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Analog Science Fiction and Fact - June 2013

Analog Science Fiction and Fact - June 2013

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sleep in the comm<strong>and</strong> couch. The ship’s systems<br />

tickle my mind as I dream, the weird disturbing<br />

visions the price I pay for the<br />

occasional astonishing insight.<br />

The ship <strong>and</strong> I are one, in this as in so many<br />

things. The ship does not even have a name;<br />

my own name, Kell, is what appears in dock<br />

registries <strong>and</strong> bills of lading when I am in port.<br />

“How’s it going?” I ask after a while.<br />

“Eh?” He does not look up.<br />

“Your diagnostic. Will it be finished soon?<br />

I’d like to get back to work, if I may.”<br />

Now he does look up, his gaze flicking<br />

across my hairless scalp, the glossy metal<br />

plates at crown <strong>and</strong> temples <strong>and</strong> nape, before<br />

settling on my eyes. I know the plates disquiet<br />

him; on Svyataya Kirill what I’ve done to myself<br />

for my studies is illegal. Even in the wider<br />

human community, few are willing to undergo<br />

the surgeries, the therapies, the learning to<br />

walk all over again. Augments like me are a curiosity<br />

to many, monstrous to some. Defiant, I<br />

go bare-headed in public. “Half hour,” he says.<br />

“Have you found any problems so far?”<br />

“No, no, no. Is very good. See?” He turns his<br />

screen to me, showing a twitching chart. It is<br />

meaningless to me; how can I underst<strong>and</strong><br />

something I can’t touch? “Excellent sensitivity,”<br />

he explains, pointing to a peak on the<br />

graph. He smiles, the charts <strong>and</strong> numbers<br />

bringing his face alive for the first time. “Better<br />

than expected.”<br />

“I’m pleased,” I say, <strong>and</strong> I really am. The<br />

frigid box of barely-tested hardware welded to<br />

my ship’s core makes me uneasy, but I salivate<br />

at the promised results. “I can’t wait to try it.”<br />

“You will like.” Evon turns his shoulders to<br />

face me, politeness winning out over his habitual<br />

reticence, though his eyes still dart to<br />

the screen at intervals. “What do you hope to<br />

find,” he says, “with new detector?”<br />

My area of study, I explain, is the Showa period<br />

of the Nihon culture: a single century in a<br />

single culture of the Late Telegraphic <strong>and</strong> Early<br />

Broadcast strata. Despite its obscurity, I believe<br />

this period is a key hinge-point between<br />

the pre-electromagnetic culture of ancient Nihon<br />

<strong>and</strong> the daikeiretsu governments that<br />

dominated the planet in the twenty-second<br />

century <strong>and</strong> pioneered the industrialization of<br />

space. Somewhere in the vast middens of<br />

noise <strong>and</strong> garble that form the electromagnetic<br />

l<strong>and</strong>scape of the Tojo Shogunate, I am con-<br />

WAVEFRONTS OF HISTORY AND MEMORY<br />

JUNE <strong>2013</strong><br />

vinced, can be found the seeds of the<br />

Kikkasho Efflorescence that birthed our modern<br />

world.<br />

But it’s a hard period to study, a deep deep<br />

layer of the fuzziest, most tenuous signals. The<br />

radioartifacts of the Late Telegraphic were indistinct,<br />

weak, <strong>and</strong> drowned in noise even<br />

when they originated; today they are smeared<br />

across the outermost surface—the bottom, in<br />

radioarchaeologists’ upside-down traditional<br />

terminology—of a sphere nine thous<strong>and</strong> years<br />

in radius that exp<strong>and</strong>s further each day. Torn<br />

by dust clouds, punctured by stars, <strong>and</strong> dispersed<br />

by nebulae, most of this enormous<br />

spherical surface is useless; the areas of good<br />

seeing are rare <strong>and</strong> eagerly sought. We have<br />

come to one such location because of its unparalleled<br />

view of Nihon in years 16 through<br />

19 of the Showa period, or 1941 through<br />

1944 in the anno domini system also in use at<br />

the time.<br />

“It was during that period,” I tell Evon, “that<br />

the baryonic energy technologies that eventually<br />

both powered humanity’s expansion into<br />

space <strong>and</strong> demolished the Earth made their<br />

first crude weaponized appearances. It’s well<br />

known that Nihon was the first Earth culture<br />

to feel the impact of these weapons, at the<br />

end of the Second Global War, <strong>and</strong> that attack<br />

had a profound impact on the culture’s development<br />

<strong>and</strong> attitudes toward those technologies<br />

in the following centuries. But the<br />

reasons Nihon was attacked are unclear; even<br />

the identity of the attacker is disputed. I hope<br />

to unearth radioartifacts of the Tojo Shogunate<br />

to definitively answer this question.”<br />

“What kind signal strengths, these artifacts?”<br />

“Four point three femtojanskys.” Numbers<br />

are not my forte, but this cruel figure is etched<br />

on my heart. “No more.”<br />

Evon’s lips purse in concentration. His eyes<br />

had w<strong>and</strong>ered during my discussion of history<br />

<strong>and</strong> culture, but this statistic is something he<br />

can get his h<strong>and</strong>s around. “Is very weak, yes.<br />

But new detector can do, I think.” He nods, as<br />

though to reassure himself. “Yes. Can do.”<br />

I can’t help but recall my last dig at this site.<br />

Aleá had squealed in delight as the first signals<br />

had come through. “My God!” she said. “Listen<br />

to this!” She pulled the headphones from<br />

her ears <strong>and</strong> jammed them down on my head.<br />

Through hiss <strong>and</strong> whine I heard a voice in<br />

33

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