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Analog Science Fiction and Fact - June 2013

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ANALOG<br />

wistful look in her eye, faced the other way,<br />

toward the much larger but no less utilitarian<br />

squat concrete box that was the childcare center.<br />

What the hell, they could gobble breakfast.<br />

It was only fuel, best not noticed.<br />

“We can spare a few minutes,” he told her,<br />

offering his h<strong>and</strong>.<br />

Rikki led them down Main Street, the rutted<br />

path there was never the time or the resources<br />

to pave, into the childcare center. A<br />

broad corridor, its inner wall all one-way glass,<br />

enclosed the facility on all four sides. They<br />

paused first outside the gestation room, its<br />

glow panels still night-dim. On forty-eight<br />

empty wombs, READY lights shone a steady<br />

green. Carlos expected to have another ten or<br />

more units finished soon.<br />

On a rear-wall display, above <strong>and</strong> behind<br />

the wombs, counters ticked down toward<br />

Family Day. Forty-five days . . .<br />

Around the corner, in the gallery outside<br />

the nursery, he <strong>and</strong> Rikki tarried longer. In<br />

twenty-seven glass-enclosed cribs, eerily<br />

hushed, babies slept, or stirred, or fussed. The<br />

little ones only seemed silent; so that they<br />

would not disturb each other, noise cancellers<br />

in each enclosure masked most sounds.<br />

Though the babies varied in size, they were almost<br />

identical in age: about four months.<br />

Through sensors wired into the cribs, Marvin<br />

watched, listened, <strong>and</strong> sniffed ceaselessly<br />

for any hints of distress. From displays at the<br />

foot of each crib the AI’s smiling animation<br />

would be beaming down, crooning or speaking<br />

soothingly to each infant as it (or rather,<br />

Li’s verbal generalities turned by Carlos into<br />

updated programming) deemed appropriate.<br />

Antonio, passed out on the room’s rumpled<br />

cot, an out-flung arm trailing on the floor, remained<br />

on duty for whenever the AI needed<br />

h<strong>and</strong>s or suspected a problem. To judge by<br />

the line-up of empty formula bottles on the<br />

table along the wall, <strong>and</strong> the overflowing diaper<br />

pails, Antonio had had a long night.<br />

As Rikki reached for the doorknob, Blake<br />

said, “Don’t. You’ll wake Antonio.” Who, like<br />

Dana, was old enough to be a gr<strong>and</strong>parent. In<br />

a fairer world, neither would be expected to<br />

pull all-nighters like this.<br />

Rikki jerked back her h<strong>and</strong>, looking sad <strong>and</strong><br />

relieved. “It’s so . . . cold.”<br />

Impersonal, she meant. “I know,” he told her.<br />

And yet inescapable. He nudged her around<br />

another corner <strong>and</strong> they peeked in on the toddlers.<br />

Marvin kept watch here, too.<br />

Most here were awake, playing <strong>and</strong> babbling<br />

in their cribs. By accident or with insight,<br />

a few had opened the refrigerated<br />

compartments in their cribs <strong>and</strong> helped themselves<br />

to formula bottles. Antonio would be<br />

along soon—roused by Marvin, if need be—to<br />

help those who hadn’t managed to feed themselves.<br />

And to change diapers. Lots of diapers.<br />

Rikki reached for the knob of this door, too.<br />

Once inside, she wouldn’t leave without first<br />

rocking, cuddling, <strong>and</strong> cooing over each of<br />

the twenty-six.<br />

If any child would let her. A haunted expression<br />

told Blake she, too, feared their recoiling.<br />

“We need to get a move on,” he said, not<br />

meeting her eyes.<br />

Around the final corner they looked in on<br />

the oldest children. This room had no cribs;<br />

mattresses resting directly on thickly padded<br />

carpet hid much of the floor.<br />

Eleven of these children were just shy of<br />

three st<strong>and</strong>ard years. Some played, as often<br />

side by side as with one another. A few<br />

rammed around, bouncing off padded walls<br />

<strong>and</strong> each other. Three sat in a corner staring at<br />

an animation with images of colored toys.<br />

When Blake pressed an intercom button, Marvin<br />

was teaching numbers. From other wall<br />

displays, Marvin’s avatars praised, cajoled, <strong>and</strong><br />

chided its charges.<br />

Then there was the oldest cohort. The<br />

guinea-pig generation.<br />

Blond, blue-eyed Eve, by almost a day the<br />

gr<strong>and</strong>e dame of the Dark-born, was loading a<br />

tray with snacks. Castor, burly <strong>and</strong> intense,<br />

was piling plastic blocks. Pollux, his black hair<br />

a tousled mess, frowning, sat hunched on one<br />

of the room’s tiny toilets.<br />

The trio struck Blake as wise—or was it<br />

wizened?—beyond their five st<strong>and</strong>ard years.<br />

He tried to remember when he had seen<br />

any of them smile. And he pretended not to<br />

notice Rikki brushing a tear from her cheek.<br />

This . . . factory was no way to raise children,<br />

but how else could six adults cope? And<br />

duty dem<strong>and</strong>ed they bring yet more children<br />

into the world, while growing food for everyone.<br />

70 EDWARD M. LERNER

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