Analog Science Fiction and Fact - June 2013
Analog Science Fiction and Fact - June 2013
Analog Science Fiction and Fact - June 2013
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ANALOG<br />
ergy. But eight years ago—in this very spot—it<br />
had been different. We’d first sniped at each<br />
other, then fought openly, then sullenly retreated<br />
to separate work spaces as the signals<br />
we’d worked so hard to locate fell apart under<br />
our h<strong>and</strong>s. We used different tools, I merged<br />
with the ship <strong>and</strong> she with goggles <strong>and</strong> gloves,<br />
but both of us were frustrated, angry, despairing—lashing<br />
out at each other because the distant,<br />
roaring stars <strong>and</strong> nebulae that were our<br />
real enemies were beyond our reach. When<br />
we gave up <strong>and</strong> transitioned back to the Institute,<br />
we hadn’t spoken in days. I awoke the<br />
next morning to a cold void in my bed <strong>and</strong> a<br />
paper note: “Don’t try to follow me.”<br />
I tore the note to pieces with my teeth,<br />
then set it on fire.<br />
But I’d never been able to burn away the<br />
pain in my soul, the question that seared my<br />
heart.<br />
Why?<br />
Why did she leave me?<br />
We’d fought many times before. Why had<br />
this fight been so different? So . . . terminal?<br />
At last I am done filtering out the engine<br />
<strong>and</strong> sensor noise. But pulling those away reveals<br />
finer structures, fidgeting like a tangle of<br />
fine wires. I’ve never seen signals like these<br />
before; they were below the threshold of my<br />
detectors at the time, even at a range of zero. I<br />
look more closely.<br />
These signals are the leakage from the ship’s<br />
internal electronics. In a way, I am looking at<br />
the workings of my own earlier mind. It’s a fascinating<br />
<strong>and</strong> slightly disturbing thought.<br />
I wish I could ignore these vibrating wires,<br />
but I can’t; faint though they may be, these signals<br />
are stronger than nine-thous<strong>and</strong>-year-old<br />
radioartifacts. I must strain them out of the<br />
data stream now or I’ll have to chip them off<br />
of every single item later. I pull the old ship’s<br />
documentation from storage <strong>and</strong> begin the<br />
painstaking work of building a filter to remove<br />
them.<br />
Later. I find myself in the cabin, blowing the<br />
steam off a bowl of miso soup. The hot bowl<br />
trembles in my h<strong>and</strong>s <strong>and</strong> I realize I haven’t<br />
eaten in over twenty hours.<br />
Evon is munching on one of his ubiquitous<br />
food bars. “Is good, new detector?” he asks in<br />
a conversational tone.<br />
“Too good.” I sip cautiously. Still too hot.<br />
“It’s picking up new sources of noise as well<br />
as the new signals.” I find myself reluctant to<br />
explain exactly what those noise sources are.<br />
I’ve always been a private person, <strong>and</strong> never<br />
shared the pain of my severed relationship<br />
with anyone.<br />
“I see on my readouts,” he replies. “Signal<br />
source is nearby. Probably ship.”<br />
“I know what it is.” I won’t let this bloodless<br />
man tell me how to do my job.<br />
“I can help filter it out.”<br />
I feel my teeth grind together. “I have the<br />
situation in h<strong>and</strong>.”<br />
“You be careful,” he says, waving the food<br />
bar. I wince as crumbs dirty the table. “Detector<br />
is verrry sensitive. Focus on strong signal<br />
could damage. Or worse.”<br />
“I’ll be careful,” I snap, <strong>and</strong> take another sip<br />
of soup to calm my nerves.<br />
Damn it. I’ve burned my mouth.<br />
After finishing my soup, I retire to the comm<strong>and</strong><br />
couch for a few hours’ rest.<br />
In my dreams I’m back in school, my hair<br />
luxuriantly curly <strong>and</strong> my mind still entirely organic.<br />
I’m on a dig, a physical dig, in some<br />
hot, s<strong>and</strong>y place where an unremitting sun<br />
hammers down from a pink sky. An infinity of<br />
scraped earth, neat terraces of precise excavations<br />
divided into squares by glittering laser<br />
beams, stretches away to the horizon.<br />
With brush <strong>and</strong> pick <strong>and</strong> trowel I work<br />
down through layer after layer of char <strong>and</strong> ash,<br />
the ruins of some ancient disaster. The dark,<br />
gritty stuff embeds itself beneath my fingernails<br />
<strong>and</strong> makes me sneeze black goo. And<br />
then I find a pair of skulls.<br />
One bears a diadem of fine wire. The other . . .<br />
I pick it up. Embedded in the skull are metal<br />
plates, scratched <strong>and</strong> pitted with age.<br />
The skull’s eyes open, <strong>and</strong> they are my own.<br />
I thrash <strong>and</strong> gasp awake.<br />
It takes only a few more hours’ work before<br />
I’ve pared away the last of the intruding signal.<br />
Or so I think. But I find the artifacts still gritty<br />
with hard, encrusted noise. What have I<br />
missed?<br />
I switch back to the data stream. Although<br />
I’ve filtered out every trace of my old ship’s<br />
systems, <strong>and</strong> even my own augments, one<br />
fine jittering wire of signal remains.<br />
A wire like the wire diadem on the first<br />
36 DAVID D. LEVINE