Analog Science Fiction and Fact - June 2013
Analog Science Fiction and Fact - June 2013
Analog Science Fiction and Fact - June 2013
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ANALOG<br />
wistful look in her eye, faced the other way,<br />
toward the much larger but no less utilitarian<br />
squat concrete box that was the childcare center.<br />
What the hell, they could gobble breakfast.<br />
It was only fuel, best not noticed.<br />
“We can spare a few minutes,” he told her,<br />
offering his h<strong>and</strong>.<br />
Rikki led them down Main Street, the rutted<br />
path there was never the time or the resources<br />
to pave, into the childcare center. A<br />
broad corridor, its inner wall all one-way glass,<br />
enclosed the facility on all four sides. They<br />
paused first outside the gestation room, its<br />
glow panels still night-dim. On forty-eight<br />
empty wombs, READY lights shone a steady<br />
green. Carlos expected to have another ten or<br />
more units finished soon.<br />
On a rear-wall display, above <strong>and</strong> behind<br />
the wombs, counters ticked down toward<br />
Family Day. Forty-five days . . .<br />
Around the corner, in the gallery outside<br />
the nursery, he <strong>and</strong> Rikki tarried longer. In<br />
twenty-seven glass-enclosed cribs, eerily<br />
hushed, babies slept, or stirred, or fussed. The<br />
little ones only seemed silent; so that they<br />
would not disturb each other, noise cancellers<br />
in each enclosure masked most sounds.<br />
Though the babies varied in size, they were almost<br />
identical in age: about four months.<br />
Through sensors wired into the cribs, Marvin<br />
watched, listened, <strong>and</strong> sniffed ceaselessly<br />
for any hints of distress. From displays at the<br />
foot of each crib the AI’s smiling animation<br />
would be beaming down, crooning or speaking<br />
soothingly to each infant as it (or rather,<br />
Li’s verbal generalities turned by Carlos into<br />
updated programming) deemed appropriate.<br />
Antonio, passed out on the room’s rumpled<br />
cot, an out-flung arm trailing on the floor, remained<br />
on duty for whenever the AI needed<br />
h<strong>and</strong>s or suspected a problem. To judge by<br />
the line-up of empty formula bottles on the<br />
table along the wall, <strong>and</strong> the overflowing diaper<br />
pails, Antonio had had a long night.<br />
As Rikki reached for the doorknob, Blake<br />
said, “Don’t. You’ll wake Antonio.” Who, like<br />
Dana, was old enough to be a gr<strong>and</strong>parent. In<br />
a fairer world, neither would be expected to<br />
pull all-nighters like this.<br />
Rikki jerked back her h<strong>and</strong>, looking sad <strong>and</strong><br />
relieved. “It’s so . . . cold.”<br />
Impersonal, she meant. “I know,” he told her.<br />
And yet inescapable. He nudged her around<br />
another corner <strong>and</strong> they peeked in on the toddlers.<br />
Marvin kept watch here, too.<br />
Most here were awake, playing <strong>and</strong> babbling<br />
in their cribs. By accident or with insight,<br />
a few had opened the refrigerated<br />
compartments in their cribs <strong>and</strong> helped themselves<br />
to formula bottles. Antonio would be<br />
along soon—roused by Marvin, if need be—to<br />
help those who hadn’t managed to feed themselves.<br />
And to change diapers. Lots of diapers.<br />
Rikki reached for the knob of this door, too.<br />
Once inside, she wouldn’t leave without first<br />
rocking, cuddling, <strong>and</strong> cooing over each of<br />
the twenty-six.<br />
If any child would let her. A haunted expression<br />
told Blake she, too, feared their recoiling.<br />
“We need to get a move on,” he said, not<br />
meeting her eyes.<br />
Around the final corner they looked in on<br />
the oldest children. This room had no cribs;<br />
mattresses resting directly on thickly padded<br />
carpet hid much of the floor.<br />
Eleven of these children were just shy of<br />
three st<strong>and</strong>ard years. Some played, as often<br />
side by side as with one another. A few<br />
rammed around, bouncing off padded walls<br />
<strong>and</strong> each other. Three sat in a corner staring at<br />
an animation with images of colored toys.<br />
When Blake pressed an intercom button, Marvin<br />
was teaching numbers. From other wall<br />
displays, Marvin’s avatars praised, cajoled, <strong>and</strong><br />
chided its charges.<br />
Then there was the oldest cohort. The<br />
guinea-pig generation.<br />
Blond, blue-eyed Eve, by almost a day the<br />
gr<strong>and</strong>e dame of the Dark-born, was loading a<br />
tray with snacks. Castor, burly <strong>and</strong> intense,<br />
was piling plastic blocks. Pollux, his black hair<br />
a tousled mess, frowning, sat hunched on one<br />
of the room’s tiny toilets.<br />
The trio struck Blake as wise—or was it<br />
wizened?—beyond their five st<strong>and</strong>ard years.<br />
He tried to remember when he had seen<br />
any of them smile. And he pretended not to<br />
notice Rikki brushing a tear from her cheek.<br />
This . . . factory was no way to raise children,<br />
but how else could six adults cope? And<br />
duty dem<strong>and</strong>ed they bring yet more children<br />
into the world, while growing food for everyone.<br />
70 EDWARD M. LERNER