concrete cabin, the dawn air had a chill<br />

to it. At the height of summer, mornings<br />

would have a chill to them.<br />

The sun had yet to clear the horizon. Almost<br />

as baleful as in his dream, the dawn light,<br />

blood-red, blazed down the settlement’s lone<br />

street.<br />

Red sky in the morning, sailor take warning,<br />

the ditty bubbled up from his subconscious.<br />

What about a sun that ever verged on<br />

red? What about a greenish sky?<br />

Blake turned toward the dining hall. Rikki, a<br />

69


ANALOG<br />

wistful look in her eye, faced the other way,<br />

toward the much larger but no less utilitarian<br />

squat concrete box that was the childcare center.<br />

What the hell, they could gobble breakfast.<br />

It was only fuel, best not noticed.<br />

“We can spare a few minutes,” he told her,<br />

offering his h<strong>and</strong>.<br />

Rikki led them down Main Street, the rutted<br />

path there was never the time or the resources<br />

to pave, into the childcare center. A<br />

broad corridor, its inner wall all one-way glass,<br />

enclosed the facility on all four sides. They<br />

paused first outside the gestation room, its<br />

glow panels still night-dim. On forty-eight<br />

empty wombs, READY lights shone a steady<br />

green. Carlos expected to have another ten or<br />

more units finished soon.<br />

On a rear-wall display, above <strong>and</strong> behind<br />

the wombs, counters ticked down toward<br />

Family Day. Forty-five days . . .<br />

Around the corner, in the gallery outside<br />

the nursery, he <strong>and</strong> Rikki tarried longer. In<br />

twenty-seven glass-enclosed cribs, eerily<br />

hushed, babies slept, or stirred, or fussed. The<br />

little ones only seemed silent; so that they<br />

would not disturb each other, noise cancellers<br />

in each enclosure masked most sounds.<br />

Though the babies varied in size, they were almost<br />

identical in age: about four months.<br />

Through sensors wired into the cribs, Marvin<br />

watched, listened, <strong>and</strong> sniffed ceaselessly<br />

for any hints of distress. From displays at the<br />

foot of each crib the AI’s smiling animation<br />

would be beaming down, crooning or speaking<br />

soothingly to each infant as it (or rather,<br />

Li’s verbal generalities turned by Carlos into<br />

updated programming) deemed appropriate.<br />

Antonio, passed out on the room’s rumpled<br />

cot, an out-flung arm trailing on the floor, remained<br />

on duty for whenever the AI needed<br />

h<strong>and</strong>s or suspected a problem. To judge by<br />

the line-up of empty formula bottles on the<br />

table along the wall, <strong>and</strong> the overflowing diaper<br />

pails, Antonio had had a long night.<br />

As Rikki reached for the doorknob, Blake<br />

said, “Don’t. You’ll wake Antonio.” Who, like<br />

Dana, was old enough to be a gr<strong>and</strong>parent. In<br />

a fairer world, neither would be expected to<br />

pull all-nighters like this.<br />

Rikki jerked back her h<strong>and</strong>, looking sad <strong>and</strong><br />

relieved. “It’s so . . . cold.”<br />

Impersonal, she meant. “I know,” he told her.<br />

And yet inescapable. He nudged her around<br />

another corner <strong>and</strong> they peeked in on the toddlers.<br />

Marvin kept watch here, too.<br />

Most here were awake, playing <strong>and</strong> babbling<br />

in their cribs. By accident or with insight,<br />

a few had opened the refrigerated<br />

compartments in their cribs <strong>and</strong> helped themselves<br />

to formula bottles. Antonio would be<br />

along soon—roused by Marvin, if need be—to<br />

help those who hadn’t managed to feed themselves.<br />

And to change diapers. Lots of diapers.<br />

Rikki reached for the knob of this door, too.<br />

Once inside, she wouldn’t leave without first<br />

rocking, cuddling, <strong>and</strong> cooing over each of<br />

the twenty-six.<br />

If any child would let her. A haunted expression<br />

told Blake she, too, feared their recoiling.<br />

“We need to get a move on,” he said, not<br />

meeting her eyes.<br />

Around the final corner they looked in on<br />

the oldest children. This room had no cribs;<br />

mattresses resting directly on thickly padded<br />

carpet hid much of the floor.<br />

Eleven of these children were just shy of<br />

three st<strong>and</strong>ard years. Some played, as often<br />

side by side as with one another. A few<br />

rammed around, bouncing off padded walls<br />

<strong>and</strong> each other. Three sat in a corner staring at<br />

an animation with images of colored toys.<br />

When Blake pressed an intercom button, Marvin<br />

was teaching numbers. From other wall<br />

displays, Marvin’s avatars praised, cajoled, <strong>and</strong><br />

chided its charges.<br />

Then there was the oldest cohort. The<br />

guinea-pig generation.<br />

Blond, blue-eyed Eve, by almost a day the<br />

gr<strong>and</strong>e dame of the Dark-born, was loading a<br />

tray with snacks. Castor, burly <strong>and</strong> intense,<br />

was piling plastic blocks. Pollux, his black hair<br />

a tousled mess, frowning, sat hunched on one<br />

of the room’s tiny toilets.<br />

The trio struck Blake as wise—or was it<br />

wizened?—beyond their five st<strong>and</strong>ard years.<br />

He tried to remember when he had seen<br />

any of them smile. And he pretended not to<br />

notice Rikki brushing a tear from her cheek.<br />

This . . . factory was no way to raise children,<br />

but how else could six adults cope? And<br />

duty dem<strong>and</strong>ed they bring yet more children<br />

into the world, while growing food for everyone.<br />

70 EDWARD M. LERNER


“Let’s get some breakfast,” he said gently.<br />

Rikki nodded, too choked up to speak.<br />

When they retraced their steps through the<br />

gallery, Antonio was up, yawning, a red-faced,<br />

bawling baby in his arms. From another room,<br />

furtive scrabbling sounds announced that at<br />

least some of the lab mice had awakened, too.<br />

But not Li: they found her in the ICU, dozing<br />

in a chair, her mouth fallen open. Her patient,<br />

asleep in the room’s single occupied isolette,<br />

was sticklike, its joints misshapen. Li had not<br />

had any explanation beyond, “It happens.”<br />

She works harder than all of us, Blake<br />

thought. And she can’t leave the settlement,<br />

can’t ever stray more than a few steps from<br />

the children.<br />

The moment of empathy almost kept Blake<br />

from not dreading the remainder of his day.<br />

Breakfast was as best-ignored as usual. He<br />

<strong>and</strong> Rikki scarcely overlapped with Carlos <strong>and</strong><br />

Dana, heading out that morning on a quick<br />

flight to gather more phosphates. Carlos<br />

swigged from a tall glass; Blake guessed that<br />

the synthed orange juice was laced with vodka.<br />

“We can’t have too much phosphate,” Li<br />

had said again <strong>and</strong> again, when she wasn’t<br />

pushing them to stockpile other minerals <strong>and</strong><br />

trace elements. “If Endeavour ever breaks<br />

down . . .”<br />

And she was right, although phosphates<br />

half-filled their largest storehouse.<br />

Until recently it had been a full warehouse.<br />

The crush of snow from the winter’s final<br />

storm had buckled the roof; three days of torrential<br />

rain only the week before had washed<br />

away half their reserves.<br />

Blake missed robins as the first sign of<br />

spring.<br />

He <strong>and</strong> Rikki packed lunches, grabbed a<br />

tractor from the garage, <strong>and</strong> trundled down<br />

Main Street. Past storehouses <strong>and</strong> workshops.<br />

Past a massive, deeply buried bunker, showing<br />

only its roof <strong>and</strong> slanted double doors. It safeguarded<br />

their most precious treasures: embryo<br />

banks, both human <strong>and</strong> animal, <strong>and</strong> seed<br />

bags, <strong>and</strong> Marvin’s servers. Past their other<br />

bunker, housing a fusion reactor. Past the<br />

ethanol-fueled, steam-powered generator that<br />

backstopped the reactor, <strong>and</strong> the ethanol refinery.<br />

Past the chemical fertilizer plant <strong>and</strong> its<br />

noxious odor. Past the chicken coop, with its<br />

DARK SECRET<br />

JUNE <strong>2013</strong><br />

clacking, clamoring occupants <strong>and</strong> their<br />

worse than noxious stench. Past the glasswalled<br />

hydroponics conservatory <strong>and</strong> its<br />

touches of terrestrial greenery. Past the<br />

foundry in which he had fabricated, among<br />

many things, parts for this tractor.<br />

Past twelve headstones <strong>and</strong> twelve heartbreakingly<br />

tiny graves.<br />

Gravity’s effects on gestation? Local toxins?<br />

Radiation damage from the long voyage? Li<br />

couldn’t always tell, <strong>and</strong> that meant they<br />

could expect to lose more children.<br />

They drove in silence down to the silt<br />

plains.<br />

To the roar of the tractor engine, Blake began<br />

tilling. The throbbing of the motor ran up<br />

the steering column, out the steering wheel,<br />

into sore h<strong>and</strong>s, aching arms, <strong>and</strong> tense shoulders.<br />

Despite gloves <strong>and</strong> b<strong>and</strong>ages, he kept<br />

popping blisters faster than med nanites could<br />

heal them. He felt about a hundred years old.<br />

The stiff morning breeze off the Darwin Sea<br />

whipped across the Spencer River Delta, pelting<br />

him with grit <strong>and</strong> roiling the dust plume<br />

that trailed behind the tractor for a good fifty<br />

meters. Should he plow the lifeless silt with or<br />

across the prevailing wind? Follow the contours<br />

of the l<strong>and</strong>scape? He had no idea, <strong>and</strong><br />

Marvin’s databases, though rife with esoteric<br />

botanical theory, offered little practical how-to<br />

to enlighten him. Last year’s trials with silt <strong>and</strong><br />

fertilizer in a few pots <strong>and</strong> planters, as encouraging<br />

as they had been, suggested nothing<br />

about plowing techniques. So Blake changed<br />

course every few rows, putting in furrows<br />

every which way. When the crops came in—if<br />

the crops came in—he would have a better<br />

idea for next year.<br />

Not that Marvin’s knowledge wasn’t useful:<br />

it showed they had dodged a bullet. Their<br />

seeds, all varieties gengineered for Mars, fixed<br />

nitrogen directly from the atmosphere. Blake<br />

hadn’t taken biology since high school, so<br />

maybe he’d forgotten that unmodded crops often<br />

depended upon nitrogen-fixing bacteria in<br />

the soil. More likely, he had never known it in<br />

the first place. Inner-city curricula didn’t<br />

dwell much on farming.<br />

Rikki plodded along behind the tractor,<br />

h<strong>and</strong>-planting the field row by row <strong>and</strong> labeling<br />

test plots. When she had tired of stooping<br />

<strong>and</strong> he of the shuddering of the tractor, they<br />

swapped places. The windborne silt by then<br />

71


ANALOG<br />

had turned them both a dusky gray.<br />

Except by shouting, they couldn’t make<br />

themselves understood over the roar of the<br />

tractor. He resented the noise <strong>and</strong> fumes, but<br />

the ridiculous internal-combustion engine was<br />

dependable <strong>and</strong> easy to maintain. There was<br />

no use complaining about it.<br />

As there was no use complaining that babies,<br />

like wheat <strong>and</strong> corn <strong>and</strong> even slime<br />

ponds, must be scheduled just so, the winter,<br />

labor-intensive crop of newborns timed to arrive<br />

after the harvest of the weather-dependent<br />

crops. Or about the cookie-cutter<br />

“parenting” largely outsourced to Marvin.<br />

Only realism did nothing to ease the pain.<br />

He had seen the hurt again that morning in<br />

Rikki’s eyes. The yearning, the ache, the need<br />

to bear her own child. Their child.<br />

Weeks earlier, he had sought out Li to ask<br />

about it. In private, because Li was the last<br />

person with whom Rikki would share anything<br />

personal. . . .<br />

“Bad idea,” Li had told Blake.<br />

“The gravity?” he had guessed.<br />

“The gravity. It causes constant skeletal<br />

strain, wear <strong>and</strong> tear on the joints, <strong>and</strong> constriction<br />

of the blood vessels.<br />

“Forty percent excess weight is nothing to<br />

sneeze it. That’s for you <strong>and</strong> me. For Rikki it’s<br />

almost four times the weight her body developed<br />

to h<strong>and</strong>le. Even with nanites <strong>and</strong> meds,<br />

it’s a struggle to keep her blood pressure controlled.<br />

Pregnancy would only exacerbate the<br />

problem.”<br />

“It would be uncomfortable?”<br />

Li had shaken her head. “Quite possibly fatal.”<br />

“Jesus! What about the girls who’ll be born<br />

here? When they’re old enough?”<br />

“I’m hopeful they’ll be able to carry babies<br />

to term, but we’ll have to wait <strong>and</strong> see. By<br />

then, maybe, I’ll have a better h<strong>and</strong>le on the<br />

situation, <strong>and</strong> better meds.”<br />

All the sacrifice, everything that the six of<br />

them had endured . . . it might still be all for<br />

naught? That was too horrifying to face, too<br />

cosmic. The personal tragedy was heartbreaking<br />

enough.<br />

With a lump in his throat, he had asked,<br />

“What do I tell Rikki?”<br />

“What I would tell her, if she’d been the one<br />

to consult me. The truth.”<br />

“I can’t. It would destroy her.”<br />

Li had stood there, head tipped, lost in<br />

thought. “There is another possibility. We may<br />

need to go this way eventually, anyway.”<br />

“Tell me,” he had dem<strong>and</strong>ed.<br />

“IVF. In vitro fertilization. Afterward we<br />

transfer the embryo to one of the wombs for<br />

gestation.”<br />

“Then I’ll say that.”<br />

“Okay.” It had come out skeptically.<br />

“Rikki wants a baby. We want a baby.”<br />

“Uh-huh.”<br />

Only Li had been right. When Blake<br />

broached the IVF option, Rikki had stormed<br />

from their home, slamming the door behind<br />

her.<br />

Suddenly glad for the engine’s roar, Blake<br />

tried to lose himself in work.<br />

Every selection of grain type, every depth of<br />

planting, every concentration of chemical fertilizer<br />

or chicken feces, was another experiment—performed<br />

with irreplaceable seeds.<br />

But trial <strong>and</strong> error was their only way to learn<br />

if <strong>and</strong> how fertilized silt would grow crops.<br />

He told himself that Dark had neither weeds<br />

nor plant parasites. And, having once mentioned<br />

those advantages to Rikki, he brooded<br />

about her rejoinder: for now.<br />

Evolution abhorred an ecological vacuum.<br />

Late that morning Antonio arrived on the<br />

opposite bank of the nearby river channel,<br />

driving the colony’s other tractor, to scatter diaspores<br />

from Carlos’s latest batch of designer<br />

lichens. Even the most advanced terraforming<br />

lichen varieties Endeavour had brought,<br />

gene-tweaked to tolerate the ubiquitous arsenic,<br />

would not produce useful depths of<br />

true soil sooner than in decades. A glacial<br />

pace, for an all but glacial planet . . .<br />

But Carlos <strong>and</strong> Antonio kept at it, as Blake<br />

<strong>and</strong> Rikki would on the silt plain, because the<br />

only large-scale food-producing alternative<br />

was the bacterial ponds. If nothing else, the<br />

lichens brought welcome splashes of color to<br />

the dreary countryside.<br />

Blake hated farming, if he could so dignify<br />

their as yet futile toiling in the dirt, but he<br />

loathed working the slimy ponds. That festering<br />

blanket of scum. That fetid, pungent<br />

stench.<br />

From the memory alone, he all but puked.<br />

The tractor sputtered <strong>and</strong> stopped. From its<br />

72 EDWARD M. LERNER


seat, Rikki called, “I’m ready to switch places<br />

again.”<br />

“I’m ready for lunch,” he countered, abusing<br />

the meanings of both ready <strong>and</strong> lunch.<br />

Antonio had ab<strong>and</strong>oned his tractor to h<strong>and</strong>pick<br />

specimens from a nearby gravel deposit.<br />

He had been gathering rocks, everywhere he<br />

went, since the onset of spring.<br />

Blake had not asked why, lacking the energy<br />

for another of the esoteric circumlocutions<br />

that with Antonio too often passed for an explanation.<br />

An answer might start with the Big<br />

Bang.<br />

“Join us for lunch?” Blake shouted, gesturing<br />

at the bobbing pontoon bridge that linked<br />

the delta to the shore.<br />

Antonio looked up, not quite in Blake’s direction.<br />

“No thanks. I’ve got things to do.”<br />

“What’s with the rocks?” Rikki called.<br />

“You’ll be sorry you asked,” Blake said sotto<br />

voce.<br />

But all Antonio offered, with his attention<br />

already returned to his collecting, was, “I<br />

don’t have postage stamps. Or . . . blueberries.”<br />

Through the colony’s array of safety cameras,<br />

Li watched the peasants traipsing home<br />

from their day’s toil. She never called them<br />

peasants, not aloud, but how else did one describe<br />

those bound to the l<strong>and</strong> to feed <strong>and</strong><br />

serve their master?<br />

She never called herself their master, either.<br />

It sufficed that at a subconscious level they<br />

knew. And anyway, she preferred Dark Empress.<br />

It had a certain cachet.<br />

Above the two-tractor caravan, the sky had<br />

turned foreboding. Then the clouds opened<br />

up <strong>and</strong> rain spoiled her view. She had to imagine<br />

them wet, muddy, <strong>and</strong> miserable.<br />

Well, the phosphate mines in the asteroid<br />

belt were dry enough.<br />

She could almost envy Carlos <strong>and</strong> Dana. Li<br />

would kill for a change of scenery, not to mention<br />

a break from this oppressive gravity. Appearing<br />

indispensable had its price.<br />

The caravan neared the edge of the settlement<br />

proper, the garage’s overhead door<br />

creeping upward at a radioed comm<strong>and</strong>. That<br />

was Li’s cue that someone, if not all three,<br />

would swing by soon to visit the children.<br />

Li closed her office door behind her. Whoever<br />

came would find her, brow furrowed,<br />

DARK SECRET<br />

JUNE <strong>2013</strong><br />

shoulders slumped, expression sad, examining<br />

one of the babies.<br />

Chapter 28<br />

Rikki lie bonelessly, eyes closed, head<br />

tipped back against the rim of the whirlpool<br />

tub, as the hot pulsing jets massaged away<br />

knots in her back, arms, <strong>and</strong> legs. Water <strong>and</strong><br />

electricity, if little else, they had in abundance.<br />

She let the fizzing water buoy her, let it persuade<br />

her, that for a few minutes, anyway,<br />

gravity’s cruel dominion had been overthrown.<br />

After hard labor from dawn to dusk, it<br />

wasn’t a bad way to end the day.<br />

Blake said, “You look like you’re only sleeping.”<br />

“Uh-huh.”<br />

“I’m going to get out now.”<br />

His voice rose in pitch, just a little, at the<br />

end of the announcement. Asking, without<br />

asking, “Unless you want to fool around?”<br />

“I’ll be along in a while,” she said.<br />

Eyes still closed, Rikki felt <strong>and</strong> heard the water<br />

slosh as he climbed from the sunken tub.<br />

Faint but brisk, she heard the whisper of fabric<br />

against skin as he toweled off, <strong>and</strong> the slapslap<br />

of bare feet on the concrete floor as he<br />

padded from the bathroom.<br />

Then she opened her eyes.<br />

Part of her even wanted sex: for the closeness<br />

to Blake. To know he still found her desirable,<br />

no matter that this godforsaken rock<br />

had turned her into a muscle-bound Amazon.<br />

To exorcise some of her pent-up anger.<br />

And that anger was why most of her didn’t.<br />

Couldn’t. Because what she truly craved, the<br />

ache more insistent with each passing day,<br />

was the feel of a child growing inside her.<br />

A host of med nanites would not allow that<br />

to happen. And Li would not permit that to<br />

change. “For your own good,” Rikki mimicked.<br />

“What’s that?” Blake called from the bedroom.<br />

“Sorry. Talking to myself again.”<br />

“It’s about time we head out for dinner,” he<br />

said.<br />

“Thanks.” She permitted herself several seconds<br />

more buoyant relief. “Okay, I’m getting<br />

out.”<br />

He stuck his head through the doorway<br />

with a comically exaggerated leer.<br />

“Maybe later,” she said.<br />

73


ANALOG<br />

* * *<br />

Beneath diamond-bright stars, shivering in<br />

the evening chill, Rikki <strong>and</strong> Blake scurried<br />

down Main Street to the communal dining<br />

hall. Celestial sparkles <strong>and</strong> the nip in the air<br />

shared a cause. Dark’s thin, dry air didn’t<br />

block much inbound starlight; it didn’t stop<br />

much of the day’s heat from reradiating back<br />

into space, either.<br />

She searched overhead for any hint of<br />

home. As always, the sky had nothing to offer<br />

her but alien constellations, many still unnamed,<br />

too-large moons, <strong>and</strong> the soul-sucking,<br />

inchoate darkness that was the Coalsack.<br />

“Make a wish,” Blake said.<br />

Turning toward him, studying the western<br />

horizon where he appeared to be looking,<br />

Rikki saw the meteor. Or a different meteor,<br />

because the sky was suddenly filled with faint<br />

streaks.<br />

“Done,” she said, trying to make her tone<br />

light. Alas, no mere wishing star would fix<br />

what ailed her.<br />

The meteor shower ended in seconds, eminently<br />

forgettable. Planets glimmered overhead,<br />

too, the brightest of them so close that<br />

with binoculars you could clearly see its Saturn-like<br />

rings. Back home, Ayn R<strong>and</strong>’s orbit<br />

would not have encompassed the inner edge<br />

of the Asteroid Belt; the local version of a Belt<br />

was shoehorned in between the gas giant <strong>and</strong><br />

Dark. Nearby asteroids meant nearby resources.<br />

And though they had been fortunate so far,<br />

logically that made Dark a shooting gallery.<br />

“I made a wish, too,” Blake said, waggling<br />

an eyebrow at her.<br />

She laughed. “It must be your lucky day.”<br />

“I’m not admitting anything, or it won’t<br />

come true.”<br />

The dining hall smelled wonderful. Rikki<br />

couldn’t place the aroma. Something different.<br />

Something she had not encountered in a long<br />

time. Carlos’s muttering, from inside the<br />

kitchen, revealed nothing. It was his turn to<br />

prepare dinner, <strong>and</strong> that somehow always entailed<br />

guzzling the synthed swill that served as<br />

cooking sherry.<br />

Wallpaper to her left <strong>and</strong> right showed an<br />

Earth forest; the wall straight ahead cycled<br />

through scenes of something from Marvin’s<br />

media library. She didn’t recognize the vid<br />

from its previews, <strong>and</strong> that didn’t surprise her.<br />

For those who stayed after dinner, the communal<br />

movie was the cook’s choice.<br />

Behind Rikki, a door opened with a squeak.<br />

Li said, “I guess tonight’s treat won’t be a surprise.<br />

Wow, that smells good.”<br />

“Roast chicken?” Blake asked in wonder.<br />

Because while they often had eggs, they<br />

had yet to eat meat. The priority remained expansion<br />

of the flock.<br />

It pained Rikki to have learned the proper<br />

name for a bunch of chickens. And that tomorrow<br />

she would be up before dawn to collect<br />

eggs, scatter bucketsful of feed<br />

pellets—dried, chopped bacterial mat—<strong>and</strong><br />

muck out the coop.<br />

Just as with cooking, they took turns caring<br />

for the chickens. Except Li. She refused to do<br />

anything so nonsterile lest one of the babies<br />

should need immediate care.<br />

Logical . . . <strong>and</strong> so convenient.<br />

“Some chickens got into a fight today,” Li<br />

said. “Marvin alerted me. Before I could get to<br />

the coop, one chicken was severely pecked<br />

<strong>and</strong> clawed. I had to put the bird down, <strong>and</strong><br />

saw no reason to let its meat go to waste.”<br />

“Fair enough,” Blake said with enthusiasm.<br />

Rikki sat at the dining-room table <strong>and</strong> Blake<br />

sat next to her. Li took the seat straight across<br />

from Blake.<br />

Just to bug me, Rikki thought. And it works.<br />

Even after she had finally satisfied herself that<br />

while Blake respected Li, he did not much like<br />

her.<br />

The door opened again, admitting the stragglers.<br />

“Sorry we’re late,” Antonio said. “Dana<br />

asked to look in on the children.”<br />

Did the little ones hate Dana, too? Did they<br />

avert their eyes, burst into tears, even back<br />

away, when Dana entered the nursery? Rikki<br />

was too ashamed of her failings ever to have<br />

asked.<br />

“Not a problem,” Li said. “But it’s good that<br />

you’re here.”<br />

“Do I smell chicken?”Dana asked.<br />

Li beamed. “You do.”<br />

So Queen Li means to take credit for a<br />

melee among the chickens? Despising the<br />

woman, Rikki changed the subject. “How was<br />

everyone’s day?”<br />

Antonio shrugged. “Another day. Another<br />

few calluses.”<br />

“About that chicken?” Dana prompted.<br />

As Li started to explain, Carlos emerged<br />

74 EDWARD M. LERNER


from the kitchen pushing a serving cart. With<br />

the gr<strong>and</strong> flourish of a magician, he raised the<br />

domed cover.<br />

The roast chicken’s skin was a crackly, golden<br />

brown. Clear juices oozed from punctures<br />

where he must have tested the bird’s doneness<br />

with a fork.<br />

Rikki’s mouth started to water.<br />

Nor did the feast end with the chicken. The<br />

greenhouse had contributed everything for a<br />

tossed salad: lettuce, tomatoes, peppers,<br />

onions, <strong>and</strong> cucumbers. There were baked<br />

potatoes, too, with synthed butter <strong>and</strong> dollops<br />

of faux sour cream. There were bowls of what<br />

looked like chocolate pudding.<br />

When Carlos began carving the chicken, his<br />

h<strong>and</strong>s were steady. If nothing else, the man<br />

could hold his liquor.<br />

What were they celebrating, Rikki wondered,<br />

beyond Li’s largesse with the bounty to<br />

which everyone but she contributed?<br />

“It’s a shame,” Rikki began, sadness <strong>and</strong> sudden<br />

anger commingling.<br />

Carlos stopped carving. Heads turned toward<br />

Rikki.<br />

“Tonight feels like a Sunday family dinner.<br />

Only there’s no family.”<br />

“We’re family,” Li said.<br />

“Of course,” Rikki said. “But I’m thinking<br />

bigger. I’m thinking of the children.”<br />

I’m thinking of bonding with them, or,<br />

rather, them bonding with us. Only Li doesn’t<br />

see it. Li spends her days with the children,<br />

<strong>and</strong> they love her just fine.<br />

Silence. Beneath the table, Blake gave Rikki’s<br />

knee a pat. Maybe he meant it as comfort.<br />

It felt patronizing.<br />

Forget your wish upon a star, fella.<br />

Rikki plunged ahead. “We don’t treat those<br />

kids—our kids—much different than the<br />

chickens in that egg factory down the street.<br />

We feed them <strong>and</strong> clean up after them like<br />

they’re on some sort of production line. Apart<br />

from regular baths, they might as well be<br />

chickens.”<br />

“Except that we don’t eat the children,”<br />

Carlos said dryly, as he resumed carving.<br />

Dana asked, “What do you have in mind,<br />

Rikki?”<br />

“Dinner is the only time we’re together,”<br />

she answered. “We should eat with the kids.<br />

We should let them hear genuine conversation<br />

among adults, not abdicate to Marvin teaching<br />

DARK SECRET<br />

JUNE <strong>2013</strong><br />

them to speak.” And so much else.<br />

“That’s seventy children.” Li answered in<br />

the slow, calm, reasoned manner that drove<br />

Rikki up the wall, in the affected tone of voice<br />

that reminded: I’m the professional here. That<br />

reminded: they love me. “This year we’ll add<br />

another sixty, more or less.”<br />

“And we want all of them to be civilized,”<br />

Rikki said. “Or they’ll be fighting like the<br />

chickens, too.”<br />

“Because during a sixteen-hour work day,<br />

on a short day, I would never think to speak to<br />

the children,” Li said.<br />

Spoken calmly <strong>and</strong> reasonably, damn the<br />

woman.<br />

“We control the rate of births,” Rikki said,<br />

“not the other way around. We shouldn’t”—<br />

we mustn’t!—“let an arbitrary decision shape<br />

how we bring up these kids.”<br />

“It’s not arbitrary,” Antonio said. “If we<br />

don’t . . . raise the children while we’re still<br />

alive, with firsth<strong>and</strong> knowledge of technology,<br />

culture, <strong>and</strong> civilization, they’ll be savages.<br />

If that should happen, they . . . won’t long outlive<br />

us.”<br />

Carlos again stopped carving to offer, “And<br />

we need genetic diversity.”<br />

More variety within your future harem, Carlos?<br />

Rikki bit her tongue. The children having<br />

children, no matter with whom, would not<br />

become an issue for years. She said, “They’ll<br />

be savages if we don’t slow down the pace, if<br />

we don’t invest the effort to make them something<br />

better.”<br />

If we don’t show them love.<br />

“I agree with Rikki on this,” Blake said.<br />

On this? What hadn’t made the cut?<br />

“I’ve made a suggestion,” Rikki said. “Let’s<br />

discuss it.”<br />

“We have discussed it,” Carlos said. “You’ve<br />

been told why it’s impractical to—”<br />

Dana cleared her throat. “Let’s discuss options<br />

first. We could bring a few kids every<br />

evening. Rotate them through, making sure<br />

each child sees something like a normal family<br />

setting at least once a month. See how they<br />

fare in a social setting. Learn how we have to<br />

adapt.”<br />

Blake’s pocket trilled; tonight was his turn<br />

on call. He took out the folded datasheet,<br />

glanced at it, <strong>and</strong> stood. “Sorry, people. Marvin<br />

needs h<strong>and</strong>s in the nursery.” He gazed<br />

with longing at the feast, not yet even on the<br />

75


ANALOG<br />

table. “So very sorry.”<br />

Faster than Rikki could offer, Li said, “We’ll<br />

save some dinner for you.”<br />

Rikki’s thoughts—<strong>and</strong> her gut—churned.<br />

H<strong>and</strong>s. That’s all we are to these children.<br />

What will they be like when they grow up?<br />

Once again, Carlos returned his attention to<br />

the chicken. Blake set off toward the kitchen,<br />

perhaps for something he could eat while at<br />

the childcare center. Antonio, taking a serving<br />

bowl from the cart, managed to knock the salad<br />

tongs to the floor. He headed to the<br />

kitchen for, presumably, another set. Dana<br />

studied the forest scene.<br />

The sudden silence was deafening.<br />

It was as though Rikki had never spoken. As<br />

though she weren’t even here. “We’re running<br />

the universe’s biggest, most impersonal orphanage,”<br />

she said.<br />

Leaning across the table, Li patted Rikki’s<br />

h<strong>and</strong>. “This isn’t about ‘the children,’ you<br />

know.”<br />

Rikki yanked away her h<strong>and</strong>. “Enlighten me.<br />

What is it about?”<br />

“A particular child.”<br />

A nonexistent child. Though Rikki hated to<br />

admit it, even to herself, Li might be right.<br />

There could be no denying the clanging of<br />

Rikki’s biological clock, but she refused to accept<br />

that she was a slave to it. She leaned back<br />

in her chair, trying to be objective, to separate<br />

motivations, to sort out her feelings. And ended<br />

up worried: Do I crave pregnancy for a<br />

sense of worth?<br />

Li was responsible for everyone’s health,<br />

from day-to-day bumps <strong>and</strong> bruises to reversing<br />

the endless complications that cropped up<br />

in the wombs, from everyone’s psychological<br />

wellbeing to assuring that their agricultural<br />

programs would satisfy the colony’s long-term<br />

nutritional needs.<br />

Dana had her ship to pilot, to keep them<br />

supplied with phosphates <strong>and</strong> metals <strong>and</strong><br />

everything else not readily found or mined on<br />

the ground. Blake had the ship to keep flying,<br />

<strong>and</strong> a thous<strong>and</strong> other gadgets from tractors to<br />

chicken-feed dryers to design, build, <strong>and</strong><br />

maintain. Carlos reprogrammed synth vats <strong>and</strong><br />

nanites, built specialty medical gear for Li, <strong>and</strong><br />

constructed <strong>and</strong> maintained the steadily growing<br />

number of artificial wombs.<br />

Whereas Antonio <strong>and</strong> I are manual labor.<br />

Diaper changers <strong>and</strong> field h<strong>and</strong>s.<br />

Did Antonio ever feel insignificant, too? He<br />

shouldn’t. But for him, they would never have<br />

escaped the GRB. His rock collection might<br />

serve no more purpose than his blueberry obsession,<br />

but at least he had interests.<br />

I don’t have laurels or interests to fall back<br />

on. Just survivor’s guilt.<br />

The colony would have much brighter<br />

prospects if Hawthorne had sent a farmer or<br />

miner in her stead. Of what use to anyone was<br />

a science historian? Of what earthly use . . .<br />

“Are you all right, dear?” Li asked.<br />

“We’re bringing up the next generation like<br />

strays <strong>and</strong> foundlings. I don’t like it.”<br />

Li’s sad smile might have been intended to<br />

convey no more than, “What choice do we<br />

have?” but Rikki read it as, “Queen Li knows<br />

best.”<br />

I need purpose, Rikki decided. Something I<br />

can contribute. Something of my own. Something<br />

important.<br />

In a flash of insight, she knew what that<br />

something would be.<br />

Chapter 29<br />

The six of them had not discussed terraforming<br />

since before l<strong>and</strong>ing. Why would<br />

they? Dark was a terrestrial world.<br />

But, Rikki decided, maybe they should.<br />

Techniques that had been making Mars habitable<br />

could also make a difference on Dark. It<br />

was more than a matter of personal comfort:<br />

the crops that struggled here might thrive in a<br />

warmer climate. And she could give them that<br />

warmer climate: designer perfluorocarbons<br />

were incredibly effective as climate agents,<br />

some thous<strong>and</strong>s of times more potent as<br />

greenhouse gases than carbon dioxide.<br />

Nor would they need to pump much PFC<br />

into the atmosphere to begin altering the climate.<br />

Twentieth-century industries had, in a<br />

few short decades, without meaning to, almost<br />

destroyed Earth’s ozone layer with chemically<br />

similar chlorofluorocarbons.<br />

She began making order of magnitude estimates<br />

in her head—<br />

And stopped. She was getting ahead of herself.<br />

The first rule of terraforming was, don’t<br />

meddle with what you don’t underst<strong>and</strong>.<br />

She didn’t underst<strong>and</strong> Dark. None of them<br />

did. They had experienced their share of<br />

weather, but four local years was too brief a<br />

time to reveal anything reliable about climate.<br />

76 EDWARD M. LERNER


Continuous measurements covered only a<br />

few square klicks around the settlement. Their<br />

knowledge of anywhere else—spotty <strong>and</strong> haphazard,<br />

anecdotes rather than systemic data—<br />

was limited to whatever observations<br />

Endeavour had serendipitously made in the<br />

course of doing something else.<br />

A remote-sensing satellite in synchronous<br />

orbit for the past few years would have told<br />

Rikki a great deal—but Dark had no synchronous<br />

orbits. Its moons soon destabilized the<br />

orbit of any artificial satellite placed at the<br />

proper distance.<br />

Then there was the matter of oceans . . .<br />

Oceans stored heat from sunlight, releasing<br />

that heat to moderate temperature swings<br />

both diurnal <strong>and</strong> seasonal. An ocean current<br />

like Earth’s Gulf Stream could alter the climate<br />

of entire continents. Multiyear oceanic temperature<br />

cycles, like El Niño <strong>and</strong> La Niña, had<br />

global impact. Knowing what happened in<br />

Dark’s ocean depths mattered.<br />

The data that had been collected on this<br />

world’s oceans <strong>and</strong> seas? Precisely zero.<br />

She’d had the sense (or the lack of courage<br />

of her convictions?) to follow her instincts.<br />

She’d not spoken a word about any of this.<br />

Luckily so, because had anyone known how<br />

she’d been spending her time, she would only<br />

have looked useless. More useless. Marvin<br />

knew—she needed the AI’s help with data retrieval,<br />

model building, <strong>and</strong> number crunching—but<br />

she had ordered it to keep her secret<br />

to itself.<br />

Toiling in secrecy didn’t help. For a miracle,<br />

the little ones mostly slept the latest night she<br />

had spent at the childcare center. With a few<br />

minutes here <strong>and</strong> a few there, she had shoehorned<br />

in a couple hours of work. (For them,<br />

she told herself, guilt-ridden at not playing<br />

with everyone not asleep—<strong>and</strong> more guilt-ridden<br />

at the relief that came of sparing herself<br />

their rejection. For their future.) She got a bit<br />

more research accomplished when Blake<br />

spent the night in the nursery. Desperate for<br />

progress, feigning insomnia, on consecutive<br />

evenings she had squeezed in another few<br />

hours of work. But she couldn’t keep up the<br />

pace. Without a decent night’s sleep, <strong>and</strong><br />

soon, she would keel over or run someone<br />

over with a tractor.<br />

When the time came to commit serious astronomy,<br />

Rikki knew she had to enlist Antonio.<br />

DARK SECRET<br />

JUNE <strong>2013</strong><br />

* * *<br />

Rikki threw off her side of the blankets. She<br />

got up <strong>and</strong> began dressing for outdoors.<br />

“What?” Blake murmured sleepily.<br />

“Insomnia,” she told him. “Again. I’m going<br />

for a walk.”<br />

Blinking, he sat up. “Give me a minute. I’ll<br />

walk with you.”<br />

“Wrong,” she told him. “That I can’t sleep<br />

doesn’t mean you shouldn’t.”<br />

“But I—”<br />

“Gallantry noted. I’ll be fine.” This wasn’t a<br />

campsite in some tropical jungle, surrounded<br />

by lions <strong>and</strong> hostile natives. The settlement’s<br />

few buildings were surrounded by nothing<br />

<strong>and</strong> nobody. “Seriously, sleep.”<br />

“Stay close.”<br />

“I will.” She gave him a quick kiss. “Sleep.”<br />

Antonio didn’t put all his free time into his<br />

ever-exp<strong>and</strong>ing rock collection, at least not at<br />

night. She found him where she had expected:<br />

using the ship’s telescope. The main<br />

bridge display showed Ayn R<strong>and</strong>, with two of<br />

its inner moons in transit. He seemed not to<br />

have noticed her arrival.<br />

“Do you see something interesting?” she<br />

asked.<br />

“I’m making a survey.”<br />

A nonanswer answer, she noted. Well, she<br />

had been on the taciturn side, too. He was in<br />

the pilot’s acceleration couch, <strong>and</strong> she<br />

plopped into the copilot’s seat. “I wondered if<br />

you could help me with something. Discreetly.”<br />

Because if she could harness his obsessivecompulsive<br />

focus, <strong>and</strong> his sometimes encyclopedic<br />

knowledge, he might do much to<br />

advance her research.<br />

Finally, he turned away from the bridge console,<br />

if not to look directly at her. “If I can.<br />

Help, I mean.”<br />

“I’m trying to underst<strong>and</strong> the climate here.<br />

Back home there were astronomical effects on<br />

climate.”<br />

Without leaving his seat Antonio seemed to<br />

strike a pose. Something in his voice changed.<br />

“You are remembering Milankovitch cycles.”<br />

Professorial mode. She wondered if he<br />

missed the academic life.<br />

“The tilt of Earth’s axis varies over . . . millennia.<br />

And like a wobbling toy top the Earth<br />

precesses about that axis, also over millennia.<br />

And because planetary orbits are ellipses, not<br />

77


ANALOG<br />

circles, the axis of the entire orbit slowly revolves<br />

around the sun. In the case of Earth,<br />

that last cycle takes more than a hundred millennia.<br />

All three processes affect what sunlight<br />

strikes the planet, where, <strong>and</strong> at what angle.<br />

All three affect seasons <strong>and</strong> . . . climate.”<br />

As she had more or less remembered. “And<br />

those processes are independent, correct?<br />

Every so often, they peak together.”<br />

“Cycles peaking together have been implicated<br />

in triggering ice ages.”<br />

“And extrapolating to Dark? What does our<br />

long-range forecast look like?”<br />

He studied his feet. “I don’t know.”<br />

“What would it take to find out?”<br />

“A lot of observing time. And modeling<br />

time, too.” He gestured at the image on the<br />

big display. “Earth doesn’t have a big neighbor<br />

planet like that to tug at it. Or three moons.<br />

The cyclic variations here are apt to be more<br />

complex.”<br />

Farming <strong>and</strong> childrearing didn’t leave much<br />

time for, well, anything else. Maybe those<br />

were the only tasks she was good for.<br />

Something she knew about the history of<br />

science had to be useful. Didn’t it?<br />

Maybe this was it.<br />

From the deep shadow alongside the<br />

reroofed phosphate storehouse, Carlos<br />

watched Rikki. Out in the middle of the night,<br />

slinking home from Endeavour. Having a bit<br />

of after-hours fun, are we?<br />

But kudos for Antonio! Carlos would not<br />

have guessed the odd little guy had it in him.<br />

Or, more precisely, that he got it into Rikki.<br />

After she slipped past, Carlos continued to<br />

his workshop. His extracurricular activities<br />

also dem<strong>and</strong>ed discretion.<br />

Yawning, exhausted after a full day’s work,<br />

he nonetheless toiled in high spirits. For<br />

months he had put his free nights into making<br />

things for Li. If what she wanted wasn’t c<strong>and</strong>y<br />

<strong>and</strong> flowers, nonetheless each new batch of<br />

the gadgets made her very appreciative.<br />

He could appreciate that.<br />

Discovery set down on a broad plain, between<br />

soaring rock canyon walls.<br />

“Touchdown,” Blake announced. “The<br />

crowd goes wild.”<br />

They had l<strong>and</strong>ed on a pebbly shore along<br />

the Spencer River. A very damp shore, to<br />

judge by the steam that billowed around<br />

them, blocking Rikki’s view from the cockpit.<br />

That fog would dissipate into the dry air long<br />

before the ground cooled enough for them to<br />

climb down.<br />

“You do realize,” she said, “that I’ve never<br />

seen a football game.” Or cared to. Martians<br />

didn’t do football: the playing field would<br />

have had to be ridiculously big.<br />

“I know many things.” He popped his helmet,<br />

unbuckled his safety harness, <strong>and</strong> twisted<br />

around to see her behind his headrest.<br />

“Such as that you’ve never asked to accompany<br />

me on a routine checkout flight. Not once.<br />

Today you announced you were coming <strong>and</strong><br />

proposed a destination. What gives?”<br />

“Nothing.” Almost nothing, anyway: the<br />

vague memory of terrain glimpsed from a fastmoving<br />

shuttle, when the two of them had<br />

first over-flown this region.<br />

“Here in the canyon, we’re out of radio contact.<br />

If you have secrets, this is the place to<br />

spill them.”<br />

His unhappy expression added, “Unless<br />

you’re keeping secrets from me.”<br />

“No secrets,” she dissembled. “I wanted to<br />

see these rock faces up close.”<br />

“Be that way.” He turned forward.<br />

“Really, that’s why I came.” And if she saw<br />

what she expected to see, she would explain.<br />

She just didn’t want to look stupid.<br />

The awkward, silent wait till he popped the<br />

canopy release seemed interminable.<br />

Rikki hung a ladder over the cockpit’s side,<br />

swung herself up <strong>and</strong> over, <strong>and</strong> clambered<br />

down the rungs. “I remember when doing<br />

that was hard.”<br />

“We’re getting used to the place. Home<br />

sweet home.”<br />

Home, sweet or otherwise. That was why<br />

she had to get her head wrapped around the<br />

climate here. “I’m going to stroll along the river<br />

for a ways. Join me?”<br />

“Sure.”<br />

The river’s flow here was slow <strong>and</strong> placid.<br />

When she walked up to the shore <strong>and</strong> dipped<br />

in a fingertip, the water was icy. “No skinnydipping,”<br />

she told him preemptively.<br />

“So what is this about?”<br />

Slowly, she pivoted, taking in the panoramic<br />

view. “Isn’t this enough?”<br />

The flat plain stretched for at least a hundred<br />

meters behind them before rising to<br />

78 EDWARD M. LERNER


meet rugged cliffs. The river, gray with silt,<br />

hugged the canyon’s other wall. Perhaps a half<br />

klick downstream from where they stood, a<br />

small but spectacular cascade burst from the<br />

nearer rock face to crash into the waters far<br />

below. Rikki dubbed the torrent Beagle Falls.<br />

How long ago had this valley silted up? Had<br />

the silt accumulated gradually, or had it settled<br />

out in the aftermath of some terrible flood?<br />

She didn’t know, but an answer to that mystery<br />

could wait.<br />

Craning her neck, peering up <strong>and</strong> up <strong>and</strong><br />

up, Rikki studied the nearer canyon wall. Two<br />

hundred or so meters high. Sedimentary rock.<br />

Barren of life, of course, without even a hint<br />

of greenery. Great crags <strong>and</strong> brooding hollows<br />

carved as water <strong>and</strong> wind had patiently eroded<br />

the softest rock. Several dozen strata, of<br />

varying depths, in countless shades of gray.<br />

Subtle, subdued red tones here <strong>and</strong> there<br />

among the grays.<br />

She took out her camera. With its laser<br />

rangefinder active to capture precise distances<br />

<strong>and</strong> scales, she started panning.<br />

“Magnificent,” Blake said. “It reminds me of<br />

the Gr<strong>and</strong> Canyon.”<br />

“Then my suggestion was worthwhile?”<br />

“You tell me.”<br />

She couldn’t know without detailed analysis,<br />

but yes, she was sure. “The layering of the<br />

rock embodies sedimentation rates over time.<br />

Those reflect the climate.” And cycles of the<br />

climate, over perhaps millions of years.<br />

“And that’s important?”<br />

She couldn’t know that yet, either. “It might<br />

be.”<br />

The inevitable confrontation began after<br />

dinner, in an impassioned <strong>and</strong> arcane outpouring<br />

of verbiage from Rikki. Blake, Dana,<br />

<strong>and</strong> Antonio, looking on approvingly, were<br />

clearly in on it. And the four had waited till<br />

Carlos, Li’s dependable ally (when sober, anyway),<br />

had left for his shift at the childcare center.<br />

Climate. Growing season. Terraform. Blah,<br />

blah, blah.<br />

Rikki finally wound down.<br />

“I don’t know,” Li told the assembled peasants.<br />

The more c<strong>and</strong>id answer would have been I<br />

don’t care. C<strong>and</strong>or did not suit her purpose.<br />

Nor did the topic matter. It mattered only<br />

that they found something over which to<br />

DARK SECRET<br />

JUNE <strong>2013</strong><br />

rebel. Something other than the manner of<br />

childrearing.<br />

“It’s important,” Rikki insisted. She spoke<br />

too loud <strong>and</strong> stood too close. Her chin jutted<br />

out <strong>and</strong> she had crossed her arms across her<br />

chest.<br />

Classic belligerence, Li thought. Excellent.<br />

“Maybe someday.”<br />

“Respectfully,” Blake began, “I disagree. We<br />

shouldn’t wait.”<br />

“Of course you disagree,” Li said. Goading<br />

him by criticizing his woman. Because, as Li<br />

made a point of reinforcing from time to time,<br />

she was never subtle.<br />

“Damn it, Li,” Rikki said, “be reasonable.<br />

We need to underst<strong>and</strong> the climate. Climate<br />

affects our food supply. You must care about<br />

that.”<br />

Li smiled condescendingly: another goad.<br />

“We settled almost inside the tropics. Can you<br />

find us someplace suitable anywhere<br />

warmer?”<br />

“That’s the point,” Antonio said. “If the climate<br />

fails us . . . here, the colony is in trouble.<br />

Let’s find out sooner rather than later. While<br />

maybe there’s still the opportunity to change<br />

things.”<br />

Blake’s turn. “Or we may find we’ve lucked<br />

out. This one set of observations, from this<br />

one canyon, suggests the trend might be to<br />

warmer weather. It would be nice to have an<br />

idea when <strong>and</strong> how far we can exp<strong>and</strong> into<br />

higher latitudes.”<br />

Li said, “Planning for the long run.”<br />

“Exactly,” Dana said.<br />

In the long run, we’re all dead. Li couldn’t<br />

remember who, other than someone long<br />

dead, had first said that. The provenance<br />

didn’t matter because she wasn’t going to<br />

quote it. She wanted the four of them to prevail.<br />

Convince me, people. Convince yourselves<br />

you convinced me.<br />

“We need to eat,” Rikki said. “The children<br />

need to eat.”<br />

They had an entire world to farm. How<br />

could they ever lack for food? But if she were<br />

wrong, if on occasion they wound up supplementing<br />

crops with a bit of bacterial sludge,<br />

so be it. What mattered was raising obedient,<br />

subservient children to do the colony’s bidding.<br />

To do her bidding.<br />

79


ANALOG<br />

And to that end, she needed the others too<br />

busy to interfere with her affairs.<br />

Li permitted her shoulders to sag. She lowered<br />

her head, nibbled on her lower lip. Read:<br />

doubt. Read: you’re winning me over. She<br />

said, “Can you fit in these studies without impact<br />

to our other work?”<br />

“Well . . .” Dana conceded.<br />

“Because,” Li said, “I could take on longer<br />

shifts in the childcare center. If that would<br />

help.”<br />

“It would help,” Antonio managed.<br />

“Tell me again,” Li said. “What will you do?”<br />

Blake <strong>and</strong> Dana swapped glances. They’d<br />

caught her verb choice: will, not would.<br />

“We need a more global data set,” Rikki<br />

said. “There are other ancient canyons to read.<br />

Ice-core samples to collect from glaciers <strong>and</strong><br />

the polar icecaps. Bore holes to drill in the<br />

sediments of lake <strong>and</strong> sea bottoms. All should<br />

tell us useful things about climate patterns <strong>and</strong><br />

trends.”<br />

“It sounds major,” Li said.<br />

“It is major,” Rikki said.<br />

Li resumed chewing on her lip: sincere, accessible<br />

leader here, open to everyone’s inputs.<br />

“Okay,” she conceded. To grins all<br />

around, she added, “We’ll have to figure out a<br />

revised work schedule first. We still have children<br />

to feed.”<br />

“Of course,” Antonio said.<br />

“Thanks, Li,” Rikki said, at last letting her<br />

arms fall to her sides.<br />

Li smiled. “You’re welcome, <strong>and</strong> I thank you<br />

for bringing this matter to my attention.”<br />

Because while you’re gadding about, the<br />

children will continue in my sole care.When<br />

you’re here, you’ll be crunching the data or<br />

laboring in the fields or in bed, exhausted,<br />

<strong>and</strong> the children will remain, under Marvin’s<br />

watchful <strong>and</strong> carefully programmed<br />

eye.<br />

Learning obedience. Discipline. Self-denial.<br />

Conformity. When (ever less frequently) the<br />

peasants questioned her methods, the analogy<br />

with which they struggled was an orphanage.<br />

If any of her companions had read Dickens,<br />

they would still be on the wrong track.<br />

Her true model—updated <strong>and</strong> improved, of<br />

course—was a Spartan barracks. The children<br />

would grow up to serve the State. The State<br />

she would define.<br />

This, Mother, is how one wields power.<br />

Before a single peasant ever suspected Li<br />

wanted them distracted by another project, it<br />

would be too late.<br />

By then, all the children will be mine.<br />

Chapter 30<br />

“Oh-two?” Dana asked.<br />

“Two fresh tanks,” Antonio answered.<br />

“Oh-two pressure?”<br />

“Nominal.”<br />

“Cee-oh-two?”<br />

“Barely registering.”<br />

“Suit heater?”<br />

Antonio had checked <strong>and</strong> rechecked everything<br />

on the long list, but he wouldn’t dream<br />

of interrupting Dana’s methodical runthrough.<br />

Who better than he to respect obsessive<br />

behavior?<br />

And she was being obsessive. Because she<br />

cared. She got him, not just better than anyone<br />

else alive—not a high hurdle—but better,<br />

almost, than anyone who had ever lived. As<br />

well, almost, as had Tabitha.<br />

And knowing him, knowing how thoroughly<br />

he would have checked everything, Dana<br />

still made it her job to watch out for him.<br />

After Tabitha died, he had never expected<br />

anyone again to care.<br />

At last they left Endeavour, stepping from<br />

the forward air lock onto the sun-baked surface<br />

of Aristophanes. The terrain, what little<br />

could be seen before the freakishly close horizon,<br />

was less cratered than he expected.<br />

A world at half phase hung—loomed—<br />

overhead. Enormous. Thirty-five times the size<br />

of the Moon seen from Earth. Icecaps <strong>and</strong><br />

cloud tops sparkled, but could not overcome<br />

an overall gloominess.<br />

Dark was aptly named.<br />

“When you’re done gawking,” Dana said,<br />

with a hint of fond amusement in her voice.<br />

They offloaded from cargo hold one the<br />

first of the remote-sensing stations. Though<br />

massive <strong>and</strong> bulky, here the unit weighed almost<br />

nothing. They set down the apparatus<br />

on a flat expanse <strong>and</strong> he stepped away. She<br />

would unfold the stabilizing legs, deploy the<br />

delicate solar panels, align the dish antennas,<br />

<strong>and</strong> run the final instrument calibrations. His<br />

job was to answer technical questions, should<br />

any arise, while keeping his ten left thumbs at<br />

a safe distance.<br />

Duties that left him free to look around: the<br />

80 EDWARD M. LERNER


other, if unofficial, reason he was here. As often<br />

as he had championed exploration, the<br />

pursuit of knowledge for its own sake, something—typically<br />

farm chores <strong>and</strong> colicky babies—had<br />

come first.<br />

How much harder would Dana have it on<br />

this excursion for having him along, not<br />

Blake?<br />

Antonio loved her all the more for bringing<br />

him, regardless.<br />

The remote-sensing station was a kludge,<br />

the first among a whole constellation of<br />

kludges. Once Dana had it checked out, they<br />

would hop Endeavour a third of the way<br />

around this little moon <strong>and</strong> deploy a second<br />

station. Then take another hop, to deliver a<br />

third.<br />

It wasn’t bad enough that Aristophanes, orbiting<br />

so near Dark, precluded siting their sensor<br />

suites where above any rational planet<br />

they belonged: aboard synchronous satellites.<br />

Aristophanes also had an unhelpful rate of rotation;<br />

it didn’t present a constant face to the<br />

world below, as the Moon presented to Earth.<br />

Only with three well-separated stations would<br />

some one of them at all times have the planet<br />

under observation. Each station had to store<br />

its readings until Dark’s rotation, the moon’s<br />

rotation, <strong>and</strong> the moon’s orbit combined to<br />

provide a line-of-site downlink opportunity to<br />

the settlement.<br />

After finishing on Aristophanes they would<br />

get to reprise the triple deployment on<br />

Aeschylus <strong>and</strong> again on Euripides. And on occasion,<br />

parts of Dark would still go unmonitored.<br />

Three fascinating little worlds, Antonio<br />

thought, sad that no one shared his fascination.<br />

While Dana, with a multimeter in h<strong>and</strong>,<br />

fussed over some calibration, Antonio w<strong>and</strong>ered<br />

about gathering rocks for his collection.<br />

As feeble as was Aristophanes’ gravity, not<br />

even a klutz like him could trip off or leap free<br />

of it. He could, if he lost focus, bound high<br />

enough to spend a long while drifting back to<br />

the surface. And so he shuffled, sweeping<br />

aside ancient regolith with his boots, leaving<br />

sloppy troughs in his wake. His tracks shone<br />

paler than the undisturbed surface.<br />

“Almost done here,” Dana called. “How<br />

about you?”<br />

Done scuffing up the surface? Done collect-<br />

DARK SECRET<br />

JUNE <strong>2013</strong><br />

ing rocks? “Ready when you are.”<br />

They remained suited up for the jaunt to<br />

their next l<strong>and</strong>ing site, sparing themselves another<br />

round of checkouts. Here they were on<br />

the moon’s night side, with the planet half below<br />

the horizon. Antonio could still see clearly<br />

by—the word tickled him—Darklight.<br />

He helped Dana carry their second station<br />

to an area clear of stony rubble. While she<br />

configured the unit, he resumed pebble collecting.<br />

Here, too, the ruts left by his plodding<br />

gait were paler than the undisturbed surface.<br />

When, with an abrupt sneeze, Dana let fly<br />

the removable clasp of an access panel, he<br />

helped her search for it. When they gave up<br />

the fastener for lost, swallowed by the thick<br />

dust, or hiding in the inky shadow of some<br />

boulder, he scavenged nuts <strong>and</strong> bolts for her<br />

from ship’s stores. He found a spare thermocouple<br />

when an instrument failed diagnostics;<br />

without accurate temperature readings here,<br />

they could not calibrate long-range readings<br />

they made of Dark. Then, having bagged <strong>and</strong><br />

labeled every interesting-looking pebble in the<br />

vicinity, he tried to entertain himself by tracing<br />

geometric shapes in the dust with his boot<br />

tip.<br />

“Ready to move on?” Dana called.<br />

“Sure.”<br />

Their third l<strong>and</strong>ing returned them to sunlight<br />

<strong>and</strong> gave them a line of sight to the settlement.<br />

Dana called down.<br />

“How’s it going, Endeavour?” Blake answered,<br />

yawning. He had gray bags beneath<br />

his bloodshot eyes, <strong>and</strong> his beard looked overdue<br />

for a trim. Maybe a shearing.<br />

“Everything seems fine on this end,” Dana<br />

said.<br />

“With you, too, Antonio?”<br />

“Indeed. Apart from the inefficiency of it all.”<br />

“Don’t blame me. I didn’t put the moons<br />

there.” Arching an eyebrow, Blake leaned toward<br />

the camera. “What do you two crazy kids<br />

have planned, all unchaperoned?”<br />

Dana <strong>and</strong> Antonio exchanged glances.<br />

“Looking around a bit,” he said. That sounded<br />

frivolous, even to him. “Survey the . . . area<br />

for useful minerals.”<br />

“Getting finished,” Dana said firmly, “as fast<br />

as we can. Maybe a quick nap before the flight<br />

to Aeschylus.”<br />

“What is this nap thing of which you<br />

speak?” Blake yawned again. “Before you de-<br />

81


ANALOG<br />

part lovely Aristophanes, let’s run an end-toend<br />

system test of at least one station.”<br />

“Copy that,” Dana said. “We’re at station<br />

three. From my end, everything is a go.”<br />

“Power . . . check,” Blake said. “Comm . . .<br />

ditto. Primary control . . . check. Moving on to<br />

the instruments. Radiometer . . . check. Scatterometer<br />

. . . check. High-res multispectral imager<br />

. . . looking good. Nice sharp image.<br />

Doppler radar . . .”<br />

As the recitation droned on, as motes glinted<br />

in the furrows of his aimless shuffling, Antonio’s<br />

thoughts w<strong>and</strong>ered. Many instruments.<br />

Much data to come. And one Big Question.<br />

Rock strata <strong>and</strong> ice cores: each sample told<br />

a tale, <strong>and</strong> no two stories ever quite agreed.<br />

Dark was a living world, on which storms <strong>and</strong><br />

weathering, quakes <strong>and</strong> floods, volcanoes <strong>and</strong><br />

even meteor strikes had all left their marks.<br />

Read enough stories, though, <strong>and</strong> for all<br />

their idiosyncratic plot twists they confirmed<br />

what astrophysics predicted: that Dark experienced<br />

Milankovitch cycles. That the global climate<br />

had warmed <strong>and</strong> cooled, warmed <strong>and</strong><br />

cooled, warmed <strong>and</strong> cooled, like clockwork,<br />

for as long—half a million years!—as the<br />

record could be reconstructed. That by its ancient<br />

rhythm, Dark was due, indeed, well into,<br />

a new warming era.<br />

How pronounced were the historical climate<br />

swings? Antonio refused to guess. To infer<br />

anything about past average global<br />

temperatures from such paleogeological proxies<br />

as ice cores, he would first need to calibrate<br />

modern ice cores against years, at the<br />

least, of direct temperature measurements.<br />

“Atmospheric sounder . . . check,” Blake<br />

continued. “Wideb<strong>and</strong>, ground-penetrating<br />

radar . . .”<br />

Many, many instruments.<br />

And yet Antonio had his doubts whether,<br />

even working together, the sensors they deployed<br />

could resolve the anomaly in the geological<br />

record of the past few centuries. That<br />

the sensors could explain why the climate had<br />

been steadily cooling. Or that sensors would<br />

answer the Big Question.<br />

Just how frigid would Dark get?<br />

Chapter 31<br />

At the soft scrape of approaching footsteps<br />

Carlos took a swig of vodka, then screwed<br />

shut the flask <strong>and</strong> stashed it inside a cabinet.<br />

He popped a breath mint into his mouth. The<br />

vodka was inferior, despite his best efforts.<br />

The mint tasted worse but smelled better.<br />

He was in no mood to be lectured about his<br />

drinking. If <strong>and</strong> when he chose to, he’d stop.<br />

Rikki loped through the lab door. Something<br />

about her (the berry-dark tan? the pouty<br />

lips? the long, high ponytail? the long legs in<br />

taut slacks?) reminded Carlos of a grad student<br />

he had had. And had <strong>and</strong> had <strong>and</strong> had. Very<br />

lithe <strong>and</strong> bendy, Helena was—<strong>and</strong> the more<br />

she fretted about her dissertation, the more<br />

imaginatively she strove to keep him happy.<br />

And so he, with a sigh or well-timed frown . . .<br />

Blake followed his wife into the room, spoiling<br />

Carlos’s fantasies. Then Antonio entered,<br />

more grizzled than ever. He <strong>and</strong> Dana were<br />

getting old.<br />

Face it, Carlos told himself. We all are.<br />

“Are you busy?” Blake asked.<br />

Carlos sat in an arc of active displays, of<br />

nanite memory readouts, program listings,<br />

electron-microscope scans, <strong>and</strong> design documents.<br />

Props, all of them. He said nothing.<br />

Blake grimaced. “Sorry, dumb question.<br />

Can you spare us a couple of minutes before<br />

we head to work?”<br />

Carlos gestured at nearby stools. “What’s<br />

up?”<br />

Rikki said, “I think Li is up to something.”<br />

To the best of Carlos’s knowledge, Li was always<br />

up to something. The challenge was ferreting<br />

out what <strong>and</strong> why. If he could<br />

accomplish either with any regularity, she<br />

would be in his power, not the other way<br />

around.<br />

“Up to what?” Carlos asked.<br />

“I don’t know.” Rikki frowned. “She’s been<br />

too agreeable.”<br />

I wish, Carlos thought. The thrashing Li had<br />

given him on the ship had been no fluke. He<br />

had not required a third lesson.<br />

He asked, “Agreeable about what?”<br />

“About support for possible terraforming.”<br />

Rikki finally dragged over a stool <strong>and</strong> sat. The<br />

other two stayed st<strong>and</strong>ing. “Yeah, I know how<br />

that sounds. The research program was my<br />

idea. But the weird thing, to me, anyway, is<br />

that Li hasn’t tried to limit the effort.”<br />

“Here’s a thought,” Carlos said. “Ignore<br />

whatever contributions, if any, the off-world<br />

sensors make to our underst<strong>and</strong>ing of the climate.<br />

They’ve already improved our weather<br />

82 EDWARD M. LERNER


forecasting. That will help our crops, <strong>and</strong><br />

that’s something I’m sure Li cares about.” And<br />

because she let you plead for the deployment,<br />

you end up feeling indebted to her.<br />

And don’t suppose for an instant she won’t<br />

find a way to call in that debt.<br />

“Could be.” Blake pulled a scrap of thin<br />

wire from the jumble on a workbench, <strong>and</strong><br />

began tying knots. “Or she imagines we’ll rein<br />

ourselves in. Fatigue has a wonderful ability to<br />

clarify priorities.”<br />

Rikki gave her husb<strong>and</strong> a dirty look.<br />

Trouble in paradise? Carlos wondered. Hubby<br />

isn’t supportive enough of your science<br />

project? “What does this have to do with me?”<br />

“You know Li pretty well,” Rikki said delicately.<br />

You live together, she meant. You side with<br />

Li on the issues. You must underst<strong>and</strong> her.<br />

Carlos thought, if you only knew.<br />

What he had with Li was a marriage of inconvenience.<br />

Hers was a cold beauty: look but<br />

don’t touch. And yet he stayed. He was the<br />

last available man in the universe—<strong>and</strong> the<br />

last available woman couldn’t care less. What<br />

did that say about him?<br />

She had him by the pride as much as by the<br />

balls. When he got into her pants, all too seldom,<br />

it was because she wanted his backing.<br />

Get inside Li’s head? That had yet to happen.<br />

“Do you plan on ever coming to the point?”<br />

Carlos asked.<br />

Rikki grimaced. “We want to know what<br />

else Li isn’t telling us.”<br />

Carlos countered, “Is she under some obligation<br />

to tell you what she’s thinking?”<br />

“No,” Blake said, still torturing his piece of<br />

wire. “But also yes.”<br />

“Pretend you broke it already.” Carlos<br />

plucked the much-knotted wire from Blake’s<br />

h<strong>and</strong>s. “Yes or no. Which is it?”<br />

Rikki said, “As an individual, whatever Li<br />

thinks is her business. But in practice, she’s<br />

our leader. We all defer to her.”<br />

I could be convinced to defer to you, Carlos<br />

thought. Motivate me. Let’s see how bendy<br />

you can be.<br />

He said, “On our trek, to survive, we needed<br />

one sort of expertise. We deferred to Dana<br />

<strong>and</strong> properly so. I doubt Dana shared everything<br />

she was thinking, <strong>and</strong> I’ll bet we were<br />

happier for that. Rearing children <strong>and</strong> building<br />

DARK SECRET<br />

JUNE <strong>2013</strong><br />

a civilization? Those call for a different sort of<br />

expert. That’s Li.”<br />

“That’s Li,” Blake agreed. “However . . .”<br />

Antonio, who had been looking all around<br />

the lab, finally spoke. “I’ve been studying.”<br />

With Antonio’s eclectic interests, those<br />

studies might involve anything. Carlos gestured<br />

to his workbench. “Guys, your couple<br />

minutes are more than up.”<br />

“Aristophanes I had heard of,” Antonio said.<br />

“I didn’t know who Aeschylus <strong>and</strong> Euripides<br />

were.”<br />

“I don’t know if your interest is in moons or<br />

ancient Greek theater,” Carlos said. “Either<br />

way it can wait till tonight at dinner.” When I<br />

also won’t pay attention. “Isn’t there a crop<br />

somewhere that needs your attention?”<br />

“I became interested in ancient Greece,”<br />

Antonio went on. “And branched out from<br />

there. Are you familiar with . . .”<br />

“At dinner,” Carlos repeated.<br />

“Speaking of crops, why are you settled, all<br />

comfy, here in the lab?” Blake asked. “We<br />

could use a h<strong>and</strong>.”<br />

At transplanting a couple hundred potted<br />

apple, cherry, <strong>and</strong> pear seedlings from the<br />

greenhouse to the river delta. No thanks. “I’m<br />

doing something more critical.”<br />

“Figuring out how to mass-produce PFCs?”<br />

Rikki asked.<br />

Right. As if what the climate might be like a<br />

hundred years hence was time sensitive.<br />

“Nutrition related.” Carlos pointed to a<br />

nearby cage, in which mice sniffed curiously.<br />

“They don’t take up trace nutrients from diet<br />

as well as they should. I’m trying to tweak<br />

their nanites to compensate.”<br />

“Mouse nanites,” Rikki said. “That sounds<br />

urgent. I vote you save those for a rainy day.”<br />

Had the short-term forecast shown rain,<br />

Carlos would have waited to tamper with the<br />

tissue samples he’d shown to Li that morning.<br />

He half suspected from Li’s sly smile that<br />

she knew. That by agreeing he should investigate<br />

his anomaly, she was doing him a favor.<br />

Throwing him a bone.<br />

His other half guessed that she had planted<br />

the idea in the first place. That would explain<br />

the sly smile, too.<br />

Pissing him off yet further. It was Li he was<br />

angry at, but Li wasn’t here. And it was Li who<br />

had what he wanted.<br />

“Look,” Carlos said. “What affects the mice<br />

83


ANALOG<br />

might well affect us. Or the children, or their<br />

children, some years hence. I propose to see<br />

what I can accomplish by tweaking nanites in<br />

the mice. Unless you prefer to make the children<br />

our guinea pigs.”<br />

Rikki flinched, as he had known she would.<br />

By the time they finally left, Carlos needed<br />

another drink.<br />

Li’s gr<strong>and</strong>ma used to claim that one caught<br />

more flies with honey than with vinegar.<br />

Li eased herself out from under Carlos’s outflung<br />

arm <strong>and</strong> leg, thinking he was more spider<br />

than fly, <strong>and</strong> more octopus than spider.<br />

And she had no interest in catching any of<br />

them, far less this arrested-development adolescent.<br />

With a snort, Carlos flopped onto her side<br />

of the bed. The thick, coarse hair on his back<br />

disgusted her. He disgusted her.<br />

She stood for a long time, her eyes closed,<br />

beneath the hot, pulsating spray of the shower.<br />

The water carried away Carlos’s sweat <strong>and</strong><br />

stench, but it couldn’t touch her nausea. Sex<br />

with Carlos was for the greater good, <strong>and</strong> only<br />

for the greater good, because from time to<br />

time he proved useful.<br />

As he had been today, bringing her a preview<br />

of the likely ambush that night at dinner.<br />

You couldn’t dignify the society here as an<br />

economy. They had no use for money. Whatever<br />

material goods they had were as readily<br />

produced for six people as for one. Carlos was<br />

too shallow <strong>and</strong> transparent to h<strong>and</strong>le power,<br />

not that she would ever consider sharing power.<br />

The lone currency that remained was . . . favors.<br />

She didn’t feel dirty, exactly, nor degraded,<br />

but something. At an intellectual level, she<br />

even felt a touch of nobility, of self-sacrifice.<br />

Carlos had her body—when she permitted<br />

it—but never her. And he never would.<br />

So what was it she felt? Out of joint. Out of<br />

sorts. Decoupled from reality.<br />

How old would the girls need to be before<br />

they caught his eye?<br />

Long ago <strong>and</strong> far away, in a municipal campaign<br />

that had been Li’s to lose—<strong>and</strong> she<br />

had—Li learned a hard lesson. Never let the<br />

other side choose the issue.<br />

So: while the peasants still dug into synthed<br />

meatloaf with real mashed potatoes <strong>and</strong> mush-<br />

room gravy, or glanced sidelong at the strawberry<br />

shortcake that waited on the serving<br />

cart, she brought up childrearing. Indirectly,<br />

to be sure. She had guessed Antonio’s digging<br />

into ancient Greece would lead him to Sparta<br />

<strong>and</strong> the education of its young, <strong>and</strong> Marvin<br />

had confirmed it. Antonio never bothered to<br />

conceal what he did with the AI.<br />

Whereas the more . . . informative of her interactions<br />

with Marvin were as secure as possible.<br />

Not in any conventional sense, because<br />

access controls <strong>and</strong> personal firewalls would<br />

have screamed of something to hide, but subtly<br />

veiled. Too bad such computing legerdemain<br />

far exceeded her skills.<br />

But not Carlos’s. Li fought down a shudder.<br />

The important thing was, she was prepared,<br />

if necessary, to discuss childrearing,<br />

<strong>and</strong> the relative virtues of Athens versus Sparta.<br />

She knew Antonio well enough, if it came<br />

to it, to sidetrack Antonio in a pointless me<strong>and</strong>er<br />

through Thucydides’ history of the Peloponnesian<br />

War.<br />

She saw no reason to let matters come to<br />

that.<br />

Li blotted her lips, folded <strong>and</strong> set down her<br />

napkin, <strong>and</strong> began. “With this spring’s planting<br />

almost complete, in the comparative lull<br />

before we begin harvesting, I propose that we<br />

exp<strong>and</strong> the childcare center.”<br />

“So that we can crank out more children?”<br />

Rikki blurted out.<br />

“Interesting,” Li said. “I was going to say<br />

that as the children get older we’ll want separate<br />

dormitories for the boys <strong>and</strong> the girls.<br />

And I thought it would be nice to add an atrium,<br />

a little indoor park. But you’re quite right,<br />

Rikki. The same expansion will allow us to<br />

raise more. Thank you.”<br />

Rikki blinked. She had not foreseen her sarcasm<br />

getting deflected into a proposal. “That’s<br />

not what—”<br />

“About that . . .” Antonio interrupted.<br />

Antonio wasn’t the type to interrupt. Not<br />

unless he had something on his mind he was<br />

bound <strong>and</strong> determined to get out.<br />

It seemed Carlos had earned his pre-dinner<br />

favor.<br />

“If we could finish one topic before we<br />

move on to the next?” Li chided.<br />

“Of course,” Antonio said.<br />

“Marvin, my sketch, please.” Li slid back her<br />

chair to st<strong>and</strong> alongside the wall become 3D<br />

84 EDWARD M. LERNER


architectural rendering. “You see the enclosed<br />

area that I thought might serve as a garden or<br />

park. But maybe it’s too large an expanse for<br />

that.”<br />

She studied the wall display, pensive, giving<br />

the peasants time to make the idea their own.<br />

And maybe to set aside their nitpicking, since<br />

she had just proposed this touchy-feely expansion<br />

of the facility.<br />

“We could make a portion of that space an<br />

indoor playground,” Rikki offered.<br />

“Or maybe we should enclose only part of<br />

the area,” Dana said. “At some point the children<br />

have to get used to the outdoors.”<br />

Li let them natter on, with each suggestion<br />

making the project more gr<strong>and</strong>iose <strong>and</strong> laborintensive.<br />

A screened-in solarium into which<br />

even the youngest children could be brought<br />

on nice days for fresh air. A rock garden. A<br />

flower garden. An ever more extensive playground.<br />

The evening was unfolding better than Li<br />

had dared to hope.<br />

While the peasants bulldoze <strong>and</strong> l<strong>and</strong>scape<br />

<strong>and</strong> build with concrete, she thought, the children<br />

remained hers. As Rikki had observed—<br />

<strong>and</strong> as quickly let drop—the enlarged<br />

childcare center about which they now all<br />

waxed eloquent, would give Li the capacity to<br />

speed up decanting of the embryos. With,<br />

alas, some encouragement to Carlos to speed<br />

up womb production.<br />

Li said, “Once the children have acclimated,<br />

they’ll be closer to ready to meet the real<br />

world. Suppose we put up a fence, enclosed<br />

the area around the center <strong>and</strong> its neighboring<br />

buildings. If we put locks on the doors, the<br />

oldest children could roam around.” In answer<br />

to Rikki’s raised eyebrow, Li explained, “I<br />

don’t believe they’re old enough to play<br />

among the explosives <strong>and</strong> chemical stocks.”<br />

The eyebrow went back down.<br />

But as Blake <strong>and</strong> Dana grew giddy about the<br />

prospect of passing along the fine art of snowman<br />

construction, <strong>and</strong> with Antonio sidetracked<br />

into planning for a rock garden,<br />

Rikki’s eyes narrowed with suspicion.<br />

Too much, too fast, Li thought. The woman<br />

wasn’t entirely gullible.<br />

Li said, “I’m gratified by such enthusiasm,<br />

but we can’t do everything at once. We also<br />

have a PFC factory, or refinery, or whatever I<br />

should call it, to build.”<br />

DARK SECRET<br />

And Rikki relaxed.<br />

Fool, Li thought.<br />

JUNE <strong>2013</strong><br />

Chapter 32<br />

In swooping arcs <strong>and</strong> soaring leaps, up <strong>and</strong><br />

down through the clouds like a bucking bronco,<br />

Endeavour gyrated its way around the<br />

globe. The me<strong>and</strong>ering course on its intricately<br />

constructed timeline did more than challenge<br />

Dana’s reflexes. By the time she<br />

returned home, the ship <strong>and</strong> the moons’ observatories<br />

together would have compiled a<br />

thorough <strong>and</strong> precise global atmospheric survey,<br />

captured at more or less the same local<br />

time everywhere.<br />

Too bad the prescribed local time was midnight,<br />

because she would have enjoyed the<br />

view. She wasn’t enjoying the company.<br />

Blake had accomplished the impossible:<br />

making Antonio look chatty. He was making<br />

the rocks from Antonio’s collection look chatty.<br />

Dana sighed. Antonio had asked to come<br />

along, looking so kicked-puppy disappointed<br />

when she’d said no. And though she hadn’t<br />

lied about there being no time between collection<br />

points to gather southern-hemisphere<br />

rocks, <strong>and</strong> that this was fancy enough flying<br />

that she should have a proficient copilot to<br />

spell her, neither had she been entirely honest<br />

with him.<br />

On her console, a timer ticked down the<br />

seconds to the next atmospheric sampling. A<br />

real-time holo showed her displacement in<br />

three dimensions from the target collection<br />

point. As the high-altitude winds buffeted the<br />

ship, her h<strong>and</strong>s danced over the controls to<br />

make endless course corrections.<br />

A single moon above the horizon—everywhere—could<br />

have captured the data they<br />

sought. The moons did not cooperate like<br />

that, <strong>and</strong> so here she was. As for precision,<br />

computer-controlled navigation, forget it.<br />

Only all three moons in sight would have<br />

served to triangulate the ship’s position. And<br />

so, as one moon or another sank below the<br />

horizon, as clouds turned her course into a<br />

game of peek-a-boo with the stars, as the buffeting<br />

of the jet stream befuddled the autopilot<br />

<strong>and</strong> played havoc with the short-range projections<br />

from inertial navigation, she fell back,<br />

time <strong>and</strong> again, upon the most basic navigational<br />

system of all: seat of the pants.<br />

85


ANALOG<br />

If the outing had been a summer evening’s<br />

stroll through Kensington Gardens, she still<br />

would have left Antonio back in the settlement.<br />

She needed some one-on-one time with<br />

Blake.<br />

“Collection on my mark,” she announced.<br />

“Three. Two. One. Mark.”<br />

“Mark,” Blake repeated. As he had for the<br />

past twenty or so collections.<br />

“Throw me a bone,” Dana said. “Are you<br />

satisfied? Dissatisfied? How does the data look<br />

so far?”<br />

“Fine,” Blake allowed.<br />

“And the data is telling us . . . what?”<br />

“Nighttime temperature <strong>and</strong> PFC trace concentration<br />

profiles—”<br />

“By altitude on a grid of closely-spaced<br />

points surrounding the planet.” Dana sighed<br />

again. “I know what we’re collecting, <strong>and</strong><br />

why. Is the data revealing anything useful? Is it<br />

what you expect?”<br />

“I don’t know. Rikki doubted the raw measurements<br />

themselves would reveal much; especially<br />

not point by point. It’s all input to a<br />

global circulation model. Ask me after Antonio<br />

<strong>and</strong> Marvin have taken a crack at the full<br />

dataset, when we know how well the PFCs<br />

have dispersed.”<br />

The nav holo updated to show the way to<br />

the next collection point; Dana put her ship<br />

into another steep climb. “You’re not very<br />

talkative these days.”<br />

“Well, you know.”<br />

“No!” Dana snapped, surprising herself. “I<br />

don’t know, because you’ve locked me out. I<br />

thought we were friends.”<br />

“We are.” After a long while, he said, “I’m<br />

not a deep thinker, you know.”<br />

Deeper than you credit yourself. “What’s<br />

your point?”<br />

“Except for Rikki, we’re introverts, if not<br />

loners <strong>and</strong> misfits. Have you noticed that?”<br />

“Uh-uh.” Hawthorne had, though, in<br />

dossiers the existence of which Dana still kept<br />

to herself. More than once she had almost<br />

deleted the files. Other than the occasional piloting<br />

gig, her job was farming. She had no<br />

reason to keep the personnel data—<strong>and</strong> less<br />

inclination to share any of it with Li. “Not<br />

deep, you say?”<br />

“I couldn’t make a puddle jealous.”<br />

On Dana’s console, a timer initialized <strong>and</strong><br />

began counting down, showing when she<br />

should aim to reach the next collection point.<br />

She slowed the ship. “So, introverts <strong>and</strong> loners.<br />

What of it?”<br />

Blake busied himself checking something<br />

on his console. With not answering. “My mom<br />

<strong>and</strong> dad were like oil <strong>and</strong> water. My sister, the<br />

raging extrovert, <strong>and</strong> I were more like oil <strong>and</strong><br />

matches. The neighbors didn’t offer many<br />

shining examples of stability, either. As for the<br />

broader community where I grew up, it was a<br />

mess. One-parent households were the norm.<br />

The schools sucked. To belong to something<br />

the choices were high-school sports, if you<br />

had talent, which I didn’t, or the gangs.”<br />

“So you stuck to yourself.”<br />

“More like, I kept my head down. Then the<br />

oddest thing happened. I was either ten or<br />

eleven. St<strong>and</strong>ard years, I mean. It was late<br />

summer, <strong>and</strong> I was getting the m<strong>and</strong>atory<br />

preschool physical from the family doctor.<br />

Doc Sullivan was this upbeat guy with a<br />

friendly, booming voice. Jovial, yet managing<br />

not to be obnoxious. He asked me some questions<br />

about school.<br />

“Whatever he asked <strong>and</strong> I answered, he decided,<br />

<strong>and</strong> I couldn’t tell you why, that I had<br />

potential. Then <strong>and</strong> there, he zapped two old<br />

college texts from his datasheet to my little-kid<br />

pocket comp. Both books were decades out<br />

of date <strong>and</strong> of no use to him, but I didn’t<br />

know that.”<br />

“And that’s why you became an engineer,”<br />

Dana guessed. She had no idea what this had<br />

to do with, well, anything. “Nice.”<br />

Blake laughed. “Who gives a college text on<br />

biochemistry to a ten-year-old? It was Greek to<br />

me. No, less. At least I’d heard of Greece.<br />

“And yet that is how I ended up an engineer.<br />

You’d like to believe it was because this<br />

engaging, successful professional saw potential<br />

in me. Did the gesture inspire me? Yeah,<br />

for the couple of weeks before the cops<br />

hauled Doc Sullivan away. My last, best hope<br />

of a role model had defrauded Federal Health<br />

Service of millions.<br />

“So he set my career course, all right. He decided<br />

for me that, whatever I did when I grew<br />

up, it would involve machines, not people.<br />

Not that I understood engineering then, beyond<br />

that machines, maybe, could be fixed.”<br />

“I’m not buying you as a loner,” Dana said,<br />

still at a loss where this might be going. “You<br />

can charm the pants off people.”<br />

86 EDWARD M. LERNER


“Off young women, anyway. That doesn’t<br />

make me a people person. It makes—made—<br />

me a calculating, cynical, manipulative jerk. I<br />

want to believe I’ve grown since then.”<br />

The pieces fell into place. “So this is about<br />

Rikki.”<br />

“Of course”—his voice cracked—“it’s about<br />

Rikki. Pretty much the first thing I knew about<br />

her, back on the cruise where we met, was<br />

how eager she was to get home. How much<br />

she had missed her family while she’d been<br />

away at grad school. It was real closeness, too,<br />

not part of some sitcom. And yet more amazing,<br />

soon enough they weren’t her family, but<br />

our family.<br />

“So here you <strong>and</strong> I are: loners. Carlos, it embarrasses<br />

me to admit, is much as I once was,<br />

if not as smooth. Antonio is, well, you know.”<br />

“I know,” Dana said. And a dear, regardless,<br />

in his own way.<br />

“Li, though . . . I can’t read her.”<br />

“Me, either.” At the end, Hawthorne had<br />

had only hours to round out the crew for this<br />

mission. Li’s file, <strong>and</strong> Carlos’s for that matter,<br />

was a short dump from the public record, little<br />

more than a résumé. “I’d bet that shrinks<br />

learn to mask their feelings.” And politicians,<br />

too, only Li had never, to Dana’s knowledge,<br />

volunteered to anyone here that facet of her<br />

past.<br />

“Heads up.” Blake’s voice changed tone.<br />

“Radar shows a high mountain range.”<br />

“Yeah, I see it, but thanks. We’ll have almost<br />

a klick of clearance. You left out Rikki.”<br />

“She’s not like you or me or any of the rest<br />

of us. She is a people person. I remember<br />

what happened back home. I do think occasionally<br />

about everyone we left behind. When<br />

it happens, I’m sad, but then I get over it.<br />

“But Rikki? She grieves, still. For her family<br />

most of all.<br />

“That she can’t continue her family? And<br />

the rejection by the kids here? It’s killing her,<br />

Dana.”<br />

At the catch in Blake’s voice, Dana glanced<br />

away from the console. He was trembling.<br />

In an anguished tone, not much above a<br />

whisper, he said, “I don’t know how to fix<br />

this.”<br />

Dana didn’t know how to fix him. “It’s<br />

been years since you learned Rikki can’t safely<br />

get pregnant. She still hasn’t come to terms<br />

with it?”<br />

DARK SECRET<br />

JUNE <strong>2013</strong><br />

“Worse.” Blake hesitated. “If Li gave her<br />

blessing today, I think Rikki would be afraid to<br />

try. I think she’s lost faith in herself as a parent.”<br />

“That’s . . . ridiculous.” Only Dana felt that<br />

inadequacy, too. More <strong>and</strong> more, whenever<br />

she swung by the childcare center. With sixtyfour<br />

more children almost to term.<br />

She hadn’t admitted those feelings—failings—to<br />

anyone, either. She didn’t know that<br />

she could.<br />

For the remainder of the flight, she <strong>and</strong><br />

Blake were both quiet.<br />

Wearing a big, welcoming smile, Dana<br />

closed the distance to the children’s white<br />

picket fence. From afar you couldn’t tell that<br />

the pickets were poured concrete, not fashioned<br />

from wood. From afar, you didn’t see<br />

that the pickets stood two meters tall.<br />

Drawing near, seeing the children through<br />

the pickets, the fence looked like a stockade.<br />

“Kids grow,” Li had said. “We don’t want to<br />

rebuild the fence every couple years.” It<br />

sounded reasonable. Most everything she said<br />

sounded reasonable.<br />

The day was sunny <strong>and</strong> crisp. Perfect football<br />

weather Blake had declared it when they<br />

l<strong>and</strong>ed. But this being Dark, the few hints of<br />

fall colors came from inside the greenhouse<br />

<strong>and</strong> on saplings in clay planters glimpsed<br />

through the fence.<br />

Dana flashed a h<strong>and</strong> signal. On a pole just<br />

inside the gate, a camera bobbed: Marvin acknowledging<br />

that he had seen her. As she approached<br />

the gate, at which the h<strong>and</strong>print-reader<br />

lamp flashed READY, Li opened the<br />

gate from inside.<br />

“Hi,” Li said. “Did you have a good flight?”<br />

“It had its ups <strong>and</strong> downs.”<br />

Dana slipped inside; the gate falling locked<br />

<strong>and</strong> shut behind her with a loud click. It must<br />

have rained while she <strong>and</strong> Blake were off flying,<br />

because the green carpet squished beneath<br />

her boots. Kids should play on grass,<br />

she thought sadly, although no one could<br />

spare the time to keep such a large expanse<br />

mowed, or to haul <strong>and</strong> spread the truckloads<br />

of river-delta silt a lawn would have required.<br />

Had there been time, no one would have permitted<br />

children around the quantities of fertilizer<br />

the lifeless silt would have needed applied<br />

several times each year.<br />

87


ANALOG<br />

Children clambered over the playground<br />

equipment. Younger kids with shovels <strong>and</strong><br />

pails dug in s<strong>and</strong>boxes. Dark lacked soil, but it<br />

had plenty of s<strong>and</strong>. As she had sensed from<br />

the distance, several of the bigger kids were in<br />

the tiny garden plot. Picking tomatoes, apparently.<br />

All the boys <strong>and</strong> girls wore pants <strong>and</strong><br />

sweaters, dressed alike except for color. Red<br />

for the oldest, blue for the cohort a year<br />

younger, green for those a year younger still.<br />

Like uniforms. Why had she never noticed<br />

that?<br />

The yard, for all the dozens of little ones,<br />

was quiet <strong>and</strong> orderly; the expressions on so<br />

many of the young faces seemed purposeful<br />

rather than playful. But on what basis could<br />

she form expectations? Only ancient memories<br />

of her own childhood.<br />

Dana walked to the garden. She leaned forward,<br />

h<strong>and</strong> outstretched to tousle Eve’s hair.<br />

Eve scuttled away, circling behind a row of<br />

potted tomato plants, to shelter behind Li.<br />

“Excuse me, Eve,” Dana said. “I didn’t mean<br />

to startle you.”<br />

“Tell Ms. Dana you’re sorry,” Li directed.<br />

“No need,” Dana said hastily. “Honey, how<br />

are you doing? Are you enjoying the nice<br />

weather?”<br />

Eve buried her face in Li’s back. “I’m sorry,<br />

Ms. Dana,” she mumbled.<br />

Her brothers (for lack of a more fitting<br />

term) had sidled close together.<br />

“How are you big boys today?” Dana asked.<br />

“Fine, Ms. Dana,” Castor said. Pollux, his<br />

lower lip trembling, held out a tomato.<br />

“Run along,” Li told them. “Take inside<br />

what you’ve picked, <strong>and</strong> then see if Mr. Carlos<br />

could use your help.”<br />

Pails swinging at their sides, the three scampered<br />

toward the childcare center.<br />

“What was that about?” Dana asked Li.<br />

“What do you mean?”<br />

Around the s<strong>and</strong>boxes, most of the children<br />

had stopped their play. Several stared, wideeyed,<br />

at Dana. She said, “Look at them.”<br />

“Kids watch adults. That’s part of how they<br />

learn. They don’t see you often, is all.”<br />

Only to Dana these children looked wary,<br />

not curious. “And Eve? I would swear she was<br />

afraid of me. Pollux, too.”<br />

Li sighed exasperatedly. “Shy. Eve was shy,<br />

Dana. Pollux, too. Kids sometimes are. Now<br />

look what he gave you, <strong>and</strong> what you did with<br />

it.”<br />

Dana looked. Her h<strong>and</strong> was wet <strong>and</strong> sticky.<br />

She had squeezed the tomato into goo; juice<br />

<strong>and</strong> pulp dribbled between her fingers.<br />

“I guess I’m tense,” she admitted. No,<br />

scared shitless that Rikki was right. That apart<br />

from Li, none of them knew what they were<br />

doing. “Maybe the kids picked up on that.”<br />

“They did,” Li said flatly.<br />

“Sorry about that.” More sorry than you<br />

can imagine.<br />

“Go home,” Li said. “Take the afternoon off.<br />

There’s something important I’ll be bringing<br />

up after dinner.”<br />

“We’ve reached a major milestone,” Li said.<br />

Around the dinner table, the peasants studied<br />

her with curiosity. Carlos wore a relaxed<br />

grin, from a beer or three too many rather<br />

than from foreknowledge.<br />

“Every day is a new challenge,” Li continued.<br />

“Every day has its chores. But look what<br />

we’ve accomplished. Wheat, corn, <strong>and</strong> barley<br />

crops ripening for the upcoming harvest, <strong>and</strong><br />

enough freeze-dried bacterial mat to see us<br />

through bad weather. Remote-sensing instruments<br />

placed on the moons. Our very own climate-improvement<br />

program.”<br />

“And ever more thriving children,” Carlos<br />

added. Giving Li credit, predictably. With<br />

hopes, no doubt, of . . . reward later.<br />

“And thriving children,” Li repeated.<br />

She had set the dining-room walls to a<br />

peaceful seascape, a gentle froth of combers<br />

rushing up <strong>and</strong> swirling back down a<br />

sparkling white s<strong>and</strong> beach. In a cerulean sky,<br />

behind pink wisps of cloud, a tomato-red sun<br />

kissed the sea. Waves whispered, <strong>and</strong> tropical<br />

breezes sighed through palm trees, <strong>and</strong> s<strong>and</strong>pipers<br />

piped. Restful. Hopefully lulling. Even<br />

Carlos <strong>and</strong> Rikki, neither of whom had ever<br />

visited Earth or experienced such a sunset,<br />

must feel it.<br />

The common experiences of thous<strong>and</strong>s of<br />

generations embedded themselves in the genetic<br />

code. Not as simple as memory, genetic<br />

programming recorded the common heritage<br />

of the species. Genetic programming instilled<br />

fear of the dark, when predators hunted <strong>and</strong><br />

proto-humans were wise to hide, <strong>and</strong> of<br />

predators yet unseen. Genetic programming<br />

suggested, too, what was not a threat <strong>and</strong><br />

when—as in this case—it was safe to relax.<br />

88 EDWARD M. LERNER


That basic neural hardwiring would not be<br />

denied. So be at peace, my peasants. Be at<br />

peace.<br />

“Many accomplishments,” Dana agreed.<br />

“But Li, what is this milestone you mentioned?”<br />

“Specialization. I eat by the sweat of your<br />

brows. We stay healthy in large measure by<br />

Carlos’s steady tweaking of our nanites. And if<br />

I may say so, the children continue to benefit<br />

from my attention.”<br />

“You may say so,” Antonio said.<br />

“The milestone,” Li continued, “is this. That<br />

we’re ready to recognize <strong>and</strong> make formal the<br />

patterns that are already working so well for<br />

us.”<br />

“What patterns?” Blake asked.<br />

“Job specialization.” Li counted silently to<br />

three. “Including those of us who will interact<br />

with the children.”<br />

Raw emotions scrabbled <strong>and</strong> jostled behind<br />

Rikki’s eyes. For several long seconds Li<br />

thought relief would win, but guilt chased it<br />

away. Maternal instincts were hardwired, too.<br />

Rikki swallowed hard. “We all help with the<br />

children.”<br />

“Perhaps that should change,” Li said. “Not<br />

everyone is as . . . well-suited.”<br />

Not everyone is successful at it.The children<br />

don’t recoil from everyone.You know<br />

who you are.<br />

There was pain now in Rikki’s eyes. In<br />

Dana’s, too. Because Li was good at what she<br />

did. And when the two women conceded,<br />

their men would go along.<br />

“Is it even possible?” Rikki asked. (Hoping<br />

for which answer? Li couldn’t tell.) “Even with<br />

six of us, sometimes watching the children is<br />

draining. How could you alone h<strong>and</strong>le it?”<br />

“Yes, it’s possible,” Li asserted. “But it won’t<br />

be just me. The children are comfortable<br />

around Carlos, too.” And, you are free to infer,<br />

with no one else. “And Marvin, of course,<br />

who never sleeps. And Eve <strong>and</strong> the twins are<br />

old enough to help. They want to help.”<br />

“Children raising children,” Blake said dubiously.<br />

“You’re a youngest child, correct?” Li said. It<br />

doesn’t matter that you’ve never told me<br />

you’re the baby of the family, because you’re<br />

their freaking poster child: uncomplicated, attention-seeking,<br />

<strong>and</strong> transparently manipulative.<br />

“I can’t believe your older—well, I’ll say,<br />

DARK SECRET<br />

JUNE <strong>2013</strong><br />

sister—never baby-sat you.”<br />

Blake blinked. “Oh, Lynette did, <strong>and</strong> the experience<br />

does nothing to bolster your argument.”<br />

“Marvin,” Li called, “how many diapers has<br />

Eve changed this evening since I left the center<br />

for dinner?”<br />

“Six, Li.”<br />

“How many babies have Castor <strong>and</strong> Pollux<br />

fed?”<br />

“Eighteen, so far. They gave bottles to fourteen<br />

<strong>and</strong> fed four directly.”<br />

“While you supervised. Thank you.” To the<br />

peasants, Li added, “A dozen in the next cohort<br />

are eager to do like the big kids.”<br />

“And . . . us?” Antonio asked.<br />

“You will contribute more in the ways you<br />

already do,” Li said. “How much more<br />

progress will you make studying local geology”—you<br />

<strong>and</strong> your stupid rocks—“when<br />

you’re not changing diapers every few nights?<br />

How much sooner, Rikki, will you underst<strong>and</strong><br />

the climate trends?”<br />

How much more farming <strong>and</strong> chicken tending<br />

will you four get done? How many more<br />

cattle can you raise because you won’t be<br />

with the children, <strong>and</strong> how many more cows<br />

can you milk? How much more mining of<br />

phosphates, <strong>and</strong> raising of barns, <strong>and</strong> a thous<strong>and</strong><br />

other menial chores? But chores weren’t<br />

selling points.<br />

“And as . . . the colony . . . grows?”<br />

Li said, “As children become old enough of<br />

course you’ll teach them the many skills with<br />

which to maintain the colony.” After I’ve<br />

made them dependably mine.<br />

She could feel the others wavering. “Then<br />

we’re in agreement?”<br />

Dana’s chair scraped back as she stood.<br />

“No.”<br />

“Excuse me?” Li said.<br />

“No,” Dana repeated. “No way. Uh-uh. Forget<br />

it. If I lack some skill, teach me. If I am a<br />

stranger to the children, I’ll spend more time<br />

with them. The mission is to raise a family, a<br />

culture, a civilization—<strong>and</strong> I do not ab<strong>and</strong>on<br />

my mission.”<br />

“No . . . nor I,” Rikki squeaked. “Nor I,” she<br />

repeated, the second time firmly.<br />

Blake <strong>and</strong> Antonio nodded.<br />

“We get more involved,” Rikki said. “Once<br />

the harvest is in, we’ll have more time. And<br />

any child old enough to baby-sit is old enough<br />

89


ANALOG<br />

to start school. I’ll help with that. I’d like that.”<br />

“Me, too,” Antonio said.<br />

“This is how you want it?” Li asked.<br />

“Yes!” they chorused.<br />

“Remember that I offered,” Li said. Remember<br />

who made me do things the hard way.<br />

Chapter 33<br />

“A needle in a haystack,” Blake grumbled.<br />

“I wish.” Antonio didn’t take his eyes off the<br />

sensor console. “Give me an electromagnet<br />

<strong>and</strong> I’ll have your needle in no time.”<br />

“Heh,” Blake said. “I bow to your superior<br />

physics.”<br />

“Don’t forget it.”<br />

Blake shut his eyes. “Wake me when you<br />

find something.”<br />

He lolled bonelessly in the loose grasp of a<br />

seat harness. Deep inside the asteroid belt,<br />

sans Marvin, they wanted a human pilot on<br />

the bridge at all times. Dana was bunking in,<br />

which left him. Antonio, no matter the superiority<br />

of his physics, had terrible reflexes <strong>and</strong> a<br />

disturbing tendency to confuse left with right.<br />

At least the dumb-as-a-stump computer still<br />

aboard after moving Marvin to the bunker<br />

could spot incoming rocks on its own.<br />

Rikki could have h<strong>and</strong>led a shift. Especially<br />

after the arduous harvest, she would have welcomed<br />

a change of scenery. Not to mention<br />

the spells in zero gee, while Antonio surveyed<br />

all the nearby rocks.<br />

But Rikki was suffering from, well, Li had<br />

yet to figure that out. Nothing serious, Li assured<br />

them. Whatever it was, Rikki wasn’t<br />

keeping down much of what she ate. Might be<br />

some intestinal flora gone bad in a way her<br />

nanites had yet to learn to h<strong>and</strong>le. Might be,<br />

though Li had insisted that the possibility was<br />

remote, a Dark-native bacterium that had<br />

jumped to humans. Might be food poisoning.<br />

Might be a nutritional deficiency. Ironic, that<br />

last scenario: that a need for some trace element<br />

might have kept Rikki from prospecting<br />

for a trace element.<br />

“And we’re back,” Blake declared, opening<br />

his eyes. “Have you found any big nuggets?”<br />

“Not yet.” Antonio squirmed in his couch,<br />

readjusting the straps. “Vanadium isn’t common,<br />

you know.”<br />

He knew—or, rather, Marvin had told them.<br />

A couple hundred parts per million in Earth’s<br />

crust. Undetected to date anywhere in the<br />

Dark system. But in Sol system, vanadium was<br />

common, comparatively speaking, in meteoroids<br />

<strong>and</strong> asteroids.<br />

Why else would they be out here, probing<br />

rock after rock?<br />

Blake studied his console. “Looks like another<br />

two are coming into range.”<br />

“Yes. Do you want . . . to do the honors?”<br />

“Sure.” Because it was something to do.<br />

Blake tagged the closer of the radar blips <strong>and</strong><br />

dragged its trajectory data to the comm controls.<br />

(As he did, he checked for messages<br />

pending. Rikki hadn’t answered his last few<br />

emails. He hoped that meant she was getting<br />

some sleep.) The long-range comm laser<br />

reached out, invisible, for empty space provided<br />

nothing to scatter the light. Within seconds,<br />

as the spectrometer examined the<br />

miniscule bit of glowing vapor boiled off the<br />

rock’s surface, they would know a little about<br />

the rock’s composition.<br />

“No vanadium,” Antonio said. And a minute<br />

later, after the laser hit the second target, he<br />

reported, “None there, either.”<br />

Logically speaking, they would end up surveying<br />

hundreds, maybe thous<strong>and</strong>s, of rocks<br />

before encountering one with vanadium compounds<br />

on its surface. They would have flown<br />

around much of the belt to find it. That Li<br />

hadn’t balked at four of them being gone, possibly,<br />

for weeks spoke volumes. Though slow<br />

to develop, this dietary deficiency must be serious.<br />

Radar showed they had a while until more<br />

asteroids came within probing range. “Feel<br />

like a game of chess?” Blake asked.<br />

“No thanks.” Antonio waved vaguely at the<br />

datasheet draped across his lap. “Aristophanes<br />

data. This is fascinating. On the ground . . . I<br />

never had the time to look at it. The surface<br />

temperature readings . . .”<br />

Evidently, definitions of fascination varied.<br />

“Do you see signs there of vanadium?”<br />

“None. But—”<br />

“Enjoy,” Blake said. He began a new email<br />

to Rikki. WISH YOU WERE HERE.<br />

“Another shift,” Blake announced, yawning.<br />

“Much nothing accomplished.”<br />

“I recommend a snack <strong>and</strong> sleep,” Dana<br />

said. “For you, too, Antonio. Whatever there is<br />

to be seen will be in the comp when you<br />

come back.”<br />

90 EDWARD M. LERNER


“In a while,” Antonio said absently. Scatter<br />

plots <strong>and</strong> bar charts cluttered his datasheet.<br />

Much ado about asteroids.<br />

Rikki had yet to answer emails, which Blake<br />

took to mean she’d gotten a decent night’s<br />

sleep. Back at the settlement it was almost<br />

time for breakfast. He would rest easier once<br />

he heard how she was feeling.<br />

Only, as he dawdled in the galley over a<br />

s<strong>and</strong>wich <strong>and</strong> salad, no emails came to him.<br />

He went back to the bridge. “Do we have<br />

contact with home?”<br />

“Euripides is in position to relay,” Antonio<br />

mumbled. “Before it sets in an hour, Aeschylus<br />

will serve.”<br />

“You know moonrise <strong>and</strong> set times?” Blake<br />

asked.<br />

The corners of Antonio’s mouth, one at a<br />

time, twitched upward. “You don’t?”<br />

“More useful than old Paris subway schedules,”<br />

Dana said. “But as for contact with<br />

home, here’s a simpler demonstration. An<br />

email came in from Carlos a few minutes ago,<br />

inquiring about our progress.”<br />

Blake asked, “Anything in the message<br />

about Rikki?”<br />

“No, sorry. But it was a short note. A oneliner.”<br />

No news means only no news, Blake told<br />

himself.<br />

“This is very . . . interesting.”<br />

On Antonio’s lap, the datasheet’s graphics<br />

were denser than Blake remembered. Orbital<br />

parameters. Sizes. Rotation rates. One scatter<br />

plot bore the cryptic label Albedo Variability.<br />

Blake asked, “What’s albedo?”<br />

“The fraction of the incident . . . light reflected.”<br />

Antonio had collected plenty of rocks on<br />

Dark. He’d collected rocks from Dark’s moons<br />

when the opportunity had presented itself. It<br />

wasn’t a big surprise that he would collect<br />

stats about these rocks now.<br />

“And Li?” Blake asked. “What does she have<br />

to say?”<br />

“No word,” Dana said, “but that doesn’t surprise<br />

me. We left them shorth<strong>and</strong>ed.”<br />

“Especially if she’s got a sick patient to deal<br />

with.”<br />

“Go,” Dana said. “Sleep. I’ll email Li <strong>and</strong> ask<br />

what’s going on.”<br />

“Rikki’s fine,” Dana greeted Blake on his<br />

DARK SECRET<br />

JUNE <strong>2013</strong><br />

reappearance eight hours later.<br />

He saw she had the bridge to herself. On<br />

the radar display, the only nearby objects were<br />

receding. An aux display cycled through an album<br />

of kid holos.<br />

“Freshly synthed.” He had three drink bulbs<br />

of coffee; he h<strong>and</strong>ed her one. “And I’m glad to<br />

hear it, because Rikki has yet to answer me.<br />

What did Li say?”<br />

“Not much. Rikki’s better, <strong>and</strong> keeping<br />

down light meals. She’s home, resting. Li <strong>and</strong><br />

Carlos are busy with the kids, but one of them<br />

checks on Rikki every few hours.”<br />

“Any diagnosis yet?”<br />

“Li’s leaning toward a nutritional deficiency.<br />

Vanadium, in fact.”<br />

“Leaning.”<br />

“Here.” Dana pulled up the message. “You<br />

now know what I know.”<br />

It wasn’t much. Blake sent Li a reply asking<br />

her to have Rikki contact him.<br />

Dana, reading over his shoulder, said, “You<br />

worry too much. And confident that you<br />

won’t listen, here’s my free advice. Let the<br />

poor woman sleep. And leave Li <strong>and</strong> Carlos<br />

alone.”<br />

“We’ll see.” Which they both knew meant<br />

“No.”<br />

“Between you <strong>and</strong> Antonio, I will go nuts.”<br />

Blake dropped into the copilot’s seat, content<br />

to change the subject. “Asteroid albedo?”<br />

“In part. They’re too splotchy for his taste,<br />

<strong>and</strong> he wants to drop down <strong>and</strong> visit a few.<br />

Mostly he’s worked up that too few asteroids<br />

dip within Dark’s orbit.”<br />

Blake stiffened. “This isn’t a science project.<br />

I hope you told him he can collect rocks<br />

where we find vanadium.”<br />

“I told him I loved him dearly, but that the<br />

absence of threatening asteroids is a good<br />

thing. I said the fewer rocks we l<strong>and</strong>ed on, the<br />

fewer we risked nudging the wrong way.”<br />

“Good answer.”<br />

“And after that rare vote of approval, I h<strong>and</strong><br />

over the bridge to you. Vaporize wisely.”<br />

“Will do,” Blake said. “Sleep tight. I’ll wake<br />

you if I find anything.”<br />

She stopped in the hatchway. “Back home<br />

they’re busier than we are. When they have<br />

news, they’ll let us know.”<br />

“I’m sure you’re right,” Blake said.<br />

That didn’t keep him, as soon as Dana had<br />

vacated the bridge, from emailing Marvin for<br />

91


ANALOG<br />

an update.<br />

Blake was beginning to smell a rat.<br />

Chapter 34<br />

The measure of just how lousy Rikki felt<br />

was that, lifting her head at the sudden tapping<br />

on her window, she felt relief at seeing<br />

Li.<br />

“Door’s open,” Rikki croaked. She let her<br />

head flop back onto the sofa arm.<br />

“I see you’re better,” Li chirped, coming<br />

into the house. “I expected to find you in<br />

bed.”<br />

“I was going for some dry crackers. Halfway<br />

to the kitchen I reconsidered.” When I remembered<br />

they were made from sea slime.<br />

Li set down her med kit. “I’d like to take a<br />

scan.” Whatever Rikki’s nanites had to report<br />

or the scanner found on its own must not<br />

have merited specific comment. “You’ll live,<br />

though from the looks of you, at the moment<br />

that isn’t a selling point.”<br />

The woman had no bedside manner.<br />

“When will I be over this? Whatever this is?”<br />

Rikki hesitated—fearful, almost superstitiously<br />

so—of evoking a nightmare from an era before<br />

med nanites. “Am I contagious?”<br />

“Don’t know, don’t know, <strong>and</strong> do you see<br />

me wearing a mask?”<br />

Then came the repeat lecture about keeping<br />

hydrated <strong>and</strong> foods that might stay down,<br />

followed by megadoses of vitamins <strong>and</strong> antinausea<br />

meds. It all wore Rikki out. “What have<br />

you heard from Endeavour?” she asked as Li<br />

helped her back to bed.<br />

“Only that they’re still searching.”<br />

“And Blake?”<br />

“He’s busy. Now get some rest.”<br />

Fitfully, disappointed that Blake hadn’t written,<br />

or even acknowledged any of her brief<br />

notes, Rikki drifted in <strong>and</strong> out of sleep.<br />

A few more seconds, Li told herself. And,<br />

don’t look bored.<br />

Finally, it stopped.<br />

Wearing his customary smug <strong>and</strong> oblivious<br />

smile, Carlos rolled off her onto his side of the<br />

bed. He pulled up the sheet. His breathing<br />

slowed. In a minute or two, he would be snoring.<br />

They needed to talk, <strong>and</strong> the best time for<br />

that was after sex. When he was relaxed.<br />

When even more than usual, the little head<br />

did most of his thinking.<br />

Propping herself up on an elbow, resting<br />

her h<strong>and</strong> lightly on his chest, Li said, “You<br />

awake?”<br />

“Mmm?”<br />

“The sun’s still high <strong>and</strong> there’s just us. We<br />

can’t sleep now.”<br />

“Watch me.”<br />

“I’m serious,” Li said. “And this is important.”<br />

“Marvin is watching the kids.”<br />

“Eyes-open important. And sit up.”<br />

Carlos sat. Li spoke. And he, once she had<br />

finished, as she had known he must, had<br />

agreed to everything. She had Carlos well conditioned.<br />

Like Pavlov’s salivating dog. If only<br />

just saliva were involved . . .<br />

On the verge of triumph, she felt pangs of<br />

disappointment. The gr<strong>and</strong>eur of her vision<br />

was wasted on Carlos. The meticulous beauty<br />

of her planning—as much of it as she had<br />

shared—interested him only as it assured their<br />

success. All that he responded to was the expectation<br />

of future coupling.<br />

She could live with that. She needed his<br />

help, <strong>and</strong> what mattered to her was the outcome.<br />

As for the other four, she had given them<br />

their chance.<br />

Shuffling more often than walking, but feeling<br />

human for the first time in days, Rikki<br />

made her way down Main Street. She tried to<br />

forget the uphill trip that she faced to return<br />

home. As she passed the garage, its door began<br />

to rise. Carlos had hitched a trailer to the<br />

back of their dump truck; he sat on the backhoe-loader,<br />

revving the motor, evidently about<br />

to drive the contraption up the ramp onto the<br />

trailer.<br />

Her voice was as feeble as a kitten’s; he<br />

must not have heard her over the growl of the<br />

engine, asking what he was doing. Whatever,<br />

she could find out later. Or not—curiosity<br />

seemed too much like work. She waved, he<br />

waved back, <strong>and</strong> she shuffled on.<br />

Between fence slats, Rikki watched children<br />

ramming around, climbing, swinging. Marvin<br />

had unlocked the gate at her approach, but<br />

she could hardly make it budge. “Marvin,” she<br />

called. With a squeal of grit-clogged hinges,<br />

the gates swung inward.<br />

Activity in the yard all but ceased.<br />

92 EDWARD M. LERNER


Children fell silent, some staring, others<br />

sidling away. A few of the littlest took shelter<br />

behind Eve <strong>and</strong> the twins. Despite assurances<br />

that she wasn’t contagious, Rikki was just as<br />

happy this one time that the kids were shy<br />

around her.<br />

“Hi!” she called. “Who can tell me where I<br />

can find Ms. Li?”<br />

It fell to Marvin to answer. “At her office in<br />

the childcare center.”<br />

Inside the center, Rikki paused at the glass<br />

wall that opened into the toddlers’ room. All<br />

those little ones, unhugged. Untouched.<br />

Alone for most of the day, every day, apart<br />

from the insubstantial company of an AI. It<br />

broke her heart. She reached for the door, <strong>and</strong><br />

hesitated.<br />

“You’re not contagious,” Li said. “Go<br />

ahead.”<br />

Rikki jumped. “I didn’t hear you coming.”<br />

“I heard you. I’m glad you’re up <strong>and</strong> strong<br />

enough for an outing. As it happens, there<br />

was something I wanted to talk about with<br />

you. We can talk inside.”<br />

“Is it Endeavour?”<br />

“Nothing like that.” Li gestured at the door.<br />

“Inside.”<br />

At Rikki’s entrance, several of the children<br />

froze. More shied away. Chubby-cheeked Carla<br />

(with the mass of black curls that so reminded<br />

Rikki of her sister Janna at that age)<br />

began to whimper.<br />

“It’s okay, sweetie,” Rikki said, reaching to<br />

brush a tear from Carla’s cheek.<br />

Carla lurched, screaming, to cower behind<br />

a crib.<br />

“Why do they hate me?” Rikki whispered.<br />

And why do they adore you?<br />

“Let’s go next door,” Li said.<br />

Next door meant the newborn unit. Li gestured<br />

Rikki ahead through this door, too. Empty<br />

cribs waited, row upon row, facing the<br />

one-way glass wall. In a few weeks, all the<br />

cribs would be occupied.<br />

Li said, “You’re a beautiful woman.”<br />

Well, I did wash my face <strong>and</strong> change into<br />

clothes without puke spatters. “Is that your<br />

big problem with me? That Blake finds me attractive?”<br />

“Just an observation. You are more than<br />

welcome to Blake.” Li changed tone. “Marvin,<br />

play kid-vid zero.”<br />

On the display integral with the low-end<br />

DARK SECRET<br />

JUNE <strong>2013</strong><br />

panel of every crib, pastels morphed into the<br />

image of an old oak tree. From crib speakers<br />

came a soothing rustle of leaves. Let the vid<br />

play long enough, <strong>and</strong> it would cycle through<br />

clear skies, both sunny <strong>and</strong> starry, toddlers<br />

gleefully splashing in a wading pool, a timelapse<br />

view of roses flowering, <strong>and</strong> other delights.<br />

“I hadn’t realized the vid had a name,” Rikki<br />

said. “It’s just what we play.”<br />

“It’s what you <strong>and</strong> your friends play. There<br />

are others, vids that Marvin hasn’t been at liberty<br />

to divulge.”<br />

“I don’t underst<strong>and</strong>,” Rikki said.<br />

“Perhaps a demonstration. Marvin, kid-vid<br />

one, please.” The oak tree vanished, replaced<br />

by a close-up of Li’s smiling face. The aural accompaniment<br />

was a deep rhythmic throb: the<br />

same heartbeat recording that pulsed in the artificial<br />

wombs. “Marvin is only permitted to<br />

play that at my direction, or when no adult is<br />

present.”<br />

Unctuous, smiling Li faces everywhere, <strong>and</strong><br />

Rikki wanted to smash them—the flesh-<strong>and</strong>blood<br />

face most of all. “You programmed the<br />

children to love you?”<br />

Li smirked. “The proper term is imprinting.<br />

And yes, I did.”<br />

“No, the proper term is child abuse.”<br />

“You’re such a drama queen. Marvin, show<br />

our guest kid-vid-two.”<br />

The crib-panel displays went dark. The low,<br />

steady heartbeat became . . . something else.<br />

Primitive. Dissonant. On the crib-panel displays,<br />

lightning flashed. Beneath the music,<br />

thunder rumbled.<br />

Rikki shivered. “What the hell is—”<br />

“Watch,” Li comm<strong>and</strong>ed. “Listen. Learn.”<br />

From the lightning-torn night sky slowly<br />

emerged . . . a face. Rikki’s face. The music<br />

swelled, grew more urgent <strong>and</strong> . . . scarier.<br />

“The Rite of Spring,” Li said. “The children<br />

will never appreciate Stravinsky, I’m sad to<br />

say, but that’s a sacrifice worth making.”<br />

And Rikki’s face morphed into—<br />

A hooded . . . thing. Coiled. Scaly. Black<br />

with, as it reared its head, a fish-white underbelly.<br />

Hissing, swaying. It studied her dispassionately<br />

through little beady eyes. A forked<br />

tongue flickered in <strong>and</strong> out, in <strong>and</strong> out between<br />

its jaws.<br />

Rikki’s skin crawled. She felt her eyes go<br />

round. On the back of her neck, hairs prick-<br />

93


ANALOG<br />

led. Before she could find her voice, the thing<br />

lunged. In full 3-D.<br />

She yelped.<br />

“The effect is even more impressive with<br />

the room night-dim,” Li said. After a brief return<br />

to a stormy night sky, Blake’s face began<br />

to emerge. “Stop vid.”<br />

This was . . . hateful. Psychological torture.<br />

Madness. Whether from shock or her lingering<br />

illness, Rikki’s knees threatened to buckle.<br />

Groping behind her, she edged backward to<br />

lean against a wall.<br />

“The vid goes on to Dana <strong>and</strong> Antonio, too,<br />

if you wondered.”<br />

“Why?” Rikki managed to get out.<br />

“You can figure out why,” Li said cheerily. “I<br />

doubt you can figure out how. Had you ever<br />

seen a king cobra?”<br />

“N-no.”<br />

“Nor have I. I’ve seen snakes, of course. On<br />

Earth. I don’t recall ever seeing a snake on<br />

Mars. A good choice on someone’s part, not<br />

to import any.” Li laughed. “Or maybe Saint<br />

Patrick was involved.<br />

“But I digress. King cobras are nasty things.<br />

Very poisonous. And without ever having<br />

seen one, at some level you knew to fear it. As<br />

the children do, instinctively.<br />

“Dread <strong>and</strong> loathing of reptiles lives deep in<br />

our hindbrains. No one knows how early in<br />

mammalian evolution that wiring emerged. It<br />

could date to the twilight of the dinosaurs,<br />

when the reflex to flee reptiles would have<br />

served our earliest progenitors well. I merely<br />

associated your faces with that reflex. All in<br />

the children’s first months, before they even<br />

began to speak. They can’t conceptualize the<br />

fear, much less articulate it. They just have it.<br />

And when a child is loud or disobedient, a<br />

flashed image of a king cobra—or of you—<br />

sobers him up quickly.”<br />

Rikki shuddered. “You’re a monster.”<br />

“Name-calling, really? That’s the best you’ve<br />

got?” Li smiled. “Take comfort in knowing the<br />

children won’t miss you.”<br />

“I don’t underst<strong>and</strong>,” Rikki said.<br />

“Perhaps this will make it clearer.” Li<br />

reached behind her back, pulling something<br />

from her waistb<strong>and</strong>. Something Rikki had not<br />

seen since helping to unload cargo from Endeavour<br />

soon after L<strong>and</strong>ing Day.<br />

A h<strong>and</strong>gun.<br />

* * *<br />

Chapter 35<br />

“Something’s wrong,” Blake decided.<br />

“Something often is,” Dana agreed, eyes<br />

fixed on her nav console. “Might I trouble you<br />

to be more specific?”<br />

“In a sec.” The latest asteroid to be overtaken<br />

was almost within laser range. “Firing . . .<br />

now. Another dud. How many is that?”<br />

“I leave the big numbers to Antonio. So tell<br />

me, what’s wrong?”<br />

“The latest one-line note from Rikki. They<br />

all say she’s fine, but if she were she’d have<br />

more to say. Or she’d answer a question or<br />

two of mine. Or she’d record a vid, or at least a<br />

voice message.”<br />

“Or she’s fine <strong>and</strong> very busy. As we are.”<br />

Dana coaxed Endeavour onto a new course.<br />

“Call it fifteen minutes till the next rock<br />

comes into range.”<br />

“I’m not too busy to contact her.”<br />

“Well good for you. You’re not the one dealing<br />

with more sick kids every day. I don’t<br />

know what to tell you other than do your job.<br />

We need vanadium. We’ll stay out here till we<br />

find it or Li says we’re needed more back<br />

home. And just so you know, it would be a bit<br />

less creepy if you didn’t spy on your wife<br />

through Marvin.”<br />

Blake wasn’t proud of that, either. He had<br />

just wanted to see Rikki looking other than<br />

green around the gills. And when he saw her<br />

in the yard, keeping an eye on the healthy kids<br />

at play, he’d told Marvin he had all he needed.<br />

Ignoring Dana’s disapproving glance, Blake<br />

replayed the short vid clip. When it stopped,<br />

he left the final image open on an aux display.<br />

They h<strong>and</strong>led the next asteroid encounter<br />

with minimal words, <strong>and</strong> the all too familiar<br />

failure. And the asteroid after that. And the<br />

two co-orbiting rocks after that. Blake began<br />

counting the minutes until Antonio would relieve<br />

him.<br />

“Will you please take down that vid?” Dana<br />

asked. “Rikki is fine. You have a problem.”<br />

“I can’t put my finger on it, but I know. I’m<br />

certain. Something is wrong. We need to go<br />

back.”<br />

“When we have what we came—”<br />

“An interesting thing,” Antonio said from<br />

the hatchway. Blake hadn’t heard him coming.<br />

“Did you—”<br />

“Not now,” Blake <strong>and</strong> Dana snapped in unison.<br />

94 EDWARD M. LERNER


“Yes . . . now.”<br />

Something in Antonio’s voice made Blake<br />

turn <strong>and</strong> look. Antonio was craning his neck,<br />

staring past Blake at the playground scene.<br />

“See the . . . two moons?”<br />

Two moons, daylight pale, glimmered<br />

above the childcare center. The larger body<br />

was at half phase; the smaller was only a crescent.<br />

By their sizes, Aristophanes <strong>and</strong> Aeschylus.<br />

“Uh-huh,” Blake said. “What about them?”<br />

Antonio reached over Blake’s shoulder, extending<br />

a fingertip into the holo. “The timestamp<br />

shows today’s date. The positions <strong>and</strong><br />

phases of the moons are from twelve days<br />

ago.”<br />

Before Rikki fell ill! Before they left! Blake<br />

said, “We have to head back. ASAP. Li <strong>and</strong> Carlos<br />

are lying.”<br />

“It could be an honest discrepancy,” Dana<br />

said hesitantly.<br />

Blake shook his head. “AIs don’t make mistakes<br />

like that. Not on their own. Li or Carlos<br />

is using Marvin to hide something.”<br />

“I see another possibility.” Dana took a deep<br />

breath. “Blake, you won’t like this. Maybe the<br />

medical situation is more serious than they’ve<br />

admitted to us.”<br />

“And Rikki is . . .” Blake couldn’t finish the<br />

thought aloud. “You think they’re keeping it<br />

secret lest we come charging home without<br />

what they need.”<br />

“It’s possible. Sorry, Blake.”<br />

“You think they’d lie, compel Marvin to lie,<br />

all because they don’t trust us to do the right<br />

thing?”<br />

Dana shrugged.<br />

“They’d have told you, wouldn’t they? Made<br />

sure you knew the urgency?” And to Antonio,<br />

who had jammed himself between pilot <strong>and</strong><br />

copilot seats to poke at a console, Blake<br />

snarled, “Can’t that wait?”<br />

Dana said, “But they didn’t. I’d have told<br />

you.”<br />

And she would have. Blake was certain. “Li<br />

<strong>and</strong> Carlos are hiding something.”<br />

“You don’t know that.”<br />

“I can’t prove it, but—”<br />

“But I can,” Antonio said. “Look.”<br />

The playground was gone, vanquished by a<br />

long-range surveillance image of Dark. On the<br />

shore of the Darwin Sea, the settlement was<br />

little more than a dot.<br />

DARK SECRET<br />

JUNE <strong>2013</strong><br />

“From station beta on Aristophanes.” Antonio<br />

reached into the holo to indicate a faint<br />

oval smudge, darkest around the settlement.<br />

“See that? It’s most visible in infrared wavelengths.”<br />

Smoke? Precious little on Dark could burn,<br />

apart from the ethanol they produced. Blake<br />

banished insane notions of medieval plagues,<br />

of criers calling to bring out the dead, of mass<br />

funerary bonfires.<br />

Dana must have had the same thoughts. “A<br />

dietary deficiency can’t be contagious. What<br />

are they burning?”<br />

Antonio shook his head. “That’s not smoke.<br />

Area temperature readings are normal. We<br />

must be seeing dust. From major construction<br />

or . . . destruction.”<br />

“Amid a health crisis?” Blake said. “They are<br />

lying to us, <strong>and</strong> they’re not letting Rikki communicate.<br />

Dana, we have to go back.”<br />

“You’re right,” she said. “Buckle up, guys.”<br />

They were deep within the local asteroid<br />

belt <strong>and</strong> almost a quarter of the way around<br />

the sun from Dark. Over the course of their<br />

search, they had built up considerable speed.<br />

Blake reached for his datasheet to do the<br />

math.<br />

“Three <strong>and</strong> a half days,” Antonio said.<br />

“More or less. That’s with the DED running<br />

wide open.”<br />

Two gees all the way.<br />

Blake said, “Let’s get going.”<br />

Chapter 36<br />

As jails went, Rikki’s accommodations<br />

weren’t bad. She had windows (too small <strong>and</strong><br />

high to wriggle through, even if she had had<br />

the strength), a padded bench on which to<br />

rest, a toilet <strong>and</strong> sink, even a shower. The<br />

room was clean. At night, the ceiling glow<br />

panel gave more than ample light. Prisoners in<br />

stories paced out the dimensions of their cells,<br />

so she had. Call it four meters by five.<br />

When the nausea <strong>and</strong> vomiting returned<br />

she saw the silver lining to being locked inside<br />

a bathroom.<br />

After the nausea passed <strong>and</strong> she could stop<br />

hugging the toilet, she attacked the exterior<br />

wall with a spoon, the only utensil provided<br />

with her—untouched—food tray. She scraped<br />

long enough to confirm she’d need geological<br />

time to dig through the concrete. The shallow<br />

scratch, if anyone asked, was to mark Day<br />

95


ANALOG<br />

One. In stories, prisoners also kept calendars.<br />

From afar, every so often, she heard engine<br />

roars, <strong>and</strong> rasping, <strong>and</strong> deep whooshing rumbles.<br />

She remembered Carlos on the backhoeloader—could<br />

it have been only that<br />

morning?—<strong>and</strong> wondered how it could have<br />

anything to do with Li’s . . . insurrection.<br />

When Rikki called at a window (oddly<br />

dusty) for help, the children ran.<br />

Damn that horrible video! Damn Li!<br />

Do I instinctively fear snakes? Rikki wondered.<br />

Does everyone? Maybe I only learned<br />

the fear growing up.<br />

But none of that mattered. The morphing<br />

faces <strong>and</strong> jarring music were surely terrifying<br />

enough.<br />

Just as the children’s dread of her was<br />

enough.<br />

Out of sight, around a corner of the childcare<br />

center, the sounds of play soon resumed.<br />

Every happy shriek was like a knife twisting in<br />

Rikki’s gut.<br />

There was nothing left to do but remember,<br />

<strong>and</strong> that was the most painful of all.<br />

Her datasheet! Straight from her pocket,<br />

still folded, she whispered into it, “Marvin, unlock<br />

the bathroom door.”<br />

Silence.<br />

She pushed on the door <strong>and</strong> it would not<br />

budge. Maybe the lock’s wireless interface had<br />

been disabled. She tapped out an email warning<br />

to Blake. LI’S GONE NUTS.COME BACK AT ONCE!<br />

Rather than an acknowledgment when she<br />

tapped SEND the pop-up read, I’M SORRY,RIKKI.<br />

I’M AFRAID I CAN’T DO THAT.<br />

Nor, she found, could she access the safety<br />

cameras to monitor what transpired outside. It<br />

dawned on her: Marvin had been blocking her<br />

messages to Blake all along. Carlos’s doing,<br />

she supposed. The man knew computers.<br />

Weary, defeated, Rikki lay down <strong>and</strong> closed<br />

her eyes. And opened them almost at once, to<br />

banish the image of Li br<strong>and</strong>ishing her gun.<br />

If Rikki had even remembered Endeavour<br />

had weapons in its cargo, she’d have thought<br />

them packed away forever. Anachronisms.<br />

Useless. Not as much as a gnat existed on Dark<br />

to harm them. To take up arms after billions—<br />

whole worlds—had perished? It was more<br />

than horrendous, beyond obscene.<br />

And she was hopelessly naïve. An end to violence<br />

would only come when human nature<br />

changed.<br />

The lock clicked.<br />

“St<strong>and</strong> back,” Li called. “I’m armed.”<br />

Rikki, who had been pacing, sat on the<br />

bench.<br />

Li entered cautiously, looking around the<br />

room. With gun in h<strong>and</strong>, she indicated the<br />

food tray. “You should eat.”<br />

“You expect me to believe this meal isn’t<br />

poisoned?”<br />

“That’s your theory?” Li laughed.<br />

“You obviously poisoned me. To keep me<br />

behind as your hostage?”<br />

“Not exactly. In fact, at first I was annoyed<br />

at how the timing worked out, that you’d be<br />

staying behind. Tying up loose ends would<br />

have been easier without you underfoot. But<br />

you know what? I’m glad you’re here. You’ll<br />

be more convincing when the others return.”<br />

“What do you mean, ‘Not exactly?’”<br />

“I did do something to you,” Li said. “Someday,<br />

maybe you’ll thank me. Till then I trust it<br />

will make you cautious.”<br />

“I’m your goddamned prisoner! I can’t do a<br />

thing. So stop being coy <strong>and</strong> tell me. What did<br />

you do?”<br />

“Carlos <strong>and</strong> me. Do you remember the immune-system<br />

booster shot at your last routine<br />

physical? That was actually software updates<br />

for your nanites.” Li smiled. “All that’s wrong<br />

with you is a major case of morning sickness.”<br />

“I’m . . . pregnant?”<br />

Pacing, sleeping, <strong>and</strong> staring out the window.<br />

It passed the time but provided no answers.<br />

Nothing Li had done made sense. Why reveal<br />

having warped the children? Just to brag?<br />

Why hold Rikki as a prisoner? Did Li think she<br />

<strong>and</strong> her gun could hold everyone at bay once<br />

Blake, Dana, <strong>and</strong> Antonio returned? She had<br />

to sleep sometime!<br />

And above all: why had Li enabled her to get<br />

pregnant?<br />

Staring out the window, Rikki screamed, at<br />

everyone <strong>and</strong> no one, “Are you crazy?”<br />

Children scattered. In seconds they had<br />

ab<strong>and</strong>oned all of the play area visible from her<br />

window.<br />

Not once in two days had Rikki seen an<br />

adult in the yard to supervise the kids. Was<br />

that the shape of things to come?<br />

“Come,” Li ordered. “And bring your coat.<br />

96 EDWARD M. LERNER


We’re going outside.”<br />

Rikki didn’t budge from her seat. “Why? Do<br />

you have more abuse to boast about?”<br />

“I’m not the one yelling at the children.”<br />

Holding open the bathroom door, Li backed<br />

into the corridor. Her other h<strong>and</strong> held a gun.<br />

“I assume you’d like to know what this is<br />

about. And before you try anything stupid, remember:<br />

you’re pregnant.”<br />

“As an elaborate, especially cruel, slow-motion<br />

way to kill me?” Because you’re that sick.<br />

“Oh, never mind what I told your doting<br />

husb<strong>and</strong>. ‘Could be fatal’ leaves a great deal of<br />

wiggle room. I’d give you four-to-one odds<br />

you’ll be fine.” Li gestured. “Out. I have things<br />

to show you. Things that, once you’re free,<br />

you’ll want to tell your friends.”<br />

Free? Without a hostage, how did Li expect—whatever<br />

she was up to—to outlast Endeavour’s<br />

return? She had to sleep sometime.<br />

“You’re adorable when you’re confused.<br />

Come. Your questions will all be answered.”<br />

Seething, Rikki followed.<br />

Just inside the open gate at the north end of<br />

Main Street, she saw Carlos. And a bulldozer,<br />

parked. And a dozen or more of the older children<br />

with rakes <strong>and</strong> shovels. Only you<br />

couldn’t dig in the rock-hard ground.<br />

“What are they doing?” Rikki asked.<br />

“All in good time.”<br />

Their first stop was the settlement’s primary,<br />

deeply buried bunker. A tornado shelter, at<br />

Antonio’s insistence, not that they had ever<br />

had a tornado. Li motioned Rikki away from<br />

the double steel doors to palm the h<strong>and</strong>print<br />

reader, then backed away.<br />

“You first,” Li said.<br />

Rikki raised one of the heavy doors. It fell to<br />

the side with a crash. The late afternoon sun<br />

touched only the first few steps, <strong>and</strong> she<br />

tapped the light-switch sensor. Her heart<br />

pounding, she scanned their most precious<br />

possessions: the embryo banks, still almost<br />

full. Bags of seed. Marvin’s servers. Everything<br />

appeared untouched—but she knew Marvin<br />

had been altered.<br />

What else, unseen, had Li <strong>and</strong> Carlos tainted?<br />

“We don’t have all day. Down.”<br />

“So you can shut me inside?”<br />

Li sighed. “I could have locked you here in<br />

the first place, couldn’t I? Just go down. Trust<br />

me, it’ll be worth it.”<br />

DARK SECRET<br />

JUNE <strong>2013</strong><br />

Hugging the railing, Rikki started down the<br />

concrete stairs. A tall stepladder she had last<br />

seen in the greenhouse, where she had used it<br />

to replace a cracked roof panel, leaned against<br />

the opposite wall. Everything else in the<br />

bunker was as Rikki remembered it—even the<br />

sturdy steel hook of the chain hoist on which,<br />

as usual, she cracked her head.<br />

She reached the bottom <strong>and</strong> had circled half<br />

the bunker floor before her captor descended<br />

the first few steps. Li said, “Look up. Higher.”<br />

Well beyond Rikki’s reach, strapped to the<br />

two steel beams that braced the concrete ceiling,<br />

packages . . . blinked.<br />

Li took something from her pocket. “The<br />

trigger.”<br />

Rikki did not want to believe. “Those are explosives?”<br />

“More than enough to bring the roof of the<br />

bunker crashing down.”<br />

And thereby end . . . everything. As from a<br />

great distance, Rikki heard herself ask, “Why?”<br />

“Here’s some old Earth history you might<br />

never have learned. Two great-power archenemies.<br />

Each side had enough nukes to obliterate<br />

its rival many times over. And neither side<br />

ever launched its missiles. Neither side dared,<br />

knowing the other would retaliate. Even an<br />

overwhelming first strike without warning<br />

might leave intact enough weapons for a devastating<br />

counterstrike. Strategists called the<br />

policy MAD. Mutual assured destruction.”<br />

It was mad, all right. “What can you possibly<br />

hope to accomplish?”<br />

“Our history lesson isn’t quite done.” Li<br />

poked at her remote. Overhead, alongside<br />

both blinking lamps, bright red numerals appeared.<br />

25:14:06. A st<strong>and</strong>ard Dark day.<br />

The counters began ticking down.<br />

“I must reset the devices daily. That’s my<br />

failsafe. If anything were to prevent me . . .”<br />

Rikki shivered. “What if something comes<br />

up? What if you can’t do the daily reset?”<br />

“Après moi, le déluge.”<br />

“What?”<br />

Li sneered. “Didn’t they teach history on<br />

Mars? You all deserve to be extinct. It’s<br />

French. Louis XV. ‘After me, the flood.’ And,<br />

as prophecies go, close enough. His son lost<br />

his head.”<br />

“Meaning?” Rikki asked despairingly.<br />

“Meaning you’d best see to it that nothing<br />

‘comes up’ before I’m prepared to disarm. As<br />

97


ANALOG<br />

to my purpose until then, you shouldn’t be<br />

surprised. A free h<strong>and</strong> with raising the children.<br />

You <strong>and</strong> your friends wouldn’t allow<br />

that when I offered you all the choice.”<br />

“Poisoning the children’s minds against us<br />

didn’t give you enough leverage?”<br />

“Sadly, no.”<br />

“Then why warp them?”<br />

“I’m molding them,” Li said. “Dana’s job<br />

was to find a refuge, a haven, like Dark. Now<br />

it’s my turn. To mold the children. To mold a<br />

civilization. The rest of you don’t have what<br />

that takes.”<br />

“Now that we know how important this is<br />

to—”<br />

Li snickered. “Little Miss Sunday dinner? I’m<br />

supposed to believe you’ll change your mind?<br />

Come back up. I have more to show you.”<br />

The heavy bunker door slipped from Rikki’s<br />

grasp when she closed it, too. This time,<br />

aware of the explosives, she cringed.<br />

Li gestured up Main Street with her h<strong>and</strong>gun.<br />

“Good. They’ve finished.”<br />

Carlos was ushering children—their<br />

clothes, faces, <strong>and</strong> h<strong>and</strong>s inexplicably filthy—<br />

away from the gate. One by one, they<br />

dropped gardening tools on a pile. Once the<br />

last child started down the street, Carlos did<br />

something with a gadget from his pocket.<br />

Most of the children gave Rikki a wide<br />

berth. Some stared as they passed.<br />

Rikki burst into tears. “I love you children.”<br />

If they heard her, if they cared, none<br />

showed it.<br />

Behind Rikki, from one of the playground<br />

speakers, Marvin announced, “Discovery’s<br />

radar shows Endeavour is inbound. It will be<br />

on the ground within ten minutes.”<br />

Li motioned Rikki forward. “I’m almost impressed.<br />

They got suspicious faster than I expected.”<br />

The barren rock near the fence was . . .<br />

changed. Textured. Dug up, somehow, by the<br />

bulldozer? By the children, too, Rikki guessed<br />

from all those begrimed faces <strong>and</strong> h<strong>and</strong>s.<br />

Two paces closer <strong>and</strong> Rikki saw that something<br />

covered that strip of ground. A wavy<br />

gravel bed, all tiny hummocks, hollows, <strong>and</strong><br />

shoeprints, extended about five meters inside<br />

the fence. The broad gravel b<strong>and</strong> paralleled<br />

the fence until both, curving around buildings,<br />

were lost to sight.<br />

“Stop!” Li picked up one of the rocks that<br />

little feet had kicked <strong>and</strong> dragged into the<br />

compound. “Do not approach the gate.”<br />

“Why not?”<br />

Li lobbed her pebble toward the middle of<br />

the gravel strip, about ten meters to the left of<br />

the gate. Nothing happened.<br />

“That was anticlimactic.” Li took a rake<br />

from the tool pile. She tossed it after the pebble.<br />

Blam!<br />

Rikki ducked, h<strong>and</strong>s clapped to her ears, as<br />

gravel rained down <strong>and</strong> something stung her<br />

cheek. Stones pinged off the fence <strong>and</strong> concrete<br />

chips flew from it. Children screamed.<br />

When the smoke <strong>and</strong> dust had cleared, a meter-wide<br />

crater remained. Of the rake itself,<br />

only scattered twisted shards could be seen.<br />

“Pressure activated. That’s why you should<br />

stay off the gravel.”<br />

Rikki wiped grit <strong>and</strong> tears from her face.<br />

“Why, Li?”<br />

“The fence <strong>and</strong> gate suffice to keep the children<br />

in. The l<strong>and</strong> mines are to keep you <strong>and</strong><br />

your friends out. Except, of course, when I<br />

have need of you inside. The mines are radio<br />

controlled. I can turn them on <strong>and</strong> off.”<br />

“Six minutes,” Marvin called.<br />

“You see,” Li went on, “we on the inside—<br />

<strong>and</strong> our numbers will grow—require food,<br />

water, <strong>and</strong> clothing. Every year or so we’ll<br />

want a fresh bottle of deuterium. So rejoice.<br />

The four of you can still serve the new order.”<br />

“And if we aren’t able to produce enough?<br />

If, say, the weather doesn’t cooperate? You<br />

would blow the bunker?”<br />

“You want to know, can you starve us out?<br />

You could try. But there is plenty of food <strong>and</strong><br />

water in the pantry for just Carlos <strong>and</strong> me.”<br />

“You would take food from the mouths of<br />

babies?”<br />

Li shrugged. “If you withhold food, what<br />

happens is on your heads. And when you<br />

come to your senses <strong>and</strong> resume deliveries,<br />

we can replace any children you starved.”<br />

Rikki just stared, dumbfounded.<br />

“For lesser infractions, if you should be so<br />

foolish, I’m sure I can find other ways to get<br />

your attention. I might cut off power to your<br />

homes for a while. Have any other bright<br />

ideas?”<br />

Did she?<br />

Rikki pointed at the fence. “That encloses<br />

98 EDWARD M. LERNER


what, maybe a square klick? You can’t mean<br />

to stay inside for long. You can’t fit many more<br />

children inside.”<br />

“The secure compound is just about half<br />

that area, but you’re correct. We won’t stay<br />

forever. A few years will suffice. By then, hundreds<br />

of children, the cadre of a new civilization,<br />

will have been thoroughly shaped.”<br />

Bright, fanatical eyes proclaimed, “They’ll be<br />

thoroughly mine.”<br />

“How about this?” Rikki said desperately.<br />

“We construct a second settlement elsewhere.<br />

Far down the coast of Darwin Sea. Or on the<br />

coast of a different sea, if you prefer. You live<br />

there. You build your”—insane, twisted, tragic—“society<br />

there.”<br />

“Or you could move. Except no one will be<br />

going anywhere, because I need workers here<br />

to farm. Or I may find I need resources only<br />

Endeavour can fetch. And even if those<br />

weren’t possibilities, I would still refuse.<br />

Know this: restored humanity will be a single<br />

society. One perfect society.”<br />

With Mad Queen Li to rule it.<br />

The children, terrified by the explosion,<br />

had crowded around Carlos. Eve, taller than<br />

DARK SECRET<br />

JUNE <strong>2013</strong><br />

the rest, very blond, was unmistakable—<strong>and</strong><br />

Carlos’s h<strong>and</strong> rested on her shoulder.<br />

Amid cosmic disaster: a tragedy of human<br />

scale.<br />

Rikki said, “To feed so many, we’ll need Carlos’s<br />

help, too.” Whether or not that was true,<br />

she couldn’t bear the thought of leaving him<br />

inside the fence, with the little girls.<br />

“Carlos outside?” Li hesitated. “No, I need<br />

him.”<br />

“Three minutes,” Marvin advised.<br />

Li took the controller from her pocket. “You<br />

have thirty seconds to cross the gravel.”<br />

“But I—”<br />

“Twenty-five seconds. Twenty-four.”<br />

Rikki dashed, gravel scattering beneath her<br />

shoes. She didn’t slow down until she was at<br />

least twenty meters outside the gate.<br />

Li called, “Your friends will be on the<br />

ground soon. Tell them what you’ve seen. Tell<br />

them what I expect.<br />

“And tell them the consequences if any of<br />

you fail to cooperate.” ■<br />

to be concluded. . . .<br />

99


THE REFERENCE LIBRARY Don Sakers<br />

Much of the excitement in today’s publishing<br />

world is happening in the field<br />

of young adult fiction, also known as<br />

teen fiction or simply YA. We have J.<br />

K. Rowling to thank for this; the enormous<br />

success of the Harry Potter books showed<br />

publishers that YA represented a vast untapped<br />

market, especially for fantasy <strong>and</strong> science<br />

fiction.<br />

Of course, science fiction for younger readers<br />

is nothing new. The Tom Swift series, published<br />

by the Stratemeyer Syndicate beginning<br />

in 1910, were arguably the first science fiction<br />

books aimed at younger readers. (In those<br />

days, there was no real consciousness of<br />

“teenager” as a separate developmental phase;<br />

in general society, people were either children<br />

or adults. According to most sources, it wasn’t<br />

until after World War II that we began to think<br />

of teens as different than children.)<br />

In the prewar period, outside SF f<strong>and</strong>om, all<br />

of science fiction was considered literature for<br />

the young. Fans <strong>and</strong> writers who were adults<br />

in that period often spoke of being belittled for<br />

reading “that crazy Buck Rogers stuff.” The<br />

Campbell revolution was the real beginning of<br />

science fiction for adults, <strong>and</strong> it was nearly another<br />

two decades before book publishers<br />

took SF seriously as an adult market.<br />

Throughout the late 1940s <strong>and</strong> into the early<br />

1960s, many well-known SF authors wrote<br />

what we now recognize as young adult SF (although<br />

at the time they were called “juveniles.”)<br />

The best known <strong>and</strong> most beloved are<br />

Robert A. Heinlein <strong>and</strong> Andre Norton, but<br />

there were numerous other examples. By then<br />

the distinction between YA <strong>and</strong> adult SF was<br />

well-established, <strong>and</strong> longtime readers have<br />

endless fun arguing whether Podkayne of<br />

Mars or Witch World fit into one category or<br />

the other. (Not to keep you in suspense, the<br />

answer is “both.”)<br />

During the 1980s <strong>and</strong> most of the 1990s, YA<br />

fiction was essentially undifferentiated by<br />

genre; instead, it was dominated by temporary<br />

100<br />

fads. There would be a bestseller about, say,<br />

wilderness survival or death in the family, <strong>and</strong><br />

for a year or so every other book would be similar<br />

. . . until the readers lost interest <strong>and</strong> moved<br />

on to the next fad.<br />

That changed in 1997 with the arrival of<br />

Harry Potter. At first, Harry looked like just another<br />

fad—the cry among booksellers <strong>and</strong> librarians<br />

alike was “more books like Harry Potter.”<br />

Yet soon, the realization dawned that what<br />

many teens really wanted was imaginative,<br />

speculative novels: fantasy <strong>and</strong> science fiction.<br />

So what makes a novel a YA book? As a publishing<br />

category, YA books are aimed at an audience<br />

roughly 12-18 years old. However, recent<br />

surveys estimate that more than half the<br />

YA books published are read by older (sometimes<br />

much older) readers.<br />

It doesn’t have to do with sex or violence, either.<br />

YA literature deals with all sorts of topics<br />

once considered taboo.<br />

YA books most often have protagonists under<br />

21—but so do a lot of unquestionably adult<br />

books. No one considers Alexei Panshin’s Rite<br />

of Passage to be a YA book, for example, even<br />

though its protagonist is under 15.<br />

Putting on my librarian hat here, true YA literature<br />

embodies the concerns of teenagers.<br />

That covers everything from bedwetting <strong>and</strong><br />

complexion problems to questions of life,<br />

death, <strong>and</strong> the meaning of the Universe. Yet it<br />

also leaves out a lot. You’re unlikely to see a YA<br />

book focusing on career anxiety, for instance.<br />

In the typical YA novel, adult characters<br />

tend to be ineffectual, villains, or missing altogether.<br />

If there were competent adults around,<br />

how could the teenage protagonists have an<br />

active role in solving major problems? If the<br />

staff of Hogwarts were fully responsible adults,<br />

Harry <strong>and</strong> his young friends would never be<br />

confronting the dangers they do—not without<br />

the adults going to trial for criminal negligence.<br />

Nowadays, though, there are two categories<br />

of YA books being published. First are traditional<br />

YA books with all the characteristics list-


ed above. Second are books that would have<br />

been published as adult titles ten years ago, but<br />

with a few tweaks can be marketed as YA. In<br />

the field of science fiction, where the adult<br />

market is perceived to be in the doldrums,<br />

publishing as YA can make a significant difference<br />

in sales. In essence, these are adult books<br />

masquerading as YA.<br />

As with all classification schemes, these<br />

aren’t hard-<strong>and</strong>-fast categories but rather a continuum.<br />

My favorite example is the Hunger<br />

Games books. These are sophisticated SF<br />

books; if the protagonists were in their twenties<br />

rather than their teens, the books would almost<br />

surely be considered adult fiction. (As it<br />

is, parents of younger teens will want to think<br />

seriously about how to expose their young<br />

readers to the books.)<br />

Sure, adults can read both types of YA. But if<br />

a steady diet of books addressing the concerns<br />

of teenagers makes you feel a bit limited, don’t<br />

write off YA books altogether. Just look for the<br />

adult books that are wearing disguises.<br />

For example:<br />

Rootless<br />

Chris Howard<br />

Scholastic, 330 pages, $17.99 (hardcover)<br />

Kindle: $9.99, Nook: $10.39 (e-book)<br />

ISBN: 978-0-545-38789-7<br />

Series: Rootless 1<br />

Genres: Ecological/Environmental SF, Postapocalyptic,<br />

Teen SF<br />

A century ago, the Darkness came. In the<br />

Darkness, people burned everything <strong>and</strong> anything:<br />

houses, furniture, books, trees . . . little<br />

by little, the old civilization was reduced to<br />

ashes.<br />

With the Darkness came the locusts: fierce<br />

swarms who fed equally on forests or flesh.<br />

And then there were no more forests, no more<br />

trees at all.<br />

In some places, new civilization rose from<br />

the ashes, isl<strong>and</strong>s in a bleak worldwide wastel<strong>and</strong>.<br />

The rich—those who work for corporations<br />

like GenTech, or who make fortunes by<br />

salvaging the ruins of the past—live good lives<br />

in the cities. The poor eke out meager lives<br />

tending GenTech’s locust-proof crops, working<br />

on salvage crews, or as nomads who w<strong>and</strong>er<br />

the wastes in search of work.<br />

THE REFERENCE LIBRARY<br />

JUNE <strong>2013</strong><br />

Seventeen-year-old Banyan is a tree builder:<br />

an artist who turns junk <strong>and</strong> scrap metal into<br />

replica groves <strong>and</strong> forests. The rich pay h<strong>and</strong>somely<br />

for his creations, for having one’s own<br />

trees is not only the ultimate status symbol, it’s<br />

a touch of beauty, a reminder of the mythical<br />

past.<br />

When Banyan takes on the biggest job he’s<br />

ever had, he meets a woman with a beautiful<br />

tattoo of a gorgeous living tree. And he learns<br />

that there just might be a place where real<br />

trees still survive.<br />

Banyan’s subsequent quest, in search of a fabled<br />

orchard that may or may not exist, takes<br />

us across a magnificently detailed world, a<br />

world full of dangers <strong>and</strong> wonders, pirates <strong>and</strong><br />

scavengers, friends <strong>and</strong> enemies, <strong>and</strong> always<br />

the threat of the locusts. This is one of those<br />

books in which the l<strong>and</strong>scape becomes as<br />

much a fascinating character as the people in<br />

the story.<br />

Yes, Rootless is a post-apocalyptic novel, as<br />

is the rage today; but the book transcends that<br />

genre. Banyan is a compelling, fun character,<br />

<strong>and</strong> the folks he meets on his journey are<br />

equally captivating. The language is fresh <strong>and</strong><br />

sparkling.<br />

Fair warning: Rootless is the first of a series.<br />

The immediate story comes to a satisfactory<br />

ending, but as with all great future worlds <strong>and</strong><br />

gr<strong>and</strong> epics, there’s much more to come.<br />

The Best of All Possible Worlds<br />

Karen Lord<br />

Del Rey, 320 pages, $25.00 (hardcover)<br />

iBooks, Kindle, Nook: $12.99 (e-book)<br />

ISBN: 978-0-345-53405-7<br />

Genres: Psychological/Sociological SF, Romantic<br />

SF<br />

There’s a strain of science fiction that imagines<br />

an interstellar society composed of many<br />

varieties of humanoid races. Ursula K. LeGuin’s<br />

Hainish Cycle books do this, as do Sharon Lee<br />

<strong>and</strong> Steve Miller’s Liaden Universe stories. Now<br />

we can add Karen Lord to the list.<br />

In Lord’s future, humanoids exist on many<br />

worlds <strong>and</strong> take many forms. Among them are<br />

the Sadiri, a telepathic people who pride themselves<br />

on their self-discipline. Ascetic <strong>and</strong> unemotional,<br />

the Sadiri hold themselves apart<br />

from other races.<br />

101


ANALOG<br />

Perhaps inevitably, the Sadiri also have their<br />

enemies. And one of those enemy races unleashes<br />

disaster, destroying the Sadiri homeworld<br />

<strong>and</strong> killing most of the Sadiri. The survivors,<br />

mostly Sadiri who were offworld at the<br />

time, are left as homeless refugees.<br />

Enter Cygnus Beta, a world built by<br />

refugees, a welcoming home to all of the<br />

galaxy’s displaced peoples. Successive waves<br />

of exiles <strong>and</strong> survivors have settled on Cygnus<br />

Beta; the resulting Cygnian race is as genetically<br />

<strong>and</strong> socially diverse as they come.<br />

Linguist Delarua works for the Cygnian government<br />

department that settles disputes between<br />

ethic groups. Clear-headed <strong>and</strong> practical,<br />

Delarua likes her job <strong>and</strong> is happy with her<br />

life. When the first Sadiri refugees arrive, she’s<br />

made chief liaison to their settlement.<br />

Chief among the Sadiri is Dllenankh, a diplomat,<br />

who bears with dignity both his survivor’s<br />

guilt, <strong>and</strong> the responsibility for finding a way<br />

for his people <strong>and</strong> their culture to survive. In<br />

order to broaden the gene pool as much as<br />

possible, the next generation of Sadiri will<br />

have to come from interbreeding with other<br />

races; Cygnus Beta offers the best hope, for<br />

some of the people who settled there in the<br />

past spring from the same stock as the Sadiri.<br />

Dllenankh’s group is a test case to see if such<br />

interbreeding can be successful.<br />

In brilliant harmony, the larger problem of<br />

the Sadiri is mirrored in the very personal relationship<br />

between Delarua <strong>and</strong> Dllenankh—for<br />

these two, thrown together in their work, begin<br />

to fall in love.<br />

The Best of All Possible Worlds is a slow,<br />

stately waltz in which personal <strong>and</strong> societal<br />

stories progress toward an ultimate <strong>and</strong> satisfying<br />

conclusion. Resonances with today’s world<br />

are inevitable: Cygnus Beta is, in its own way,<br />

as much a melting pot as the United States, <strong>and</strong><br />

today’s world certainly has its share of displaced<br />

peoples. All in all, this deliciously understated<br />

book is a delight.<br />

Red Planet Blues<br />

Robert J. Sawyer<br />

Viking, 460 pages, $30.00 (hardcover)<br />

iBooks, Kindle, Nook: $12.99 (e-book)<br />

ISBN: 978-0-670-06577-6<br />

Genres: Mars, SF Mystery<br />

A new Robert J. Sawyer book is always<br />

cause for celebration. Even more so when the<br />

book is something completely different than<br />

he’s been doing for the last few years.<br />

Red Planet Blues is a tour de force: a hardboiled<br />

detective thriller set in a Martian settlement<br />

fifty to a hundred years from now. It all<br />

started with Sawyer’s 2004 Hugo—<strong>and</strong> Nebula-nominated<br />

novella “Identity Theft,” which<br />

is included as part of the current book.<br />

Four decades before the time of the story,<br />

Martian explorers Simon Weingarten <strong>and</strong> Danny<br />

O’Reilly found fossil evidence of past life.<br />

This spawned the Great Martian Fossil Rush,<br />

as thous<strong>and</strong>s moved to Mars in hopes of unearthing<br />

more fossils <strong>and</strong> striking it rich.<br />

That was the genesis of New Klondike, a<br />

domed city on the newest frontier. It’s a raw,<br />

rough place where the burned-out hulks of<br />

failed prospectors share the streets with the<br />

glitterati <strong>and</strong> so-called transfers—<strong>and</strong>roids animated<br />

by the uploaded consciousnesses of<br />

Earth’s wealthy <strong>and</strong> influential.<br />

In the chaos of New Klondike there’s sure<br />

to be crime. Enter Alex Lomax, a private investigator<br />

who makes his living tracking<br />

down thieves <strong>and</strong> murderers. Alex is the classic<br />

rough detective with a soft heart, struggling<br />

to pay his bills <strong>and</strong> keep his head above<br />

water while still bringing some justice to the<br />

world.<br />

Then Alex gets an unexpected case, one<br />

that could make his reputation <strong>and</strong> ensure his<br />

fortune. It’s the most famous unsolved case on<br />

the books: Decades ago, someone murdered<br />

Weingartner <strong>and</strong> O’Reilly. And it’s up to Alex<br />

to find out who . . . no matter where the investigation<br />

leads.<br />

Well, this is Robert J. Sawyer, so you know<br />

it’s a well-written, intelligent story with some<br />

unexpected twists. Alex Lomax is one of the<br />

good guys, easy to identify with—<strong>and</strong> Sawyer<br />

makes New Klondike as real as the street in<br />

front of your house. Red Planet Blues isn’t<br />

just a mystery story with science fiction trappings,<br />

it’s a fusion of the two genres in which<br />

the mystery depends on the SF elements.<br />

To top it off, Sawyer obviously had fun writing<br />

this book, <strong>and</strong> that sense of fun comes<br />

through on every page. Definitely worth reading.<br />

* * *<br />

102 DON SAKERS


Farside<br />

Ben Bova<br />

Tor, 400 pages, $24.99 (hardcover)<br />

iBooks, Kindle, Nook: $11.99 (e-book)<br />

ISBN: 978-0-7653-2387-3<br />

Series: Gr<strong>and</strong> Tour<br />

Genres: Hard SF, High Frontier<br />

The Robert A. Heinlein <strong>and</strong> Andre Norton<br />

“juveniles” of the 1950s <strong>and</strong> 1960s played a big<br />

part in inspiring an entire generation of young<br />

people to enter the fields of science <strong>and</strong> engineering.<br />

You don’t have to ask very many astrophysicists<br />

or astronauts to uncover someone’s<br />

happy memories of Have Space Suit,Will<br />

Travel or Starman’s Son.<br />

Currently, the inspirational torch is carried<br />

by Ben Bova. Most of Bova’s books aren’t actually<br />

YA, either in intent or in marketing—but<br />

they’re easily accessible to bright teenagers,<br />

<strong>and</strong> they’ve opened the wonder of science <strong>and</strong><br />

engineering to many a young mind.<br />

A typical Bova book is set anywhere from<br />

twenty to two hundred years from the present,<br />

involves the exploration <strong>and</strong> industrialization<br />

of some piece of real estate in the solar system,<br />

has a varied multicultural cast, <strong>and</strong> is built<br />

around an exciting thriller plot. The book’s informed<br />

by accurate science <strong>and</strong> rigorous extrapolation,<br />

<strong>and</strong> imparts the joy of learning.<br />

Scientists, technologists, <strong>and</strong> explorers are the<br />

heroes of most Bova books, rational <strong>and</strong> intelligent<br />

people all.<br />

Farside, Bova’s latest, is no exception. It’s set<br />

against the background of constructing the<br />

first large observatory on the Moon’s farside,<br />

where Luna’s bulk shields the instruments<br />

from the electromagnetic <strong>and</strong> political interference<br />

of Earth.<br />

Trudy Yost, astronomer, travels to the Lunar<br />

nation of Selene to become assistant to Professor<br />

Jason Uhlrich. Uhlrich is the driving force<br />

behind Farside Observatory, <strong>and</strong> a leading expert<br />

in the observatory’s target: the Earth-size<br />

planet Sirius C. The planet shows hopeful<br />

signs, but critical data is tantalizingly out of<br />

reach until Farside’s delicate instruments are<br />

online. But first, they have to build those instruments.<br />

It’s an unforgiving environment for construction<br />

work. Airless, bathed in hard radiation,<br />

subject to micrometeorite bombardment,<br />

THE REFERENCE LIBRARY<br />

JUNE <strong>2013</strong><br />

everything covered in the irritating Lunar dust.<br />

Construction crews rely on robots <strong>and</strong><br />

nanomachines for much of the work. Accidents<br />

are frequent, some of them fatal.<br />

And some of the fatal ones aren’t accidents<br />

at all. Slowly, Trudy learns that there’s a saboteur<br />

at work—one, perhaps, with a good reason<br />

to want the project stopped.<br />

In the midst of all this, Uhlrich’s spectroanalysis<br />

of Sirius C finds traces of oxygen <strong>and</strong><br />

water vapor, sure signs of life. And suddenly,<br />

the stakes are much higher ....<br />

Bova is a master storyteller, <strong>and</strong> Farside is a<br />

delightful read.<br />

A Legacy of Stars<br />

Danielle Ackley-McPhail<br />

DTF Publications, 230 pages, $14.95 (trade paperback)<br />

Kindle, Nook: $2.99 (e-book)<br />

ISBN: 978-1-937051-95-2<br />

Genre: Short Stories<br />

Danielle Ackley-McPhail is one of the up<strong>and</strong>-coming<br />

storytellers <strong>and</strong> editors in SF/fantasy.<br />

She’s best known for her series of humorous<br />

fantasy anthologies, the Bad-Ass Faeries.<br />

Here she serves up a baker’s dozen science fiction<br />

short stories, ranging from military SF to<br />

SF horror to one of the cleverest first contact<br />

stories to come along in a long time. Each story<br />

is introduced by an editor or SF writer, <strong>and</strong><br />

there are five of Ackley-McPhail’s poems as<br />

well.<br />

If you’re in the mood for a smorgasbord of<br />

enjoyable tales from a fresh new voice, at an ebook<br />

price that won’t break the bank, give A<br />

Legacy of Stars a try.<br />

Finally, I call your attention to Unidentified<br />

Funny Objects, edited by Alex Shvartsman, a<br />

collection of funny SF stories. One of the stories<br />

is mine, so obviously I can’t give the book<br />

a regular review, but it seems like something<br />

<strong>Analog</strong> readers would want to know about.<br />

That’s it for this time around; see you next issue!<br />

Don Sakers is the author of A Voice in Every<br />

Wind <strong>and</strong> A Rose From Old Terra.For more information,<br />

visit www.scatteredworlds.com. ■<br />

103


BRASS TACKS<br />

Mr. Walsh,<br />

On page 37 of the print edition of<br />

<strong>Analog</strong> [March <strong>2013</strong>, “Spoof Worlds”<br />

by Kevin Walsh] you state that<br />

“. . . small amounts of carbon dioxide are<br />

needed by human beings to maintain the respiration<br />

process.” This is true but might be<br />

construed to imply that atmospheric carbon<br />

dioxide (CO ) is needed. As a matter of fact,<br />

2<br />

in closed environments (submarines, closed<br />

circuit diving, space craft, anesthesia circuits)<br />

great efforts are expended to assure<br />

that inspired CO levels are close to zero. Ele-<br />

2<br />

vated levels of CO can result in sedation,<br />

2<br />

loss of consciousness <strong>and</strong> death. Atmospheric<br />

carbon dioxide (while global levels are increasing)<br />

is essentially nil (hundreds of parts<br />

per million, I believe) with regard to breathing.<br />

CO , as a product of metabolism, dis-<br />

2<br />

solves in the blood <strong>and</strong> is carried to the<br />

brain’s respiratory center where it serves to<br />

stimulate respiration. The normal partial<br />

pressure of arterial CO is approximately<br />

2<br />

35–45 mmHg (this corresponds to approximately<br />

5 volumes per cent at sea level). Elimination<br />

of CO is in part diffusion dependent:<br />

2<br />

it is driven by the concentration gradient between<br />

lung <strong>and</strong> atmospheric concentration<br />

(the other part is minute ventilation).<br />

I apologize if you already possess this<br />

(simplified) information. I simply wished to<br />

point out this point of potential misunderst<strong>and</strong>ing.<br />

Thank you for your contribution to <strong>Analog</strong><br />

<strong>and</strong> please accept my wishes for a happy <strong>and</strong><br />

healthy New Year.<br />

Sincerely,<br />

Shepard Stone<br />

The author responds . . .<br />

Good point. Thanks for clearing up a<br />

source of potential confusion.<br />

104<br />

Dear <strong>Analog</strong>,<br />

I just finished reading the March <strong>2013</strong> editorial<br />

<strong>and</strong> wanted to convey my heart-felt<br />

“thank you” <strong>and</strong> best wishes for a long, happy<br />

<strong>and</strong> prosperous retirement to Dr. Schmidt.<br />

Dr. Schmidt, I think you have done an absolutely<br />

spectacular job of making <strong>and</strong> keeping<br />

<strong>Analog</strong> the excellent <strong>and</strong> entertaining<br />

publication it is. I definitely look forward to<br />

reading/hearing your future work.<br />

I also welcome Mr. Quachri <strong>and</strong> Ms. Hockaday<br />

<strong>and</strong> look forward to a continued long<br />

<strong>and</strong> happy relationship with you through<br />

<strong>Analog</strong>.<br />

Best regards to all,<br />

John Harcinske<br />

Mitchell, SD<br />

Dr. Schmidt,<br />

Thank you for all you have done during<br />

your years at <strong>Analog</strong>. And Mr. Quachri, congratulations<br />

on your appointment.<br />

I have been a regular reader for almost fifty<br />

years, <strong>and</strong> a subscriber for over forty years. I<br />

am retired from the NYS Department of Environmental<br />

Conservation <strong>and</strong> the NY Army<br />

National Guard. Environmental <strong>and</strong> military<br />

issues have long been my interest, <strong>and</strong> I have<br />

read many good stories on these subjects in<br />

<strong>Analog</strong>. Obviously, I would like to see more<br />

stories on these issues in the future, <strong>and</strong> am<br />

surprised at how few I have seen that address<br />

what we humans have been doing to this<br />

planet.<br />

I cheered when I read the editorials that<br />

address population issues, Dr. Schmidt is a<br />

rare voice on the subject that does not focus<br />

on the incredibly short sighted view that we<br />

need more population growth so we have<br />

enough young people to support us oldsters.<br />

More people, dem<strong>and</strong>ing a rising st<strong>and</strong>ard of<br />

living, will use more resources, <strong>and</strong> the plan-


et just cannot take too much more of this.<br />

Habitat destruction, especially deforestation,<br />

continues at an alarming rate. Commercial<br />

fishing is headed the way of whale hunting.<br />

Biodiversity is shrinking, species are being<br />

driven to extinction by the actions of humans.<br />

Last but not least, we are performing<br />

an uncontrolled experiment on how much<br />

coal <strong>and</strong> other fossil fuels we can burn for<br />

short term gain with virtually no consideration<br />

for the long term effects of these actions.<br />

Many science fiction stories start from the<br />

premise of “if this trend continues, then . . .”<br />

I would certainly like to see a lot more stories<br />

speculating what will happen if the trends<br />

mentioned above continue, as it seems they<br />

will. It certainly appears that we will not get<br />

to exploit the resources of the solar system<br />

(such as mining the asteroids) before these<br />

trends cause some kind of collapse of our<br />

current society. Recovery from this could be<br />

very difficult, as many of the resources we<br />

are currently exploiting are difficult to get at,<br />

(the Deepwater Horizon well was over a mile<br />

below sea level, etc). So how about this for<br />

the premise of a SF story—current trends<br />

continue, <strong>and</strong> climate change causes not only<br />

ice melting which raises sea levels, but the<br />

permafrost melts, <strong>and</strong> releases an unknown<br />

but huge quantity of currently frozen<br />

methane, which could lead to a runaway<br />

greenhouse effect? Is this science fiction or<br />

future science fact?<br />

I underst<strong>and</strong> that not everyone thinks this<br />

is likely, the climate change deniers are well<br />

funded (Koch brothers, etc. seem to have no<br />

concern for what kind of planet their gr<strong>and</strong>-<br />

BRASS TACKS<br />

JUNE <strong>2013</strong><br />

children will inherit). Anyway, I submit for<br />

your consideration that the items I have mentioned<br />

should get more ink, both science fiction<br />

<strong>and</strong> science fact, than we have seen so<br />

far.<br />

On another subject, I have a suggestion for<br />

the Reference Library section. There are<br />

many great SF authors that I was first introduced<br />

to by <strong>Analog</strong>. I own a ton of David<br />

Drake, Bujold’s Vorkosigan stories, McCaffrey’s<br />

dragonriders, <strong>and</strong> other authors who I<br />

first read in <strong>Analog</strong>. Many of the characters<br />

<strong>and</strong> story lines first published in <strong>Analog</strong> are<br />

later published in books, so I would suggest<br />

that this <strong>Analog</strong> feature tell us specifically<br />

when this happens. It doesn’t have to be big,<br />

just a statement such as author X, who wrote<br />

about Y, in the Z issue of <strong>Analog</strong>, now has a<br />

book published in this setting.<br />

Keep up the good work.<br />

Sincerely,<br />

Paul W. McCarthy<br />

Thanks for your letter (<strong>and</strong> the kind<br />

wishes). I think you make a good case for<br />

the relevance <strong>and</strong> importance of environmental<br />

science fiction. I’ve always been a<br />

bit surprised it’s not a larger part of the<br />

field, but perhaps that will change as<br />

awareness of the issues continues to grow.<br />

Your suggestion for “The Reference Library”<br />

is also sound, but we actually already<br />

do it—aside from Don regularly mentioning<br />

any <strong>Analog</strong> connection in the body<br />

of a review, he sometimes calls out books by<br />

<strong>Analog</strong> authors that he doesn’t have room<br />

to fully cover, purely because they might be<br />

of interest to our readers. ■<br />

You may never know what results come from your action. But if you<br />

do nothing, there will be no result.<br />

—Mahatma G<strong>and</strong>hi<br />

105


UPCOMING EVENTS Anthony Lewis<br />

NOTE: Membership rates <strong>and</strong> other details<br />

often change after we have gone to press.<br />

Check the websites for the most recent information.<br />

4–7 July <strong>2013</strong><br />

WESTERCON 66 (West coast <strong>Science</strong> Fantasy<br />

conference) at Hilton Arden West, Sacramento<br />

CA. Author Guests of Honor: Nicola Griffith,<br />

Kelley Eskridge; Artist Guest of Honor: Eric<br />

Shanower; Fan Guest of Honor: Radio Free<br />

Skaro (Warren Frey, Steven Schpansky, Chris<br />

Burgess); Small Press Special Guest: David Maxine.<br />

Membership: $65 in advance; $75 at the<br />

door; $30 supporting. Info: www.westercon66.org;<br />

info@westercon66.org; info@westercon66.org;<br />

PO Box 61363, Sunnyvale CA<br />

94088-1363.<br />

4-7 July <strong>2013</strong><br />

CONVERGENCE <strong>2013</strong> (celebrating 50 years of<br />

Doctor Who <strong>and</strong> other British SF) at Double<br />

Tree by Hilton Hotel, Bloomington MN. Editor<br />

Guest of Honor: Lou Anders; Artist Guest of<br />

Honor: John Picacio; Writer/blogger Guest of<br />

Honor: Charlie Jane Anders. Membership: 18+:<br />

$100; 13-17: $60; 6-12: $30,

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