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Analog Science Fiction and Fact - June 2013

Analog Science Fiction and Fact - June 2013

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THE ALTERNATE VIEW Jeffery D. Kooistra<br />

ON THE SUCKING OUT OF INERTIA<br />

So I was minding my own business, getting<br />

ready to hang Christmas lights in<br />

early December, when I checked my<br />

Facebook account before going outside<br />

<strong>and</strong> found an email from Rajnar Vajra. He<br />

was writing a story for an anthology <strong>and</strong><br />

wanted to ask me a physics question, or<br />

more precisely, a “super-science physics”<br />

question. Here’s how he put it: “So here’s my<br />

question: assuming some miraculous device<br />

that can temporarily remove a person’s inertial<br />

potential, <strong>and</strong> considering all net forces,<br />

if said person jumped off a building, how fast<br />

would they fall?”<br />

Actually, Rajnar had already thought this<br />

over, but wanted me to think it over as well<br />

to see if I would independently come to the<br />

same conclusion he had, which he did not<br />

provide me with in the email.<br />

The most dramatic <strong>and</strong> vivid memory I<br />

have of a device that “sucks out inertia”<br />

comes from Heinlein’s Methuselah’s Children.<br />

Therein, Lazarus Long’s long-lived<br />

“families,” in an attempt to escape persecution<br />

on Earth, steal an enormous generationtype,<br />

slower-than-light starship. Prior to this<br />

theft, Lazarus had discussed with his genius<br />

friend Andy “Slipstick” Libby the possibility<br />

of developing a “space drive” to aid in their<br />

escape. This Libby accomplished. It fit inside<br />

a satchel. Heinlein described how it looked<br />

thusly: “Assembled from odd bits of other<br />

equipment, looking more like the product of<br />

a boy’s workshop than the output of a scientist’s<br />

laboratory, the gadget which Libby referred<br />

to as a ‘space drive’ underwent<br />

Lazarus’ critical examination. Against the polished<br />

sophisticated perfection of the control<br />

room it looked uncouth, pathetic, ridiculously<br />

inadequate.”<br />

42<br />

A few sentences later he says it’s a “giddy<br />

little cat’s-cradle of apparatus.”<br />

This is typical of Heinlein when describing<br />

something entirely made up—he makes the<br />

reader do the heavy lifting of envisioning it.<br />

It is up to you to decide what an uncouth, pathetic,<br />

cat’s-cradley thing looks like.<br />

For the next several pages the starship is<br />

taken on a trajectory very near the sun, the<br />

idea being that Libby’s machine will be<br />

turned on, the inertia in the ship will go<br />

away, <strong>and</strong> the Sun’s light <strong>and</strong> wind will instantly<br />

accelerate the ship to near light<br />

speed. Bear in mind that they don’t as yet<br />

even know for sure if the drive will work—<br />

but then comes that inevitable moment<br />

when they’re going to find out that it does.<br />

Or die.<br />

The scene is as follows:<br />

“(Lazarus) poked a thumb at Libby’s uncouth-looking<br />

‘space drive.’ ‘You say that all<br />

you have to do is to hook up that one connection?’<br />

‘That is what is intended. Attach that one<br />

lead to any portion of the mass that is to be<br />

affected.’<br />

Andy hooked it up.<br />

‘Go ahead,’ urged Lazarus. ‘Push the button,<br />

throw the switch, cut the beam. Make it<br />

march.’<br />

‘I have,’ Libby insisted. ‘Look at the Sun.’<br />

‘Huh? Oh!’<br />

The great circle of blackness, which had<br />

marked the position of the Sun on the starspeckled<br />

stellarium, was shrinking rapidly. In<br />

a dozen heartbeats it lost half its diameter;<br />

twenty seconds later it had dwindled to a<br />

quarter of its original width.”<br />

No doubt about it, that’s exciting stuff! I

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